Vor2-2017_englisch_web

YOUR NEXT PERFORMANCE 

IS WORTH IT 

Bärenreiter 

The Musicians’ Choice 

U1: Entwurf 

folgt, nur Test 

The Programme 

New Publications 

Sheet Music 

2/2017 

New Issue Title 

1 New Publications 2/2017 · The Programme

Contents 

Piano / Harpsichord 

Beethoven: Sonatas for Pianoforte 

Sonata in E-flat major op. 81a. BA 11808...................3 

Grande Sonate in E-flat major op. 7. BA 11802............4 

Grande Sonate in A-flat major op. 26 

“Funeral March”. BA 11804................................................ 5 

Bach: Suites, Partitas, Sonatas transcribed for 

Harpsichord by Gustav Leonhardt. BA 11820.......... 6 

Mozart: Concerto in D major for Pianoforte and 

Orchestra “Coronation Concerto” K. 537. 

BA 10495-90.......................................................................7 

Hradecký: Two-Part Piano Miniatures on One Page. 

H 8034.................................................................................8 

Haydn: Late Piano Sonatas. BA 10804.............................33 

Solo Voice 

Dvořák: Gypsy Songs op. 55 for Voice and Piano. 

High Voice: BA 10431, Low Voice: BA 10432............22 

Schubert: Selected Opera Arias for Baritone. 

BA 5655..............................................................................23 

Study Scores 

Martinů: Nonet No. 2 H 374 for Flute, Oboe, Clarinet, 

Bassoon, Horn, Violin, Viola, Violoncello and 

Double Bass. TP 440..................................................... 24 

Dvořák: Concerto in A minor 

for Violin and Orchestra op. 53. TP 422...................25 

Contemporary Music.........................................26 

Bärenreiter Urtext Campaign.................10–11 

Strings 

Saint-Saëns: Sonate for Violoncello and Piano 

in D major. BA 10910...................................................... 9 

Sassmannshaus: Viola Recital Album, Volume 1: 

BA 8992, Volume 2: BA 8993................................. 12–13 

Rieding: Concerto in D major op. 36. BA 10697............. 14 

Bréval: Sonata in C major op. 40. BA 10698.................. 15 

Winds 

Debussy: Première Rhapsodie for Orchestra with 

Solo Clarinet in Bb. BA 7897 ...................................... 16 

Weinzierl, Wächter: Romantic Hits for two Flutes. 

BA 10643............................................................................17 

Choir 

Gounod: Messe solennelle (Ste Cécile). 

BA 8966............................................................................. 18 

Bärenreiter Album of Opera Choruses 

for mixed choir. BA 6924.............................................19 

Georg Philipp Telemann 

Selected Works for the Telemann Year 2017..........20–21 

Facsimiles 

Wollny (Editor): Johann Sebastian Bach 

“O Ewigkeit, du Donnerwort” BWV 20. 

ISBN 978-3-7618-2447-4................................................27 

Berlioz: Symphonie fantastique op. 14. 

ISBN 978-3-7618-1601-1.......................................... 28–29 

Complete Editions.................................................30 

Opera 

Monteverdi: L'incoronazione di Poppea. 

BA 8792.............................................................................. 31 

Orchestra 

Debussy: Première Rhapsodie for Orchestra with 

Solo Clarinet in Bb. BA 7897 ...................................... 16 

Smetana: Šárka. Symphonic Poem for Orchestra. 

BA 11532..............................................................................32 

Haydn: Symphony in C major Hob. I: 90. 

BA 10981............................................................................33 

MGG Online...........................................................34–35 

Your Contacts............................................................. 36 


New Publications 2/2017 · The Programme 2

Piano 

New Beethoven publications: 

Virtuoso Piano Sonatas 

Jonathan Del Mar, the worldwide authority and acclaimed 

specialist on Beethoven, is editing all of this composer's piano 

sonatas in Bärenreiter Urtext editions, incorporating the latest 

findings of Beethoven scholarship and evaluating every available 

source. Del Mar's meticulous examination of the handwritten 

and printed sources as well as the various impressions of prints 

published in Beethoven’s lifetime lead to a reliable and conclusive 

musical text. Rounding off each volume is a Critical Commentary 

which documents every source discrepancy and editorial decision. 

These editions contain an elegant and spacious engraving with 

practical page turns as well as informative Introductions on the 

genesis and significance of the works concerned. Also included 

are notes on key period performance practice questions such as 

the use of pedalling, embellishments, tempo and articulation. 

• Evaluation of every available source 

• Elegant and well-presented layout 

• Practical pageturns 

• Detailed Introductions (Eng/Ger) 

• Notes on period performance practice (Eng/Ger) 

• Detailed Critical Commentary (Eng) 

Composed in 1809–10, Beethoven’s Sonata op. 81a expresses his very 

personal feelings. He titled its three movements “Das Lebe wohl” (The 

Farewell), “Die Abwesenheit” (The Absence) and “Das Wiedersehn” 

(The Return) in reference to the hasty departure of his good friend 

and patron Archduke Rudolph of Austria who fled Vienna with the 

imperial family on 4 May 1809 to escape Napoleon’s approaching 

troops. 

Ludwig van Beethoven: 

Sonata in E-flat major 

for Pianoforte op. 81a 

“Les Adieux” 

BÄRENREITER URTEXT 

Edited by Jonathan Del Mar 

With an Introduction by Misha Donat 

and notes on performance practice 

by Jonathan Del Mar and 

Misha Donat 

BA 11808 · approx. € 7.95 

To appear in October 2017 

Beethoven referred to op. 81a as a “characteristic sonata”, not in the 

sense that it had an underlying programme, but because it lent 

musical expression to his feelings. He reacted angrily when his 

publisher printed French translations of its title and movement 

headings. This however did not prevent op. 81a from becoming 

widely known by its French name “Les Adieux”. 

ISMN 979-0-006-56181-0 

9790006561810 



Piano 

Beethoven’s sonatas 

in Bärenreiter Urtext 


Grande Sonate 

in E-flat major 

for Pianoforte op. 7 






Misha Donat 

BA 11802 · approx. € 7.95 

The earliest sketches for Beethoven’s Grande Sonate op. 7 date from 

1796 and the first edition was issued by the publisher Artaria, Vienna 

in October 1797. It is dedicated to Beethoven’s pupil Anna Luise 

Barbara (Babette) Countess Keglevicz, in whom, if Carl Czerny is to be 

believed, he was passionately in love. For this reason it is sometimes 

known by its German nickname “Die Verliebte” (The Lover). 

To appear in November 2017 

This work is one of the longest and most demanding of Beethoven’s 

piano sonatas. Its four movements cover a wide range of emotions – 

a challenge that the dedicatee, who was 16 at the time and only 

started taking lessons from Beethoven in 1797, possibly felt unable 

to master. 

ISMN 979-0-006-56175-9 

9790006561759 



Piano 

Beethoven’s four-movement Sonata op. 26 in A-flat major belongs to 

his most popular works. It is dedicated to Prince Lichnowsky, one of 

his most generous patrons and the dedicatee of, among other things, 

the Grande Sonate pathétique op. 13 and Symphony No. 2 op. 35. This 

demanding sonata is highly varied in its form: it begins with a set of 

variations and contains the famous Marcia sulla morte d’un Eroe as 

its third movement, earning it the nickname “Sonata with the 

Funeral March”. The identity of the title’s eroe (hero) still remains 

unknown. The work’s initial drafts date from 1800–01; its publication 

took place in March 1802. 

Already published: 

Three Sonatas in F minor, A major, C major op. 2 

BA 10859 · € 25.95 

Three Sonatas in C minor, F major, D major op. 10 

BA 10857 · € 17.95 

Grande Sonate pathétique in C minor op. 13 

BA 10851 · € 5.95 

Two Sonatas in E major, G major op. 14 

BA 10855 · € 9.95 

Sonata quasi una Fantasia in E-flat major op. 27 no. 1 / 

Sonata quasi una Fantasia in C-sharp minor op. 27 no. 2 

“Moonlight Sonata” 

BA 10853 · € 11.50 

Sonata in D major op. 28 “Pastorale” 

BA 11814 · € 7.95 

Three Sonatas in G major, D minor, E-flat major op. 31 

BA 11805 · € 21.95 (to appear in August 2017) 

Two Sonatas in G minor, G major op. 49 

BA 10858 · € 7.95 

Grande Sonate in C major op. 53 “Waldstein” 

BA 10856 · € 9.95 


Grande Sonate 

in A-flat major 

for Pianoforte op. 26 

“Funeral March” 






Misha Donat 

BA 11804 · approx. € 9.95 

To appear in December 2017 

Sonata in F minor op. 57 “Appassionata” 

BA 10852 · € 7.95 

Sonata in F-sharp major op. 78 

BA 11807 · € 10.95 

Sonata in G major op. 79 “Sonate facile” 

BA 11815 · € 6.95 

Sonata in A major op. 101 

BA 11811 · € 7.50 

ISMN 979-0-006-56177-3 

9790006561773 



Harpsichord 

Bach – transcribed 

by Gustav Leonhardt 

Johann Sebastian Bach: 

Suites, Partitas, Sonatas 

transcribed for Harpsichord 

by Gustav Leonhardt 

Edited by Siebe Henstra 

With a Foreword by Skip Sempé 

BA 11820 · approx. € 39.95 

To appear in August 2017 

“I think Bach would have forgiven me for embarking on these 

transcriptions. Whether he would have forgiven the way I did it is, 

of course, another matter.” (Gustav Leonhardt) 

The harpsichordist, conductor and organist Gustav Leonhardt was 

considered a pioneer of historical performance practice. Between 

1968 and 1978 he made harpsichord transcriptions of several of Bach’s 

compositions for unaccompanied violin or violoncello. Now these 

transcriptions are being made available to us by his pupil, the famed 

harpsichordist Siebe Henstra, based on the handwritten notes that 

Leonhardt used for his own performances. 

ISMN 979-0-006-56260-2 

9790006562602 


• Informative Foreword and editorial notes by early music specialist 

Skip Sempé (Ger/Eng) 

• Includes transcriptions, amongst others, of Sonata in G minor 

for Solo Violin (BWV 1001), Partita in D minor for Solo Violin 

(BWV 1004), Partita in E major for Solo Violin (BWV 1006) and 

Suite in C minor for Solo Violoncello (BWV 1011) 


Piano 

New impetus for period 

performance practice 

Wolfgang Amadeus 

Mozart: 

Concerto in D major 

for Pianoforte and 

Orchestra “Coronation 

Concerto” K. 537 

This new piano reduction of Mozart’s “Coronation Concerto” K. 537 

is based on the music text from the New Mozart Edition and is fully 

compatible with the already existing performance material (BA 5318). 

A separate Urtext solo piano part is included in this piano reduction 

edition allowing the soloist not only to play the work as customary 

in recent decades, but also, for the first time since Mozart’s era, 

to improvise above the tutti basses and to conduct the ensemble 

from the piano. 

The new edition is supplemented by a separate booklet containing 

cadenzas and selected lead-ins by August Eberhard Müller, 

Carl Reinecke and Max Reger. 


Edited by Wolfgang Rehm 

Piano reduction by Martin Schelhaas 

BA 10495-90 · approx. € 22.95 

(replaces BA 5318-90) 


Fully compatible with performance 

material of BA 5318 

• Urtext edition based on the New Mozart Edition (NMA) 

• Separate Urtext solo piano part included 

• Enclosed booklet with cadenzas 

• Provides new impetus for period performance practice 

ISMN 979-0-006-56166-7 

9790006561667 



Piano 

Teaching material 

for piano 

Emil Hradecký: 

Two-Part Piano Miniatures 

on One Page 

Album of 15 easy pieces 

for beginners 

Illustrations by Andrea Tachezy 

H 8034 · approx. € 7.50 

To appear in September 2017 

The Czech composer and teacher Emil Hradecký (b. 1953) has devoted 

much of his creative output to children and the piano. His Two-Part 

Piano Miniatures on One Page are ingenious small piano pieces for 

beginners which are easy to play yet melodically interesting. Here 

children are introduced to the character of classical music as well 

as various dance forms: cha-cha-cha, tango, waltz, polka, blues and 

boogie-woogie. 

The pieces are composed on whole-tone, pentatonic and gypsy scales 

and include a folksong arrangement. 

ISMN 979-0-2601-0842-4 

• Small recital pieces for beginners at the piano 

• New teaching material for piano 

• Clever illustrations to kindle children’s musical imagination 

9790260108424 



Strings 

A sensation for cellists 

Camille Saint-Saëns: 

Sonata for Violoncello 

and Piano 

Incomplete 

First Edition 

The French composer Camille Saint-Saëns endowed the music world 

with a multitude of masterpieces for violoncello including concertos, 

sonatas and miniatures such as The Swan and the Allegro appassionato 

op. 43. 

This first publication of the Sonata in D major is based on 

Bärenreiter’s Camille Saint-Saëns Œuvres instrumentales complètes. 

Although we know from correspondence that two complete 

autographs existed, only an incomplete autograph source containing 

the 1 st movement and part of the 2 nd movement, which breaks off, 

have come down to us. In his final work for violoncello Saint-Saëns 

juxtaposes highly rhythmical episodes with more poetic ones. 

These contrasts are reinforced by bold shifts of harmonic coloring 

and a highly inventive thematic development. 

These movements are destined to become standards for cellists. 


Edited by Denis Herlin 

BA 10910 · € 17.95 

Already published, not announced in 

previous New Publications Bulletins 

ISMN 979-0-006-55885-8 

• First ever Urtext edition of this incomplete work based 

on Camille Saint-Saëns Œuvres instrumentales complètes 

• Informative Introduction (Fr/Eng/Ger) 

9790006558858 



Urtext-Flags-50x150cm+10cmbleed.indd 1 03/03/2017 16:16 Urtext-Flags-50x150cm+10cmbleed.indd 2 03/03/2017 16:16 

Urtext-Flags-50x150cm+10cmbleed.indd 4 03/03/2017 16:16 

Urtext-Flags-50x150cm+10cmbleed.indd 5 03/03/2017 16:16 

Bärenreiter Urtext 

Bärenreiter Urtext: New campaign 2017 

Flags 

Flyer 

6 pages DIN A 4 

SPA 170_2 

SPA 170_3 

Flags 

English 

Japanese 

Size: 50 cm x 150 cm 

SPA 170_4 Violoncello 

SPA 170_5 Clarinet 

SPA 170_6 Double Bass 

SPA 170_7 Violin 

Posters 

Size: A 2 





SPA 170_20 Piano 

SPA 170_21 Choir New Issue Title 

Stickers 

Size: 5.5 cm x 8.5 cm 





The Musician's Notes 

Notebooks, 32 pages, DIN A 5 

BA 8400-1 Violoncello € 1.95 

BA 8400-2 Clarinet € 1.95 

BA 8400-3 Double Bass € 1.95 

BA 8400-4 Violin € 1.95 

BA 8400-5 Piano € 1.95 

Already published 

New Publications 2/2017 ·· The Programme 10

Urtext-Posters-A2.indd 1 23/03/2017 08:54 


Your specialist in Bärenreiter Urtext: 

Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany 

www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_1 

ISMN 979-0-006-56480-4 

Urtext-NoteBook.indd 2 21/03/2017 16:24 





ISMN 979-0-006-56481-1 






ISMN 979-0-006-56482-8 





ISMN 979-0-006-56483-5 



Promotional material and give-aways 


IS WORTH IT 


IS WORTH IT 

THE MUSICIAN’S 

NOTES 

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DIN A5 

Your next performance is worth it. 

9790006564804 


NOTES 

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DIN A5 


IS WORTH IT 


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9790006564811 


NOTES 

Size 

DIN A5 


9790006564828 

Posters 


NOTES 

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DIN A5 


Stickers 


9790006564835 

Notebooks 

11 New Publications 2/2017 · · The Programme

Strings 

New recital albums 

for the viola 

These two volumes contain a wide selection of easy recital pieces. 

They are designed as companion volumes to the Early Start on the 

Viola method but work equally well as a supplement to any other 

viola method. As all pieces are written entirely in first position, they 

can be used just after a few months of lessons. Well-known as well 

as unfamiliar pieces provide welcome additional repertoire for young 

students and teachers. 

The piano part may be played by the teacher or an advanced student. 

Alternatively a second viola part allows duet playing with the teacher 

during lessons. 

Sassmannshaus 

Viola Recital Album 

Volume 1: First Position 

for Viola and Piano 

or Two Violas 

Edited by Melissa Lusk, 

Christoph Sassmannshaus and 

Kurt Sassmannshaus 

Score and part, plus additional 

viola part for duet version 

BA 8992 · approx. € 16.95 


From the contents: 

Well-known traditionals (Baa Baa Black Sheep), unfamiliar melodies 

(The Robin’s Lullaby) and a few original compositions by the authors 

(Jumping Beans), always precisely tailored to meet the needs of young 

students. 

The Viola Recital Album, Volume 1, can be used as a supplement to the 

Early Start on the Viola method, Volumes 1 and 2 (BA 9686 and BA 9687). 

The 18 pieces in Volume 1 are structured to follow the same progression 

of finger patterns introduced in the Early Start method. This systematic 

progression helps the student to solidify the hand position and improve 

intonation. The basic bowing techniques do not require changes in bow 

speed or sounding point. The young performer can focus on a straight 

and beautifully placed bow that produces a pleasing and clear sound. 

• New pieces to supplement the Sassmannshaus Viola method 

• All pieces in first position 

• Include an additional viola part for duet version and 

a piano accompaniment 

ISMN 979-0-006-56456-9 

9790006564569 



Violin Recital Album, Volumes 1 and 2 

BA 9668, BA 9669 · € 15.50 / € 17.50 

Cello Recital Album, Volumes 1 and 2 

BA 8994, BA 8995 · € 15.95 each 


Strings 

Sassmannshaus 

THE SASSMANNSHAUS TRADITION 

BÄRENREITER’S 

VIOLIN RECITAL ALBUM 

Sassmannshaus 

FIRST POSITION 

ERSTE LAGE 

VOLUME 1 / BAND 1 

Sassmannshaus 

Viola Recital Album 

Volume 2: First Position 

for Viola and Piano 

or Two Violas 

The Viola Recital Album, Volume 2, can be used as a supplement to the 

Early Start on the Cello method, Volumes 2 and 3 (BA 9687 and BA 9688). 

The 12 pieces in Volume 2 are structured to follow the same progression 

of finger patterns introduced in the Early Start method, Volumes 2 

and 3. The later repertoire in this volume includes a careful 

introduction of downward and upward extensions. 

Edited by Melissa Lusk, 

Christoph Sassmannshaus and 

Kurt Sassmannshaus 

Score and part, plus additional 

viola part for duet version 

BA 8993 · approx. € 16.95 



Early Start on the Viola 

BA 9686 Volume 1 · € 13.50 

BA 9687 Volume 2 · € 13.50 

BA 9688 Volume 3 · € 13.50 

BA 9689 Volume 4 · € 13.50 

ISMN 979-0-006-56457-6 

9790006564576 



Strings 

Oskar Rieding: 

Concerto in D major op. 36 

Violin part with enclosed 

violin/piano score 

BA 10697 · approx. € 12.95 


Further Rieding works for violin: 

Oskar Rieding 

Marcia op. 44, Rondo op. 22/3 

BA 8982 · € 8.50 

Concertino in Hungarian Style 

in A minor op. 21 

BA 8973 · € 8.50 

Concerto in B minor op. 35 

BA 8971 · € 8.50 

Each edition consists of a violin part 

and an enclosed violin/piano New Issue score Title 

Oskar Rieding (1840–1918) is known to all young violinists for his 

easy-to-play concertos for violin and piano, of which opp. 34 to 36 

remain entirely in first position. In op. 36 catchy melodies are 

coupled with first technical difficulties such as eighth-note arpeggios, 

16th-note runs and chromaticism. These appear in small measures 

throughout the entire work. 

The Concerto in D major is well-suited for younger student recitals. 

• Concert piece entirely in first position 

• Ideal for students wishing to perform their first recital 

• Duration: approx. 10 minutes 

ISMN 979-0-006-56458-3 

9790006564583 



Strings 

An easy work 

with a great impact 

Jean-Baptiste Bréval: 

Sonata in C major op. 40 

Cello part with enclosed 

cello/piano score 

BA 10698 · approx. € 12.95 


Jean-Baptiste Bréval (1753–1823) was a member of the orchestra at the 

Paris Opéra and also a prolific composer. His works include concertos 

for cello, string quartets, comic operas and a violoncello tutor. 

However he is best-known for the Sonata in C major which has 

become a standard work for teaching purposes, even in arrangements 

for other instruments. The two movements (Allegro and Rondo 

Grazioso) can also be performed independently from one another. 

This sonata belongs to the basic repertoire of every young cellist. 

• Ideal for the first “proper” recital 

• Of moderate technical difficulty but with brilliant impact 

• Duration: approx. 8 minutes 

Further cello titles in this series: 

Edward Mollenhauer 

The Boy Paganini 

BA 10694 · € 8.95 

Edward Mollenhauer 

The Infant Paganini 

BA 10693 · € 8.95 

Oskar Rieding 

Concerto in B minor op. 35 

BA 8984 · € 10.75 

ISMN 979-0-006-56459-0 

9790006564590 


Friedrich Seitz 

Concerto in D major op. 22 

BA 8987 · € 10.25 

Each edition consists of a cello part 

and New an Issue enclosed Title cello/piano score. 


Winds 

For the 2018 

Debussy Year 

Claude Debussy: 

Première Rhapsodie 

for Orchestra with 

Solo Clarinet in Bb 


Edited by Douglas Woodfull-Harris 

Score BA 7897 · approx. € 22.95 

Version for clarinet and piano 

BA 7897-90 · approx. € 13.95 

Wind set 

BA 7897-65 · approx. € 39.95 

Violin 1 BA 7897-74 · approx. € 3.50 

Violin 2 BA 7897-75 · approx. € 3.50 

Viola BA 7897-79 · approx. € 3.50 

Violoncello BA 7897-82 · approx. € 3.50 

Double bass BA 7897-85 · approx. € 3.50 


Debussy’s Première Rhapsodie is one of two concertante works 

completed, premiered and published during his lifetime. He was 

commissioned to write it in 1909 for the final examination at the Paris 

Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. 

While transferring the clarinet part from the already published 

version for clarinet and piano, he made a few subtle changes, 

particularly in m. 201, which has been a bone of contention among 

clarinettists for over a century. 

The present scholarly-critical publication is the first Urtext edition of 

the orchestral version. It draws on every known source and takes into 

account a previously ignored source that sheds new light on the piece. 

ISMN 979-0-006-56436-1 

9790006564361 

BA 7897-90 


ISMN 979-0-006-56435-4 

9790006564354 

BA 7897 


• First Urtext edition of the orchestral version 

• First scholarly-critical edition of a pioneering work for clarinet 

• Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng) 


Zeitgenössische Musik 

Romantic Flute Music 

Elisabeth Weinzierl 

and Edmund Wächter: 

Romantic Hits 

for two Flutes 

28 pages 

BA 10643 · € 12.95 

Arrangements of familiar pieces for two flutes were very popular in 

the romantic era. This enabled works which were current at that time 

to be played in salons and at home. Folk songs, opera arias, piano and 

concert pieces were arranged by such figures as Giuseppe Gariboldi, 

Kaspar Kummer and Ernesto Köhler. Elisabeth Weinzierl and Edmund 

Wächter have selected and arranged the most beautiful and bestknown 

pieces for this edition making these melodies accessible 

even to the less experienced musician. 

From the contents: 

Robert Schumann: Frühlingsgruß / Carl-Maria von Weber: Hunters’ 

Chorus / Giuseppe Verdi: Ah! Gran Dio! Morir sì giovine / Vincenzo 

Bellini: Ma non fia sempre odiata / Felix Mendelssohn: Song without 

Words 

• Well-known melodies from the greatest Romantic composers 

• Both parts equally comprehensive and easy-to-play 

Already published, not announced in 

previous New Publications Bulletins 

(replaces BA 8691) 

ISMN 979-0-006-56324-1 

9790006563241 


Also published: 

Douglas Woodfull-Harris 

Classic Hits for 2 Flutes 

BA 10613 · € 13.95 



Choir 

For the composer’s 

200 th birthday in 2018 

Charles Gounod: 

Messe solennelle 

(Ste Cécile) 

for Soloists (STB), Choir (SATB), 

Orchestra and Organ 


Edited by Hans Schellevis 

Piano reduction by the editor 

Score 

BA 8966 · approx. € 79.00 

Vocal score (Lat) 

BA 8966-90 · approx. € 14.95 

Wind set 

BA 8966-65 · approx. € 79.00 

Organ BA 8966-67 · approx. € 23.95 

Violin I BA 8966-74 · approx. € 8.95 

Violin II BA 8966-75 · approx. € 8.95 




Sacred works occupy a large part of Charles Gounod’s œuvre. It was 

the Messe solennelle en l’honneur de Sainte Cécile that established his 

fame as a church composer. Its melodic invention and effective 

handling of the orchestra reveal a close proximity to opera. 

This Urtext edition is based not only on the original print of 1856 but 

also on copyists’ manuscripts and autograph sources. Rounding off 

this well-researched Urtext edition are an informative Introduction 

and a detailed Critical Commentary. The edition is being published to 

celebrate the 200 th anniversary of Gounod’s birth. 

• Gounod’s well-known mass in a new Urtext edition 

• Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) 

• Idiomatic piano reduction 

• In preparation for the Gounod bicentenary year 2018 

ISMN 979-0-006-56400-2 

BA 8966-90 

To appear in New October Issue Title 2017 

9790006564002 



Choir 

Major opera choruses from 

the 17 th to 19 th centuries 

Bärenreiter Album of 

Opera Choruses 

for mixed choir 

Edited by Tilman Michael 

BA 6924 · approx. € 16.95 

This album for mixed choir and piano contains a selection of richly 

varied choruses from Italian, French, German, English and Russian 

operas from the 17 th to 19 th centuries, illuminating the great diversity 

of the genre. Choruses from the following operas are included: 

Claudio Monteverdi: L’Orfeo / George Frideric Handel: Acis and Galatea 

HWV 49 b / Christoph Willibald Gluck: Alceste (Vienna version 1767) / 

Wolfgang Amadeus Mozart: Idomeneo K. 366 / Franz Schubert: 

Fierabras D. 796 / Vincenzo Bellini: Norma / Camille Saint-Saëns: 

Samson et Dalila / Georges Bizet: Carmen / Pyotr Ilyich Tchaikovsky: 

Eugene Onegin (cyrillic text with transliteration) 

To appear in July 2017 

ISMN 979-0-006-56235-0 

9790006562350 


• Foreword (Ger/Eng) which places the choruses in their dramatic 

context and includes suggestions for study and interpretation 

• Notes on pronounciation of the Russian song text 

• In a large format (23 x 30 cm) 

The editor 

Tilman Michael worked at the 

Hamburg State Opera and the 

Mannheim National Theatre before 

being appointed choral director at 

the Frankfurt Opera in 2014. 



Violino I *) 

Violino II 

Viola 

Viola da 

gamba 

Canto 

Oboe I *) 

Alto 

Oboe II**) 

Tenore 

Ba so 

Organo 

Violonce Violone 

4 

8 

TVWV 1: 14 9 

War um be trübst du dich, mein Herz? 


8 War um be trübst du dich, mein Herz? 


6 7 6 

*) Gera druck zeigt an, daß die betre fende Sti me von Telema n geschrieben wurde. 

*) Vgl. den Kritischen Bericht, S. XI. 

Solo 

Der He r hat mich ver 

Basso continuo 

7 

10 

13 

Violino 

BA 5857 

6 6 6 6 

5 

6 65 64 5 6 

4 

2 

131 

Andante 

© 2 06 by Bärenreiter-Verlag, Ka sel 

4 

2 

Solo 1 

TWV 41:F4 

6 6 6 5 6 

7 6 6 

4 

5 6 7 9 6 6 64 5 

7 6 7 6 6 6 

5 

6 6 

6 6 

3 

4 

6 4 

2 

2 

© 2009 by Bärenreiter-Verlag, Kassel 

Telemann-Poster.indd 1 24/02/2017 12:23 

Telemann Year 2017 

Selected Telemann Works 

Sacred Choral Music 

Christus, der ist mein Leben TVWV 1:138 

BA 5897-90 · € 13.50 

Die Auferstehung und Himmelfahrt Jesu TWV 6:6 

BA 5851-90 · € 29.95 

Harmonischer Gottesdienst 

Lent and Easter Cantatas 

BA 5895 · € 32.95 

Der Tod Jesu – Betrachtung der neunten Stunde 

am Todestage Jesu TVWV 5:5, 5:6 

BA 5853-90 · € 30.95 

Der für die Sünde der Welt leidende und sterbende 

Jesus TVWV 5:1 

BA 5863 · € 282.00 

Die Donnerode TVWV 6:3 

BA 5900-90 · € 15.95 

Concerto for two Violins (Flute and Violin), 

Viola and Basso continuo in D minor TWV 43:d2 

BA 5875 · € 13.95 

Two Sonatas for Oboe and Basso continuo 

from “Essercizii musici” 

BA 5889 · € 21.50 

Nine Sonatas for two Transverse Flutes without 

Figured Bass TWV 40:141-149 

BA 5888 · € 28.95 

Twelve Methodical Sonatas for Violin or Flute 

and Basso continuo. Volume 1 

BA 2241 · € 14.95 

Sonata for Flute and Basso continuo No. 1 in B minor 

TWV 41:h4 “Tafelmusik I” 

BA 3537 · € 9.25 

Instrumental Works 

Twelve Fantasias for Flute without Bass TWV 40:2-13 

BA 2971 · € 10.50 

Concerto for Viola, Strings and Basso continuo 

in G major TWV 51:G9 

BA 5878 · € 19.50 

Bärenreiter “Notes” 

Telemann green 

Size: DIN A 6, 32 pages 

BA 8100-24 · € 0.75 

Poster 

Warum betrübst du dich, mein Herz 

1. Choral ed Arioso Adagio 

las sen, ver las sen! Der He r hat mein ver ges sen, der 

6 7 6 6 6 6 

Three Concertos for Violin and Orchestra TWV 51:a1 

in A minor, 51:D9 in D major, 51:g1 in G minor 

BA 5876-90 · € 17.95 New Issue Title 


Size: DIN A 1 long (42 x 118,8 cm) 

SPA 50_73 · free of charge 

New Publications 2/2017 ·· The Programme 20

8 

7 6 6 

4 

5 6 7 9 6 6 6 

4 

7 6 7 6 6 6 

5 

250 th anniversary of Telemann's death 

Warum betrübst du dich, mein Herz 

TVWV 1: 1499 

1. Choral ed Arioso Adagio 

131 

Violino I *) 

Violino II 

Viola 

Viola da 

gamba 

Canto 

Oboe I**) 

Alto 

Oboe II**) 

Tenore 

Basso 

mein Herz? 


8 War um be trübst du dich, mein Herz? 


Solo 

Der Herr hat mich ver 

Organo 

Violoncello 

Violone 

6 7 6 

4 

from: Twelve Fantasias for Flute without Bass 

TWV 40:2-13 · BA 2971 

Violino 

Andante 

las sen, ver las sen! Der Herr hat mein ver ges sen, der 

Solo 1 

TWV 41:F4 

Basso continuo 

© 2006 by Bärenreiter-Verlag, Kassel 

6 7 6 6 6 6 

*) Geraddruck zeigt an, daß die betreffende Stimme von Telemann geschrieben wurde. 

**) Vgl. den Kritischen Bericht, S. XXI. 

4 

2 

6 6 6 5 

3 

6 6 6 6 

5 

6 6 

5 

6 

4 

5 6 

7 

10 

13 

4 

2 

6 6 

4 

2 

6 4 

2 

BA 5857 

© 2009 by Bärenreiter-Ver 

from: Three Concertos for Violin and Orchestra 

TWV 51:a1 in A minor, TWV 51:D9 in D major, 

TWV 51:g1 in G minor · BA 5876-90 


21 New Vorschau Publications 2/2017 · 2/2017 Das Programm · The Programme

Solo Voice 

One of the most popular 

romantic song cycles 

Dvořák’s song cycle Gypsy Songs op. 55 on words by the Czech poet 

Adolf Heyduk, were written at the beginning of 1880 at the request 

of the Bohemian tenor Gustav Walter, a member of the Vienna Court 

Opera and the work’s dedicatee. 

For this Urtext edition the editor Veronika Vejvodová has taken the 

original print as her main source. The edition appears in two volumes, 

one for high voice and another for low voice. 

Antonín Dvořák: 

Gypsy Songs op. 55 

for Voice and Piano 


Edited by Veronika Vejvodová 

ISMN 979-0-2601-0779-3 

Vocal texts: (Cz/Eng/Ger) 

High Voice 

BA 10431 · approx. € 12.50 

(replaces H 1559) 

Low Voice 

BA 10432 · approx. € 12.50 



ISMN 979-0-2601-0778-6 

• Third volume from the new five-volume Urtext edition of Dvořák’s 

complete songs 

• One of the most popular and best-known song cycles of the 

romantic repertoire 

• Extensive Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) 

by the editor 

• Vocal texts in three languages (Cz/Eng/Ger) 

Contents 

1. I chant my lay, a hymn of love 

2. Hark, how my triangle 

3. Silent and lone the woods around 

4. Songs my mother taught me 

5. Tune thy strings, oh gypsy 

6. In his wide and ample, airy linen vesture 

7. Cloudy heights of Tatra 


Cypresses for Tenor and Piano (B 11) 

BA 9569 · € 23.95 

Antonín Dvořák 

Songs II for High Voice and Piano 

BA 11517 · € 28.95 

9790260107793 

9790260107786 

BA 10432 BA 10431 

Songs II for Low Voice and Piano 

BA 11518 · € 28.95 




Solo Voice 

Lyrical and dramatic 

gems 

Franz Schubert: 

Selected Opera Arias 

for Baritone 


from: “Wo find ich nur den Ort, mein Haupt zur Ruh zu legen” 

(Alfonso und Estrella) 

Edited and arranged by 

Patrick Radelet 

BA 5655 · approx. € 27.95 


Schubert’s operas contain a wealth of magnificent music. This 

anthology of opera arias for baritone with piano accompaniment 

presents a delightful selection from Des Teufels Lustschloss, Adrast, 

Die Freunde von Salamanka, Alfonso und Estrella and Fierabras. 

An enclosed violoncello part for the aria “Wo find ich nur den Ort, 

mein Haupt zur Ruh zu legen” (Alfonso und Estrella) makes it possible 

to perform this piece in a chamber music setting. 

• Urtext edition based on the New Schubert Edition 

• Trilingual texts (Ger/Eng/Fr) with an informative Foreword, notes 

on the arias’ dramatic context and literal translations of the aria 

texts into English and French 

• Idiomatic easy-to-play piano part 

ISMN 979-0-006-56215-2 

9790006562152 



Study Scores 

Study score now with transposed 

part for clarinet in B-flat 

Bohuslav Martinů: 

Nonet No. 2 H 374 

for Flute, Oboe, Clarinet, 

Bassoon, Horn, Violin, Viola, 

Violoncello and Double Bass 


Edited by Jitka Zichová 

Study score 

TP 440 · approx. € 22.50 



Performance material 

available on hire 

ISMN 979-0-2601-0845-5 

9790260108455 

Martinů’s Nonet No. 2 was composed in 1959, the final year of his life. 

It was commissioned by the ensemble Czech Nonet which premiered 

the piece at the Salzburg Festival and it appeared in print 

posthumously in autumn of that same year. 

The principal source for this edition was Martinů’s autograph score. 

A photo-reproduction of the autograph with handwritten entries by 

the performers was used as a reference source as well as the first 

edition, which includes several amendments made by the Czech 

Nonet and authorised by the composer. Also taken into account were 

the corrections found in the correspondence between Martinů and 

violinist Emil Leichner, the ensemble’s artistic director. Unlike the 

version in the complete edition, the clarinet part has been transposed 

for the clarinet in B-flat. 

• First Urtext edition based on The Bohuslav Martinů Complete 

Edition IV/4/1 (Chamber Music for 6–9 Instruments I) 

• Foreword by the editor (Cz/Eng/Ger) 



Study Scores 

Dvořák’s famous 

masterpiece now in 

a study score 

Antonín Dvořák: 

Concerto in A minor 

for Violin and 

Orchestra op. 53 


Edited by Iacopo Cividini 

This study score is based on our recently published new scholarlycritical 

edition (BA 10422) of Dvořák’s op. 53, his only violin concerto. 

Besides the original print, the edition takes into account Dvořák’s 

autograph, which served as a model for the engraving. A fresh 

evaluation of the autograph has made it possible to reconstruct 

several variants ignored in the first and subsequent editions and to 

clarify ambiguities in notation and articulation. 

Study score 

TP 422 · approx. € 14.95 



• Study score based on the new Bärenreiter Urtext edition 

• Variants in the solo part as ossia passages 

• Foreword by the editor on the work’s genesis (Ger/Cz/Eng) 

ISMN 979-0-2601-0769-4 

9790260107694 



Contemporary Music 

New publications up to May 2017 

Dieter Ammann 

Miloslav Kabeláč 

Matthias Pintscher 

Photo: Franck Ferville 

Andrea L. Scartazzini 

Photo: Janis Huber 

Charlotte Seither 

Photo: Marko Bussmann 

Miroslav Srnka 

Photo: Vojtěch Havlík 

Manfred Trojahn 

Photo: Dietlind Konold 

Dieter Ammann 

glut for orchestra 

BA 11151-72 

Dieter Ammann 

VIOLATION 

for violoncello and ensemble 

BA 11138-72 

Miloslav Kabeláč 

Two Fantasias 

for organ 

H 8028 

Matthias Pintscher 

mar’eh 

for violin and ensemble 

BA 11150-72 

Andrea Lorenzo Scartazzini 

Edward II 

Opera in ten scenes 

BA 11141-72 

Charlotte Seither 

Fünf Stücke 

um den Fluss zu queren 

for orchestra 

BA 11140-72 

Miroslav Srnka 

South Pole. 

A double opera in two parts 

BA 11147-72 

Manfred Trojahn 

Four women from Shakespeare 

for soprano and ensemble 

BA 11149-72 


New Publications 2/2017 · The Programme 26 

Music example from: Srnka, South Pole · BA 11147-72

Autograph score and original 

parts reunited 

Peter Wollny (Editor): 

Johann Sebastian Bach 

“O Ewigkeit, du Donnerwort” BWV 20 

Cantata for the 1 st Sunday after Trinity 

Faksimile-Reihe Bach’scher Werke und Schriftstücke. Neue Folge, 

edited by the Bach Archive Leipzig, Volume IX 

Documenta musicologica II/52 

Limited edition 

Autograph score and original parts: 

Two 4-colour facsimile fascicles (24 + 64 pp, each in a facsimile cover) 

and a Commentary booklet (Ger/Eng, 16 pp) in a slipcase 

BVK 2447 · € 289.00 

Already published, not announced in previous New Publications Bulletins 

Johann Sebastian Bach opened the second year of his Leipzig church 

compositions on 11 June 1724 with a performance of the cantata 

“O Ewigkeit, du Donnerwort”. The work is based on a church hymn by 

Johann Rist that depicts, in riveting language, the terrors of the Last 

Judgment and the torments of Hell, followed by an admonition to live 

a life pleasing to God. The poem inspired Bach to write one of his most 

impressive church compositions altogether. 

This remarkably extensive score with twelve sheets sheds particularly 

instructive and detailed light on Bach's creative process. The Bach Archive 

Leipzig acquired this priceless manuscript at the end of 2016, making it 

possible for the first time to reunite the original performance material 

and the handwritten score of a Bach chorale cantata. Our facsimile 

edition complements the edition of BWV 20 presented by James 

Webster almost 50 years ago in volume I/15 of the New Bach Edition. 

• Autograph score reunited with 

the original parts 

• Limited edition of 250 copies 

• With a Commentary by 

Peter Wollny (Ger/Eng) 



“The story of my love ... 

my torments, my harrowing 

dreams” 

Hector Berlioz 

The seal is used exclusively for facsimile 

editions published by Bärenreiter which 

meet the highest demands in both scholarly 

and technical terms. 

Features include: 

• Facsimile in high-quality colour printing 

• Scholarly commentary 

Love and insanity, tenderness and vulgarity 

bordering on the grotesque: Hector Berlioz 

never avoided extremes, neither in his life nor in 

his oeuvre. His entire Symphonie fantastique is 

pervaded by a musical “idée fixe” representing 

a woman he adored. The symphony brought 

about his breakthrough and has remained 

popular ever since. 

The impact of his masterly approach to 

composition, especially in the treatment of 

the orchestration, could still be felt in the 20 th 

century. Berlioz revised the work for years 

before it finally reached its definitive version. 


204 159–163 IV IV 164–170 205 


Faksimile Berlioz 

He entered many of these changes in the 

autograph score, which was also used for 

performances, by pasting strips of paper 

over the bars or parts in question. 

Hugh Macdonald, General Editor of the 

New Berlioz Edition, explains the work’s 

genesis and presents particular passages 

from each movement. 

This facsimile edition, in high-quality four-colour 

reproduction, presents the manuscript as it is 

today – with strips of paper that can be folded 

out, making both versions visible. 

Hector Berlioz: 

Symphonie 

fantastique op. 14 

Facsimile of the autograph score 

held in the Bibliothèque 

nationale de France 

With a Commentary 

by Hugh Macdonald 

Documenta musicologica II/53 

approx. 290 pp. of facsimile 

and 20 pp. of Commentary 

(Eng/Ger/Fr) 

Half-leather binding 

BVK 1601 

approx € 695.00 




Complete Editions 

New publications up to May 2017 

Concentus Musicus, Volume XVI 

Niccolò Piccinni, La buona figliuola 

Edited by Francesco Paolo Russo 

BA 8392-01 

The Bohuslav Martinů 

Complete Edition, Series VI/2, Volume 3 

Cantatas on texts by Miloslav Bureš 

Edited by Vít Zouhar 

BA 10575-01 

Heinrich Schütz 

New Edition of the Complete Works, 

Volume 36 

Polychoral Church Concertos 

Edited by Claudia Theis 

BA 4488-01 

New Edition of the Complete Works, 

Volume 1 

Historia der Geburt Jesu Christi SWV 435 

New revised edition. Edited by Bettina Varwig 

BA 5953-01 


Musical Works, Volume 65 

Music for Church Consecrations II 

Edited by Wolfgang Hirschmann 

BA 7815-01 


Music example from: Schütz, New Edition of the Complete 

Works, Volume 1: Historia der Geburt Jesu Christi SWV 435 

BA 5953-01 


Opera 

Tracking down an enigma 

of music history 

L’incoronazione di Poppea, Claudio Monteverdi’s final opera, had 

a formative impact on the evolution of this genre. Yet its convoluted 

source situation makes it one of music history’s great enigmas. There 

are practically no references to the original version that Monteverdi 

performed in Venice in 1643, as the score has not survived. 

To celebrate the 450 th anniversary of Monteverdi’s birth, this operatic 

masterpiece is appearing in an edition close to the presumed original. 

The new edition is based on the score prepared in Venice and found 

among the possessions of Francesco Cavalli. 

This scholarly edition came about due to a remarkable project at the 

University of North Texas; it was compiled and edited by Hendrik 

Schulze and his students on the basis of the latest research findings 

concerning source evaluation, performance practice and the historical 

context. 

Claudio Monteverdi: 

L’incoronazione 

di Poppea 

Opera regia 

• Detailed Introduction to questions regarding sources and 

interpretation (Eng/Ger) 

• Extensive critical apparatus (Eng) 

• Libretto edited by Nicola Badolato with text translations 

(Ital/Eng/Ger) 

• Appendix with alternative readings from the Naples source 


Edited by Hendrik Schulze et. al. 

Score 

BA 8792 · approx. € 110.00 


Vocal score in preparation 


(performance score and continuo 

part) available on hire 

ISMN 979-0-006-53309-1 

9790006533091 



Orchestra 

Classical masterpiece 

in a new Urtext edition 

Bedřich Smetana: 

Šárka 

Symphonic Poem 

for Orchestra 


Edited by Hugh Macdonald 

Score 

BA 11532 · approx. € 34.95 

To appear in December 2017 


available on hire 

ISMN 979-0-2601-0804-2 

9790260108042 



Bedřich Smetana: 

Vltava (The Moldau) 

BA 9558 Score · € 39.95 


available New Issue on Title sale 

Composed in January–February 1875, Šárka is the third symphonic 

poem in Smetana’s six-part cycle Má vlast (My Fatherland). He first 

published it in a version for piano-duet issued by publisher Urbánek 

in 1880. The score of the first edition did not appear in print until 

1888, four years after Smetana’s death. 

Owing to the many errors in the first edition, Hugh Macdonald has 

based this new edition on the autograph score with annotations 

by Adolf Čech, who conducted the premiere on 17 March 1877. The 

autograph and print of the piano-duet version served as additional 

sources. 

• Classical masterpiece of Czech music in a new scholarly-critical 

edition 

• Follows on from Hugh Macdonald’s Urtext edition of Vltava 

(The Moldau) 

• Detailed Foreword by Smetana expert Olga Mojžíšová 

(Eng/Cz/Ger) and Critical Commentary by the editor (Eng) 


Orchestra 

Continuing the publication 

of the Haydn symphonies 

Joseph Haydn: 

Symphony in C major 

Hob. I: 90 

URTEXT 

Edited by Andreas Friesenhagen 

Haydn’s Symphony in C major Hob. I: 90, dated 1788 in the 

autograph, belongs to a group of works that he composed between 

the Paris symphonies (Hob. I: 82–87) and the London symphonies 

(Hob. I: 93–104). It thus belongs to the last symphonies he wrote 

before his journeys to England in 1791–92 and 1794–95. 

Continuing the collaboration between Bärenreiter and the G. Henle 

publishing company regarding Haydn's large-scale choral works, 

operas and symphonies, this edition is based on the G. Henle 

Complete Edition of the Works of Joseph Haydn. With Symphony 

No. 90, Bärenreiter has now published the complete performance 

material for all the symphonies from Nos. 82 to 104 as well as several 

Sturm und Drang symphonies. 

• Based on the G. Henle Complete Edition of the Works of Joseph Haydn 

• Orchestral parts in a large format (25.5 x 32.5 cm) 

ISMN 979-0-006-56462-0 

9790006564620 New Issue Title 

Score 

BA 10981 · approx. € 35.95 

Wind set 

BA 10981-65 · approx. € 46.95 

Violin I BA 10981-74 · approx. € 9.95 

Violin II BA 10981-75 · approx. € 9.95 





More new Haydn repertoire: 

Joseph Haydn 

Late Piano Sonatas 

Edited by Bernhard Moosbauer 

and Holger M. Stüwe 

With notes on performance practice 

and fingerings by Rebecca Maurer 

BA 10804 · approx. € 24.50 

To New appear Issue in Title September 2017 


The 

Authoritative 

Music 

Encyclopedia – 

Now Online 

MGG Online is the new digital encyclopedia for music 

researchers worldwide. 

It is based on the second edition of Die Musik in Geschichte 

und Gegenwart, the authoritative reference work that has 

supported music scholarship since 1949, and features newly 

written articles and regular updates. 

MGG Online has been developed by Bärenreiter and J. B. Metzler 

in partnership with Répertoire International de Littérature 

Musicale (RILM). 

Extensive Content Covering 

All Music Disciplines 

MGG Online features the content of the second edition of 

Die Musik in Geschichte und Gegenwart with more than 19,000 

articles: 

● More than 18,000 biographical articles cover composers, 

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MGG‘s unique breadth of scope is illustrated by the 

inclusion of articles on music as it relates to history, 

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Bärenreiter and J. B. Metzler are responsible for 

the content of MGG Online, ensuring that the 

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Like the content of MGG Online, 

the platform will be enhanced on 

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Visit rilm.org/mgg-online/ for subscription 

information or to request a free 30-day trial for 

35 New Publications 2/2017 · The Programme 

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Printed in Germany 

1/1706/5 · SPA 042 

Artist photos 

pages 1, 10, 11: 

Marco Borggreve 

Design 

of pages 10, 11, 20, 21: 

DW Cre8tive 

Telemann picture: 

© Universitätsbibliothek 

Frankfurt, Staatsbibliothek 

zu Berlin des Telemann- 

Zentrums Magdeburg. 

New Publications www.facebook.com/baerenreiter 2/2017 · The Programme 36 

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