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Viva Lewes Issue #128 May 2017

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THIS MONTH’S COVER ARTIST: RACHEL CLARK<br />

Cliffe Bridge, <strong>Lewes</strong><br />

This month’s cover was designed by artist and<br />

designer Rachel Clark. Despite being “a true<br />

<strong>Lewes</strong>ian”, growing up in <strong>Lewes</strong> and spending<br />

much of her time here, Rachel created this image<br />

of the almost-finished Depot Cinema from her<br />

second home in the Netherlands. “I’m so used to<br />

drawing on location,” she says, “I generally prefer<br />

it because you get more of a feel for a place. But<br />

on this occasion drawing from photos worked<br />

well.” The <strong>Viva</strong> team visited the site in late<br />

March to take some photographs of the building<br />

from different angles. “I did a couple of roughs;<br />

one was from the front of the cinema, which was<br />

more like the architects’ visuals and for the other,<br />

which I decided to develop into the final image, I<br />

referenced a photograph because I preferred the<br />

perspective.”<br />

Once Rachel had chosen which sketch to<br />

reference, she produced the image as a linocut. “I<br />

really enjoy linocut prints. The boldness of the<br />

medium is really eye-catching. You can linocut<br />

anywhere - if you work small you can even print<br />

at home. It’s nice trying out different approaches<br />

too: different printing techniques have different<br />

merits and you get different effects. I like<br />

screen printing, lithography, and etching - I’ve<br />

been doing some non-toxic etching recently<br />

(without acid or chemicals so it’s better for the<br />

environment) and you get exciting effects. These<br />

correspond more with my drawings which I post<br />

regularly on my website blog and on Instagram.”<br />

The majority of Rachel’s work is in children’s<br />

book design. She spent years working for<br />

Random House in London before going<br />

freelance. “I’ve always worked in publishing and<br />

specialised in children’s book design. I really<br />

enjoy collaborating with other people - with<br />

illustrators and editors in particular. When I was<br />

8

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