VOCALIST AS COMPLETE MUSICIAN - Chris McNulty

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5c. The Arabic Scale 5th Degree of Harmonic Minor * Track #6 Remember the principal Find the parent scale from looking at the degree What is G the 5th of? = "C" [refer to Appendix 2] Chord: G7b9b13 Parallel: Play Arabic scale from the root "G" Derivative: Play C Harmonic minor Starting from "C" (4th in G7b9) Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & bww b ww 1 b9 3 11 5 b13 b7 8 œ bœ œ œ œ bœ œ œ 1/2 -3 1/2 W 1/2 W W bww b ww œ œ bœ œ œ bœ œ œ Chord: C7b9b13 Parallel: Play Arabic scale from the root "C" Derivative: Play F Harmonic minor Starting from "F" (4th in C7b9) Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & b bw b ww ww œ bœ œ œ œ bœ bœ œ b bw b ww ww œ œ bœ bœ œ bœ œ œ Chord: F7b9b13 Parallel: Play Arabic scale from "F" Derivative: Play Bb Harmonic minor Starting from Bb Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & b bw b ww ww œ bœ œ bœ œ bœ œ œ b bw b ww ww bœ œ bœ bœ œ bœ œ bœ Chord: B¨7b9b13 Parallel: Play Arabic scale from "Bb" Derivative: Play Eb Harmonic minor Starting from Eb Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & b bbw b ww bww bœ bœ œ bœ œ bœ bœ bœ b bbw b ww bww bœ œ bœ bœ bœ bœ œ bœ © Chris McNulty 2017 !29
Chord: E¨7b9b13 Parallel: Play Arabic scale "Eb" Derivative: Play Ab Harmonic minor Starting from Ab Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & b bww bbww bœ bœ œ bœ bœ bœ bœ bœ bbww bbwww bœ bœ nœ bœ bœ bœ œ bœ Chord: A¨7b9b13 Parallel: Play Arabic scale "Ab" Derivative: Play Db Harmonic minor Starting from Db Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & nbbww nb ww bœ nœ œ bœ bœ nœ bœ bœ nbbww nb ww bœ bœ bœ bœ bœ nœ œ bœ Chord: D¨7b9b13 Parallel: Play Arabic scale "Db" Derivative: Play Gb Harmonic minor Starting from Gb Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & n bw nbww ww bœ nœ œ bœ bœ nœ œ bœ n bw nbww ww bœ bœ nœ œ bœ nœ œ bœ Chord: G¨7b9b13 Parallel: Play Arabic scale "Gb" Derivative: Play B Harmonic minor Starting from B Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & bw b n ww n b bœ nœ bœ nœ bœ nœ œ bœ bw b n ww n bww œ # œ œ œ # œ œ # œ œ Chord: B7b9b13 Parallel Play Arabic scale from root "B" Derivative: Play E Harmonic minor Starting from E Tetrachords: Harmonic Minor II (phrygian) Minor I (dorian) Harmonic & www # ww œ œ # œ œ # œ œ œ œ © Chris McNulty 2017 !30 www # ww œ # œ œ œ œ œ # œ œ
Page 2 and 3: this is the blank inside cover (lef
Page 4 and 5: With the publication of Vocalist As
Page 6 and 7: DOWNLOADING YOUR AUDIO TRACKS There
Page 8 and 9: ABOUT THE AUTHOR Australian-America
Page 10 and 11: ACKNOWLEDGMENTS Enormous gratitude
Page 12 and 13: Chapter Seven — Hearing and Soloi
Page 14 and 15: FOREWORD It never even occurred to
Page 16 and 17: Before we dig in! Let’s start by
Page 18 and 19: 1. Tetrachords * Track #1 Definitio
Page 20 and 21: Chapter Two — The Major Scale —
Page 22 and 23: Chord: G7 Scale: Mixolydian: (Dom 7
Page 24 and 25: Chapter Three — The Melodic Minor
Page 26 and 27: 3rd Degree of C Melodic Minor Chord
Page 28 and 29: 7th degree of Melodic Minor Chord T
Page 30 and 31: The Harmonic Minor Scale — (b3, b
Page 32 and 33: 3rd Degree of C Harmonic Minor Chor
Page 34 and 35: 7th Degree of C Harmonic Minor Chor
Page 36 and 37: 5a. The Altered Scale (also known a
Page 38 and 39: Chord: Parallel: Ab+7#9 or Ab7(alt)
Page 40 and 41: 5b. Alternating between the Altered
Page 44 and 45: Chord: E7b9b13 Parallel: Play Arabi
Page 46 and 47: Chapter Four — The Diminished Sca
Page 48 and 49: The Tetrachords starting from each
Page 50 and 51: Chords: G7(b9) D¨7(b9) B¨7(b9) E7
Page 52 and 53: For extra drilling practice sing/pl
Page 54 and 55: 7a. Using the Diminished (Whole-Hal
Page 56 and 57: Chords: & & bœ bœ D¨º7 Eº7 Gº
Page 58 and 59: As an extra drilling exercise sing/
Page 60 and 61: Chapter Five — Singing tetrachord
Page 62 and 63: & Sing Whole tone (lydian) tetracho
Page 64 and 65: & Sing Whole tone (lydian) tetracho
Page 66 and 67: & ‰ Sing Whole tone (lydian) tetr
Page 68 and 69: & ‰ Sing Whole tone (lydian) tetr
Page 70 and 71: You can switch octaves whenever you
Page 72 and 73: Chord: A&7(#9) (alt) Scale choices:
Page 74 and 75: Chapter Six — Singing scales usin
Page 76 and 77: used I’m singing a 9th to 13th in
Page 78 and 79: Chords: CŒ„Š7(#11) A‹9 Scale
Page 80 and 81: Chord: B¨Œ„Š7(#11) Scale choic
Page 82 and 83: Chords: E¨Œ„Š7(#11) C‹7 B‹
Page 84 and 85: Chords: Scale choice: Db Lydian (st
Page 86 and 87: Chords: G¨Œ„Š7(#11) E¨‹7 Sc
Page 88 and 89: Chords: EŒ„Š7(#11) Scale choice
Page 90 and 91: Chords: AŒ„Š7(#11) F©(“4) F
Page 92 and 93:
Chords: GŒ„Š7(#11) Scale choice
Page 94 and 95:
Chapter Seven - Soloing over “Sof
Page 96 and 97:
Chord: C&Œ„Š7 Scale: Lydian Aug
Page 98 and 99:
y a Diminished tetrachord. When sin
Page 100 and 101:
10b. Preparing to Sing Over the Har
Page 102 and 103:
Working with the "Arabic Scale" (5t
Page 104 and 105:
tetrachord. The 8th event is comple
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I'm starting my melody using notes
Page 108 and 109:
Chapter Eight — Pentatonic Scale
Page 110 and 111:
C Major Pentatonic Scale uses the f
Page 112 and 113:
Melody making using mixed Pentanton
Page 114 and 115:
Appendix 1 Chord - Scale - Tetracho
Page 116 and 117:
Type of Chord: C&7(#9) Scale: C Alt
Page 118 and 119:
Dom 7 (b9, b13) Arabic scale (from
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Appendices — Chord-Scale Source T
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Note: Learning and memorizing chord
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Appendix 5 Voicing Short Cuts & Cho
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Appendix 6 Choice Options for Vario
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8b. BeBop scale uses ° &b b C.9 3.
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Appendix 9 Whole Tone Scale uses Th
Page 132 and 133:
Glossary of terms — Explanation o
Page 134 and 135:
Music Fundamentals for Beginners Au
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VOCALIST AS COMPLETE MUSICIAN - Chris McNulty

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