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All about CLARINET<br />

& duet<br />

<strong>Siti</strong> <strong>Munira</strong> Maamor


uku ini diterbitkan untuk memenuhi keperluan kursus MUE620 Digital Dekstop Publishing di bawah seliaan<br />

Dr. Ahmad Rithaudin Md. Noor.


Publication information<br />

Copyright © 2017 by <strong>Siti</strong> <strong>Munira</strong> Maamor<br />

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any<br />

means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission<br />

of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial<br />

uses permitted by copyright law. For permission requests, write to the publisher.<br />

Imaginary Press<br />

1233 Seksyen 17,<br />

Shah Alam, Selangor<br />

www.imaginarypress.com<br />

Ordering Information:<br />

Quantity sales. Special discounts are available on quantity purchases by corporations, associations, and others. For<br />

details, contact the publisher at the address above.<br />

Orders by U.S. trade bookstores and wholesalers. Please contact Big Distribution: Tel: (011) 825-8040; Fax: (800)<br />

800-8001 or visit www.bigbooks.com.<br />

Printed in the Malaysia<br />

ISBN 978-0-9000000-0-0<br />

1. The main category of the book —Music—Other category. 2. Another subject category —From one perspective. 3.<br />

More categories —And their modifiers. I. Johnson, Ben. II. Title.<br />

HF0000.A0 A00 2010<br />

299.000 00–dc22 2010999999<br />

First Edition<br />

14 13 12 11 10 / 10 9 8 7 6 5 4 3 2 1


CONTENTS<br />

Clarinet<br />

Background history<br />

The Manufacturing<br />

Process<br />

Preparing the body<br />

Plastic models<br />

Tone holes<br />

Construction of keys<br />

Mounting the keys<br />

Finishing<br />

Characteristics<br />

Tone<br />

Range<br />

Materials<br />

Construction<br />

Mouth piece<br />

Reed<br />

Barrel<br />

Upper Joint<br />

Lower Joint<br />

Bell<br />

DUET<br />

Duets for 2 Clarinets<br />

Example video<br />

Other Repertoires :<br />

-Sonatine for 2 Clarinets by Heinz Irsen<br />

- Duetto II, I. Allegro agitato ma non troppo<br />

by Bernhard Crusell.


Duets for Clarinet & Bass Clarinet<br />

Example video<br />

Other Repertoires :<br />

-Duo No. 1 arranged for Clarinet and Bass Clarinet<br />

by Ludwig van Beethoven<br />

-The Swan by Saint-Saens, Camille<br />

Duets for Clarinet & Bassoon<br />

Example video<br />

Other Repertoires :<br />

- Rondo for Clarinet and Bassoon<br />

by Yuri Evgrafov<br />

- Duet for Clarinet and Bassoon<br />

by Alain Lefébure<br />

Duets for Clarinet & Flute<br />

Example video<br />

Other Repertoires :<br />

- Duet from Norma for Clarinet and Flute<br />

by Luigi Cancani<br />

- Triptych for Clarinet and Flute<br />

by Sevastyanov, B<br />

Duets for Clarinet & Violin<br />

Example video<br />

Other Repertoires :<br />

- 2 Duos for Clarinet and Violin<br />

by William Funk<br />

- Acalanto No. 2 for Clarinet and Violin<br />

by Paulinyi, Zoltan


Background History<br />

of<br />

Clarinet<br />

The clarinet is a musical instrument that is a part of the woodwind family. The<br />

name derives from adding the suffix -et (meaning little) to the Italian word clarino<br />

(meaning a type of trumpet), as the first clarinets had a strident tone similar to that of<br />

a trumpet. The instrument has an approximately cylindrical bore, and uses a single<br />

reed. An instrument similar to the clarinet which is a cylindrical cane tube played with<br />

a cane reed was in use in Egypt as early as 3000 b.c.<br />

Instruments of this type were used across the Near East into modern times, and other<br />

clarinet prototypes were played in Spain, parts of Eastern Europe, and in Sardinia.<br />

A folk instrument found in Wales through the eighteenth century, called the<br />

hompipe or pibgorn, was very similar to Greek and Middle Eastern cane single reed<br />

instruments, but it was made of bone or of elder wood. Through the Middle Ages and<br />

up to the seventeenth century such single reed instruments were played across Europe,<br />

but they were almost exclusively peasant or folk instruments.<br />

The modern clarinet seems to have been originated by a Nuremberg instrument<br />

maker, Johann Cristoph Denner, sometime around 1690. Denner was a celebrated<br />

manufacturer of recorders, flutes, oboes, and bassoons. His early clarinets (the word is<br />

a diminutive of the Italian word for trumpet, clarino) looked much like recorders,<br />

made in three parts and with the addition of two keys to close the holes.


The invention of the clarinet<br />

A clarinet with a flared bell, like the modern clarinet, may have been made by<br />

Denner's son. Parts scored for clarinet were soon found in the music of notable<br />

eighteenth century composers, including Handel, Gluick, and Telemann. The early<br />

clarinets were usually made of boxwood or occasionally plum or pear wood. Rarely,<br />

they were made of ivory, and some used a mouthpiece of ebony.<br />

After having experimented with chalumeaus for a long time, the instrument maker<br />

C. H. Denner of Nuremberg, Germany, finally managed to build an instrument, that<br />

would not only play the lower register but also the upper one, without sacrificing to<br />

much of intonation (that is correctnes of the tone frequency). In order to do this he<br />

added two additional holes close to the duodecime key. The remaining problems<br />

with intonation the player had to correct with his embouchure.<br />

Oldest description of clarinet, 1740


With every new musical and technical challenge craftsmen and players strived to<br />

improved the new and by far not perfect instrument. This development is similar<br />

to biological evolution of living species. Usually it was in small steps, shows forking,<br />

interdependencies of workshops and sometimes dead ends. Today several<br />

systems survived, on the one hand the German System (a step-by-step improvement<br />

of Denner's System), that is played mainly in Germany and Austria. Then<br />

there are forks that technically and from the looks remain German-style: the<br />

Albert System or simple system that is used in Jazz and the oriental clarinet, both<br />

are similar to a German clarinet of around 1870.


The Manufacturing Process


Characteristics<br />

Tone<br />

The cylindrical bore is primarily responsible for the clarinet's distinctive<br />

timbre, which varies between its three main registers, known as the chalumeau,<br />

clarion, and altissimo. The tone quality can vary greatly with the musician, the<br />

music, the instrument, the mouthpiece, and the reed.<br />

Range<br />

Clarinets have the largest pitch range of common woodwinds. The intricate key<br />

organization that makes this range possible can make the playability of some passages<br />

awkward. The bottom of the clarinet’s written range is defined by the keywork on each<br />

instrument; standard keywork schemes allow a low E on the common Bb clarinet.<br />

The lowest concert pitch depends on the transposition of the instrument in question.<br />

Nearly all soprano and piccolo clarinets have keywork enabling them to play the E<br />

below middle C (E3 in scientific pitch notation) as their lowest written note, though<br />

some Bb clarinets go down to Eb3 to enable them to match the range of the A clarinet.<br />

With the Bb soprano clarinet, the concert pitch of the lowest note is D3, a whole tone<br />

lower than the written pitch.


Materials<br />

Clarinet bodies have been made from a variety of materials including wood,<br />

plastic, hard rubber, metal, resin, and ivory. The vast majority of clarinets used by<br />

professional musicians are made from African hardwood, mpingo (African Blackwood)<br />

or grenadilla, rarely (because of diminishing supplies) Honduran rosewood and<br />

sometimes even cocobolo.<br />

The clarinet mouthpiece is made out of a kind of hard rubber called ebonite. The<br />

keys are usually made out of an alloy called German silver. This is made from copper,<br />

zinc, and nickel. It looks like pure silver, but does not tarnish. Some fine instruments<br />

may be made with pure silver keys, and expensive models are available with gold-plated<br />

keys.<br />

The key pads require cardboard and felt or leather. The reed is made from cane.<br />

Other materials used in the clarinet are cork and wax, for lining the joints, and a metal<br />

such as silver or a cheaper alloy for the ligature, the screw clip that holds the reed in<br />

place, and stainless steel for the spring mechanisms that work the keys.


Construction


Duet for 2 Clarinets


Duet for Clarinet & Bass Clarinet


Duet for Clarinet & Bassoon


Duet for Clarinet & Flute


Duet for Clarinet & Violin


All about CLARINET<br />

& duet<br />

The clarinet is a great instrument! Some great interesting knowledge and information that can be read<br />

and watch. Included brief history about clarinet background from the materials that been used the making<br />

process , to the tuning and maintainance.<br />

A duet is a musical composition for two performers in which the performers have equal importance to<br />

the piece, often a composition involving two Vocal or two instruments.It differs from a harmony, as the<br />

performers take turns performing a solo section rather than performing simultaneously.<br />

Together with numbers of repertoires performed by clarinet duet from clarinet with clarinet,<br />

to clarinet & bass clarinet, clarinet & basson ,clarinet & flute also clarinet & violin.<br />

ABOUT THE AUTHOUR<br />

<strong>Siti</strong> <strong>Munira</strong> Maamor is a Malaysian writer who was born in Perak<br />

and grown up in Selangor.Her work has appeared on bestsellers lists,<br />

not only in Malaysia but also worldwide. She has appeared as soloist with numerous<br />

orchestras, has performed throughtout the Asia, Europe and America.<br />

Published by Synchronista LLC<br />

munira@synchronusta.com<br />

She enrolled her Bachelor Degree of Music Education in<br />

UiTM Shah Alam, Malaysia. Master of Music Pedagogy in Institut Seni Indonesia,<br />

Yogjakarta (ISI), Indonesia and her PhD in Music Education with a Focus on Music<br />

Therapy in New York.<br />

She has more experiences in Music Education, for the varieties<br />

levels of education in Malaysia as well as worldwide.She known as one of the passionate<br />

and influenced author and educator who love to give exposure and ideas to young<br />

generations in towards appreciatiation, interpertation and understanding the<br />

knowledge of music.<br />

See latest from her at <strong>Munira</strong>maamorj.com

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