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Issue 77 / May 2017

May 2017 issue of Bido Lito! magazine. Featuring: PIXEY, FOREST SWORDS, THUNDERCAT, DJ JAZZY JEFF, EDGAR JONES, THE SUNDOWNERS and much more.

May 2017 issue of Bido Lito! magazine. Featuring: PIXEY, FOREST SWORDS, THUNDERCAT, DJ JAZZY JEFF, EDGAR JONES, THE SUNDOWNERS and much more.

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SAY<br />

THE FINAL<br />

Photo by John Johnson<br />

As we watch our treasured<br />

punk icons melt into<br />

establishment figures, Labour<br />

MP for Wirral South ALISON<br />

MCGOVERN muses on the<br />

nature of being an outsider:<br />

that it may be cool to be a<br />

rebel for a while, but to effect<br />

real change we all need to be<br />

on the inside.<br />

“Today’s rebel<br />

is tomorrow’s<br />

establishment<br />

figure”<br />

Liverpool is a rebel city, right?<br />

We are not like the rest of England, and we turn our<br />

back on the country, and look out towards the Atlantic,<br />

right? Part of our self-image on Merseyside is surely our<br />

radical, uncompromising nature. We stand apart. We take battles<br />

on. We won’t be told. We are contrary. Gobby. Up for a fight.<br />

Right?<br />

Culturally, being a rebel is great thing to be. In music,<br />

film, art, sport even, being a rebel is synonymous with<br />

being original. Rebelling means doing things differently. It<br />

means critically – furiously, even – taking on the accepted<br />

way that things are. In politics too, my Merseyside heart is<br />

rebellious. Getting into politics to change how the work gets<br />

done, not just to be the one who does it. Not just playing the<br />

political game. Ripping up the bad rules; making new rules.<br />

And our Liverpool rebel hearts have served us well. No one<br />

thought that the public would love mad, yellow half-lamb-halfbanana<br />

art, until we showed it could be done. We take on lost<br />

causes, and make a virtue of the disdain with which the rest of<br />

the country has sometimes treated us.<br />

But here is a weird truth: today’s rebel is tomorrow’s<br />

establishment figure. The Beatles were rebels once. Their hair,<br />

their accents, the lyrics. It’s easy to forget it was once all very<br />

controversial, even before John Lennon said they were more<br />

popular than Jesus. In the end, they have become the gospel<br />

truth of music. Those people who say they don’t actually like the<br />

Beatles? That’s just rebellion. Jazz was deeply controversial once<br />

too; now it is often middle of the road. The enfants terribles of<br />

punk ended up becoming national treasures. Madonna was once<br />

a rebellious young New Yorker, until one day, there she was in a<br />

hunting jacket and hanging out with top Tories.<br />

Why does this happen? Is it just age? Do you always grow<br />

out of rebellion?<br />

No, I don’t think so. Plenty of people come to rebel status<br />

later in life. Picasso was more rebellious as he went on, for<br />

example. Rather, it’s because in the end, a rebellion, to really<br />

change the world, needs wide acceptance. The unpopular view<br />

must become accepted wisdom. Once that happens, change<br />

is established. I am old enough to remember when the idea<br />

that two men or two women being married would have been<br />

shocking. Now, it is (in Britain, anyway) so uncontroversial that<br />

the legislation passed through our Parliament with support from<br />

all corners. Even the establishment Tories. Change happens<br />

because a minority view becomes majority consent.<br />

Therefore, even my rebel heart knows that to see the big<br />

change our society needs – an end to homelessness, more money<br />

in people’s pockets, power based on talent and hard work not<br />

family or connections – those of my political persuasion must<br />

be more than a sect. Even a noisy inconvenient faction can<br />

be ignored if they are just shouting from the sidelines, never<br />

imposing a view to influence the decision, just shouting for the<br />

sake of the din. Madonna, in the end, was able to change pop<br />

music not just because she was a rebel, but also because she<br />

was popular. She was followed.<br />

Though I’ll never forgive her for the hunting jacket.<br />

What’s more, being a rebel, staying outside the consensus,<br />

brings with it consequences. Rebellion is isolating. Liverpool’s<br />

outsider city status binds us together, but kept us misunderstood<br />

by others in Britain. How long has it taken to correct the<br />

misunderstanding heaped on our shoulders? So, it may be cool<br />

to be a rebel, but it can also be uncomfortable. Artists are often<br />

outsiders too. And they experience the pain that goes with it.<br />

That loneliness, I mean.<br />

Standing alone, with self-belief, may be one thing. But what<br />

about the equal value of being a cog in a larger machine? We all<br />

have that very human need to feel a part of something bigger<br />

than ourselves. We want to work together with others, not just<br />

dissent. Societies only function if, in the end, rebels row in with<br />

everyone else. People are entitled to fight their corner, to seek<br />

change, but permanent rebellion can never give enough of a<br />

permanent platform to stand on. To build from.<br />

So, in my mind, there is a sweet point somewhere between<br />

rebellion and creating structure – a system – that people can<br />

actually believe in, and use to their own advantage. Rebels who<br />

never try to change the consensus view are doomed to fail on<br />

their own terms. So that’s why I say to my fellow Merseysiders:<br />

us rebels can’t get stuck on the outside. We are entitled to be<br />

heard, and to change the establishment – just as anyone else is.<br />

54

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