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STERN CONTEMPORARY Online Booklet

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neue Welt“ gezeigten Arbeiten.<br />

Seit 2011 lebt und arbeitet Dikla Stern<br />

als freischaffende Künstlerin in Berlin.<br />

Ihre Werke konnten schon in vielen nationalen<br />

und internationalen Ausstellungen<br />

bewundert werden: In Mannheim,<br />

Leipzig, Karlsruhe, Berlin, Stockholm,<br />

Brüssel, Florenz oder New York. Und<br />

jetzt auch hier in Annweiler, im Hohenstaufensaal.<br />

Dr. Stephan Truninger<br />

INTRODUCTION<br />

BRAVE NEW<br />

WORLD<br />

Brave New World: This title not only<br />

succinctly encapsulates the paintings<br />

and photographs shown here by Dikla<br />

Stern, it also stands programmatically<br />

for the Berlin artist’s entire body of<br />

work. Whether characterizing people<br />

with decisive strokes of the brush<br />

or theatrically staging kitchen utensils<br />

in photographs — her aim always lies<br />

behind the beautiful facade, behind<br />

the only seemingly harmless everyday<br />

world.<br />

At the same time, the images themselves<br />

remain at the level of allusion. It is less<br />

the motifs presented than the moods<br />

and feelings conveyed that inspire viewers<br />

to construct narratives and cause the<br />

images to speak. This art challenges us<br />

to engage in an individual dialogue.<br />

Dikla Stern was born in Israel in 1972<br />

and immigrated to Germany as a child.<br />

It is no coincidence that her artistic<br />

career began on the opera and the ater<br />

stage. It is true that visual art soon became<br />

the focus of her interest and she<br />

turned away from the stage in order<br />

to study graphic design and art at Tel<br />

Aviv’s Avni Institute of Art and Design.<br />

Nonetheless, the experiences that she<br />

had previously gathered with the representation<br />

of narratives and with traditional<br />

and modern forms of theater still<br />

continue to contribute to her work today.<br />

Her images provide viewers with a<br />

stage for their own narratives — without<br />

simultaneously dictating a specific<br />

story to them.<br />

In spite of this openness, every one<br />

of the images presented here — be it<br />

a group of men in suits, scalpels and<br />

needles or something as mundane and<br />

seemingly harmless as a kitchen spatula<br />

— conveys a similar atmosphere: They<br />

always resonate with a sense of men ace.<br />

Fear is a theme that has already occupied<br />

Dikla Stern for a long time, and<br />

not just as an artist. Her intellectual occupation<br />

with the world around her has

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