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Hammer-March

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s that are somehow playing backwards, delays that mean you weren<br />

sleep the night before and yet you go on stage at 11pm a<br />

that never overshadows playing. “We use to do 300 sho<br />

and it was great” George says. “I would play a show eve<br />

could. I don’t ever play enough. When I’m not playing w<br />

Oak Arkansas, I’m doing solo shows, or recording, or pl<br />

guys around here. It’s not like it’s a choice. I can’t mak<br />

is doing what he always wanted to do. For awhile he w<br />

chair with hip problems and he related how the Pearso<br />

would come and pick him up and carry him to a show t<br />

saved me. I would have gone crazy, not being able to pla<br />

hadn’t done that,” he told me. At one point he got his ri<br />

most torn off by a machine and initially the doctors info<br />

he would have to lose that arm. George reminisced abou<br />

of music he could play that would not require the fingers on his rig<br />

were able to save his right hand albeit; partially numb and adorned<br />

sue. Again I am blown away. Who does their job for forty years, thr<br />

s, and is still that passionate and dedicated? Someone who totally lo<br />

.<br />

Black Oak Arkansas made a huge impact in Fort Smith<br />

ocal pubs, patronized by the locals. Nick’s Village Pub<br />

for the local entertainment scene. It was a packed out<br />

epic music line up. First Josh Thomas and Mark Vanasane<br />

opening act. Then, Judge Parker got up and did<br />

s solo project and how he writes songs. “For me,” he explains, “if it t<br />

nutes to write a song then it needs to be shredded; it’s no good”. “So<br />

you fully formed?” I ask. “Yes, they just kind of pour out, somehow<br />

. “These songs, I write in first person which makes them hard to tak<br />

sing about “him” doing something then i<br />

from you, but when you say “I” did this<br />

all laid out for every to know.<br />

“You are playing in Fort Smith in a few d<br />

still get the same adrenaline rush, the sa<br />

ment you got twenty years ago when you<br />

ed playing with Black Oak?” His respons<br />

surprises me. “The adrenaline is always<br />

are playing in the wrong band, or you sh<br />

playing anymore at all,” he says. This gu<br />

all. He is passionate about playing with<br />

nd, he fervently loves his wife and family, he still pursues his solo w<br />

on what he knows to twenty-something local musild<br />

do anything to be in his shoes. George Hughen is<br />

eorge”, the title of his solo album.<br />

e

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