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4.52am Issue: 008 13th November 2016

Your Free Weekly Guitar and Alternative Music Weekly Magazine from Guitar Quarterly

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guitars with stuff like a single pickup plate<br />

made out of sheets of thick perspex in the<br />

workshop at school, woeful paintjobs<br />

carried out in the shed, that sort of thing.<br />

And of course we all wanted Floyd Roses<br />

but none of us had anything like the right<br />

tools to fit one.<br />

So yeah, this is kind of a homage to those<br />

early days of pulling guitars apart and<br />

remaking them, except of course done a bit<br />

better !”<br />

In terms of the Sunset Strip, can you<br />

tell me about the specification – is<br />

that a DiMarzio Super Distortion?<br />

“Yep Super Distortion, God I wanted one of<br />

those back when I was 15, although iirc<br />

most of us ended up with whatever we<br />

could get from the local, provincial music<br />

shop or one of those odd Kent Armstrong<br />

pickups with the fluted covers, wow<br />

remember those ?<br />

Other than the pickup, the tremolo is a<br />

beautiful Gotoh unit, although I am a little<br />

disappointed that the Powder Pink tip for<br />

the tremolo arm hadn’t arrived in time for<br />

the photographs. The Pink Sperzels are<br />

brilliant machine heads and were something<br />

we had to import especially, these are great<br />

for the builder as you no longer need to drill<br />

the holes for the alignment pins, it just<br />

bores it’s own. As for imports, we did the<br />

same with the coloured Strap Pins and<br />

knob, which are exquisitely engineered by a<br />

company called Guique in France and are of<br />

exceptional quality.”

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