VOCALIST AS COMPLETE MUSICIAN - Chris McNulty

Chapter Seven — Hearing and Soloing over a specific set of chord changes
81. Ex.10a Warming up over scale/chords (track 16)
86. Ex.10b Preparation for singing over the changes of “Softly”
(track 16)
92. Ex.10c Using the method to improvise over “Softly
(tracks 17,18,19,20)
Chapter Eight -— Pentatonic Chord-Scale uses -— Major and Minor
95. Ex.11a Pentatonic scale use exercise (major & minor) (track 21)
97. Ex.11b Pentatonic scale use over Chris’ New Day vamp (track 22)
Appendices — Chord-Scale Source Templates
102. Appendix 1. Chord-Scale tetrachord structures
105. Appendix 2. Chord-Scale relationships (Parallel & Derivative uses)
107. Appendix 3. Types of Dom 7 chord qualities, short cuts and
scale choices
108. Appendix 4. Common tone-chord/scale relationships
111. Appendix 5. Chord voicing short cuts
113. Appendix 6. Interchangeable chord options (what you see /
what you can play)
114. Appendix 7. The pentatonic scale
115. Appendix 8. BeBop scale uses (a) chart (b) exercise
117. Appendix 9. Tables to accompany exercises for non-music readers.
Audio Track listings — (pg. 118)
Tracks 1-8, 12, 16, 21, 22 with piano and voice
Tracks 9-15, 17-20 with trio
Glossary — Explanation of terms used throughout this book (pg. 119)
Music Fundamentals for Beginners (pg. 121)
© Chris McNulty 2017 !x