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YOUR NEXT PERFORMANCE<br />
IS WORTH IT<br />
Bärenreiter<br />
The Musicians’ Choice<br />
U1: Entwurf<br />
folgt, nur Test<br />
The Programme<br />
New Publications<br />
Sheet Music<br />
2/<strong>2017</strong><br />
New Issue Title<br />
1 New Publications 2/<strong>2017</strong> · The Programme
Contents<br />
Piano / Harpsichord<br />
Beethoven: Sonatas for Pianoforte<br />
Sonata in E-flat major op. 81a. BA 11808...................3<br />
Grande Sonate in E-flat major op. 7. BA 11802............4<br />
Grande Sonate in A-flat major op. 26<br />
“Funeral March”. BA 11804................................................ 5<br />
Bach: Suites, Partitas, Sonatas transcribed for<br />
Harpsichord by Gustav Leonhardt. BA 11820.......... 6<br />
Mozart: Concerto in D major for Pianoforte and<br />
Orchestra “Coronation Concerto” K. 537.<br />
BA 10495-90.......................................................................7<br />
Hradecký: Two-Part Piano Miniatures on One Page.<br />
H 8034.................................................................................8<br />
Haydn: Late Piano Sonatas. BA 10804.............................33<br />
Solo Voice<br />
Dvořák: Gypsy Songs op. 55 for Voice and Piano.<br />
High Voice: BA 10431, Low Voice: BA 10432............22<br />
Schubert: Selected Opera Arias for Baritone.<br />
BA 5655..............................................................................23<br />
Study Scores<br />
Martinů: Nonet No. 2 H 374 for Flute, Oboe, Clarinet,<br />
Bassoon, Horn, Violin, Viola, Violoncello and<br />
Double Bass. TP 440..................................................... 24<br />
Dvořák: Concerto in A minor<br />
for Violin and Orchestra op. 53. TP 422...................25<br />
Contemporary Music.........................................26<br />
Bärenreiter Urtext Campaign.................10–11<br />
Strings<br />
Saint-Saëns: Sonate for Violoncello and Piano<br />
in D major. BA 10910...................................................... 9<br />
Sassmannshaus: Viola Recital Album, Volume 1:<br />
BA 8992, Volume 2: BA 8993................................. 12–13<br />
Rieding: Concerto in D major op. 36. BA 10697............. 14<br />
Bréval: Sonata in C major op. 40. BA 10698.................. 15<br />
Winds<br />
Debussy: Première Rhapsodie for Orchestra with<br />
Solo Clarinet in Bb. BA 7897 ...................................... 16<br />
Weinzierl, Wächter: Romantic Hits for two Flutes.<br />
BA 10643............................................................................17<br />
Choir<br />
Gounod: Messe solennelle (Ste Cécile).<br />
BA 8966............................................................................. 18<br />
Bärenreiter Album of Opera Choruses<br />
for mixed choir. BA 6924.............................................19<br />
Georg Philipp Telemann<br />
Selected Works for the Telemann Year <strong>2017</strong>..........20–21<br />
Facsimiles<br />
Wollny (Editor): Johann Sebastian Bach<br />
“O Ewigkeit, du Donnerwort” BWV 20.<br />
ISBN 978-3-7618-2447-4................................................27<br />
Berlioz: Symphonie fantastique op. 14.<br />
ISBN 978-3-7618-1601-1.......................................... 28–29<br />
Complete Editions.................................................30<br />
Opera<br />
Monteverdi: L'incoronazione di Poppea.<br />
BA 8792.............................................................................. 31<br />
Orchestra<br />
Debussy: Première Rhapsodie for Orchestra with<br />
Solo Clarinet in Bb. BA 7897 ...................................... 16<br />
Smetana: Šárka. Symphonic Poem for Orchestra.<br />
BA 11532..............................................................................32<br />
Haydn: Symphony in C major Hob. I: 90.<br />
BA 10981............................................................................33<br />
MGG Online...........................................................34–35<br />
Your Contacts............................................................. 36<br />
New Issue Title<br />
New Publications 2/<strong>2017</strong> · The Programme 2
Piano<br />
New Beethoven publications:<br />
Virtuoso Piano Sonatas<br />
Jonathan Del Mar, the worldwide authority and acclaimed<br />
specialist on Beethoven, is editing all of this composer's piano<br />
sonatas in Bärenreiter Urtext editions, incorporating the latest<br />
findings of Beethoven scholarship and evaluating every available<br />
source. Del Mar's meticulous examination of the handwritten<br />
and printed sources as well as the various impressions of prints<br />
published in Beethoven’s lifetime lead to a reliable and conclusive<br />
musical text. Rounding off each volume is a Critical Commentary<br />
which documents every source discrepancy and editorial decision.<br />
These editions contain an elegant and spacious engraving with<br />
practical page turns as well as informative Introductions on the<br />
genesis and significance of the works concerned. Also included<br />
are notes on key period performance practice questions such as<br />
the use of pedalling, embellishments, tempo and articulation.<br />
• Evaluation of every available source<br />
• Elegant and well-presented layout<br />
• Practical pageturns<br />
• Detailed Introductions (Eng/Ger)<br />
• Notes on period performance practice (Eng/Ger)<br />
• Detailed Critical Commentary (Eng)<br />
Composed in 1809–10, Beethoven’s Sonata op. 81a expresses his very<br />
personal feelings. He titled its three movements “Das Lebe wohl” (The<br />
Farewell), “Die Abwesenheit” (The Absence) and “Das Wiedersehn”<br />
(The Return) in reference to the hasty departure of his good friend<br />
and patron Archduke Rudolph of Austria who fled Vienna with the<br />
imperial family on 4 May 1809 to escape Napoleon’s approaching<br />
troops.<br />
Ludwig van Beethoven:<br />
Sonata in E-flat major<br />
for Pianoforte op. 81a<br />
“Les Adieux”<br />
BÄRENREITER URTEXT<br />
Edited by Jonathan Del Mar<br />
With an Introduction by Misha Donat<br />
and notes on performance practice<br />
by Jonathan Del Mar and<br />
Misha Donat<br />
BA 11808 · approx. € 7.95<br />
To appear in October <strong>2017</strong><br />
Beethoven referred to op. 81a as a “characteristic sonata”, not in the<br />
sense that it had an underlying programme, but because it lent<br />
musical expression to his feelings. He reacted angrily when his<br />
publisher printed French translations of its title and movement<br />
headings. This however did not prevent op. 81a from becoming<br />
widely known by its French name “Les Adieux”.<br />
ISMN 979-0-006-56181-0<br />
9790006561810<br />
New Issue Title<br />
3 New Publications 2/<strong>2017</strong> · The Programme
Piano<br />
Beethoven’s sonatas<br />
in Bärenreiter Urtext<br />
Ludwig van Beethoven:<br />
Grande Sonate<br />
in E-flat major<br />
for Pianoforte op. 7<br />
BÄRENREITER URTEXT<br />
Edited by Jonathan Del Mar<br />
With an Introduction by Misha Donat<br />
and notes on performance practice<br />
by Jonathan Del Mar and<br />
Misha Donat<br />
BA 11802 · approx. € 7.95<br />
The earliest sketches for Beethoven’s Grande Sonate op. 7 date from<br />
1796 and the first edition was issued by the publisher Artaria, Vienna<br />
in October 1797. It is dedicated to Beethoven’s pupil Anna Luise<br />
Barbara (Babette) Countess Keglevicz, in whom, if Carl Czerny is to be<br />
believed, he was passionately in love. For this reason it is sometimes<br />
known by its German nickname “Die Verliebte” (The Lover).<br />
To appear in November <strong>2017</strong><br />
This work is one of the longest and most demanding of Beethoven’s<br />
piano sonatas. Its four movements cover a wide range of emotions –<br />
a challenge that the dedicatee, who was 16 at the time and only<br />
started taking lessons from Beethoven in 1797, possibly felt unable<br />
to master.<br />
ISMN 979-0-006-56175-9<br />
9790006561759<br />
New Issue Title<br />
New Publications 2/<strong>2017</strong> · The Programme 4
Piano<br />
Beethoven’s four-movement Sonata op. 26 in A-flat major belongs to<br />
his most popular works. It is dedicated to Prince Lichnowsky, one of<br />
his most generous patrons and the dedicatee of, among other things,<br />
the Grande Sonate pathétique op. 13 and Symphony No. 2 op. 35. This<br />
demanding sonata is highly varied in its form: it begins with a set of<br />
variations and contains the famous Marcia sulla morte d’un Eroe as<br />
its third movement, earning it the nickname “Sonata with the<br />
Funeral March”. The identity of the title’s eroe (hero) still remains<br />
unknown. The work’s initial drafts date from 1800–01; its publication<br />
took place in March 1802.<br />
Already published:<br />
Three Sonatas in F minor, A major, C major op. 2<br />
BA 10859 · € 25.95<br />
Three Sonatas in C minor, F major, D major op. 10<br />
BA 10857 · € 17.95<br />
Grande Sonate pathétique in C minor op. 13<br />
BA 10851 · € 5.95<br />
Two Sonatas in E major, G major op. 14<br />
BA 10855 · € 9.95<br />
Sonata quasi una Fantasia in E-flat major op. 27 no. 1 /<br />
Sonata quasi una Fantasia in C-sharp minor op. 27 no. 2<br />
“Moonlight Sonata”<br />
BA 10853 · € 11.50<br />
Sonata in D major op. 28 “Pastorale”<br />
BA 11814 · € 7.95<br />
Three Sonatas in G major, D minor, E-flat major op. 31<br />
BA 11805 · € 21.95 (to appear in August <strong>2017</strong>)<br />
Two Sonatas in G minor, G major op. 49<br />
BA 10858 · € 7.95<br />
Grande Sonate in C major op. 53 “Waldstein”<br />
BA 10856 · € 9.95<br />
Ludwig van Beethoven:<br />
Grande Sonate<br />
in A-flat major<br />
for Pianoforte op. 26<br />
“Funeral March”<br />
BÄRENREITER URTEXT<br />
Edited by Jonathan Del Mar<br />
With an Introduction by Misha Donat<br />
and notes on performance practice<br />
by Jonathan Del Mar and<br />
Misha Donat<br />
BA 11804 · approx. € 9.95<br />
To appear in December <strong>2017</strong><br />
Sonata in F minor op. 57 “Appassionata”<br />
BA 10852 · € 7.95<br />
Sonata in F-sharp major op. 78<br />
BA 11807 · € 10.95<br />
Sonata in G major op. 79 “Sonate facile”<br />
BA 11815 · € 6.95<br />
Sonata in A major op. 101<br />
BA 11811 · € 7.50<br />
ISMN 979-0-006-56177-3<br />
9790006561773<br />
New Issue Title<br />
5 New Publications 2/<strong>2017</strong> · The Programme
Harpsichord<br />
Bach – transcribed<br />
by Gustav Leonhardt<br />
Johann Sebastian Bach:<br />
Suites, Partitas, Sonatas<br />
transcribed for Harpsichord<br />
by Gustav Leonhardt<br />
Edited by Siebe Henstra<br />
With a Foreword by Skip Sempé<br />
BA 11820 · approx. € 39.95<br />
To appear in August <strong>2017</strong><br />
“I think Bach would have forgiven me for embarking on these<br />
transcriptions. Whether he would have forgiven the way I did it is,<br />
of course, another matter.” (Gustav Leonhardt)<br />
The harpsichordist, conductor and organist Gustav Leonhardt was<br />
considered a pioneer of historical performance practice. Between<br />
1968 and 1978 he made harpsichord transcriptions of several of Bach’s<br />
compositions for unaccompanied violin or violoncello. Now these<br />
transcriptions are being made available to us by his pupil, the famed<br />
harpsichordist Siebe Henstra, based on the handwritten notes that<br />
Leonhardt used for his own performances.<br />
ISMN 979-0-006-56260-2<br />
9790006562602<br />
New Issue Title<br />
• Informative Foreword and editorial notes by early music specialist<br />
Skip Sempé (Ger/Eng)<br />
• Includes transcriptions, amongst others, of Sonata in G minor<br />
for Solo Violin (BWV 1001), Partita in D minor for Solo Violin<br />
(BWV 1004), Partita in E major for Solo Violin (BWV 1006) and<br />
Suite in C minor for Solo Violoncello (BWV 1011)<br />
New Publications 2/<strong>2017</strong> · The Programme 6
Piano<br />
New impetus for period<br />
performance practice<br />
Wolfgang Amadeus<br />
Mozart:<br />
Concerto in D major<br />
for Pianoforte and<br />
Orchestra “Coronation<br />
Concerto” K. 537<br />
This new piano reduction of Mozart’s “Coronation Concerto” K. 537<br />
is based on the music text from the New Mozart Edition and is fully<br />
compatible with the already existing performance material (BA 5318).<br />
A separate Urtext solo piano part is included in this piano reduction<br />
edition allowing the soloist not only to play the work as customary<br />
in recent decades, but also, for the first time since Mozart’s era,<br />
to improvise above the tutti basses and to conduct the ensemble<br />
from the piano.<br />
The new edition is supplemented by a separate booklet containing<br />
cadenzas and selected lead-ins by August Eberhard Müller,<br />
Carl Reinecke and Max Reger.<br />
BÄRENREITER URTEXT<br />
Edited by Wolfgang Rehm<br />
Piano reduction by Martin Schelhaas<br />
BA 10495-90 · approx. € 22.95<br />
(replaces BA 5318-90)<br />
To appear in August <strong>2017</strong><br />
Fully compatible with performance<br />
material of BA 5318<br />
• Urtext edition based on the New Mozart Edition (NMA)<br />
• Separate Urtext solo piano part included<br />
• Enclosed booklet with cadenzas<br />
• Provides new impetus for period performance practice<br />
ISMN 979-0-006-56166-7<br />
9790006561667<br />
New Issue Title<br />
7 New Publications 2/<strong>2017</strong> · The Programme
Piano<br />
Teaching material<br />
for piano<br />
Emil Hradecký:<br />
Two-Part Piano Miniatures<br />
on One Page<br />
Album of 15 easy pieces<br />
for beginners<br />
Illustrations by Andrea Tachezy<br />
H 8034 · approx. € 7.50<br />
To appear in September <strong>2017</strong><br />
The Czech composer and teacher Emil Hradecký (b. 1953) has devoted<br />
much of his creative output to children and the piano. His Two-Part<br />
Piano Miniatures on One Page are ingenious small piano pieces for<br />
beginners which are easy to play yet melodically interesting. Here<br />
children are introduced to the character of classical music as well<br />
as various dance forms: cha-cha-cha, tango, waltz, polka, blues and<br />
boogie-woogie.<br />
The pieces are composed on whole-tone, pentatonic and gypsy scales<br />
and include a folksong arrangement.<br />
ISMN 979-0-2601-0842-4<br />
• Small recital pieces for beginners at the piano<br />
• New teaching material for piano<br />
• Clever illustrations to kindle children’s musical imagination<br />
9790260108424<br />
New Issue Title<br />
New Publications 2/<strong>2017</strong> · The Programme 8
Strings<br />
A sensation for cellists<br />
Camille Saint-Saëns:<br />
Sonata for Violoncello<br />
and Piano<br />
Incomplete<br />
First Edition<br />
The French composer Camille Saint-Saëns endowed the music world<br />
with a multitude of masterpieces for violoncello including concertos,<br />
sonatas and miniatures such as The Swan and the Allegro appassionato<br />
op. 43.<br />
This first publication of the Sonata in D major is based on<br />
Bärenreiter’s Camille Saint-Saëns Œuvres instrumentales complètes.<br />
Although we know from correspondence that two complete<br />
autographs existed, only an incomplete autograph source containing<br />
the 1 st movement and part of the 2 nd movement, which breaks off,<br />
have come down to us. In his final work for violoncello Saint-Saëns<br />
juxtaposes highly rhythmical episodes with more poetic ones.<br />
These contrasts are reinforced by bold shifts of harmonic coloring<br />
and a highly inventive thematic development.<br />
These movements are destined to become standards for cellists.<br />
BÄRENREITER URTEXT<br />
Edited by Denis Herlin<br />
BA 10910 · € 17.95<br />
Already published, not announced in<br />
previous New Publications Bulletins<br />
ISMN 979-0-006-55885-8<br />
• First ever Urtext edition of this incomplete work based<br />
on Camille Saint-Saëns Œuvres instrumentales complètes<br />
• Informative Introduction (Fr/Eng/Ger)<br />
9790006558858<br />
New Issue Title<br />
9 New Publications 2/<strong>2017</strong> · The Programme
Urtext-Flags-50x150cm+10cmbleed.indd 1 03/03/<strong>2017</strong> 16:16 Urtext-Flags-50x150cm+10cmbleed.indd 2 03/03/<strong>2017</strong> 16:16<br />
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Urtext-Flags-50x150cm+10cmbleed.indd 5 03/03/<strong>2017</strong> 16:16<br />
Bärenreiter Urtext<br />
Bärenreiter Urtext: New campaign <strong>2017</strong><br />
Flags<br />
Flyer<br />
6 pages DIN A 4<br />
SPA 170_2<br />
SPA 170_3<br />
Flags<br />
English<br />
Japanese<br />
Size: 50 cm x 150 cm<br />
SPA 170_4 Violoncello<br />
SPA 170_5 Clarinet<br />
SPA 170_6 Double Bass<br />
SPA 170_7 Violin<br />
Posters<br />
Size: A 2<br />
SPA 170_8 Violoncello<br />
SPA 170_9 Clarinet<br />
SPA 170_10 Double Bass<br />
SPA 170_11 Violin<br />
SPA 170_20 Piano<br />
SPA 170_21 Choir New Issue Title<br />
Stickers<br />
Size: 5.5 cm x 8.5 cm<br />
SPA 170_12 Violoncello<br />
SPA 170_13 Clarinet<br />
SPA 170_14 Double Bass<br />
SPA 170_15 Violin<br />
The Musician's Notes<br />
Notebooks, 32 pages, DIN A 5<br />
BA 8400-1 Violoncello € 1.95<br />
BA 8400-2 Clarinet € 1.95<br />
BA 8400-3 Double Bass € 1.95<br />
BA 8400-4 Violin € 1.95<br />
BA 8400-5 Piano € 1.95<br />
Already published<br />
New Publications 2/<strong>2017</strong> ·· The Programme 10
Urtext-Posters-A2.indd 1 23/03/<strong>2017</strong> 08:54<br />
Urtext-Posters-A2.indd 4 23/03/<strong>2017</strong> 08:54<br />
Your specialist in Bärenreiter Urtext:<br />
Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany<br />
www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_1<br />
ISMN 979-0-006-56480-4<br />
Urtext-NoteBook.indd 2 21/03/<strong>2017</strong> 16:24<br />
Your specialist in Bärenreiter Urtext:<br />
Urtext-Posters-A2.indd 2 23/03/<strong>2017</strong> 08:54<br />
Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany<br />
www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_2<br />
ISMN 979-0-006-56481-1<br />
Urtext-NoteBook.indd 4 21/03/<strong>2017</strong> 16:24<br />
Your specialist in Bärenreiter Urtext:<br />
Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany<br />
www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_3<br />
Urtext-Posters-A2.indd 5 23/03/<strong>2017</strong> 08:54<br />
ISMN 979-0-006-56482-8<br />
Urtext-NoteBook.indd 6 21/03/<strong>2017</strong> 16:24<br />
Your specialist in Bärenreiter Urtext:<br />
Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germany<br />
www.baerenreiter.com · info@baerenreiter.com · Printed in Germany · 1/1703 · BA 8400_4<br />
ISMN 979-0-006-56483-5<br />
Urtext-NoteBook.indd 8 21/03/<strong>2017</strong> 16:25<br />
Bärenreiter Urtext<br />
Promotional material and give-aways<br />
YOUR NEXT PERFORMANCE<br />
IS WORTH IT<br />
YOUR NEXT PERFORMANCE<br />
IS WORTH IT<br />
THE MUSICIAN’S<br />
NOTES<br />
Size<br />
DIN A5<br />
Your next performance is worth it.<br />
9790006564804<br />
THE MUSICIAN’S<br />
NOTES<br />
Size<br />
DIN A5<br />
YOUR NEXT PERFORMANCE<br />
IS WORTH IT<br />
YOUR NEXT PERFORMANCE<br />
IS WORTH IT<br />
Your next performance is worth it.<br />
9790006564811<br />
THE MUSICIAN’S<br />
NOTES<br />
Size<br />
DIN A5<br />
Your next performance is worth it.<br />
9790006564828<br />
Posters<br />
THE MUSICIAN’S<br />
NOTES<br />
Size<br />
DIN A5<br />
Your next performance is worth it.<br />
Stickers<br />
New Issue Title<br />
9790006564835<br />
Notebooks<br />
11 New Publications 2/<strong>2017</strong> · · The Programme
Strings<br />
New recital albums<br />
for the viola<br />
These two volumes contain a wide selection of easy recital pieces.<br />
They are designed as companion volumes to the Early Start on the<br />
Viola method but work equally well as a supplement to any other<br />
viola method. As all pieces are written entirely in first position, they<br />
can be used just after a few months of lessons. Well-known as well<br />
as unfamiliar pieces provide welcome additional repertoire for young<br />
students and teachers.<br />
The piano part may be played by the teacher or an advanced student.<br />
Alternatively a second viola part allows duet playing with the teacher<br />
during lessons.<br />
Sassmannshaus<br />
Viola Recital Album<br />
Volume 1: First Position<br />
for Viola and Piano<br />
or Two Violas<br />
Edited by Melissa Lusk,<br />
Christoph Sassmannshaus and<br />
Kurt Sassmannshaus<br />
Score and part, plus additional<br />
viola part for duet version<br />
BA 8992 · approx. € 16.95<br />
To appear in October <strong>2017</strong><br />
From the contents:<br />
Well-known traditionals (Baa Baa Black Sheep), unfamiliar melodies<br />
(The Robin’s Lullaby) and a few original compositions by the authors<br />
(Jumping Beans), always precisely tailored to meet the needs of young<br />
students.<br />
The Viola Recital Album, Volume 1, can be used as a supplement to the<br />
Early Start on the Viola method, Volumes 1 and 2 (BA 9686 and BA 9687).<br />
The 18 pieces in Volume 1 are structured to follow the same progression<br />
of finger patterns introduced in the Early Start method. This systematic<br />
progression helps the student to solidify the hand position and improve<br />
intonation. The basic bowing techniques do not require changes in bow<br />
speed or sounding point. The young performer can focus on a straight<br />
and beautifully placed bow that produces a pleasing and clear sound.<br />
• New pieces to supplement the Sassmannshaus Viola method<br />
• All pieces in first position<br />
• Include an additional viola part for duet version and<br />
a piano accompaniment<br />
ISMN 979-0-006-56456-9<br />
9790006564569<br />
New Issue Title<br />
Already published:<br />
Violin Recital Album, Volumes 1 and 2<br />
BA 9668, BA 9669 · € 15.50 / € 17.50<br />
Cello Recital Album, Volumes 1 and 2<br />
BA 8994, BA 8995 · € 15.95 each<br />
New Publications 2/<strong>2017</strong> · The Programme 12
Strings<br />
Sassmannshaus<br />
THE SASSMANNSHAUS TRADITION<br />
BÄRENREITER’S<br />
VIOLIN RECITAL ALBUM<br />
Sassmannshaus<br />
FIRST POSITION<br />
ERSTE LAGE<br />
VOLUME 1 / BAND 1<br />
Sassmannshaus<br />
Viola Recital Album<br />
Volume 2: First Position<br />
for Viola and Piano<br />
or Two Violas<br />
The Viola Recital Album, Volume 2, can be used as a supplement to the<br />
Early Start on the Cello method, Volumes 2 and 3 (BA 9687 and BA 9688).<br />
The 12 pieces in Volume 2 are structured to follow the same progression<br />
of finger patterns introduced in the Early Start method, Volumes 2<br />
and 3. The later repertoire in this volume includes a careful<br />
introduction of downward and upward extensions.<br />
Edited by Melissa Lusk,<br />
Christoph Sassmannshaus and<br />
Kurt Sassmannshaus<br />
Score and part, plus additional<br />
viola part for duet version<br />
BA 8993 · approx. € 16.95<br />
To appear in October <strong>2017</strong><br />
Already published:<br />
Early Start on the Viola<br />
BA 9686 Volume 1 · € 13.50<br />
BA 9687 Volume 2 · € 13.50<br />
BA 9688 Volume 3 · € 13.50<br />
BA 9689 Volume 4 · € 13.50<br />
ISMN 979-0-006-56457-6<br />
9790006564576<br />
New Issue Title<br />
13 New Publications 2/<strong>2017</strong> · The Programme
Strings<br />
Oskar Rieding:<br />
Concerto in D major op. 36<br />
Violin part with enclosed<br />
violin/piano score<br />
BA 10697 · approx. € 12.95<br />
To appear in October <strong>2017</strong><br />
Further Rieding works for violin:<br />
Oskar Rieding<br />
Marcia op. 44, Rondo op. 22/3<br />
BA 8982 · € 8.50<br />
Concertino in Hungarian Style<br />
in A minor op. 21<br />
BA 8973 · € 8.50<br />
Concerto in B minor op. 35<br />
BA 8971 · € 8.50<br />
Each edition consists of a violin part<br />
and an enclosed violin/piano New Issue score Title<br />
Oskar Rieding (1840–1918) is known to all young violinists for his<br />
easy-to-play concertos for violin and piano, of which opp. 34 to 36<br />
remain entirely in first position. In op. 36 catchy melodies are<br />
coupled with first technical difficulties such as eighth-note arpeggios,<br />
16th-note runs and chromaticism. These appear in small measures<br />
throughout the entire work.<br />
The Concerto in D major is well-suited for younger student recitals.<br />
• Concert piece entirely in first position<br />
• Ideal for students wishing to perform their first recital<br />
• Duration: approx. 10 minutes<br />
ISMN 979-0-006-56458-3<br />
9790006564583<br />
New Issue Title<br />
New Publications 2/<strong>2017</strong> · The Programme 14
Strings<br />
An easy work<br />
with a great impact<br />
Jean-Baptiste Bréval:<br />
Sonata in C major op. 40<br />
Cello part with enclosed<br />
cello/piano score<br />
BA 10698 · approx. € 12.95<br />
To appear in October <strong>2017</strong><br />
Jean-Baptiste Bréval (1753–1823) was a member of the orchestra at the<br />
Paris Opéra and also a prolific composer. His works include concertos<br />
for cello, string quartets, comic operas and a violoncello tutor.<br />
However he is best-known for the Sonata in C major which has<br />
become a standard work for teaching purposes, even in arrangements<br />
for other instruments. The two movements (Allegro and Rondo<br />
Grazioso) can also be performed independently from one another.<br />
This sonata belongs to the basic repertoire of every young cellist.<br />
• Ideal for the first “proper” recital<br />
• Of moderate technical difficulty but with brilliant impact<br />
• Duration: approx. 8 minutes<br />
Further cello titles in this series:<br />
Edward Mollenhauer<br />
The Boy Paganini<br />
BA 10694 · € 8.95<br />
Edward Mollenhauer<br />
The Infant Paganini<br />
BA 10693 · € 8.95<br />
Oskar Rieding<br />
Concerto in B minor op. 35<br />
BA 8984 · € 10.75<br />
ISMN 979-0-006-56459-0<br />
9790006564590<br />
New Issue Title<br />
Friedrich Seitz<br />
Concerto in D major op. 22<br />
BA 8987 · € 10.25<br />
Each edition consists of a cello part<br />
and New an Issue enclosed Title cello/piano score.<br />
15 New Publications 2/<strong>2017</strong> · The Programme
Winds<br />
For the 2018<br />
Debussy Year<br />
Claude Debussy:<br />
Première Rhapsodie<br />
for Orchestra with<br />
Solo Clarinet in Bb<br />
BÄRENREITER URTEXT<br />
Edited by Douglas Woodfull-Harris<br />
Score BA 7897 · approx. € 22.95<br />
Version for clarinet and piano<br />
BA 7897-90 · approx. € 13.95<br />
Wind set<br />
BA 7897-65 · approx. € 39.95<br />
Violin 1 BA 7897-74 · approx. € 3.50<br />
Violin 2 BA 7897-75 · approx. € 3.50<br />
Viola BA 7897-79 · approx. € 3.50<br />
Violoncello BA 7897-82 · approx. € 3.50<br />
Double bass BA 7897-85 · approx. € 3.50<br />
To appear in November <strong>2017</strong><br />
Debussy’s Première Rhapsodie is one of two concertante works<br />
completed, premiered and published during his lifetime. He was<br />
commissioned to write it in 1909 for the final examination at the Paris<br />
Conservatoire in 1910. Debussy orchestrated it in the summer of 1911.<br />
While transferring the clarinet part from the already published<br />
version for clarinet and piano, he made a few subtle changes,<br />
particularly in m. 201, which has been a bone of contention among<br />
clarinettists for over a century.<br />
The present scholarly-critical publication is the first Urtext edition of<br />
the orchestral version. It draws on every known source and takes into<br />
account a previously ignored source that sheds new light on the piece.<br />
ISMN 979-0-006-56436-1<br />
9790006564361<br />
BA 7897-90<br />
New Issue Title<br />
ISMN 979-0-006-56435-4<br />
9790006564354<br />
BA 7897<br />
New Issue Title<br />
• First Urtext edition of the orchestral version<br />
• First scholarly-critical edition of a pioneering work for clarinet<br />
• Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)<br />
New Publications 2/<strong>2017</strong> · The Programme 16
Zeitgenössische Musik<br />
Romantic Flute Music<br />
Elisabeth Weinzierl<br />
and Edmund Wächter:<br />
Romantic Hits<br />
for two Flutes<br />
28 pages<br />
BA 10643 · € 12.95<br />
Arrangements of familiar pieces for two flutes were very popular in<br />
the romantic era. This enabled works which were current at that time<br />
to be played in salons and at home. Folk songs, opera arias, piano and<br />
concert pieces were arranged by such figures as Giuseppe Gariboldi,<br />
Kaspar Kummer and Ernesto Köhler. Elisabeth Weinzierl and Edmund<br />
Wächter have selected and arranged the most beautiful and bestknown<br />
pieces for this edition making these melodies accessible<br />
even to the less experienced musician.<br />
From the contents:<br />
Robert Schumann: Frühlingsgruß / Carl-Maria von Weber: Hunters’<br />
Chorus / Giuseppe Verdi: Ah! Gran Dio! Morir sì giovine / Vincenzo<br />
Bellini: Ma non fia sempre odiata / Felix Mendelssohn: Song without<br />
Words<br />
• Well-known melodies from the greatest Romantic composers<br />
• Both parts equally comprehensive and easy-to-play<br />
Already published, not announced in<br />
previous New Publications Bulletins<br />
(replaces BA 8691)<br />
ISMN 979-0-006-56324-1<br />
9790006563241<br />
New Issue Title<br />
Also published:<br />
Douglas Woodfull-Harris<br />
Classic Hits for 2 Flutes<br />
BA 10613 · € 13.95<br />
New Issue Title<br />
17 New Publications 2/<strong>2017</strong> · The Programme
Choir<br />
For the composer’s<br />
200 th birthday in 2018<br />
Charles Gounod:<br />
Messe solennelle<br />
(Ste Cécile)<br />
for Soloists (STB), Choir (SATB),<br />
Orchestra and Organ<br />
BÄRENREITER URTEXT<br />
Edited by Hans Schellevis<br />
Piano reduction by the editor<br />
Score<br />
BA 8966 · approx. € 79.00<br />
Vocal score (Lat)<br />
BA 8966-90 · approx. € 14.95<br />
Wind set<br />
BA 8966-65 · approx. € 79.00<br />
Organ BA 8966-67 · approx. € 23.95<br />
Violin I BA 8966-74 · approx. € 8.95<br />
Violin II BA 8966-75 · approx. € 8.95<br />
Viola BA 8966-79 · approx. € 8.95<br />
Violoncello BA 8966-82 · approx. € 8.95<br />
Double bass BA 8966-85 · approx. € 8.95<br />
Sacred works occupy a large part of Charles Gounod’s œuvre. It was<br />
the Messe solennelle en l’honneur de Sainte Cécile that established his<br />
fame as a church composer. Its melodic invention and effective<br />
handling of the orchestra reveal a close proximity to opera.<br />
This Urtext edition is based not only on the original print of 1856 but<br />
also on copyists’ manuscripts and autograph sources. Rounding off<br />
this well-researched Urtext edition are an informative Introduction<br />
and a detailed Critical Commentary. The edition is being published to<br />
celebrate the 200 th anniversary of Gounod’s birth.<br />
• Gounod’s well-known mass in a new Urtext edition<br />
• Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)<br />
• Idiomatic piano reduction<br />
• In preparation for the Gounod bicentenary year 2018<br />
ISMN 979-0-006-56400-2<br />
BA 8966-90<br />
To appear in New October Issue Title <strong>2017</strong><br />
9790006564002<br />
New Issue Title<br />
New Publications 2/<strong>2017</strong> · The Programme 18
Choir<br />
Major opera choruses from<br />
the 17 th to 19 th centuries<br />
Bärenreiter Album of<br />
Opera Choruses<br />
for mixed choir<br />
Edited by Tilman Michael<br />
BA 6924 · approx. € 16.95<br />
This album for mixed choir and piano contains a selection of richly<br />
varied choruses from Italian, French, German, English and Russian<br />
operas from the 17 th to 19 th centuries, illuminating the great diversity<br />
of the genre. Choruses from the following operas are included:<br />
Claudio Monteverdi: L’Orfeo / George Frideric Handel: Acis and Galatea<br />
HWV 49 b / Christoph Willibald Gluck: Alceste (Vienna version 1767) /<br />
Wolfgang Amadeus Mozart: Idomeneo K. 366 / Franz Schubert:<br />
Fierabras D. 796 / Vincenzo Bellini: Norma / Camille Saint-Saëns:<br />
Samson et Dalila / Georges Bizet: Carmen / Pyotr Ilyich Tchaikovsky:<br />
Eugene Onegin (cyrillic text with transliteration)<br />
To appear in July <strong>2017</strong><br />
ISMN 979-0-006-56235-0<br />
9790006562350<br />
New Issue Title<br />
• Foreword (Ger/Eng) which places the choruses in their dramatic<br />
context and includes suggestions for study and interpretation<br />
• Notes on pronounciation of the Russian song text<br />
• In a large format (23 x 30 cm)<br />
The editor<br />
Tilman Michael worked at the<br />
Hamburg State Opera and the<br />
Mannheim National Theatre before<br />
being appointed choral director at<br />
the Frankfurt Opera in 2014.<br />
New Issue Title<br />
19 New Publications 2/<strong>2017</strong> · The Programme
Violino I *)<br />
Violino II<br />
Viola<br />
Viola da<br />
gamba<br />
Canto<br />
Oboe I *)<br />
Alto<br />
Oboe II**)<br />
Tenore<br />
Ba so<br />
Organo<br />
Violonce Violone<br />
4<br />
8<br />
TVWV 1: 14 9<br />
War um be trübst du dich, mein Herz?<br />
War um be trübst du dich, mein Herz?<br />
8 War um be trübst du dich, mein Herz?<br />
War um be trübst du dich, mein Herz?<br />
6 7 6<br />
*) Gera druck zeigt an, daß die betre fende Sti me von Telema n geschrieben wurde.<br />
*) Vgl. den Kritischen Bericht, S. XI.<br />
Solo<br />
Der He r hat mich ver<br />
Basso continuo<br />
7<br />
10<br />
13<br />
Violino<br />
BA 5857<br />
6 6 6 6<br />
5<br />
6 65 64 5 6<br />
4<br />
2<br />
131<br />
Andante<br />
© 2 06 by Bärenreiter-Verlag, Ka sel<br />
4<br />
2<br />
Solo 1<br />
TWV 41:F4<br />
6 6 6 5 6<br />
7 6 6<br />
4<br />
5 6 7 9 6 6 64 5<br />
7 6 7 6 6 6<br />
5<br />
6 6<br />
6 6<br />
3<br />
4<br />
6 4<br />
2<br />
2<br />
© 2009 by Bärenreiter-Verlag, Kassel<br />
Telemann-Poster.indd 1 24/02/<strong>2017</strong> 12:23<br />
Telemann Year <strong>2017</strong><br />
Selected Telemann Works<br />
Sacred Choral Music<br />
Christus, der ist mein Leben TVWV 1:138<br />
BA 5897-90 · € 13.50<br />
Die Auferstehung und Himmelfahrt Jesu TWV 6:6<br />
BA 5851-90 · € 29.95<br />
Harmonischer Gottesdienst<br />
Lent and Easter Cantatas<br />
BA 5895 · € 32.95<br />
Der Tod Jesu – Betrachtung der neunten Stunde<br />
am Todestage Jesu TVWV 5:5, 5:6<br />
BA 5853-90 · € 30.95<br />
Der für die Sünde der Welt leidende und sterbende<br />
Jesus TVWV 5:1<br />
BA 5863 · € 282.00<br />
Die Donnerode TVWV 6:3<br />
BA 5900-90 · € 15.95<br />
Concerto for two Violins (Flute and Violin),<br />
Viola and Basso continuo in D minor TWV 43:d2<br />
BA 5875 · € 13.95<br />
Two Sonatas for Oboe and Basso continuo<br />
from “Essercizii musici”<br />
BA 5889 · € 21.50<br />
Nine Sonatas for two Transverse Flutes without<br />
Figured Bass TWV 40:141-149<br />
BA 5888 · € 28.95<br />
Twelve Methodical Sonatas for Violin or Flute<br />
and Basso continuo. Volume 1<br />
BA 2241 · € 14.95<br />
Sonata for Flute and Basso continuo No. 1 in B minor<br />
TWV 41:h4 “Tafelmusik I”<br />
BA 3537 · € 9.25<br />
Instrumental Works<br />
Twelve Fantasias for Flute without Bass TWV 40:2-13<br />
BA 2971 · € 10.50<br />
Concerto for Viola, Strings and Basso continuo<br />
in G major TWV 51:G9<br />
BA 5878 · € 19.50<br />
Bärenreiter “Notes”<br />
Telemann green<br />
Size: DIN A 6, 32 pages<br />
BA 8100-24 · € 0.75<br />
Poster<br />
Warum betrübst du dich, mein Herz<br />
1. Choral ed Arioso Adagio<br />
las sen, ver las sen! Der He r hat mein ver ges sen, der<br />
6 7 6 6 6 6<br />
Three Concertos for Violin and Orchestra TWV 51:a1<br />
in A minor, 51:D9 in D major, 51:g1 in G minor<br />
BA 5876-90 · € 17.95 New Issue Title<br />
Georg Philipp Telemann<br />
Size: DIN A 1 long (42 x 118,8 cm)<br />
SPA 50_73 · free of charge<br />
New Publications 2/<strong>2017</strong> ·· The Programme 20
8<br />
7 6 6<br />
4<br />
5 6 7 9 6 6 6<br />
4<br />
7 6 7 6 6 6<br />
5<br />
250 th anniversary of Telemann's death<br />
Warum betrübst du dich, mein Herz<br />
TVWV 1: 1499<br />
1. Choral ed Arioso Adagio<br />
131<br />
Violino I *)<br />
Violino II<br />
Viola<br />
Viola da<br />
gamba<br />
Canto<br />
Oboe I**)<br />
Alto<br />
Oboe II**)<br />
Tenore<br />
Basso<br />
mein Herz?<br />
War um be trübst du dich, mein Herz?<br />
8 War um be trübst du dich, mein Herz?<br />
War um be trübst du dich, mein Herz?<br />
Solo<br />
Der Herr hat mich ver<br />
Organo<br />
Violoncello<br />
Violone<br />
6 7 6<br />
4<br />
from: Twelve Fantasias for Flute without Bass<br />
TWV 40:2-13 · BA 2971<br />
Violino<br />
Andante<br />
las sen, ver las sen! Der Herr hat mein ver ges sen, der<br />
Solo 1<br />
TWV 41:F4<br />
Basso continuo<br />
© 2006 by Bärenreiter-Verlag, Kassel<br />
6 7 6 6 6 6<br />
*) Geraddruck zeigt an, daß die betreffende Stimme von Telemann geschrieben wurde.<br />
**) Vgl. den Kritischen Bericht, S. XXI.<br />
4<br />
2<br />
6 6 6 5<br />
3<br />
6 6 6 6<br />
5<br />
6 6<br />
5<br />
6<br />
4<br />
5 6<br />
7<br />
10<br />
13<br />
4<br />
2<br />
6 6<br />
4<br />
2<br />
6 4<br />
2<br />
BA 5857<br />
© 2009 by Bärenreiter-Ver<br />
from: Three Concertos for Violin and Orchestra<br />
TWV 51:a1 in A minor, TWV 51:D9 in D major,<br />
TWV 51:g1 in G minor · BA 5876-90<br />
New Issue Title<br />
21 New Vorschau Publications 2/<strong>2017</strong> · 2/<strong>2017</strong> Das Programm · The Programme
Solo Voice<br />
One of the most popular<br />
romantic song cycles<br />
Dvořák’s song cycle Gypsy Songs op. 55 on words by the Czech poet<br />
Adolf Heyduk, were written at the beginning of 1880 at the request<br />
of the Bohemian tenor Gustav Walter, a member of the Vienna Court<br />
Opera and the work’s dedicatee.<br />
For this Urtext edition the editor Veronika Vejvodová has taken the<br />
original print as her main source. The edition appears in two volumes,<br />
one for high voice and another for low voice.<br />
Antonín Dvořák:<br />
Gypsy Songs op. 55<br />
for Voice and Piano<br />
BÄRENREITER URTEXT<br />
Edited by Veronika Vejvodová<br />
ISMN 979-0-2601-0779-3<br />
Vocal texts: (Cz/Eng/Ger)<br />
High Voice<br />
BA 10431 · approx. € 12.50<br />
(replaces H 1559)<br />
Low Voice<br />
BA 10432 · approx. € 12.50<br />
(replaces H 1739)<br />
To appear in October <strong>2017</strong><br />
ISMN 979-0-2601-0778-6<br />
• Third volume from the new five-volume Urtext edition of Dvořák’s<br />
complete songs<br />
• One of the most popular and best-known song cycles of the<br />
romantic repertoire<br />
• Extensive Foreword (Cz/Eng/Ger) and Critical Commentary (Eng)<br />
by the editor<br />
• Vocal texts in three languages (Cz/Eng/Ger)<br />
Contents<br />
1. I chant my lay, a hymn of love<br />
2. Hark, how my triangle<br />
3. Silent and lone the woods around<br />
4. Songs my mother taught me<br />
5. Tune thy strings, oh gypsy<br />
6. In his wide and ample, airy linen vesture<br />
7. Cloudy heights of Tatra<br />
Already published:<br />
Cypresses for Tenor and Piano (B 11)<br />
BA 9569 · € 23.95<br />
Antonín Dvořák<br />
Songs II for High Voice and Piano<br />
BA 11517 · € 28.95<br />
9790260107793<br />
9790260107786<br />
BA 10432 BA 10431<br />
Songs II for Low Voice and Piano<br />
BA 11518 · € 28.95<br />
New Issue Title<br />
New Issue Title<br />
New Publications 2/<strong>2017</strong> · The Programme 22
Solo Voice<br />
Lyrical and dramatic<br />
gems<br />
Franz Schubert:<br />
Selected Opera Arias<br />
for Baritone<br />
BÄRENREITER URTEXT<br />
from: “Wo find ich nur den Ort, mein Haupt zur Ruh zu legen”<br />
(Alfonso und Estrella)<br />
Edited and arranged by<br />
Patrick Radelet<br />
BA 5655 · approx. € 27.95<br />
To appear in October <strong>2017</strong><br />
Schubert’s operas contain a wealth of magnificent music. This<br />
anthology of opera arias for baritone with piano accompaniment<br />
presents a delightful selection from Des Teufels Lustschloss, Adrast,<br />
Die Freunde von Salamanka, Alfonso und Estrella and Fierabras.<br />
An enclosed violoncello part for the aria “Wo find ich nur den Ort,<br />
mein Haupt zur Ruh zu legen” (Alfonso und Estrella) makes it possible<br />
to perform this piece in a chamber music setting.<br />
• Urtext edition based on the New Schubert Edition<br />
• Trilingual texts (Ger/Eng/Fr) with an informative Foreword, notes<br />
on the arias’ dramatic context and literal translations of the aria<br />
texts into English and French<br />
• Idiomatic easy-to-play piano part<br />
ISMN 979-0-006-56215-2<br />
9790006562152<br />
New Issue Title<br />
23 New Publications 2/<strong>2017</strong> · The Programme
Study Scores<br />
Study score now with transposed<br />
part for clarinet in B-flat<br />
Bohuslav Martinů:<br />
Nonet No. 2 H 374<br />
for Flute, Oboe, Clarinet,<br />
Bassoon, Horn, Violin, Viola,<br />
Violoncello and Double Bass<br />
BÄRENREITER URTEXT<br />
Edited by Jitka Zichová<br />
Study score<br />
TP 440 · approx. € 22.50<br />
(replaces H 3022)<br />
To appear in October <strong>2017</strong><br />
Performance material<br />
available on hire<br />
ISMN 979-0-2601-0845-5<br />
9790260108455<br />
Martinů’s Nonet No. 2 was composed in 1959, the final year of his life.<br />
It was commissioned by the ensemble Czech Nonet which premiered<br />
the piece at the Salzburg Festival and it appeared in print<br />
posthumously in autumn of that same year.<br />
The principal source for this edition was Martinů’s autograph score.<br />
A photo-reproduction of the autograph with handwritten entries by<br />
the performers was used as a reference source as well as the first<br />
edition, which includes several amendments made by the Czech<br />
Nonet and authorised by the composer. Also taken into account were<br />
the corrections found in the correspondence between Martinů and<br />
violinist Emil Leichner, the ensemble’s artistic director. Unlike the<br />
version in the complete edition, the clarinet part has been transposed<br />
for the clarinet in B-flat.<br />
• First Urtext edition based on The Bohuslav Martinů Complete<br />
Edition IV/4/1 (Chamber Music for 6–9 Instruments I)<br />
• Foreword by the editor (Cz/Eng/Ger)<br />
New Issue Title<br />
New Publications 2/<strong>2017</strong> · The Programme 24
Study Scores<br />
Dvořák’s famous<br />
masterpiece now in<br />
a study score<br />
Antonín Dvořák:<br />
Concerto in A minor<br />
for Violin and<br />
Orchestra op. 53<br />
BÄRENREITER URTEXT<br />
Edited by Iacopo Cividini<br />
This study score is based on our recently published new scholarlycritical<br />
edition (BA 10422) of Dvořák’s op. 53, his only violin concerto.<br />
Besides the original print, the edition takes into account Dvořák’s<br />
autograph, which served as a model for the engraving. A fresh<br />
evaluation of the autograph has made it possible to reconstruct<br />
several variants ignored in the first and subsequent editions and to<br />
clarify ambiguities in notation and articulation.<br />
Study score<br />
TP 422 · approx. € 14.95<br />
(replaces H 1004)<br />
To appear in November <strong>2017</strong><br />
• Study score based on the new Bärenreiter Urtext edition<br />
• Variants in the solo part as ossia passages<br />
• Foreword by the editor on the work’s genesis (Ger/Cz/Eng)<br />
ISMN 979-0-2601-0769-4<br />
9790260107694<br />
New Issue Title<br />
25 New Publications 2/<strong>2017</strong> · The Programme
Contemporary Music<br />
New publications up to May <strong>2017</strong><br />
Dieter Ammann<br />
Miloslav Kabeláč<br />
Matthias Pintscher<br />
Photo: Franck Ferville<br />
Andrea L. Scartazzini<br />
Photo: Janis Huber<br />
Charlotte Seither<br />
Photo: Marko Bussmann<br />
Miroslav Srnka<br />
Photo: Vojtěch Havlík<br />
Manfred Trojahn<br />
Photo: Dietlind Konold<br />
Dieter Ammann<br />
glut for orchestra<br />
BA 11151-72<br />
Dieter Ammann<br />
VIOLATION<br />
for violoncello and ensemble<br />
BA 11138-72<br />
Miloslav Kabeláč<br />
Two Fantasias<br />
for organ<br />
H 8028<br />
Matthias Pintscher<br />
mar’eh<br />
for violin and ensemble<br />
BA 11150-72<br />
Andrea Lorenzo Scartazzini<br />
Edward II<br />
Opera in ten scenes<br />
BA 11141-72<br />
Charlotte Seither<br />
Fünf Stücke<br />
um den Fluss zu queren<br />
for orchestra<br />
BA 11140-72<br />
Miroslav Srnka<br />
South Pole.<br />
A double opera in two parts<br />
BA 11147-72<br />
Manfred Trojahn<br />
Four women from Shakespeare<br />
for soprano and ensemble<br />
BA 11149-72<br />
New Issue Title<br />
New Publications 2/<strong>2017</strong> · The Programme 26<br />
Music example from: Srnka, South Pole · BA 11147-72
Autograph score and original<br />
parts reunited<br />
Peter Wollny (Editor):<br />
Johann Sebastian Bach<br />
“O Ewigkeit, du Donnerwort” BWV 20<br />
Cantata for the 1 st Sunday after Trinity<br />
Faksimile-Reihe Bach’scher Werke und Schriftstücke. Neue Folge,<br />
edited by the Bach Archive Leipzig, Volume IX<br />
Documenta musicologica II/52<br />
Limited edition<br />
Autograph score and original parts:<br />
Two 4-colour facsimile fascicles (24 + 64 pp, each in a facsimile cover)<br />
and a Commentary booklet (Ger/Eng, 16 pp) in a slipcase<br />
BVK 2447 · € 289.00<br />
Already published, not announced in previous New Publications Bulletins<br />
Johann Sebastian Bach opened the second year of his Leipzig church<br />
compositions on 11 June 1724 with a performance of the cantata<br />
“O Ewigkeit, du Donnerwort”. The work is based on a church hymn by<br />
Johann Rist that depicts, in riveting language, the terrors of the Last<br />
Judgment and the torments of Hell, followed by an admonition to live<br />
a life pleasing to God. The poem inspired Bach to write one of his most<br />
impressive church compositions altogether.<br />
This remarkably extensive score with twelve sheets sheds particularly<br />
instructive and detailed light on Bach's creative process. The Bach Archive<br />
Leipzig acquired this priceless manuscript at the end of 2016, making it<br />
possible for the first time to reunite the original performance material<br />
and the handwritten score of a Bach chorale cantata. Our facsimile<br />
edition complements the edition of BWV 20 presented by James<br />
Webster almost 50 years ago in volume I/15 of the New Bach Edition.<br />
• Autograph score reunited with<br />
the original parts<br />
• Limited edition of 250 copies<br />
• With a Commentary by<br />
Peter Wollny (Ger/Eng)<br />
New Issue Title<br />
27 New Publications 2/<strong>2017</strong> · The Programme
“The story of my love ...<br />
my torments, my harrowing<br />
dreams”<br />
Hector Berlioz<br />
The seal is used exclusively for facsimile<br />
editions published by Bärenreiter which<br />
meet the highest demands in both scholarly<br />
and technical terms.<br />
Features include:<br />
• Facsimile in high-quality colour printing<br />
• Scholarly commentary<br />
Love and insanity, tenderness and vulgarity<br />
bordering on the grotesque: Hector Berlioz<br />
never avoided extremes, neither in his life nor in<br />
his oeuvre. His entire Symphonie fantastique is<br />
pervaded by a musical “idée fixe” representing<br />
a woman he adored. The symphony brought<br />
about his breakthrough and has remained<br />
popular ever since.<br />
The impact of his masterly approach to<br />
composition, especially in the treatment of<br />
the orchestration, could still be felt in the 20 th<br />
century. Berlioz revised the work for years<br />
before it finally reached its definitive version.<br />
New Issue Title<br />
204 159–163 IV IV 164–170 205<br />
New Publications 2/<strong>2017</strong> · The Programme 28
Faksimile Berlioz<br />
He entered many of these changes in the<br />
autograph score, which was also used for<br />
performances, by pasting strips of paper<br />
over the bars or parts in question.<br />
Hugh Macdonald, General Editor of the<br />
New Berlioz Edition, explains the work’s<br />
genesis and presents particular passages<br />
from each movement.<br />
This facsimile edition, in high-quality four-colour<br />
reproduction, presents the manuscript as it is<br />
today – with strips of paper that can be folded<br />
out, making both versions visible.<br />
Hector Berlioz:<br />
Symphonie<br />
fantastique op. 14<br />
Facsimile of the autograph score<br />
held in the Bibliothèque<br />
nationale de France<br />
With a Commentary<br />
by Hugh Macdonald<br />
Documenta musicologica II/53<br />
approx. 290 pp. of facsimile<br />
and 20 pp. of Commentary<br />
(Eng/Ger/Fr)<br />
Half-leather binding<br />
BVK 1601<br />
approx € 695.00<br />
To appear in November <strong>2017</strong><br />
New Issue Title<br />
29 New Publications 2/<strong>2017</strong> · The Programme
Complete Editions<br />
New publications up to May <strong>2017</strong><br />
Concentus Musicus, Volume XVI<br />
Niccolò Piccinni, La buona figliuola<br />
Edited by Francesco Paolo Russo<br />
BA 8392-01<br />
The Bohuslav Martinů<br />
Complete Edition, Series VI/2, Volume 3<br />
Cantatas on texts by Miloslav Bureš<br />
Edited by Vít Zouhar<br />
BA 10575-01<br />
Heinrich Schütz<br />
New Edition of the Complete Works,<br />
Volume 36<br />
Polychoral Church Concertos<br />
Edited by Claudia Theis<br />
BA 4488-01<br />
New Edition of the Complete Works,<br />
Volume 1<br />
Historia der Geburt Jesu Christi SWV 435<br />
New revised edition. Edited by Bettina Varwig<br />
BA 5953-01<br />
Georg Philipp Telemann<br />
Musical Works, Volume 65<br />
Music for Church Consecrations II<br />
Edited by Wolfgang Hirschmann<br />
BA 7815-01<br />
New Issue Title<br />
Music example from: Schütz, New Edition of the Complete<br />
Works, Volume 1: Historia der Geburt Jesu Christi SWV 435<br />
BA 5953-01<br />
New Publications 2/<strong>2017</strong> · The Programme 30
Opera<br />
Tracking down an enigma<br />
of music history<br />
L’incoronazione di Poppea, Claudio Monteverdi’s final opera, had<br />
a formative impact on the evolution of this genre. Yet its convoluted<br />
source situation makes it one of music history’s great enigmas. There<br />
are practically no references to the original version that Monteverdi<br />
performed in Venice in 1643, as the score has not survived.<br />
To celebrate the 450 th anniversary of Monteverdi’s birth, this operatic<br />
masterpiece is appearing in an edition close to the presumed original.<br />
The new edition is based on the score prepared in Venice and found<br />
among the possessions of Francesco Cavalli.<br />
This scholarly edition came about due to a remarkable project at the<br />
University of North Texas; it was compiled and edited by Hendrik<br />
Schulze and his students on the basis of the latest research findings<br />
concerning source evaluation, performance practice and the historical<br />
context.<br />
Claudio Monteverdi:<br />
L’incoronazione<br />
di Poppea<br />
Opera regia<br />
• Detailed Introduction to questions regarding sources and<br />
interpretation (Eng/Ger)<br />
• Extensive critical apparatus (Eng)<br />
• Libretto edited by Nicola Badolato with text translations<br />
(Ital/Eng/Ger)<br />
• Appendix with alternative readings from the Naples source<br />
Bärenreiter Urtext<br />
Edited by Hendrik Schulze et. al.<br />
Score<br />
BA 8792 · approx. € 110.00<br />
To appear in November <strong>2017</strong><br />
Vocal score in preparation<br />
Performance material<br />
(performance score and continuo<br />
part) available on hire<br />
ISMN 979-0-006-53309-1<br />
9790006533091<br />
New Issue Title<br />
31 New Publications 2/<strong>2017</strong> · The Programme
Orchestra<br />
Classical masterpiece<br />
in a new Urtext edition<br />
Bedřich Smetana:<br />
Šárka<br />
Symphonic Poem<br />
for Orchestra<br />
BÄRENREITER URTEXT<br />
Edited by Hugh Macdonald<br />
Score<br />
BA 11532 · approx. € 34.95<br />
To appear in December <strong>2017</strong><br />
Performance material<br />
available on hire<br />
ISMN 979-0-2601-0804-2<br />
9790260108042<br />
New Issue Title<br />
Already published:<br />
Bedřich Smetana:<br />
Vltava (The Moldau)<br />
BA 9558 Score · € 39.95<br />
Performance material<br />
available New Issue on Title sale<br />
Composed in January–February 1875, Šárka is the third symphonic<br />
poem in Smetana’s six-part cycle Má vlast (My Fatherland). He first<br />
published it in a version for piano-duet issued by publisher Urbánek<br />
in 1880. The score of the first edition did not appear in print until<br />
1888, four years after Smetana’s death.<br />
Owing to the many errors in the first edition, Hugh Macdonald has<br />
based this new edition on the autograph score with annotations<br />
by Adolf Čech, who conducted the premiere on 17 March 1877. The<br />
autograph and print of the piano-duet version served as additional<br />
sources.<br />
• Classical masterpiece of Czech music in a new scholarly-critical<br />
edition<br />
• Follows on from Hugh Macdonald’s Urtext edition of Vltava<br />
(The Moldau)<br />
• Detailed Foreword by Smetana expert Olga Mojžíšová<br />
(Eng/Cz/Ger) and Critical Commentary by the editor (Eng)<br />
New Publications 2/<strong>2017</strong> · The Programme 32
Orchestra<br />
Continuing the publication<br />
of the Haydn symphonies<br />
Joseph Haydn:<br />
Symphony in C major<br />
Hob. I: 90<br />
URTEXT<br />
Edited by Andreas Friesenhagen<br />
Haydn’s Symphony in C major Hob. I: 90, dated 1788 in the<br />
autograph, belongs to a group of works that he composed between<br />
the Paris symphonies (Hob. I: 82–87) and the London symphonies<br />
(Hob. I: 93–104). It thus belongs to the last symphonies he wrote<br />
before his journeys to England in 1791–92 and 1794–95.<br />
Continuing the collaboration between Bärenreiter and the G. Henle<br />
publishing company regarding Haydn's large-scale choral works,<br />
operas and symphonies, this edition is based on the G. Henle<br />
Complete Edition of the Works of Joseph Haydn. With Symphony<br />
No. 90, Bärenreiter has now published the complete performance<br />
material for all the symphonies from Nos. 82 to 104 as well as several<br />
Sturm und Drang symphonies.<br />
• Based on the G. Henle Complete Edition of the Works of Joseph Haydn<br />
• Orchestral parts in a large format (25.5 x 32.5 cm)<br />
ISMN 979-0-006-56462-0<br />
9790006564620 New Issue Title<br />
Score<br />
BA 10981 · approx. € 35.95<br />
Wind set<br />
BA 10981-65 · approx. € 46.95<br />
Violin I BA 10981-74 · approx. € 9.95<br />
Violin II BA 10981-75 · approx. € 9.95<br />
Viola BA 10981-79 · approx. € 9.95<br />
Violoncello BA 10981-82 · approx. € 9.95<br />
Double bass BA 10981-85 · approx. € 9.95<br />
To appear in August <strong>2017</strong><br />
More new Haydn repertoire:<br />
Joseph Haydn<br />
Late Piano Sonatas<br />
Edited by Bernhard Moosbauer<br />
and Holger M. Stüwe<br />
With notes on performance practice<br />
and fingerings by Rebecca Maurer<br />
BA 10804 · approx. € 24.50<br />
To New appear Issue in Title September <strong>2017</strong><br />
33 New Publications 2/<strong>2017</strong> · The Programme
The<br />
Authoritative<br />
Music<br />
Encyclopedia –<br />
Now Online<br />
MGG Online is the new digital encyclopedia for music<br />
researchers worldwide.<br />
It is based on the second edition of Die Musik in Geschichte<br />
und Gegenwart, the authoritative reference work that has<br />
supported music scholarship since 1949, and features newly<br />
written articles and regular updates.<br />
MGG Online has been developed by Bärenreiter and J. B. Metzler<br />
in partnership with Répertoire International de Littérature<br />
Musicale (RILM).<br />
Extensive Content Covering<br />
All Music Disciplines<br />
MGG Online features the content of the second edition of<br />
Die Musik in Geschichte und Gegenwart with more than 19,000<br />
articles:<br />
● More than 18,000 biographical articles cover composers,<br />
singers, instrumentalists, and theorists. Many of these<br />
articles are in the area of jazz and popular music.<br />
There are also articles covering literary figures, ensembles,<br />
publishers, librettists, philosophers, musicologists, and<br />
stage directors.<br />
● About 1300 subject articles focus on periods, countries,<br />
regions, and cities, sources, genres, and instruments. In<br />
addition, there are comprehensive articles on institutions<br />
(including music libraries), music iconographical subjects,<br />
and relationships to the other arts.<br />
MGG‘s unique breadth of scope is illustrated by the<br />
inclusion of articles on music as it relates to history,<br />
philosophy, law, the natural sciences, and other topics.<br />
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New Publications 2/<strong>2017</strong> · The Programme 34
Continuously Updated<br />
Content<br />
Bärenreiter and J. B. Metzler are responsible for<br />
the content of MGG Online, ensuring that the<br />
encyclopedia remains comprehensive and<br />
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Hundreds of articles have been revised, updated,<br />
or newly written by internationally recognized<br />
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Technologically<br />
Advanced Presentation<br />
RILM has built a new platform, which<br />
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● Sortable lists of works and bibliographies<br />
● Powerful platform with the most<br />
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● Automatic translation from German<br />
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● User accounts where annotations can<br />
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● Links to related content in<br />
RILM Abstracts of Music Literature<br />
● An interface compatible with mobile and<br />
tablet devices<br />
Like the content of MGG Online,<br />
the platform will be enhanced on<br />
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New Issue Title<br />
Visit rilm.org/mgg-online/ for subscription<br />
information or to request a free 30-day trial for<br />
35 New Publications 2/<strong>2017</strong> · The Programme<br />
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