The Death and Life of the Total Work of Art – Henry van de Velde and the Legacy of a Modern Concept
ISBN 978-3-86859-261-0
ISBN 978-3-86859-261-0
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3 <strong>The</strong> mound with <strong>the</strong> Meditation Grove <strong>and</strong> <strong>the</strong> Chapel <strong>of</strong> <strong>the</strong><br />
Resurrection.<br />
nee<strong>de</strong>d to un<strong>de</strong>rst<strong>and</strong> it. <strong>The</strong>refore, architecture superimposes images on reality<br />
that are <strong>the</strong> media to reveal that <strong>de</strong>ath is not an end point, but a passage between<br />
two realms. Thus, architecture itself acts as a door. Along a gentle slope, crossed<br />
by a long lake, a high <strong>and</strong> narrow building is set. At <strong>the</strong> end <strong>of</strong> <strong>the</strong> entry stairway,<br />
visitors find <strong>the</strong>mselves in a high, dark, <strong>and</strong> introverted space: <strong>the</strong> Place <strong>of</strong> <strong>Death</strong>.<br />
From here, through two semicircular ramps, <strong>the</strong>y pass un<strong>de</strong>r <strong>the</strong> choir <strong>and</strong> organ<br />
l<strong>of</strong>t, to arrive at a long, narrow room: <strong>the</strong> Room <strong>of</strong> <strong>Life</strong>. <strong>The</strong> route <strong>the</strong>n continues<br />
outdoor toward <strong>the</strong> Colombarium, to end in <strong>the</strong> Temple <strong>of</strong> Memory. From here,<br />
<strong>the</strong> mourners can walk toward <strong>the</strong> Wood <strong>of</strong> Memories, to collect <strong>the</strong>mselves in<br />
124 <strong>The</strong> Symbolic Dimension between Nature <strong>and</strong> <strong>Art</strong>ifact