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The Creative Process: The Arts of War (Spring 2017)

The Creative Process is The Mumbai Art Collective's flagship magazine.

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<strong>Spring</strong> <strong>2017</strong><br />

<strong>The</strong> <strong>Arts</strong> <strong>of</strong> <strong>War</strong><br />

is incensed. He goes so far as to say that “violent means are the only<br />

way to seize control, while leniency results in defeat” (II.18.8). Rāmā<br />

placates him and they go their way. When Sitā is kidnapped,<br />

however, Rāmā becomes uncharacteristically enraged, and it is<br />

Lakshmana who calms him. Many other instances in the text stress<br />

on the importance <strong>of</strong> peaceful means <strong>of</strong> resolving conflict, and the<br />

attempts made by Hanumān, Lakshmana, and Vibhīshana to resolve<br />

conflict via discourse. But because they are at the bidding <strong>of</strong> Rāmā,<br />

who has decided upon war, they are forced to engage in violence.<br />

What I find most interesting is that in both cases Rāmā loses his<br />

honor, but in the former the authoritative legitimacy <strong>of</strong> his father<br />

deems the cause not worthy <strong>of</strong> a rebellion. One <strong>of</strong> the tenets <strong>of</strong> the<br />

just war is the presence <strong>of</strong> a legitimate authority; something we will<br />

not go into much detail. However, Rāmā’s willingness to avoid war<br />

in face <strong>of</strong> his exile seems to stem from his obedience <strong>of</strong> his father’s<br />

wishes—in other words, a respect for authority. Many sociological<br />

studies suggest that this has something to do with caste –not only is<br />

Dasharatha a human, but he is also a Kshatriyā, the only caste<br />

allowed to wield weapons. Rāvana is half-Rākshasa, half-Brahmin;<br />

thus, both his caste and his demon blood (which also robs him <strong>of</strong><br />

humanly moral principles) deprive him <strong>of</strong> any legitimacy to wield<br />

weapons and wage war. It is <strong>of</strong>ten suggested that Rāmā declared war<br />

outraged at Rāvana’s audacity to declare himself king and adopt the<br />

ways <strong>of</strong> the Kshatriyā caste.<br />

<strong>The</strong> principle <strong>of</strong> last resort finds prominence in Rākshasa military<br />

ethics as well. Both Vibhīshana and Kumbhakarna chastise him and<br />

urge him to rethink his decisions. <strong>War</strong> is to be avoided whenever<br />

possible, and when it becomes inevitable, it is best to be on the side<br />

<strong>of</strong> the ‘righteous’ (as illustrated by Vibhīshana’s defection to Rāmā’s<br />

army). However, it is clear that both Rāmā and Rāvana avoid<br />

peaceful counsel. <strong>The</strong> principle <strong>of</strong> last resort has thus not been<br />

obeyed.<br />

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