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move the paint around. Eventually she<br />

puts the canvas on an easel where she<br />

spends a lot of time looking at it. “This<br />

is when the work speaks to me. It tells<br />

me what it needs, what it wants to be.<br />

Sometimes I paint all day from one direction.<br />

Then I turn the canvas around<br />

and it says to me, ‘This is the way I’m<br />

supposed to be,’” she laughs.<br />

Siemienski works in acrylic primarily.<br />

“I used to do lots of watercolor and oil,<br />

but got headaches. Acrylic dries fast,<br />

which is good because I paint quickly.”<br />

Her large industrial studio within a factory<br />

in Port Richmond is a feast for the<br />

eyes with large vivid abstract paintings<br />

everywhere, one more marvelous than<br />

the next.<br />

Summer’s End, featured in this article,<br />

is a 48 by 48-inch acrylic on canvas that<br />

reveals various shades of orange sky. A<br />

I see this blank<br />

surface and create<br />

something out of<br />

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nothing. It truly<br />

amazes me.<br />

green landscape of trees appears to run<br />

across the work dividing sky from land.<br />

In the foreground there are many colorful<br />

shades and shapes. “I paint without<br />

fear. A big canvas excites me. I never<br />

worked this large until I was commissioned<br />

for it. I love the challenge!”<br />

Initially trained as an illustrator at<br />

Moore College of Art and Design, she<br />

first painted ‘literally,’ from her intellect.<br />

But soon she was driven to paint from<br />

her ‘right brain’ emotional side. “I let myself<br />

go and painted whatever appeared to<br />

me. I see this blank surface and create<br />

something out of nothing. It truly<br />

amazes me.”<br />

Married 52 years, Rita has four<br />

grown children and lives in Elkins Park<br />

with her husband, Jerry, a retired inves-<br />

Since 1925<br />

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W I N T E R 2 0 1 6 21

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