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NOIDA/DELHI<br />

THE HINDU WEDNESDAY, JANUARY 21, 2015<br />

Traditional crafts with a chic makeover<br />

Jaideep Deo Bhanj<br />

OLD MEETS NEW: The Design Fair is on at Nature Bazaar in Andheria Modh<br />

till January 27.<br />

NEW DELHI: Dastkar Haats are<br />

always about interacting<br />

with artisans trying to keep<br />

their crafts alive by adapting<br />

to contemporary taste.<br />

Buyers learn about crafts<br />

that are unique to a region<br />

and help the artisans sustain<br />

themselves by making purchases.<br />

However, the current<br />

Design Fair being organised<br />

at the Nature Bazaar in Andheria<br />

Modh here is a bit<br />

different.<br />

The fair connects buyers<br />

directly with jewellery, textile<br />

and décor designers who<br />

have adapted crafts in contemporary<br />

styles. The new<br />

ideas and designs from these<br />

creative minds have helped<br />

give a new lease of life to artisans<br />

struggling to sell their<br />

crafts as designs have not<br />

evolved for decades.<br />

The event, organised in<br />

partnership with Delhi Tourism,<br />

has many items up for<br />

grabs, including stoles, jackets,<br />

accessories and garments<br />

made from recycled<br />

textiles; jewellery made using<br />

ancient techniques interpreted<br />

in modern designs;<br />

innovate block-printing<br />

techniques; and new motifs<br />

and graphic designs that are<br />

executed on the looms of traditional<br />

handloom weavers.<br />

Many of the stalls are a result<br />

of a design intervention<br />

project by the National Institute<br />

of Design or other notable<br />

designers who have<br />

helped craftsmen make their<br />

products more appealing to<br />

the customer.<br />

Chhandak Jana, a fashion<br />

designer based in West Bengal<br />

who is participating in the<br />

fair, says he has used motifs<br />

inspired by Madhubani<br />

paintings and new block<br />

print designs on his clothes.<br />

“The problem was that<br />

there were very limited motifs<br />

and block print designs.<br />

Although people liked the<br />

style, they did not purchase<br />

more as two garments would<br />

look similar. Now that I have<br />

used new motifs, people will<br />

have a lot more to choose<br />

from,” he adds.<br />

Another stall set up by<br />

Amanda Brown sells poly-fill<br />

duvets for kids’ bedrooms.<br />

During her quest to find decent<br />

bed furnishings for her<br />

kid’s room Amanda came<br />

across very limited and expensive<br />

options. So she took<br />

a trip to Jaipur, met with<br />

block-print artisans and<br />

came up with a line that is<br />

moderately-priced and safe<br />

for kids.<br />

“Many kids in the city develop<br />

allergies due to the<br />

dust around. Therefore, it is<br />

very important to choose<br />

materials that do not attract<br />

dust,” she says.<br />

Apart from the usual pinks<br />

and blues, she has come up<br />

with line of gender neutral<br />

colours like mauve, yellow,<br />

green and orange for parents<br />

fed-up with pinks and blues.<br />

The exhibition is on till January<br />

27 at Nature Bazaar,<br />

Kisan Haat, Andheria Modh,<br />

opposite Chhatarpur Metro<br />

Station, Delhi.<br />

STATE<br />

5<br />

DUTA to<br />

approach<br />

President<br />

Staff Reporter<br />

NEW DELHI: Alleging that misgovernance<br />

of University administration<br />

had resulted in<br />

the decline of several institutions,<br />

the Delhi University<br />

Teachers’ Association (DU-<br />

TA) is planning to approach<br />

President Pranab Mukherjee,<br />

who is the Visitor of the University,<br />

Vice-President Hamid<br />

Ansari, who is the<br />

Chancellor, and the Union<br />

Ministry of Human Resource<br />

Development.<br />

‘Inefficiencies’<br />

“The sharp decline in the<br />

number of DU-maintained<br />

institutions, as a result of the<br />

current administration’s misrule,<br />

is increasing exponentially<br />

by the day,” said DUTA<br />

president Nandita Narain,<br />

adding that three institutions<br />

had been affected by the administration’s<br />

inefficiencies.<br />

“In Kirori Mal College, the<br />

governing body is protecting<br />

an acting-Principal facing<br />

criminal investigation following<br />

Court orders on serious<br />

charges of financial bungling<br />

levelled by the University<br />

Grants Commission. On the<br />

other hand, it has dismissed<br />

the suspended Principal,<br />

even though a statutory inquiry<br />

headed by a former Supreme<br />

Court Judge<br />

exonerated him,” said DUTA<br />

member Saikat Ghosh.<br />

The recent loss of the University<br />

College of Medical<br />

Sciences (UCMS) to the Delhi<br />

Government has also not<br />

gone down well with the<br />

DUTA.<br />

“The UCMS, which is the<br />

most important medical college<br />

under DU, has been severely<br />

neglected by the<br />

University administration<br />

and now, surreptitiously<br />

handed over to the Delhi Government<br />

without discussion<br />

and approval of the University<br />

Executive Council,” said<br />

Ms. Narain.<br />

She added that at the Vallabhbhai<br />

Patel Chest Institute<br />

too, two Assistant<br />

Registrars who raised the<br />

twin issues of corruption and<br />

financial irregularities were<br />

terminated by the governing<br />

body; one of them, despite<br />

having a High court order reinstating<br />

him, and the other,<br />

through an inquiry, despite<br />

the fact that the governing<br />

body has no disciplinary power<br />

against such employees<br />

“The fact that the University<br />

administration is treating<br />

its medical colleges with such<br />

contempt and indifference<br />

shows the scant regard it has<br />

for the health and well-being<br />

of the University community,”<br />

said Ms. Narain.<br />

She added that the DUTA<br />

had already asked for an appointment<br />

with the Visitor,<br />

and is currently awaiting a response<br />

from Rashtrapati<br />

Bhavan.<br />

CM<br />

YK<br />

Portraits of women through the ages<br />

Rana Siddiqui Zaman<br />

NEW DELHI: A show of nearly<br />

300 works of art by 100 artists,<br />

from circa 1900 to 1980,<br />

is going to be unveiled on<br />

January 23 at Swaraj Art Archive<br />

in Noida’s Sector 2.<br />

Aptly titled Stri Avalekha,<br />

which means women in<br />

painting, the show has been<br />

culled from the Swaraj Art<br />

Archive. The works explore<br />

the female form as painted<br />

and photographed by both<br />

male and female painters<br />

and photographers through<br />

the ages.<br />

For instance, it shows<br />

how women, especially<br />

women models, reacted to<br />

painters and photographers.<br />

The motions and reactions<br />

can be seen in the gestures<br />

and body language — coy,<br />

bold, careless, conscious and<br />

so on.<br />

What makes the show<br />

unique is its unusual display<br />

method. The works of art are<br />

devoid of the name of the<br />

artist, period, chronology or<br />

titles in order to allow visitors<br />

enjoy them without the<br />

influence of “tags”, as show<br />

curator Smriti Rajgarhia<br />

Bhatt puts it.<br />

“No chronology, names,<br />

periods, etc. will allow the<br />

viewer to read and dwell into<br />

the artwork itself, rather<br />

than assess it pragmatically<br />

based on market researches<br />

associated with specific artists.<br />

A small effort has been<br />

made with this exhibition<br />

for the art to speak for itself<br />

without being weighed<br />

down or enhanced by the<br />

artists’ biographies. The<br />

viewer will then experience<br />

art without judgement and/<br />

or in comparison with the<br />

plethora of stylistic languages<br />

through Indian art,” she<br />

added.<br />

The works have been divided<br />

into categories like<br />

love, pride, devotion and acquiescence.<br />

They will include<br />

works by legendary<br />

painters like Raja Ravi Verma<br />

and M. F Husain, and<br />

A show of nearly 300 works of art by 100 artists,<br />

titled Stri Avalekha, will be unveiled on January 23<br />

at Swaraj Art Archive in Sector 2 of Noida<br />

modern and post-modern<br />

artists like F. N. Souza and<br />

Rekha Rodwittiya.<br />

However, a pamphlets<br />

mentioning the names and<br />

histories of each work will<br />

be available for the visitors.<br />

“The show will provide a<br />

visual comparative of the<br />

iconography associated with<br />

each of the artists and their<br />

muse,” said Prarthna, the research<br />

personnel of the<br />

show.<br />

Some of the works at the<br />

exhibition are by foreign<br />

artists who were inspired by<br />

India, specifically Goddesses<br />

Kali and Durga as depicted<br />

by artists from around<br />

the globe and not by those<br />

from the Bengal school of<br />

art.<br />

For instance, Kali and<br />

Durga as painted by the famous<br />

Nandlal Bose and unknown<br />

Dutch Bengal<br />

painters in stark contrast to<br />

nude models as painted by<br />

students in college and<br />

known/unknown painters<br />

and photographers, Raja Ravi<br />

Verma’s women deities,<br />

which finally became a<br />

house hold possession, especially<br />

the portraits of Goddesses<br />

Lakshmi and<br />

Sarawati, etc.<br />

The show also has Bollywood<br />

lobby cards, pictures<br />

of popular arts by modern<br />

and post-modern masters.<br />

The show will be on till April<br />

1.<br />

From March 1, Swaraj will<br />

hold several workshops for<br />

students and others around<br />

the show to educate them<br />

about Indian and foreign<br />

artists and their sensibilities<br />

with the reference to the female<br />

form.<br />

ND-ND

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