YOUR NEXT PERFORMANCE
IS WORTH IT
Bärenreiter
The Musicians’ Choice
U1: Entwurf
folgt, nur Test
The Programme
New Publications
Sheet Music
2/2017
New Issue Title
1 New Publications 2/2017 · The Programme
Contents
Piano / Harpsichord
Beethoven: Sonatas for Pianoforte
Sonata in E-flat major op. 81a. BA 11808...................3
Grande Sonate in E-flat major op. 7. BA 11802............4
Grande Sonate in A-flat major op. 26
“Funeral March”. BA 11804................................................ 5
Bach: Suites, Partitas, Sonatas transcribed for
Harpsichord by Gustav Leonhardt. BA 11820.......... 6
Mozart: Concerto in D major for Pianoforte and
Orchestra “Coronation Concerto” K. 537.
BA 10495-90.......................................................................7
Hradecký: Two-Part Piano Miniatures on One Page.
H 8034.................................................................................8
Haydn: Late Piano Sonatas. BA 10804.............................33
Solo Voice
Dvořák: Gypsy Songs op. 55 for Voice and Piano.
High Voice: BA 10431, Low Voice: BA 10432............22
Schubert: Selected Opera Arias for Baritone.
BA 5655..............................................................................23
Study Scores
Martinů: Nonet No. 2 H 374 for Flute, Oboe, Clarinet,
Bassoon, Horn, Violin, Viola, Violoncello and
Double Bass. TP 440..................................................... 24
Dvořák: Concerto in A minor
for Violin and Orchestra op. 53. TP 422...................25
Contemporary Music.........................................26
Bärenreiter Urtext Campaign.................10–11
Strings
Saint-Saëns: Sonate for Violoncello and Piano
in D major. BA 10910...................................................... 9
Sassmannshaus: Viola Recital Album, Volume 1:
BA 8992, Volume 2: BA 8993................................. 12–13
Rieding: Concerto in D major op. 36. BA 10697............. 14
Bréval: Sonata in C major op. 40. BA 10698.................. 15
Winds
Debussy: Première Rhapsodie for Orchestra with
Solo Clarinet in Bb. BA 7897 ...................................... 16
Weinzierl, Wächter: Romantic Hits for two Flutes.
BA 10643............................................................................17
Choir
Gounod: Messe solennelle (Ste Cécile).
BA 8966............................................................................. 18
Bärenreiter Album of Opera Choruses
for mixed choir. BA 6924.............................................19
Georg Philipp Telemann
Selected Works for the Telemann Year 2017..........20–21
Facsimiles
Wollny (Editor): Johann Sebastian Bach
“O Ewigkeit, du Donnerwort” BWV 20.
ISBN 978-3-7618-2447-4................................................27
Berlioz: Symphonie fantastique op. 14.
ISBN 978-3-7618-1601-1.......................................... 28–29
Complete Editions.................................................30
Opera
Monteverdi: L'incoronazione di Poppea.
BA 8792.............................................................................. 31
Orchestra
Debussy: Première Rhapsodie for Orchestra with
Solo Clarinet in Bb. BA 7897 ...................................... 16
Smetana: Šárka. Symphonic Poem for Orchestra.
BA 11532..............................................................................32
Haydn: Symphony in C major Hob. I: 90.
BA 10981............................................................................33
MGG Online...........................................................34–35
Your Contacts............................................................. 36
New Issue Title
New Publications 2/2017 · The Programme 2
Piano
New Beethoven publications:
Virtuoso Piano Sonatas
Jonathan Del Mar, the worldwide authority and acclaimed
specialist on Beethoven, is editing all of this composer's piano
sonatas in Bärenreiter Urtext editions, incorporating the latest
findings of Beethoven scholarship and evaluating every available
source. Del Mar's meticulous examination of the handwritten
and printed sources as well as the various impressions of prints
published in Beethoven’s lifetime lead to a reliable and conclusive
musical text. Rounding off each volume is a Critical Commentary
which documents every source discrepancy and editorial decision.
These editions contain an elegant and spacious engraving with
practical page turns as well as informative Introductions on the
genesis and significance of the works concerned. Also included
are notes on key period performance practice questions such as
the use of pedalling, embellishments, tempo and articulation.
• Evaluation of every available source
• Elegant and well-presented layout
• Practical pageturns
• Detailed Introductions (Eng/Ger)
• Notes on period performance practice (Eng/Ger)
• Detailed Critical Commentary (Eng)
Composed in 1809–10, Beethoven’s Sonata op. 81a expresses his very
personal feelings. He titled its three movements “Das Lebe wohl” (The
Farewell), “Die Abwesenheit” (The Absence) and “Das Wiedersehn”
(The Return) in reference to the hasty departure of his good friend
and patron Archduke Rudolph of Austria who fled Vienna with the
imperial family on 4 May 1809 to escape Napoleon’s approaching
troops.
Ludwig van Beethoven:
Sonata in E-flat major
for Pianoforte op. 81a
“Les Adieux”
BÄRENREITER URTEXT
Edited by Jonathan Del Mar
With an Introduction by Misha Donat
and notes on performance practice
by Jonathan Del Mar and
Misha Donat
BA 11808 · approx. € 7.95
To appear in October 2017
Beethoven referred to op. 81a as a “characteristic sonata”, not in the
sense that it had an underlying programme, but because it lent
musical expression to his feelings. He reacted angrily when his
publisher printed French translations of its title and movement
headings. This however did not prevent op. 81a from becoming
widely known by its French name “Les Adieux”.
ISMN 979-0-006-56181-0
9790006561810
New Issue Title
3 New Publications 2/2017 · The Programme
Piano
Beethoven’s sonatas
in Bärenreiter Urtext
Ludwig van Beethoven:
Grande Sonate
in E-flat major
for Pianoforte op. 7
BÄRENREITER URTEXT
Edited by Jonathan Del Mar
With an Introduction by Misha Donat
and notes on performance practice
by Jonathan Del Mar and
Misha Donat
BA 11802 · approx. € 7.95
The earliest sketches for Beethoven’s Grande Sonate op. 7 date from
1796 and the first edition was issued by the publisher Artaria, Vienna
in October 1797. It is dedicated to Beethoven’s pupil Anna Luise
Barbara (Babette) Countess Keglevicz, in whom, if Carl Czerny is to be
believed, he was passionately in love. For this reason it is sometimes
known by its German nickname “Die Verliebte” (The Lover).
To appear in November 2017
This work is one of the longest and most demanding of Beethoven’s
piano sonatas. Its four movements cover a wide range of emotions –
a challenge that the dedicatee, who was 16 at the time and only
started taking lessons from Beethoven in 1797, possibly felt unable
to master.
ISMN 979-0-006-56175-9
9790006561759
New Issue Title
New Publications 2/2017 · The Programme 4
Piano
Beethoven’s four-movement Sonata op. 26 in A-flat major belongs to
his most popular works. It is dedicated to Prince Lichnowsky, one of
his most generous patrons and the dedicatee of, among other things,
the Grande Sonate pathétique op. 13 and Symphony No. 2 op. 35. This
demanding sonata is highly varied in its form: it begins with a set of
variations and contains the famous Marcia sulla morte d’un Eroe as
its third movement, earning it the nickname “Sonata with the
Funeral March”. The identity of the title’s eroe (hero) still remains
unknown. The work’s initial drafts date from 1800–01; its publication
took place in March 1802.
Already published:
Three Sonatas in F minor, A major, C major op. 2
BA 10859 · € 25.95
Three Sonatas in C minor, F major, D major op. 10
BA 10857 · € 17.95
Grande Sonate pathétique in C minor op. 13
BA 10851 · € 5.95
Two Sonatas in E major, G major op. 14
BA 10855 · € 9.95
Sonata quasi una Fantasia in E-flat major op. 27 no. 1 /
Sonata quasi una Fantasia in C-sharp minor op. 27 no. 2
“Moonlight Sonata”
BA 10853 · € 11.50
Sonata in D major op. 28 “Pastorale”
BA 11814 · € 7.95
Three Sonatas in G major, D minor, E-flat major op. 31
BA 11805 · € 21.95 (to appear in August 2017)
Two Sonatas in G minor, G major op. 49
BA 10858 · € 7.95
Grande Sonate in C major op. 53 “Waldstein”
BA 10856 · € 9.95
Ludwig van Beethoven:
Grande Sonate
in A-flat major
for Pianoforte op. 26
“Funeral March”
BÄRENREITER URTEXT
Edited by Jonathan Del Mar
With an Introduction by Misha Donat
and notes on performance practice
by Jonathan Del Mar and
Misha Donat
BA 11804 · approx. € 9.95
To appear in December 2017
Sonata in F minor op. 57 “Appassionata”
BA 10852 · € 7.95
Sonata in F-sharp major op. 78
BA 11807 · € 10.95
Sonata in G major op. 79 “Sonate facile”
BA 11815 · € 6.95
Sonata in A major op. 101
BA 11811 · € 7.50
ISMN 979-0-006-56177-3
9790006561773
New Issue Title
5 New Publications 2/2017 · The Programme
Harpsichord
Bach – transcribed
by Gustav Leonhardt
Johann Sebastian Bach:
Suites, Partitas, Sonatas
transcribed for Harpsichord
by Gustav Leonhardt
Edited by Siebe Henstra
With a Foreword by Skip Sempé
BA 11820 · approx. € 39.95
To appear in August 2017
“I think Bach would have forgiven me for embarking on these
transcriptions. Whether he would have forgiven the way I did it is,
of course, another matter.” (Gustav Leonhardt)
The harpsichordist, conductor and organist Gustav Leonhardt was
considered a pioneer of historical performance practice. Between
1968 and 1978 he made harpsichord transcriptions of several of Bach’s
compositions for unaccompanied violin or violoncello. Now these
transcriptions are being made available to us by his pupil, the famed
harpsichordist Siebe Henstra, based on the handwritten notes that
Leonhardt used for his own performances.
ISMN 979-0-006-56260-2
9790006562602
New Issue Title
• Informative Foreword and editorial notes by early music specialist
Skip Sempé (Ger/Eng)
• Includes transcriptions, amongst others, of Sonata in G minor
for Solo Violin (BWV 1001), Partita in D minor for Solo Violin
(BWV 1004), Partita in E major for Solo Violin (BWV 1006) and
Suite in C minor for Solo Violoncello (BWV 1011)
New Publications 2/2017 · The Programme 6
Piano
New impetus for period
performance practice
Wolfgang Amadeus
Mozart:
Concerto in D major
for Pianoforte and
Orchestra “Coronation
Concerto” K. 537
This new piano reduction of Mozart’s “Coronation Concerto” K. 537
is based on the music text from the New Mozart Edition and is fully
compatible with the already existing performance material (BA 5318).
A separate Urtext solo piano part is included in this piano reduction
edition allowing the soloist not only to play the work as customary
in recent decades, but also, for the first time since Mozart’s era,
to improvise above the tutti basses and to conduct the ensemble
from the piano.
The new edition is supplemented by a separate booklet containing
cadenzas and selected lead-ins by August Eberhard Müller,
Carl Reinecke and Max Reger.
BÄRENREITER URTEXT
Edited by Wolfgang Rehm
Piano reduction by Martin Schelhaas
BA 10495-90 · approx. € 22.95
(replaces BA 5318-90)
To appear in August 2017
Fully compatible with performance
material of BA 5318
• Urtext edition based on the New Mozart Edition (NMA)
• Separate Urtext solo piano part included
• Enclosed booklet with cadenzas
• Provides new impetus for period performance practice
ISMN 979-0-006-56166-7
9790006561667
New Issue Title
7 New Publications 2/2017 · The Programme
Piano
Teaching material
for piano
Emil Hradecký:
Two-Part Piano Miniatures
on One Page
Album of 15 easy pieces
for beginners
Illustrations by Andrea Tachezy
H 8034 · approx. € 7.50
To appear in September 2017
The Czech composer and teacher Emil Hradecký (b. 1953) has devoted
much of his creative output to children and the piano. His Two-Part
Piano Miniatures on One Page are ingenious small piano pieces for
beginners which are easy to play yet melodically interesting. Here
children are introduced to the character of classical music as well
as various dance forms: cha-cha-cha, tango, waltz, polka, blues and
boogie-woogie.
The pieces are composed on whole-tone, pentatonic and gypsy scales
and include a folksong arrangement.
ISMN 979-0-2601-0842-4
• Small recital pieces for beginners at the piano
• New teaching material for piano
• Clever illustrations to kindle children’s musical imagination
9790260108424
New Issue Title
New Publications 2/2017 · The Programme 8
Strings
A sensation for cellists
Camille Saint-Saëns:
Sonata for Violoncello
and Piano
Incomplete
First Edition
The French composer Camille Saint-Saëns endowed the music world
with a multitude of masterpieces for violoncello including concertos,
sonatas and miniatures such as The Swan and the Allegro appassionato
op. 43.
This first publication of the Sonata in D major is based on
Bärenreiter’s Camille Saint-Saëns Œuvres instrumentales complètes.
Although we know from correspondence that two complete
autographs existed, only an incomplete autograph source containing
the 1 st movement and part of the 2 nd movement, which breaks off,
have come down to us. In his final work for violoncello Saint-Saëns
juxtaposes highly rhythmical episodes with more poetic ones.
These contrasts are reinforced by bold shifts of harmonic coloring
and a highly inventive thematic development.
These movements are destined to become standards for cellists.
BÄRENREITER URTEXT
Edited by Denis Herlin
BA 10910 · € 17.95
Already published, not announced in
previous New Publications Bulletins
ISMN 979-0-006-55885-8
• First ever Urtext edition of this incomplete work based
on Camille Saint-Saëns Œuvres instrumentales complètes
• Informative Introduction (Fr/Eng/Ger)
9790006558858
New Issue Title
9 New Publications 2/2017 · The Programme
Urtext-Flags-50x150cm+10cmbleed.indd 1 03/03/2017 16:16 Urtext-Flags-50x150cm+10cmbleed.indd 2 03/03/2017 16:16
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Urtext-Flags-50x150cm+10cmbleed.indd 5 03/03/2017 16:16
Bärenreiter Urtext
Bärenreiter Urtext: New campaign 2017
Flags
Flyer
6 pages DIN A 4
SPA 170_2
SPA 170_3
Flags
English
Japanese
Size: 50 cm x 150 cm
SPA 170_4 Violoncello
SPA 170_5 Clarinet
SPA 170_6 Double Bass
SPA 170_7 Violin
Posters
Size: A 2
SPA 170_8 Violoncello
SPA 170_9 Clarinet
SPA 170_10 Double Bass
SPA 170_11 Violin
SPA 170_20 Piano
SPA 170_21 Choir New Issue Title
Stickers
Size: 5.5 cm x 8.5 cm
SPA 170_12 Violoncello
SPA 170_13 Clarinet
SPA 170_14 Double Bass
SPA 170_15 Violin
The Musician's Notes
Notebooks, 32 pages, DIN A 5
BA 8400-1 Violoncello € 1.95
BA 8400-2 Clarinet € 1.95
BA 8400-3 Double Bass € 1.95
BA 8400-4 Violin € 1.95
BA 8400-5 Piano € 1.95
Already published
New Publications 2/2017 ·· The Programme 10
Urtext-Posters-A2.indd 1 23/03/2017 08:54
Urtext-Posters-A2.indd 4 23/03/2017 08:54
Your specialist in Bärenreiter Urtext:
Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany
www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_1
ISMN 979-0-006-56480-4
Urtext-NoteBook.indd 2 21/03/2017 16:24
Your specialist in Bärenreiter Urtext:
Urtext-Posters-A2.indd 2 23/03/2017 08:54
Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany
www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_2
ISMN 979-0-006-56481-1
Urtext-NoteBook.indd 4 21/03/2017 16:24
Your specialist in Bärenreiter Urtext:
Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany
www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_3
Urtext-Posters-A2.indd 5 23/03/2017 08:54
ISMN 979-0-006-56482-8
Urtext-NoteBook.indd 6 21/03/2017 16:24
Your specialist in Bärenreiter Urtext:
Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany
www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_4
ISMN 979-0-006-56483-5
Urtext-NoteBook.indd 8 21/03/2017 16:25
Bärenreiter Urtext
Promotional material and give-aways
YOUR NEXT PERFORMANCE
IS WORTH IT
YOUR NEXT PERFORMANCE
IS WORTH IT
THE MUSICIAN’S
NOTES
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9790006564804
THE MUSICIAN’S
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YOUR NEXT PERFORMANCE
IS WORTH IT
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Your next performance is worth it.
9790006564811
THE MUSICIAN’S
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9790006564828
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THE MUSICIAN’S
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Stickers
New Issue Title
9790006564835
Notebooks
11 New Publications 2/2017 · · The Programme
Strings
New recital albums
for the viola
These two volumes contain a wide selection of easy recital pieces.
They are designed as companion volumes to the Early Start on the
Viola method but work equally well as a supplement to any other
viola method. As all pieces are written entirely in first position, they
can be used just after a few months of lessons. Well-known as well
as unfamiliar pieces provide welcome additional repertoire for young
students and teachers.
The piano part may be played by the teacher or an advanced student.
Alternatively a second viola part allows duet playing with the teacher
during lessons.
Sassmannshaus
Viola Recital Album
Volume 1: First Position
for Viola and Piano
or Two Violas
Edited by Melissa Lusk,
Christoph Sassmannshaus and
Kurt Sassmannshaus
Score and part, plus additional
viola part for duet version
BA 8992 · approx. € 16.95
To appear in October 2017
From the contents:
Well-known traditionals (Baa Baa Black Sheep), unfamiliar melodies
(The Robin’s Lullaby) and a few original compositions by the authors
(Jumping Beans), always precisely tailored to meet the needs of young
students.
The Viola Recital Album, Volume 1, can be used as a supplement to the
Early Start on the Viola method, Volumes 1 and 2 (BA 9686 and BA 9687).
The 18 pieces in Volume 1 are structured to follow the same progression
of finger patterns introduced in the Early Start method. This systematic
progression helps the student to solidify the hand position and improve
intonation. The basic bowing techniques do not require changes in bow
speed or sounding point. The young performer can focus on a straight
and beautifully placed bow that produces a pleasing and clear sound.
• New pieces to supplement the Sassmannshaus Viola method
• All pieces in first position
• Include an additional viola part for duet version and
a piano accompaniment
ISMN 979-0-006-56456-9
9790006564569
New Issue Title
Already published:
Violin Recital Album, Volumes 1 and 2
BA 9668, BA 9669 · € 15.50 / € 17.50
Cello Recital Album, Volumes 1 and 2
BA 8994, BA 8995 · € 15.95 each
New Publications 2/2017 · The Programme 12
Strings
Sassmannshaus
THE SASSMANNSHAUS TRADITION
BÄRENREITER’S
VIOLIN RECITAL ALBUM
Sassmannshaus
FIRST POSITION
ERSTE LAGE
VOLUME 1 / BAND 1
Sassmannshaus
Viola Recital Album
Volume 2: First Position
for Viola and Piano
or Two Violas
The Viola Recital Album, Volume 2, can be used as a supplement to the
Early Start on the Cello method, Volumes 2 and 3 (BA 9687 and BA 9688).
The 12 pieces in Volume 2 are structured to follow the same progression
of finger patterns introduced in the Early Start method, Volumes 2
and 3. The later repertoire in this volume includes a careful
introduction of downward and upward extensions.
Edited by Melissa Lusk,
Christoph Sassmannshaus and
Kurt Sassmannshaus
Score and part, plus additional
viola part for duet version
BA 8993 · approx. € 16.95
To appear in October 2017
Already published:
Early Start on the Viola
BA 9686 Volume 1 · € 13.50
BA 9687 Volume 2 · € 13.50
BA 9688 Volume 3 · € 13.50
BA 9689 Volume 4 · € 13.50
ISMN 979-0-006-56457-6
9790006564576
New Issue Title
13 New Publications 2/2017 · The Programme
Strings
Oskar Rieding:
Concerto in D major op. 36
Violin part with enclosed
violin/piano score
BA 10697 · approx. € 12.95
To appear in October 2017
Further Rieding works for violin:
Oskar Rieding
Marcia op. 44, Rondo op. 22/3
BA 8982 · € 8.50
Concertino in Hungarian Style
in A minor op. 21
BA 8973 · € 8.50
Concerto in B minor op. 35
BA 8971 · € 8.50
Each edition consists of a violin part
and an enclosed violin/piano New Issue score Title
Oskar Rieding (1840–1918) is known to all young violinists for his
easy-to-play concertos for violin and piano, of which opp. 34 to 36
remain entirely in first position. In op. 36 catchy melodies are
coupled with first technical difficulties such as eighth-note arpeggios,
16th-note runs and chromaticism. These appear in small measures
throughout the entire work.
The Concerto in D major is well-suited for younger student recitals.
• Concert piece entirely in first position
• Ideal for students wishing to perform their first recital
• Duration: approx. 10 minutes
ISMN 979-0-006-56458-3
9790006564583
New Issue Title
New Publications 2/2017 · The Programme 14
Strings
An easy work
with a great impact
Jean-Baptiste Bréval:
Sonata in C major op. 40
Cello part with enclosed
cello/piano score
BA 10698 · approx. € 12.95
To appear in October 2017
Jean-Baptiste Bréval (1753–1823) was a member of the orchestra at the
Paris Opéra and also a prolific composer. His works include concertos
for cello, string quartets, comic operas and a violoncello tutor.
However he is best-known for the Sonata in C major which has
become a standard work for teaching purposes, even in arrangements
for other instruments. The two movements (Allegro and Rondo
Grazioso) can also be performed independently from one another.
This sonata belongs to the basic repertoire of every young cellist.
• Ideal for the first “proper” recital
• Of moderate technical difficulty but with brilliant impact
• Duration: approx. 8 minutes
Further cello titles in this series:
Edward Mollenhauer
The Boy Paganini
BA 10694 · € 8.95
Edward Mollenhauer
The Infant Paganini
BA 10693 · € 8.95
Oskar Rieding
Concerto in B minor op. 35
BA 8984 · € 10.75
ISMN 979-0-006-56459-0
9790006564590
New Issue Title
Friedrich Seitz
Concerto in D major op. 22
BA 8987 · € 10.25
Each edition consists of a cello part
and New an Issue enclosed Title cello/piano score.
15 New Publications 2/2017 · The Programme
Winds
For the 2018
Debussy Year
Claude Debussy:
Première Rhapsodie
for Orchestra with
Solo Clarinet in Bb
BÄRENREITER URTEXT
Edited by Douglas Woodfull-Harris
Score BA 7897 · approx. € 22.95
Version for clarinet and piano
BA 7897-90 · approx. € 13.95
Wind set
BA 7897-65 · approx. € 39.95
Violin 1 BA 7897-74 · approx. € 3.50
Violin 2 BA 7897-75 · approx. € 3.50
Viola BA 7897-79 · approx. € 3.50
Violoncello BA 7897-82 · approx. € 3.50
Double bass BA 7897-85 · approx. € 3.50
To appear in November 2017
Debussy’s Première Rhapsodie is one of two concertante works
completed, premiered and published during his lifetime. He was
commissioned to write it in 1909 for the final examination at the Paris
Conservatoire in 1910. Debussy orchestrated it in the summer of 1911.
While transferring the clarinet part from the already published
version for clarinet and piano, he made a few subtle changes,
particularly in m. 201, which has been a bone of contention among
clarinettists for over a century.
The present scholarly-critical publication is the first Urtext edition of
the orchestral version. It draws on every known source and takes into
account a previously ignored source that sheds new light on the piece.
ISMN 979-0-006-56436-1
9790006564361
BA 7897-90
New Issue Title
ISMN 979-0-006-56435-4
9790006564354
BA 7897
New Issue Title
• First Urtext edition of the orchestral version
• First scholarly-critical edition of a pioneering work for clarinet
• Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)
New Publications 2/2017 · The Programme 16
Zeitgenössische Musik
Romantic Flute Music
Elisabeth Weinzierl
and Edmund Wächter:
Romantic Hits
for two Flutes
28 pages
BA 10643 · € 12.95
Arrangements of familiar pieces for two flutes were very popular in
the romantic era. This enabled works which were current at that time
to be played in salons and at home. Folk songs, opera arias, piano and
concert pieces were arranged by such figures as Giuseppe Gariboldi,
Kaspar Kummer and Ernesto Köhler. Elisabeth Weinzierl and Edmund
Wächter have selected and arranged the most beautiful and bestknown
pieces for this edition making these melodies accessible
even to the less experienced musician.
From the contents:
Robert Schumann: Frühlingsgruß / Carl-Maria von Weber: Hunters’
Chorus / Giuseppe Verdi: Ah! Gran Dio! Morir sì giovine / Vincenzo
Bellini: Ma non fia sempre odiata / Felix Mendelssohn: Song without
Words
• Well-known melodies from the greatest Romantic composers
• Both parts equally comprehensive and easy-to-play
Already published, not announced in
previous New Publications Bulletins
(replaces BA 8691)
ISMN 979-0-006-56324-1
9790006563241
New Issue Title
Also published:
Douglas Woodfull-Harris
Classic Hits for 2 Flutes
BA 10613 · € 13.95
New Issue Title
17 New Publications 2/2017 · The Programme
Choir
For the composer’s
200 th birthday in 2018
Charles Gounod:
Messe solennelle
(Ste Cécile)
for Soloists (STB), Choir (SATB),
Orchestra and Organ
BÄRENREITER URTEXT
Edited by Hans Schellevis
Piano reduction by the editor
Score
BA 8966 · approx. € 79.00
Vocal score (Lat)
BA 8966-90 · approx. € 14.95
Wind set
BA 8966-65 · approx. € 79.00
Organ BA 8966-67 · approx. € 23.95
Violin I BA 8966-74 · approx. € 8.95
Violin II BA 8966-75 · approx. € 8.95
Viola BA 8966-79 · approx. € 8.95
Violoncello BA 8966-82 · approx. € 8.95
Double bass BA 8966-85 · approx. € 8.95
Sacred works occupy a large part of Charles Gounod’s œuvre. It was
the Messe solennelle en l’honneur de Sainte Cécile that established his
fame as a church composer. Its melodic invention and effective
handling of the orchestra reveal a close proximity to opera.
This Urtext edition is based not only on the original print of 1856 but
also on copyists’ manuscripts and autograph sources. Rounding off
this well-researched Urtext edition are an informative Introduction
and a detailed Critical Commentary. The edition is being published to
celebrate the 200 th anniversary of Gounod’s birth.
• Gounod’s well-known mass in a new Urtext edition
• Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)
• Idiomatic piano reduction
• In preparation for the Gounod bicentenary year 2018
ISMN 979-0-006-56400-2
BA 8966-90
To appear in New October Issue Title 2017
9790006564002
New Issue Title
New Publications 2/2017 · The Programme 18
Choir
Major opera choruses from
the 17 th to 19 th centuries
Bärenreiter Album of
Opera Choruses
for mixed choir
Edited by Tilman Michael
BA 6924 · approx. € 16.95
This album for mixed choir and piano contains a selection of richly
varied choruses from Italian, French, German, English and Russian
operas from the 17 th to 19 th centuries, illuminating the great diversity
of the genre. Choruses from the following operas are included:
Claudio Monteverdi: L’Orfeo / George Frideric Handel: Acis and Galatea
HWV 49 b / Christoph Willibald Gluck: Alceste (Vienna version 1767) /
Wolfgang Amadeus Mozart: Idomeneo K. 366 / Franz Schubert:
Fierabras D. 796 / Vincenzo Bellini: Norma / Camille Saint-Saëns:
Samson et Dalila / Georges Bizet: Carmen / Pyotr Ilyich Tchaikovsky:
Eugene Onegin (cyrillic text with transliteration)
To appear in July 2017
ISMN 979-0-006-56235-0
9790006562350
New Issue Title
• Foreword (Ger/Eng) which places the choruses in their dramatic
context and includes suggestions for study and interpretation
• Notes on pronounciation of the Russian song text
• In a large format (23 x 30 cm)
The editor
Tilman Michael worked at the
Hamburg State Opera and the
Mannheim National Theatre before
being appointed choral director at
the Frankfurt Opera in 2014.
New Issue Title
19 New Publications 2/2017 · The Programme
Violino I *)
Violino II
Viola
Viola da
gamba
Canto
Oboe I *)
Alto
Oboe II**)
Tenore
Ba so
Organo
Violonce Violone
4
8
TVWV 1: 14 9
War um be trübst du dich, mein Herz?
War um be trübst du dich, mein Herz?
8 War um be trübst du dich, mein Herz?
War um be trübst du dich, mein Herz?
6 7 6
*) Gera druck zeigt an, daß die betre fende Sti me von Telema n geschrieben wurde.
*) Vgl. den Kritischen Bericht, S. XI.
Solo
Der He r hat mich ver
Basso continuo
7
10
13
Violino
BA 5857
6 6 6 6
5
6 65 64 5 6
4
2
131
Andante
© 2 06 by Bärenreiter-Verlag, Ka sel
4
2
Solo 1
TWV 41:F4
6 6 6 5 6
7 6 6
4
5 6 7 9 6 6 64 5
7 6 7 6 6 6
5
6 6
6 6
3
4
6 4
2
2
© 2009 by Bärenreiter-Verlag, Kassel
Telemann-Poster.indd 1 24/02/2017 12:23
Telemann Year 2017
Selected Telemann Works
Sacred Choral Music
Christus, der ist mein Leben TVWV 1:138
BA 5897-90 · € 13.50
Die Auferstehung und Himmelfahrt Jesu TWV 6:6
BA 5851-90 · € 29.95
Harmonischer Gottesdienst
Lent and Easter Cantatas
BA 5895 · € 32.95
Der Tod Jesu – Betrachtung der neunten Stunde
am Todestage Jesu TVWV 5:5, 5:6
BA 5853-90 · € 30.95
Der für die Sünde der Welt leidende und sterbende
Jesus TVWV 5:1
BA 5863 · € 282.00
Die Donnerode TVWV 6:3
BA 5900-90 · € 15.95
Concerto for two Violins (Flute and Violin),
Viola and Basso continuo in D minor TWV 43:d2
BA 5875 · € 13.95
Two Sonatas for Oboe and Basso continuo
from “Essercizii musici”
BA 5889 · € 21.50
Nine Sonatas for two Transverse Flutes without
Figured Bass TWV 40:141-149
BA 5888 · € 28.95
Twelve Methodical Sonatas for Violin or Flute
and Basso continuo. Volume 1
BA 2241 · € 14.95
Sonata for Flute and Basso continuo No. 1 in B minor
TWV 41:h4 “Tafelmusik I”
BA 3537 · € 9.25
Instrumental Works
Twelve Fantasias for Flute without Bass TWV 40:2-13
BA 2971 · € 10.50
Concerto for Viola, Strings and Basso continuo
in G major TWV 51:G9
BA 5878 · € 19.50
Bärenreiter “Notes”
Telemann green
Size: DIN A 6, 32 pages
BA 8100-24 · € 0.75
Poster
Warum betrübst du dich, mein Herz
1. Choral ed Arioso Adagio
las sen, ver las sen! Der He r hat mein ver ges sen, der
6 7 6 6 6 6
Three Concertos for Violin and Orchestra TWV 51:a1
in A minor, 51:D9 in D major, 51:g1 in G minor
BA 5876-90 · € 17.95 New Issue Title
Georg Philipp Telemann
Size: DIN A 1 long (42 x 118,8 cm)
SPA 50_73 · free of charge
New Publications 2/2017 ·· The Programme 20
8
7 6 6
4
5 6 7 9 6 6 6
4
7 6 7 6 6 6
5
250 th anniversary of Telemann's death
Warum betrübst du dich, mein Herz
TVWV 1: 1499
1. Choral ed Arioso Adagio
131
Violino I *)
Violino II
Viola
Viola da
gamba
Canto
Oboe I**)
Alto
Oboe II**)
Tenore
Basso
mein Herz?
War um be trübst du dich, mein Herz?
8 War um be trübst du dich, mein Herz?
War um be trübst du dich, mein Herz?
Solo
Der Herr hat mich ver
Organo
Violoncello
Violone
6 7 6
4
from: Twelve Fantasias for Flute without Bass
TWV 40:2-13 · BA 2971
Violino
Andante
las sen, ver las sen! Der Herr hat mein ver ges sen, der
Solo 1
TWV 41:F4
Basso continuo
© 2006 by Bärenreiter-Verlag, Kassel
6 7 6 6 6 6
*) Geraddruck zeigt an, daß die betreffende Stimme von Telemann geschrieben wurde.
**) Vgl. den Kritischen Bericht, S. XXI.
4
2
6 6 6 5
3
6 6 6 6
5
6 6
5
6
4
5 6
7
10
13
4
2
6 6
4
2
6 4
2
BA 5857
© 2009 by Bärenreiter-Ver
from: Three Concertos for Violin and Orchestra
TWV 51:a1 in A minor, TWV 51:D9 in D major,
TWV 51:g1 in G minor · BA 5876-90
New Issue Title
21 New Vorschau Publications 2/2017 · 2/2017 Das Programm · The Programme
Solo Voice
One of the most popular
romantic song cycles
Dvořák’s song cycle Gypsy Songs op. 55 on words by the Czech poet
Adolf Heyduk, were written at the beginning of 1880 at the request
of the Bohemian tenor Gustav Walter, a member of the Vienna Court
Opera and the work’s dedicatee.
For this Urtext edition the editor Veronika Vejvodová has taken the
original print as her main source. The edition appears in two volumes,
one for high voice and another for low voice.
Antonín Dvořák:
Gypsy Songs op. 55
for Voice and Piano
BÄRENREITER URTEXT
Edited by Veronika Vejvodová
ISMN 979-0-2601-0779-3
Vocal texts: (Cz/Eng/Ger)
High Voice
BA 10431 · approx. € 12.50
(replaces H 1559)
Low Voice
BA 10432 · approx. € 12.50
(replaces H 1739)
To appear in October 2017
ISMN 979-0-2601-0778-6
• Third volume from the new five-volume Urtext edition of Dvořák’s
complete songs
• One of the most popular and best-known song cycles of the
romantic repertoire
• Extensive Foreword (Cz/Eng/Ger) and Critical Commentary (Eng)
by the editor
• Vocal texts in three languages (Cz/Eng/Ger)
Contents
1. I chant my lay, a hymn of love
2. Hark, how my triangle
3. Silent and lone the woods around
4. Songs my mother taught me
5. Tune thy strings, oh gypsy
6. In his wide and ample, airy linen vesture
7. Cloudy heights of Tatra
Already published:
Cypresses for Tenor and Piano (B 11)
BA 9569 · € 23.95
Antonín Dvořák
Songs II for High Voice and Piano
BA 11517 · € 28.95
9790260107793
9790260107786
BA 10432 BA 10431
Songs II for Low Voice and Piano
BA 11518 · € 28.95
New Issue Title
New Issue Title
New Publications 2/2017 · The Programme 22
Solo Voice
Lyrical and dramatic
gems
Franz Schubert:
Selected Opera Arias
for Baritone
BÄRENREITER URTEXT
from: “Wo find ich nur den Ort, mein Haupt zur Ruh zu legen”
(Alfonso und Estrella)
Edited and arranged by
Patrick Radelet
BA 5655 · approx. € 27.95
To appear in October 2017
Schubert’s operas contain a wealth of magnificent music. This
anthology of opera arias for baritone with piano accompaniment
presents a delightful selection from Des Teufels Lustschloss, Adrast,
Die Freunde von Salamanka, Alfonso und Estrella and Fierabras.
An enclosed violoncello part for the aria “Wo find ich nur den Ort,
mein Haupt zur Ruh zu legen” (Alfonso und Estrella) makes it possible
to perform this piece in a chamber music setting.
• Urtext edition based on the New Schubert Edition
• Trilingual texts (Ger/Eng/Fr) with an informative Foreword, notes
on the arias’ dramatic context and literal translations of the aria
texts into English and French
• Idiomatic easy-to-play piano part
ISMN 979-0-006-56215-2
9790006562152
New Issue Title
23 New Publications 2/2017 · The Programme
Study Scores
Study score now with transposed
part for clarinet in B-flat
Bohuslav Martinů:
Nonet No. 2 H 374
for Flute, Oboe, Clarinet,
Bassoon, Horn, Violin, Viola,
Violoncello and Double Bass
BÄRENREITER URTEXT
Edited by Jitka Zichová
Study score
TP 440 · approx. € 22.50
(replaces H 3022)
To appear in October 2017
Performance material
available on hire
ISMN 979-0-2601-0845-5
9790260108455
Martinů’s Nonet No. 2 was composed in 1959, the final year of his life.
It was commissioned by the ensemble Czech Nonet which premiered
the piece at the Salzburg Festival and it appeared in print
posthumously in autumn of that same year.
The principal source for this edition was Martinů’s autograph score.
A photo-reproduction of the autograph with handwritten entries by
the performers was used as a reference source as well as the first
edition, which includes several amendments made by the Czech
Nonet and authorised by the composer. Also taken into account were
the corrections found in the correspondence between Martinů and
violinist Emil Leichner, the ensemble’s artistic director. Unlike the
version in the complete edition, the clarinet part has been transposed
for the clarinet in B-flat.
• First Urtext edition based on The Bohuslav Martinů Complete
Edition IV/4/1 (Chamber Music for 6–9 Instruments I)
• Foreword by the editor (Cz/Eng/Ger)
New Issue Title
New Publications 2/2017 · The Programme 24
Study Scores
Dvořák’s famous
masterpiece now in
a study score
Antonín Dvořák:
Concerto in A minor
for Violin and
Orchestra op. 53
BÄRENREITER URTEXT
Edited by Iacopo Cividini
This study score is based on our recently published new scholarlycritical
edition (BA 10422) of Dvořák’s op. 53, his only violin concerto.
Besides the original print, the edition takes into account Dvořák’s
autograph, which served as a model for the engraving. A fresh
evaluation of the autograph has made it possible to reconstruct
several variants ignored in the first and subsequent editions and to
clarify ambiguities in notation and articulation.
Study score
TP 422 · approx. € 14.95
(replaces H 1004)
To appear in November 2017
• Study score based on the new Bärenreiter Urtext edition
• Variants in the solo part as ossia passages
• Foreword by the editor on the work’s genesis (Ger/Cz/Eng)
ISMN 979-0-2601-0769-4
9790260107694
New Issue Title
25 New Publications 2/2017 · The Programme
Contemporary Music
New publications up to May 2017
Dieter Ammann
Miloslav Kabeláč
Matthias Pintscher
Photo: Franck Ferville
Andrea L. Scartazzini
Photo: Janis Huber
Charlotte Seither
Photo: Marko Bussmann
Miroslav Srnka
Photo: Vojtěch Havlík
Manfred Trojahn
Photo: Dietlind Konold
Dieter Ammann
glut for orchestra
BA 11151-72
Dieter Ammann
VIOLATION
for violoncello and ensemble
BA 11138-72
Miloslav Kabeláč
Two Fantasias
for organ
H 8028
Matthias Pintscher
mar’eh
for violin and ensemble
BA 11150-72
Andrea Lorenzo Scartazzini
Edward II
Opera in ten scenes
BA 11141-72
Charlotte Seither
Fünf Stücke
um den Fluss zu queren
for orchestra
BA 11140-72
Miroslav Srnka
South Pole.
A double opera in two parts
BA 11147-72
Manfred Trojahn
Four women from Shakespeare
for soprano and ensemble
BA 11149-72
New Issue Title
New Publications 2/2017 · The Programme 26
Music example from: Srnka, South Pole · BA 11147-72
Autograph score and original
parts reunited
Peter Wollny (Editor):
Johann Sebastian Bach
“O Ewigkeit, du Donnerwort” BWV 20
Cantata for the 1 st Sunday after Trinity
Faksimile-Reihe Bach’scher Werke und Schriftstücke. Neue Folge,
edited by the Bach Archive Leipzig, Volume IX
Documenta musicologica II/52
Limited edition
Autograph score and original parts:
Two 4-colour facsimile fascicles (24 + 64 pp, each in a facsimile cover)
and a Commentary booklet (Ger/Eng, 16 pp) in a slipcase
BVK 2447 · € 289.00
Already published, not announced in previous New Publications Bulletins
Johann Sebastian Bach opened the second year of his Leipzig church
compositions on 11 June 1724 with a performance of the cantata
“O Ewigkeit, du Donnerwort”. The work is based on a church hymn by
Johann Rist that depicts, in riveting language, the terrors of the Last
Judgment and the torments of Hell, followed by an admonition to live
a life pleasing to God. The poem inspired Bach to write one of his most
impressive church compositions altogether.
This remarkably extensive score with twelve sheets sheds particularly
instructive and detailed light on Bach's creative process. The Bach Archive
Leipzig acquired this priceless manuscript at the end of 2016, making it
possible for the first time to reunite the original performance material
and the handwritten score of a Bach chorale cantata. Our facsimile
edition complements the edition of BWV 20 presented by James
Webster almost 50 years ago in volume I/15 of the New Bach Edition.
• Autograph score reunited with
the original parts
• Limited edition of 250 copies
• With a Commentary by
Peter Wollny (Ger/Eng)
New Issue Title
27 New Publications 2/2017 · The Programme
“The story of my love ...
my torments, my harrowing
dreams”
Hector Berlioz
The seal is used exclusively for facsimile
editions published by Bärenreiter which
meet the highest demands in both scholarly
and technical terms.
Features include:
• Facsimile in high-quality colour printing
• Scholarly commentary
Love and insanity, tenderness and vulgarity
bordering on the grotesque: Hector Berlioz
never avoided extremes, neither in his life nor in
his oeuvre. His entire Symphonie fantastique is
pervaded by a musical “idée fixe” representing
a woman he adored. The symphony brought
about his breakthrough and has remained
popular ever since.
The impact of his masterly approach to
composition, especially in the treatment of
the orchestration, could still be felt in the 20 th
century. Berlioz revised the work for years
before it finally reached its definitive version.
New Issue Title
204 159–163 IV IV 164–170 205
New Publications 2/2017 · The Programme 28
Faksimile Berlioz
He entered many of these changes in the
autograph score, which was also used for
performances, by pasting strips of paper
over the bars or parts in question.
Hugh Macdonald, General Editor of the
New Berlioz Edition, explains the work’s
genesis and presents particular passages
from each movement.
This facsimile edition, in high-quality four-colour
reproduction, presents the manuscript as it is
today – with strips of paper that can be folded
out, making both versions visible.
Hector Berlioz:
Symphonie
fantastique op. 14
Facsimile of the autograph score
held in the Bibliothèque
nationale de France
With a Commentary
by Hugh Macdonald
Documenta musicologica II/53
approx. 290 pp. of facsimile
and 20 pp. of Commentary
(Eng/Ger/Fr)
Half-leather binding
BVK 1601
approx € 695.00
To appear in November 2017
New Issue Title
29 New Publications 2/2017 · The Programme
Complete Editions
New publications up to May 2017
Concentus Musicus, Volume XVI
Niccolò Piccinni, La buona figliuola
Edited by Francesco Paolo Russo
BA 8392-01
The Bohuslav Martinů
Complete Edition, Series VI/2, Volume 3
Cantatas on texts by Miloslav Bureš
Edited by Vít Zouhar
BA 10575-01
Heinrich Schütz
New Edition of the Complete Works,
Volume 36
Polychoral Church Concertos
Edited by Claudia Theis
BA 4488-01
New Edition of the Complete Works,
Volume 1
Historia der Geburt Jesu Christi SWV 435
New revised edition. Edited by Bettina Varwig
BA 5953-01
Georg Philipp Telemann
Musical Works, Volume 65
Music for Church Consecrations II
Edited by Wolfgang Hirschmann
BA 7815-01
New Issue Title
Music example from: Schütz, New Edition of the Complete
Works, Volume 1: Historia der Geburt Jesu Christi SWV 435
BA 5953-01
New Publications 2/2017 · The Programme 30
Opera
Tracking down an enigma
of music history
L’incoronazione di Poppea, Claudio Monteverdi’s final opera, had
a formative impact on the evolution of this genre. Yet its convoluted
source situation makes it one of music history’s great enigmas. There
are practically no references to the original version that Monteverdi
performed in Venice in 1643, as the score has not survived.
To celebrate the 450 th anniversary of Monteverdi’s birth, this operatic
masterpiece is appearing in an edition close to the presumed original.
The new edition is based on the score prepared in Venice and found
among the possessions of Francesco Cavalli.
This scholarly edition came about due to a remarkable project at the
University of North Texas; it was compiled and edited by Hendrik
Schulze and his students on the basis of the latest research findings
concerning source evaluation, performance practice and the historical
context.
Claudio Monteverdi:
L’incoronazione
di Poppea
Opera regia
• Detailed Introduction to questions regarding sources and
interpretation (Eng/Ger)
• Extensive critical apparatus (Eng)
• Libretto edited by Nicola Badolato with text translations
(Ital/Eng/Ger)
• Appendix with alternative readings from the Naples source
Bärenreiter Urtext
Edited by Hendrik Schulze et. al.
Score
BA 8792 · approx. € 110.00
To appear in November 2017
Vocal score in preparation
Performance material
(performance score and continuo
part) available on hire
ISMN 979-0-006-53309-1
9790006533091
New Issue Title
31 New Publications 2/2017 · The Programme
Orchestra
Classical masterpiece
in a new Urtext edition
Bedřich Smetana:
Šárka
Symphonic Poem
for Orchestra
BÄRENREITER URTEXT
Edited by Hugh Macdonald
Score
BA 11532 · approx. € 34.95
To appear in December 2017
Performance material
available on hire
ISMN 979-0-2601-0804-2
9790260108042
New Issue Title
Already published:
Bedřich Smetana:
Vltava (The Moldau)
BA 9558 Score · € 39.95
Performance material
available New Issue on Title sale
Composed in January–February 1875, Šárka is the third symphonic
poem in Smetana’s six-part cycle Má vlast (My Fatherland). He first
published it in a version for piano-duet issued by publisher Urbánek
in 1880. The score of the first edition did not appear in print until
1888, four years after Smetana’s death.
Owing to the many errors in the first edition, Hugh Macdonald has
based this new edition on the autograph score with annotations
by Adolf Čech, who conducted the premiere on 17 March 1877. The
autograph and print of the piano-duet version served as additional
sources.
• Classical masterpiece of Czech music in a new scholarly-critical
edition
• Follows on from Hugh Macdonald’s Urtext edition of Vltava
(The Moldau)
• Detailed Foreword by Smetana expert Olga Mojžíšová
(Eng/Cz/Ger) and Critical Commentary by the editor (Eng)
New Publications 2/2017 · The Programme 32
Orchestra
Continuing the publication
of the Haydn symphonies
Joseph Haydn:
Symphony in C major
Hob. I: 90
URTEXT
Edited by Andreas Friesenhagen
Haydn’s Symphony in C major Hob. I: 90, dated 1788 in the
autograph, belongs to a group of works that he composed between
the Paris symphonies (Hob. I: 82–87) and the London symphonies
(Hob. I: 93–104). It thus belongs to the last symphonies he wrote
before his journeys to England in 1791–92 and 1794–95.
Continuing the collaboration between Bärenreiter and the G. Henle
publishing company regarding Haydn's large-scale choral works,
operas and symphonies, this edition is based on the G. Henle
Complete Edition of the Works of Joseph Haydn. With Symphony
No. 90, Bärenreiter has now published the complete performance
material for all the symphonies from Nos. 82 to 104 as well as several
Sturm und Drang symphonies.
• Based on the G. Henle Complete Edition of the Works of Joseph Haydn
• Orchestral parts in a large format (25.5 x 32.5 cm)
ISMN 979-0-006-56462-0
9790006564620 New Issue Title
Score
BA 10981 · approx. € 35.95
Wind set
BA 10981-65 · approx. € 46.95
Violin I BA 10981-74 · approx. € 9.95
Violin II BA 10981-75 · approx. € 9.95
Viola BA 10981-79 · approx. € 9.95
Violoncello BA 10981-82 · approx. € 9.95
Double bass BA 10981-85 · approx. € 9.95
To appear in August 2017
More new Haydn repertoire:
Joseph Haydn
Late Piano Sonatas
Edited by Bernhard Moosbauer
and Holger M. Stüwe
With notes on performance practice
and fingerings by Rebecca Maurer
BA 10804 · approx. € 24.50
To New appear Issue in Title September 2017
33 New Publications 2/2017 · The Programme
The
Authoritative
Music
Encyclopedia –
Now Online
MGG Online is the new digital encyclopedia for music
researchers worldwide.
It is based on the second edition of Die Musik in Geschichte
und Gegenwart, the authoritative reference work that has
supported music scholarship since 1949, and features newly
written articles and regular updates.
MGG Online has been developed by Bärenreiter and J. B. Metzler
in partnership with Répertoire International de Littérature
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New Issue Title
New Publications 2/2017 · The Programme 34
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New Issue Title
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information or to request a free 30-day trial for
35 New Publications 2/2017 · The Programme
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