Encounter2017_MP04_EN
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INTERVIEW<br />
AN EXTREMELY PLEASANT <strong>EN</strong>COUNTER WITH KAMILA POLÍVKOVÁ<br />
We are to have a meeting on Wednesday at 11:30. She is standing in front of the Academy<br />
a few minutes before half-past and suggests that we go to Rotor Bar. We sit down<br />
and order. The nervousness is fading away and I am starting to look forward to the<br />
interview. I stammered nervously when asking the first question but from that point<br />
on the conversation was very pleasant. A conversation with a woman of many skills<br />
and talents – with Kamila Polívková. The interview has been published today but we<br />
carried out this interview on the second day of the Festival.<br />
—<br />
After how long are you back in your hometown of Brno?<br />
The last time I was here was three weeks ago on an explication at the HaDivadlo theatre<br />
where I am going to start rehearsing an adaptation of Petra Hůlová’s novel Macocha when<br />
the Festival is over. Otherwise, I get here quite often because it is my hometown and all<br />
of my friends, family and from time to time my work are here. Anyway, I love being here.<br />
How do you perceive that the Festival Encounter belongs to the city you were<br />
born in?<br />
In the past few years, Brno has literally started living and it is wonderful to see how<br />
naturally the visitors and the guests fit in the Festival’s atmosphere and share the popular<br />
paths, coffee places and bars with the locals. I remember that I took part in the<br />
Festival back when I was a student at JAMU but it did not feel so interconnected and<br />
lively. And participation in an international student festival is a unique opportunity for<br />
the city to create conditions for meetings of not only students but also teachers and<br />
experts from all over the world. Brno is a university city and an event of this sort fits it<br />
well. I think that some bonds are often created on such events that can mean mutual<br />
and international cooperation in the future. It is great that a person gets a certain<br />
overview of what is going on in here and right now in the academic settings. I, personally,<br />
have not been a student for a very long time and that is also why I gladly accepted<br />
the offer to become a member of the jury and to have the opportunity to see so<br />
many international and domestic student works and to get a picture of the direction<br />
modern theatre is taking.<br />
What is your experience with being in a jury?<br />
So far only one. I was in a jury at the Prague Quadrennial 2015 where I was a jury member<br />
that chose Czech exposition and a jury member of the main competition. It was<br />
a fantastic experience. Similar to the Festival Encounter in the sense of having the opportunity<br />
to track all of the main events including the main – and student – expositions.<br />
Are you going to evaluate the performances according to some criteria or are<br />
you going to rely on your spectator intuition?<br />
Since you have reached me after the first day of the Festival when I have already seen<br />
three performances I am currently contemplating how to approach it. I am striving<br />
to put myself into the position of an ordinary viewer and to get carried away by the<br />
story, form and most of all by all the young and talented people around. At the same<br />
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