Viva Brighton Issue #46 December 2016
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COMEDY<br />
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Harriet Braine<br />
The fine art of stand up<br />
“What the world needs is<br />
something big and silly” says<br />
Harriet Braine, from a hotel<br />
in Vienna where she has been<br />
on holiday running between<br />
Klimt and Schiele, thinking<br />
up new songs.<br />
Harriet spent nearly five<br />
years studying art and art<br />
history at Edinburgh, which<br />
formed the basis for her<br />
alternative career, as a singersongwriter<br />
who sets new<br />
lyrics to popular tunes.<br />
She can write her own music and occasionally<br />
does, notably for a student musical called The Big<br />
Diamond, but it was for her skill with the ancient<br />
art of burlesque that led to her big break, when<br />
she caught the attention of ‘Funny Women’.<br />
This leading female comedy community was<br />
created in 2003 in order to help women perform,<br />
write and do business with humour. They crisscross<br />
the country, auditioning over 2,500 hopefuls<br />
in hundreds of heats. <strong>2016</strong> Awards touched<br />
down in Dublin, Edinburgh, Manchester, London<br />
and <strong>Brighton</strong>. Harriet won Best Newcomer.<br />
I talk to her soon after her victory. Her advice<br />
to wannabe comedians is simple. “Go for it, full<br />
throttle and don’t play safe”. Her favourite role<br />
model is Victoria Wood.<br />
Harriet was born in 1991 in Kingston upon<br />
Thames, Surrey. Her mother was a designer and<br />
her father a keen amateur musician who encouraged<br />
her to play on the ancient family piano. She<br />
chose to study at Edinburgh University as they<br />
offered a combined Fine Art and Art History<br />
course: she passed her<br />
degree and remained<br />
a further year to do a<br />
Masters.<br />
“After our course, we organised<br />
an exhibition and<br />
decided to have a party.<br />
We played games with art<br />
and I started singing silly<br />
songs about art history<br />
set to popular tunes. I<br />
remember something<br />
about ‘Matisse, Matisse,<br />
Matisse, you cut things<br />
up and stick them down/you weren’t so keen on<br />
the colour brown’ all to a Dolly Parton tune. It<br />
seemed to go down rather well. I do a trumpet<br />
impression, which helps, and I can sing in a joke<br />
German accent for Bauhaus stories.”<br />
In the few months between graduation and getting<br />
a job at the Maritime Museum in Greenwich, Harriet<br />
had time to write more songs. Her ambition<br />
now is to play at ‘bigger and better gigs,’ and she is<br />
already attracting wider professional attention: she<br />
was recently commissioned by the BBC to write a<br />
piece for their 100 Women season.<br />
Harriet accompanies herself on the guitar: no<br />
backing track could be sufficiently flexible to accommodate<br />
her comic interventions and trumpet<br />
impersonation. “Writing lyrics comes naturally<br />
to me”, she says, “but they need the music to be<br />
funny.”<br />
Louise Schweitzer<br />
Harriet Braine is appearing in Charity Chuckle,<br />
raising funds and awareness through stand-up<br />
comedy: Komedia, Wednesday 7th, 8pm<br />
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