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The Tempest - Utah Shakespearean Festival

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10<br />

Shakespeare’s Language<br />

Many students—and adults for that matter—find Shakespeare difficult to read and hard<br />

to understand. <strong>The</strong>y accuse him of not speaking English and refuse to believe that ordinary<br />

people spoke the way his characters do. However, if you understand more about his language,<br />

it is easier to understand. One idea that may help to remember that his plays are written in<br />

two forms: prose and verse. In <strong>The</strong> <strong>Tempest</strong> prose and verse are both used extensively.<br />

Prose<br />

Prose is the form of speech used by common people in <strong>Shakespearean</strong> drama. <strong>The</strong>re is<br />

no rhythm or meter in the line. It is everyday language. Shakespeare’s audience would<br />

recognize the speech as their language. <strong>The</strong>se are characters such as murderers, servants,<br />

and porters. However, many important characters can speak in prose. <strong>The</strong> majority of <strong>The</strong><br />

Merry Wives of Windsor is written in prose because it deals with middle-class. Caliban speaks<br />

prose when he is conspiring with Stefano and Trinculo, but when Caliban speaks of the<br />

beauty of the island he speaks in verse.<br />

For example, these lines are in prose:<br />

Caliban Thou dost me yet but little hurt; thou wilt anon, I know it by thy<br />

trembling. Now Prosper works upon thee.<br />

Stephano Come on your ways. Open your mouth; here is that which will give<br />

language to you, cat. Open your mouth; this will shake your shaking,<br />

I can tell you, and that soundly. You cannot tell who’s your friend.<br />

Open your chaps again (2.2.79-86).<br />

And these lines are in verse:<br />

Caliban Be not afeard, the isle is full of noises,<br />

Sounds, and sweet airs, that give delight and hurt not.<br />

Sometimes a thousand twangling instruments<br />

Will hum about mine ears; and sometimes voices,<br />

That if I then had wak’d after long sleep,<br />

Will make me sleep again (3.2.135–140).<br />

In the first passage, Stephano is feeding Caliban wine in order to calm his fits. Caliban<br />

is explaining Prospero’s powers to Stephano and Trinculo. Because there is no rhyme or<br />

rhythm, and the text flows without concern of where the line ends on the page, we recognize<br />

the passage as prose. Consequently, we can tell that Caliban and the Stephano are commoners<br />

who speak the language of an Elizabethan audience member. In the second passage,<br />

Caliban speaks of the beauty of the island in verse.<br />

Verse<br />

<strong>The</strong> majority of Shakespeare’s plays are written in verse. A character who speaks in verse<br />

is a noble or a member of the upper class. Most of Shakespeare’s plays focused on these<br />

characters. <strong>The</strong> verse form he uses is blank verse. It contains no rhyme, but each line has an<br />

internal rhythm with a regular rhythmic pattern. <strong>The</strong> pattern most favored by Shakespeare<br />

is iambic pentameter. Iambic pentameter is defined as a ten-syllable line with the accent on<br />

every other syllable, beginning with the second one. <strong>The</strong> second line of this speech is the<br />

only line that follows strict iambic pentameter.<br />

For example:<br />

Prospero “You do look, my son, in a mov’d sort,<br />

As if you were dismay’d; be cheerful, sir.<br />

<strong>Utah</strong> <strong>Shakespearean</strong> <strong>Festival</strong><br />

351 West Center Street • Cedar City, <strong>Utah</strong> 84720 • 435-586-7880

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