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VERSANT

A travel magazine design project by Hannah Mintek with photography by Corinne Thrash

A travel magazine design project
by Hannah Mintek with photography by Corinne Thrash

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History<br />

After the blessing, the men lasso one of the bull’s legs with a rope and, heaving in<br />

unison, truss the bellowing beast over the branch of an apple tree. Jachvliani grabs<br />

its horns, while another villager, unsheathing a sharpened dagger, kneels down next<br />

to the bull and, almost tenderly, feels for the artery in its neck.<br />

Over the course of history many powerful empires — Arab, Mongol, Persian,<br />

Ottoman — sent armies rampaging through Georgia, the frontier between Europe<br />

and Asia. But the home of the Svans, a sliver of land hidden among the gorges of<br />

the Caucasus, remained unconquered until the Russians exerted control in the mid-<br />

19th century. Svaneti’s isolation has shaped its identity — and its historical value.<br />

In times of danger, lowland Georgians sent icons, jewels, and manuscripts to the<br />

mountain churches and towers for safekeeping, turning Svaneti into a repository of<br />

early Georgian culture. The Svans took their protective role seriously; an icon thief<br />

could be banished from a village or, worse, cursed by a deity.<br />

In their mountain fastness the people of Svaneti have managed to preserve an even<br />

older culture: their own. By the first century B.C. the Svans, thought by some to be<br />

descendants of Sumerian slaves, had a reputation as fierce warriors, documented in<br />

the writings of the Greek geographer Strabo. (Noting that the Svans used sheepskins<br />

to sift for gold in the rivers, Strabo also fueled speculation that Svaneti might have<br />

“Nowhere else can you find<br />

a place that carries on the<br />

customs and rituals of the<br />

European Middle Ages.”<br />

been the source of the golden fleece sought by Jason and the Argonauts.) By the time<br />

Christianity arrived, around the sixth century, Svan culture ran deep — with its own<br />

language, its own densely textured music, and complex codes of chivalry, revenge,<br />

and communal justice.<br />

If the only remnants of this ancient society were the couple of hundred stone towers<br />

that rise over Svan villages, that would be impressive enough. But these fortresses,<br />

built mostly from the 9th century into the 13th, are not emblems of a lost civilization;<br />

they’re the most visible signs of a culture that has endured almost miraculously<br />

through the ages. The Svans who still live in Upper Svaneti — home to some of the<br />

highest and most isolated villages in the Caucasus — hold fast to their traditions of<br />

singing, mourning, celebrating, and fiercely defending family honor. “Svaneti is a<br />

living ethnographic museum,” says Richard Bærug, a Norwegian academic and lodge<br />

owner who’s trying to help save Svan, a largely unwritten language many scholars<br />

believe predates Georgian, its more widely spoken cousin. “Nowhere else can you<br />

find a place that carries on the customs and rituals of the European Middle Ages.”<br />

What happens, though, when the Middle Ages meet the modern world? Since<br />

the last years of Soviet rule a quarter century ago, thousands of Svans have migrated<br />

to lowland Georgia, fleeing poverty, conflict, natural disasters — and criminal<br />

gangs. In 1996, when UNESCO bestowed World Heritage status on the highest<br />

cluster of Svan villages, Ushguli, the lone road that snakes into Svaneti was so terrorized<br />

by bandits that few dared to visit. Security forces busted the gangs in 2004.<br />

Photo © Corinne Thrash<br />

42 • versant

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