24.03.2017 Views

Viva Brighton Issue #50 April 2017

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

BITS AND BOBS<br />

...............................<br />

The Bazaar, 1826, courtesy of Alexandra Loske<br />

it is decidedly unrivalled, provincially, and may be<br />

fairly classed with those of the first consequence<br />

in London.’ The gallery looks impressive indeed:<br />

fashionably dressed visitors can be seen flocking in,<br />

and the paintings arranged in a style reminiscent<br />

of the Royal Academy summer exhibitions - hung<br />

closely and all the way to the top of each wall of<br />

the top-lit, 95-foot-high room. Pictures on levels<br />

above the coveted eye-line (referred to as ‘on the<br />

line’) are slightly tilted, for better visibility. In the<br />

early years after its opening, <strong>Brighton</strong> Museum<br />

displayed paintings in the same way.<br />

The list of artists shown at the Grand Parade<br />

gallery was surprisingly international, comprising<br />

Dutch, Flemish, Italian, German, Spanish<br />

and French masters, among them Parmigiano,<br />

Veronese, Caravaggio, Poussin, Ryusdael, Mengs,<br />

Hogarth, Gainsborough and others, as well as<br />

‘the finest collection of De Loutherbourg’s work<br />

extant’. There are no records that confirm that<br />

Constable visited the gallery, but it seems highly<br />

unlikely that during his extended stays in <strong>Brighton</strong><br />

in the 1820s he would not have dropped in to see<br />

the impressive display of high-quality art.<br />

By 1826 the gallery had been turned into a ‘Bazaar’.<br />

J Whittemore notes in one of his <strong>Brighton</strong><br />

guides that ‘although we lament the alterations it<br />

has undergone, we are gratified to perceive that<br />

in its present state, it affords an hour’s amusement<br />

to the numerous fashionable visitors, who honour<br />

it with their presence.’ The author also mentions<br />

that some paintings by foreign artists are still displayed<br />

in the building. A tiny engraving in Whittemore’s<br />

books shows a building that appears to have<br />

been refaced completely, with the additional wings<br />

gone. Sadly, no trace of it remains today.<br />

Alexandra Loske, Curator, Royal Pavilion Archives<br />

Constable in <strong>Brighton</strong> is on at <strong>Brighton</strong> Museum<br />

from the 8th and forms part of Royal Pavilion &<br />

Museums’ Regency Summer season which will<br />

include Jane Austen by the Sea at the Royal Pavilion<br />

from the 17th June<br />

....19....

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!