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The Illuminati Formula Used to Create an ... - La Caverna

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create a superm<strong>an</strong> <strong>an</strong>d a superwom<strong>an</strong>. <strong>The</strong> <strong>Illuminati</strong>’s inside occult<br />

his<strong>to</strong>ry places the Hittites in their <strong>an</strong>cestry.<br />

Clear back in 1917, long before superm<strong>an</strong> appeared in comics <strong>an</strong>d<br />

movies, Aleister Crowley was writing about a Superm<strong>an</strong>. <strong>The</strong> magical<br />

idea is <strong>to</strong> capture a soul from the 4th dimension. In the book Moonchild,<br />

the villa used <strong>to</strong> produce a Moonchild was called "<strong>The</strong> Butter-fly-Net".<br />

<strong>The</strong> Monarch Project then which is named after the Monarch butterfly is<br />

also <strong>an</strong> allusion <strong>to</strong> the Moonchild project where Butterflies are <strong>an</strong><br />

allusion <strong>to</strong> souls (what Christi<strong>an</strong>s call demonic spirits).<br />

<strong>The</strong> actual rituals carried out <strong>to</strong> create a Moonchild are described in<br />

detail in three of Crowley’s writings. A vague description of the rituals<br />

c<strong>an</strong> be seen by reading the book Moonchild. <strong>The</strong> ritual <strong>to</strong>ok place at a<br />

villa nicknamed <strong>The</strong> Butterfly Net. <strong>The</strong> villa was really <strong>an</strong> occult temple<br />

laid out in sacred geometrics. It had figures of satyrs, fauns, <strong>an</strong>d nymphs.<br />

It had statues of Artemis. Lots of silver objects <strong>an</strong>d crescents <strong>an</strong>d 9pointed<br />

stars were at the villa, because these objects all relate <strong>to</strong> the<br />

Moon in magic. <strong>The</strong> wom<strong>an</strong> who was pregn<strong>an</strong>t was surrounded by objects<br />

related <strong>to</strong> the moon. <strong>The</strong> moon’s influence was repeatedly invoked. A<br />

small tri<strong>an</strong>gular silver altar <strong>to</strong> Artemis was used. <strong>The</strong>re was a sacred<br />

spring where the wom<strong>an</strong> was washed. <strong>The</strong> number 9 which is sacred <strong>to</strong><br />

the moon was used along with its square 81. Prayers were made <strong>to</strong><br />

Artemis, <strong>an</strong>d there was the reenactment of the capture of Di<strong>an</strong>a by P<strong>an</strong>.<br />

<strong>The</strong> wom<strong>an</strong> was coached <strong>to</strong> identify herself with what is known as<br />

Gr<strong>an</strong>dmother Moon (in the book she simply is called the Moon or Di<strong>an</strong>a)<br />

by identifying her thoughts <strong>an</strong>d actions with the deities one is w<strong>an</strong>ting <strong>to</strong><br />

invoke.<br />

<strong>The</strong> creation of the Moonchildren within the Monarch Project involves<br />

high level magic by the circle of <strong>Illuminati</strong> black magici<strong>an</strong>s involved with<br />

a particular individual’s programming. It should be noted that Gr<strong>an</strong>de<br />

Master <strong>an</strong>d Gr<strong>an</strong>de Dame alters will underst<strong>an</strong>d demonology, but the<br />

sections (levels) of alter above them, are not informed.<br />

One of the biggest secrets kept from most of the slave’s alters is that<br />

their System was demonized while a fetus. First, this would give religious<br />

front alters the information they need <strong>to</strong> get them on the right track<br />

<strong>to</strong>wards healing, <strong>an</strong>d it could also adversely affect the programming lies<br />

of some of the front alters who don’t realize how premeditated all the<br />

trauma <strong>an</strong>d <strong>to</strong>rture is. <strong>The</strong> front alters of victims themselves remember<br />

the cover s<strong>to</strong>ry that the moon children were produced via <strong>to</strong>rture in the<br />

cages as little children.

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