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the <strong>ONE</strong><br />

Festival<br />

2017<br />

Festival Programme


ABOUT THE FESTIVAL<br />

The Space is a performing arts centre based in a converted church on the<br />

Isle of Dogs, East London. We programme high quality theatre productions,<br />

run our own in-house theatre company and have a cosy café/bar upstairs.<br />

We’re committed to providing opportunities for new performers, writers,<br />

directors, producers and theatre companies. Since our launch twenty years<br />

ago, we’ve supported thousands of talented performers and artists.<br />

The One Festival is our annual celebration of the art that is a solo<br />

performance. With an exciting blend of work on offer from a huge number<br />

of theatre artists, it’s an extension of the Space’s commitment to produce<br />

work that is accessible, ambitious and inventive.<br />

Over the years, we’ve programmed a variety of work within the Festival -<br />

everything from a short piece to a full one-act play, and incorporating<br />

theatre, spoken word, comedy, puppetry, movement and even solo musicals!<br />

Our only restriction is that each piece must feature only one performer.<br />

2017 is our fifth year of the Festival, and having received an<br />

overwhelming number of submissions we’ve decided to go bigger and<br />

better than ever - putting together five programmes over three weeks. We<br />

hope you’ll enjoy the variety and quality of pieces on offer - and if you enjoy<br />

a programme, don’t forget to come back for more before the Festival closes!<br />

You can also share your thoughts and follow our artists - search #OneFest17<br />

on Twitter or join us in the bar after each show!


PROGRAMME A<br />

Performer - Chris Whotton<br />

A modern day superhero<br />

Chris trained at Rose Bruford. Previous credits include Tis Pity<br />

she’s a Whore (Rose Bruford), Then Spoke the Thunder<br />

(Theatre Centre), Rocket to the Moon (Rose Theatre), God of<br />

Soho (Stratford East), Perfect Boy ( Barge House), Macbeth<br />

& Romeo and Juliet (Young Shakespeare UK Tours), Scrounge<br />

(Brockely Jack Theatre), Towers ( Theatre 503) , Twelfth Night<br />

(Principal Theatre), The Complete Works of William Shakespeare<br />

Abridged ( Bread & Roses Theatre), State of Mind (Etcetera<br />

Theatre), Involvement (NHS England).<br />

Director - Katherine Timms<br />

Katherine is a director and workshop leader, specializing in developing new writing and facilitating<br />

outreach projects. She is Co-Artistic Director of Burn BrightTheatre, with whom she has directed/<br />

co-produced; Vernon God Little (April/May 2015), All is Bright (Dec 2015), and The Complete<br />

Works of William Shakespeare (Abridged) (May-June 2016). She has directed monologues for the<br />

One Festival twice before, including Troll by Isabel Dixon in 2015 and The Unfortunates by Aoise<br />

Stratford in 2014. Other directing credits include Rosencrantz and Guildenstern are Dead and Berlin<br />

(The Space), Marlborough Road (Hen and Chickens), Heartlines (The Last Refuge).<br />

Writer - Sherry Morris<br />

Sherry is from a small town in Missouri, but has been residing in London since 2000, working as<br />

a university administrator by day and writing short stories and dramas by night. Her short story<br />

about her Peace Corps experience in Ukraine has been published in A Small Key Opens Big Doors.<br />

Her work has been performed with Liars’ League London and published online with Gemini,<br />

Molotov Cocktail and Horror Scribes. She works as a London Ambassador for the Scottish creative<br />

writing centre, Moniack Mhor and is a member of Collier Street Fiction Group--who provide wonderful<br />

feedback. She also writes with the support of family, friends, her partner, and Bella the cat—<br />

who supervises writing sessions from her perch. This is her first One Festival and she is ridiculously<br />

excited to be working with such talented people. Her work can be found at Uksherka.com and<br />

she tweets @Uksherka.


EYES TO THE WIND<br />

Performer - Samuel Curry<br />

Samuel is a graduate from Jesus College, Cambridge. He<br />

started acting at university and toured around Europe<br />

and Japan in The Merchant of Venice and Two Gentlemen<br />

of Verona, respectively. Professional theatre and TV<br />

credits include: Jamie in The D-List (Underbelly, Edinburgh<br />

Fringe) Brutus in Julius Caesar (Network Theatre), Hamnet<br />

in Cesario (National Theatre); Laertes in Hamlet (ADC<br />

Theatre); The Monster in Frankenstein (Lion and Unicorn<br />

Theatre); Henry in The King and Queen of the Universe<br />

(Edinburgh Fringe) and Gus in Arcadia (Bridewell Theatre). Samuel has appeared on television for<br />

the BBC as Romeo in their Shakespeare 400 series. On film he will appear in The Pursuit of<br />

Normality, due for release in 2017.<br />

Writer - David Hendon<br />

David is a broadcaster and journalist best known for commentating on professional snooker for<br />

Eurosport. His plays include The Bench, From Me to 3792, Red or Blue and Unfriended. In 2016,<br />

his play The D-List, a comedy about modern celebrity, was staged at the Edinburgh festival fringe.<br />

Eyes to the Wind was a finalist in the Kenneth Branagh award for new drama writing in Windsor<br />

in October 2016. His script The Name on the Bench has been selected for Tribute, a new drama<br />

podcast launching in early 2017<br />

Director - Hannah Banister<br />

Directing credits include: This is Art (Riff), I Killed Rasputin (Edinburgh), Gardening for the Unfulfilled<br />

and Alienated (Edinburgh/Latitude; 2013 Fringe first winner), Crimble (Old Red Lion), Trapp<br />

(Old Vic), Best Man (Little Pieces of Gold, Southwark Playhouse).<br />

Associate directing credits include: The Angry Brigade (Paines Plough), The Tempest (Shakespeare’s<br />

Globe), Longing (Hampstead Theatre), Step in Time (24 Hour Celebrity Musicals Gala/The<br />

Old Vic), Jumpy (Royal Court/West End), The Stock Da’Wa (Hampstead Theatre). Hannah was a<br />

finalist for the JMK Award 2014.


ANGRY YOUNG THING<br />

Performer & Writer - Sarah Tattersall<br />

Sarah studied Drama and Performance at the University of East<br />

Anglia, where she was awarded Best Comic Actress and Best<br />

Supporting Actress, and at the Institute of Contemporary Music<br />

Performance.She specialises in contemporary drama and comedy,<br />

most recently performing her self-penned one-woman show,<br />

Sally’s Alright, at the Etcetera Theatre to excellent reviews.<br />

Previous roles include: Camilla, Mary No More (Aesthetica Film<br />

Festival; No Gloss Film Festival; Norwich Film Festival; Leeds<br />

Independent Film Festival) Masha, Three Sisters; Hermia, A<br />

Midsummer Night’s Dream, Principal, The Vagina Monologues,<br />

in addition to various devised and Fringe pieces.<br />

In addition to performing and scriptwriting, Sarah works as a features writer and theatre reviewer.<br />

She is thrilled to be debuting Angry Young Thing in such a creative and unique festival<br />

on arriving at the refugee<br />

processing centre, unhcr<br />

Performer - Sophia Eleni<br />

Sophia trained at Rose Bruford and The Estonian Academy of<br />

Music & Drama with First Class Honours. Credits include:<br />

TEAR’S (Rose Theatre Kingston), 252AM After Man (The Vaults),<br />

Fables for a Boy (LOST Theatre) and The Challenging Tide<br />

(TheatroTechnis).Television includes: Tyrant (20th Century<br />

Fox) and Mayday (BBC). Film includes: Love Eventually,<br />

Nazanin’s Morning, Blade of Grass, Death of the Revolution,<br />

Tube Etiquette, Romance is Dead and Watched. Recently<br />

Sophia was commended on her acting by representatives<br />

from The BBC and Channel 4 after her premiere screening<br />

as the lead in mockumentary film Tube Etiquette at BFI,<br />

Southbank.


Writer - Ivan Faute<br />

Ivan is a graduate of the University of Illinois at Chicago Program for Writers. In July 2017 his<br />

physical theatre piece Life, Death, & Everything in Between, developed with choreographer<br />

Suzanne Wiltgen, will premier at Capital Fringe (Washington DC). His stage adaptation of<br />

CrisMazza’s novella Disability premiered at the Planet Connections Festivity (New York) in June<br />

2016. His adaptation of Edgar Allan Poe’s “The Fall of the House of Usher” won the City Lit<br />

Theatre (Chicago) Art of Adaptation Festival. Recent prose appears in Litbreak, Rathalla Review<br />

and Axolotl Magazine. He is currently an Assistant Professor in English at Christopher Newport<br />

University in southeast Virginia.<br />

Director - Cat Robey<br />

Cat is Associate Artist of award winning company Ransack Theatre, a graduate of the Birkbeck<br />

MFA in Theatre Directing and was Resident Assistant Director at HOME Manchester 2015-2016.<br />

Directing includes No Signal (RADA), Weathered (HOME), Enveloped in Velvet (Arts Theatre),<br />

One of Those (Henley Fringe Festival), Yerma (Fourth Monkey), Hatch (Park Theatre), Rewritten<br />

(Tristan Bates), Freedom, Books, Flowers, and the Moon (Waterloo East), Unknown/Small Chances<br />

(Brighton Fringe & Leicester Square Theatre), Ondine (White Bear), As Fate Would Have It…<br />

(Etcetera, Lion & Unicorn, The Space), Hitting Town (White Bear), Feathers (White Bear &<br />

Edinburgh Fringe), The Shape of Things (Cockpit), The Utility People, A Woman of No<br />

Importance... or Somewhat Little Importance Anyhow, The Inappropriateness of Love (all at the<br />

Hen & Chickens).<br />

Assistant Directing includes The Emperor (Young Vic, HOME, Theatre de Villes Luxembourg),<br />

Chamaco, Inkheart, The Oresteia, Wallflower (all at HOME), Summer. Autumn.Winter.Spring. (Old<br />

Grenada Studios), and Dogs Barking (RADA).


ANTELOPES AND MISANTHROPES<br />

Performer - Gemma Seren<br />

Gemma has recently returned from a sell-out, award-winning run of<br />

The Miserables, a Les Mis parody at the Edinburgh Festival. For her<br />

starring role she was nominated for a ‘Best Performer In A Musical<br />

award. Upon leaving drama school she made her professional debut<br />

touring the UK as a Principal Vocalist in The Show Must Go On...<br />

Musicals & More.<br />

Over the last few years she has become a staple of the London fringe<br />

scene. Highlights include ‘Wendy’ in Scream Queens Anonymous,<br />

creating the role of The StoryTeller in the UK Premiere of the new<br />

children’s musical Hedgehog’s Home and a sell-out London run of<br />

Gay School Musical. She is also frequently found playing a fairy in pantomimes across the capital.<br />

Gemma dedicates her performance to her Dad. In her mind, he is always in the front row.<br />

Writer - Olu Alakija<br />

Olu is a playwright, screenwriter and script reader. He has an MA in Scriptwriting (Fiction) for Film<br />

and Television. He has completed the Royal Court Theatre’s Critical Mass Playwriting programme<br />

and been shortlisted for the Make The Cut Writing competition and the 2016 Lime Pictures Writer<br />

Development Programme. He is the winner of a CRE Race in the Media award for his short film<br />

Guilty and his short play The Body was a winner of First Draft 2015. He has worked as a script<br />

reader for The Bush Theatre, the William Saroyan Playwriting Prize and the Saroyan/Paul ADAA<br />

Human Rights Playwriting Prize. His work has been produced by Talawa, Sixteenfeet Productions,<br />

Women at Rada, Two Monkeys TV, Drift Theatre and Director’s Cut Theatre and performed at The<br />

Young Vic, The Arts Theatre, The Proud Archivist, The Lambeth Readers and Writers Festival, The<br />

Rosemary Branch, The Pleasance Theatre, Theatre Royal Stratford East and the St James Theatre.<br />

Director - John Fricker<br />

John is a member of the Space Arts Committee, Associate Artist at the Brockley Jack Theatre and<br />

jointly runs OutFox Productions.<br />

Directing credits include Standing By (A New Musical) (University of Cumbria), Numbers Up (Write<br />

Now 7), Roleplay (Write Now 6), Without Reluctance and Without Relief (Ballast Theatre), Defiance<br />

(Script6), Adam and The Probability of Love (The One Festival), Live With It and Cinderella Story<br />

(Write Now 5), Corpus Christi, Rope, Carbon Dating and Spring Awakening (all OutFox<br />

Productions).


PROGRAMME B<br />

QUIET NIGHT IN<br />

Performer - Amy Gough<br />

Amy trained at Arts Ed. She has recently finished choreographing<br />

and performing in The Snow Queen, directed by Anna Chancellor<br />

(The Tabernacle).<br />

Recent credits include: Grandma Josephine in Charlie and The<br />

Chocolate Factory (Site specific), Songs from the Musicals (Barnes),<br />

U/S Louise in Carousel (Catford Broadway Theatre), Sophie 10-33 Project (The Last Refuge), Jack in<br />

Jack and the Beanstalk (Tour). Film Credits: Singer in WellChild Charity single (Metropolis<br />

Studios), Sophie in Surprise Party and Rachel in True Fact (Threw A Glass Productions).<br />

Amy is excited to be part of the <strong>ONE</strong> festival, working alongside her great friend Robert Elkin.<br />

A history enthusiast, lover of travel and proud northerner; Amy would like to thank her family,<br />

friends and partner Rob for all their support and to you for watching.<br />

Director - Robert Elkin<br />

Robert trained as an actor, graduating from RSAMD in 2011, and is associate artist of Bard in the<br />

Botanics, playing roles including Viola (Twelfth Night), Mercutio (Romeo & Juliet), Richard II<br />

(Richard II). He’s also appeared at The Space with Black Balloon’s ‘In This House’ in 2014.<br />

Having taken part in The Space’s 29 Plays Later in 2016, he’s thrilled to be bringing ‘Quiet Night In’,<br />

his piece from Day 15, to The Space’s stage and would like to thank Sebastian and Adam for their<br />

support.<br />

Robert is currently developing The Fair Youth and The Dark Lady, a piece inspired by the artist of<br />

Shakespeare’s Chandos Portrait.


gypsy queen<br />

Performer - Lauren Barnes<br />

Lauren has recently graduated from Mountview Academy of<br />

Theatre Arts with a BA in Acting. Credits whilst training include:<br />

Barbara in the world premiere of Busters by Roy Williams, Kol in<br />

The Grandfathers, and Judy in Balm in Gilead at the Arcola.<br />

Since graduating this summer, Lauren has appeared as Viola in<br />

an open-air production of Twelfth Night, as well as performing<br />

at the Whitechapel Gallery and the Actors Centre. Lauren is<br />

represented by Northbridge Talent, and can be found on<br />

Spotlight under 9412-9087-9328.<br />

Writer and Director - Sepy Baghei<br />

Training: Royal Central School of Speech and Drama (MA Advanced Theatre Practice),<br />

Australian Academy of Dramatic Art (BA Performance).<br />

Sepy is a theatre-maker originally from Sydney, Australia. She runs independent theatre company<br />

Suitcase Civilians with whom she regularly presents work around the world. Recent directing<br />

credits with Suitcase Civilians include: Click Café (Anywhere Festival Brisbane), Wilde Tales (The<br />

Space), Re: Memory (toured to Camden People’s Theatre, Old 505 Theatre Sydney, Moor Theatre<br />

Delicatessen and Wrought Festival Sheffield.)<br />

Other directing credits include: Body Language (Brave New Word Theatre Company), Grimm Tales<br />

(Sydney Fringe Festival), Short Fast & Messy (Adelaide Fringe Festival), and Something to be Done<br />

(Short+Sweet Sydney, winner of Best Production).<br />

Sepy is also an avid sound designer, regularly designing her own shows and having worked with<br />

organisations such as Tricycle Theatre and Stonecrabs Theatre Company. www.sepybaghaei.co.uk


SPIT OR SWALLOW?<br />

Performer and Director - Jennifer Oliver<br />

Jennifer trained at Drama Centre and has a background in dance<br />

and a love of comedy. Jennifer’s credits include; Victoria in<br />

Fruitcake (Southwark Playhouse), Ellen in Outlying Islands (Soho<br />

Theatre), Alyssa in Big Sister (Chelsea Theatre), Bet/Rose in Oliver<br />

and Queesha in ZIP (both directed by Ray Shell for Giant Olive<br />

Theatre Company), Rosencrantz in Hamlet (White Bear Theatre),<br />

Angela in Wild West (French and Saunders/BBC) and Maya in The<br />

Triumph and Tragedy of Tchaikovsky (Encore Films).<br />

Writer - Jonathan Skinner<br />

Jonathan is a London-based playwright and screenwriter whose work has appeared in London,<br />

throughout the UK and internationally as far and wide as Sydney, Los Angeles, Ireland and Dubai.<br />

He won the 2014 Paul Darby Prize for Dramatists, The Sterts One Act Play Competition, and was<br />

shortlisted for the International Rubery Book Award. Recent stage credits include Indignitas,<br />

(Stella Adler Theatre, Hollywood), Fallout (Theatre Royal, Stratford East), Guru (Waterloo East),<br />

Penumbra (Arcola) and INTERCOURSE (Arts Theatre). Jonathan has written three short films for<br />

ArtsEd and was a finalist in the Euroscript Screen Story Competition receiving the judges’ special<br />

commendation. www.jonathanskinner.net @Jon__Skinner (double underscore)<br />

VILLAIN<br />

Writer & Performer - Steven Shawcroft<br />

Steven is a writer and performer from East London. He has worked<br />

with companies such Space productions, Rift Theatre, Gruff<br />

and Amo Theatre. This is his second piece at the One Festival,<br />

the first being Sylvia (directed by Damian Cooper in 2014).<br />

Director - Jodie Botha


A COMIC BOOK ENDING<br />

Performer - Ross Virgo<br />

Hailing originally from Southampton, Ross is a London-based<br />

actor who trained at the Royal Central School of Speech and<br />

Drama, and Royal Holloway, University of London. Credits include,<br />

Circa (Old Red Lion/Theater de Meervaart, Amsterdam) and<br />

We’re Here Because We’re Here; a modern memorial marking the<br />

centenary of the Battle of the Somme. Other recent credits include<br />

work at the National Theatre Studio and Southwark Playhouse.<br />

Since August 2016, he has been dabbling in improvisation too,<br />

with comedy improv troupe Very Serious People.<br />

A self confessed old soul, Ross is a keen handkerchief and jelly<br />

baby enthusiast. He can also be found politely bumbling around<br />

the twitter; @rosspvirgo.<br />

Writer and Director - Elliot Baker<br />

Elliot Baker is a playwright who splits his time between the cities of London and Chicago. In<br />

2013, he graduated with a BFA in Acting from the University of Illinois at Chicago.<br />

He went on to perform at venues such as Piccolo Theatre and A Red Orchid Theatre in Chicago,<br />

IL. He is currently studying scriptwriting at the Royal Central School of Speech and Drama. In the<br />

summer of 2016, his piece The Silence That Follows was commissioned and produced in<br />

collaboration between Facility Theatre and A c a K e Experiment at A Red Orchid Theatre. His<br />

one-man show, A Comic Book Ending was initially commissioned by Adam Line for Solos at The<br />

Star of Kings in Autumn 2016.<br />

He is currently the managing director of The Stoop Feast, and a contributing artist for A c a K e<br />

Experiment. He can be followed on Twitter @elliotbaker88.


PROGRAMME C<br />

DO YOU MIND?<br />

Performer & Writer- Joni-Rae Carrick<br />

Joni-Rae Carrack is a puppeteer and performer. She creates work<br />

that touches on truth and populist subjects. She makes work mostly<br />

with Sort Of Theatre and BearDog, where their shows get regularly<br />

programmed for festivals and has performed at the Little Angel<br />

Theatre, the Barbican Pit Theatre and the Brighton Fringe Festival.<br />

She recently graduated from the Royal Central School of Speech<br />

and Drama with an MA in Advance Theatre Practice.<br />

Director & Writer - Calum Anderson<br />

Calum Anderson is a Brighton based director, improviser, musician and technician. He has<br />

performed across the country as both an improviser and a musician, regularly performing at the<br />

Brighton, Camden and Edinburgh Fringe Festivals. His works focuses on realism and collaboration<br />

and using those to create truly honest pieces.<br />

DESIRABLE<br />

Performer & Writer- Rabiah Hussain<br />

Rabiah has performed poetry at venues including the Lost Theatre,<br />

Brixton BookJam and Rich Mix. She was part of Battersea Arts Centre’s<br />

London Stories Festival 2016. She is a participant on B3 Media’s Talent<br />

Lab 2016 for emerging filmmakers and Tamasha Theatre’s Playwright<br />

collective 2016-2017. She was longlisted for the Old Vic 12 programme<br />

for playwrights. Her short play, ‘Fish Kill’, was produced by Three Pegs<br />

Theatre in 2014. She was co-writer in Deckchair Collective’s, ‘Steam<br />

Punk’, in 2012. Rabiah has taken part in writer programmes at<br />

Arcola Theatre, Royal Court and Kali Theatre. She organised Six Hundred<br />

Seconds of Words, an open mic and music event at Stratford Circus in<br />

2012. Her poem ‘Child of the Colony’, was published in The Asian Writer’s<br />

collection of contemporary Asian writing./


DAWN<br />

Performer - Millie Binks<br />

Theatre Credits include Juliet in Romeo and Juliet (The Vaults),<br />

Dick Whittington (Mercury Theatre), Timon of Athens (The Willow<br />

Globe) with The Factory Theatre Company, Chekhov with Cherries<br />

(Edinburgh Fringe Festival), Fantastic Mr Fox (Regent’s Park Open Air<br />

Theatre), Chitty Chitty Bang Bang(The London Palladium), The Shadow<br />

Master (Kings Head Theatre Islington).<br />

TV credits include, Pulchra in The Roman Mysteries for the BBC Radio<br />

Credits include, Loneliness of The Long Distance Runner, Angel<br />

Pavement, Buddenbrooks and Mrs.Mabb – all for BBC Radio 4.<br />

Millie is also a regular voice over artist for EFS Television Productions,<br />

Pearson Education and OMUK.<br />

Writer - Rachael McGill<br />

Born in Shetland, Rachael now divides her time between the UK and Lisbon. Credits include Chickens<br />

Don’t Fly (Writers’ Guild Playwrights Progress Award 2014), Storeys (Finborough Theatre, 2000) and<br />

The Lemon Princess (West Yorkshire Playhouse, 2005, published by Oberon). Short plays have been<br />

performed at Southwark Playhouse, Arcola Theatre, Soho Theatre, Battersea Arts Centre and the<br />

Liverpool Everyman. Radio includes Poppy Seeds (BBC Radio 4 afternoon play, 2008) and Minor<br />

Characters (BBC Women’s Hour serial, 2006).<br />

Rachael translates from French, German, Spanish and Portuguese, specialising in theatre. Her<br />

translation of Marieluise won the 1998 Gate Theatre Translation Award.<br />

Rachael’s short fiction has been published in Shoe Fly Baby (the Asham Award anthology) and the<br />

Macallan/Scotland on Sunday Short Story Collection, and by Far Off Places, The Pygmy Giant and Litro.<br />

She is currently trying to sell her first novel and working on a second.<br />

Director - Simon Muller<br />

Simon studied English Literature at Edinburgh University before training as an actor at LAMDA. As a director,<br />

recent work includes Macbeth (Shakespeare’s Globe Summer School), Round 2 (The Factory) and<br />

the award-winning show The Rebel Cell (Edinburgh Festival and touring). He has worked as an<br />

actor in theatre, film, TV and radio and he most recently appeared in the critically acclaimed and<br />

award-winning Visitors at both The Arcola and The Bush. Other theatre work includes roles at The<br />

Young Vic, Edinburgh Lyceum and Traverse theatres, Bristol Old Vic and numerous seasons at<br />

Shakespeare’s Globe. He has appeared as a guest lead in popular television shows including Silent Witness<br />

and The Bill. Film work includes Joe Wright’s Anna Karenina and the forthcoming Madam Bovary,<br />

directed by Sophie Barthes. He is an Associate Member and Associate Producer of acclaimed theatre<br />

company The Factory and a founding member of the Poetry Ensemble Live Canon.


she said i do<br />

Performer - Damian Cooper<br />

Previous credits for Space Productions include lead<br />

roles in Manifesto, The Graduate and The Suicide. As<br />

ArtisticDirector of Amo Theatre, Damian has also<br />

performed in and produced Tartuffe and A Comedy<br />

of Errors at the Space.<br />

Other theatre includes: Julius Caesar (The Merely<br />

Players), Fridge and Fracture (High Tide Festival), The<br />

Tempest and Macbeth (Rose Theatre Bankside). He<br />

also won the Cameron Mackintosh Award as Steve in<br />

Mikey the Pikey (Edinburgh/NSDF)<br />

Damian can be heard on Spiteful Puppet’s HOOD as<br />

Will Scarlett, and is currently filming as Loki in web<br />

mini-series 2TINGZ.<br />

Writer - Rachael Claye<br />

Rachael spent fifteen years as a journalist working in Britain and the Middle East. Returning to the UK<br />

to start a family, she began studying playwriting with Jemma Kennedy at City Lit. She was long-listed<br />

for the Old Vic 12 mentoring scheme in 2015, and her first play, The Lighthouse, played at the Space in<br />

January 2016 to critical and audience acclaim.<br />

Director - Isabel Dixon<br />

Isabel is Theatre Manager of the Space, an active member of the programming team and a producer for<br />

in-house company Space Productions. Producing credits for the Space include the 2014, 2015 and 2016<br />

One Festivals, Manifesto, The Lighthouse, The Man Who Found His Freedom and the English premiere<br />

of Hamlyn. Isabel co-founded Burn Bright Theatre in 2014 with Katherine Timms, producing Spacer<br />

best-seller Vernon God Little, and writing Troll for last year’s One Festival. This is Isabel’s directing<br />

debut at the Space, and she is thrilled to once again be working alongside Rachael and Damian.


PROGRAMME D<br />

THE TERRIBLE TALE<br />

OF DR F<br />

Performer and Writer - Neil Sinclair<br />

Neil Sinclair has working in Australia as a stand-up<br />

comedian and actor since 2008.<br />

He has recently completed the full two-year course<br />

at L’Ecole Philippe Gaulier and relocated to London.<br />

His first show, after finishing the course, was<br />

nominated for the inspiration award in the Prague<br />

Fringe Festival.<br />

Direction provided by Lucy Hopkins and Sam Baily


jericho’s rose<br />

Performer and Writer - Lilac Yosiphon<br />

Lilac Yosiphon is the artistic director of Althea Theatre,<br />

an international ensemble of British and non-British actors<br />

based in London. She graduated from Mountview Academy<br />

with an MA in Theatre Directing followed by an MA in Acting<br />

from Arts Educational Schools London. She wrote and performed<br />

in There’s No Place Like (premiered at Brighton Fringe 2015,<br />

transferred to the Arts Theatre and now touring internationally),<br />

Jericho’s Rose (originally developed for The Northern Stage,<br />

Edinburgh Fringe 2015) and Faux Amis (Memoire de l’Avenir,<br />

Paris). Her short play Asylum won the Saving Endangered Species<br />

International Playwriting Award in Los Angeles and had a<br />

rehearsed reading at the Odyssey Theatre.<br />

She directed The Freedom of the City (Cockpit Theatre), Salt (Karamel Club), Pablo (Greenwich<br />

Theatre), ‘untranslatable.’ (The Space Theatre), You Tweet My Face Space (Greenside Royal<br />

Theatre, Edinburgh Fringe) and and currently directing One Last Thing (For Now) to be premiered<br />

at the Old Red Lion Theatre in March 2017<br />

Director - Michael Cole<br />

Originally from Sheffield, Cole is an actor-director and a member of Althea Theatre. He has<br />

previously worked with the international ensemble ‘Just a Musts’English premiere of Elfriede<br />

Jelinek’s ‘Sports Play’. He recently performed in Edward’s Bond’s premiere of Dea and has since<br />

gone on to perform in the Camden Fringe and the Cockpit’s Voila Festival in other international<br />

collaborations. For Althea, he also co-directed There’s No Place Like which recently returned from<br />

an international tour<br />

Music and Movement - Sam Elwin<br />

Sam is an actor-musician as well as a composer. For Althea, he composed the music for and<br />

performed in There’s No Place Like, which recently returned from an international tour. He has<br />

acted in a variety of plays and short films, including a two person show at the King’s Head<br />

Theatre exploring post-colonialism, gender, religion and power and a musical at Jermyn Street<br />

Theatre based on Shakespeare’s “Measure for Measure”. He also works as a photographer.


FLASK<br />

Performer - Annabel Smith<br />

Annabel’s credits at the Space include<br />

Manifesto and The Lighthouse,<br />

Theatre includes: The Ajax Project (Camden<br />

People’s Theatre), Black Sheep (Soho Theatre),<br />

Anna Karenina (Pegasus Theatre/Royal Court)<br />

Radio includes: Road to Oxford (BBC Radio 4)<br />

Annabel trained at The Oxford School of Drama.<br />

Writer - Scott Mullins<br />

Scott Mullen is a longtime Hollywood screenplay analyst<br />

and screenwriter, a two-time winner of Amazon Studios’ s<br />

creenwriting contest, whose short plays have been<br />

performed around the world.<br />

Director - Jodie Botha<br />

After joining the Space in 2010 Jodie has worked on several productions at the Space, notably as<br />

assistant director on Treasure Island and Caucasian Chalk Circle and more recently as director of<br />

Retro Metro As part of the inaugural One Festival and the Script 6 performance of Wall.<br />

Writing credits include Alice What’s the Matter as part of the Space’s Fifteen Festival and<br />

Participation from 28 plays later.


BOLLOCKS!<br />

Performer - Paul Thomas<br />

Training: Drama Studio London. Credits include The Miniaturists<br />

(Arcola Theatre), The Pensive Federation’s Collective Project &<br />

Significant Other Festivals (Tristan Bates & Etcetera), Absent Friends,<br />

Pygmalion, You Never Can Tell & John Bull’s Other Island (Michael<br />

Friend Productions), Extreme Response (The Space), Thank Crunchie<br />

It’s Not Friday (Park Theatre), The Complete History of the BBC<br />

[Abridged] (Edinburgh), The Merchant of Venice & Twelfth Night<br />

(Festival Players – open air tours), Shaw At The Park (Park Theatre),<br />

The Focus Group (Theatre 503), Hamlet (CSF), Lost Soles (Riff Raff),<br />

Winter Tales (King’s Arms), I’m Fine Thanks (BAFTA nominated),<br />

Dark Matters (Royal Television Society award). Paul may currently<br />

be seen grinning from your television screens whilst sipping milk in a commercial for Arla Best of<br />

Both; and will be playing a mad inventor in the upcoming feature film Schadenfreude alongside Ronald<br />

Pickup, Charles Kay, Dame Judi Dench and a host of other famous faces.<br />

Writer - Mike Carter<br />

Mike has been writing for theatre for over a decade. In that time he has written for venues and companies<br />

across London. Examples include a musical for The Pensive Federation’s<br />

Significant Other Festival, Poe: Macabre Resurrections for Second Skin Theatre, Insignificant Theatre’s<br />

Speakeasies and Crow Theatre’s OFFIE Nominated “Jack The Ripper’s London” His third full length<br />

play, Buster Keaton at The Hollywood Canteen... as told by Orson Welles, ran at The Space last year.<br />

Mike is a co-founder of the London Playwriting Lab and runs the South London Writers’ Group in Brixton.<br />

Director - Saffron Myers<br />

Saffron Myers has worked as a director with Paines Plough (‘Crux’ Lyric Theatre Hammersmith – Time<br />

Out Award); Wolsey Theatre, Ipswich; Hampstead Theatre; Graeae; Old Red Lion; Immediate Theatre;<br />

Moving Parts; Red Ladder; Soho Poly Theatre; Theatre Royal Stratford East; Regent’s Park Open Air<br />

Theatre; The Drum, Plymouth Theatre Royal; National Student Theatre Company; Money Spider Productions;<br />

London Actors Theatre Company; Babel Theatre Company (‘Pin Money Opera’ at Battersea<br />

Arts Centre - Best New Music Theatre Award).


posh, becks<br />

and me<br />

Performer and Writer - Milo Mint<br />

Milo Mint is a graduate of the prestigious<br />

Writers’ Programme at the Royal Court<br />

Theatre. The year he spent training there<br />

was life-changing, enabling him to workshop<br />

many new plays. Milo also directed his play<br />

Surgery whilst on the Writers’ Programme.<br />

In 2016 Milo directed a new, short piece Pokemon Go Go Go! at Faith Drama in London.<br />

Director - Jodie Botha<br />

After joining the Space in 2010 Jodie has worked on several productions at the Space,<br />

notably as assistant director on Treasure Island and Caucasian Chalk Circle and more<br />

recently as director of Retro Metro As part of the inaugural One Festival and the Script<br />

6 performance of Wall. Writing credits include Alice What’s the Matter as part of the<br />

Space’s Fifteen Festival and Participation from 28 plays later.


PROGRAMME E<br />

SEARCHING SHADOWS<br />

Performer and Writer - Emily Orley<br />

Emily Orley is a London-based artist, researcher and teacher<br />

whose work includes performance, installation and art-writing.<br />

She is interested in exploring ideas to do with memory and<br />

mis-memory, maintenance and enchantment, history, heritage<br />

and place (and how these all co-exist). She has been making and<br />

showing work, in the UK and abroad, for fifteen years, sometimes<br />

on her own and sometimes with other people. She trained at the<br />

Jacques Lecoq School in Paris and has a PhD from the<br />

University of Roehampton.<br />

Director - Christopher Heighes<br />

Christopher Heighes is one half of the partnership Forster & Heighes, makers of site-specific<br />

performance and installation. For more than twenty years they have been developing new<br />

methodologies of performance in relation to the built environment. Their early works involved<br />

the retelling of often forgotten or neglected architectural histories. More recent commissions in<br />

the UK and abroad have been developed out of complex networks of research using esoteric<br />

presentational devices that challenge architectural orthodoxy.<br />

They have presented work at The London Festival of Theatre (LIFT); Hebbel Theater, Berlin (HAU);<br />

Liverpool Anglican Cathedral, and King’s Cultural Institute, Somerset House, London<br />

Forster & Heighes are Creative Research Fellows at The University of Roehampton.


IF THE SHOE FITS<br />

Performer and Writer - Cheryl Walker<br />

Actor, Writer & Director, Cheryl Walker, is Artistic Director of Purple<br />

Moon Drama. She recently mounted a sold-out run of Malorie<br />

Blackman’s Noughts and Crosses at The Brady Arts Centre in East<br />

London. Recent written work includes Tinderella and the Beast at<br />

Arcola Theatre, Teviot Centre and Spotlight Theatre. Acting credits<br />

include ‘Yassa’, in Alassane Sy’s short film Talibés, and touring as<br />

‘Elsie’ in Matilda Ibini’s play, Muscovado. She is currently working on a<br />

full length version of If the Shoe Fits, Mek Dem Wear It.<br />

Director - Simone Watson<br />

AMONG THE MISSING<br />

Performer - Jess Neale<br />

Jess Neale has been treading the boards for several years,<br />

having graduated from East 15 with an MA in acting. She<br />

has travelled to Japan with Whole Hog Theatre’s Princess<br />

Mononoke, and was part of Camden Fringe with her own<br />

theatre company Fabletop. She has a passion for animals<br />

and when not acting works as a live interpreter at<br />

ZSL London Zoo.<br />

Writer and Director - Niamh de Valera<br />

Niamh studied at Trinity College Dublin and RCSSD and is Executive and Co-Artistic Director of<br />

Blue Elephant Theatre, Camberwell, where she supports emerging artists to produce new work.<br />

She was previously a scriptreader for Space Arts Centre and completed their 28 Days Later and<br />

29 Days Later playwriting challenges.


CORNET SOLO<br />

Performer - Silas Hawkins<br />

Silas has been acting since 1986 and has around 36 stage credits,<br />

including 14 Shakespeare productions (where he has been twice cast<br />

as Prospero’s wicked brother Antonio). Other actor/voice credits<br />

include Narration for Latin Music USA (BBC4), Summerton Mill<br />

(CBeebies) and Bob the bong-smoking cyber-dog in manga animation<br />

Rogue Farm, along with audiobooks including William Morrris’s<br />

The Well of the World’s End. Silas is the son of Peter Hawkins<br />

(of Dalek, Flowerpot Men and Captain Pugwash fame).<br />

Writer and Director - Benjamin Francis<br />

Ben’s Ben’s short plays include Snaresbrook (The Bread and Roses and Ophelia Dalston), Mog<br />

Pritchard’s Ton-Up (Theatre 503), Belisarus 5 (Horse & Stables), Everything Happens at the Starlight<br />

Lounge (The Vaults). He has written book and lyrics for a musical version of They Shoot Horses<br />

Don’t They? (Goldsmiths University) and has written and directed several times for radio, including<br />

Luggage, Anonymous, Flowering Cactus, Christmas With The Gentlemen In Grey, Fly Air Icarus and a<br />

dramatisation of Dr Jekyll And Mr Hyde. For several years he wrote for BBC Radio 2’s comedy show<br />

The News Huddlines.<br />

His essay on Into The Woods appeared in the Handbook of Stephen Sondheim published by Oxford<br />

University Press, and this year one will also appear in the Handbook of the English Musical.


the one festival team<br />

Festival Director - Adam Hemming<br />

Festival Producer - Isabel Dixon<br />

Lighting/Stage Management - Andy Straw<br />

Sound/Stage Management - Keri Danielle Chesser<br />

Festival Box Office Staff & Operators<br />

Nikkole Maresa Baker<br />

Melody Chien<br />

Colin Daly<br />

Alice Di Mattia<br />

Max Faye<br />

Andy Gourlay<br />

Lucy Harrigan<br />

Steven Shawcroft<br />

With special thanks to the Space Arts Committee, Sebastian Rex, the intern and volunteer<br />

team and all of our 2017 artists.


FESTIVAL PROGRAMME<br />

Programme A:<br />

Tuesday 10th January (7:30pm), Saturday 14th January (7:30pm), Thursday 19th January (7:30pm), Sunday<br />

22nd January (6pm), Saturday 28th January (12 noon).<br />

Programme B:<br />

Wednesday 11th January (7:30pm), Sunday 15th January (3pm), Friday 20th January (7:30pm), Tuesday<br />

24th January (7:30pm), Sunday 29th January (6pm).<br />

Programme C:<br />

Thursday 12th January (7:30pm), Sunday 15th January (6pm), Saturday 21st January (3pm), Wednesday<br />

25th January (7:30pm), Saturday 28th January (7:30pm).<br />

Programme D:<br />

Friday 13th January (7:30pm), Tuesday 17th January (7:30pm), Saturday 21st January (7:30pm), Thursday<br />

26th January (7:30pm), Saturday 28th January (3pm).<br />

Programme E:<br />

Saturday 14th January (3pm), Wednesday 18th January (7:30pm), Sunday 22nd January (3pm), Friday 27th<br />

January (7:30pm), Sunday 29th January (3pm).<br />

Follow the story<br />

#OneFest17

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