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ON THIS MONTH: FILM<br />
䴀 䄀 䜀 䜀 䤀 䔀 匀 倀 䰀 䄀 一 㔀 㤀 㜀 洀 椀 渀 猀<br />
匀 愀 琀 甀 爀 搀 愀 礀 アパート 爀 搀 㔀 ⸀ 㐀 㔀 瀀 洀 ☀ 匀 甀 渀 搀 愀 礀 㐀 琀 栀 㜀 ⸀ 㐀 㔀 瀀 洀<br />
圀 栀 愀 琀 搀 漀 礀 漀 甀 搀 漀 眀 栀 攀 渀 礀 漀 甀 猀 甀 猀 瀀 攀 挀 琀 礀 漀 甀 爀 洀 愀 渀 愀 渀 搀 栀 椀 猀 攀 砀 ⴀ 眀 椀 昀 攀<br />
愀 爀 攀 愀 挀 琀 甀 愀 氀 氀 礀 瀀 攀 爀 昀 攀 挀 琀 昀 漀 爀 攀 愀 挀 栀 漀 琀 栀 攀 爀 㼀 䌀 漀 洀 攀 搀 礀 搀 爀 愀 洀 愀 愀 戀 漀 甀 琀 愀<br />
礀 漀 甀 渀 最 愀 挀 愀 搀 攀 洀 椀 挀 眀 栀 漀 猀 琀 愀 爀 琀 猀 愀 昀 愀 洀 椀 氀 礀 眀 椀 琀 栀 愀 洀 愀 爀 爀 椀 攀 搀 瀀 爀 漀 昀 攀 猀 猀 漀 爀<br />
愀 渀 搀 琀 栀 攀 渀 戀 攀 昀 爀 椀 攀 渀 搀 猀 栀 椀 猀 攀 砀 ⴀ 眀 椀 昀 攀 ⸀<br />
吀 䠀 䔀 一 䔀 伀 一 䐀 䔀 䴀 伀 一 㠀 㔀 洀 椀 渀 猀<br />
匀 愀 琀 甀 爀 搀 愀 礀 アパート 爀 搀 㠀 瀀 洀 ☀ 匀 甀 渀 搀 愀 礀 㐀 琀 栀 㔀 ⸀ 㔀 瀀 洀<br />
圀 栀 攀 渀 愀 猀 瀀 椀 爀 椀 渀 最 洀 漀 搀 攀 氀 䨀 攀 猀 猀 攀 洀 漀 瘀 攀 猀 琀 漀 䰀 漀 猀 䄀 渀 最 攀 氀 攀 猀 Ⰰ 栀 攀 爀 礀 漀 甀 琀 栀<br />
愀 渀 搀 瘀 椀 琀 愀 氀 椀 琀 礀 愀 爀 攀 搀 攀 瘀 漀 甀 爀 攀 搀 戀 礀 愀 最 爀 漀 甀 瀀 漀 昀 戀 攀 愀 甀 琀 礀 ⴀ 漀 戀 猀 攀 猀 猀 攀 搀<br />
眀 漀 洀 攀 渀 眀 栀 漀 眀 椀 氀 氀 琀 愀 欀 攀 愀 渀 礀 洀 攀 愀 渀 猀 渀 攀 挀 攀 猀 猀 愀 爀 礀 琀 漀 最 攀 琀 眀 栀 愀 琀 猀 栀 攀 栀 愀 猀 ⸀<br />
䘀 䤀 一 䐀 䤀 一 䜀 䐀 伀 刀 夀 唀 㤀 㠀 洀 椀 渀 猀<br />
匀 甀 渀 搀 愀 礀 㐀 琀 栀 アパート 瀀 洀<br />
䄀 渀 椀 洀 愀 琀 攀 搀 愀 搀 瘀 攀 渀 琀 甀 爀 攀 猀 攀 焀 甀 攀 氀 愀 戀 漀 甀 琀 愀 ǻ 猀 栀 眀 椀 琀 栀 猀 栀 漀 爀 琀 琀 攀 爀 洀<br />
洀 攀 洀 漀 爀 礀 氀 漀 猀 猀 眀 栀 漀 猀 攀 琀 猀 漀 甀 琀 琀 漀 ǻ 渀 搀 栀 攀 爀 瀀 愀 爀 攀 渀 琀 猀 ⸀<br />
䄀 䈀 匀 伀 䰀 唀 吀 䔀 䰀 夀 䘀 䄀 䈀 唀 䰀 伀 唀 匀 㨀 吀 䠀 䔀 䴀 伀 嘀 䤀 䔀 㔀 㠀 㤀 洀 椀 渀 猀<br />
䘀 爀 椀 搀 愀 礀 㤀 琀 栀 㘀 瀀 洀 ☀ 匀 愀 琀 甀 爀 搀 愀 礀 琀 栀 㠀 瀀 洀<br />
䌀 漀 洀 攀 搀 礀 戀 愀 猀 攀 搀 漀 渀 愀 琀 攀 氀 攀 瘀 椀 猀 椀 漀 渀 猀 椀 琀 挀 漀 洀 ⸀ 䄀 昀 琀 攀 爀 愀 琀 琀 爀 愀 挀 琀 椀 渀 最 戀 漀 琀 栀<br />
洀 攀 搀 椀 愀 愀 渀 搀 瀀 漀 氀 椀 挀 攀 愀 琀 琀 攀 渀 琀 椀 漀 渀 昀 漀 爀 愀 挀 挀 椀 搀 攀 渀 琀 愀 氀 氀 礀 欀 渀 漀 挀 欀 椀 渀 最 䬀 愀 琀 攀<br />
䴀 漀 猀 猀 椀 渀 琀 漀 琀 栀 攀 刀 椀 瘀 攀 爀 吀 栀 愀 洀 攀 猀 Ⰰ 䔀 搀 椀 渀 愀 愀 渀 搀 倀 愀 琀 猀 礀 栀 椀 搀 攀 漀 甀 琀 椀 渀 琀 栀 攀<br />
猀 漀 甀 琀 栀 漀 昀 䘀 爀 愀 渀 挀 攀 ⸀<br />
䴀 䤀 䐀 一 䤀 䜀 䠀 吀 匀 倀 䔀 䌀 䤀 䄀 䰀 ㈀ 䄀 㤀 洀 椀 渀 猀<br />
䘀 爀 椀 搀 愀 礀 㤀 琀 栀 㠀 瀀 洀 ☀ 匀 甀 渀 搀 愀 礀 琀 栀 㔀 ⸀ 㔀 瀀 洀<br />
䄀 昀 愀 琀 栀 攀 爀 愀 渀 搀 猀 漀 渀 最 漀 漀 渀 琀 栀 攀 爀 甀 渀 Ⰰ 瀀 甀 爀 猀 甀 攀 搀 戀 礀 琀 栀 攀 最 漀 瘀 攀 爀 渀 洀 攀 渀 琀<br />
愀 渀 搀 愀 挀 甀 氀 琀 搀 爀 愀 眀 渀 琀 漀 琀 栀 攀 挀 栀 椀 氀 搀 猀 猀 瀀 攀 挀 椀 愀 氀 瀀 漀 眀 攀 爀 猀 ⸀<br />
圀 䄀 刀 䐀 伀 䜀 匀 㔀 㐀 洀 椀 渀 猀<br />
匀 愀 琀 甀 爀 搀 愀 礀 琀 栀 㔀 ⸀アパート 瀀 洀 ☀ 匀 甀 渀 搀 愀 礀 琀 栀 㜀 ⸀アパート 瀀 洀<br />
䈀 椀 漀 最 爀 愀 瀀 栀 椀 挀 愀 氀 挀 漀 洀 攀 搀 礀 挀 爀 椀 洀 攀 搀 爀 愀 洀 愀 愀 戀 漀 甀 琀 愀 洀 愀 猀 猀 愀 最 攀 琀 栀 攀 爀 愀 瀀 椀 猀 琀<br />
眀 栀 漀 猀 眀 椀 琀 挀 栀 攀 猀 挀 愀 爀 攀 攀 爀 猀 琀 漀 攀 渀 琀 攀 爀 琀 栀 攀 椀 渀 琀 攀 爀 渀 愀 琀 椀 漀 渀 愀 氀 愀 爀 洀 猀 戀 甀 猀 椀 渀 攀 猀 猀 ⸀<br />
吀 䠀 䔀 䄀 一 䜀 刀 夀 䈀 䤀 刀 䐀 匀 䴀 伀 嘀 䤀 䔀 唀 㤀 㔀 洀 椀 渀 猀<br />
匀 甀 渀 搀 愀 礀 琀 栀 アパート 瀀 洀<br />
䘀 椀 渀 搀 漀 甀 琀 眀 栀 礀 琀 栀 攀 戀 椀 爀 搀 猀 愀 爀 攀 猀 漀 愀 渀 最 爀 礀 ⸀ 圀 栀 攀 渀 愀 渀 椀 猀 氀 愀 渀 搀 瀀 漀 瀀 甀 氀 愀 琀 攀 搀<br />
戀 礀 栀 愀 瀀 瀀 礀 Ⰰ ˻ 椀 最 栀 琀 氀 攀 猀 猀 戀 椀 爀 搀 猀 椀 猀 瘀 椀 猀 椀 琀 攀 搀 戀 礀 洀 礀 猀 琀 攀 爀 椀 漀 甀 猀 最 爀 攀 攀 渀 瀀 椀 最 最 椀 攀 猀 Ⰰ<br />
椀 琀 猀 甀 瀀 琀 漀 琀 栀 爀 攀 攀 甀 渀 氀 椀 欀 攀 氀 礀 漀 甀 琀 挀 愀 猀 琀 猀 ⴀ 刀 攀 搀 Ⰰ 䌀 栀 甀 挀 欀 愀 渀 搀 䈀 漀 洀 戀 ⴀ 琀 漀<br />
ǻ 最 甀 爀 攀 漀 甀 琀 眀 栀 愀 琀 琀 栀 攀 瀀 椀 最 猀 愀 爀 攀 甀 瀀 琀 漀 ⸀<br />
䤀 渀 昀 漀 ☀ 愀 搀 瘀 愀 渀 挀 攀 琀 椀 挀 欀 攀 琀 猀 昀 爀 漀 洀 琀 栀 攀 䄀 氀 氀 匀 愀 椀 渀 琀 猀 䌀 攀 渀 琀 爀 攀 伀 ϻ 挀 攀 Ⰰ<br />
琀 栀 攀 吀 漀 眀 渀 䠀 愀 氀 氀 Ⰰ 䠀 椀 最 栀 匀 琀 爀 攀 攀 琀 Ⰰ 漀 爀 眀 眀 眀 ⸀⸀ 氀 洀 愀 琀 愀 氀 氀 猀 愀 椀 渀 琀 猀 ⸀ 挀 漀 洀<br />
漀 爀 挀 愀 氀 氀 ㈀ 㜀 アパート 㐀 㠀 㘀 アパート 㤀 ጠ 愀 渀 搀 漀 渀 琀 栀 攀 搀 漀 漀 爀 漀 渀 琀 栀 攀 渀 椀 最 栀 琀 ⸀<br />
䄀 氀 氀 匀 愀 椀 渀 琀 猀 䌀 攀 渀 琀 爀 攀 Ⰰ 䘀 爀 椀 愀 爀 猀 圀 愀 氀 欀 Ⰰ 䰀 攀 眀 攀 猀 Ⰰ 䈀 一 㜀 ㈀ 䰀 䔀<br />
Cinema round-up<br />
Ibsen in Oz<br />
When The Daughter, the directorial debut<br />
of Australian filmmaker Simon Stone, was<br />
released this June, a play directed by the same<br />
young man, Yerma, was playing at the Young<br />
Vic in London. The former is a movie adaptation<br />
of Henrik Ibsen’s play The Wild Duck, the<br />
latter a re-working of Lorca, with Billie Piper<br />
cast in the main role. Both of them garnered<br />
a string of four and five star reviews in the<br />
nationals. Simon Stone: remember the name.<br />
The Daughter (2nd, 8pm) is the pick of the<br />
two films <strong>Lewes</strong> Film Club are putting on in<br />
<strong>December</strong>. Stone has assembled a fine cast,<br />
including Sam Neill and Geoffrey Rush, who<br />
need no introduction, and Jeffrey Schneider,<br />
who Parks and Recreation fans will remember.<br />
Schneider plays a troubled young man who<br />
returns to his home town in rural Australia<br />
for his father’s second marriage, and unlocks<br />
a dark secret that is capable of tearing two<br />
families apart. The film manages to combine<br />
naturalism with melodrama, and I was left<br />
wondering ‘why?’, but it’s beautifully shot and<br />
on the whole well enough acted to carry you<br />
through to an extremely dramatic finale.<br />
I didn’t catch the LFC’s other film, Hector<br />
(16th, 8pm): it tells of the Christmas-time<br />
journey made by a homeless man (played by<br />
Peter Mullan) from Scotland to London, so<br />
he can stay in his favourite shelter. ‘Hector<br />
knows how dangerous homelessness can be,<br />
but it’s not clear if first-time writer-director<br />
Jake Gavin does too’ wrote the Guardian’s<br />
Henry Barnes. Gavin is no Loach, then, but<br />
the film got an impressive 91% positivity rating<br />
on the website Rotten Tomatoes. DL<br />
Both films showing at the All Saints Centre<br />
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