Modern Tango World #8 (Moscow)
Moscow Special Features Magnolias on the Snow Andrey Klimovich 03 Milonga Chique Evgeny Morozow 10 The New Moscow Polina Yegurnova 14 Guide to Tango in Moscow 18 Sunset Tango Collages Denise Mumm 22 Interview with Jonathan Goldman Marco Buso 26 The Other Night at La Viruta Daniel Pereyra 31 Book Review: Tango Awareness Alexandru Eugen Cristea 34 Why There is so Little Dance in Dancing Tango Veronica Toumanova 35 New Tango Music Arndt Büssing 38 Tango Moves: Boleos (Voleos) Raymond Lauzzana 42 Letters to the Editor 46
Moscow Special Features
Magnolias on the Snow Andrey Klimovich 03
Milonga Chique Evgeny Morozow 10
The New Moscow Polina Yegurnova 14
Guide to Tango in Moscow 18
Sunset Tango Collages Denise Mumm 22
Interview with Jonathan Goldman Marco Buso 26
The Other Night at La Viruta Daniel Pereyra 31
Book Review: Tango Awareness Alexandru Eugen Cristea 34
Why There is so Little Dance in Dancing Tango Veronica Toumanova 35
New Tango Music Arndt Büssing 38
Tango Moves: Boleos (Voleos) Raymond Lauzzana 42
Letters to the Editor 46
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Knee Up/Stork (Rodilla/Cigüeña)<br />
Standing straight legged on supporting foot,<br />
with free foot against the supporting knee and<br />
toe pointed downward. This is an unled position<br />
that the follower may choose during an<br />
interlude in the music.<br />
Calesita with Boleo<br />
As the follower is rotated counter clockwise,<br />
supported on the right foot, the leader rapidly<br />
reverses direction causing the free leg to be<br />
flung out. This will only work if the follower’s<br />
free leg is not locked with the supporting foot.<br />
Round Fan (Planeo)<br />
The leader lowers the follower’s body so that<br />
the free leg is extended behind. The leader then<br />
rotates the follower on the standing leg, causing<br />
the leg to sweep the floor. The move is ended<br />
by the leader rising up and may be finished with<br />
a gancho or pasada.<br />
Double Round Fan (Planeo Doble)<br />
The partners dance in parallel reflection, both<br />
partners on the same foot. For example, if both<br />
dancers are standing on their left foot, as they<br />
simultaeneously extend their right foot back<br />
90° and then sweep the free leg as much as<br />
270° to close and collect. The dancers standing<br />
feet should standing on insteps. Depending on<br />
the stance, different finish results are produced<br />
- pasada, boleo, cuatro.<br />
— 47 —<br />
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