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Thurrock Trailblazer Cultural Catalogue 2017-2018

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<strong>Thurrock</strong> <strong>Trailblazer</strong> <strong>2017</strong>/18<br />

<strong>Cultural</strong> <strong>Catalogue</strong>


Contents<br />

<strong>Thurrock</strong> <strong>Trailblazer</strong> <strong>2017</strong>/18 Dates 3<br />

The <strong>Cultural</strong> <strong>Catalogue</strong> Explained 4<br />

Glossary of Terms 6<br />

Genres 7<br />

Primary, Secondary, Post-16 and SEN Offers 8<br />

Barbican: Big Barbican Workshops 9<br />

Breakin’ Convention: Workshops 11<br />

Coalhouse Fort: Visit 13<br />

Confidance: Inclusive Dance Workshops 16<br />

English Touring Opera: Performance at Thameside Theatre 19<br />

Historic Royal Palaces: Time Explorers Challenge 21<br />

Historic Royal Palaces: Visits 24<br />

Kinetika: Kitchen Table Project 26<br />

Mercury Theatre: Resilience for Teachers INSET Day 30<br />

National Theatre: Technical Make Theatre Days 32<br />

Royal Opera House: Ballet and Opera Schools Matinees 34<br />

Royal Opera House: Discover Dance CPD 36<br />

Royal Opera House: HHPP Schools Tour 38<br />

Royal Shakespeare Company: Bringing Shakespeare to Life in the Classroom 40<br />

Sinfonia Viva and Orchestras Live: Music Making for SEN CPD 43<br />

Southbank Centre: Gamelan Workshops 45<br />

<strong>Thurrock</strong> <strong>Trailblazer</strong>: Magnifying Impact 47<br />

Trestle Theatre Company: Yarico Performance 50<br />

V&A Exhibition: Opera; Passion, Power and Politics 53<br />

Primary-specific Offers 56<br />

Mercury Theatre: Story-building Workshops 57<br />

New English Ballet Theatre: Remembrance Project 59<br />

Punchdrunk Enrichment: A Teacher-led Adventure 63<br />

Royal Opera House: Chance to Dance 66<br />

Royal Opera House: Create and Sing Carmen 70<br />

Royal Opera House: Design Challenge (Primary) 72<br />

Royal Opera House: National Nutcracker 75<br />

V&A: Primary Discovery Sessions 79<br />

1


Secondary-specific Offers 81<br />

Barbican: Barbican Box 82<br />

Mercury Theatre: hACkT - Exploring STEM and Digital Technologies Through Theatre<br />

Making 85<br />

National Theatre: New Views 89<br />

New English Ballet Theatre: The Four Seasons Project 92<br />

Royal Opera House and <strong>Thurrock</strong> Music Hub: Sing and Stage La Boheme 96<br />

Royal Opera House: Design Challenge (Secondary) 98<br />

Royal Opera House: Infra Workshops 101<br />

Royal Shakespeare Company: CPD 104<br />

Southbank Centre: BAM and WOW Schohayleyols Days 107<br />

Studio Wayne McGregor Workshops 109<br />

V&A: Shakespeare in a Suitcase Workshops 111<br />

Post-16-specific Offers 113<br />

Royal Opera House: Design Challenge (FE) 114<br />

SEN-specific Offers 117<br />

English Touring Opera: In-school Performance 118<br />

V&A: SEN & Disability Programme 119<br />

2


<strong>Thurrock</strong> <strong>Trailblazer</strong> <strong>2017</strong>/18 Dates<br />

Summer Term <strong>2017</strong><br />

<strong>Thurrock</strong> <strong>Trailblazer</strong> <strong>2017</strong>/18 Launch – Each school will be sent their bespoke<br />

programme selection via email to the <strong>Cultural</strong> Champion on Thursday 06 July <strong>2017</strong>.<br />

Autumn Term <strong>2017</strong><br />

<strong>Cultural</strong> Champion <strong>Trailblazer</strong> 17/18 Introduction Day<br />

Wednesday 13 September <strong>2017</strong>, 10:00-16:00, HHPP<br />

Arts Award Surgery<br />

Thursday 05 October <strong>2017</strong>, 16:00-18:00, HHPP<br />

Artsmark Statement of Commitment and Case Study Twilight<br />

Wednesday 11 October <strong>2017</strong>. 16:00-18:00, HHPP<br />

<strong>Cultural</strong> Learning: Leadership Conference for Head Teachers, Senior Leadership and<br />

Governors<br />

Wednesday 08 November <strong>2017</strong>, 08:00-11:30, HHPP<br />

<strong>Cultural</strong> Champion Twilight – Peer Learning and Reflection<br />

Thursday 16 November <strong>2017</strong>, 16:00-18:00, HHPP<br />

Spring Term <strong>2018</strong><br />

<strong>Cultural</strong> Champions: Taking the Lead - Leadership Development Day<br />

Wednesday 17 January <strong>2018</strong>, 10:00-16:00, HHPP<br />

<strong>Cultural</strong> Champion Twilight – Peer Learning and Reflection<br />

Thursday 15 March <strong>2018</strong>, 16:00-18:00, HHPP<br />

Summer Term <strong>2018</strong><br />

<strong>Cultural</strong> Champion Twilight – Peer Learning and Reflection<br />

Thursday 17 May <strong>2018</strong>, 16:00-18:00, HHPP<br />

<strong>Cultural</strong> Champion Celebration and Evaluation<br />

Thursday 05 July <strong>2018</strong>, 16:00-18:00, HHPP<br />

3


The <strong>Cultural</strong> <strong>Catalogue</strong> Explained<br />

This page explains the layout of the offer provided and highlights in which section you<br />

will find key information. Badges in the ‘Overview’ section determine the type of<br />

activity. The badges highlight the key element of the project or activity. However, there<br />

may be other elements to the project. For example, a teacher-led project may involve a<br />

CPD. Images in the ‘Overview’ section determine the genre of the offer. However, there<br />

are likely to be other genres incorporated in the CPD or activity. The banner across the<br />

top of the page determines whether the activity is appropriate for Primary, Secondary,<br />

SEN or all of the above.<br />

Overview – Badge and<br />

image determines the<br />

genre<br />

Format/Dates<br />

The overview should provide you with a summary of<br />

the offer and information about the company.<br />

This will include dates, times and any other logistical<br />

information needed for the smooth running of the<br />

offer.<br />

Suitability<br />

This section will determine the age/ ability and size<br />

of group that is appropriate for the offer.<br />

Learning outcomes<br />

The learning outcomes will range from specific skill<br />

development to transferable skills to developing an<br />

increased awareness of, for example, SMSC and<br />

British Values.<br />

Teacher commitment<br />

The amount of time, engagement and support an<br />

activity needs will be clearly stated in order for<br />

expectations to be understood from the beginning.<br />

Communication and information sharing with your<br />

<strong>Cultural</strong> Partners will be key to the success of each<br />

offer. Teachers are expected to take a collaborative<br />

approach to designing the sessions.<br />

4


Teacher Training<br />

CPD opportunities will be stated here. The catalogue<br />

includes CPD and INSET workshops for teachers.<br />

However, activities for students are also an<br />

opportunity for teacher CPD. <strong>Cultural</strong> Partners will<br />

work closely with teachers to ensure their own<br />

learning objectives are achieved.<br />

What happens at the end?<br />

The culmination to the project or activity will be<br />

explained here. Teachers are encouraged to take<br />

the learning from any activity back into the<br />

classroom, using the resources provided.<br />

Other resources/support<br />

This will include resources, digital information and<br />

other wrap-around activities.<br />

Costs<br />

The costs range from FREE to £1750. Each school is<br />

allocated a budget. But if you wish to select more<br />

provision for your school you can. Please be aware<br />

that the school will be committed to covering the<br />

additional costs.<br />

5


Glossary of Terms<br />

A professional development session (full day, half day or twilight) for<br />

teaching staff that takes place away from school and is led by a <strong>Cultural</strong><br />

Partner. Most sessions will take place at High House Production Park.<br />

However, some <strong>Cultural</strong> Partners will host their CPD at their venue.<br />

One or a series of practical workshops for students that is co-planned<br />

with a <strong>Cultural</strong> Partner. This may include a visit to a cultural venue.<br />

A series of practical sessions for students, usually initiated by a CPD for<br />

teachers, that takes place in school and is led by a member of teaching<br />

staff.<br />

An opportunity for your students to experience live-performance by<br />

<strong>Cultural</strong> Partners, either in school or at professional venues.<br />

6


Genres<br />

Activities with this<br />

symbol focus on more<br />

than one of the genres<br />

listed.<br />

Activities that<br />

incorporate and explore<br />

movement, often<br />

related to music.<br />

Activities that include<br />

themed planning,<br />

drawing and modelling,<br />

often linked to a brief,<br />

concept or idea.<br />

Activities that focus on<br />

creating, responding to<br />

and experimenting with<br />

a range of musical<br />

styles and genres.<br />

Activities that involve<br />

using technical<br />

equipment, to create<br />

media for a stated<br />

purpose or topic.<br />

Activities that expose<br />

participants to a wide<br />

range of theatre<br />

practice, concepts<br />

and ideas.<br />

Activities that use a<br />

cross arts approach<br />

to explore historical<br />

sites with unique<br />

themes, stories and<br />

characters.<br />

Activities that<br />

support English<br />

Language &<br />

Literature, relating<br />

to engagement with<br />

reading and writing.<br />

Activities in which the<br />

participants will be<br />

using their voices to<br />

create and explore<br />

music.<br />

7


Primary, Secondary, Post-16 and SEN Offers<br />

8


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Barbican: Big Barbican Workshops<br />

Barbican Guildhall Creative Learning’s cross-arts workshop day<br />

for school groups looking to experience all the art forms on offer<br />

at Europe's largest multi-arts venue.<br />

During the workshop, students explore cross-arts practice,<br />

blurring artistic boundaries as a starting point for creative<br />

experimentation.<br />

What’s involved?<br />

In a day-long creative process, students explore all the art forms<br />

that the Barbican has to offer; including art, drama, movement,<br />

music, animation and spoken word. Students experiment with<br />

each art form in small groups, collaborate in the creation of new<br />

ideas and work towards an informal sharing, under the guidance<br />

of established artists. They develop skills in creativity,<br />

communication and innovation and each school receives a short<br />

film of their experience, sent to them post-workshop.<br />

During this workshop, you can expect your students to:<br />

• Experience and explore many different art forms.<br />

• Develop leadership and team-work skills.<br />

• Practice problem solving and communication skills.<br />

• Increase their use of imagination and creative abilities.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Teacher commitment<br />

During term time.<br />

Monday–Friday, subject to availability.<br />

4 hours approximately (including a break).<br />

Up to 30 young people per session.<br />

Suitable for KS2-KS5.<br />

The workshops can be adapted to fit curriculum.<br />

Liaising with the <strong>Cultural</strong> Partner to organise the visit.<br />

With all projects, the students cannot be left<br />

unsupervised. No further resources are required from<br />

school.<br />

9


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Activities for students are also an opportunity<br />

for teacher CPD. <strong>Cultural</strong> Partners will work<br />

closely with teachers to ensure their own<br />

learning objectives are achieved.<br />

On the day of the workshop, at the end of the session,<br />

there is a moment for the participants to present their<br />

work. Teachers are encouraged to take the learning<br />

from any activity back into the classroom, using the<br />

resources provided.<br />

Post-workshop, DVDs of the students’ work are sent to<br />

the school.<br />

£360 per class.<br />

10


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Breakin’ Convention: Workshops<br />

Breakin’ Convention uses Hip Hop Theatre and the disciplines of<br />

Rap, Spoken Word, Dance and Graffiti to engage young people to<br />

express themselves creatively. Our workshop facilitators are all<br />

active artists in the Hip Hop scene, using their skills as an<br />

educational tool to enrich the curriculum, as well as develop<br />

transferable skills in a genre that young people are connected to.<br />

We offer workshops in:<br />

• Rap / Lyric Writing / Spoken Word (Linking to literacy; the<br />

students will develop confidence when sharing in front of others<br />

and work on rhyme, rhythm and having fun working as a group).<br />

• Dance (An introduction to Hip Hop. In addition to this, our<br />

Breakin’ Convention festival premiered Kenrick Sandy's<br />

Emancipation of Expressionism, which is now part of the GCSE<br />

dance syllabus and could be used as a theme).<br />

• Graffiti (An introduction to the history of aerosol art, stenciling,<br />

colouring and style. The students will create a personalized piece<br />

of art. This can be on canvas, a joint mural or t-shirts. Please see<br />

below for individual materials costings).<br />

• Hip Hop Theatre (Exploring choreography, movement, artistic<br />

direction, poetry).<br />

With sufficient time and planning, our workshops can be tailor<br />

made to a school’s desired outcome.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Half Day: 3.5 hours.<br />

Full Day: 5/6 hours.<br />

Up to 30 young people per session.<br />

Suitable for Primary, Secondary, College, SEN and PRUs.<br />

The learning outcomes will range from specific skill<br />

development to transferable skills. Rap and Poetry workshops<br />

improve literacy. Activities in the workshop encourage<br />

confidence in presenting in front of others and team work.<br />

Aside from being fun, a lot of the sessions are therapeutic for<br />

many young people. Music students benefit artistically from<br />

being mentored by someone in the music scene and learning<br />

new skills gives them tools to then be able to develop their<br />

own pieces of work.<br />

11


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Be in direct correspondence with Breakin' Convention and<br />

be prepared to organise the logistics of the workshop.<br />

Activities for students are also an opportunity<br />

for teacher CPD. <strong>Cultural</strong> Partners will work<br />

closely with teachers to ensure their own<br />

learning objectives are achieved.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

All schools will receive resources, digital information and<br />

other wrap-around activities.<br />

School Workshop (rap/dance/Hip Hop theatre):<br />

Half day: £320.<br />

Full day: £440.<br />

Graffiti Workshop:<br />

Half day general workshop: £440.<br />

Half day graffiti t-shirt workshop: £560.<br />

12


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Coalhouse Fort: Visit<br />

Coalhouse Fort is an artillery fort built in the 1860s to<br />

guard the lower Thames from seaborne attack. It<br />

stands at Coalhouse Point in Essex on the north bank<br />

of the river, at a location that was vulnerable to<br />

raiders and invaders. The education team have an<br />

offer of cross-curricular activity.<br />

Local History:<br />

Children can explore the history of the fort via tours of<br />

the tunnels and the roof to learn about the history of<br />

the park and local area. This will cover Anglo Saxon<br />

history and the Tudors to WW2. Pupils can also look at<br />

old maps and experience life in WW1 and WW2<br />

through object handling.<br />

Geography:<br />

Whilst learning about the history of the local area,<br />

schools will get the chance to cover the orienteering<br />

element of the PE curriculum. The students will also<br />

learn skills, in the form of map reading and bearings.<br />

Maths:<br />

Maths Upper KS2 and KS3: Linking the history of St<br />

Catherine’s Church and Coalhouse Fort to problem<br />

solving and mathematical skills, such as Pi and<br />

Pythagoras.<br />

KS1 and KS2: Using the outdoors to practise<br />

measuring skills and data collection. This could also<br />

link to the science curriculum, looking at habitats and<br />

species.<br />

English:<br />

Learning how to write creatively using the five senses.<br />

Historical stories from the fort and the nature from<br />

the park will be used as a stimulus for writing.<br />

Format/Dates<br />

These sessions can take place at any time of year.<br />

However, schools need to be aware that during the<br />

winter months, Coalhouse Fort and the park can be cold.<br />

Pupils and teachers need to dress according to the<br />

13


PRIMARY, SECONDARY, POST-16 AND SEN<br />

weather. Schools need to book at least 3 weeks in<br />

advance.<br />

Any natural history-related programmes need to be<br />

booked late Spring/ Summer. Sessions are generally from<br />

10:00 – 14:30 but can be flexible. A room for lunch will<br />

be provided.<br />

Pre/ post activity can be added accordingly – there will<br />

be an extra cost involved for this.<br />

Suitability<br />

Our programs are currently tailored to KS1-KS3.<br />

However, if booked far enough in advance, higher Key<br />

Stages can be catered for (this would require at least 4<br />

weeks lead in time).<br />

Maximum of 35 children per day due to staff capacity.<br />

SEN schools can be accommodated, although tours of the<br />

fort would require climbing of stairs & involve some tight<br />

spaces. We can modify tours.<br />

Learning outcomes<br />

Teacher commitment<br />

Cross-curricular links to History, Science, Geography,<br />

Maths and Literacy.<br />

Our Maths activities may require a pre-course session to<br />

be delivered prior to the visit (lesson plans & templates<br />

will be provided).<br />

Adult to child ratios must be met. Some activities will<br />

require input and support from teachers/adults. Adult to<br />

child ratios are as follows:<br />

1:6 KS1.<br />

1:8 KS2 and KS3.<br />

1:10 GCSE and A Level.<br />

Teacher Training<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> Partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

14


PRIMARY, SECONDARY, POST-16 AND SEN<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

All resources will be provided as part of our programmes<br />

on the day, or if there is pre-course involved, digital<br />

resources provided.<br />

£3.50 per Primary student.<br />

£4.50 per Secondary student.<br />

Adults and Teachers go FREE.<br />

15


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Confidance: Inclusive Dance Workshops<br />

Confidance specialises in creating bespoke dance<br />

projects to meet the needs of a school, its teachers<br />

and pupils. Workshops can be tailor-made to support<br />

topics or subjects within the curriculum, and equip<br />

staff through CPD and team teaching. Dance can<br />

explore topics as diverse as the solar system, the<br />

weather or the Vikings!<br />

Dance for All!<br />

Confidance specialises in inclusion and differentiation,<br />

working with pupils with a range of learning needs by<br />

meeting pupils where they are at and supporting and<br />

challenging them. This could be; supporting<br />

disadvantaged young people to build confidence,<br />

social skills and integration, or differentiating dance<br />

tasks for pupils with a wide range of learning needs.<br />

Dance workshops will enable teachers and pupils to<br />

explore ways of working creatively, to find methods of<br />

meaningful decision making when creating<br />

choreography. Pupils will explore their movement<br />

potential, no matter how big or small, to experience<br />

their own movement ability in relation to others.<br />

There is the opportunity to engage in a whole school<br />

project where all classes create a dance piece,<br />

culminating in a whole school performance for<br />

parents, carers and VIPs, to celebrate in their creative<br />

achievement and showcase the skills of the pupils –<br />

subject to allocation of budget and time. Teachers will<br />

be supported through CPD and team-teaching to<br />

achieve this, equipping the teaching staff with<br />

creative teaching strategies to use in the class time.<br />

Format/Dates<br />

This project could take place in half or full day workshops,<br />

with the option of the project spanning over one or two<br />

terms. The latter option allows time in between sessions<br />

for the creative work to be developed by the pupils and<br />

teacher, with support from Confidance in the form of CPD<br />

for teachers, and offering developmental tasks for pupils.<br />

16


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Suitability<br />

Learning outcomes<br />

Confidance specialises in working inclusively, and has a<br />

wide range of experience working in Primary, Secondary,<br />

College and SEN schools.<br />

Confidance works closely with schools to create bespoke<br />

projects to meet a variety of learning outcomes. Projects<br />

can be tailored to run parallel with the curriculum if<br />

desired, or focus on creativity, developing confidence and<br />

social skills.<br />

Benefits to pupils working with Confidance:<br />

Whilst dance can be used to support the teaching of<br />

curriculum subject knowledge, it also equips pupils with<br />

the tools to be able to access that knowledge and prepare<br />

them with the necessary skills to enter the adult world.<br />

Through learning dance sequences, choreographic tasks,<br />

performing and dance appreciation pupils will engage in:<br />

Problem Solving: working creatively as independent<br />

enquirers and cooperatively as a part of a team. Pupils will<br />

analyse and evaluate ideas to find creative solutions to<br />

choreographic tasks.<br />

Negotiating and Team Working: as part of the creative<br />

process, pupils work as effective participants, putting<br />

forward their creative solutions to tasks and striking a<br />

balance to achieve a common goal.<br />

Reflective Learning: as part of the workshop, pupils will<br />

engage in dance appreciation; actively observing and<br />

providing feedback to their peers to evaluate progress and<br />

identify achievement and opportunity for development.<br />

Confidance puts great emphasis on the importance of<br />

feedback and constructive criticism and creates a positive<br />

and safe learning environment to enable this.<br />

Above all, pupils of any age or ability will work and think<br />

creatively in an environment where diversity of thought<br />

and ability is celebrated to create dynamic and exciting<br />

dance work.<br />

17


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Attend a planning meeting and provide practical support<br />

during the project. Provide access to a suitable dance<br />

space (e.g. school hall) and a sound system.<br />

Teacher training can be provided for all levels of ability,<br />

knowledge and experience, taking place in class time and<br />

as twilight sessions.<br />

Where appropriate, Confidance aims to work towards a<br />

live performance outcome. This could take place within<br />

school assembly, or a performance outside. Dance for film<br />

is also an option if live performance is not suitable.<br />

Lesson plans and discussion with the teacher on potential<br />

follow up tasks can be provided on request. Schools will be<br />

directed towards useful websites, music choices and dance<br />

stimuli.<br />

Please note any schools/staff who have not previously<br />

worked with Confidance must include an initial school visit<br />

to plan the project.<br />

Initial In-School Planning session: £150<br />

Pre-Project Planning Session (Skype / Phone): £30 per<br />

session.<br />

Half Day (up to 3 hours): £180<br />

Full Day (up to 6 hours): £300.<br />

18


PRIMARY, SECONDARY, POST-16 AND SEN<br />

English Touring Opera: Performance at Thameside<br />

Theatre<br />

English Touring Opera is the leading touring opera<br />

company in the UK. ETO travels to more regions and<br />

venues than any other English opera company. Their<br />

work includes commissioned opera pieces, especially<br />

for young people.<br />

The English Touring Opera will be coming to<br />

Thameside Theatre, Grays on Monday 18 June <strong>2018</strong><br />

for a performance of Shackleton’s Cat.<br />

The story features nine performers, including singers<br />

and players, to tell the story of the voyage and<br />

destruction of the Endurance 100 years ago, and the<br />

subsequent tale of survival against all odds. The<br />

opera features an ingenious set, with maps and<br />

images from the expedition, interactive songs, a<br />

puppet cat, and comprehensive resources for<br />

teachers, compiled in partnership with the Scott<br />

Polar Research Institute in Cambridge.<br />

When Ernest Shackleton and his crew arrived in<br />

Antarctica on board of the Endurance, Winter was<br />

approaching and ice was beginning to form on top of<br />

the sea. Shackleton tried to find a safe place to drop<br />

anchor but it was too late, the Endurance became<br />

trapped in the sea ice. The ice was moving and it was<br />

taking the Endurance with it, pushing and pulling her<br />

further and further from land. The crew unpacked as<br />

much of the equipment as they could before the<br />

Endurance was crushed by ice. They then watched as<br />

the ship slowly sank to the bottom of the sea.<br />

Format/Dates<br />

Suitability<br />

The 65-minute performance will run on Monday 18 June<br />

<strong>2018</strong> (time to be confirmed). There will be a Q&A at the<br />

end of the performance.<br />

Suitable for KS2, lower KS3 and SEN.<br />

19


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Learning outcomes<br />

• Science: Issues of global warming and medicine.<br />

• History: Exploration in the years of the First World<br />

War and Ernest Shackleton.<br />

• Literacy.<br />

• Music.<br />

• Geography: The Antarctic.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Please account for teachers in ticket allocation. Arrange<br />

transport to and from theatre.<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

A “Sing-Along” resource and education activity pack to<br />

support learning, including:<br />

curriculum links, Shackleton’s Cat character explorations<br />

and history, a music CD and electronic files and scores,<br />

classroom activity ideas and English Touring Opera<br />

background.<br />

£7.00 per ticket.<br />

20


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Historic Royal Palaces: Time Explorers Challenge<br />

Historic Royal Palaces’ Time Explorers Challenge<br />

programme is an immersive, transformative and<br />

distinctly HRP learning experience, offering <strong>Thurrock</strong><br />

Primary schools the opportunity to take part in a deep<br />

engagement cross-curricular project at the Tower of<br />

London.<br />

The programme has a clear six-stage approach,<br />

beginning with a teacher CPD day and culminating in a<br />

‘Grand Finale’ celebration week. Participating<br />

teachers will benefit from comprehensive training in<br />

the story of John Gerard, an Elizabethan religious<br />

prisoner who masterminded his escape from the<br />

Tower of London in 1597. After the teacher CPD day,<br />

participating teachers will be entitled to bring their<br />

children to the Tower for a bespoke Time Explorers<br />

Challenge workshop.<br />

We aim to encourage children and teachers to use<br />

their on-site learning experience as a springboard for<br />

a broader cross-curricular project back at school, for<br />

which prizes will be awarded following schools’<br />

submission of their project entries.<br />

Time Explorers Challenge is a core HRP initiative which<br />

is offered to all London Primary schools. We would<br />

welcome the opportunity to offer the programme to<br />

<strong>Thurrock</strong> <strong>Trailblazer</strong> schools for the fourth year<br />

running, in partnership with the Royal Opera House.<br />

Format/Dates<br />

CPD day: October/November <strong>2017</strong> date tbc<br />

On-site workshops: Spring term <strong>2018</strong> date tbc<br />

Celebration week: July <strong>2018</strong> date tbc<br />

Suitability<br />

The project is most suitable for KS1/2 students but we<br />

would be happy to include lower KS3 also. We also have<br />

an established SEND version of the session, so SEND<br />

schools would be warmly invited to participate.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Learning outcomes<br />

There is no ‘one size fits all’ approach for this project, as all<br />

teachers are encouraged to adapt the stimulus to suit their<br />

own teaching and learning priorities. As such, a wide<br />

range of curriculum areas could be explored by schools<br />

taking part in the programme.<br />

Many projects undertaken in previous years have tended<br />

to explore History, Art and Design and Literacy as the most<br />

common subject areas, but subjects such as Science, Music<br />

and Design Technology have also been incorporated by<br />

some schools.<br />

Teacher commitment<br />

Teachers attending the CPD day are under no obligation to<br />

sign up for the Time Explorers Challenge Programme, but if<br />

they do apply to take part they will be required to<br />

complete a Project Agreement Form in which they will<br />

agree to meet our project submission deadlines and to<br />

participate in our project evaluation.<br />

Teachers who apply to take part will also be required to<br />

demonstrate a willingness to allocate a portion of time to<br />

exploring the area of focus with their children. As stated<br />

above, teachers are free to dedicate as much or as little<br />

time as they wish to the classroom side of the Time<br />

Explorers Challenge project, but previous experience has<br />

shown that the more class time devoted to the<br />

programme, the greater the learning outcomes.<br />

Teacher Training<br />

The CPD Day is an essential aspect of the programme.<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

The programme culminates in a celebration week, when<br />

children from all winning schools from across the project<br />

will be invited to the Tower of London to take part in a<br />

themed activity.<br />

A comprehensive resource pack, featuring printed<br />

materials to support the programme in the classroom.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Costs<br />

CPD: £75 per teacher, to include all refreshments and<br />

resources.<br />

Time Explorers Challenge Tower of London workshops:<br />

£93 per class.<br />

Tower of London education rate admission: £3.85 per<br />

child.<br />

23


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Historic Royal Palaces: Visits<br />

Historic Royal Palaces’ learning programmes draw on a<br />

unique combination of immersion in their palaces, historic<br />

characters brought to life through costumed<br />

interpretation, interrogation of historic evidence, and<br />

engaging stories told in the places where they really<br />

happened. We would like to offer <strong>Thurrock</strong> <strong>Trailblazer</strong><br />

schools the opportunity to visit the Tower of London,<br />

Kensington Palace or Hampton Court Palace. Explore<br />

Henry VIII’s atmospheric Tudor palace at Hampton Court,<br />

descend into dark tales of imprisonment, escape and<br />

execution at the Tower of London, or discover Queen<br />

Victoria’s birthplace and childhood home at Kensington<br />

Palace. Visit our website to view the range of learning<br />

opportunities available at our palaces.<br />

Format/Dates<br />

Taught sessions are available all year round, but we<br />

recommend booking early in the school year in order to secure<br />

your preferred date/s.<br />

Suitability<br />

Learning outcomes<br />

Teacher commitment<br />

Teacher Training<br />

Workshops are available for all year groups and key stages,<br />

from KS1 to A level. We also have a SEND programme. Visit<br />

our website for full details.<br />

A visit to an HRP site is the perfect opportunity to inspire your<br />

children with the stories from some of the greatest palaces<br />

ever built. The three sites offer real examples of ‘history<br />

where it happened’, which might form the starting points for a<br />

wider learning project.<br />

Most of our taught sessions last for one hour, but you would<br />

be free to spend all day exploring the site at your leisure. We<br />

recommend that teachers new to our sites plan a preliminary<br />

visit, in order to undertake their own risk assessments and to<br />

make their school visit run as smoothly as possible. A<br />

complimentary preliminary visit voucher is provided for up to<br />

two teachers per booking.<br />

This visit-only option does not include a CPD element. If you<br />

would like to book our CPD option, please see the ‘Time<br />

Explorers Challenge’.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Teachers are encouraged to take the learning from any activity<br />

back into the classroom, using the resources provided.<br />

Pre-visit resources are available on our website.<br />

Admission costs at the Education Rate:<br />

Tower of London:<br />

• £3.85 per child (KS1-4).<br />

• £5.40 per child (KS5).<br />

• Teachers and adult helpers are admitted free at a 1:10 ration<br />

(KS2+) and 1:5 for KS1. Additional adults over this ratio are<br />

charged at £20.25.<br />

Hampton Court Palace:<br />

• £3.85 per child (KS1-4).<br />

• £5.40 per child (KS5).<br />

• Teachers and adult helpers are admitted free at a 1:10 ration<br />

(KS2+) and 1:5 for KS1. Additional adults over this ratio are<br />

charged at £17.10.<br />

Kensington Palace:<br />

• Child admission: Free (KS1-4).<br />

• £4.10 per child (KS5).<br />

• Teachers and adult helpers are admitted free at a 1:10 ration<br />

(KS2+) and 1:5 for KS1. Additional adults over this ratio are<br />

charged at £14.67.<br />

Taught session costs: Most sessions are charged at £93 per<br />

session, plus admission. Some at Hampton Court Palace are<br />

charged at £103. Please see website for details.<br />

25


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Kinetika: Kitchen Table Project<br />

Kinetika is an internationally renowned company<br />

with an 18-year track record of combining worldclass<br />

design with community projects, to produce<br />

spectacular outdoor events that engage diverse<br />

audiences wherever they work. Founded by artist Ali<br />

Pretty in 1997, and inspired by her training in<br />

carnival arts in Trinidad and India, Kinetika now has<br />

an unrivalled reputation for working with local<br />

communities on projects that change the way people<br />

feel about where they live. From local community<br />

events in shopping centres, ceremonial boulevards<br />

and local high streets, to the Great Wall of China and<br />

the heart of Kolkata.<br />

Over the last three years, Kinetika has been working<br />

with local schools and communities to collect and<br />

share stories of the people of <strong>Thurrock</strong>, through the<br />

<strong>Thurrock</strong> 100 walking, talking and making festival. In<br />

<strong>2018</strong>, Kinetika will be launching a new theme for the<br />

festival called Kitchen Table. The project will spark<br />

conversations amongst diverse communities through<br />

the sharing of recipes from around the world as a<br />

common medium for transcending language barriers<br />

and cultural difference. This project will be a means<br />

to gather stories from <strong>Thurrock</strong>’s diverse population,<br />

inspiring new performance pieces that will be<br />

presented at ‘Pop-Up Kitchens’ around <strong>Thurrock</strong> in<br />

2019.<br />

We are inviting teachers from up to 25 schools to be<br />

part of the first phase of this two year project. They<br />

will attend a CPD session on Tuesday 20 February<br />

<strong>2018</strong>, led by Ali Pretty and Kinetika artists, to explore<br />

ways in which we can create a whole class ‘Recipe<br />

Book’ as a means to explore and share the diverse<br />

cultural identities of the pupils. Working with<br />

Trinidadian carnival designer and chef Ray Mahabir,<br />

we will provide a resource pack for teachers, packed<br />

full of activities inspired by food, and its place in<br />

societies around the globe. We will also offer an<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

additional practical workshop option for between<br />

15-30 pupils to make their own chef apron at<br />

Kinetika Studios, High House Production Park.<br />

We will run a competition for the best class ‘Recipe<br />

Book’, and the winning class will be invited to<br />

Kinetika’s 20 th Birthday Party in July <strong>2018</strong>. All finished<br />

class ‘Recipe Books’ will be on display as part of this<br />

event.<br />

Format/Dates<br />

CPD Day Tuesday 20 February <strong>2018</strong>, 9:00-16:00, Kinetika<br />

Studios, High House Production Park.<br />

‘Make an Apron’ Workshop: May <strong>2018</strong>.<br />

Date to be arranged with the school.<br />

Prior to the workshop, Kinetika would send a design brief<br />

to schools, plus paper pattern for apron design. Teachers<br />

would work with children to translate their recipes into a<br />

visual design for their apron. The class would then come<br />

to Kinetika studio to translate this using batik onto a<br />

cotton apron. The session will run 09:30-15:00 for 15-30<br />

children.<br />

Suitability<br />

Learning outcomes<br />

Suitable for Primary, Secondary, College and SEN<br />

teachers and students. Up to 30 students in a class.<br />

Development of the ‘Recipe Book’ will include:<br />

• Research into different cultures.<br />

• Creative writing.<br />

• Design and drawing.<br />

• Working as a team.<br />

• Sharing outcomes.<br />

‘Make an Apron’ workshop:<br />

• Design.<br />

• Drawing.<br />

• Scaling up.<br />

• Batik – waxing and painting.<br />

Teacher commitment<br />

Teachers must attend the CPD session. Kinetika will take<br />

them through the suggested activities, so that each<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

teacher has created ‘a page’ in their recipe book at the<br />

end of the day. They will then apply the process to their<br />

class in a series of activities in the first half of the<br />

Summer Term. Class ‘Recipe Books’ will be completed by<br />

end of June for the competition, and the winning school<br />

will be invited to Kinetika’s 20th Birthday Party in July.<br />

Teachers who wish to take part in the ‘Make an Apron’<br />

workshop will be required to work with their pupils on<br />

the design of their apron before attending the making<br />

session with Kinetika in their studios.<br />

Teacher Training<br />

What happens at the<br />

end?<br />

The whole day CPD led by Ali Pretty and associate artists<br />

will explore recipes from around the world to explore<br />

diversity within the class/school and through this raise<br />

awareness and respect for <strong>Thurrock</strong>’s diverse<br />

communities. The workshop will take them through the<br />

process of researching a recipe, reinterpreting it through<br />

creative writing and presenting it using photographs and<br />

illustrations to tell a wider story of where it comes from<br />

and the community who uses it.<br />

Teachers will use the resource pack provided to create a<br />

whole class ‘Recipe Book’ that can be shared with the<br />

rest of the school. Some schools may choose to attend a<br />

‘Make an Apron’ workshop, and even create a whole<br />

school event. All school ‘Recipe Books’ will be displayed<br />

at Kinetika’s 20th Birthday Party, and one winning school<br />

will be invited to attend.<br />

All schools will be invited to follow up this activity in<br />

2019, when Kinetika will create the <strong>Thurrock</strong> 100 Kitchen<br />

Carnival and offer workshops in music, dance and<br />

costume making.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Other<br />

resources/support<br />

The resources for Kitchen Table will be shared on the<br />

<strong>Thurrock</strong> 100 website. We will present a resource pack<br />

for teachers that includes; reference and research<br />

material and activity ideas of how to create a class<br />

‘Recipe Book’. There will be:<br />

• Suggestions for how the class or whole school might<br />

create a whole school event.<br />

• Ideas of how to engage parents and the wider<br />

community.<br />

• A series of possible questions. Where do the<br />

ingredients come from? How do they get here? What<br />

can’t you get and why?<br />

• An exploration of how food plays a part in cultural and<br />

family celebrations. Do they involve other activities<br />

such as music, dance, games, rituals?<br />

Costs<br />

The CPD session will cost £125 per teacher.<br />

‘Make an Apron’ workshop:<br />

15 students - £350<br />

30 students - £700<br />

29


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Mercury Theatre: Resilience for Teachers INSET Day<br />

The Mercury Theatre’s Resilient Teachers INSET Day is<br />

delivered by a well-established and experienced theatre<br />

professional who uses methodologies employed in the<br />

theatre industry to support teachers in their classroom<br />

delivery. It is a holistic approach to developing<br />

transferrable skills.<br />

The training is split into 3 sections:<br />

1. Exploring what is meant by ‘resilience’.<br />

2. Personal Resilience – looking at methods, tools and<br />

techniques to support teaching delivery including<br />

vocal coaching, supporting the voice and avoiding<br />

strain (a key tool in any teaching environment);<br />

posture and movement that supports presence,<br />

confidence and control; and mindfulness techniques<br />

to tackle stressful situations.<br />

3. Group Resilience – looking at techniques and tools to<br />

create support structures and networks amongst<br />

peers and professionals. Developing a company<br />

mentality that creates a sustainable provision within<br />

a school or cluster.<br />

These techniques can also be used by teachers in the<br />

classroom to develop classroom cohesion, resilient<br />

pupils and support personal development, behaviour<br />

and student welfare.<br />

Format/Dates<br />

Suitability<br />

Dates are arranged as per the convenience of the school or<br />

consortium – particularly if INSET days are already allocated<br />

for <strong>2017</strong>/18. The Mercury will be in contact prior to the<br />

session to discuss the bespoke needs of the group.<br />

Can be for up to 20 teaching staff or a select group. The<br />

session has been designed to support teachers across all<br />

schools and Key Stages. Designed for teaching, support and<br />

classroom based staff at any stage in their careers. The CPD<br />

is especially good for Initial Teacher Training (ITT), NQTs,<br />

and those in the first 5 years of teaching. This CPD has been<br />

used by Teaching School Alliances and consortiums working<br />

with Schools Direct and focusing on school-led ITT. This is<br />

ideal for a MAT wishing to collaborate on training.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Learning outcomes<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

1. Provide professional development opportunities of<br />

school led ITT.<br />

2. Offer a range of professional development opportunities<br />

for teachers and school support staff, extending a strong<br />

learning culture.<br />

3. Improved leadership and management.<br />

4. Improved well-being of staff and by extension pupils.<br />

For ease of coordination we ask for one lead contact/CPD<br />

coordinator from the school/consortium.<br />

Teachers and classroom staff are empowered, engaged and<br />

equipped for leading learning in the classroom.<br />

Teachers are encouraged to join the Mercury Theatre’s<br />

Teachers Network – a free resource supporting classroom<br />

activities, further CPD and opportunities to engage with the<br />

Mercury.<br />

The facilitator will supply all printed resources. Other<br />

support can be found on the Mercury Theatre’s website.<br />

£420 for a full one day session.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

National Theatre: Technical Make Theatre Days<br />

Make Theatre Days are a fantastic opportunity to give pupils an<br />

exciting introduction to theatre-making and the science and<br />

technology behind the productions at the National Theatre.<br />

The day includes:<br />

• An introduction to one of the NT’s three theatres.<br />

• A visit to the NT’s backstage Sherling High-Level Walkway.<br />

• A 2-hour practical, hands-on workshop that will introduce<br />

how different aspects of lighting and sound work in theatre.<br />

The children will then get to take on the role of lighting or<br />

sound designer, working to a brief to create their own<br />

designs. The workshop will be led by a professional theatre<br />

lighting and sound technician.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Dates are available through-out the year.<br />

The day will run from 10:30 – 14:30.<br />

A lunch space will be provided.<br />

Suitable for Primary schools (KS2) and Secondary schools<br />

(KS3). Up to 32 students.<br />

Creative skills:<br />

• Interaction with a professional lighting and sound<br />

technician.<br />

• Opportunity to see their lighting and sound designs<br />

realised with the help of a professional theatre technician.<br />

• Knowledge of the science and technology involved in<br />

backstage theatre roles.<br />

• Insight into the backstage production workshops at a<br />

theatre.<br />

Transferable skills:<br />

• Creativity.<br />

• Team work and collaboration.<br />

• Listening skills.<br />

Science:<br />

• What is light, how it works, different forms light comes in<br />

and how shadows are made and change shape.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

• What is sound, how it works, different sound effects used<br />

in theatre.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other resources/support<br />

Costs<br />

Liaison with the NT Learning team ahead of the visit and<br />

presence on the day.<br />

Activities for students are also an opportunity for<br />

teacher CPD. <strong>Cultural</strong> Partners will work closely with<br />

teachers to ensure their own learning objectives are<br />

achieved.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

There are a range of short films available here to support<br />

your students’ study of technical theatre and STEM<br />

subjects.<br />

£180 for up to 32 students.<br />

33


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Royal Opera House: Ballet and Opera Schools<br />

Matinees<br />

Visit the Royal Opera House, Covent Garden and<br />

experience a world-famous performance from either the<br />

Royal Opera or Royal Ballet with your students.<br />

Schools are invited to attend a school performance at<br />

the Royal Opera House, Covent Garden. Resources,<br />

presentations and activities, to be used before and after<br />

the visit will also be provided, in order to help<br />

understand the art form and learn about the specific<br />

performance you are watching.<br />

We aim to set each production in context and help<br />

students individually and as classes explore the creative,<br />

philosophical and wider contextual questions raised by<br />

each production. You can apply for tickets for up to a<br />

whole year group. Tickets will then be allocated based<br />

on demand.<br />

Format/Dates<br />

Primary and SEN:<br />

Magic Flute, Opera (KS2): Monday 18<br />

September <strong>2017</strong>.<br />

Alice’s Adventures in Wonderland, Ballet (KS2): Wednesday<br />

27 September <strong>2017</strong>.<br />

Swan Lake, Ballet (KS2): Wednesday 06 June <strong>2018</strong>.<br />

Secondary, Post 16 and SEN:<br />

Cavalleria Rusticana/ Pagliacci, Opera (KS3+): Wednesday<br />

29 November <strong>2017</strong>.<br />

Giselle, Ballet (KS3+): Friday 02 February <strong>2018</strong>.<br />

La Boheme, Opera (KS3+): Tuesday 19 June <strong>2018</strong>.<br />

Suitability<br />

Learning outcomes<br />

Suitable for Primary, Secondary, Post-16 and SEN school<br />

groups.<br />

Classroom resources, souvenir programmes, on the day<br />

workshops, and on stage presentations will be tailored to<br />

the Music, Dance, and Drama curriculums, and where<br />

appropriate, P.E., History, Literature, Design and<br />

Technology. Beyond this, a visit provides access to world-<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

class performance in a historic, British venue, inspiring<br />

aspiration and creativity, and opening career options on<br />

stage and behind the scenes.<br />

Teacher commitment<br />

We ask teachers to use the resources provided before<br />

the event to help support students understanding of the<br />

art form and the specific performance.<br />

We also ask them to organise and cover travel costs, to<br />

meet payment deadlines and make sure all key<br />

information is read thoroughly.<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other resources/support<br />

Activities for students are also an opportunity for<br />

teacher CPD. <strong>Cultural</strong> Partners will work closely with<br />

teachers to ensure their own learning objectives are<br />

achieved.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

We will provide online resources in advance of the<br />

performance including activities to do with your students<br />

both before and after your visit.<br />

Students will have the opportunity to take part in a free<br />

workshop before the performance exploring singing,<br />

dancing or backstage craft.<br />

Costs<br />

£7.50 per ticket.<br />

Please note this offer would work well with:<br />

Design Challenge (FE) – La Boheme.<br />

Design Challenge (Primary) – Swan Lake<br />

Design Challenge (Secondary) – La Boheme.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Royal Opera House: Discover Dance CPD<br />

The Royal Opera House’s Discover Dance CPD offers high<br />

quality creative dance training for Primary, Secondary<br />

and SEN school teachers.<br />

Taking a work from the Royal Ballet’s repertoire as<br />

inspiration, Teachers will build skills and confidence to<br />

deliver dance and movement activities as a way of<br />

creatively exploring different curriculum subjects.<br />

It is a two-hour workshop along with lesson plans and<br />

resources, which can be tailored to explore crosscurricular<br />

links, dance technique and choreography.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Teacher commitment<br />

Teacher Training<br />

CPD: Thursday 08 March <strong>2018</strong>, 16:00-18:00, High House<br />

Production Park.<br />

Recommended for teachers from KS1-4 with any subject<br />

specialism and no previous dance experience. Content<br />

can also be tailored for those with more dance<br />

experience.<br />

• Provide Teachers with the skills and tools to confidently<br />

plan and deliver dance workshops that connect to and<br />

explore a range of subjects in the National Curriculum<br />

(including PE and PSHE).<br />

• Through CPD workshops and various resources,<br />

teachers gain an understanding of ballet and insights<br />

into a specific work in the Royal Ballet’s current<br />

repertoire.<br />

• Enhance teaching practice to provide a fresh<br />

perspective on concepts and topics within different<br />

subject areas, exploring approaches to suit different<br />

learning styles.<br />

Attendance at the CPD.<br />

This training will help teachers to find their own links to<br />

the wider curriculum and use dance as a useful tool for<br />

creative learning.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

What happens at the<br />

end?<br />

Other resources/support<br />

Costs<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

We will provide resource pack to support the session,<br />

which includes a lesson plan.<br />

£55 per teacher.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Royal Opera House: HHPP Schools Tour<br />

The Royal Opera House’s home in <strong>Thurrock</strong>, High House<br />

Production Park in Purfleet, will be offering tours to<br />

<strong>Thurrock</strong> <strong>Trailblazer</strong> school groups.<br />

High above the surrounding rooftops, the enormous,<br />

purpose-built Production Workshop is home to scenic<br />

painters, carpenters and metalworkers. Here they make<br />

the designers' visions into reality, creating the many<br />

different sets that appear in the ballet and operas<br />

performed on the stages of the Royal Opera House in<br />

Covent Garden.<br />

The Costume Centre will be home to more than 20,000<br />

costumes from the current ROH repertory, as well as<br />

historic costumes, musical instruments and furniture<br />

from the archive collection.<br />

Amid beautifully landscaped gardens, the Production<br />

Workshop and Costume Centre are fascinating and<br />

inspiring places to discover the skills behind theatre and<br />

costume construction and design.<br />

Format/Dates<br />

Suitability<br />

School group tours are available at 11:00 on Fridays in term<br />

time. Dates must be booked before the start of the<br />

academic year to ensure availability. The tour is 1 hour and<br />

15 minutes long and fully accessible - please advise us if you<br />

have any access requirements. The gardens on site are open<br />

throughout the day, should you wish to stay for lunch or<br />

deliver your own activity onsite after the tour.<br />

The tour is suitable for KS2+. We can accommodate a<br />

maximum of 25 on the tour, including teachers and<br />

supporting adults.<br />

If you have more than one group of 25, we may be able<br />

to accommodate the second group at 13:30 on the same<br />

day, as long as the date is booked before September<br />

<strong>2017</strong>. Alternatively, the second group could attend on a<br />

different Friday at 11:00.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Learning outcomes<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other resources/support<br />

Costs<br />

• Insight into the design process in both Set Design and<br />

Costume Design.<br />

• Introduction to non-performing careers in the creative<br />

industries.<br />

Booking the tour and outlining the particular interest<br />

from the school and students in taking part in the tour.<br />

Activities for students are also an opportunity for<br />

teacher CPD. <strong>Cultural</strong> Partners will work closely with<br />

teachers to ensure their own learning objectives are<br />

achieved.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

If the teacher outlines the particular learning intentions<br />

for the class, we may be able to provide additional<br />

resources or signposting to events and opportunities for<br />

students following the tour.<br />

£160 per tour (up to 25 including teachers/ supporting<br />

adults).<br />

Please note this offer would work well with:<br />

Design Challenge (FE)<br />

Design Challenge (Primary)<br />

Design Challenge (Secondary)<br />

39


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Royal Shakespeare Company: Bringing Shakespeare<br />

to Life in the Classroom<br />

RSC Education’s fundamental ambition is to work with<br />

teachers, schools, communities and theatre partners to<br />

transform experiences of Shakespeare and live theatre for<br />

young people in the classroom, in performance and online.<br />

This five-day course will offer a comprehensive package of<br />

training and support for teachers new to Shakespeare, or<br />

wanting to develop existing practice.<br />

RSC Education has a strong evidence base about the sustained<br />

impact of its work on classroom teaching practice as well as on<br />

teacher confidence and knowledge including:<br />

• 97% of all teachers who experience RSC’s courses rate them<br />

as ‘excellent’ on a seven-point scale.<br />

• 100% of surveyed teachers report that participation in an<br />

RSC CPD programme had enhanced their skills, knowledge<br />

and confidence in the teaching of Shakespeare. Teachers<br />

say that RSC-led approaches have been embedded into “the<br />

very fabric of the school’s learning”. A primary school<br />

teacher of 20 years stated that CPDL undertaken with RSC<br />

“rejuvenated my teaching practice… [it’s] the best thing I’ve<br />

ever done”.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

The course offers five days of CPD:<br />

A two-day course in the Autumn; Friday 13 and Saturday 14<br />

October, 10:00-16:00, High House Production Park.<br />

A two-day course in the Spring; Friday 23 and Saturday 24<br />

February, 10:00-16:00, High House Production Park.<br />

A final one day course in the Summer: Friday 20 April, 10:00-<br />

16:00, High House Production Park.<br />

Suitable for Primary, Secondary, College and SEN teachers. We<br />

welcome teachers new to Shakespeare and those who have<br />

some familiarity but want to develop knowledge, confidence<br />

and skills.<br />

Our CPD uses rehearsal room approaches and theatre-making<br />

to teach Shakespeare.<br />

For teachers:<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

• Teachers will gain the knowledge, confidence and skills to<br />

apply proven, effective and engaging rehearsal-based<br />

approaches to their teaching of Shakespeare’s plays.<br />

For children and young people:<br />

Pupils of these teachers will gain rich, memorable experiences<br />

of studying Shakespeare’s plays and ultimately make<br />

progress as they:<br />

• improve confidence with Shakespeare’s language,<br />

characters and plays.<br />

• develop higher order thinking skills through applying<br />

imagination and the generation of ideas at an enhanced<br />

level in order to solve problems and overcome challenges<br />

within Shakespeare’s texts.<br />

• develop language skills, through engaging with<br />

Shakespeare’s rich and challenging vocabulary, that will<br />

better position them to improve their writing.<br />

• acquire a deeper knowledge, understanding and<br />

appreciation of Shakespeare and his work.<br />

Teacher commitment<br />

Teacher Training<br />

Teachers will need to commit to the five full days of training,<br />

as well as some reflection and preparation of reporting back<br />

for the final day.<br />

Over the five days we would anticipate doing some or all of<br />

the following:<br />

• Creating the readiness to learn: exploring strategies and<br />

proven techniques that help students acquire the requisite<br />

mind-set of concentration, trust and collaboration. These<br />

strategies help to create a cohesive group dynamic.<br />

Alongside the complementary activities ‘building the<br />

foundation blocks’, they ensure that students build<br />

confidence and familiarity with new or different ways of<br />

working that underpin rehearsal-based approaches.<br />

• Building the foundation blocks: introducing ways of<br />

working that will ensure your students are ready to engage<br />

with Shakespeare’s plays. These game-like activities allow for<br />

a natural transition from play as developing group dynamics<br />

into play as learning. Typically, themes, characters, and/or<br />

scraps of original text are combined with playful activities,<br />

which allow for a segue into Shakespeare’s plays.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

• Creating the world of the play: exploring ways of<br />

introducing or building on existing knowledge of the play. For<br />

example, using imaginative exercises to help students see,<br />

hear, and generally sense the world of a particular play, be it<br />

Elsinore castle in Hamlet or the forest in A Midsummer<br />

Night’s Dream. These activities can act as a stimulus for<br />

creative writing or be used as part of the process of<br />

deepening understanding and responses.<br />

• Developing confidence with the language: scaffolding<br />

strategies that allow students to progressively deepen their<br />

confidence and familiarity with Shakespeare’s language,<br />

whatever their starting point. These methods are at the heart<br />

of our rehearsal-based methods, using techniques developed<br />

to help actors access Shakespeare’s language and meaning.<br />

• Exploring characters: this might cover approaches that help<br />

students identify what is known about a particular character;<br />

what is inferred; and what questions are unanswered.<br />

• Investigating interpretational choices: this section is likely<br />

to build on character work and help students explore physical<br />

and spoken interpretational choices.<br />

• Exploring themes: dependent on choice of plays.<br />

What happens at the<br />

end?<br />

Other resources/support<br />

Costs<br />

Teachers will be encouraged throughout the first four training<br />

days to implement and reflect on approaches in their<br />

classrooms. The final day will include a reporting back and<br />

sharing of learning.<br />

All teachers will receive a comprehensive set of notes,<br />

summarising approaches explored in the training days.<br />

£635 per teacher.<br />

42


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Sinfonia Viva and Orchestras Live: Music Making for<br />

SEN CPD<br />

Orchestras Live workshop leader John Miles,<br />

supported by a Sinfonia Viva musicians will lead a<br />

CPD session, looking at ways to approach creative<br />

music making in Special Education Needs settings<br />

and with students with SEN in the mainstream<br />

classroom.<br />

During the session, teachers and support staff will<br />

work together with the Sinfonia Viva team to explore<br />

a range of approaches to collaborative, creative<br />

music making, looking at a range of starting points<br />

and possible curriculum links. The session will<br />

consider ways of identifying and developing<br />

creativity in young people, and will provide teachers<br />

with a range of warm up, team-building and focusing<br />

activities to add to their toolboxes.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Tuesday 10 October - 14:00- 17:00, High House<br />

Production Park.<br />

Suitable for Non-specialist and specialist Teachers,<br />

Teaching Assistants and Learning Support Assistants from<br />

SEN schools, College, Secondary schools and Primary<br />

schools.<br />

• Increase staff confidence in delivering creative music<br />

making in SEN settings and with pupils with SEN.<br />

• A range of warm up, team-building and focusing<br />

activities to add to teacher toolboxes.<br />

• A range of approaches to creative music making,<br />

considering a wide variety of possible curriculum links.<br />

• To consider ways to identify and develop creativity in<br />

young people.<br />

Teacher commitment<br />

Attendance at the CPD.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Teacher Training<br />

What happens at the<br />

end?<br />

The CPD session will be largely practical, with plenty of<br />

time for discussion and reflection built in. <strong>Cultural</strong><br />

Partners will work closely with teachers to ensure their<br />

own learning objectives are achieved.<br />

Teachers will leave equipped to design lessons using the<br />

resources introduced in the CPD.<br />

Sinfonia Viva are giving a relaxed family orchestral<br />

performance at the Backstage Centre on Saturday 11<br />

November <strong>2017</strong>. Participants will be encouraged to<br />

attend along with their family and friends.<br />

Other<br />

resources/support<br />

Costs<br />

Teachers will be given resources to take back into the<br />

classroom. The leader will prepare some notes<br />

supporting the session, which each attendee will receive<br />

as an aide-memoire.<br />

£50 per teacher.<br />

44


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Southbank Centre: Gamelan Workshops<br />

In 1987, Southbank Centre was privileged to receive a<br />

beautiful Javanese percussion orchestra called gamelan. This<br />

was a remarkable gift from the Government of the Republic<br />

of Indonesia to the people of Great Britain as a gesture of<br />

friendship. As in the case of many important gamelan<br />

ensembles, the gamelan was named ‘Kyai Lebdha Jiwa’ or<br />

‘The Venerable Spirit of Perfection’.<br />

In-school workshops:<br />

Javanese dance workshops or Balinese Kecak vocal<br />

workshops introducing Indonesian culture and art forms<br />

supported by Gamelan music.<br />

Site workshops:<br />

Gamelan instrument workshops at the Southbank Centre,<br />

London. Students work together to play the gamelan<br />

instrument.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Teacher commitment<br />

Workshops are two hours long and available all year round.<br />

Suitable for 20 students, KS2+. Suitable for groups of<br />

students with SEN. We can accommodate more students if<br />

they share instruments. No previous musical or topic related<br />

knowledge is required for these workshops.<br />

Gamelan activities are both social and musical. They can<br />

inspire self-confidence, improve co-ordination and listening<br />

skills, encourage team-building and are a great chance to try<br />

something new in a relaxed and friendly environment.<br />

The introduction to Indonesian culture could contribute to<br />

topics which focus on other parts of the world, or could<br />

contribute to SMSC and British Values sessions.<br />

Liaising with the Southbank Centre.<br />

Teacher Training<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> Partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

What happens at the<br />

end?<br />

Other resources/support<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

The workshop acts as a practical learning resource.<br />

Costs Javanese dance in-school workshop: £300<br />

Balinese Kecak in-school workshop: £300<br />

Gamelan workshop at Southbank: £235<br />

SEN Gamelan 1-hour workshop at Southbank: £144<br />

46


PRIMARY, SECONDARY, POST-16 AND SEN<br />

<strong>Thurrock</strong> <strong>Trailblazer</strong>: Magnifying Impact<br />

As part of <strong>Thurrock</strong> <strong>Trailblazer</strong> 17/18, a consultant will meet<br />

with the Head Teacher and <strong>Cultural</strong> Champion to ensure that<br />

the school’s programme selection will have the maximum<br />

impact and value for money.<br />

This will involve:<br />

• practical ideas for maximising the impact of the<br />

programme (on pupils, teachers and the wider school<br />

community) and specific school improvement targets.<br />

• thinking through the potential of <strong>Trailblazer</strong> and Artsmark<br />

to develop the school’s arts provision, and providing<br />

support on Statements of Commitment and Case Studies.<br />

• discussing practical ideas for increasing the impact of their<br />

work in and through the arts, ranging from enjoyment and<br />

enrichment to developing core learning and teaching.<br />

• a set of practical teaching resources to support the<br />

development of creative learning.<br />

• Resources to support understanding of and measuring<br />

impact.<br />

Following the initial meeting, and depending on the needs/<br />

focus of the school, a <strong>Trailblazer</strong> consultant can offer a range<br />

of school development support, including:<br />

• being a ‘Critical Friend’ to the school.<br />

• working with the whole staff, the SLT, and individual<br />

teams, teachers or Governors through staff meetings,<br />

workshops, coaching sessions or working in class.<br />

The focus of this work would be determined by the school<br />

but could concentrate on work in and through the arts, e.g.<br />

• developing teachers’ action research / reflective practice<br />

skills.<br />

• developing a wider range of effective teaching strategies.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

• developing aspects of children’s learning capacities, e.g.<br />

self-regulation, metacognition, creativity, resilience,<br />

positive mindsets, pupil voice, etc. to increase their ability<br />

to engage in deep learning, rather than repeated surface<br />

learning.<br />

• developing pedagogy and curriculum design, linked to<br />

school improvement.<br />

• reviewing and auditing arts provision and effectiveness<br />

across the school, from policy and provision to assessment<br />

and impact, with suggestions for development.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

The visit should take place in the academic year, at a point<br />

where the school feels it is most appropriate and helpful.<br />

Each visit lasts between 1 and 3 hours, depending on the<br />

time available and the needs of the school. In order to get<br />

maximum strategic impact from the meeting, it is beneficial<br />

to have the <strong>Cultural</strong> Champion and Head Teacher or Deputy<br />

present. Follow up sessions can be arranged accordingly.<br />

Whether you have been a <strong>Trailblazer</strong> school for three years<br />

or are just joining the programme, this offer is suitable for all<br />

schools that wish to develop their whole school approach to<br />

cultural entitlement.<br />

The overall aim is to equip teachers and schools to get the<br />

most out of their work in and through the arts:<br />

For learners: helping them to be more confident,<br />

independent, interdependent, resilient, thoughtful and<br />

harder working.<br />

For teachers: helping them to explore and develop a wider<br />

range and repertoire of teaching strategies so they can be<br />

more confident and effective in responding to learning needs<br />

in the moment, judging when to make the most effective<br />

interventions through feedback and questioning.<br />

For the school: to appreciate and use the potential of the<br />

arts to improve learning and teaching, develop pedagogy and<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

curriculum design, meet Ofsted criteria for effective schools<br />

and help realise key areas of school improvement.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other resources/support<br />

Costs<br />

Teachers need to engage pro-actively with the consultant<br />

and be prepared to implement the strategies back in their<br />

classroom.<br />

A <strong>Trailblazer</strong> consultant will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

A resource pack will be provided.<br />

£150 for half a day with a consultant.<br />

£250 for a full day with a consultant.<br />

49


PRIMARY, SECONDARY, POST-16 AND SEN<br />

Trestle Theatre Company: Yarico Performance<br />

Trestle Theatre Company is a mask and physical<br />

theatre company with a highly-regarded arts<br />

education programme. As a charity, our mission is to<br />

inspire people’s creativity through participation and<br />

dialogue.<br />

This particular project is a show and workshop<br />

programme centred on the true story of Yarico, a<br />

young woman in the 17 th century who saved and<br />

loved a man who then repaid her by selling her into<br />

slavery. In bringing her story to life through theatre<br />

and drama, we explore Yarico’s world and her<br />

experience, as well as relating it to the contemporary<br />

plights of women who are exploited and enslaved.<br />

Yarico is a woman from a Native American culture, a<br />

saviour, a lover, a mother, a slave, a freedom fighter;<br />

in the Nineteenth Century, a children’s alphabet<br />

book described ‘Y is for Yarico’, showing how popular<br />

she must have been at that time. We believe that she<br />

has much to say to us today and hope that this<br />

programme will support students in discovering<br />

more about her, relating that to the present and<br />

inspiring people to engage with the basic questions<br />

of how we value and treat other human beings.<br />

More information can be found here.<br />

Format/Dates<br />

Suitability<br />

Performance followed by discussion for a large number of<br />

students, then workshops for smaller numbers. A<br />

common model for a whole year group of 180 students is<br />

a morning show then 6 one hour workshops. There is an<br />

option to have a two-hour workshop for are class. Schools<br />

can also just book the show or just book workshops,<br />

which will include a short ‘storytelling’ version of the<br />

Yarico story at the start of the workshop.<br />

The performance of Yarico is suitable for upper Primary<br />

and Secondary students. Workshops can be adapted from<br />

KS2–5. We can also offer teacher CPD sessions. The story<br />

of Yarico can be related to the English, Drama, Citizenship,<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

History, PSHE and Religious Education Curriculum. We can<br />

provide a performance to a large group of students - 100+.<br />

We usually cap our workshops at 24 students, but could<br />

go up to 30/40 depending on age and ability and with two<br />

facilitators. We can provide CPD for up to 15 teachers at a<br />

time.<br />

Learning outcomes<br />

The learning outcomes for this project are varied and can<br />

be tailored depending on the focus of the workshop.<br />

For students, the project will:<br />

• Provide an experience of a live theatre<br />

performance.<br />

• Increase awareness of SMSC and British Values<br />

relating to Citizenship, PSHE and Religious Studies<br />

• Raise awareness of issues surrounding modern<br />

enslavement and women’s emancipation.<br />

• Cover performance and verbal skills related to the<br />

spoken language aspect of the English National<br />

Curriculum for key stages 1–4.<br />

• Build on transferable skills related to taking part in<br />

a drama workshop such as, communication,<br />

speaking and listening, working in a team and<br />

building confidence.<br />

• Offer an introduction to drama and storytelling or<br />

a more in depth exploration of specific drama and<br />

devising skills including mask work on a basic,<br />

intermediate or advanced level. This can easily be<br />

related to the Drama and Theatre Studies<br />

curriculum in KS4 or KS5.<br />

For teachers, the project can:<br />

• Support them to engage with drama in a simple<br />

way in their classrooms.<br />

• Provide in depth training in mask or physical<br />

theatre.<br />

• Provide creative solutions to enabling discussions<br />

on SMSC topics such as identity, religion and race.<br />

Teacher commitment<br />

We would need an initial planning consultation with each<br />

teacher to determine the best times and arrangements for<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

performances and workshops and the specific targets and<br />

aims for each workshop. This can be done over the phone.<br />

We would need a teacher to be present at every<br />

workshop and enough teachers present at a performance<br />

to chaperone the number of students. The performance is<br />

25 minutes with potential for a 20-30minute question and<br />

answer session with the actors and workshops can be<br />

anything from 50 minutes to 2.5 hours.<br />

Teacher Training<br />

Trestle can offer CPD and INSET workshops on mask and<br />

physical theatre at basic, intermediate or advanced levels.<br />

We expect teachers to be engaged in the workshops with<br />

the school participants offering the opportunity to see our<br />

process in practice and learn from a Trestle specialist. We<br />

can also provide resources and notes to support the<br />

teachers to use exercises they have seen in the workshop<br />

in their own classrooms or continue discussions started in<br />

the workshop.<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Teachers can be left with Yarico resources, which include<br />

lesson plans in all the above subjects and details of the<br />

historical sources of the story and matters of<br />

contemporary relevance.<br />

Yarico Resource Pack and Mask sets which provide<br />

teachers with the tools for developing the material<br />

further.<br />

Costs Single performance: £350.<br />

Single performance plus one workshop for one class:<br />

£400.<br />

Single performance plus two workshops: £500.<br />

Further workshops will cost £100 per each additional<br />

class.<br />

52


PRIMARY, SECONDARY, POST-16 AND SEN<br />

V&A Exhibition: Opera; Passion, Power and Politics<br />

The Victoria & Albert Museum (V&A), offer a wide<br />

range of gallery tours, practical workshops,<br />

exhibition visits, events, screenings and projects for<br />

pupils aged from Foundation Stage to Key Stage 5.<br />

In <strong>2017</strong>/18, the Royal Opera House and the V&A are<br />

collaborating on an opera-focused exhibition which<br />

will take students on a journey through different<br />

operas. The exhibition compliments the ROH Design<br />

Challenge (Secondary) and Design Challenge (FE)<br />

projects- see page 98 and 117 of the catalogue.<br />

Opera: Passion, Power and Politics runs from<br />

Saturday 30 September <strong>2017</strong> – Sunday 25 February<br />

<strong>2018</strong>.<br />

Told through the lens of seven premieres in seven<br />

European cities, this immersive exhibition takes you<br />

on a journey through nearly 400 years, culminating in<br />

the international explosion of opera in the 20th and<br />

21st centuries.<br />

Operas featured in the exhibition are:<br />

L’incoronazione di Poppea (1642)<br />

Rinaldo (1711)<br />

Lenozze di Figaro (1786)<br />

Nabucco (1842)<br />

Tannhauser (1861)<br />

Salomé (1905)<br />

Lady Macbeth of Mtensk (1934)<br />

More than 300 operatic objects will be on display,<br />

including Salvador Dali’s costume design for Peter<br />

Brook’s 1949 production of Salome; Music in the<br />

Tuileries Gardens by Edouard Manet, a masterpiece<br />

of modernist painting contextualising Wagner’s<br />

modern approach to music in 1860s Paris; the<br />

original score of Verdi’s Nabucco from the Archivio<br />

Storico Ricordi in Milan; and one of two surviving<br />

scores from the first public opera (L’incoronazione di<br />

Poppea).<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Booked in timed slots as requested by schools.<br />

Exhibition entry is self-guided and groups are given timed<br />

slots for entry. Large groups may have to split across two<br />

timed slots. Bookable time slots are between 10.00 –<br />

14.30. Please request your preference when booking.<br />

We currently have no age restrictions on any of our<br />

exhibitions.<br />

Please note that the Opera: Passion, Power and Politics<br />

exhibition supports the ROH Design Challenge for<br />

Secondary schools and Colleges.<br />

Teachers should accompany their groups at all times.<br />

Teacher Student Ratios: KS1&2: 1 adult to 6 students and<br />

KS3-5: 1 adult to 15 students.<br />

Join us at a free Teacher Twilight and explore and learn<br />

about the latest exhibitions with our experts. Enjoy a drink<br />

with colleagues and pick up free teachers’ resources.<br />

More information about upcoming Teacher Twilights and<br />

exhibition resources can be found on our teacher pages.<br />

Find out more and register your interest at<br />

Schools@vam.ac.uk.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided. Exhibition catalogues are available for largerscale<br />

shows and other information and links may be<br />

available on the V&A’s website.<br />

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PRIMARY, SECONDARY, POST-16 AND SEN<br />

Other<br />

resources/support<br />

The V&A has a number of other exhibitions suitable for<br />

school groups at the same cost throughout the <strong>2017</strong>/18<br />

academic year, all of which are on offer to <strong>Trailblazer</strong><br />

schools.<br />

Please indicate in your programme selection which<br />

exhibition you would like to sign up for.<br />

Balenciaga: Shaping Fashion (27 May <strong>2017</strong>- 18 February<br />

<strong>2018</strong>)<br />

Plywood (15 July <strong>2017</strong>- 12 November <strong>2017</strong>)<br />

Winnie-the-Pooh: Exploring a Classic (16 December <strong>2017</strong>-<br />

8 April <strong>2018</strong>)<br />

Iranian Art (20 January – 29 April <strong>2018</strong>)<br />

Future Design (19 May – 4 November <strong>2018</strong>)<br />

Frida Kahlo (16 June – 28 October <strong>2018</strong>)<br />

Find out more here<br />

The V&A also offers Discovery Sessions for Primary school<br />

groups which are free of charge. These can be booked<br />

with the V&A directly:<br />

https://www.vam.ac.uk/info/primary-schools<br />

Costs<br />

£3 entry per student or teacher (unless stated otherwise).<br />

Teachers receive a complimentary exhibition ticket when<br />

making a group booking in order to make a preparatory<br />

visit.<br />

55


Primary-specific Offers<br />

56


PRIMARY<br />

Mercury Theatre: Story-building Workshops<br />

For Primary Schools, the Mercury Theatre delivers a<br />

ten-week programme of drama and story-building<br />

workshops that can be tailored to fit a particular<br />

curriculum theme.<br />

The model has been created in partnership with<br />

Primary School teachers in Essex and has proven to<br />

have impact on students speaking and listening skills,<br />

classroom resilience and pupil confidence and selfesteem.<br />

This work has proven in one school to have<br />

supported improved combined reading writing and<br />

mathematics results from 65% to 88% over an<br />

academic year.<br />

Examples of past story building sessions have been<br />

built around Essex Folklore and Supporting Mental<br />

Health.<br />

Format/Dates<br />

Autumn Term: 10-week programme of 60 minute<br />

workshops, plus a 30minute planning and evaluation<br />

meeting with the teacher.<br />

Two practitioners work with the class teacher prior to and<br />

during delivery, in order to fit sessions to the needs of the<br />

classroom learning.<br />

Delivery of story building workshops can be negotiated on<br />

a bespoke basis based on the needs of the school.<br />

Suitability<br />

Learning outcomes<br />

Workshops can be for a class of 30 Reception through to<br />

Year 6 students. We can work with a minimum of a single<br />

class through to whole school delivery, subject to budget<br />

allocation. Activity is mainly aimed at Primary schools and<br />

SEN.<br />

Workshops and delivery are built around the topic, theme<br />

or activity that is the focus of the class. Activity is designed<br />

to complement classroom and curriculum learning,<br />

support quality and teaching, and assessment and<br />

outcomes.<br />

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PRIMARY<br />

Workshops can support a range of cross-curricular<br />

activities including literacy development, speaking and<br />

listening, history, geography, British values, character<br />

education – resilience, moral dilemmas, empathy and<br />

honesty.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

A large space, e.g. the school hall, is desired. Teachers will<br />

need to be involved during the sessions and allow 30-<br />

minutes post session to evaluate with the practitioners, in<br />

order to plan for the following session.<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

The story-building workshops can work towards a<br />

performance if that is a desired outcome for the school.<br />

We have worked with clusters of schools who wish to<br />

share their stories with one another.<br />

The story-building workshops are facilitated by<br />

practitioners who research each project and are able to<br />

provide and develop scripts and delivery resources. The<br />

main aim of this work is to utilise what the school already<br />

has at its disposal and using what they already teach.<br />

£1100 per class.<br />

Practitioners can work with a single class, a year group or<br />

the whole school, subject to budget allocation.<br />

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PRIMARY<br />

New English Ballet Theatre: Remembrance Project<br />

New English Ballet Theatre (NEBT) was created to<br />

nurture a new generation of classical dancers,<br />

choreographers, artists and designers. Our singular<br />

USP - to develop emerging ballet choreographers and<br />

act as a bridge company for young, professional<br />

dancers – has no equivalent in the UK. NEBT has<br />

recently become the ‘resident’ dance company at the<br />

Thameside Theatre, Grays and is developing a<br />

partnership with <strong>Thurrock</strong> Borough Council to expand<br />

our outreach activities in the local community.<br />

For NEBT’s <strong>2017</strong>/18 performance season, we are<br />

commissioning a new ballet inspired by the centenary<br />

commemorations of the end of World War I, entitled<br />

Remembrance. Remembrance includes an original<br />

concept and libretto by Greg Billingsley, and will be<br />

choregraphed by Wayne Eagling to Frederick Handel’s<br />

Ode of St Cecilia’s Day.<br />

NEBT’s Remembrance project will introduce the<br />

principles of ballet and use unknown stories and<br />

poems associated with WWI as an initial stimulus, to<br />

deliver an education outreach programme that is<br />

highly suitable for core and non-arts subjects.<br />

The workshops will comprise a short warm-up<br />

followed by a creative task that will focus on the<br />

development of a short sequence of choreography<br />

using Handel’s Ode of St Cecilia’s Day. Students will<br />

look at a variety of stimuli and a range of basic ballet<br />

steps that they can build upon and develop as they<br />

create their own short dances. They will be given the<br />

chance to share their work in a final performance.<br />

Format/Dates<br />

The project includes four sessions of two hours each to be<br />

completed within four consecutive weeks. The project can<br />

take place between October <strong>2017</strong> and June <strong>2018</strong>.<br />

The first session will build on the resources provided and<br />

start an illustrated history of ballet, it’s origins and<br />

evolution from being a French court dance to being a<br />

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PRIMARY<br />

highly demanding performing art form. Students will have<br />

the chance to touch and feel a pair of pointe shoes and<br />

watch a demonstration of how to stand on pointe.<br />

Students will then learn some rudimentary ballet steps<br />

and (French) vocabulary through a warm-up and<br />

movement sequence and experience how the classical<br />

style differs from other genres of dance. The second<br />

session will build on the students’ ballet vocabulary and<br />

will provide opportunities for further exploration of<br />

moving to various stimuli explored prior to NEBT’s visit<br />

including; poetry, music, photos/art, and history. Students<br />

will have the chance to improvise and develop small<br />

sequences individually and in groups. The third session will<br />

give students the chance to practice and rehearse steps<br />

they have created. In the last session, students will have a<br />

final rehearsal before taking part in a sharing performance<br />

for parents and other children from the school/<br />

community.<br />

Suitability<br />

Learning outcomes<br />

Primary students in KS2. Each workshop is delivered to the<br />

same group of children in one class.<br />

Learning outcomes will include:<br />

Curricular:<br />

• English; children will learn new literature and poems<br />

around WWI. They will read and research poems by British<br />

writers during WWI and the poetry and songs by Rudolf H.<br />

Sauter, an Austrian who was interned at London’s<br />

Alexandra Palace during the war. The students will learn<br />

how to construct well-structured descriptions,<br />

explanations, expressive feelings and narratives around<br />

the events during the end of the First World War.<br />

• History: by exploring the challenges for Britain in the<br />

First World War and the Peace Settlement, children will<br />

identify significant events, make connections, draw<br />

contrasts, and analyse trends.<br />

• Languages: through learning the elements of ballet,<br />

children will have the chance to explore the patterns and<br />

sounds of French and link the spelling, sound and meaning<br />

of words.<br />

• PE: children will develop their co-ordination, creative<br />

problem solving and movement vocabulary.<br />

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PRIMARY<br />

Artistic:<br />

• Art & Design – children will have the chance to compare<br />

and contrast a range of art work and photographs<br />

depicting scenes from WWI and daily life during the war.<br />

They will also understand how art and photography both<br />

reflects and shapes our history, and contributes to the<br />

culture, creativity and wealth of our nation.<br />

• Music – children will listen to Handel and other pieces of<br />

classical music and evaluate the genres, styles and<br />

traditions, including the works of the great composers and<br />

gain an understanding about instrumentation, rhythm,<br />

musicality within compositions created, produced and<br />

communicated.<br />

SMSC:<br />

The workshops will help develop enjoyment, imagination<br />

and creativity. Through improvisation and creative<br />

teamwork, children will learn to appreciate diverse<br />

viewpoints; participate, volunteer and cooperate; and<br />

resolve conflict through respect and tolerance of others.<br />

Teacher commitment<br />

Preparation for NEBT’s sessions is up to the teacher in<br />

terms of which curricular area is selected. The resource<br />

pack will have a range of ideas that could be used over a<br />

full term, half-term or a few weeks.<br />

We kindly ask for the school to provide the appropriate<br />

number of staff to be present during the activity for<br />

safeguarding best practise. Please provide access to a large<br />

open space (e.g. assembly hall, dance studio), a sound<br />

system (with iPod jack) and a computer/projector to run a<br />

PowerPoint presentation.<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

There will be a sharing performance for parents and other<br />

children from the school/ community.<br />

With permission, this sharing performance will be filmed<br />

for the teachers’ further use. The school will also be<br />

offered the chance to bring students to see NEBT perform<br />

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PRIMARY<br />

Remembrance when it is performed at the Thameside<br />

Theatre in October <strong>2018</strong> (date to be confirmed).<br />

Other<br />

resources/support<br />

Costs<br />

Prior to the workshops, NEBT will provide teachers with a<br />

resource pack with ideas for various pieces of poetry,<br />

music choices, photos and art work created between<br />

1914-1918, a range of historical unknown facts around<br />

WWI, suggestions for local history discovery during WWI,<br />

as well as a short history of the origins of ballet from the<br />

French court. Post-workshop activity examples will also be<br />

included.<br />

£780 for the four-session workshops.<br />

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PRIMARY<br />

Punchdrunk Enrichment: A Teacher-led Adventure<br />

“This project had a big impact on reluctant<br />

writers” (Year 3/4 Teacher, 2016).<br />

Punchdrunk is an award-winning international theatre<br />

company with a reputation for ground-breaking<br />

productions that blend classic texts, physical<br />

performance and design installation in unexpected<br />

sites.<br />

Since 2008, Punchdrunk Enrichment has delivered<br />

magical projects with over 100 primary schools, taking<br />

Punchdrunk's immersive ethos and high production<br />

values into school settings, creating experiences to<br />

inspire and ignite pupils’ imaginations and accelerate<br />

learning.<br />

Trapped inside the pages of a dusty old book, two tiny<br />

people are itching for adventure. If you find a book<br />

mysteriously moved or fallen from the shelves of your<br />

local library, you might wonder if they are near…<br />

A Teacher-Led Adventure is a brand new Punchdrunk<br />

Enrichment project exclusive to <strong>Thurrock</strong> schools in<br />

the Autumn Term <strong>2017</strong>, led by the teacher in the<br />

classroom. After reading a mysterious book about two<br />

tiny people, their adventures become surprisingly real…<br />

as they escape from the book’s pages. Will the pupils<br />

be able to get them back to safety, before it’s too late?<br />

A Teacher-Led Adventure aims to inspire and develop<br />

imaginative teaching practices for literacy; placing the<br />

teacher at the centre of the creativity.<br />

WHAT YOU CAN EXPECT:<br />

● Intrigue begins as you and your class read a<br />

mysterious old picture book about two mischievous<br />

and messy tiny people with a love of stories but when<br />

you return to the book the following day the pages are<br />

all blank, except for two sets of tiny footprints… and<br />

you discover that the tiny characters have escaped.<br />

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PRIMARY<br />

● Your class will be tasked with tracing their<br />

movements around the school, discovering sock<br />

sleeping bags, stolen pencils and tiny tipis in trees<br />

where they have camped out.<br />

● The only way to return the characters to the safety of<br />

the book’s pages is to write them a story - and time is<br />

pressing as they are in danger out in the world of big<br />

people.<br />

For more information about the project visit<br />

Punchdrunk’s website here.<br />

Format/Dates<br />

One day CPD at Fallow Cross, Punchdrunk’s research and<br />

development space in London, on Friday 06 October <strong>2017</strong>.<br />

6 literacy lessons over a period of 6 days – 2 weeks in the<br />

Autumn term <strong>2017</strong>, scheduled and led by the teacher.<br />

Suitability<br />

Learning outcomes<br />

One teacher and their class.<br />

Suitable for Year 1 - 4.<br />

The project aims to ignite and inspire a passion for writing<br />

whilst raising standards in reading, speaking and listening.<br />

Each student will write their own story, make a map of<br />

their school and write a letter over the course of the<br />

project.<br />

Teacher commitment Attendance at CPD. Delivery of project in school across 6<br />

literacy lessons. Completion of project evaluation.<br />

Teacher Training<br />

What happens at the<br />

end?<br />

As the facilitator of this project, the teacher will gain<br />

practical skills to develop creative literacy teaching<br />

practices. CPD will support teachers to design their own<br />

projects to continue the legacy of this work. They will be<br />

given a detailed briefing on the project and work with<br />

Punchdrunk Enrichment creatives to explore creative<br />

practice in the classroom, culminating in a structured plan<br />

for a project of their own.<br />

The children’s stories successfully entice the characters<br />

back to the safety of their book, with tiny footprints left all<br />

over them to prove the pair have read them thoroughly.<br />

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PRIMARY<br />

You and your class have one final task, to return the book<br />

to its original owner…<br />

Other<br />

resources/support<br />

• Detailed teacher instruction pack.<br />

• Toolkit of handmade props and materials for simple<br />

design installations.<br />

• A day by day plan for 6 literacy lessons.<br />

Costs<br />

£300 per class.<br />

“The children were very keen to write about where they<br />

thought the characters might be, with lots of original ideas<br />

and good quality writing”. (Year 3 Teacher, 2016).<br />

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PRIMARY<br />

Royal Opera House: Chance to Dance<br />

Chance to Dance (CTD) was launched in 1991 by the<br />

Royal Opera House, home of The Royal Ballet. The<br />

programme has been running for 25 years and offers<br />

children an opportunity to experience ballet and<br />

connect with the Royal Opera House’s wider<br />

programme. Chance to Dance aims to reach children<br />

who do not currently engage with or have access to<br />

ballet. The programme now reaches 181 primary<br />

school children annually through weekly dance<br />

classes and a further 1500 children through school<br />

projects.<br />

Chance to Dance – School Projects provide Year 3<br />

pupils the opportunity to see, participate in and<br />

enjoy ballet through demonstrations by the Royal<br />

Ballet and in-school practical workshops.<br />

Following the School Projects, selected pupils will be<br />

invited to attend an audition workshop to join the<br />

full Chance to Dance Company, participating in<br />

weekly ballet classes, with opportunities to attend<br />

performances and events at the Royal Opera House<br />

and dance alongside professional ballet dancers in<br />

the end of year performances.<br />

Format/Dates Autumn term <strong>2017</strong>:<br />

Thursday 21 September, 16:00-18:00 – INSET for Year 3<br />

teachers.<br />

An after-school INSET session at High House Production Park<br />

for all the Year 3 teachers involved in the project. This is an<br />

introduction to the CTD programme and the ballets that the<br />

children will be exploring. The INSET will provide guidance<br />

on how teachers can support children during the workshops<br />

and continue to deliver dance activities in the school.<br />

w/c 18 September – Planning meeting<br />

Year 3 teachers will meet with the CTD practitioner to<br />

discuss the project and share information about their class.<br />

w/c 25 September - Royal Ballet Performance<br />

Demonstration in <strong>Thurrock</strong> (venue tbc)<br />

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PRIMARY<br />

All Year 3 pupils and their teachers will attend a<br />

performance demonstration, featuring dancers from the<br />

Royal Ballet. The demonstration will include live<br />

performance extracts from a variety of different ballets.<br />

w/c 2 October to w/c 6 or 13 November -<br />

Weekly dance workshops<br />

All Year 3 children and their teacher will participate in a<br />

series of five weekly one-hour creative ballet workshops<br />

(one workshop per class) in the school led by a CTD<br />

practitioner, assistant and accompanied by a pianist.<br />

w/c 6 or 13 November - Sharing for peers and family<br />

During their fifth workshop, Year 3 pupils will share the<br />

results of their work with their peers and family. The CTD<br />

practitioner will introduce CTD to parents and answer any<br />

questions.<br />

w/c 21 November – Selection and evaluation meeting<br />

Year 3 teachers will work with the CTD practitioners to<br />

identify pupils to invite to the Chance to Dance Company<br />

selection workshop.<br />

w/c 4 December - Chance to Dance Company selection<br />

workshop<br />

Teachers will bring invited Year 3 pupils to the selection<br />

workshop. Children who are successful in this workshop will<br />

join the CTD Company.<br />

Suitability<br />

Learning outcomes<br />

All Year 3 pupils.<br />

By the end of the project pupils will have:<br />

• an understanding of ballet with a basic knowledge of<br />

what makes it distinct from other dance styles.<br />

• the ability to generate movement and explore<br />

different ways of moving and responding to a range<br />

of stimulus and themes.<br />

• increased co-ordination and ability to be creative,<br />

yet controlled in their movements (KS2 PE<br />

curriculum).<br />

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PRIMARY<br />

• the ability to observe, describe and reflect on their<br />

own and others’ work individually and<br />

collaboratively.<br />

• increased confidence in exploring movement and the<br />

ability to work co-operatively with others to<br />

generate movement. Including teamwork and<br />

communication (SMSC principles). <br />

• changed perception of and desire to participate in<br />

dance in the future.<br />

Teacher commitment<br />

By applying for this project schools agree to:<br />

• Identify a named teacher who will act as the main<br />

point of contact for all arrangements connected to<br />

this project (July <strong>2017</strong>).<br />

• Commit to the whole project and confirm all the<br />

dates and times (July <strong>2017</strong>).<br />

• Ensure that Year 3 class teachers are available to<br />

attend the INSET and the planning & evaluation<br />

meetings, and be responsible for their classes at all<br />

times.<br />

• Confirm the arrangements are in place for all Year 3<br />

pupils to attend the Royal Ballet demonstrations in<br />

September <strong>2017</strong>.<br />

• Provide a clean warm space (school hall or gym)<br />

large enough for dance, which is available for all the<br />

project dates, times and activities (confirm by July<br />

<strong>2017</strong> for use in Oct / Nov <strong>2017</strong>).<br />

• Organise a sharing of the Year 3’s work for the school<br />

and parents (Nov <strong>2017</strong>).<br />

• Send out invitations letters (provided by the Royal<br />

Opera House) to pupils’ families who have been<br />

chosen to attend the selection workshop (Nov <strong>2017</strong>).<br />

• Provide staff to bring selected pupils to the CTD<br />

Company audition.<br />

• Help to distribute and collect consent forms and<br />

contact details from the families of those pupils<br />

invited to join the CTD programme (Dec <strong>2017</strong>).<br />

Teacher Training<br />

The teacher INSET at the beginning of the project will build<br />

Year 3 teachers’ skills and confidence to fully participate in<br />

the creative dance workshops and learn tools for delivering<br />

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PRIMARY<br />

creative dance in school beyond the end of this project.<br />

Suitable for all Year 3 teachers with little or no experience of<br />

dance. The session can be adapted for teachers with some<br />

experience.<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Chance to Dance School Projects work towards a sharing for<br />

parents and pupils from other year groups to enable Year 3<br />

pupils to share their work with others and gain the<br />

experience of performing. This sharing is also intended to<br />

raise awareness of the project within the school.<br />

Time will be allocated after the sharing for CTD practitioners<br />

to talk about the programme and answer any questions.<br />

We will provide a concise resource pack to accompany the<br />

teachers Inset session. The schools and parents will receive a<br />

welcome pack with information about the Chance to Dance<br />

programme.<br />

£600 for 1 – 2 classes.<br />

£720 for 3 – 4 classes.<br />

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PRIMARY<br />

Royal Opera House: Create and Sing Carmen<br />

The Royal Opera House: Create and Sing Carmen is a<br />

new Dramatic Singing Project that has been piloted in<br />

the 2016/17 year with Primary schools in <strong>Thurrock</strong>.<br />

Create and Sing aims to inspire teachers and young<br />

people to sing, engage with and enjoy opera, and to<br />

raise the standard of singing in the school. It seeks to<br />

provide Primary schools with a new route into singing<br />

through engagement in operatic repertoire (Carmen)<br />

and by linking singing to drama and character.<br />

Teachers will be provided with CPD training, a<br />

scheme of work, weekly films and learning resources<br />

to support and build their confidence in the delivery<br />

of dramatic singing in the classroom. This programme<br />

has been designed for teachers with or without<br />

previous experience of singing.<br />

Format/Dates<br />

Week commencing 11 September <strong>2017</strong>: Teacher CPD Day<br />

at High House Production Park.<br />

September - November <strong>2017</strong>: Project delivered in school<br />

by teachers (10-week project not including half term).<br />

End of November <strong>2017</strong>: Final sharing in school.<br />

Suitability<br />

Learning outcomes<br />

Suitable for KS2.<br />

Student Learning Outcomes:<br />

• Confidence when using voice.<br />

• Improved control and an awareness of how to create<br />

and manipulate sound.<br />

• Singing with expression.<br />

• Having an awareness of how to sing healthily.<br />

• Familiarity with a different genre of music.<br />

• Team work building.<br />

• Understanding of telling a story through voice and<br />

movement.<br />

• Ability to reflect on character and story and its relevance<br />

to them and their lives.<br />

• Ability to critically reflect on performance as i) an<br />

individual and ii) as an audience member.<br />

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PRIMARY<br />

Cross curricular Links provided through programme across<br />

following areas:<br />

• English, Science, British Values and SMSC, Maths, PE,<br />

Music, Art, History and Geography.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Attendance at CPD session.<br />

10 weeks of delivering sessions during school time<br />

(minimum of 45 minutes per week, however the<br />

programme will work best used as a topic across the<br />

whole term).<br />

1 sharing in school time.<br />

This programme is initiated with a teacher CPD, along with<br />

midway support.<br />

Performance of the work created is shared in school.<br />

All learning resources provided:<br />

• 10 films to show in the classroom.<br />

• Backing tracks.<br />

• Easy piano score (for those able to play piano).<br />

• Skills resource bank for the lead teacher (written and<br />

film).<br />

FREE<br />

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PRIMARY<br />

Royal Opera House: Design Challenge (Primary)<br />

The Royal Opera House’s world class opera and<br />

ballet productions are brought to life on its worldfamous<br />

Covent Garden stage through the amazing<br />

work of designers, artists and craft makers who<br />

create and manufacture the sets and costumes for<br />

the productions.<br />

The Design Challenge competition gives students<br />

the opportunity to test and develop their design<br />

skills, based around an opera or ballet production.<br />

This year, the Royal Opera House will be piloting<br />

Design Challenge (Primary), a ten-week teacherled<br />

scheme of work taking students through the<br />

process of designing for theatre, exclusive to<br />

<strong>Thurrock</strong> <strong>Trailblazer</strong> schools.<br />

Format/Dates<br />

Teachers will be introduced to the project and<br />

resources at a CPD on Wednesday 10 January <strong>2018</strong>,<br />

13:00-17:00, High House Production Park.<br />

Teachers will deliver the 10-week scheme of work in<br />

class through the Spring Term using the resources and<br />

lesson plans provided. Each student will produce their<br />

own designs and final piece, although there will be<br />

plenty of group activity and partner work throughout<br />

the process.<br />

Children will critique and experiment with materials<br />

and design ideas, and record their creative process in a<br />

‘Design Journey’ book that they will create. Suggestions<br />

as to how students can create these will be provided at<br />

the CPD.<br />

Teachers will choose one finalist for every ten students<br />

and submit their work to be judged by ROH<br />

professionals alongside students work from other<br />

schools by Friday 30 March <strong>2018</strong>. The winner will be<br />

announced on Tuesday 17 April <strong>2018</strong> on the ROH<br />

website, and the school with the winning student will<br />

be awarded an experience for their class before the<br />

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PRIMARY<br />

Swan Lake Schools Matinee on 06 June <strong>2018</strong> at the<br />

Royal Opera House in Covent Garden.<br />

Suitability<br />

The project is suitable to run with Year 4-6. One teacher per<br />

class will need to attend the CPD.<br />

The teacher does not need to be a specialist in art and<br />

design.<br />

Learning outcomes<br />

1. Working to a real stage director’s brief.<br />

2. Create a Design Journey to show their process and<br />

document their decisions.<br />

3. Select and refine their ideas and justify their choices.<br />

4. Practical making skills.<br />

5. Play with and develop their ideas individually and in<br />

groups.<br />

6. Consider elements of construction and materials (linking<br />

to Maths and Science).<br />

7. Discuss and ‘pitch’ their ideas.<br />

8. Team work and negotiation.<br />

9. Understanding of theatre and introduction to design<br />

process.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Attendance at CPD and delivery of a ten-week scheme of<br />

work, supported by resources and the Royal Opera House<br />

team.<br />

In the CPD, teachers will be introduced to the project and<br />

10-week scheme of work. They will also see demonstrations<br />

and take part in the practical elements of the design process<br />

Finalists will be submitted to the Royal Opera House by 30<br />

March and the winner will be announced on Tuesday 17<br />

April <strong>2018</strong>. Schools are encouraged to exhibit their work<br />

(e.g. in an assembly) and all schools will be given a DVD of<br />

Swan Lake to watch in the classroom.<br />

A resource pack will be provided in the CPD, as well as<br />

pointers to online media that will support the project from<br />

the ROH and other organizations.<br />

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PRIMARY<br />

Costs<br />

FREE.<br />

£155 for an optional 3-hour in-school workshop with a Royal<br />

Opera House design practitioner.<br />

Please note that an ROH schools tour of HHPP and the<br />

Schools Matinee performance of Swan Lake will also<br />

compliment the offer.<br />

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PRIMARY<br />

Royal Opera House: National Nutcracker<br />

National Nutcracker is a professional development<br />

opportunity in dance for KS2 teachers with little or<br />

no dance experience. It aims to give you the skills to<br />

create a dance with your class. It will connect your<br />

pupils with dance, The Royal Ballet and the Royal<br />

Opera House and get them moving; unlocking their<br />

imagination and developing their team working<br />

skills.<br />

It is a ten-week programme led by the teacher with<br />

resources from the Royal Opera House, including<br />

films and lesson plans.<br />

During the Autumn term, you will work with your<br />

class in PE, or run an afterschool club, to<br />

choreograph a creative challenge dance inspired by a<br />

theme from The Nutcracker and the characters from<br />

the ballet. The teacher will select one of the<br />

following themes:<br />

• Transformed by Magic<br />

• Travelling to Faraway Lands<br />

• Let the Battle Commence<br />

The world of the Royal Ballet will be brought into<br />

your class room each week via a series of short films<br />

designed to motivate your class to create their own<br />

dance. At the end of the ten weeks, you can film and<br />

enter your dance into the National Nutcracker<br />

competition in order to win a prize.<br />

A celebration screening of The Nutcracker will be<br />

held at a local cinema for all participating classes, to<br />

mark the end of the project and acknowledge the<br />

student’s achievement.<br />

A regional winner will be selected by The Royal<br />

Opera House judging panel, to win a dance<br />

workshop led by ROH dance practitioners in the<br />

Spring Term <strong>2018</strong> (on an agreed date).<br />

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PRIMARY<br />

The national winner will win tickets and transport for<br />

the class to attend a Royal Ballet production in the<br />

Spring Term <strong>2018</strong>.<br />

Watch the trailer here to see clips of the project in<br />

action:<br />

Format/Dates<br />

CPD in Summer Term:<br />

Friday 07 July <strong>2017</strong>, 09:00-16:30, Rambert Dance Studios.<br />

Autumn Term <strong>2017</strong>:<br />

First episode sent w/c 11 September.<br />

Deadline for midpoint feedback: Friday 16 October.<br />

Deadline for Creative Challenge: Friday 24 November.<br />

Cinema trip to watch The Nutcracker in December.<br />

Prizes for regional and national winner will be offered in<br />

the Spring Term <strong>2018</strong>.<br />

Suitability<br />

Learning outcomes<br />

KS2 Primary & SEN. 1 class per school may be entered for<br />

the competition and attend the cinema trip.<br />

PE curriculum links:<br />

• Develop flexibility, strength, technique, control and<br />

balance.<br />

• Perform dances using a range of movement patterns.<br />

• Be physically active for sustained periods of time.<br />

• Engage in competitive sports and activities.<br />

• Lead healthy, active lives.<br />

There is an opportunity for whole school involvement<br />

and extended learning.<br />

There are many possible links to cross curricular subjects:<br />

• Literacy (Creative writing and storytelling).<br />

• Maths (symmetry, patterns, angles).<br />

• Science (ballet technique - balance).<br />

• Music (Tchaikovsky, BBC Ten Pieces).<br />

• History and Geography (Christmas traditions in other<br />

countries, travelling to a far-away land, conflicts and<br />

battles).<br />

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PRIMARY<br />

• PSHE/Philosophy for Children (Critical evaluation of<br />

each-others work).<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

• Attendance at INSET in July.<br />

• Deliver ten 1 hour sessions over the Autumn term.<br />

• Ensure internet access is available in the classroom so<br />

that the class can watch weekly episodes before<br />

creative session.<br />

• Access to an appropriate space for the class to create<br />

their dance in.<br />

• Submit a film of the dance before October half term<br />

for feedback.<br />

• Submit a film of the final dance for judging in<br />

November.<br />

• Organise the class trip to the Cinema screening in<br />

December.<br />

The INSET session is suitable for teachers who are<br />

absolutely new to dance, with no previous experience<br />

but also to teachers who have some experience or<br />

completed the project before. The INSET will explore<br />

different sections of the Nutcracker each year, so that<br />

there will be further learning opportunities for those with<br />

prior experience of the project.<br />

Teachers submit their finished dance and the class<br />

attends a cinema celebration. We encourage teachers to<br />

find opportunities to perform their finished dance to a<br />

live audience, in assembly or as part of a Christmas show,<br />

so the children feel the benefit of performing to an<br />

audience and the teachings from the Royal Ballet dancers<br />

during the weekly lessons become embedded in practice.<br />

Teachers are encouraged to continue delivering dance in<br />

the classroom and engaging with ballet as an art form.<br />

We also encourage teachers to share their new skills with<br />

colleagues and to take part in the project the following<br />

year, to deepen their learning and experience.<br />

Other<br />

resources/support<br />

• Online weekly episodes for class to watch, presented<br />

by CBBC presenter Radzi and featuring Royal Ballet<br />

dancers.<br />

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PRIMARY<br />

• Ten-week scheme of work document with lesson plan<br />

ideas (digital version).<br />

• Supporting videos exploring ballet, the Royal Opera<br />

House and choreography on ROH YouTube channel.<br />

• Bespoke Arts Award Discover and Explore pdf.<br />

• Feedback and troubleshooting ideas from ROH<br />

practitioners after October half term.<br />

Costs<br />

£150 per 30 students. Please note, one class per school<br />

may be entered for the competition and attend the<br />

cinema trip.<br />

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PRIMARY<br />

V&A: Primary Discovery Sessions<br />

The Victoria & Albert Museum (V&A), offer a wide<br />

range of gallery tours, practical workshops,<br />

exhibition visits, events, screenings and projects for<br />

pupils aged from Foundation Stage to Key Stage 5.<br />

The Primary Discovery Sessions are part of a wide<br />

range of workshops and gallery-based session that<br />

we offer for Schools & Colleges. To find out about<br />

the full range of opportunities please see the ‘Learn’<br />

page of our website or contact us by<br />

emailing schools@vam.ac.uk.<br />

These 1 hour gallery-based sessions give pupils the<br />

chance to explore the galleries and investigate<br />

objects first-hand, to bring to life a range of crosscurricular<br />

themes. Our session topics include themes<br />

related to Art & Design, RE, Science, Maths and<br />

History. For a full list of topics please see our<br />

website.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

We offer these Monday – Friday during term time, 3 times<br />

a day – 10:30, 11:45 and 13:00.<br />

Up to 30 per group, EYFS – KS2.<br />

Develop visual literacy and inquiry skills through exploring<br />

objects first hand and uncovering their stories.<br />

Some of the sessions include designing and making in<br />

response to the collections.<br />

Teacher commitment<br />

Teacher Training<br />

Attendance at CPD session. Providing information about<br />

the class before the visit.<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

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PRIMARY<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom.<br />

Session plans can be provided. The V&A also have a rich<br />

source of material online which teachers can access<br />

before or after a visit.<br />

There is also a bank of teachers’ resources here.<br />

Costs<br />

FREE.<br />

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Secondary-specific Offers<br />

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SECONDARY<br />

Barbican: Barbican Box<br />

The Barbican Guildhall Creative Learning’s Barbican Box<br />

launched in 2011 as a theatre education programme for<br />

secondary schools and FE colleges in east London. Inspired by the<br />

Barbican’s world class arts programme, the Barbican Box is,<br />

literally, a portable box filled with the ingredients for making and<br />

creating original theatre.<br />

Created in collaboration with artists and associate companies<br />

such as Complicite and Toneelgroep Amsterdam, and inspired by<br />

the Barbican’s theatre programme, the Boxes contain a range of<br />

stimuli designed to encourage an imaginative, adventurous<br />

approach to arts learning. They are accompanied by a bespoke<br />

package of learning resources for teachers and students.<br />

The project kicks off with the CPD weekend, after which the Box<br />

and accompanying learning resource (which provides a<br />

framework for the devising process) are sent into schools.<br />

Teachers are then matched with an Artist Mentor, who goes into<br />

schools and delivers three devising workshops at the beginning,<br />

middle and end of the process. During this time, teachers will<br />

bring students to the Barbican to see a performance in the<br />

Theatre, and the project culminates in a showcase day, when<br />

students share the work they’ve created with other schools on<br />

the Barbican’s stages.<br />

We are able to offer 2 Barbican Box Theatre opportunities.<br />

Therefore 2 <strong>Thurrock</strong> Secondary school classes will be able to take<br />

part. These will be allocated on a first come first served basis, via<br />

the <strong>Thurrock</strong> <strong>Trailblazer</strong> programme selection application.<br />

Format/Dates<br />

It starts with a CPD for teachers on Friday 29 and Saturday<br />

30 September <strong>2017</strong>.<br />

The Box is delivered to the school in the following week.<br />

Schools can opt to take part in either Block 1 (September -<br />

March) or Block 2 (January -July).<br />

Suitability<br />

Secondary, SEN and Colleges. KS3 - KS5.<br />

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SECONDARY<br />

Learning outcomes<br />

Teacher commitment<br />

Teacher Training<br />

The project was created to be as flexible as possible to suit<br />

schools, and it can be used by teachers to support learning in<br />

whatever way they feel best: to support devising units at GCSE<br />

or A-Level, as an introduction to GCSE for KS3 groups, or as an<br />

extra-curricular programme.<br />

Teachers are committed to a 2-day CPD.<br />

Running lessons and hosting artists within school time and<br />

organising the students’ attendance at the performance<br />

day at the Barbican.<br />

There is a 2 day CPD for the teachers, which is led by<br />

the artistic partner for Barbican Box, supported by<br />

the Artist Mentors who deliver the work in schools.<br />

The CPD works through a number of creative<br />

approaches to working with the Box and its contents<br />

in school with students.<br />

What happens at the<br />

end?<br />

There is a live showcase / performance element at the end<br />

on stage at the Barbican.<br />

Teachers and students from up to four schools to share the<br />

original work that they’ve created over the past few<br />

months.<br />

They have a technical rehearsal with our professional<br />

technical team, as well as time to rehearse their work and<br />

feedback on their experience of the project through an<br />

evaluation session.<br />

All schools then come together to perform their work to<br />

each other and an invited audience of family, friends and<br />

guests.<br />

Other resources/support<br />

Schools taking part in Barbican Box receive:<br />

• The Box itself and an accompanying learning resource.<br />

Boxes include objects which relate to different stages of<br />

the devising process: objects for building trust within the<br />

ensemble/group (balls, elastic bands), text (published<br />

play text such as extracts from Angels in America, poetry<br />

or primary source accounts of political events such as<br />

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Rosa Parks), objects for inspiring creative work (a selfie<br />

stick, a megaphone, a rubber chicken!).<br />

• Teacher CPD training.<br />

• Tickets to theatre performance.<br />

• Mentoring and Workshops from professional artists.<br />

• The opportunity to showcase original work at the<br />

Barbican.<br />

Costs<br />

£550 per class.<br />

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SECONDARY<br />

Mercury Theatre: hACkT - Exploring STEM and Digital<br />

Technologies Through Theatre Making<br />

The Mercury Theatre’s hACkT is a makerspace; a<br />

collaborative work space in a school setting for<br />

making, learning, exploring and sharing that uses high<br />

tech equipment, no-tech tools, drama and creativity.<br />

Schools and Students have three project options to<br />

choose from:<br />

1. Immersive Theatre: Create an immersive and<br />

interactive theatrical experience.<br />

Made popular by the ‘escape the room’ craze,<br />

immersive theatre is becoming more popular than<br />

ever with companies such as Secret Cinema leading<br />

the way. Combining video game mechanics,<br />

challenging puzzles and performance skills these<br />

experiences take theatre to the next level! This hybrid<br />

project requires students to devise narratives,<br />

characters, puzzles, mechanics fusing the application<br />

of mathematics, engineering and computing with the<br />

empathetic and aesthetic needs of creating an<br />

audience experience.<br />

2. Gamified Theatre: Produce a Play in a Virtual<br />

World.<br />

Young people will produce a play, however, rather<br />

than perform on a traditional stage<br />

in front of a seated auditorium all aspects of<br />

rehearsal, production and performance take place in a<br />

multiplayer game session of a popular sandbox game,<br />

Minecraft.<br />

This project develops the skills needed for UX and UI<br />

design in professional video game making. Whilst<br />

engaging with digital processes, coding and gaming<br />

infrastructure young people will develop the skills<br />

involved with producing a play: teamwork, leadership,<br />

communication, problem solving, text analysis,<br />

creativity and imagination to create a piece of theatre<br />

that exists only in a virtual world.<br />

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3. Digital Theatre Design: Using Projection Mapping,<br />

Animatronics and Electronics to Design Awe Inspiring<br />

Theatre Sets<br />

This project employs mathematics to create work in<br />

scale. Creating ideas at table-top level and realising<br />

them on a scale that relates to the real-world user and<br />

audience experience. Interactivity will allow young<br />

people to engage with electronics, circuitry and<br />

resistant materials.<br />

Students get to grips with modern theatre design,<br />

learning how to create their own animatronics,<br />

revolving stages, projected scenery, wearable<br />

technology and special effects. This project explores<br />

the relationship between STEM subjects and their<br />

creative applications. These skills are related to<br />

careers in live events, concerts, exhibitions,<br />

performances.<br />

Format/Dates<br />

1 week long project (5 school length days and can be<br />

delivered in half term). The project will be delivered by 2<br />

facilitators.<br />

The hACkT Makerspace needs a clear room that can be<br />

used as a workshop and performance space and have the<br />

capacity for delivery to a maximum of 30 young people.<br />

Plug sockets and Wi Fi connectivity are required in the<br />

room. The hACkT Makerspace must have sole use of the<br />

space for 5 days.<br />

Suitability<br />

Learning outcomes<br />

Secondary school pupils. Suitable mainly for KS3 but can<br />

be open to KS4 pupils as well. The activity is cross<br />

curricular, combining coding, computer science, resistant<br />

materials with art, drama and English.<br />

Increasing young people’s engagement in STEM by:<br />

• Preparing them with the critical 21st century skills in<br />

the fields of science, technology, engineering and<br />

mathematics (STEM).<br />

• Placing Creative thinking and activity at the core of<br />

STEM delivery.<br />

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• Providing hands on learning, help with critical thinking<br />

skills and boosting self-confidence.<br />

Increasing Post 16 Pursuit of STEM subjects and<br />

progression into STEM-related study and careers by:<br />

• Increased cross curricular confidence in class.<br />

• Working with professional artists and technologists.<br />

• Accessing equipment and facilities.<br />

• Sharing real world experience.<br />

Increasing young people’s employability by:<br />

• Developing an enthusiastic, motivated, creative and<br />

skilled STEM-based local workforce.<br />

• Developing a competent pool of young people with<br />

employability, creative skills and STEM skills with<br />

potential for employment.<br />

• Better informing young people and parents about<br />

Creative Industries career pathways and employment<br />

opportunities that need STEM-based skills.<br />

• Fostering entrepreneurship.<br />

Teacher commitment<br />

Teachers are asked to be participants in the activity as well<br />

– part of the Makerspace mentality. Teachers would<br />

supervise sessions, provide classroom support and access<br />

to additional school resources as needed.<br />

To support the delivery, we ask that teachers from a range<br />

of departments and subjects are present and involved – it<br />

is as much about opening up the possibilities and<br />

vocational pathways of arts and technology rather than<br />

pigeon-holing the activity into one area. We would ask<br />

that dance teachers supervise alongside physics teachers<br />

for example<br />

Teacher Training<br />

Improvements for Teachers and Support Staff by:<br />

● Supporting STEM subject and pedagogical<br />

understanding.<br />

● Supporting classroom learning.<br />

● Supporting confidence, motivation and enthusiasm for<br />

STEM subjects.<br />

● Supporting competence and quality of leading, teaching<br />

or supporting STEM subjects.<br />

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● Understanding how to contextualise the curriculum with<br />

cutting-edge STEM knowledge, employability skills and<br />

STEM-related careers information.<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

At the end of the hACkT Makerspace the students will<br />

share their work through either a live performance, an<br />

experiential interactive audience event or an online<br />

performance that is accessed remotely. The sharing can be<br />

opened up to an audience of staff, students and parents.<br />

The Mercury will provide enough equipment and<br />

resources to comfortably work with 25-30 young people,<br />

we would always recommend that the schools and/or<br />

students also bring their own Raspberry Pi’s, Arduinos,<br />

BBC Micro’s, tablets and smart devices. The activity can<br />

contribute to Arts Award and resources can be included to<br />

capture evidence suitable for all levels or the qualification.<br />

Costs £1750.<br />

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National Theatre: New Views<br />

New Views is the National Theatre’s playwriting programme<br />

and competition for schools and colleges.<br />

Work with professionals: Students follow our specially created<br />

online course for school-based writing groups; see NT<br />

productions − in London or in local cinemas via NT Live − and<br />

take part in workshops with professional writers (October <strong>2017</strong><br />

– March <strong>2018</strong>).<br />

Write: Students write half-hour plays about the challenging<br />

issues that matter to them (December <strong>2017</strong> − April <strong>2018</strong>), stage<br />

readings of their work in school and have a chance to see their<br />

play produced by the National Theatre with a professional cast<br />

(July <strong>2018</strong>).<br />

Train: Teachers visit the NT for training and support to establish<br />

and lead thriving extra-curricular writing groups in school or<br />

college (September <strong>2017</strong>). We encourage participating schools<br />

to combine New Views with the Gold Arts Award and we offer<br />

Gold Award Adviser training as part of the package (September<br />

<strong>2017</strong>). There’s also the chance to submit your play to the NT<br />

and receive feedback from the Literary Department.<br />

Format/Dates<br />

The programme runs throughout the academic year and<br />

starts with a CPD for teachers Tuesday 03 October,<br />

10:00-16:00, High House Proudction Park.<br />

There is also an optional evening at the National<br />

Theatre on Friday 28 September <strong>2018</strong> from 16:00, with<br />

an opportunity to watch a performance at the theatre.<br />

A professional playwright will visit your school on a<br />

mutually agreed date in November. You will be offered<br />

a theatre trip/trip to your local cinema to see a<br />

performance via NT Live between November and<br />

March. You will be offered a range of dates for this.<br />

First draft scripts will need to be submitted at the end<br />

of February. A professional playwright will make a<br />

second visit to you in March.<br />

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SECONDARY<br />

Suitability Secondary – Years 10-13.<br />

Final draft scripts will need to be submitted towards the<br />

end of April.<br />

Performances and readings of the winning play and<br />

shortlisted plays will take place at the NT in early July.<br />

Each school should set up a group of approximately 10<br />

student writers. If you would like to sign up for the<br />

project and would like to work with significantly more<br />

or fewer students, please contact NT Learning.<br />

Learning outcomes<br />

• Literacy skills.<br />

• Creative skills.<br />

• One-on-one interaction with a professional writer and an<br />

opportunity to see their work staged with a professional<br />

cast at the NT.<br />

Teacher commitment<br />

Attendance at the CPD. Teachers will be required to stay in<br />

contact with NT Learning across the school year as they<br />

liaise about writer visits, theatre visits and submitting<br />

drafts.<br />

Teachers can also write and submit their own plays into<br />

the competition if they wish.<br />

Teacher Training<br />

CPD workshop in October to prepare teachers to<br />

deliver the online course and support their<br />

students through the programme.<br />

The CPD will include a range of different<br />

workshops, opportunities to watch performances<br />

and opportunities to network with other<br />

teachers.<br />

What happens at the<br />

end?<br />

The culmination of the project is a festival of performances<br />

and readings at the NT, which all participating schools are<br />

invited to attend free of charge.<br />

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Other<br />

resources/support<br />

Costs<br />

An extensive online course is available to support teachers.<br />

This can be found at here. (Please note, this will be<br />

updated during July/August <strong>2017</strong>).<br />

£375 per school.<br />

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New English Ballet Theatre: The Four Seasons<br />

Project<br />

New English Ballet Theatre(NEBT) was created to<br />

nurture a new generation of classical dancers,<br />

choreographers, artists and designers. Our singular<br />

USP - to develop emerging ballet choreographers and<br />

act as a bridge company for young, professional<br />

dancers – has no equivalent in the UK. NEBT has<br />

recently become the ‘resident’ dance company at the<br />

Thameside Theatre, Grays and is developing a<br />

partnership with <strong>Thurrock</strong> Borough Council to expand<br />

our outreach activities in the local community.<br />

For NEBT’s <strong>2017</strong>/18 performance season, we are<br />

commissioning a new ballet to Vivaldi’s The Four<br />

Seasons recomposed by Max Richter, with<br />

choreography by Jenna Lee and designs based on a<br />

British contemporary artist’s landscape (to be<br />

confirmed). NEBT’s The Four Seasons workshops will<br />

introduce the principles of ballet and use the four<br />

seasons as an initial stimulus, to deliver an education<br />

outreach programme that is highly suitable for core<br />

and non-arts subjects.<br />

The workshop sessions will comprise a short warm-up<br />

followed by a creative task that will focus on the<br />

development of a short sequence of choreography<br />

using The Four Seasons music. Students will look at a<br />

variety of stimuli along with a range of basic ballet<br />

steps that they can build upon and develop as they<br />

create their own short dances. They will be given the<br />

chance to share their work in a final performance.<br />

Format/Dates<br />

The project includes four sessions of two hours, each to be<br />

completed within four consecutive weeks. The project can<br />

take place between October <strong>2017</strong> and June <strong>2018</strong>.<br />

The first session will build on the resources provided and<br />

start an illustrated history of ballet, it’s origins and<br />

evolution from being a French court dance to being a<br />

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highly demanding performing art form. Students will have<br />

the chance to touch and feel a pair of pointe shoes and<br />

watch a demonstration of how to stand on pointe.<br />

Students will then learn some rudimentary ballet steps<br />

and (French) vocabulary through a warm-up and<br />

movement sequence and experience how the classical<br />

style differs from other genres of dance. The second<br />

session will build on the students’ ballet vocabulary and<br />

will provide opportunities for further exploration of<br />

moving to various stimuli explored prior to NEBT’s visit<br />

including; poetry, music, photos/art, and history. Students<br />

will have the chance to improvise and develop small<br />

sequences, both individually and in groups. The third<br />

session will give students the chance to practice and<br />

rehearse steps they have created. In the last session,<br />

students will have a final rehearsal before taking part in a<br />

sharing performance for parents and other children from<br />

the school/ community.<br />

Suitability<br />

Learning outcomes<br />

Secondary students in KS3. Each workshop is delivered to<br />

the same group of children in a class.<br />

Learning outcomes will include:<br />

Curricular:<br />

• English: children will learn new literature and vocabulary<br />

around the changing seasons, how to ask relevant<br />

questions to extend their understanding and knowledge,<br />

gain an understanding in how to construct well-structured<br />

descriptions, explanations, expressive feelings and<br />

narratives around the four seasons, and listen to and enjoy<br />

a wide range of poems about the seasons.<br />

• Science: children will develop a sense of excitement and<br />

curiosity about the natural phenomena that is the cycles of<br />

the seasons and how this impacts the world around them<br />

– how things will behave and why changes are occurring.<br />

• Languages: through learning the elements of ballet,<br />

children will have the chance to explore the patterns and<br />

sounds of French and link the spelling, sound and meaning<br />

of words.<br />

• PE: children will develop their co-ordination, creative<br />

problem solving and movement vocabulary.<br />

Artistic:<br />

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• Art & Design – children will have the chance to compare<br />

and contrast a range of British landscape artists, think<br />

critically about artistic expression and gain knowledge and<br />

skills to experiment, invent and create their own works of<br />

art and design. They will also understand how art and<br />

design both reflects and shapes our history, and<br />

contributes to the culture, creativity and wealth of our<br />

nation.<br />

• Music – children will listen to Vivaldi and other pieces of<br />

classical music and evaluate the genres, styles and<br />

traditions, including the works of the great composers.<br />

They will gain an understanding about instrumentation,<br />

rhythm, musicality within compositions created, produced<br />

and communicated.<br />

SMSC:<br />

The workshops will help develop enjoyment, imagination<br />

and creativity. Through improvisation and creative<br />

teamwork, children will learn to appreciate diverse<br />

viewpoints; participate, volunteer and cooperate; and<br />

resolve conflict through respect and tolerance of others.<br />

Teacher commitment<br />

Preparation for NEBT’s sessions is up to the teacher in<br />

terms of which curricular area is selected. The resource<br />

pack will have a range of ideas that could be used over a<br />

full term, half-term or a few weeks.<br />

We kindly ask for the school to provide the appropriate<br />

number of staff to be present during the activity for<br />

safeguarding best practise. Please provide access to a large<br />

open space (e.g. assembly hall, dance studio), with a sound<br />

system (including iPod jack) and a computer/projector to<br />

run a PowerPoint presentation.<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

There will be a sharing performance for parents and other<br />

children from the school/ community.<br />

With permission, this sharing performance will be filmed<br />

for the teachers’ further use. The school will also be<br />

offered the chance to bring students to see NEBT perform<br />

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The Four Seasons when it is performed at the Thameside<br />

Theatre in October <strong>2018</strong> (date to be confirmed).<br />

Other<br />

resources/support<br />

Costs<br />

Prior to the workshops, NEBT will provide teachers with a<br />

resource pack with ideas for various pieces of poetry,<br />

music choices, and art work portraying the four seasons,<br />

as well as a short history of the origins of ballet from the<br />

French court. Post-workshop activity examples will also be<br />

included.<br />

£780 for the four sessions.<br />

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Royal Opera House and <strong>Thurrock</strong> Music Hub: Sing<br />

and Stage La Boheme<br />

The Royal Opera House <strong>Thurrock</strong>’s Big Sing project<br />

has been designed to introduce students and<br />

Teachers to opera in a fun and engaging way,<br />

working within the KS3 and KS4 Music curriculum,<br />

using supporting resources related to Puccini’s La<br />

Boheme.<br />

Teachers will be introduced to singing resources and<br />

activities to lead in the classroom in a CPD session.<br />

Pupils will engage with dramatic singing and the<br />

opera’s themes through performing, listening and<br />

reflecting activities.<br />

Teachers will then bring a class of students to the<br />

Thameside Theatre for a day of workshopping and<br />

performing with Royal Opera House practitioners.<br />

They will learn new repertoire, work under stage<br />

direction and create a joint performance of La<br />

Boheme material.<br />

Format/Dates<br />

CPD: Thursday 18 January <strong>2018</strong>, 13:00-17:00, High House<br />

Production Park.<br />

Big Sing Day: Friday 01 March <strong>2018</strong>, Thameside Theatre.<br />

Suitability<br />

Learning outcomes<br />

Teachers and students of KS3 and KS4 music classes,<br />

school choirs and drama groups.<br />

• Introduction and exploration of opera and dramatic<br />

singing<br />

• Identifying melodic features in music.<br />

• Singing with stylistic integrity.<br />

• Effective discussion and response to musical genres.<br />

• SMSC principles.<br />

Teacher commitment<br />

Attendance at the CPD and in-school delivery of<br />

resources.<br />

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Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Teachers will be introduced to singing resources and<br />

activities to lead in the classroom.<br />

All schools involved will attend a culmination day of the<br />

La Boheme themed masterclasses and workshopped<br />

performance.<br />

Resources including musical tracks, sheet music and<br />

sample lesson plans will be distributed at the CPD<br />

session.<br />

£300 per school.<br />

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Royal Opera House: Design Challenge (Secondary)<br />

The Royal Opera House’s world class opera and<br />

ballet productions are brought to life on its worldfamous<br />

Covent Garden stage through the amazing<br />

work of designers, artists and craft makers who<br />

create and manufacture the sets and costumes for<br />

the productions. The Design Challenge (Secondary)<br />

competition gives students the opportunity to test<br />

and develop their design skills, based around an<br />

opera or ballet production.<br />

The project uses the opera Salome as a stimulus.<br />

Students will be set a professional brief to work<br />

towards; they will choose either one of two areas:<br />

Costume Design: working with textiles.<br />

Set Design: building a model box.<br />

The project is closely aligned to the AQA and Edexcel<br />

exam boards and can be used as a mock exam<br />

framework for year 10 or 11. It will provide students<br />

with a real and practical insight into the world of set<br />

and costume designers and makers. It will open their<br />

eyes to the skills required for a career in backstage<br />

theatre crafts, develop their own skills set and<br />

extend their learning from schools to a professional<br />

context.<br />

Teachers will attend a CPD session where they will<br />

be taken through the step- by-step scheme of work<br />

and given access to all the resources accompanying<br />

the project. The project will be teacher-led, thus<br />

offering exciting skills development for teachers in<br />

the relevant subject areas.<br />

Format/Dates<br />

CPD: Thursday 07 September <strong>2017</strong>, 13:00-17:00, High<br />

House Production Park.<br />

In School Judging deadline: Friday 12 January <strong>2018</strong>.<br />

Finalists’ online submission deadline: Friday 19 January,<br />

<strong>2018</strong><br />

Winners announcement: Friday 26 January <strong>2018</strong>.<br />

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The winners of each category will be invited to exhibit<br />

their work at the V&A on Friday 09 February <strong>2018</strong> as part<br />

of their Opera: Passion, Power and Politics Exhibition.<br />

Suitability<br />

Learning outcomes<br />

GCSE teachers of:<br />

• Art.<br />

• Art and Design.<br />

• Design Technology.<br />

• Graphic Design.<br />

• Textile<br />

• Production Arts.<br />

The students develop skills in:<br />

• Designing to a brief.<br />

• Designing for character.<br />

• Practical application and functionality of materials.<br />

• Working to scale.<br />

• Independent research and producing a body of work<br />

in portfolio format.<br />

• Planning and strategising.<br />

• Presentation (if taking part in the competition).<br />

The project links to the curriculum for GCSE Art, GCSE Art<br />

and Design and GCSE Design Technology. It can be used<br />

as a mock exam module for these subjects.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Teacher will lead the project in school with plans and<br />

resources provided and facilitate the various<br />

components.<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

Schools are asked to submit their chosen shortlisted<br />

entries for the judging process by ROH artistic teams.<br />

Shortlisted entries will be displayed on the ROH Design<br />

Challenge online gallery. The overall winners from the<br />

two categories will have their designs displayed at the<br />

V&A as part of their Opera: Passion, Power and Politics<br />

Exhibition on Friday 09 February <strong>2018</strong>. Teachers are also<br />

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encouraged to set up in-school exhibitions and sharing of<br />

the work.<br />

Other<br />

resources/support<br />

Costs<br />

Access to films and other resources. Lesson plans<br />

following from CPD Day.<br />

FREE to take part in project.<br />

£155 for an optional 3-hour in-school workshop with a<br />

Royal Opera House design practitioner.<br />

Please note the V&A exhibition tour: Opera, Passion,<br />

Power and Politics and an ROH schools tour of HHPP<br />

would also compliment the offer.<br />

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Royal Opera House: Infra Workshops<br />

The Royal Ballet is one of the great ballet companies of<br />

the world. Under the leadership of Kevin O’Hare, the<br />

repertory includes works by Founder Choreographer<br />

Frederick Ashton and Principal Choreographer Kenneth<br />

MacMillan as well as a new canon of work by Wayne<br />

McGregor, Christopher Wheeldon and Liam Scarlett.<br />

From its base at the Royal Opera House in London’s<br />

Covent Garden, today’s most dynamic and versatile<br />

dancers come together with a world-class orchestra and<br />

leading choreographers, composers, conductors,<br />

designers and creative teams to share an awe-inspiring<br />

theatrical experience with diverse audiences worldwide.<br />

Wayne McGregor is renowned for his ground-breaking<br />

choreography and collaborations. He was appointed as<br />

Resident Choreographer of The Royal Ballet in 2006,<br />

becoming the first contemporary choreographer to hold<br />

the post. His many works for The Royal Ballet include<br />

Chroma (2006), Limen (2009), Raven Girl (2013) and<br />

Woolf Works (2015).<br />

The Royal Ballet’s Infra (2008), choreographed by<br />

McGregor, is one of six new works selected for the AQA<br />

GCSE Dance Anthology. This is the first time that his work<br />

has become part of the GCSE curriculum.<br />

The Royal Opera House is offering two informative<br />

workshops that complement the free Infra resource pack.<br />

Workshops for Teachers and students are designed to<br />

provide a practical understanding of McGregor's<br />

choreographic process and offer clear links to the AQA<br />

Dance GCSE Level specification. Each workshop will<br />

provide opportunities to explore the Performance,<br />

Choreography and Appreciation aspects of GCSE dance.<br />

The workshop will include:<br />

• A short introduction to the Royal Opera House, the Royal<br />

Ballet and McGregor's role as Resident Choreographer.<br />

• A contemporary ballet warm-up exploring physical skills.<br />

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• Exploring a short section of Infra repertoire through<br />

technical/ expressive skills and movement<br />

content/motifs.<br />

• A series of creative tasks that explore the choreographic<br />

approach and devices used when creating Infra with the<br />

Royal Ballet.<br />

• Opportunities to discuss the features of the production,<br />

including the work of Julian Opie, Max Richter, Chris<br />

Ekers, Lucy Carter and Moritz Junge.<br />

Format/Dates Student workshops and teacher INSETs can be half day (2<br />

hours) or full day (4 hours).<br />

Suitability<br />

Learning outcomes<br />

Suitable for Secondary school students and Teachers of AQA<br />

GCSE Dance.<br />

By the end of the workshops both Teachers and students will<br />

have:<br />

• Learnt at least one section of the repertoire from<br />

McGregor's Infra and explored different ways of<br />

performing material.<br />

• An understanding of the physical, technical and expressive<br />

skills required when performing Infra.<br />

• The skills to analyse McGregor’s choreographic approach<br />

through a series of creative tasks.<br />

• An ability to use different choreographic devices to develop<br />

movement material.<br />

• A better knowledge of the physical and aural setting and<br />

other features of the work.<br />

• Increased understanding of their own and others physical<br />

signature.<br />

Teacher commitment<br />

Teacher Training<br />

The host school is responsible for arranging the date and<br />

time of the workshop as per the booking request form. An<br />

appropriate space must be provided. The teacher must be on<br />

hand to supervise and be willing to take part.<br />

Full and half day Infra workshops are available for teachers. A<br />

minimum of 6 teachers are required for a teacher workshop.<br />

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What happens at the<br />

end?<br />

Student Workshops: Following the workshop, students<br />

should feel more confident discussing Infra and the work of<br />

The Royal Ballet, be able to analyse some of the<br />

choreographic intent and discuss the physical, aural setting<br />

and other features of the work.<br />

Teacher Workshops: Following the workshop, teachers<br />

should have a more in depth understanding of the work and<br />

its choreographic intent and approach. The workshop will<br />

support their teaching of Infra, in line with the AQA GCSE<br />

Dance Specification, whilst being able to share the sections of<br />

repertoire learned during the session with their class.<br />

Other<br />

resources/support<br />

Free resource pack provided.<br />

Studio Wayne McGregor are also providing workshops to<br />

compliment the session.<br />

Costs Half day workshops: £300<br />

Full day workshops: £420<br />

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Royal Shakespeare Company: CPD<br />

RSC Education’s fundamental ambition is to work with<br />

teachers, schools, communities and theatre partners to<br />

transform experiences of Shakespeare and live theatre for<br />

young people in the classroom, in performance and online.<br />

Aimed specifically at Secondary English and<br />

Drama teachers, this day will focus on Julius Caesar. Using<br />

theatre-based approaches from the RSC’s rehearsal rooms,<br />

we will explore character, language, and the themes within<br />

the play.<br />

Participants will gain first-hand experience of using these<br />

activities, building with them a deeper understanding of the<br />

process and pedagogy that underpins our work.<br />

RSC Education has a strong evidence base about the<br />

sustained impact of our work on classroom teaching practice<br />

as well as on teacher confidence and knowledge including:<br />

• 97% of all teachers who experience RSC’s courses rate<br />

them as ‘excellent’ on a seven-point scale.<br />

• 100% of surveyed teachers report that participation in an<br />

RSC CPDL programme had enhanced their skills, knowledge<br />

and confidence in the teaching of Shakespeare. Teachers<br />

say that RSC-led approaches have been embedded into<br />

“the very fabric of the school’s learning”. A primary school<br />

teacher of 20 years stated that CPDL undertaken with RSC<br />

“rejuvenated my teaching practice… [it’s] the best thing<br />

I’ve ever done”.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

A one day CPD course; Friday 12 January 10:00-16:00, High<br />

House Production Park.<br />

Suitable for KS3 and KS4 teachers. We welcome teachers new<br />

to Shakespeare and those who have some familiarity but<br />

want to develop knowledge, confidence and skills.<br />

Our CPD programme uses rehearsal room approaches and<br />

theatre making to teach Shakespeare. Teachers will have the<br />

confidence to apply the skills and knowledge learned to their<br />

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daily teaching practice.<br />

Teacher commitment<br />

Teacher Training<br />

Attendance at the CPD.<br />

Over the course of the day we would anticipate doing some<br />

of the following:<br />

• Creating the readiness to learn: exploring strategies and<br />

proven techniques that help students acquire the<br />

requisite mind-set of concentration, trust and<br />

collaboration.<br />

• Building the foundation blocks: introducing ways of<br />

working that will ensure your students are ready to<br />

engage with Shakespeare’s plays. These game-like<br />

activities allow for a natural transition from play as<br />

developing group dynamics into play as learning.<br />

Typically, themes, characters, and/or scraps of original<br />

text are combined with playful activities, which allow for<br />

a comfortable segue into Shakespeare’s plays.<br />

• Creating the world of the play: exploring ways of<br />

introducing or building on existing knowledge of the play.<br />

• Developing confidence with the language: scaffolding<br />

strategies that allow students to progressively deepen<br />

their confidence and familiarity with Shakespeare’s<br />

language, whatever their start point. These methods are<br />

at the heart of our rehearsal-based methods, using<br />

techniques developed to help actors access<br />

Shakespeare’s language and meaning.<br />

• Exploring characters: this might cover approaches that<br />

help students identify what is known about a particular<br />

character; what is inferred; and what questions are<br />

unanswered.<br />

• Investigating interpretational choices: this section<br />

would build on character work and help students<br />

explore physical and spoken interpretational choices.<br />

• Exploring themes: particularly around citizenship, as it<br />

relates to Julius Caesar.<br />

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What happens at the<br />

end?<br />

Other resources/support<br />

Costs<br />

Teachers will be encouraged to try out and reflect on<br />

approaches and their suitability for their classrooms.<br />

All teachers will receive a comprehensive set of notes,<br />

summarizing approaches explored in the training day.<br />

£120 per teacher.<br />

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Southbank Centre: BAM and WOW Schohayleyols<br />

Days<br />

Southbank Centre is a world-famous, multi-venue arts<br />

centre in London, with a dynamic year-round festivals<br />

programme and an inclusive ethos. Southbank Centre is<br />

the UK’s largest arts centre, founded with the Festival of<br />

Britain in 1951. It’s a place where people experience<br />

world-class art and culture that stimulates, inspires,<br />

educates and amazes. Our festival programme<br />

encompasses art, theatre, dance, classical and<br />

contemporary music, literature and debate. Our<br />

educational and participatory programmes use culture as<br />

a way to inspire learning, understanding and tolerance.<br />

We are offering the following two opportunities:<br />

BAM Festival: Man Up! Schools Day<br />

Friday 24 November <strong>2017</strong>, 10:00 – 14:30<br />

The ‘Being A Man’ festival addresses the challenges and<br />

pressures of masculine identity in the 21st century. This<br />

event is a Schools Day for 150 young men from<br />

Secondary schools to engage with the themes of this<br />

festival through creative workshops, mentoring, meeting<br />

amazing artists and engaging in talks/discussions.<br />

BAM explores the shifting frontiers of masculinity – and<br />

how it will affect us all. BAM provides insights into the<br />

challenges men and boys face on subjects ranging from<br />

education, prison, grooming and everything in between,<br />

with guests from charities, industry, government and<br />

community initiatives. Schools can bring a maximum of<br />

15 pupils. We can accommodate a maximum of 3<br />

<strong>Thurrock</strong> Schools. These will be allocated on a first come<br />

first serve basis, via the <strong>Thurrock</strong> <strong>Trailblazer</strong> programme<br />

selection application.<br />

International Day of the Girl, Wednesday 11 October<br />

<strong>2017</strong>, 07:30 – 15:00.<br />

Southbank Centre invites 1 teacher and 8 female<br />

students (aged 11 - 18) to join us for International Day of<br />

the Girl, a special day highlighting the amazing<br />

achievements of women and girls across the world and<br />

calling for gender equality. This event caters for 300 -<br />

500 girls. The morning kicks off with speed mentoring on<br />

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the London Eye, followed by a full day of creative<br />

workshops, talks and performances. We can<br />

accommodate a maximum of 3 <strong>Thurrock</strong> Schools. These<br />

will be allocated on a first come first serve basis, via the<br />

<strong>Thurrock</strong> <strong>Trailblazer</strong> programme selection application.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

A day for schools, which involves participation in 3-5 different<br />

creative activities.<br />

Suitable for Secondary and College students.<br />

An informed understanding of Gender equality. Personal<br />

empowerment.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Once booking is made, teachers should support students to<br />

prepare for attendance. Teachers should fully engage with<br />

activities on the day.<br />

Activities for students are also an opportunity for teacher<br />

CPD.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom.<br />

Teachers will be provided with a Speed Mentoring resource<br />

pack to be used within school to ensure pupils are able to<br />

make the most of the mentoring experience.<br />

£4 per ticket.<br />

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Studio Wayne McGregor Workshops<br />

Studio Wayne McGregor offer workshops, which<br />

expose and reflect the processes of Wayne McGregor<br />

during the creation of his work. Workshops are led by<br />

a member of the Learning team or a Company Dancer,<br />

including a dynamic warm-up and the delivery of<br />

creative tasks, tailored to suit any ability and<br />

experience. Bespoke projects can be developed in<br />

partnership to meet curriculum requirements, to<br />

create work for performances or to meet other<br />

development objectives. Studio Wayne McGregor<br />

have produced a choreographic resource, called Mind<br />

and Movement, for Teachers that delivers a set of<br />

choreographic tools to develop movement material<br />

from a range of imagery (visual, acoustic,<br />

kinaesthetic). Workshops introducing and supporting<br />

the resource can be delivered to students KS3 and<br />

above or as a CPD for teachers.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Workshops or bespoke projects can be delivered at any<br />

time throughout the school year, dependent on<br />

availability. They can vary in length from a weeklong<br />

residency or weekly sessions over an extended period of<br />

time. Bespoke projects can be delivered during<br />

curriculum time, after school or during school holidays.<br />

Suitable particularly for KS3 & KS4. Workshops are<br />

usually limited to a maximum of 30 students. Suitable for<br />

any level of dance experience.<br />

Learning outcomes centre around the development of:<br />

Physical skills such as co-ordination, agility and balance.<br />

Creativity skills such as responding to stimuli, problem<br />

solving and physical thinking. Interpersonal and<br />

transferable skills such as communication, collaboration,<br />

confidence and trust. Workshops, bespoke projects or<br />

CPD can be developed to meet curriculum criteria across<br />

the key stages and GCSE/BTEC/A Level specs.<br />

Specific curricular outcomes:<br />

KS3: perform dances using advanced dance techniques in<br />

a range of dance styles and forms.<br />

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GCSE: creative and imaginative response to a range of<br />

stimuli, use of imagination, problem solving, creativity<br />

and the synthesis of ideas.<br />

Workshops at GCSE level will complement the Infra<br />

workshops by the Royal Ballet, through exposing<br />

McGregor’s choreographic techniques and movement<br />

style.<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Workshops are either a half day (up to three hours) or a<br />

full day (up to six hours). Teachers are expected to be<br />

present and engaged throughout the session and to<br />

complete evaluation forms following. We also ask that<br />

teachers undertake a level of preparation with students<br />

to give a context to the workshop, e.g, showing videos of<br />

Wayne’s work (links can be provided on request).<br />

Bespoke projects would require a larger time<br />

commitment as they would be co-designed between the<br />

school and Studio Wayne McGregor.<br />

INSET training can be offered for teachers focused on<br />

Studio Wayne McGregor’s creative practice and<br />

supported by the Mind and Movement choreographic<br />

resource (available to purchase).<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

We can provide lesson plans, follow up and development<br />

tasks for teachers as well as an exclusive discounted offer<br />

for our choreographic resource, Mind and Movement.<br />

Workshops costs:<br />

£300 for a half day<br />

£480 for a full day.<br />

Bespoke project budgets would be formulated<br />

accordingly.<br />

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V&A: Shakespeare in a Suitcase Workshops<br />

The Victoria & Albert Museum (V&A), offer a wide<br />

range of practical workshops, exhibition visits, events,<br />

screenings and projects for pupils aged from Foundation<br />

Stage to Key Stage 5. Our focus is on the collections and<br />

galleries of the V&A and, as the leading museum of art,<br />

design and performance, our main curriculum focus is<br />

on these three areas, though our Secondary offer is<br />

particularly rich in links to English, history and R.E. We<br />

would be happy to meet with interested schools who<br />

might like to know more about our learning offer.<br />

‘Shakespeare in a Suitcase’ is a project which, in the first<br />

session, takes place at the V&A. Students are introduced<br />

to the galleries of the V&A in which the playwright is<br />

included (paintings, theatre and performance, jewellery<br />

etc).<br />

This session also includes an hour-long practical intro to<br />

using objects to help inspire performance. The group<br />

will then work on their own devised pieces in response<br />

to either a Shakespeare play, story or character: it’s<br />

their choice.<br />

The school will receive a visit by a V&A staff member at<br />

a mid-point in the project to help shape the work<br />

further and the school will have the option of<br />

performing their final piece in a gallery of the V&A, if<br />

they wish to, to an audience of the general public. Any<br />

props/costume must fit into a standard-size family<br />

suitcase.<br />

Format/Dates<br />

Suitability<br />

The intro session is approx. 2 hours long. (One hour<br />

tour, one hour practical.) Dates to be confirmed with<br />

the school. Ideally, the intro session should take place<br />

between September and December. The final<br />

performances at the V&A could take place mid-April,<br />

though we are open to negotiation.<br />

Groups of up to 30 students, KS3 and above.<br />

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Learning<br />

outcomes<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

• An enhanced appreciation of the importance and<br />

influence of Shakespeare on the wider world of art<br />

and culture.<br />

• Increased proficiency in devising skills.<br />

• Practical experience of using Shakespeare’s<br />

language to communicate to an audience.<br />

• Experience of performing in non-theatre spaces<br />

(V&A).<br />

• Increased confidence and enjoyment in speaking<br />

and listening.<br />

• Developed group work skills.<br />

Attendance at the sessions. Time in school should be<br />

given over to the exploration of material and rehearsal<br />

process. Where possible, we suggest this is integrated<br />

into any existing Shakespeare study or scheme of work.<br />

Activities for students are also an opportunity for<br />

teacher CPD. <strong>Cultural</strong> partners will work closely with<br />

teachers to ensure their own learning objectives are<br />

achieved.<br />

Teachers are encouraged to take the learning from any<br />

activity back into the classroom, using the resources<br />

provided.<br />

Session plans can be provided. Gallery tours of the<br />

Theatre and Performance gallery can also enhance the<br />

study of Shakespeare.<br />

The V&A also have a rich source of material linked to<br />

the playwright and his work online.<br />

The Museum also has the National Video Archive of<br />

Performance (NVAP) which comprises of some 400 live<br />

recordings of shows. Many of Shakespeare’s plays are<br />

represented and can be viewed by groups at the V&A<br />

free of charge.<br />

Costs<br />

Each intro session costs £150 per group.<br />

Follow-up sessions at school are FREE.<br />

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Post-16-specific Offers<br />

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POST-16<br />

Royal Opera House: Design Challenge (FE)<br />

The Royal Opera House’s world class opera and<br />

ballet productions are brought to life on its worldfamous<br />

Covent Garden stage through the amazing<br />

work of designers, artists and craft makers who<br />

create and manufacture the sets and costumes for<br />

the productions. The annual Design Challenge (FE)<br />

competition gives students, from institutions UKwide,<br />

the opportunity to test and develop their<br />

marketing, production and design skills, based<br />

around an opera or ballet production.<br />

Design Challenge (FE) is a design-focused project for<br />

KS5 students of Art, Art and Design, Design<br />

Technology, Business and Media Studies. The 17/18<br />

project uses Strauss’s opera Salome as a stimulus.<br />

Students will be set a professional brief by a real<br />

opera stage director to work towards in one of the<br />

following four areas:<br />

Costume Design<br />

Set Design<br />

Marketing Design and Strategy<br />

Hair, Wigs and Make-up Design.<br />

The project will provide students with a real and<br />

practical insight into the world of set and costume<br />

designers, makers and graphic designers. It will open<br />

their eyes to the skills required for a career in<br />

backstage theatre crafts or graphic design, develop<br />

their own skills set and extend their learning from<br />

school to a professional context. Teachers will attend<br />

a CPD day where they will be taken through the<br />

structure of the project and given access to all the<br />

resources accompanying the project. The project will<br />

be teacher-led, thus offering exciting skills<br />

development for teachers in the relevant subject<br />

areas.<br />

Format/Dates<br />

CPD: Thursday 07 September <strong>2017</strong>, 10:00-14:00, High<br />

House Production Park.<br />

In School Judging deadline: Friday 12 January <strong>2018</strong>.<br />

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POST-16<br />

Finalists’ online submission deadline: Friday 19 January,<br />

<strong>2018</strong><br />

Winners announcement: Friday 26 January <strong>2018</strong>.<br />

The winners of each category will be invited to exhibit<br />

their work at the V&A on Friday 09 February <strong>2018</strong>.<br />

Suitability<br />

Learning outcomes<br />

AS/ A Level Teachers of:<br />

Art<br />

Art and Design<br />

Design Technology<br />

Business Studies<br />

Media Studies<br />

Graphic Design<br />

And any other equivalent course relatable to the four<br />

categories.<br />

The students develop skills in:<br />

• Designing to a brief.<br />

• Designing for character.<br />

• Practical application and functionality of materials.<br />

• Working to scale.<br />

• Independent research and producing a body of work<br />

in portfolio format.<br />

• Planning and strategizing.<br />

• Presentation (if taking part in the competition).<br />

The project links to the curriculum for:<br />

• A-Level (or BTEC). <br />

• Art <br />

• Art and Design <br />

• Design Technology <br />

• Business Studies <br />

• Drama <br />

• Media Studies.<br />

Teacher commitment<br />

Teacher will lead the project in school with plans and<br />

resources provided and facilitate the various<br />

components.<br />

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POST-16<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

Schools are asked to submit their chosen shortlisted<br />

entries for the judging process by ROH artistic teams.<br />

Shortlisted entries will be displayed on the ROH Design<br />

Challenge online gallery. The overall winners from the<br />

four categories will have their designs displayed at the<br />

V&A as part of their Opera: Passion, Power and Politics.<br />

Exhibition on Friday 09 February <strong>2018</strong>. Teachers are also<br />

encouraged to set up in-school exhibitions and sharing of<br />

the work.<br />

Access to films and other resources. Lesson plans<br />

following from CPD Day.<br />

FREE to take part in project.<br />

£155 for an optional 3-hour in-school workshop with a<br />

Royal Opera House design practitioner.<br />

Please note the V&A exhibition tour: Opera, Passion,<br />

Power and Politics and an ROH schools tour of HHPP will<br />

also compliment the offer.<br />

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SEN-specific Offers<br />

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SEN<br />

English Touring Opera: In-school Performance<br />

English Touring Opera is the leading touring opera<br />

company in the UK. ETO travels to more regions and<br />

venues than any other English opera company. Their<br />

work includes commissioned opera pieces especially for<br />

young people, and the ETO will return to <strong>Thurrock</strong> for a<br />

new opera especially designed for children with SEN<br />

needs called This is My Bed. This is My Bed takes us<br />

from the safety of ours beds to the dangers that lurk<br />

underneath, and what happens when the bed takes us<br />

on journeys out of the bedroom, along the street, to the<br />

mysterious world far from home. It turns out the<br />

wooden bed has a past, and is itself trying to return to<br />

the distant place it first came from. There will be a Q&A<br />

at the end of the performance.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Teacher commitment<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Costs<br />

The 60-minute performance will run on a date to be confirmed<br />

with the school.<br />

Suitable for SEND audiences of 50-60 maximum.<br />

Music, Drama and Literacy.<br />

Liasing with ETO to organise the performance. Please account<br />

for time for the stage to be set up and parking allocation for<br />

our van.<br />

Activities for students are also an opportunity for teacher CPD.<br />

<strong>Cultural</strong> partners will work closely with teachers to ensure<br />

their own learning objectives are achieved.<br />

Teachers are encouraged to take the learning from any activity<br />

back into the classroom.<br />

The performance acts as a practical learning resource.<br />

£350 per school performance.<br />

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SEN<br />

V&A: SEN & Disability Programme<br />

Multi-sensory and interactive, the Victoria & Albert<br />

Museum (V&A) sessions for students with special<br />

educational needs are based around some of the most<br />

popular objects in the collections and encourage<br />

exploration through hands-on tactile objects and<br />

activities.<br />

Session themes include: Tipu’s Tiger, the Mantua<br />

Court Dress, Chinese Dragon Robes, Japanese Suits of<br />

Armour, the Bear & Boar Tapestry and Iranian Picnic<br />

Tiles.<br />

For museum visits, we can arrange a separate quiet<br />

space for lunch and specialist changing facilities if<br />

required or we can come out and deliver the session<br />

at the school or specialist unit.<br />

Format/Dates<br />

Suitability<br />

Learning outcomes<br />

Teacher commitment<br />

We offer three dates per term (normally on a Thursday<br />

or Friday) and sessions run from 10:30 - 14:30 depending<br />

on the needs of the group. The workshops can take place<br />

in school also.<br />

Groups of up to 10 students, depending on the needs of<br />

the group. Foundation Stage – KS5.<br />

The learning outcomes vary but one of the main ones for<br />

a lot of the children who take part in these sessions in<br />

the experience of being out of school and visiting a<br />

museum, exploring a public space. In the session,<br />

children have the chance to develop their understanding<br />

of an artwork or artefact through a range of multisensory<br />

resources. They can also develop art and design skills in<br />

the making session.<br />

Co-ordinating with the V&A Schools Team to arrange a<br />

date for a pre-visit, in order for our facilitator to<br />

understand the needs of the group. Attendance during<br />

the session and the organisation of support staff.<br />

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SEN<br />

Teacher Training<br />

What happens at the<br />

end?<br />

Other<br />

resources/support<br />

Activities for students are also an opportunity for teacher<br />

CPD. <strong>Cultural</strong> Partners will work closely with teachers to<br />

ensure their own learning objectives are achieved.<br />

The sessions all include a practical element in which the<br />

students can develop their practical making skills.<br />

Sometimes this forms part of a collaborative group<br />

artwork, and at other times the students work<br />

individually.<br />

Session plans can be provided. The V&A also have a rich<br />

source of material online which teachers can access<br />

before or after a visit.<br />

There is also a bank of teachers’ resources.<br />

Costs<br />

FREE.<br />

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