Viva Brighton Issue #50 April 2017
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BITS AND BOBS<br />
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The Bazaar, 1826, courtesy of Alexandra Loske<br />
it is decidedly unrivalled, provincially, and may be<br />
fairly classed with those of the first consequence<br />
in London.’ The gallery looks impressive indeed:<br />
fashionably dressed visitors can be seen flocking in,<br />
and the paintings arranged in a style reminiscent<br />
of the Royal Academy summer exhibitions - hung<br />
closely and all the way to the top of each wall of<br />
the top-lit, 95-foot-high room. Pictures on levels<br />
above the coveted eye-line (referred to as ‘on the<br />
line’) are slightly tilted, for better visibility. In the<br />
early years after its opening, <strong>Brighton</strong> Museum<br />
displayed paintings in the same way.<br />
The list of artists shown at the Grand Parade<br />
gallery was surprisingly international, comprising<br />
Dutch, Flemish, Italian, German, Spanish<br />
and French masters, among them Parmigiano,<br />
Veronese, Caravaggio, Poussin, Ryusdael, Mengs,<br />
Hogarth, Gainsborough and others, as well as<br />
‘the finest collection of De Loutherbourg’s work<br />
extant’. There are no records that confirm that<br />
Constable visited the gallery, but it seems highly<br />
unlikely that during his extended stays in <strong>Brighton</strong><br />
in the 1820s he would not have dropped in to see<br />
the impressive display of high-quality art.<br />
By 1826 the gallery had been turned into a ‘Bazaar’.<br />
J Whittemore notes in one of his <strong>Brighton</strong><br />
guides that ‘although we lament the alterations it<br />
has undergone, we are gratified to perceive that<br />
in its present state, it affords an hour’s amusement<br />
to the numerous fashionable visitors, who honour<br />
it with their presence.’ The author also mentions<br />
that some paintings by foreign artists are still displayed<br />
in the building. A tiny engraving in Whittemore’s<br />
books shows a building that appears to have<br />
been refaced completely, with the additional wings<br />
gone. Sadly, no trace of it remains today.<br />
Alexandra Loske, Curator, Royal Pavilion Archives<br />
Constable in <strong>Brighton</strong> is on at <strong>Brighton</strong> Museum<br />
from the 8th and forms part of Royal Pavilion &<br />
Museums’ Regency Summer season which will<br />
include Jane Austen by the Sea at the Royal Pavilion<br />
from the 17th June<br />
....19....