Overtones: Spring 2017
Overtones is the semi-annual magazine of the Curtis Institute of Music. The latest issue highlights Curtis’s unique conducting fellows program, residencies by today’s leading composers, a compelling new way of presenting string quartets in performance, and more.
Overtones is the semi-annual magazine of the Curtis Institute of Music. The latest issue highlights Curtis’s unique conducting fellows program, residencies by today’s leading composers, a compelling new way of presenting string quartets in performance, and more.
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NOTATIONS<br />
RECORDINGS AND PUBLICATIONS<br />
ROBERT CERULLI (Double Bass ’61)<br />
has had several arrangements<br />
published in Familiar Classics<br />
for Three’s flute and clarinet<br />
collections. Bob currently teaches<br />
music theory at Rowan College in<br />
Glassboro, N.J.<br />
DARON HAGEN’s (Composition ’84)<br />
Valse Blanche, recorded by violinist<br />
Livia Sohn and pianist Ben Loeb<br />
on the album Opera Fantasies for<br />
Violin 2 (Naxos) in January 2016,<br />
was nominated for a GRAMMY<br />
Award. An album of Daron’s art<br />
songs, performed by Philadelphia’s<br />
LyricFest, was released by Naxos<br />
in January.<br />
In November Harmonia Mundi<br />
released New South American<br />
Discoveries, with MIGUEL<br />
HARTH-BEDOYA (Conducting ’91)<br />
leading the Norwegian Radio<br />
Orchestra. Naxos released Celso<br />
Garrido Lecca: Peruvian Suite<br />
in December, featuring Miguel<br />
conducting the Fort Worth<br />
Symphony Orchestra and the<br />
Norwegian Radio Orchestra.<br />
Last April the Prism Quartet<br />
released The Curtis Project on<br />
XAS Records. The album consists<br />
of works for saxophones by<br />
JENNIFER HIGDON (’88), DAVID<br />
LUDWIG (’01), KAT SOUPONETSKY<br />
(’12), DANIEL TEMKIN (’13),<br />
GABRIELLA SMITH (Composition<br />
’14, ArtistYear ’16), THOMAS<br />
OLTARZEWSKI (’13), and TIM WOOS<br />
(’13). The recording originated in<br />
Prism's 2012 residency at Curtis.<br />
Jennifer's Flute Poetic was also<br />
included on the album American<br />
FluteScape by Jan Vinci, released<br />
in November on Albany Records.<br />
JONATHAN HOLLAND’s<br />
(Composition ’96) piece Synchrony,<br />
commissioned by the Radius<br />
Ensemble, was included on their<br />
album Fresh Paint, self-released<br />
in August. Synchrony incorporates<br />
audio clips from President Obama<br />
and Sandra Bland.<br />
JUDITH INGOLFSSON (Violin ’92)<br />
and pianist Vladimir Stoupel<br />
recorded three CDs, released in<br />
2016 by Accentus Music. Titled<br />
Concert-Centenaire, this recording<br />
project explored music of composers<br />
whose lives were influenced by<br />
World War II.<br />
DANIEL KELLOGG’s (Composition<br />
’99) horn trio, A Glorious Morning,<br />
was featured on the album Inspired<br />
by Brahms, performed by YUMI<br />
HWANG-WILLIAMS (Violin ’91),<br />
Michael Thornton, and Andrew<br />
Litton. The CD was released in<br />
February 2016 by Albany Records.<br />
LEON McCAWLEY (Piano ’95) is<br />
featured on Haydn: Sonatas and<br />
Variations (SOMM Recordings),<br />
released in January.<br />
In October Azica released Infusion,<br />
guitar faculty Jason Vieaux’s album<br />
with bandoneonist Julien Labro.<br />
JASON VIEAUX is also featured<br />
on Ginastera: One Hundred, a<br />
centennial tribute album from<br />
Oberlin Music produced by<br />
harpist Yolanda Kondonassis. <br />
ALUMNI OFFICE NOTES<br />
In its pilot year, the Alumni Network has been steadily adding resources,<br />
thanks to great work from many of your fellow alumni and the leadership<br />
of Alumni Network Chair STANFORD THOMPSON (Trumpet ’09). Here’s<br />
an update.<br />
Mentorship Project<br />
Are you interested in meeting alumni in your region? Moving to a new area?<br />
Interested in learning a new skill? Sign up for a “Curtis Coffee Break,”<br />
an opportunity to connect with an alumnus in your area for an hour to<br />
talk about Curtis, ask career-related questions, or discuss whatever you<br />
would like! Mentorship project leader MIMI STILLMAN (Flute ’99) directs<br />
this initiative.<br />
Professional Development<br />
This April is Curtis’s first Alumni Professional Development Month!<br />
Follow Curtis’s Alumni Facebook page in April to learn about workshops<br />
and other opportunities designed to benefit your professional career.<br />
Storytelling Committee<br />
Project leader WILLIAM SHORT (Bassoon ’10) penned the committee’s<br />
first <strong>Overtones</strong> story on page 35 of this issue. This spring a Curtis Tumblr<br />
page will begin to showcase stories of alumni and the diverse paths and<br />
opportunities our alumni discover. Be sure to follow the Curtis Institute<br />
of Music Alumni Facebook page for updates.<br />
Regional Events<br />
Curtis hosted a successful event in Seattle this February, following a<br />
Seattle Symphony Orchestra performance with HILARY HAHN (Violin ’99)<br />
as soloist with a post-concert reception. Project leaders MARSHA HUNTER<br />
(Opera ’77) and CATALINA VICENS (Harpsichord ’06) are planning a series<br />
of alumni events in conjunction with the Curtis Symphony Orchestra’s<br />
European tour.<br />
Opera and Vocal Task Force<br />
Task Force leaders KAREN SLACK (Opera ’02) and JANELLEN FARMER<br />
(Opera ’84) have been busy interviewing opera and vocal alumni about<br />
their experiences transitioning out of Curtis and into the challenging<br />
world of opera performance.<br />
Fundraising<br />
Alumni came together last fall to give back to Curtis. We far surpassed<br />
our goal of 200 alumni donors by December 31, 2016. This campaign<br />
ended at 133 percent participation, with 265 donors contributing over<br />
$155,000. Thank you!<br />
To find out more about these initiatives or to volunteer, please contact<br />
Laura Sancken, director of alumni and parent relations, at<br />
laura.sancken@curtis.edu or (215) 717-3128. <br />
40 OVERTONES SPRING <strong>2017</strong>