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Rendering Intent • Perceptual mostly focuses on keeping good correlation between out-of-gamut colours, but it may negatively affect the relationship of ingamut colours. This is sometimes effective when converting to CMYK colour space. • Relative Colorimetric focuses on accurately producing in-gamut colours, but it sometimes sacrifices out-of-gamut colours. This is the best rendering option for photos <strong>and</strong> is most used for screen <strong>and</strong> print.
Rendering Intent • Saturation, is focusing on maintaining good saturation of colours. It is usually used when converting to wider color space. Typically not recommended for digital photography, because it doesn’t preserve realistic colours. • Absolute Colorimetric tries to reproduce all original colours, but does not take into consideration for the illuminant or light source. This usually causes wide colour shifts when viewed under different lighting. Generally not recommended for photography
Page 1 and 2: From Click to Print and Display
Page 3 and 4: Print Size
Page 5 and 6: Photoshop: 32-bit Vs. 64-bit • So
Page 7 and 8: • ICC profiles Paper Profiles
Page 10 and 11: Colour Spaces • sRGB • Adobe RG
Page 12 and 13: Colour space • If you are plannin
Page 14 and 15: Setting colour spaces • In camera
Page 16 and 17: Gamut Warnings • These indicate w
Page 20 and 21: Black Point Compensation (BPC). •
Page 22 and 23: Print Output Adjustments Specific t
Page 24 and 25: Mounting • Purchase • Make •
Page 26: Hue perception
Page 32 and 33: Additional Info on colour • http:

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