Jul 2016
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
J&J launch HydraLuxe<br />
Johnson & Johnson Vision Care launched its<br />
new contact lens, Acuvue Oasys 1-Day with<br />
HydraLuxe technology at a series of events in<br />
Australia and Auckland in May.<br />
The Auckland event at the Tamaki Yacht Club<br />
on 25 May was the last on the roadshow, which<br />
featured three speakers: Dr Emma Gillies, J&J’s<br />
professional affairs manager; keynote speaker Dr<br />
Brian Pall, senior principal research optometrist<br />
at J&J in Jacksonville, Florida; and our own Alan<br />
Saks, NZ Optics columnist on all things CL and<br />
optometrist with Mortimer Hirst in Auckland.<br />
Canapes and drinks and a couple of CPD points<br />
added to the warm and welcoming atmosphere<br />
as the speakers addressed a group of about 45 eye<br />
care professionals.<br />
Sean McKiernan, J&J’s national key account<br />
manager ANZ, kicked off proceedings mentioning<br />
the problems the CL industry has faced over the last<br />
decade and how J&J hopes its new HydraLuxe lens<br />
will change all that. “We can’t change everything,<br />
but what we can do is start the journey to try and<br />
get you to fall in love with contact lenses again.”<br />
McKiernan pointed out that increasing the love<br />
affair with CLs for patients could dramatically<br />
effect an optometrist’s bottomline. In the UK, on<br />
average, contact lens revenue represents 25% of<br />
an optometrist’s total optical sales, whereas in<br />
Australia and New Zealand it’s only 5%. “So there’s<br />
really an opportunity for all of us,” said McKiernan.<br />
Key to building up this revenue is stopping people<br />
exiting the category, he said. In 2015, 302,000 new<br />
wearers entered the CL category in Australia and<br />
New Zealand, but 229,000 dropped out. One way to<br />
keep new wearers is new products, said McKiernan.<br />
Dr Gillies started her talk stating that the new<br />
HydraLuxe lens is not Oasys mass produced. She<br />
continued the theme of dropout by quoting a UK<br />
study showing the main cause of dropout for new<br />
wearers was dry eyes and discomfort. To tackle this<br />
J&J commissioned a quantitative study of soft CL<br />
wearers to better understand the lens-wearing<br />
experience throughout the day; research that<br />
focused J&J on the tear film and thus helped them<br />
develop the HydraLuxe technology, she said.<br />
Before tackling the science behind the technology,<br />
an obviously passionate Dr Pall said the most<br />
important thing the audience could do is to try the<br />
lens for themselves. The technology is so good it can<br />
speak for itself, he said.<br />
As for the science, Dr Pall explained how the new<br />
lens is an innovative new daily disposable silicone<br />
hydrogel that’s designed to work with the key<br />
components of the natural tear film to lubricate and<br />
Obituary: Denis Kennemore<br />
BY JOHN BILLINGS<br />
It is with great sadness that I report the passing<br />
of a friend and well-known character in the New<br />
Zealand optical industry; Denis Kennemore. He<br />
passed away peacefully at home, aged 83 years,<br />
early Monday morning on 30 May.<br />
Denis was born 1933 in Sydney. In 1948 he began<br />
his working career at North Shore Gas Company<br />
as a sheet metal worker but he soon moved on to<br />
become an optical mechanic starting a five-year<br />
apprenticeship with AG Thomson and Sons.<br />
Denis left soon after completing his apprenticeship<br />
to join Geddes as an optical technician where his<br />
skills at fitting glass rimless frames stood him in<br />
good stead and he was there until 1956 (apart from<br />
1948 to 1952 when he did his National Service in<br />
the Navy).<br />
1956 brought the Melbourne Olympics and<br />
being an ardent sports fan he wanted to go, so<br />
resigned from Geddes. To fund the visit he went to<br />
Melbourne and got a job glazing sunglasses. After<br />
the Olympics he drove back to Sydney looking for<br />
work, but nobody wanted an optical technician, so<br />
he took a job painting the bottom of boats.<br />
His next move was to join OPSM where he worked<br />
in the lab. Knowing they were looking for smart<br />
people to train in optical dispensing and wanting to<br />
get on, he wore a shirt and tie to work. Eventually<br />
this paid off and they asked him to train as an<br />
optical dispenser in a store in downtown Sydney.<br />
Shortly afterwards he was transferred as assistant<br />
manager to Tamworth, a move not entirely with<br />
his agreement but that would have life changing<br />
consequences as it was here that he met Enid, the<br />
lady who would later become his wife, lifetime<br />
friend and, towards the end of his life, his intimate<br />
carer. Always the keen sportsman, Denis played<br />
rugby league here for a year but gave it up as, in his<br />
words, “the ground was too hard!!”<br />
Dr Brian Pall, Aki Gokul, Dr Emma Gillies and Alan Saks<br />
Jenny Ogier and Cliff Harrison<br />
moisturise the lens and support the patient’s tear<br />
film during lens wear, thus minimising friction from<br />
blinking and dryness.<br />
In an article written and circulated by Dr Gillies,<br />
the technology is described as “an enhanced<br />
moisture network with increased covalent bonding<br />
designed to further reduce the adhesiveness of the<br />
lens to better mimic the eye’s own mucins.”<br />
As well as explaining the science Pall also<br />
presented the clinical evidence showing that in a<br />
J&J study, twice as many wearers preferred the new<br />
HydraLuxe lens compared with another leading<br />
daily lens. “We think it’s a game changer. We hope<br />
you will continue to be as surprised as we are.”<br />
Alan Saks took a more personal approach to the<br />
new lens, sharing some particularly difficult CL<br />
patient case studies and explaining what happened<br />
when he decided to trial the new HydraLuxe lens on<br />
them. All fell instantly in love with the new lenses,<br />
he said, and most also experienced some degree of<br />
improved vision. “It’s my first choice for new and<br />
existing wearers,” he said simply.<br />
“And you never get a second chance to make a<br />
good first impression,” summarised Dr Gillies. ▀<br />
After marrying at<br />
Christmas in 1960,<br />
Denis and Enid<br />
moved to Wellington<br />
for a three-year<br />
stint. However, an<br />
opportunity with Optical Prescription Spectacle<br />
Makers NZ arose, and Denis purchased 51% of<br />
the business. Denis and Enid were to stay in<br />
New Zealand.<br />
In <strong>Jul</strong>y 1961 ADONZ was formed by eight<br />
founding members, including Denis. A key<br />
milestone was the success he achieved through<br />
tough negotiations for the exclusive use of the<br />
title “dispensing optician” by people registered<br />
under the new opticians Act of 1977. Denis was<br />
the first dispensing optician to be appointed by<br />
the Board and the first registered DO in New<br />
Zealand holding the registration number 61-<br />
00001, a fact of which he was extremely proud.<br />
In 1982 he owned a store in Capital on the Quay<br />
where he showed forward thinking by being one<br />
of the first practices to display frames rather than<br />
having them in drawers. In 1988 Denis was elected<br />
a Life Member of ADONZ. In 1990 Denis was the<br />
first DO to employ an optometrist and in November<br />
1990 opened another store in Porirua.<br />
Unfortunately, in 1992 he began having health<br />
problems and in 1993 underwent heart surgery,<br />
which is where I came onto the scene. He brought<br />
me out from the UK to work for him as a DO in<br />
the Porirua store. Due to his ill health, he and Enid<br />
decided to sell the business and in November 1994,<br />
OPSM Australia purchased Optical Prescription<br />
Spectacle Makers NZ.<br />
On their retirement Denis and Enid established<br />
the Kennemore Education Fund. This fund<br />
was initially established to support struggling<br />
Ahead of the game<br />
Style-Eyes<br />
It was 1995 when I got my first pair of<br />
glasses and I don’t recall a single pair seeming<br />
fashionable. ‘Geek chic’ was yet to become a<br />
trend and bespectacled teenagers around the<br />
country were all given the same nickname of<br />
‘nerd’. The only recollection I have of anyone<br />
wearing glasses as a fashion item was Lisa<br />
Loeb’s tortoiseshell cat eye frames in her 1994<br />
music video for ‘Stay’.<br />
I chose my very first pair because they<br />
seemed handsome and well-made. They<br />
were light, round metal frames with subtle<br />
engraving. In <strong>2016</strong>, this exact style is finally in<br />
fashion. Is this proof of the theory that fashion<br />
is currently on a cycle of around twenty years?<br />
Maybe I was just ahead of my time!<br />
I never loved my first pair of glasses the way<br />
I love the frames I have owned since. I finally<br />
took inspiration from Lisa Loeb at the age of<br />
18 in 1998 and got a pair of retro-inspired<br />
tortoiseshell frames. Glasses became my<br />
‘thing’.<br />
After this, I made my way through several<br />
rectangular pairs that were very popular in the<br />
early 2000s. Forest green! Lilac! Wave patterns<br />
on the temples! Apart from the colours, there<br />
was nothing particularly interesting about<br />
them. I was yet to discover the delightful<br />
world of independent designers and deadstock<br />
vintage frames!<br />
My first foray into something slightly unusual<br />
were some Modo frames. I loved the temple<br />
position. They also had crystal temples with<br />
embedded glitter! These frames could not be<br />
worn to the pub, lest some clever intoxicated<br />
person insist I was wearing my glasses upside<br />
down and that they simply must try them on!<br />
This was just the beginning. I was hooked.<br />
Around the time I purchased the Modo frames,<br />
I decided to consult the internet for eyewear<br />
advice. It was 2008 and the independent<br />
fashion blog craze was well underway. You<br />
could find blogs about almost every fashion<br />
item, except eyewear. I had been making<br />
websites since I was a teenager in the late<br />
‘90s so, of course, I started my own and<br />
eyeheartglasses.com was born. I barely<br />
knew anything, except that I loved the look<br />
of eyewear and all of my friends and family<br />
consulted me if they needed a shopping buddy<br />
students in their education and Denis and Enid<br />
have been generous in their contributions every<br />
year since. In later years as the fund grew, it was<br />
able to support every New Zealand student DO<br />
with the purchase of their text books. While<br />
Denis retired from optics, he still kept a keen<br />
eye on what was happening, and after he lost<br />
the ability to read after several strokes, would<br />
get Enid to read him the NZ Optics magazine<br />
news articles. He retained his non-practising<br />
registration status right up until his death.<br />
Denis was not only involved with the optical<br />
industry, but he threw his heart and soul into<br />
everything he had an interest in, be that bowls, golf,<br />
horse racing or the local community. In 2014 Denis<br />
and Enid were recognised by the Porirua Mayor,<br />
being awarded a Mayoral Certificate of Recognition<br />
for voluntary services to their community<br />
Denis was a straight shooter, who told things as<br />
they were and didn’t suffer fools. Sometimes this<br />
came across as him being described by some as a<br />
“grumpy bugger” but beneath that was a heart of<br />
BY JO EATON<br />
for their new pair. I still had a lot to learn.<br />
My style evolved and I became bolder<br />
with my choices. Here, it was time to prove<br />
the twenty-year cycle wrong. In 2010, 30<br />
years after their initial release, I happened<br />
upon some geometric Cazal frames. They’re<br />
deadstock and were made in 1980! I spent<br />
many hours hunting this exact colourway on<br />
eBay and I think my perseverance was well<br />
worth it.<br />
My blog started to become recognised in<br />
the industry and I was sent glasses by a few<br />
companies. My favourite of these were sent by<br />
Patty Perreira of Barton Perreira fame. I loved<br />
these so much that they were my number one<br />
pair for over three years.<br />
I’ve tried everything since: independent<br />
brands, chain stores and vintage deadstock. I<br />
even experimented with cheap online stores,<br />
the results being mostly awful. The one<br />
exception was a Kam Dhillon pair from Clearly<br />
that I bought in 2011. They served me well for<br />
a while!<br />
During my overseas travels in 2014, I saw a<br />
job advertised back in Melbourne at just the<br />
kind of independent boutique I’d dreamed<br />
about working in. I explained that I had no<br />
optical experience. On my return, they gave<br />
me a month trial anyway. It turned out they<br />
needed someone fully qualified, so I didn’t get<br />
to continue. But I loved working there so much,<br />
that I decided to pack in my decade-long career<br />
in digital marketing, and study the Certificate<br />
IV in Optical Dispensing full time, at RMIT.<br />
What about my glasses these days? I<br />
alternate between a deadstock vintage pair<br />
of white 1980s Martin Wells frames from<br />
Australia and a geometric orange and gold pair<br />
from Austrian brand Andy Wolf, but I always<br />
keep my eyes peeled for future trends. I look<br />
forward to sharing my insights with you here. ▀<br />
* Jo Eaton is an optical dispensing student at RMIT.<br />
Originally from Wellington, Jo became interested in<br />
eyewear after discovering she was myopic at the age of<br />
14. In 2008, many years after deciding to make unusual<br />
glasses her ‘thing’, she founded eyewear fashion blog ‘Eye<br />
Heart Glasses’. When she’s not immersed in the world of<br />
spectacles, she works in digital marketing, DJs, volunteers<br />
for community radio and is a director of feminist music<br />
organisation LISTEN.<br />
gold and a generous nature of spirit - and often<br />
a cheeky little smile. If it is the mark of the man<br />
what a difference he makes to people’s lives, then<br />
Denis you were a very big man, as you touched the<br />
lives of many.<br />
On behalf of his family, I would like to thank those<br />
people from the optical industry who attended<br />
his funeral, DO’s (present and retired), the<br />
president and secretary of ADONZ, wholesalers,<br />
previous employees and board staff, it was much<br />
appreciated and would have touched Denis. On<br />
behalf of the industry, I pass on our condolences<br />
to loving wife, Enid, son Bruce (DO), daughter<br />
Gillian and family. May you take comfort from the<br />
fact that many share your grief at the loss of a<br />
great man.<br />
Denis has now hung up his PD ruler, and turned<br />
off the vert, but as always I am sure he is still<br />
keeping a watch over what is happening in the<br />
industry. Denis, you will be truly missed. May you<br />
rest in peace. ▀<br />
<strong>Jul</strong>y <strong>2016</strong><br />
NEW ZEALAND OPTICS<br />
19