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The Creative Process: The Arts of War (Spring 2017)

The Creative Process is The Mumbai Art Collective's flagship magazine.

The Creative Process is The Mumbai Art Collective's flagship magazine.

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<strong>The</strong> <strong>Creative</strong> <strong>Process</strong><br />

reinforces the myth <strong>of</strong> a nation heading to war, leading the viewer<br />

to accept the construct <strong>of</strong> righteous and just war.<br />

<strong>The</strong> photographer’s decision to include both sky and water<br />

emphasises Indian air and naval superiority. <strong>The</strong> depiction <strong>of</strong> a wide<br />

range <strong>of</strong> terrain reinforces the illusion <strong>of</strong> superiority that the<br />

photograph is intended to create, suggesting that the plethora <strong>of</strong><br />

armed forces were ready to fight wherever they needed to. <strong>The</strong><br />

photograph distinctly shows all lines <strong>of</strong> sight, from the trucks to the<br />

guns, converge onto mountains, symbolising the aim <strong>of</strong> the Kargil<br />

<strong>War</strong>, which was to recapture the peaks that were taken over by<br />

Pakistan during the winter.<br />

THE SOLDIERS<br />

Despite significant advancements in technology, the Kargil <strong>War</strong> was<br />

still fought using age-old tactics. One <strong>of</strong> the most crucial weapons<br />

in India’s arsenal was the wide array <strong>of</strong> soldiers who were able to<br />

acclimatise and fight a high-altitude war on such short notice, and<br />

despite knowing that the Pakistani soldiers had the physical higher<br />

ground. Some estimates suggest that for every Pakistani soldier in a<br />

high altitude bunker, at least six Indian soldiers were needed.<br />

Soldiers from the Indian Army and paramilitary forces like the<br />

Border Security Force (BSF) and Rashtriya Rifles (RR) contributed<br />

to an overwhelming majority <strong>of</strong> boots on the ground.<br />

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