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THE DEATH OF DIONYSOS - ETD - Vanderbilt University

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that Wilhelm lacks even into Book Eight. This would seem to suggest that those<br />

experiences that he has enjoyed, experiences of the heart and mind, might be ascribed to<br />

the subjective side of the cognitive equation. While the few instances of the word Subjekt<br />

in the novel offer no guidance in this regard, the correspondence of Goethe and his<br />

Kantian reader, Schiller, does not leave us empty-handed. Specifically it is a commentary<br />

made by Goethe on his writing of the Confessions that is of interest to us. He remarks that<br />

the entirety of what he calls the religious book of his novel is founded “auf der zartesten<br />

Verwechslung des Subjektiven und Objektiven” [“on the most delicate confusion of the<br />

subjective and the objective”], implying that what she perceives as the experience of her<br />

invisible Friend–an Other sensed by the soul–is in reality the experience of something<br />

within, and part of, her self. 32 Goethe goes on to say that the content of the Confessions<br />

refers to what both precedes and follows that book in the novel This key position and<br />

function of Book Six might be supposed to open the way for Wilhelm into the Tower,<br />

since the book that follows begins with Wilhelm’s journey to the family of the schöne<br />

Seele and closes with his gothic initiation into its secret society.<br />

But in fact, it is not until Book Eight that any reference is made to the saintly old<br />

maid or to her Confessions; and Wilhelm has entered the home, not of Lothario and his<br />

spiritual father, the Abbé, but of the Oheim and his priestly progeny, Natalie. Wilhelm<br />

smells the sacral air of the house almost as soon as he steps through the doorway. When<br />

he finds his Amazone in the Palladian mansion, he exclaims, “‘Es ist kein Haus, es ist ein<br />

Tempel, und Sie sind die würdige Priesterin’” (519). [“‘it isn’t a house, it’s a temple, and<br />

you are ist noble priestess’” (EAB 318).] Soon thereafter he mistakes a portrait of the<br />

schöne Seele for one of her niece, whereupon he confesses the influence of the aunt’s<br />

Confessions “‘auf [s]ein ganzes Leben’” [“‘on (his) whole life’”] (518; DWH). Even if<br />

one adjusts for his habitual enthusiasm, or for the lover’s wish to strike a sympathetic<br />

32 Goethe to Schiller: “Ich bekam Lust, das religiose Buch meines Romans auszuarbeiten; und da<br />

das Ganze auf den edelsten Täuschungen und auf der zartesten Verwechslung des Subjektiven und<br />

Objektiven beruht, so gehörte mehr Stimmung und Sammlung dazu als vielleicht zu einem andern<br />

Teile.” [“I had the desire to expand on the religious book of my novel; and since the whole of it is<br />

founded on the most delicate confusion of the subjective and objective, it required the right mood<br />

and more concentration than perhaps any other part.”] See the letter of March 18, 1795 (HA VII,<br />

624).<br />

27

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