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4.52am Issue: 008 13th November 2016

Your Free Weekly Guitar and Alternative Music Weekly Magazine from Guitar Quarterly

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"Synchronised Tremolo' or "Comfort<br />

Contours" bit on Fenders.<br />

This particular guitar is the 'Sunset Strip'<br />

because that’s where the faux back story of<br />

this one places it, one of the first of the<br />

'Superstrats' back before you could just go<br />

and buy a fully loaded Kramer or Charvel,<br />

something concocted on the workbench of<br />

a guitar shop using bits from the Dimarzio<br />

or Schecter catalouges.”<br />

What was your motivation for building<br />

this guitar?<br />

“Ah well, you see the thing here is that I'm<br />

a bit nostalgic and I like each guitar to<br />

have an inspiration, a 'back story' if you<br />

will.<br />

This one takes me back to when me and all<br />

my friends got our first electric guitars.<br />

Generally it would've been a gift from your<br />

parents, often from Argos, Currys or Dixons<br />

so if you were lucky you'd get a Squier but<br />

often as not you'd find yourself toting a<br />

Marlin or a Hohner or a Sunn, Jeez do you<br />

remember those ?<br />

Anyway, you'd get your first guitar and it<br />

was great but then the initial excitement<br />

would wear off and you'd realise that the<br />

thin plinky single coil sound of your plywood<br />

Strat wasn’t quite what you needed for the<br />

monster rock sounds you were after but you<br />

were stuck with the guitar as there was no<br />

way you could afford a 'real one'. But then<br />

we would read Guitar World or some other<br />

impossibly glamorous looking US guitar mag<br />

(that was never the same physical size as<br />

the UK ones) and we'd see stuff about EVH<br />

and the like who were all modding guitars to<br />

get what they wanted out of them and it<br />

was like a light coming on. Except we didn’t<br />

have access to stuff in the UK in the same<br />

way so there were a whole raft of friend’s

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