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Jul 2016

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J&J launch HydraLuxe<br />

Johnson & Johnson Vision Care launched its<br />

new contact lens, Acuvue Oasys 1-Day with<br />

HydraLuxe technology at a series of events in<br />

Australia and Auckland in May.<br />

The Auckland event at the Tamaki Yacht Club<br />

on 25 May was the last on the roadshow, which<br />

featured three speakers: Dr Emma Gillies, J&J’s<br />

professional affairs manager; keynote speaker Dr<br />

Brian Pall, senior principal research optometrist<br />

at J&J in Jacksonville, Florida; and our own Alan<br />

Saks, NZ Optics columnist on all things CL and<br />

optometrist with Mortimer Hirst in Auckland.<br />

Canapes and drinks and a couple of CPD points<br />

added to the warm and welcoming atmosphere<br />

as the speakers addressed a group of about 45 eye<br />

care professionals.<br />

Sean McKiernan, J&J’s national key account<br />

manager ANZ, kicked off proceedings mentioning<br />

the problems the CL industry has faced over the last<br />

decade and how J&J hopes its new HydraLuxe lens<br />

will change all that. “We can’t change everything,<br />

but what we can do is start the journey to try and<br />

get you to fall in love with contact lenses again.”<br />

McKiernan pointed out that increasing the love<br />

affair with CLs for patients could dramatically<br />

effect an optometrist’s bottomline. In the UK, on<br />

average, contact lens revenue represents 25% of<br />

an optometrist’s total optical sales, whereas in<br />

Australia and New Zealand it’s only 5%. “So there’s<br />

really an opportunity for all of us,” said McKiernan.<br />

Key to building up this revenue is stopping people<br />

exiting the category, he said. In 2015, 302,000 new<br />

wearers entered the CL category in Australia and<br />

New Zealand, but 229,000 dropped out. One way to<br />

keep new wearers is new products, said McKiernan.<br />

Dr Gillies started her talk stating that the new<br />

HydraLuxe lens is not Oasys mass produced. She<br />

continued the theme of dropout by quoting a UK<br />

study showing the main cause of dropout for new<br />

wearers was dry eyes and discomfort. To tackle this<br />

J&J commissioned a quantitative study of soft CL<br />

wearers to better understand the lens-wearing<br />

experience throughout the day; research that<br />

focused J&J on the tear film and thus helped them<br />

develop the HydraLuxe technology, she said.<br />

Before tackling the science behind the technology,<br />

an obviously passionate Dr Pall said the most<br />

important thing the audience could do is to try the<br />

lens for themselves. The technology is so good it can<br />

speak for itself, he said.<br />

As for the science, Dr Pall explained how the new<br />

lens is an innovative new daily disposable silicone<br />

hydrogel that’s designed to work with the key<br />

components of the natural tear film to lubricate and<br />

Obituary: Denis Kennemore<br />

BY JOHN BILLINGS<br />

It is with great sadness that I report the passing<br />

of a friend and well-known character in the New<br />

Zealand optical industry; Denis Kennemore. He<br />

passed away peacefully at home, aged 83 years,<br />

early Monday morning on 30 May.<br />

Denis was born 1933 in Sydney. In 1948 he began<br />

his working career at North Shore Gas Company<br />

as a sheet metal worker but he soon moved on to<br />

become an optical mechanic starting a five-year<br />

apprenticeship with AG Thomson and Sons.<br />

Denis left soon after completing his apprenticeship<br />

to join Geddes as an optical technician where his<br />

skills at fitting glass rimless frames stood him in<br />

good stead and he was there until 1956 (apart from<br />

1948 to 1952 when he did his National Service in<br />

the Navy).<br />

1956 brought the Melbourne Olympics and<br />

being an ardent sports fan he wanted to go, so<br />

resigned from Geddes. To fund the visit he went to<br />

Melbourne and got a job glazing sunglasses. After<br />

the Olympics he drove back to Sydney looking for<br />

work, but nobody wanted an optical technician, so<br />

he took a job painting the bottom of boats.<br />

His next move was to join OPSM where he worked<br />

in the lab. Knowing they were looking for smart<br />

people to train in optical dispensing and wanting to<br />

get on, he wore a shirt and tie to work. Eventually<br />

this paid off and they asked him to train as an<br />

optical dispenser in a store in downtown Sydney.<br />

Shortly afterwards he was transferred as assistant<br />

manager to Tamworth, a move not entirely with<br />

his agreement but that would have life changing<br />

consequences as it was here that he met Enid, the<br />

lady who would later become his wife, lifetime<br />

friend and, towards the end of his life, his intimate<br />

carer. Always the keen sportsman, Denis played<br />

rugby league here for a year but gave it up as, in his<br />

words, “the ground was too hard!!”<br />

Dr Brian Pall, Aki Gokul, Dr Emma Gillies and Alan Saks<br />

Jenny Ogier and Cliff Harrison<br />

moisturise the lens and support the patient’s tear<br />

film during lens wear, thus minimising friction from<br />

blinking and dryness.<br />

In an article written and circulated by Dr Gillies,<br />

the technology is described as “an enhanced<br />

moisture network with increased covalent bonding<br />

designed to further reduce the adhesiveness of the<br />

lens to better mimic the eye’s own mucins.”<br />

As well as explaining the science Pall also<br />

presented the clinical evidence showing that in a<br />

J&J study, twice as many wearers preferred the new<br />

HydraLuxe lens compared with another leading<br />

daily lens. “We think it’s a game changer. We hope<br />

you will continue to be as surprised as we are.”<br />

Alan Saks took a more personal approach to the<br />

new lens, sharing some particularly difficult CL<br />

patient case studies and explaining what happened<br />

when he decided to trial the new HydraLuxe lens on<br />

them. All fell instantly in love with the new lenses,<br />

he said, and most also experienced some degree of<br />

improved vision. “It’s my first choice for new and<br />

existing wearers,” he said simply.<br />

“And you never get a second chance to make a<br />

good first impression,” summarised Dr Gillies. ▀<br />

After marrying at<br />

Christmas in 1960,<br />

Denis and Enid<br />

moved to Wellington<br />

for a three-year<br />

stint. However, an<br />

opportunity with Optical Prescription Spectacle<br />

Makers NZ arose, and Denis purchased 51% of<br />

the business. Denis and Enid were to stay in<br />

New Zealand.<br />

In <strong>Jul</strong>y 1961 ADONZ was formed by eight<br />

founding members, including Denis. A key<br />

milestone was the success he achieved through<br />

tough negotiations for the exclusive use of the<br />

title “dispensing optician” by people registered<br />

under the new opticians Act of 1977. Denis was<br />

the first dispensing optician to be appointed by<br />

the Board and the first registered DO in New<br />

Zealand holding the registration number 61-<br />

00001, a fact of which he was extremely proud.<br />

In 1982 he owned a store in Capital on the Quay<br />

where he showed forward thinking by being one<br />

of the first practices to display frames rather than<br />

having them in drawers. In 1988 Denis was elected<br />

a Life Member of ADONZ. In 1990 Denis was the<br />

first DO to employ an optometrist and in November<br />

1990 opened another store in Porirua.<br />

Unfortunately, in 1992 he began having health<br />

problems and in 1993 underwent heart surgery,<br />

which is where I came onto the scene. He brought<br />

me out from the UK to work for him as a DO in<br />

the Porirua store. Due to his ill health, he and Enid<br />

decided to sell the business and in November 1994,<br />

OPSM Australia purchased Optical Prescription<br />

Spectacle Makers NZ.<br />

On their retirement Denis and Enid established<br />

the Kennemore Education Fund. This fund<br />

was initially established to support struggling<br />

Ahead of the game<br />

Style-Eyes<br />

It was 1995 when I got my first pair of<br />

glasses and I don’t recall a single pair seeming<br />

fashionable. ‘Geek chic’ was yet to become a<br />

trend and bespectacled teenagers around the<br />

country were all given the same nickname of<br />

‘nerd’. The only recollection I have of anyone<br />

wearing glasses as a fashion item was Lisa<br />

Loeb’s tortoiseshell cat eye frames in her 1994<br />

music video for ‘Stay’.<br />

I chose my very first pair because they<br />

seemed handsome and well-made. They<br />

were light, round metal frames with subtle<br />

engraving. In <strong>2016</strong>, this exact style is finally in<br />

fashion. Is this proof of the theory that fashion<br />

is currently on a cycle of around twenty years?<br />

Maybe I was just ahead of my time!<br />

I never loved my first pair of glasses the way<br />

I love the frames I have owned since. I finally<br />

took inspiration from Lisa Loeb at the age of<br />

18 in 1998 and got a pair of retro-inspired<br />

tortoiseshell frames. Glasses became my<br />

‘thing’.<br />

After this, I made my way through several<br />

rectangular pairs that were very popular in the<br />

early 2000s. Forest green! Lilac! Wave patterns<br />

on the temples! Apart from the colours, there<br />

was nothing particularly interesting about<br />

them. I was yet to discover the delightful<br />

world of independent designers and deadstock<br />

vintage frames!<br />

My first foray into something slightly unusual<br />

were some Modo frames. I loved the temple<br />

position. They also had crystal temples with<br />

embedded glitter! These frames could not be<br />

worn to the pub, lest some clever intoxicated<br />

person insist I was wearing my glasses upside<br />

down and that they simply must try them on!<br />

This was just the beginning. I was hooked.<br />

Around the time I purchased the Modo frames,<br />

I decided to consult the internet for eyewear<br />

advice. It was 2008 and the independent<br />

fashion blog craze was well underway. You<br />

could find blogs about almost every fashion<br />

item, except eyewear. I had been making<br />

websites since I was a teenager in the late<br />

‘90s so, of course, I started my own and<br />

eyeheartglasses.com was born. I barely<br />

knew anything, except that I loved the look<br />

of eyewear and all of my friends and family<br />

consulted me if they needed a shopping buddy<br />

students in their education and Denis and Enid<br />

have been generous in their contributions every<br />

year since. In later years as the fund grew, it was<br />

able to support every New Zealand student DO<br />

with the purchase of their text books. While<br />

Denis retired from optics, he still kept a keen<br />

eye on what was happening, and after he lost<br />

the ability to read after several strokes, would<br />

get Enid to read him the NZ Optics magazine<br />

news articles. He retained his non-practising<br />

registration status right up until his death.<br />

Denis was not only involved with the optical<br />

industry, but he threw his heart and soul into<br />

everything he had an interest in, be that bowls, golf,<br />

horse racing or the local community. In 2014 Denis<br />

and Enid were recognised by the Porirua Mayor,<br />

being awarded a Mayoral Certificate of Recognition<br />

for voluntary services to their community<br />

Denis was a straight shooter, who told things as<br />

they were and didn’t suffer fools. Sometimes this<br />

came across as him being described by some as a<br />

“grumpy bugger” but beneath that was a heart of<br />

BY JO EATON<br />

for their new pair. I still had a lot to learn.<br />

My style evolved and I became bolder<br />

with my choices. Here, it was time to prove<br />

the twenty-year cycle wrong. In 2010, 30<br />

years after their initial release, I happened<br />

upon some geometric Cazal frames. They’re<br />

deadstock and were made in 1980! I spent<br />

many hours hunting this exact colourway on<br />

eBay and I think my perseverance was well<br />

worth it.<br />

My blog started to become recognised in<br />

the industry and I was sent glasses by a few<br />

companies. My favourite of these were sent by<br />

Patty Perreira of Barton Perreira fame. I loved<br />

these so much that they were my number one<br />

pair for over three years.<br />

I’ve tried everything since: independent<br />

brands, chain stores and vintage deadstock. I<br />

even experimented with cheap online stores,<br />

the results being mostly awful. The one<br />

exception was a Kam Dhillon pair from Clearly<br />

that I bought in 2011. They served me well for<br />

a while!<br />

During my overseas travels in 2014, I saw a<br />

job advertised back in Melbourne at just the<br />

kind of independent boutique I’d dreamed<br />

about working in. I explained that I had no<br />

optical experience. On my return, they gave<br />

me a month trial anyway. It turned out they<br />

needed someone fully qualified, so I didn’t get<br />

to continue. But I loved working there so much,<br />

that I decided to pack in my decade-long career<br />

in digital marketing, and study the Certificate<br />

IV in Optical Dispensing full time, at RMIT.<br />

What about my glasses these days? I<br />

alternate between a deadstock vintage pair<br />

of white 1980s Martin Wells frames from<br />

Australia and a geometric orange and gold pair<br />

from Austrian brand Andy Wolf, but I always<br />

keep my eyes peeled for future trends. I look<br />

forward to sharing my insights with you here. ▀<br />

* Jo Eaton is an optical dispensing student at RMIT.<br />

Originally from Wellington, Jo became interested in<br />

eyewear after discovering she was myopic at the age of<br />

14. In 2008, many years after deciding to make unusual<br />

glasses her ‘thing’, she founded eyewear fashion blog ‘Eye<br />

Heart Glasses’. When she’s not immersed in the world of<br />

spectacles, she works in digital marketing, DJs, volunteers<br />

for community radio and is a director of feminist music<br />

organisation LISTEN.<br />

gold and a generous nature of spirit - and often<br />

a cheeky little smile. If it is the mark of the man<br />

what a difference he makes to people’s lives, then<br />

Denis you were a very big man, as you touched the<br />

lives of many.<br />

On behalf of his family, I would like to thank those<br />

people from the optical industry who attended<br />

his funeral, DO’s (present and retired), the<br />

president and secretary of ADONZ, wholesalers,<br />

previous employees and board staff, it was much<br />

appreciated and would have touched Denis. On<br />

behalf of the industry, I pass on our condolences<br />

to loving wife, Enid, son Bruce (DO), daughter<br />

Gillian and family. May you take comfort from the<br />

fact that many share your grief at the loss of a<br />

great man.<br />

Denis has now hung up his PD ruler, and turned<br />

off the vert, but as always I am sure he is still<br />

keeping a watch over what is happening in the<br />

industry. Denis, you will be truly missed. May you<br />

rest in peace. ▀<br />

<strong>Jul</strong>y <strong>2016</strong><br />

NEW ZEALAND OPTICS<br />

19

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