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Ventus by Karl Schroeder

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<strong>Karl</strong> <strong>Schroeder</strong> / <strong>Ventus</strong> / Page 565<br />

overwhelmed. From <strong>Ventus</strong>, Diadem remained a tiny mottled<br />

white disk; had the Winds left their aluminum and titanium<br />

structures unpainted, the disk would have shone like the sun, or<br />

like the jeweled tiara for which it was named.<br />

The sphere of incandescence on the telescope images<br />

obliterated several square kilometers of moon-city. It had also<br />

This appeared as a dopplered radar image, just a tiny smear.<br />

The ship had not even bothered to report its existence to the<br />

crew until it changed heading under its own power.<br />

Fourteen hours later they had drawn next to the limp<br />

figure of a woman hanging like an abandoned doll in the velvet<br />

black of space. The swans were rising from Diadem, their<br />

music strange and threatening. The woman was gently brought<br />

on board, and bundled straight to the operating theatre, for<br />

what everyone expected would be a routine post-mortem. In<br />

the course of the operation, which Axel attended, several things<br />

came to light:<br />

The woman bore an astonishing resemblance to<br />

Calandria May.<br />

Indeed, nothing could.<br />

She was still alive.<br />

freefall, grabbed a tow line that soon deposited him at the littleused<br />

to him, but he ignored her.<br />

The patient hung like a crucified angel at the focus of a<br />

bank of deity-class equipment. Most of the equipment was<br />

dark; the patient was not a god after all. She was a robot,<br />

merely masked <strong>by</strong> sophisticated but commonly known screens.<br />

She was not, it seemed, a product of Wind technology.

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