Overtones: Spring 2017
Overtones is the semi-annual magazine of the Curtis Institute of Music. The latest issue highlights Curtis’s unique conducting fellows program, residencies by today’s leading composers, a compelling new way of presenting string quartets in performance, and more.
Overtones is the semi-annual magazine of the Curtis Institute of Music. The latest issue highlights Curtis’s unique conducting fellows program, residencies by today’s leading composers, a compelling new way of presenting string quartets in performance, and more.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
NOTATIONS<br />
final season as music director<br />
of the Spartanburg Philharmonic.<br />
In August, Sarah led the Cincinnati<br />
Chamber Orchestra in the world<br />
premiere of Roberto Sierra’s<br />
Carribean Rhapsody and created<br />
a film of Milhaud’s La Création<br />
du monde. She conducted the<br />
Hawaii Symphony Orchestra with<br />
RAY CHEN (Violin ’10) in October,<br />
led Tan Dun’s Water Passion at<br />
the Stavros Niarchos Festival in<br />
Greece last June, and premiered<br />
Marie Samuelsson’s Eroseffekt och<br />
Solidaritet with the Nordic Chamber<br />
Orchestra in Sweden in November.<br />
DANIEL<br />
KELLOGG’s<br />
(Composition<br />
’99) violin<br />
concerto Rising<br />
Phoenix was<br />
performed by<br />
YUMI HWANG-<br />
Daniel Kellogg<br />
WILLIAMS<br />
(Violin ’91)<br />
in October with the Colorado<br />
Symphony Orchestra.<br />
2000s<br />
In November PAUL JACOBS<br />
(Organ ’00) joined the Philadelphia<br />
Orchestra and YANNICK NÉZET-<br />
SÉGUIN to celebrate the tenth<br />
anniversary of Verizon Hall’s<br />
Fred J. Cooper Memorial Organ.<br />
The program, which consisted<br />
entirely of works featuring the<br />
organ, included the world premiere<br />
of Pulitzer Prize-winning composer<br />
Christopher Rouse’s Organ<br />
Concerto, dedicated to Paul.<br />
He also performed Barber’s<br />
Toccata Festiva and Saint-Saëns’<br />
Symphony No. 3 (“Organ”).<br />
After 13 seasons with the Atlanta<br />
Symphony Orchestra, CHARLES<br />
SETTLE (Timpani and Percussion ’00)<br />
will join the Toronto Symphony<br />
Orchestra as principal percussionist<br />
in Fall <strong>2017</strong>. He will also join the<br />
faculty of the Glenn Gould School<br />
of the Royal Conservatory this fall.<br />
Last fall TIME FOR THREE, including<br />
NICK KENDALL (Violin ’01), RANAAN<br />
MEYER (Double Bass ’03), and<br />
Charles Yang, performed on the<br />
Night of the Proms Tour in Europe,<br />
including stops in Belgium, the<br />
Netherlands, Luxembourg, England,<br />
and Germany. In January and<br />
February, they performed for<br />
Milestones<br />
Births<br />
EVAN M. BOYER (Opera ’10) and<br />
his wife, Alejandra, gave birth<br />
to their daughter, Sofía Elisa,<br />
on May 24.<br />
MARGO T. DRAKOS (Cello ’99)<br />
and husband Nick are honored<br />
to announce the birth of their<br />
daughter, Arete Magdalena<br />
Drakos, on June 18.<br />
LILY FRANCIS (Violin ’06) and<br />
JOHANNES DICKBAUER (Violin ’07)<br />
announce the birth of their son,<br />
Oliver Francis, on October 2.<br />
His sister Ella Francis, age 2,<br />
is very proud.<br />
On June 5 VICTORIA KRUKOWSKI<br />
(Clarinet ’93) and husband Dennis<br />
welcomed a baby boy, named<br />
Dennis Edward Krukowski, Jr. He<br />
joins siblings Nick, 16; Aidan, 13;<br />
Luke, 11; Lucas, 10; Catherine, 7;<br />
and Andrew, 6.<br />
MARVIN MOON (Viola ’03) and<br />
Jiyeon Kim welcomed their<br />
daughter Chloe to the world<br />
on August 23.<br />
MICHAEL LUDWIG (Violin ’82)<br />
and his wife, Rachael, welcomed<br />
their son, Jacob Irving Ludwig,<br />
on January 24.<br />
MARY YONG (Viola ’10) and<br />
her husband welcomed a son,<br />
Jason Jaeon Han, to the world<br />
on December 4.<br />
Deaths<br />
We mourn the loss of these<br />
members of the Curtis community<br />
and send our condolences to their<br />
families and friends.<br />
A. KENDALL BETTS (Horn ’69)<br />
passed away on August 16 in<br />
Sugar Hill, N.H. A graduate of<br />
Interlochen Arts Academy, Kendall<br />
earned degrees from both Curtis<br />
and the University of Pennsylvania.<br />
After graduation, Kendall began<br />
his career as associate principal<br />
horn with the Pittsburgh Symphony.<br />
Just a year later, he joined the<br />
Philadelphia Orchestra under<br />
Eugene Ormandy, where he played<br />
until 1975. As a freelance musician,<br />
he performed with many orchestras<br />
across the country before joining<br />
the Minnesota Orchestra in 1979 as<br />
principal horn, a position he held<br />
until 2004. Kendall is also the<br />
founder of the Kendall Betts Horn<br />
Camp in Lisbon, N.H., as well<br />
as Cormont Music, a nonprofit<br />
dedicated to promoting the<br />
French horn through education,<br />
performance, and publishing.<br />
ANN NISBET COBB (Harp ’41,<br />
Voice ’41) passed away in Natick,<br />
Mass. on August 1. In addition to<br />
graduating from Curtis, Ann also<br />
held degrees from Salem College<br />
and the Eastman School of Music.<br />
In the 1940s, she was a member of<br />
the General Electric Hour of Charm<br />
Orchestra in New York City and<br />
was a member of the Minnesota<br />
Orchestra during the 1949–50<br />
season. A gifted singer, she sang<br />
with Chorus Pro Musica in Boston,<br />
in addition to the countless harp<br />
performances she gave in the<br />
Boston area.<br />
ROBERT COLE (Flute ’51) passed<br />
away on December 23. Following<br />
three years of service in the U.S.<br />
Coast Guard during World War II,<br />
Robert came to study at Curtis. He<br />
joined the Philadelphia Orchestra’s<br />
flute section in 1949 under the<br />
leadership of Eugene Ormandy.<br />
In 1962 he moved his family to<br />
Madison, Wisconsin, where he<br />
joined the music faculty of the<br />
University of Wisconsin, a position<br />
he held until retirement in 1988.<br />
Robert was a founding member<br />
of the National Flute Association<br />
and also served a term as president.<br />
He is the grandfather of Curtis<br />
alumnus NATHAN COLE (Violin ’00).<br />
MARY “BONNIE” LUEDERS CORSARO<br />
(Voice ’64) died on October 2 at<br />
the age of 74. A graduate of Curtis<br />
and the Academy of Vocal Arts,<br />
she joined the New York City Opera<br />
where she performed regularly<br />
during the 1960s and 1970s. In<br />
addition to her extensive opera<br />
career, Bonnie played Paul<br />
Newman’s mistress in the 1976<br />
movie Buffalo Bill and the Indians.<br />
In 1971 Bonnie married Frank<br />
Corsaro, a theatre and opera<br />
director. In the late 1970s, she<br />
became a master flower arranger<br />
in New York City, arranging for<br />
the famed River Café restaurant,<br />
among other clients. Bonnie and<br />
Frank moved from Fisher’s Island,<br />
N.Y., to Pennsylvania in 2000. She<br />
created a new successful business,<br />
Bonnie’s Best Cookies, supplying<br />
cookies to local businesses and<br />
across the country through a<br />
mail-order website.<br />
JAMES “JAMIE” DEITZ (Timpani<br />
and Percussion ’04) passed away<br />
on October 1. Born in New Jersey,<br />
Jamie was a talented percussionist<br />
from an early age. While at Curtis,<br />
Jamie won the Albert Greenfield<br />
Concerto competition and<br />
performed as a soloist with the<br />
Philadelphia Orchestra. Following<br />
Curtis, he attended the Yale School<br />
of Music for a master’s degree.<br />
Jamie was a fellow of Ensemble<br />
Connect, formerly Ensemble ACJW.<br />
His career was wide-ranging,<br />
including solo, orchestra, and<br />
chamber ensemble performances<br />
across the United States, Europe,<br />
and Japan. In addition to music,<br />
Jamie was a poet and loved<br />
to write.<br />
DORIS H. EICHER (Organ ’57)<br />
passed away on August 6 in<br />
Glen Arm, Md. Doris was born<br />
and raised in Philadelphia, learning<br />
to play piano at age 5. At age 18,<br />
she placed second in the national<br />
competition of the American<br />
Guild of Organists. At Curtis she<br />
studied with Alexander McCurdy,<br />
which led her to organ positions<br />
throughout Philadelphia. In 1958,<br />
she moved to Baltimore, and<br />
in 1963, she joined the Towson<br />
Presbyterian Church, where she<br />
began her 40-year tenure as<br />
organist and director of music.<br />
She also served 22 years as the<br />
36 OVERTONES SPRING <strong>2017</strong>