licht.wissen No. 11 "Good Lighting for Hotels and Restaurants"

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Acknowledgements for projects and photographs 62 See photo 55 Photo: FGL 63 Project: Forum Hotel, Hamburg Architecture and lighting: Inter Gastro Design, Zurich Photo: Andrea Flak, Hamburg 64 Project: Cantera Naturstein Hotel, Wunstorf Architecture: Kreykenbohm Architekten, Hanover Photo: Andrea Flak, Hamburg 65 Photo: Vogelsänger Studios 66 Photo: Studio Casa 67 See photo 15 68 Photo: Jahreszeitenverlag 69 See photo 3 70 Project: Mineraltherme Böblingen Architecture: Kieferle & Partner, Stuttgart Lighting: Büro Schwarz, Stuttgart Photos: Arne Hettrich, Stuttgart 71 See photo 70 72 See photo 70 73 Project: Rotherma Steam Baths, Gaggenau Architecture and lighting: Luft + Partner, Gaggenau Photo: FGL 74 Photo: FGL 75 Photo: Ruckdeschel, Ebern 76 Photo: Tech Group 77 Photo: FGL 78 Photo: FGL 79 Photo: FGL 80 Project: Restaurant „Casino“, Zeche Zollverein, Essen Architecture: Böll + Krabel, Essen Lighting: Carla M. Uphues, Berlin Photo: Bernd Hoff 81 Photo: FGL 82 Photo: FGL 83 See photo 32 84 See photo 6 Photo: G. Latznia, Bregenz 85 Project: Golfhotel Öschberghof, Donaueschingen Lighting: Klaus Begasse Photo: arge lola, Stuttgart 86 See photo 6 Photo: arge lola, Stuttgart 87 Project: Penthouse Hürlimann, Pfäffikon Photo: Thomas Filler, Bregenz 88 See photo 87 89 See photo 87 90 Project: Iserlohn Council Chamber Interior design: Schrodt Bauconsult, Iserlohn Lighting: Ing.-Büro Bickmann, Iserlohn Photo: FGL 91 See photo 90 92 See photo 90 93 See photo 21 94 See photo 17 95 See photo 11 96 See photo 85 97 Project: Le Meridien Hotel, Vienna Architecture: Manfred Wehdorn, Vienna, Fritz Schwaighofer Lighting: DHA Designs, London Photo: Rudi Meisel 98 Project: Hilton Hotel, Athens Architecture: Meletitiki – A.N. Tombazis & Architects Ltd & Aeter- Harry C. Bougadellis & Associates Architects, 2003 Photo: Santi Caleca 99 See photo 11 100 See photo 20 101 Project: Bernheimer Palais, Munich Photo: arge lola, Stuttgart 102 Project: Restaurant „Paolino“, Hamburg Architecture: Studio Jan Wichers, Hamburg Lighting: Hamburg Design, Hamburg Photo: Andrea Flak, Hamburg Lamps (double-page spread 38/39) Photo: Andreas Kelm, Darmstadt 46
Ordering booklets T o order more copies of this booklet or other issues in the “Information on lighting applications” series, please mail one of the postcards on the right or fax us a copy of this page. Fax number: +49-69-6302-317 Please make sure your details are clearly legible. Publications can also be ordered on the Internet (www.licht.de). An invoice will be sent with the booklet(s) ordered. Postage stamp Postcard Fördergemeinschaft Gutes Licht Postfach 70 12 61 60591 Frankfurt am Main Germany Numbering of photos on back page: 94 95 96 97 98 99 100 101 102 Fördergemeinschaft Gutes Licht Order form Please indicate number of booklet(s) required. Prices given include postage. (e = available in English, E = available in English only as pdf-file, download free of charge at www.licht.de): Booklet No./Title Qty 1 Lighting with Artificial Light (7/04) E R 9,– 2 Good Lighting for Schools and Educational Establishments (7/03) E R 9,– 3 Good Lighting for Safety on Roads, Paths and Squares (3/00) e R 9,– 4 Good Lighting for Offices and Office Buildings (1/03) E R 9,– 5 Good Lighting for Trade and Industry (4/99) E R 9,– 6 Good Lighting for Sales and Presentation (2/02) E R 9,– 7 Good Lighting for Health Care Premises (4/04) E R 9,– From Name, Company, Office Department c/o Address or P.O. Box City, Postal Code 02/05/00/11IV 8 Good Lighting for Sports and Leisure Facilities (9/01) E R 9,– 9 Prestige Lighting (8/97) e R 9,– 10 Notbeleuchtung, Sicherheitsbeleuchtung (4/00) R 9,– 11 Good Lighting for Hotels and Restaurants (2/05) E R 9,– 12 Lighting Quality with Electronics (5/03) E R 9,– 14 Ideen für Gutes Licht zum Wohnen (9/99) R 9,– 16 Urban image lighting (4/02) E R 9,– Lichtforum free of charge Booklets 13 and 15 are out of print Place Date Signature/stamp Please fill in address on back of postcard.
Page 1 and 2: Fördergemeinschaft Gutes Licht Goo
Page 3 and 4: Pages 1-7 Pages 8-19 Pages 20-23 Pa
Page 5 and 6: Pages 38-39 Pages 40-41 Pages 42-43
Page 7 and 8: Staff at a reception desk, in a res
Page 9 and 10: Because wrong use of light can deal
Page 11 and 12: 19 ■ Artificial lighting provides
Page 13 and 14: 22 24 ■ The reception is the firs
Page 15 and 16: 28 ■ Artificial lighting underlin
Page 17 and 18: 34 32 35 ■ The level of brightnes
Page 19 and 20: 38 ■ While guests enjoy the emoti
Page 21 and 22: 43 Communication is a process that
Page 23 and 24: 46 48 ■ Corridors are also escape
Page 25 and 26: 53 52 T ravelling in an elevator is
Page 27 and 28: 57 55 ■ Hotel rooms and suites ha
Page 29 and 30: 62 63 ■ The illuminance required
Page 31 and 32: 67 68 Mirror lighting should be pro
Page 33 and 34: 69 73 ■ Depending on the lighting
Page 35 and 36: 75 78 ■ The lighting design requi
Page 37 and 38: W here the act of cooking is a sign
Page 39 and 40: During the warmer months of the yea
Page 41 and 42: 4 6 7 3 6 5 8 9 10 14 15 17+18 19 1
Page 43 and 44: 87 90 Lighting management permits f
Page 45 and 46: Classes of protection Luminaires ne
Page 47: 25 Project: Parkhotel Riter, Munich
Page 51 and 52: Fördergemeinschaft Gutes Licht pub

licht.wissen No. 11 "Good Lighting for Hotels and Restaurants"

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