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Shakespeare Magazine 02

The second issue of Shakespeare Magazine features a wealth of wonders from the world of William Shakespeare. Highlights include David Tennant fans sharing their Shakespeare, Hamlet restaged with toys, Shakespeare in Sydney, and the enduring romance of Shakespeare and classical music. Plus much more!

The second issue of Shakespeare Magazine features a wealth of wonders from the world of William Shakespeare. Highlights include David Tennant fans sharing their Shakespeare, Hamlet restaged with toys, Shakespeare in Sydney, and the enduring romance of Shakespeare and classical music. Plus much more!

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Diary: Sport for Jove <br />

One scene that surprised many audiences<br />

was <strong>Shakespeare</strong>’s little-known nude<br />

shower scene in All’s Well. Damien staged<br />

Helena’s selection of her husband as a<br />

“meat market of men in a shower room”.<br />

There was vibrant rehearsal discussion<br />

of the idea’s merit, and varied levels<br />

of comfort amongst the cast with the<br />

prospect of nudity, but in the end we all<br />

dropped our kit and the scene was lit so<br />

beautifully it all became very sculptural.<br />

All is smooth at the curtain, but<br />

of course the season had the usual<br />

number of mid-show crises. One<br />

night a drape detached from the set,<br />

so mid-scene I climbed four metres<br />

in pitch black (the scene was lit only<br />

by torch light) armed with gaffer tape<br />

to repair the rip. I delivered all my<br />

lines from this new position and no<br />

one seemed to miss me. In another<br />

performance I butchered the play’s<br />

most famous line, switching ‘faults’<br />

for ‘virtues’ in the typically antithetical<br />

<strong>Shakespeare</strong>an line: “Our virtues<br />

would be proud if our faults whipped<br />

them not; and our crimes would<br />

despair if they were not cherished by<br />

our virtues.”<br />

My final part in the show was<br />

baking an All’s Well That Ends<br />

Well-themed cake for closing<br />

night. Inspired by the play’s<br />

reference to ‘withered pears’ I<br />

used dried pears, sour grape<br />

juice, nutmeg, cinnamon and<br />

bay leaves. The result had a<br />

sexy ambiguity of sweet, sour<br />

and spicy flavours, hinting at<br />

the darker side of love – just<br />

like the show...<br />

More on Sport for Jove: www.sportforjove.com.au<br />

SHAKESPEARE magazine 41

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