06.11.2016 Views

Issue 7: In the Name of Pi, Math in Our Lives

Starting with elementary school until we finish high school, and still pushed on us in college, is math. Why do we spend so much time studying the subject if our "careers" don't necessarily use it? We're going to delve into mathematics and look at how we use it in our daily lives, both in the ancient past and in the present: the use of zero, the discovery of geometry, pyramids, astronomy, you name it!

Starting with elementary school until we finish high school, and still pushed on us in college, is math. Why do we spend so much time studying the subject if our "careers" don't necessarily use it? We're going to delve into mathematics and look at how we use it in our daily lives, both in the ancient past and in the present: the use of zero, the discovery of geometry, pyramids, astronomy, you name it!

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30 | ORIGINS<br />

Euclid’s Elements, first published <strong>in</strong> 300 BCE, is <strong>the</strong> most studied and edited book after<br />

<strong>the</strong> Bible. The def<strong>in</strong>itions, axioms, <strong>the</strong>orems, and postulates rema<strong>in</strong> unchanged today <strong>in</strong><br />

study and use <strong>in</strong> modern practical applications such as biochemical model<strong>in</strong>g, medical<br />

imag<strong>in</strong>g, sequence alignment, and nanotechnology. Euclidean geometry def<strong>in</strong>es <strong>in</strong>teger<br />

dimensions us<strong>in</strong>g <strong>the</strong> Pythagorean <strong>the</strong>orem, pi, and formulas for surface area and<br />

volume. The Earth’s multi-dimensions cannot be conf<strong>in</strong>ed to classical geometry - l<strong>in</strong>es,<br />

planes, and solids; it is fuzzy, dynamic, and chaotic <strong>in</strong> <strong>the</strong> complex numbers and fourth<br />

dimension.<br />

“<strong>In</strong> <strong>the</strong> whole <strong>of</strong> science, <strong>the</strong> whole <strong>of</strong> ma<strong>the</strong>matics,<br />

smoothness was everyth<strong>in</strong>g. What I did was to open<br />

up roughness for <strong>in</strong>vestigation.”<br />

– Benoit Mandelbrot<br />

The Development <strong>of</strong> <strong>the</strong><br />

Fractal Concept<br />

Describ<strong>in</strong>g this cont<strong>in</strong>uous non-<strong>in</strong>teger dimension<br />

and non-differentiable functions started to<br />

formalize as recursion with Richard Dedek<strong>in</strong>d<br />

(1888) and cont<strong>in</strong>ued with Giuseppe Peano’s five<br />

axioms for positive <strong>in</strong>tegers (1891). Louis <strong>Pi</strong>erre<br />

Joseph Fatou wrote his <strong>the</strong>sis on <strong>in</strong>tegration <strong>of</strong><br />

complex function <strong>the</strong>ory sett<strong>in</strong>g <strong>the</strong> groundwork<br />

for iterations: <strong>the</strong> values and all nearby values<br />

behave similarly under repeated iterations <strong>of</strong> <strong>the</strong><br />

function. Julia Gaston (1918) wrote “Mémoire sur<br />

l’itération des fonctions rationnalles” focus<strong>in</strong>g on<br />

<strong>the</strong> iterative properties <strong>of</strong> a general expression:<br />

z 4 + z 3 /(z-1) + z 2 /(z 3 + 4 z 2 + 5) + c<br />

The formula for <strong>the</strong> Julia set is Z n+1<br />

=Z n<br />

2<br />

+ C<br />

where C is always constant dur<strong>in</strong>g <strong>the</strong> generation<br />

process and <strong>the</strong> value <strong>of</strong> Z0 varies. Each po<strong>in</strong>t <strong>of</strong><br />

<strong>the</strong> complex plane, <strong>the</strong> value <strong>of</strong> C, is associated<br />

with a particular Julia set. This ma<strong>the</strong>matical<br />

<strong>in</strong>genuity died with Julia until <strong>the</strong> advent <strong>of</strong><br />

comput<strong>in</strong>g mach<strong>in</strong>ery with <strong>the</strong> ability to visually<br />

express <strong>the</strong> beauty and express <strong>the</strong> fourth<br />

dimension.<br />

<strong>In</strong> <strong>the</strong> 1960s, Benoit Mandelbrot, an IBM employee,<br />

orig<strong>in</strong>ated <strong>the</strong> term fractal to solidify <strong>the</strong> past<br />

one hundred years <strong>of</strong> ma<strong>the</strong>matical development<br />

<strong>in</strong> endless self-similarity iterations <strong>of</strong> equations<br />

describ<strong>in</strong>g roughness and irregularity on all<br />

systems and life on Earth.<br />

The famous Mandelbrot set is graphically represented<br />

by someth<strong>in</strong>g similar to a black beetle and<br />

is generated from an algorithm based on Julia’s<br />

recursive formula: Zn+1=Zn2 + C. Unlike <strong>the</strong> Julia<br />

set, C is migrated across <strong>the</strong> plane from <strong>the</strong> <strong>in</strong>itial<br />

po<strong>in</strong>t <strong>of</strong> <strong>the</strong> iteration process. The po<strong>in</strong>ts <strong>of</strong> <strong>the</strong><br />

complex plane are separated <strong>in</strong>to two categories<br />

and <strong>the</strong> color scheme is denoted by <strong>the</strong> value <strong>of</strong><br />

<strong>the</strong> po<strong>in</strong>t.<br />

The formula’s start<strong>in</strong>g po<strong>in</strong>t is zero and generates<br />

what may appear to be random and a somewhat<br />

mean<strong>in</strong>gless set <strong>of</strong> numbers, but <strong>the</strong> graphic<br />

portrayal shows <strong>the</strong> self-similar reclusiveness over<br />

an <strong>in</strong>f<strong>in</strong>ite scale. The formula is a summary <strong>of</strong> <strong>the</strong><br />

fourth dimension — <strong>the</strong> real world that <strong>in</strong>cludes<br />

an <strong>in</strong>f<strong>in</strong>ite set <strong>of</strong> fractal dimensions which lie <strong>in</strong><br />

<strong>in</strong>tervals between zero and <strong>the</strong> first dimension,<br />

<strong>the</strong> first and second dimension and <strong>the</strong> second<br />

and third dimension. Fractal geometry describes,<br />

<strong>in</strong> algorithms, <strong>the</strong> non-<strong>in</strong>teger dimensions.<br />

Fractal generators are computerized pa<strong>in</strong>t-bynumbers,<br />

a stimulat<strong>in</strong>g comb<strong>in</strong>ation <strong>of</strong> math,<br />

computations, and art.<br />

www.knowyourorig<strong>in</strong>s.org

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