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YOUR NEXT PERFORMANCE<br />

IS WORTH IT<br />

Bärenreiter<br />

The Musicians’ Choice<br />

U1: Entwurf<br />

folgt, nur Test<br />

The Programme<br />

New Publications<br />

Sheet Music<br />

2/<strong>2017</strong><br />

New Issue Title<br />

1 New Publications 2/<strong>2017</strong> · The Programme


Contents<br />

Piano / Harpsichord<br />

Beethoven: Sonatas for Pianoforte<br />

Sonata in E-flat major op. 81a. BA 11808...................3<br />

Grande Sonate in E-flat major op. 7. BA 11802............4<br />

Grande Sonate in A-flat major op. 26<br />

“Funeral March”. BA 11804................................................ 5<br />

Bach: Suites, Partitas, Sonatas transcribed for<br />

Harpsichord by Gustav Leonhardt. BA 11820.......... 6<br />

Mozart: Concerto in D major for Pianoforte and<br />

Orchestra “Coronation Concerto” K. 537.<br />

BA 10495-90.......................................................................7<br />

Hradecký: Two-Part Piano Miniatures on One Page.<br />

H 8034.................................................................................8<br />

Haydn: Late Piano Sonatas. BA 10804.............................33<br />

Solo Voice<br />

Dvořák: Gypsy Songs op. 55 for Voice and Piano.<br />

High Voice: BA 10431, Low Voice: BA 10432............22<br />

Schubert: Selected Opera Arias for Baritone.<br />

BA 5655..............................................................................23<br />

Study Scores<br />

Martinů: Nonet No. 2 H 374 for Flute, Oboe, Clarinet,<br />

Bassoon, Horn, Violin, Viola, Violoncello and<br />

Double Bass. TP 440..................................................... 24<br />

Dvořák: Concerto in A minor<br />

for Violin and Orchestra op. 53. TP 422...................25<br />

Contemporary Music.........................................26<br />

Bärenreiter Urtext Campaign.................10–11<br />

Strings<br />

Saint-Saëns: Sonate for Violoncello and Piano<br />

in D major. BA 10910...................................................... 9<br />

Sassmannshaus: Viola Recital Album, Volume 1:<br />

BA 8992, Volume 2: BA 8993................................. 12–13<br />

Rieding: Concerto in D major op. 36. BA 10697............. 14<br />

Bréval: Sonata in C major op. 40. BA 10698.................. 15<br />

Winds<br />

Debussy: Première Rhapsodie for Orchestra with<br />

Solo Clarinet in Bb. BA 7897 ...................................... 16<br />

Weinzierl, Wächter: Romantic Hits for two Flutes.<br />

BA 10643............................................................................17<br />

Choir<br />

Gounod: Messe solennelle (Ste Cécile).<br />

BA 8966............................................................................. 18<br />

Bärenreiter Album of Opera Choruses<br />

for mixed choir. BA 6924.............................................19<br />

Georg Philipp Telemann<br />

Selected Works for the Telemann Year <strong>2017</strong>..........20–21<br />

Facsimiles<br />

Wollny (Editor): Johann Sebastian Bach<br />

“O Ewigkeit, du Donnerwort” BWV 20.<br />

ISBN 978-3-7618-2447-4................................................27<br />

Berlioz: Symphonie fantastique op. 14.<br />

ISBN 978-3-7618-1601-1.......................................... 28–29<br />

Complete Editions.................................................30<br />

Opera<br />

Monteverdi: L'incoronazione di Poppea.<br />

BA 8792.............................................................................. 31<br />

Orchestra<br />

Debussy: Première Rhapsodie for Orchestra with<br />

Solo Clarinet in Bb. BA 7897 ...................................... 16<br />

Smetana: Šárka. Symphonic Poem for Orchestra.<br />

BA 11532..............................................................................32<br />

Haydn: Symphony in C major Hob. I: 90.<br />

BA 10981............................................................................33<br />

MGG Online...........................................................34–35<br />

Your Contacts............................................................. 36<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 2


Piano<br />

New Beethoven publications:<br />

Virtuoso Piano Sonatas<br />

Jonathan Del Mar, the worldwide authority and acclaimed<br />

specialist on Beethoven, is editing all of this composer's piano<br />

sonatas in Bärenreiter Urtext editions, incorporating the latest<br />

findings of Beethoven scholarship and evaluating every available<br />

source. Del Mar's meticulous examination of the handwritten<br />

and printed sources as well as the various impressions of prints<br />

published in Beethoven’s lifetime lead to a reliable and conclusive<br />

musical text. Rounding off each volume is a Critical Commentary<br />

which documents every source discrepancy and editorial decision.<br />

These editions contain an elegant and spacious engraving with<br />

practical page turns as well as informative Introductions on the<br />

genesis and significance of the works concerned. Also included<br />

are notes on key period performance practice questions such as<br />

the use of pedalling, embellishments, tempo and articulation.<br />

• Evaluation of every available source<br />

• Elegant and well-presented layout<br />

• Practical pageturns<br />

• Detailed Introductions (Eng/Ger)<br />

• Notes on period performance practice (Eng/Ger)<br />

• Detailed Critical Commentary (Eng)<br />

Composed in 1809–10, Beethoven’s Sonata op. 81a expresses his very<br />

personal feelings. He titled its three movements “Das Lebe wohl” (The<br />

Farewell), “Die Abwesenheit” (The Absence) and “Das Wiedersehn”<br />

(The Return) in reference to the hasty departure of his good friend<br />

and patron Archduke Rudolph of Austria who fled Vienna with the<br />

imperial family on 4 May 1809 to escape Napoleon’s approaching<br />

troops.<br />

Ludwig van Beethoven:<br />

Sonata in E-flat major<br />

for Pianoforte op. 81a<br />

“Les Adieux”<br />

BÄRENREITER URTEXT<br />

Edited by Jonathan Del Mar<br />

With an Introduction by Misha Donat<br />

and notes on performance practice<br />

by Jonathan Del Mar and<br />

Misha Donat<br />

BA 11808 · approx. € 7.95<br />

To appear in October <strong>2017</strong><br />

Beethoven referred to op. 81a as a “characteristic sonata”, not in the<br />

sense that it had an underlying programme, but because it lent<br />

musical expression to his feelings. He reacted angrily when his<br />

publisher printed French translations of its title and movement<br />

headings. This however did not prevent op. 81a from becoming<br />

widely known by its French name “Les Adieux”.<br />

ISMN 979-0-006-56181-0<br />

9790006561810<br />

New Issue Title<br />

3 New Publications 2/<strong>2017</strong> · The Programme


Piano<br />

Beethoven’s sonatas<br />

in Bärenreiter Urtext<br />

Ludwig van Beethoven:<br />

Grande Sonate<br />

in E-flat major<br />

for Pianoforte op. 7<br />

BÄRENREITER URTEXT<br />

Edited by Jonathan Del Mar<br />

With an Introduction by Misha Donat<br />

and notes on performance practice<br />

by Jonathan Del Mar and<br />

Misha Donat<br />

BA 11802 · approx. € 7.95<br />

The earliest sketches for Beethoven’s Grande Sonate op. 7 date from<br />

1796 and the first edition was issued by the publisher Artaria, Vienna<br />

in October 1797. It is dedicated to Beethoven’s pupil Anna Luise<br />

Barbara (Babette) Countess Keglevicz, in whom, if Carl Czerny is to be<br />

believed, he was passionately in love. For this reason it is sometimes<br />

known by its German nickname “Die Verliebte” (The Lover).<br />

To appear in November <strong>2017</strong><br />

This work is one of the longest and most demanding of Beethoven’s<br />

piano sonatas. Its four movements cover a wide range of emotions –<br />

a challenge that the dedicatee, who was 16 at the time and only<br />

started taking lessons from Beethoven in 1797, possibly felt unable<br />

to master.<br />

ISMN 979-0-006-56175-9<br />

9790006561759<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 4


Piano<br />

Beethoven’s four-movement Sonata op. 26 in A-flat major belongs to<br />

his most popular works. It is dedicated to Prince Lichnowsky, one of<br />

his most generous patrons and the dedicatee of, among other things,<br />

the Grande Sonate pathétique op. 13 and Symphony No. 2 op. 35. This<br />

demanding sonata is highly varied in its form: it begins with a set of<br />

variations and contains the famous Marcia sulla morte d’un Eroe as<br />

its third movement, earning it the nickname “Sonata with the<br />

Funeral March”. The identity of the title’s eroe (hero) still remains<br />

unknown. The work’s initial drafts date from 1800–01; its publication<br />

took place in March 1802.<br />

Already published:<br />

Three Sonatas in F minor, A major, C major op. 2<br />

BA 10859 · € 25.95<br />

Three Sonatas in C minor, F major, D major op. 10<br />

BA 10857 · € 17.95<br />

Grande Sonate pathétique in C minor op. 13<br />

BA 10851 · € 5.95<br />

Two Sonatas in E major, G major op. 14<br />

BA 10855 · € 9.95<br />

Sonata quasi una Fantasia in E-flat major op. 27 no. 1 /<br />

Sonata quasi una Fantasia in C-sharp minor op. 27 no. 2<br />

“Moonlight Sonata”<br />

BA 10853 · € 11.50<br />

Sonata in D major op. 28 “Pastorale”<br />

BA 11814 · € 7.95<br />

Three Sonatas in G major, D minor, E-flat major op. 31<br />

BA 11805 · € 21.95 (to appear in August <strong>2017</strong>)<br />

Two Sonatas in G minor, G major op. 49<br />

BA 10858 · € 7.95<br />

Grande Sonate in C major op. 53 “Waldstein”<br />

BA 10856 · € 9.95<br />

Ludwig van Beethoven:<br />

Grande Sonate<br />

in A-flat major<br />

for Pianoforte op. 26<br />

“Funeral March”<br />

BÄRENREITER URTEXT<br />

Edited by Jonathan Del Mar<br />

With an Introduction by Misha Donat<br />

and notes on performance practice<br />

by Jonathan Del Mar and<br />

Misha Donat<br />

BA 11804 · approx. € 9.95<br />

To appear in December <strong>2017</strong><br />

Sonata in F minor op. 57 “Appassionata”<br />

BA 10852 · € 7.95<br />

Sonata in F-sharp major op. 78<br />

BA 11807 · € 10.95<br />

Sonata in G major op. 79 “Sonate facile”<br />

BA 11815 · € 6.95<br />

Sonata in A major op. 101<br />

BA 11811 · € 7.50<br />

ISMN 979-0-006-56177-3<br />

9790006561773<br />

New Issue Title<br />

5 New Publications 2/<strong>2017</strong> · The Programme


Harpsichord<br />

Bach – transcribed<br />

by Gustav Leonhardt<br />

Johann Sebastian Bach:<br />

Suites, Partitas, Sonatas<br />

transcribed for Harpsichord<br />

by Gustav Leonhardt<br />

Edited by Siebe Henstra<br />

With a Foreword by Skip Sempé<br />

BA 11820 · approx. € 39.95<br />

To appear in August <strong>2017</strong><br />

“I think Bach would have forgiven me for embarking on these<br />

transcriptions. Whether he would have forgiven the way I did it is,<br />

of course, another matter.” (Gustav Leonhardt)<br />

The harpsichordist, conductor and organist Gustav Leonhardt was<br />

considered a pioneer of historical performance practice. Between<br />

1968 and 1978 he made harpsichord transcriptions of several of Bach’s<br />

compositions for unaccompanied violin or violoncello. Now these<br />

transcriptions are being made available to us by his pupil, the famed<br />

harpsichordist Siebe Henstra, based on the handwritten notes that<br />

Leonhardt used for his own performances.<br />

ISMN 979-0-006-56260-2<br />

9790006562602<br />

New Issue Title<br />

• Informative Foreword and editorial notes by early music specialist<br />

Skip Sempé (Ger/Eng)<br />

• Includes transcriptions, amongst others, of Sonata in G minor<br />

for Solo Violin (BWV 1001), Partita in D minor for Solo Violin<br />

(BWV 1004), Partita in E major for Solo Violin (BWV 1006) and<br />

Suite in C minor for Solo Violoncello (BWV 1011)<br />

New Publications 2/<strong>2017</strong> · The Programme 6


Piano<br />

New impetus for period<br />

performance practice<br />

Wolfgang Amadeus<br />

Mozart:<br />

Concerto in D major<br />

for Pianoforte and<br />

Orchestra “Coronation<br />

Concerto” K. 537<br />

This new piano reduction of Mozart’s “Coronation Concerto” K. 537<br />

is based on the music text from the New Mozart Edition and is fully<br />

compatible with the already existing performance material (BA 5318).<br />

A separate Urtext solo piano part is included in this piano reduction<br />

edition allowing the soloist not only to play the work as customary<br />

in recent decades, but also, for the first time since Mozart’s era,<br />

to improvise above the tutti basses and to conduct the ensemble<br />

from the piano.<br />

The new edition is supplemented by a separate booklet containing<br />

cadenzas and selected lead-ins by August Eberhard Müller,<br />

Carl Reinecke and Max Reger.<br />

BÄRENREITER URTEXT<br />

Edited by Wolfgang Rehm<br />

Piano reduction by Martin Schelhaas<br />

BA 10495-90 · approx. € 22.95<br />

(replaces BA 5318-90)<br />

To appear in August <strong>2017</strong><br />

Fully compatible with performance<br />

material of BA 5318<br />

• Urtext edition based on the New Mozart Edition (NMA)<br />

• Separate Urtext solo piano part included<br />

• Enclosed booklet with cadenzas<br />

• Provides new impetus for period performance practice<br />

ISMN 979-0-006-56166-7<br />

9790006561667<br />

New Issue Title<br />

7 New Publications 2/<strong>2017</strong> · The Programme


Piano<br />

Teaching material<br />

for piano<br />

Emil Hradecký:<br />

Two-Part Piano Miniatures<br />

on One Page<br />

Album of 15 easy pieces<br />

for beginners<br />

Illustrations by Andrea Tachezy<br />

H 8034 · approx. € 7.50<br />

To appear in September <strong>2017</strong><br />

The Czech composer and teacher Emil Hradecký (b. 1953) has devoted<br />

much of his creative output to children and the piano. His Two-Part<br />

Piano Miniatures on One Page are ingenious small piano pieces for<br />

beginners which are easy to play yet melodically interesting. Here<br />

children are introduced to the character of classical music as well<br />

as various dance forms: cha-cha-cha, tango, waltz, polka, blues and<br />

boogie-woogie.<br />

The pieces are composed on whole-tone, pentatonic and gypsy scales<br />

and include a folksong arrangement.<br />

ISMN 979-0-2601-0842-4<br />

• Small recital pieces for beginners at the piano<br />

• New teaching material for piano<br />

• Clever illustrations to kindle children’s musical imagination<br />

9790260108424<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 8


Strings<br />

A sensation for cellists<br />

Camille Saint-Saëns:<br />

Sonata for Violoncello<br />

and Piano<br />

Incomplete<br />

First Edition<br />

The French composer Camille Saint-Saëns endowed the music world<br />

with a multitude of masterpieces for violoncello including concertos,<br />

sonatas and miniatures such as The Swan and the Allegro appassionato<br />

op. 43.<br />

This first publication of the Sonata in D major is based on<br />

Bärenreiter’s Camille Saint-Saëns Œuvres instrumentales complètes.<br />

Although we know from correspondence that two complete<br />

autographs existed, only an incomplete autograph source containing<br />

the 1 st movement and part of the 2 nd movement, which breaks off,<br />

have come down to us. In his final work for violoncello Saint-Saëns<br />

juxtaposes highly rhythmical episodes with more poetic ones.<br />

These contrasts are reinforced by bold shifts of harmonic coloring<br />

and a highly inventive thematic development.<br />

These movements are destined to become standards for cellists.<br />

BÄRENREITER URTEXT<br />

Edited by Denis Herlin<br />

BA 10910 · € 17.95<br />

Already published, not announced in<br />

previous New Publications Bulletins<br />

ISMN 979-0-006-55885-8<br />

• First ever Urtext edition of this incomplete work based<br />

on Camille Saint-Saëns Œuvres instrumentales complètes<br />

• Informative Introduction (Fr/Eng/Ger)<br />

9790006558858<br />

New Issue Title<br />

9 New Publications 2/<strong>2017</strong> · The Programme


Urtext-Flags-50x150cm+10cmbleed.indd 1 03/03/<strong>2017</strong> 16:16 Urtext-Flags-50x150cm+10cmbleed.indd 2 03/03/<strong>2017</strong> 16:16<br />

Urtext-Flags-50x150cm+10cmbleed.indd 4 03/03/<strong>2017</strong> 16:16<br />

Urtext-Flags-50x150cm+10cmbleed.indd 5 03/03/<strong>2017</strong> 16:16<br />

Bärenreiter Urtext<br />

Bärenreiter Urtext: New campaign <strong>2017</strong><br />

Flags<br />

Flyer<br />

6 pages DIN A 4<br />

SPA 170_2<br />

SPA 170_3<br />

Flags<br />

English<br />

Japanese<br />

Size: 50 cm x 150 cm<br />

SPA 170_4 Violoncello<br />

SPA 170_5 Clarinet<br />

SPA 170_6 Double Bass<br />

SPA 170_7 Violin<br />

Posters<br />

Size: A 2<br />

SPA 170_8 Violoncello<br />

SPA 170_9 Clarinet<br />

SPA 170_10 Double Bass<br />

SPA 170_11 Violin<br />

SPA 170_20 Piano<br />

SPA 170_21 Choir New Issue Title<br />

Stickers<br />

Size: 5.5 cm x 8.5 cm<br />

SPA 170_12 Violoncello<br />

SPA 170_13 Clarinet<br />

SPA 170_14 Double Bass<br />

SPA 170_15 Violin<br />

The Musician's Notes<br />

Notebooks, 32 pages, DIN A 5<br />

BA 8400-1 Violoncello € 1.95<br />

BA 8400-2 Clarinet € 1.95<br />

BA 8400-3 Double Bass € 1.95<br />

BA 8400-4 Violin € 1.95<br />

BA 8400-5 Piano € 1.95<br />

Already published<br />

New Publications 2/<strong>2017</strong> ·· The Programme 10


Urtext-Posters-A2.indd 1 23/03/<strong>2017</strong> 08:54<br />

Urtext-Posters-A2.indd 4 23/03/<strong>2017</strong> 08:54<br />

Your specialist in Bärenreiter Urtext:<br />

Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany<br />

www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_1<br />

ISMN 979-0-006-56480-4<br />

Urtext-NoteBook.indd 2 21/03/<strong>2017</strong> 16:24<br />

Your specialist in Bärenreiter Urtext:<br />

Urtext-Posters-A2.indd 2 23/03/<strong>2017</strong> 08:54<br />

Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany<br />

www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_2<br />

ISMN 979-0-006-56481-1<br />

Urtext-NoteBook.indd 4 21/03/<strong>2017</strong> 16:24<br />

Your specialist in Bärenreiter Urtext:<br />

Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany<br />

www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_3<br />

Urtext-Posters-A2.indd 5 23/03/<strong>2017</strong> 08:54<br />

ISMN 979-0-006-56482-8<br />

Urtext-NoteBook.indd 6 21/03/<strong>2017</strong> 16:24<br />

Your specialist in Bärenreiter Urtext:<br />

Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany<br />

www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_4<br />

ISMN 979-0-006-56483-5<br />

Urtext-NoteBook.indd 8 21/03/<strong>2017</strong> 16:25<br />

Bärenreiter Urtext<br />

Promotional material and give-aways<br />

YOUR NEXT PERFORMANCE<br />

IS WORTH IT<br />

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IS WORTH IT<br />

THE MUSICIAN’S<br />

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9790006564804<br />

THE MUSICIAN’S<br />

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9790006564811<br />

THE MUSICIAN’S<br />

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9790006564828<br />

Posters<br />

THE MUSICIAN’S<br />

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Stickers<br />

New Issue Title<br />

9790006564835<br />

Notebooks<br />

11 New Publications 2/<strong>2017</strong> · · The Programme


Strings<br />

New recital albums<br />

for the viola<br />

These two volumes contain a wide selection of easy recital pieces.<br />

They are designed as companion volumes to the Early Start on the<br />

Viola method but work equally well as a supplement to any other<br />

viola method. As all pieces are written entirely in first position, they<br />

can be used just after a few months of lessons. Well-known as well<br />

as unfamiliar pieces provide welcome additional repertoire for young<br />

students and teachers.<br />

The piano part may be played by the teacher or an advanced student.<br />

Alternatively a second viola part allows duet playing with the teacher<br />

during lessons.<br />

Sassmannshaus<br />

Viola Recital Album<br />

Volume 1: First Position<br />

for Viola and Piano<br />

or Two Violas<br />

Edited by Melissa Lusk,<br />

Christoph Sassmannshaus and<br />

Kurt Sassmannshaus<br />

Score and part, plus additional<br />

viola part for duet version<br />

BA 8992 · approx. € 16.95<br />

To appear in October <strong>2017</strong><br />

From the contents:<br />

Well-known traditionals (Baa Baa Black Sheep), unfamiliar melodies<br />

(The Robin’s Lullaby) and a few original compositions by the authors<br />

(Jumping Beans), always precisely tailored to meet the needs of young<br />

students.<br />

The Viola Recital Album, Volume 1, can be used as a supplement to the<br />

Early Start on the Viola method, Volumes 1 and 2 (BA 9686 and BA 9687).<br />

The 18 pieces in Volume 1 are structured to follow the same progression<br />

of finger patterns introduced in the Early Start method. This systematic<br />

progression helps the student to solidify the hand position and improve<br />

intonation. The basic bowing techniques do not require changes in bow<br />

speed or sounding point. The young performer can focus on a straight<br />

and beautifully placed bow that produces a pleasing and clear sound.<br />

• New pieces to supplement the Sassmannshaus Viola method<br />

• All pieces in first position<br />

• Include an additional viola part for duet version and<br />

a piano accompaniment<br />

ISMN 979-0-006-56456-9<br />

9790006564569<br />

New Issue Title<br />

Already published:<br />

Violin Recital Album, Volumes 1 and 2<br />

BA 9668, BA 9669 · € 15.50 / € 17.50<br />

Cello Recital Album, Volumes 1 and 2<br />

BA 8994, BA 8995 · € 15.95 each<br />

New Publications 2/<strong>2017</strong> · The Programme 12


Strings<br />

Sassmannshaus<br />

THE SASSMANNSHAUS TRADITION<br />

BÄRENREITER’S<br />

VIOLIN RECITAL ALBUM<br />

Sassmannshaus<br />

FIRST POSITION<br />

ERSTE LAGE<br />

VOLUME 1 / BAND 1<br />

Sassmannshaus<br />

Viola Recital Album<br />

Volume 2: First Position<br />

for Viola and Piano<br />

or Two Violas<br />

The Viola Recital Album, Volume 2, can be used as a supplement to the<br />

Early Start on the Cello method, Volumes 2 and 3 (BA 9687 and BA 9688).<br />

The 12 pieces in Volume 2 are structured to follow the same progression<br />

of finger patterns introduced in the Early Start method, Volumes 2<br />

and 3. The later repertoire in this volume includes a careful<br />

introduction of downward and upward extensions.<br />

Edited by Melissa Lusk,<br />

Christoph Sassmannshaus and<br />

Kurt Sassmannshaus<br />

Score and part, plus additional<br />

viola part for duet version<br />

BA 8993 · approx. € 16.95<br />

To appear in October <strong>2017</strong><br />

Already published:<br />

Early Start on the Viola<br />

BA 9686 Volume 1 · € 13.50<br />

BA 9687 Volume 2 · € 13.50<br />

BA 9688 Volume 3 · € 13.50<br />

BA 9689 Volume 4 · € 13.50<br />

ISMN 979-0-006-56457-6<br />

9790006564576<br />

New Issue Title<br />

13 New Publications 2/<strong>2017</strong> · The Programme


Strings<br />

Oskar Rieding:<br />

Concerto in D major op. 36<br />

Violin part with enclosed<br />

violin/piano score<br />

BA 10697 · approx. € 12.95<br />

To appear in October <strong>2017</strong><br />

Further Rieding works for violin:<br />

Oskar Rieding<br />

Marcia op. 44, Rondo op. 22/3<br />

BA 8982 · € 8.50<br />

Concertino in Hungarian Style<br />

in A minor op. 21<br />

BA 8973 · € 8.50<br />

Concerto in B minor op. 35<br />

BA 8971 · € 8.50<br />

Each edition consists of a violin part<br />

and an enclosed violin/piano New Issue score Title<br />

Oskar Rieding (1840–1918) is known to all young violinists for his<br />

easy-to-play concertos for violin and piano, of which opp. 34 to 36<br />

remain entirely in first position. In op. 36 catchy melodies are<br />

coupled with first technical difficulties such as eighth-note arpeggios,<br />

16th-note runs and chromaticism. These appear in small measures<br />

throughout the entire work.<br />

The Concerto in D major is well-suited for younger student recitals.<br />

• Concert piece entirely in first position<br />

• Ideal for students wishing to perform their first recital<br />

• Duration: approx. 10 minutes<br />

ISMN 979-0-006-56458-3<br />

9790006564583<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 14


Strings<br />

An easy work<br />

with a great impact<br />

Jean-Baptiste Bréval:<br />

Sonata in C major op. 40<br />

Cello part with enclosed<br />

cello/piano score<br />

BA 10698 · approx. € 12.95<br />

To appear in October <strong>2017</strong><br />

Jean-Baptiste Bréval (1753–1823) was a member of the orchestra at the<br />

Paris Opéra and also a prolific composer. His works include concertos<br />

for cello, string quartets, comic operas and a violoncello tutor.<br />

However he is best-known for the Sonata in C major which has<br />

become a standard work for teaching purposes, even in arrangements<br />

for other instruments. The two movements (Allegro and Rondo<br />

Grazioso) can also be performed independently from one another.<br />

This sonata belongs to the basic repertoire of every young cellist.<br />

• Ideal for the first “proper” recital<br />

• Of moderate technical difficulty but with brilliant impact<br />

• Duration: approx. 8 minutes<br />

Further cello titles in this series:<br />

Edward Mollenhauer<br />

The Boy Paganini<br />

BA 10694 · € 8.95<br />

Edward Mollenhauer<br />

The Infant Paganini<br />

BA 10693 · € 8.95<br />

Oskar Rieding<br />

Concerto in B minor op. 35<br />

BA 8984 · € 10.75<br />

ISMN 979-0-006-56459-0<br />

9790006564590<br />

New Issue Title<br />

Friedrich Seitz<br />

Concerto in D major op. 22<br />

BA 8987 · € 10.25<br />

Each edition consists of a cello part<br />

and New an Issue enclosed Title cello/piano score.<br />

15 New Publications 2/<strong>2017</strong> · The Programme


Winds<br />

For the 2018<br />

Debussy Year<br />

Claude Debussy:<br />

Première Rhapsodie<br />

for Orchestra with<br />

Solo Clarinet in Bb<br />

BÄRENREITER URTEXT<br />

Edited by Douglas Woodfull-Harris<br />

Score BA 7897 · approx. € 22.95<br />

Version for clarinet and piano<br />

BA 7897-90 · approx. € 13.95<br />

Wind set<br />

BA 7897-65 · approx. € 39.95<br />

Violin 1 BA 7897-74 · approx. € 3.50<br />

Violin 2 BA 7897-75 · approx. € 3.50<br />

Viola BA 7897-79 · approx. € 3.50<br />

Violoncello BA 7897-82 · approx. € 3.50<br />

Double bass BA 7897-85 · approx. € 3.50<br />

To appear in November <strong>2017</strong><br />

Debussy’s Première Rhapsodie is one of two concertante works<br />

completed, premiered and published during his lifetime. He was<br />

commissioned to write it in 1909 for the final examination at the Paris<br />

Conservatoire in 1910. Debussy orchestrated it in the summer of 1911.<br />

While transferring the clarinet part from the already published<br />

version for clarinet and piano, he made a few subtle changes,<br />

particularly in m. 201, which has been a bone of contention among<br />

clarinettists for over a century.<br />

The present scholarly-critical publication is the first Urtext edition of<br />

the orchestral version. It draws on every known source and takes into<br />

account a previously ignored source that sheds new light on the piece.<br />

ISMN 979-0-006-56436-1<br />

9790006564361<br />

BA 7897-90<br />

New Issue Title<br />

ISMN 979-0-006-56435-4<br />

9790006564354<br />

BA 7897<br />

New Issue Title<br />

• First Urtext edition of the orchestral version<br />

• First scholarly-critical edition of a pioneering work for clarinet<br />

• Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)<br />

New Publications 2/<strong>2017</strong> · The Programme 16


Zeitgenössische Musik<br />

Romantic Flute Music<br />

Elisabeth Weinzierl<br />

and Edmund Wächter:<br />

Romantic Hits<br />

for two Flutes<br />

28 pages<br />

BA 10643 · € 12.95<br />

Arrangements of familiar pieces for two flutes were very popular in<br />

the romantic era. This enabled works which were current at that time<br />

to be played in salons and at home. Folk songs, opera arias, piano and<br />

concert pieces were arranged by such figures as Giuseppe Gariboldi,<br />

Kaspar Kummer and Ernesto Köhler. Elisabeth Weinzierl and Edmund<br />

Wächter have selected and arranged the most beautiful and bestknown<br />

pieces for this edition making these melodies accessible<br />

even to the less experienced musician.<br />

From the contents:<br />

Robert Schumann: Frühlingsgruß / Carl-Maria von Weber: Hunters’<br />

Chorus / Giuseppe Verdi: Ah! Gran Dio! Morir sì giovine / Vincenzo<br />

Bellini: Ma non fia sempre odiata / Felix Mendelssohn: Song without<br />

Words<br />

• Well-known melodies from the greatest Romantic composers<br />

• Both parts equally comprehensive and easy-to-play<br />

Already published, not announced in<br />

previous New Publications Bulletins<br />

(replaces BA 8691)<br />

ISMN 979-0-006-56324-1<br />

9790006563241<br />

New Issue Title<br />

Also published:<br />

Douglas Woodfull-Harris<br />

Classic Hits for 2 Flutes<br />

BA 10613 · € 13.95<br />

New Issue Title<br />

17 New Publications 2/<strong>2017</strong> · The Programme


Choir<br />

For the composer’s<br />

200 th birthday in 2018<br />

Charles Gounod:<br />

Messe solennelle<br />

(Ste Cécile)<br />

for Soloists (STB), Choir (SATB),<br />

Orchestra and Organ<br />

BÄRENREITER URTEXT<br />

Edited by Hans Schellevis<br />

Piano reduction by the editor<br />

Score<br />

BA 8966 · approx. € 79.00<br />

Vocal score (Lat)<br />

BA 8966-90 · approx. € 14.95<br />

Wind set<br />

BA 8966-65 · approx. € 79.00<br />

Organ BA 8966-67 · approx. € 23.95<br />

Violin I BA 8966-74 · approx. € 8.95<br />

Violin II BA 8966-75 · approx. € 8.95<br />

Viola BA 8966-79 · approx. € 8.95<br />

Violoncello BA 8966-82 · approx. € 8.95<br />

Double bass BA 8966-85 · approx. € 8.95<br />

Sacred works occupy a large part of Charles Gounod’s œuvre. It was<br />

the Messe solennelle en l’honneur de Sainte Cécile that established his<br />

fame as a church composer. Its melodic invention and effective<br />

handling of the orchestra reveal a close proximity to opera.<br />

This Urtext edition is based not only on the original print of 1856 but<br />

also on copyists’ manuscripts and autograph sources. Rounding off<br />

this well-researched Urtext edition are an informative Introduction<br />

and a detailed Critical Commentary. The edition is being published to<br />

celebrate the 200 th anniversary of Gounod’s birth.<br />

• Gounod’s well-known mass in a new Urtext edition<br />

• Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)<br />

• Idiomatic piano reduction<br />

• In preparation for the Gounod bicentenary year 2018<br />

ISMN 979-0-006-56400-2<br />

BA 8966-90<br />

To appear in New October Issue Title <strong>2017</strong><br />

9790006564002<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 18


Choir<br />

Major opera choruses from<br />

the 17 th to 19 th centuries<br />

Bärenreiter Album of<br />

Opera Choruses<br />

for mixed choir<br />

Edited by Tilman Michael<br />

BA 6924 · approx. € 16.95<br />

This album for mixed choir and piano contains a selection of richly<br />

varied choruses from Italian, French, German, English and Russian<br />

operas from the 17 th to 19 th centuries, illuminating the great diversity<br />

of the genre. Choruses from the following operas are included:<br />

Claudio Monteverdi: L’Orfeo / George Frideric Handel: Acis and Galatea<br />

HWV 49 b / Christoph Willibald Gluck: Alceste (Vienna version 1767) /<br />

Wolfgang Amadeus Mozart: Idomeneo K. 366 / Franz Schubert:<br />

Fierabras D. 796 / Vincenzo Bellini: Norma / Camille Saint-Saëns:<br />

Samson et Dalila / Georges Bizet: Carmen / Pyotr Ilyich Tchaikovsky:<br />

Eugene Onegin (cyrillic text with transliteration)<br />

To appear in July <strong>2017</strong><br />

ISMN 979-0-006-56235-0<br />

9790006562350<br />

New Issue Title<br />

• Foreword (Ger/Eng) which places the choruses in their dramatic<br />

context and includes suggestions for study and interpretation<br />

• Notes on pronounciation of the Russian song text<br />

• In a large format (23 x 30 cm)<br />

The editor<br />

Tilman Michael worked at the<br />

Hamburg State Opera and the<br />

Mannheim National Theatre before<br />

being appointed choral director at<br />

the Frankfurt Opera in 2014.<br />

New Issue Title<br />

19 New Publications 2/<strong>2017</strong> · The Programme


Violino I *)<br />

Violino II<br />

Viola<br />

Viola da<br />

gamba<br />

Canto<br />

Oboe I *)<br />

Alto<br />

Oboe II**)<br />

Tenore<br />

Ba so<br />

Organo<br />

Violonce Violone<br />

4<br />

8<br />

TVWV 1: 14 9<br />

War um be trübst du dich, mein Herz?<br />

War um be trübst du dich, mein Herz?<br />

8 War um be trübst du dich, mein Herz?<br />

War um be trübst du dich, mein Herz?<br />

6 7 6<br />

*) Gera druck zeigt an, daß die betre fende Sti me von Telema n geschrieben wurde.<br />

*) Vgl. den Kritischen Bericht, S. XI.<br />

Solo<br />

Der He r hat mich ver<br />

Basso continuo<br />

7<br />

10<br />

13<br />

Violino<br />

BA 5857<br />

6 6 6 6<br />

5<br />

6 65 64 5 6<br />

4<br />

2<br />

131<br />

Andante<br />

© 2 06 by Bärenreiter-Verlag, Ka sel<br />

4<br />

2<br />

Solo 1<br />

TWV 41:F4<br />

6 6 6 5 6<br />

7 6 6<br />

4<br />

5 6 7 9 6 6 64 5<br />

7 6 7 6 6 6<br />

5<br />

6 6<br />

6 6<br />

3<br />

4<br />

6 4<br />

2<br />

2<br />

© 2009 by Bärenreiter-Verlag, Kassel<br />

Telemann-Poster.indd 1 24/02/<strong>2017</strong> 12:23<br />

Telemann Year <strong>2017</strong><br />

Selected Telemann Works<br />

Sacred Choral Music<br />

Christus, der ist mein Leben TVWV 1:138<br />

BA 5897-90 · € 13.50<br />

Die Auferstehung und Himmelfahrt Jesu TWV 6:6<br />

BA 5851-90 · € 29.95<br />

Harmonischer Gottesdienst<br />

Lent and Easter Cantatas<br />

BA 5895 · € 32.95<br />

Der Tod Jesu – Betrachtung der neunten Stunde<br />

am Todestage Jesu TVWV 5:5, 5:6<br />

BA 5853-90 · € 30.95<br />

Der für die Sünde der Welt leidende und sterbende<br />

Jesus TVWV 5:1<br />

BA 5863 · € 282.00<br />

Die Donnerode TVWV 6:3<br />

BA 5900-90 · € 15.95<br />

Concerto for two Violins (Flute and Violin),<br />

Viola and Basso continuo in D minor TWV 43:d2<br />

BA 5875 · € 13.95<br />

Two Sonatas for Oboe and Basso continuo<br />

from “Essercizii musici”<br />

BA 5889 · € 21.50<br />

Nine Sonatas for two Transverse Flutes without<br />

Figured Bass TWV 40:141-149<br />

BA 5888 · € 28.95<br />

Twelve Methodical Sonatas for Violin or Flute<br />

and Basso continuo. Volume 1<br />

BA 2241 · € 14.95<br />

Sonata for Flute and Basso continuo No. 1 in B minor<br />

TWV 41:h4 “Tafelmusik I”<br />

BA 3537 · € 9.25<br />

Instrumental Works<br />

Twelve Fantasias for Flute without Bass TWV 40:2-13<br />

BA 2971 · € 10.50<br />

Concerto for Viola, Strings and Basso continuo<br />

in G major TWV 51:G9<br />

BA 5878 · € 19.50<br />

Bärenreiter “Notes”<br />

Telemann green<br />

Size: DIN A 6, 32 pages<br />

BA 8100-24 · € 0.75<br />

Poster<br />

Warum betrübst du dich, mein Herz<br />

1. Choral ed Arioso Adagio<br />

las sen, ver las sen! Der He r hat mein ver ges sen, der<br />

6 7 6 6 6 6<br />

Three Concertos for Violin and Orchestra TWV 51:a1<br />

in A minor, 51:D9 in D major, 51:g1 in G minor<br />

BA 5876-90 · € 17.95 New Issue Title<br />

Georg Philipp Telemann<br />

Size: DIN A 1 long (42 x 118,8 cm)<br />

SPA 50_73 · free of charge<br />

New Publications 2/<strong>2017</strong> ·· The Programme 20


8<br />

7 6 6<br />

4<br />

5 6 7 9 6 6 6<br />

4<br />

7 6 7 6 6 6<br />

5<br />

250 th anniversary of Telemann's death<br />

Warum betrübst du dich, mein Herz<br />

TVWV 1: 1499<br />

1. Choral ed Arioso Adagio<br />

131<br />

Violino I *)<br />

Violino II<br />

Viola<br />

Viola da<br />

gamba<br />

Canto<br />

Oboe I**)<br />

Alto<br />

Oboe II**)<br />

Tenore<br />

Basso<br />

mein Herz?<br />

War um be trübst du dich, mein Herz?<br />

8 War um be trübst du dich, mein Herz?<br />

War um be trübst du dich, mein Herz?<br />

Solo<br />

Der Herr hat mich ver<br />

Organo<br />

Violoncello<br />

Violone<br />

6 7 6<br />

4<br />

from: Twelve Fantasias for Flute without Bass<br />

TWV 40:2-13 · BA 2971<br />

Violino<br />

Andante<br />

las sen, ver las sen! Der Herr hat mein ver ges sen, der<br />

Solo 1<br />

TWV 41:F4<br />

Basso continuo<br />

© 2006 by Bärenreiter-Verlag, Kassel<br />

6 7 6 6 6 6<br />

*) Geraddruck zeigt an, daß die betreffende Stimme von Telemann geschrieben wurde.<br />

**) Vgl. den Kritischen Bericht, S. XXI.<br />

4<br />

2<br />

6 6 6 5<br />

3<br />

6 6 6 6<br />

5<br />

6 6<br />

5<br />

6<br />

4<br />

5 6<br />

7<br />

10<br />

13<br />

4<br />

2<br />

6 6<br />

4<br />

2<br />

6 4<br />

2<br />

BA 5857<br />

© 2009 by Bärenreiter-Ver<br />

from: Three Concertos for Violin and Orchestra<br />

TWV 51:a1 in A minor, TWV 51:D9 in D major,<br />

TWV 51:g1 in G minor · BA 5876-90<br />

New Issue Title<br />

21 New Vorschau Publications 2/<strong>2017</strong> · 2/<strong>2017</strong> Das Programm · The Programme


Solo Voice<br />

One of the most popular<br />

romantic song cycles<br />

Dvořák’s song cycle Gypsy Songs op. 55 on words by the Czech poet<br />

Adolf Heyduk, were written at the beginning of 1880 at the request<br />

of the Bohemian tenor Gustav Walter, a member of the Vienna Court<br />

Opera and the work’s dedicatee.<br />

For this Urtext edition the editor Veronika Vejvodová has taken the<br />

original print as her main source. The edition appears in two volumes,<br />

one for high voice and another for low voice.<br />

Antonín Dvořák:<br />

Gypsy Songs op. 55<br />

for Voice and Piano<br />

BÄRENREITER URTEXT<br />

Edited by Veronika Vejvodová<br />

ISMN 979-0-2601-0779-3<br />

Vocal texts: (Cz/Eng/Ger)<br />

High Voice<br />

BA 10431 · approx. € 12.50<br />

(replaces H 1559)<br />

Low Voice<br />

BA 10432 · approx. € 12.50<br />

(replaces H 1739)<br />

To appear in October <strong>2017</strong><br />

ISMN 979-0-2601-0778-6<br />

• Third volume from the new five-volume Urtext edition of Dvořák’s<br />

complete songs<br />

• One of the most popular and best-known song cycles of the<br />

romantic repertoire<br />

• Extensive Foreword (Cz/Eng/Ger) and Critical Commentary (Eng)<br />

by the editor<br />

• Vocal texts in three languages (Cz/Eng/Ger)<br />

Contents<br />

1. I chant my lay, a hymn of love<br />

2. Hark, how my triangle<br />

3. Silent and lone the woods around<br />

4. Songs my mother taught me<br />

5. Tune thy strings, oh gypsy<br />

6. In his wide and ample, airy linen vesture<br />

7. Cloudy heights of Tatra<br />

Already published:<br />

Cypresses for Tenor and Piano (B 11)<br />

BA 9569 · € 23.95<br />

Antonín Dvořák<br />

Songs II for High Voice and Piano<br />

BA 11517 · € 28.95<br />

9790260107793<br />

9790260107786<br />

BA 10432 BA 10431<br />

Songs II for Low Voice and Piano<br />

BA 11518 · € 28.95<br />

New Issue Title<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 22


Solo Voice<br />

Lyrical and dramatic<br />

gems<br />

Franz Schubert:<br />

Selected Opera Arias<br />

for Baritone<br />

BÄRENREITER URTEXT<br />

from: “Wo find ich nur den Ort, mein Haupt zur Ruh zu legen”<br />

(Alfonso und Estrella)<br />

Edited and arranged by<br />

Patrick Radelet<br />

BA 5655 · approx. € 27.95<br />

To appear in October <strong>2017</strong><br />

Schubert’s operas contain a wealth of magnificent music. This<br />

anthology of opera arias for baritone with piano accompaniment<br />

presents a delightful selection from Des Teufels Lustschloss, Adrast,<br />

Die Freunde von Salamanka, Alfonso und Estrella and Fierabras.<br />

An enclosed violoncello part for the aria “Wo find ich nur den Ort,<br />

mein Haupt zur Ruh zu legen” (Alfonso und Estrella) makes it possible<br />

to perform this piece in a chamber music setting.<br />

• Urtext edition based on the New Schubert Edition<br />

• Trilingual texts (Ger/Eng/Fr) with an informative Foreword, notes<br />

on the arias’ dramatic context and literal translations of the aria<br />

texts into English and French<br />

• Idiomatic easy-to-play piano part<br />

ISMN 979-0-006-56215-2<br />

9790006562152<br />

New Issue Title<br />

23 New Publications 2/<strong>2017</strong> · The Programme


Study Scores<br />

Study score now with transposed<br />

part for clarinet in B-flat<br />

Bohuslav Martinů:<br />

Nonet No. 2 H 374<br />

for Flute, Oboe, Clarinet,<br />

Bassoon, Horn, Violin, Viola,<br />

Violoncello and Double Bass<br />

BÄRENREITER URTEXT<br />

Edited by Jitka Zichová<br />

Study score<br />

TP 440 · approx. € 22.50<br />

(replaces H 3022)<br />

To appear in October <strong>2017</strong><br />

Performance material<br />

available on hire<br />

ISMN 979-0-2601-0845-5<br />

9790260108455<br />

Martinů’s Nonet No. 2 was composed in 1959, the final year of his life.<br />

It was commissioned by the ensemble Czech Nonet which premiered<br />

the piece at the Salzburg Festival and it appeared in print<br />

posthumously in autumn of that same year.<br />

The principal source for this edition was Martinů’s autograph score.<br />

A photo-reproduction of the autograph with handwritten entries by<br />

the performers was used as a reference source as well as the first<br />

edition, which includes several amendments made by the Czech<br />

Nonet and authorised by the composer. Also taken into account were<br />

the corrections found in the correspondence between Martinů and<br />

violinist Emil Leichner, the ensemble’s artistic director. Unlike the<br />

version in the complete edition, the clarinet part has been transposed<br />

for the clarinet in B-flat.<br />

• First Urtext edition based on The Bohuslav Martinů Complete<br />

Edition IV/4/1 (Chamber Music for 6–9 Instruments I)<br />

• Foreword by the editor (Cz/Eng/Ger)<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 24


Study Scores<br />

Dvořák’s famous<br />

masterpiece now in<br />

a study score<br />

Antonín Dvořák:<br />

Concerto in A minor<br />

for Violin and<br />

Orchestra op. 53<br />

BÄRENREITER URTEXT<br />

Edited by Iacopo Cividini<br />

This study score is based on our recently published new scholarlycritical<br />

edition (BA 10422) of Dvořák’s op. 53, his only violin concerto.<br />

Besides the original print, the edition takes into account Dvořák’s<br />

autograph, which served as a model for the engraving. A fresh<br />

evaluation of the autograph has made it possible to reconstruct<br />

several variants ignored in the first and subsequent editions and to<br />

clarify ambiguities in notation and articulation.<br />

Study score<br />

TP 422 · approx. € 14.95<br />

(replaces H 1004)<br />

To appear in November <strong>2017</strong><br />

• Study score based on the new Bärenreiter Urtext edition<br />

• Variants in the solo part as ossia passages<br />

• Foreword by the editor on the work’s genesis (Ger/Cz/Eng)<br />

ISMN 979-0-2601-0769-4<br />

9790260107694<br />

New Issue Title<br />

25 New Publications 2/<strong>2017</strong> · The Programme


Contemporary Music<br />

New publications up to May <strong>2017</strong><br />

Dieter Ammann<br />

Miloslav Kabeláč<br />

Matthias Pintscher<br />

Photo: Franck Ferville<br />

Andrea L. Scartazzini<br />

Photo: Janis Huber<br />

Charlotte Seither<br />

Photo: Marko Bussmann<br />

Miroslav Srnka<br />

Photo: Vojtěch Havlík<br />

Manfred Trojahn<br />

Photo: Dietlind Konold<br />

Dieter Ammann<br />

glut for orchestra<br />

BA 11151-72<br />

Dieter Ammann<br />

VIOLATION<br />

for violoncello and ensemble<br />

BA 11138-72<br />

Miloslav Kabeláč<br />

Two Fantasias<br />

for organ<br />

H 8028<br />

Matthias Pintscher<br />

mar’eh<br />

for violin and ensemble<br />

BA 11150-72<br />

Andrea Lorenzo Scartazzini<br />

Edward II<br />

Opera in ten scenes<br />

BA 11141-72<br />

Charlotte Seither<br />

Fünf Stücke<br />

um den Fluss zu queren<br />

for orchestra<br />

BA 11140-72<br />

Miroslav Srnka<br />

South Pole.<br />

A double opera in two parts<br />

BA 11147-72<br />

Manfred Trojahn<br />

Four women from Shakespeare<br />

for soprano and ensemble<br />

BA 11149-72<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 26<br />

Music example from: Srnka, South Pole · BA 11147-72


Autograph score and original<br />

parts reunited<br />

Peter Wollny (Editor):<br />

Johann Sebastian Bach<br />

“O Ewigkeit, du Donnerwort” BWV 20<br />

Cantata for the 1 st Sunday after Trinity<br />

Faksimile-Reihe Bach’scher Werke und Schriftstücke. Neue Folge,<br />

edited by the Bach Archive Leipzig, Volume IX<br />

Documenta musicologica II/52<br />

Limited edition<br />

Autograph score and original parts:<br />

Two 4-colour facsimile fascicles (24 + 64 pp, each in a facsimile cover)<br />

and a Commentary booklet (Ger/Eng, 16 pp) in a slipcase<br />

BVK 2447 · € 289.00<br />

Already published, not announced in previous New Publications Bulletins<br />

Johann Sebastian Bach opened the second year of his Leipzig church<br />

compositions on 11 June 1724 with a performance of the cantata<br />

“O Ewigkeit, du Donnerwort”. The work is based on a church hymn by<br />

Johann Rist that depicts, in riveting language, the terrors of the Last<br />

Judgment and the torments of Hell, followed by an admonition to live<br />

a life pleasing to God. The poem inspired Bach to write one of his most<br />

impressive church compositions altogether.<br />

This remarkably extensive score with twelve sheets sheds particularly<br />

instructive and detailed light on Bach's creative process. The Bach Archive<br />

Leipzig acquired this priceless manuscript at the end of 2016, making it<br />

possible for the first time to reunite the original performance material<br />

and the handwritten score of a Bach chorale cantata. Our facsimile<br />

edition complements the edition of BWV 20 presented by James<br />

Webster almost 50 years ago in volume I/15 of the New Bach Edition.<br />

• Autograph score reunited with<br />

the original parts<br />

• Limited edition of 250 copies<br />

• With a Commentary by<br />

Peter Wollny (Ger/Eng)<br />

New Issue Title<br />

27 New Publications 2/<strong>2017</strong> · The Programme


“The story of my love ...<br />

my torments, my harrowing<br />

dreams”<br />

Hector Berlioz<br />

The seal is used exclusively for facsimile<br />

editions published by Bärenreiter which<br />

meet the highest demands in both scholarly<br />

and technical terms.<br />

Features include:<br />

• Facsimile in high-quality colour printing<br />

• Scholarly commentary<br />

Love and insanity, tenderness and vulgarity<br />

bordering on the grotesque: Hector Berlioz<br />

never avoided extremes, neither in his life nor in<br />

his oeuvre. His entire Symphonie fantastique is<br />

pervaded by a musical “idée fixe” representing<br />

a woman he adored. The symphony brought<br />

about his breakthrough and has remained<br />

popular ever since.<br />

The impact of his masterly approach to<br />

composition, especially in the treatment of<br />

the orchestration, could still be felt in the 20 th<br />

century. Berlioz revised the work for years<br />

before it finally reached its definitive version.<br />

New Issue Title<br />

204 159–163 IV IV 164–170 205<br />

New Publications 2/<strong>2017</strong> · The Programme 28


Faksimile Berlioz<br />

He entered many of these changes in the<br />

autograph score, which was also used for<br />

performances, by pasting strips of paper<br />

over the bars or parts in question.<br />

Hugh Macdonald, General Editor of the<br />

New Berlioz Edition, explains the work’s<br />

genesis and presents particular passages<br />

from each movement.<br />

This facsimile edition, in high-quality four-colour<br />

reproduction, presents the manuscript as it is<br />

today – with strips of paper that can be folded<br />

out, making both versions visible.<br />

Hector Berlioz:<br />

Symphonie<br />

fantastique op. 14<br />

Facsimile of the autograph score<br />

held in the Bibliothèque<br />

nationale de France<br />

With a Commentary<br />

by Hugh Macdonald<br />

Documenta musicologica II/53<br />

approx. 290 pp. of facsimile<br />

and 20 pp. of Commentary<br />

(Eng/Ger/Fr)<br />

Half-leather binding<br />

BVK 1601<br />

approx € 695.00<br />

To appear in November <strong>2017</strong><br />

New Issue Title<br />

29 New Publications 2/<strong>2017</strong> · The Programme


Complete Editions<br />

New publications up to May <strong>2017</strong><br />

Concentus Musicus, Volume XVI<br />

Niccolò Piccinni, La buona figliuola<br />

Edited by Francesco Paolo Russo<br />

BA 8392-01<br />

The Bohuslav Martinů<br />

Complete Edition, Series VI/2, Volume 3<br />

Cantatas on texts by Miloslav Bureš<br />

Edited by Vít Zouhar<br />

BA 10575-01<br />

Heinrich Schütz<br />

New Edition of the Complete Works,<br />

Volume 36<br />

Polychoral Church Concertos<br />

Edited by Claudia Theis<br />

BA 4488-01<br />

New Edition of the Complete Works,<br />

Volume 1<br />

Historia der Geburt Jesu Christi SWV 435<br />

New revised edition. Edited by Bettina Varwig<br />

BA 5953-01<br />

Georg Philipp Telemann<br />

Musical Works, Volume 65<br />

Music for Church Consecrations II<br />

Edited by Wolfgang Hirschmann<br />

BA 7815-01<br />

New Issue Title<br />

Music example from: Schütz, New Edition of the Complete<br />

Works, Volume 1: Historia der Geburt Jesu Christi SWV 435<br />

BA 5953-01<br />

New Publications 2/<strong>2017</strong> · The Programme 30


Opera<br />

Tracking down an enigma<br />

of music history<br />

L’incoronazione di Poppea, Claudio Monteverdi’s final opera, had<br />

a formative impact on the evolution of this genre. Yet its convoluted<br />

source situation makes it one of music history’s great enigmas. There<br />

are practically no references to the original version that Monteverdi<br />

performed in Venice in 1643, as the score has not survived.<br />

To celebrate the 450 th anniversary of Monteverdi’s birth, this operatic<br />

masterpiece is appearing in an edition close to the presumed original.<br />

The new edition is based on the score prepared in Venice and found<br />

among the possessions of Francesco Cavalli.<br />

This scholarly edition came about due to a remarkable project at the<br />

University of North Texas; it was compiled and edited by Hendrik<br />

Schulze and his students on the basis of the latest research findings<br />

concerning source evaluation, performance practice and the historical<br />

context.<br />

Claudio Monteverdi:<br />

L’incoronazione<br />

di Poppea<br />

Opera regia<br />

• Detailed Introduction to questions regarding sources and<br />

interpretation (Eng/Ger)<br />

• Extensive critical apparatus (Eng)<br />

• Libretto edited by Nicola Badolato with text translations<br />

(Ital/Eng/Ger)<br />

• Appendix with alternative readings from the Naples source<br />

Bärenreiter Urtext<br />

Edited by Hendrik Schulze et. al.<br />

Score<br />

BA 8792 · approx. € 110.00<br />

To appear in November <strong>2017</strong><br />

Vocal score in preparation<br />

Performance material<br />

(performance score and continuo<br />

part) available on hire<br />

ISMN 979-0-006-53309-1<br />

9790006533091<br />

New Issue Title<br />

31 New Publications 2/<strong>2017</strong> · The Programme


Orchestra<br />

Classical masterpiece<br />

in a new Urtext edition<br />

Bedřich Smetana:<br />

Šárka<br />

Symphonic Poem<br />

for Orchestra<br />

BÄRENREITER URTEXT<br />

Edited by Hugh Macdonald<br />

Score<br />

BA 11532 · approx. € 34.95<br />

To appear in December <strong>2017</strong><br />

Performance material<br />

available on hire<br />

ISMN 979-0-2601-0804-2<br />

9790260108042<br />

New Issue Title<br />

Already published:<br />

Bedřich Smetana:<br />

Vltava (The Moldau)<br />

BA 9558 Score · € 39.95<br />

Performance material<br />

available New Issue on Title sale<br />

Composed in January–February 1875, Šárka is the third symphonic<br />

poem in Smetana’s six-part cycle Má vlast (My Fatherland). He first<br />

published it in a version for piano-duet issued by publisher Urbánek<br />

in 1880. The score of the first edition did not appear in print until<br />

1888, four years after Smetana’s death.<br />

Owing to the many errors in the first edition, Hugh Macdonald has<br />

based this new edition on the autograph score with annotations<br />

by Adolf Čech, who conducted the premiere on 17 March 1877. The<br />

autograph and print of the piano-duet version served as additional<br />

sources.<br />

• Classical masterpiece of Czech music in a new scholarly-critical<br />

edition<br />

• Follows on from Hugh Macdonald’s Urtext edition of Vltava<br />

(The Moldau)<br />

• Detailed Foreword by Smetana expert Olga Mojžíšová<br />

(Eng/Cz/Ger) and Critical Commentary by the editor (Eng)<br />

New Publications 2/<strong>2017</strong> · The Programme 32


Orchestra<br />

Continuing the publication<br />

of the Haydn symphonies<br />

Joseph Haydn:<br />

Symphony in C major<br />

Hob. I: 90<br />

URTEXT<br />

Edited by Andreas Friesenhagen<br />

Haydn’s Symphony in C major Hob. I: 90, dated 1788 in the<br />

autograph, belongs to a group of works that he composed between<br />

the Paris symphonies (Hob. I: 82–87) and the London symphonies<br />

(Hob. I: 93–104). It thus belongs to the last symphonies he wrote<br />

before his journeys to England in 1791–92 and 1794–95.<br />

Continuing the collaboration between Bärenreiter and the G. Henle<br />

publishing company regarding Haydn's large-scale choral works,<br />

operas and symphonies, this edition is based on the G. Henle<br />

Complete Edition of the Works of Joseph Haydn. With Symphony<br />

No. 90, Bärenreiter has now published the complete performance<br />

material for all the symphonies from Nos. 82 to 104 as well as several<br />

Sturm und Drang symphonies.<br />

• Based on the G. Henle Complete Edition of the Works of Joseph Haydn<br />

• Orchestral parts in a large format (25.5 x 32.5 cm)<br />

ISMN 979-0-006-56462-0<br />

9790006564620 New Issue Title<br />

Score<br />

BA 10981 · approx. € 35.95<br />

Wind set<br />

BA 10981-65 · approx. € 46.95<br />

Violin I BA 10981-74 · approx. € 9.95<br />

Violin II BA 10981-75 · approx. € 9.95<br />

Viola BA 10981-79 · approx. € 9.95<br />

Violoncello BA 10981-82 · approx. € 9.95<br />

Double bass BA 10981-85 · approx. € 9.95<br />

To appear in August <strong>2017</strong><br />

More new Haydn repertoire:<br />

Joseph Haydn<br />

Late Piano Sonatas<br />

Edited by Bernhard Moosbauer<br />

and Holger M. Stüwe<br />

With notes on performance practice<br />

and fingerings by Rebecca Maurer<br />

BA 10804 · approx. € 24.50<br />

To New appear Issue in Title September <strong>2017</strong><br />

33 New Publications 2/<strong>2017</strong> · The Programme


The<br />

Authoritative<br />

Music<br />

Encyclopedia –<br />

Now Online<br />

MGG Online is the new digital encyclopedia for music<br />

researchers worldwide.<br />

It is based on the second edition of Die Musik in Geschichte<br />

und Gegenwart, the authoritative reference work that has<br />

supported music scholarship since 1949, and features newly<br />

written articles and regular updates.<br />

MGG Online has been developed by Bärenreiter and J. B. Metzler<br />

in partnership with Répertoire International de Littérature<br />

Musicale (RILM).<br />

Extensive Content Covering<br />

All Music Disciplines<br />

MGG Online features the content of the second edition of<br />

Die Musik in Geschichte und Gegenwart with more than 19,000<br />

articles:<br />

● More than 18,000 biographical articles cover composers,<br />

singers, instrumentalists, and theorists. Many of these<br />

articles are in the area of jazz and popular music.<br />

There are also articles covering literary figures, ensembles,<br />

publishers, librettists, philosophers, musicologists, and<br />

stage directors.<br />

● About 1300 subject articles focus on periods, countries,<br />

regions, and cities, sources, genres, and instruments. In<br />

addition, there are comprehensive articles on institutions<br />

(including music libraries), music iconographical subjects,<br />

and relationships to the other arts.<br />

MGG‘s unique breadth of scope is illustrated by the<br />

inclusion of articles on music as it relates to history,<br />

philosophy, law, the natural sciences, and other topics.<br />

New Issue Title<br />

New Publications 2/<strong>2017</strong> · The Programme 34


Continuously Updated<br />

Content<br />

Bärenreiter and J. B. Metzler are responsible for<br />

the content of MGG Online, ensuring that the<br />

encyclopedia remains comprehensive and<br />

authoritative.<br />

Hundreds of articles have been revised, updated,<br />

or newly written by internationally recognized<br />

authorities in their field.<br />

Technologically<br />

Advanced Presentation<br />

RILM has built a new platform, which<br />

searches every corner of MGG Online to<br />

identify material relevant to the researcher’s<br />

objective. Current features include:<br />

● Sortable lists of works and bibliographies<br />

● Powerful platform with the most<br />

advanced search and browse capabilities<br />

● Easy toggling between current and older<br />

versions of each article<br />

● Automatic translation from German<br />

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Google Translate integration<br />

● User accounts where annotations can<br />

be created, saved, and shared<br />

● Links to related content in<br />

RILM Abstracts of Music Literature<br />

● An interface compatible with mobile and<br />

tablet devices<br />

Like the content of MGG Online,<br />

the platform will be enhanced on<br />

an ongoing basis.<br />

New Issue Title<br />

Visit rilm.org/mgg-online/ for subscription<br />

information or to request a free 30-day trial for<br />

35 New Publications 2/<strong>2017</strong> · The Programme<br />

your institution.


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