12.12.2012 Views

THE DEATH OF DIONYSOS - ETD - Vanderbilt University

THE DEATH OF DIONYSOS - ETD - Vanderbilt University

THE DEATH OF DIONYSOS - ETD - Vanderbilt University

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

that his middle-class origins reduce his personal worth to specialized knowledge and<br />

skills, and to the bottom line of a balance sheet. Of middle-class merit Wilhelm<br />

complains, “‘[Der Bürger] soll einzelne Fähigkeiten ausbilden, um brauchbar zu werden,<br />

und es wird schon vorausgesetzt, daß in seinem Wesen keine Harmonie sei, noch sein<br />

dürfe, weil er, um sich auf eine Weise brauchbar zu machen, alles übrige vernachlässigen<br />

muß’” (291). [“‘(The burgher shall) develop() some of his capabilities in order to be<br />

useful, but without it ever being assumed that there is or ever can be a harmonious<br />

interplay of qualities in him, because in order to make himself useful in one direction, he<br />

has to disregard everything else’” (EAB 175).] What good is it, he wonders, to have<br />

material affairs under control, “‘wenn ich mit mir selber uneins bin?’” [“‘if I am at odds<br />

with myself?’”] (290; DWH). His fear, we see, is that vocational specialization will<br />

alienate him from himself.<br />

Wilhelm’s anxiety, that a conventional vocation will jeopardize his harmonious<br />

identity, may be traced to the middle-class separation of public and private life, a<br />

distinction virtually absent in the representative world of the aristocracy. 16 He fears that,<br />

amid the hustle and bustle of providing goods or services, his self will get neglected.<br />

What use is it to him if he manufactures good iron, he asks Werner, if his inner self is<br />

“‘voller Schlacken’” [“‘full of slag’”]? (289-90; EAB 174). He worries that his<br />

personality will get lost somewhere between production and consumption; that it needs<br />

conscious cultivation if he is to realize the Bildung (literally, formation) of his self or<br />

personality. His theatrical ambition has been fueled at this point in the novel by his recent<br />

16<br />

Jürgen Habermas has analyzed “bürgerliche Öffentlichkeit” [“burgher publicity”] and has shown<br />

how it distinguished itself from the “repräsentative Öffentlichkeit” [“representative publicity”] of<br />

the nobility. According to Habermas, this was due in part to the fact that the public life of the<br />

burgher was constituted in its relation to a private life, notably absent in the society of the court,<br />

and the exclusion of the same from public interest only signified its characteristic intimacy and<br />

ideality in middle-class consciousness. See Strukturwandel der Öffentlichkeit: Untersuchungen zu<br />

einer Kategorie der bürgerlichen Gesellchaft [The Structural Transformation of Publicity:<br />

Investigations into a Category of Burgher Society], 6<br />

11<br />

th ed. (Frankfurt a/M: Suhrkamp, 1999). See<br />

especially chapter 6, “Die bürgerliche Familie und die Institutionalisierung einer<br />

publikumsbezogenen Privatheit” [“The Burgher Family and the Institutionalization of a Public-<br />

Oriented Private Life”], pp. 107-16. Of the philosophical literature that comes under consideration<br />

in this study, Habermas’s analysis has unique relevance, as it includes a brief excursus treating<br />

Wilhelm Meisters Lehrjahre as a model of the competing visions of aristicratic vs. middle-class<br />

public life. See “Exkurs: Das Ende der repräsentativen Öffentlichkeit, illustrated am Beispiel<br />

Wilhelm Meister” [“Excursus: The End of Representative Publicity, Illustrated with the Example<br />

of Wilhelm Meister”], pp. 67-69.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!