Kristina Olsson
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as if performing a Laurel and Hardy<br />
routine.<br />
Coming home – 25 years<br />
of QWC<br />
Craig Munro<br />
Speech delivered at the 2014 AGM, to<br />
help celebrate QWC’s 25th Anniversary<br />
I knew these slapstick artists well:<br />
one was an architect and UQP<br />
author, while his mate was a former<br />
academic whose unpublished<br />
novels I had several times rejected.<br />
Gathering up what remained of my<br />
voice, I drew on my full authority as<br />
QWC chair, and ejected them both<br />
from the meeting.<br />
It had been another, less rowdy<br />
meeting in Adelaide several years<br />
before that had inspired me—as<br />
an author and publisher—to<br />
help establish a writers centre in<br />
Queensland.<br />
In 1989, the year after World Expo,<br />
South Brisbane was a wasteland.<br />
As a member of the steering<br />
committee trying to set up a writers<br />
centre, I spent many weekends<br />
driving around the deserted back<br />
streets. My targets were the former<br />
Expo admin buildings—one of which<br />
I hoped might make a suitable<br />
home for our fledgling centre.<br />
Representing the interests of<br />
local writers groups, my fellow<br />
committee members and I wanted<br />
a location close to the CBD and<br />
transport. Although Southbank’s<br />
Performing Arts Centre, Gallery,<br />
and new State Library had recently<br />
been built, the suburb still felt like a<br />
ghost town.<br />
Eventually, the Goss regime found<br />
a space for us across the river at<br />
the back of a century-old public<br />
service building in William Street—<br />
opposite the Government Printery.<br />
Its chief virtue was a good-sized<br />
meeting room in addition to several<br />
offices. For the new staff, including<br />
inaugural director Robyn Sheahan-<br />
Bright, it was also hot and in need<br />
of refurbishment.<br />
I’ll never forget our first AGM<br />
there—held in the unairconditioned<br />
meeting room one humid evening.<br />
Unfamiliar with meeting procedure,<br />
I’d spent days reading up on this,<br />
especially after hearing that a<br />
disgruntled faction might be<br />
planning some kind of coup.<br />
Prior to the meeting, we closed<br />
all the freeway-facing windows<br />
but the room quickly became<br />
uninhabitable—so we opened them<br />
again and everyone had to shout<br />
over the roar of traffic from the sixlane<br />
Riverside Expressway.<br />
It wasn’t long before I’d talked<br />
myself hoarse.<br />
The threatened coup never<br />
eventuated but, halfway through the<br />
agenda, two latecomers suddenly<br />
swung open the heavy green door.<br />
Their entry had a theatrical flourish,<br />
and it didn’t take me long to realise<br />
they were in fact too drunk to let<br />
go of the door. Instead they swayed<br />
there on the slow arc of its hinges—<br />
The Literature Board’s new Director,<br />
Ipswich accountant and poet Tom<br />
Shapcott, had called an informal<br />
meeting during Writers Week to<br />
discuss setting up such centres.<br />
Tom’s meeting was timely, as the<br />
South Australian Writers Centre—<br />
the first in the country—had just<br />
opened its doors.<br />
Like a pair<br />
of Russian<br />
anarchists with<br />
a mutual delight<br />
in demolition,<br />
we pounded and<br />
jemmied all this<br />
shelving off the<br />
walls to create a<br />
spacious, well-lit<br />
meeting place.<br />
I came away from Adelaide<br />
determined to push for a Brisbanebased<br />
centre. Before long our<br />
steering committee began<br />
meeting every few weeks in UQP’s<br />
boardroom on the St Lucia campus.<br />
20<br />
WQ