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ON<br />
2nd<br />
GLANCE<br />
FAMILIAR STORIES | NEW PERSPECTIVES<br />
17/18<br />
SEASON<br />
FREEFALLTHEATRE.COM
White Fang<br />
a world premiere by Jethro Compton<br />
inspired by the novel by Jack London<br />
The Little Prince<br />
by Rick Cummins and John Scoullar<br />
based on the book by Antoine de Saint-Exupéry<br />
Take a seat.<br />
We’re expecting you.<br />
Eric Davis / Artistic Director<br />
Unexpected.<br />
Daring.<br />
Authentic.<br />
Our <strong>2017</strong>/<strong>2018</strong> <strong>Season</strong> of plays<br />
and musicals is driven by a love<br />
of familiar stories, with an eye<br />
fervently trained on the horizon.<br />
These are plays rooted in the<br />
past, from perennial classics to<br />
rediscovered gems to playful sendups.<br />
From our inception, <strong>freeFall</strong> has built<br />
a reputation for bringing a fresh,<br />
sometimes irreverent, but always<br />
forward-looking interpretation to<br />
familiar stories. This season, we<br />
embrace that approach with both<br />
arms to present a widely varied<br />
assortment of plays, curated to shed<br />
an enlightening, entertaining, and<br />
sometimes brutally honest light on<br />
what it means to be alive in <strong>2017</strong><br />
by revisiting stories from our past.<br />
The Glass Menagerie<br />
the American classic by Tennessee Williams<br />
Daddy Long Legs<br />
music & lyrics by Paul Gordon<br />
book by John Caird<br />
based on the novel by Jean Webster<br />
The Machine Stops<br />
by Eric Davis<br />
based on the story by E.M. Forster<br />
Musical of Musicals<br />
music by Eric Rockwell | lyrics by Joanne Bogart<br />
book by Eric Rockwell and Joanne Bogart<br />
August 6 - 13, <strong>2018</strong><br />
<strong>freeFall</strong> Travel Club<br />
It’s not only Shakespeare...<br />
Our annual trip to the Oregon Shakespeare<br />
Festival gives <strong>freeFall</strong> patrons the<br />
opportunity to experience the largest<br />
professional repertory company in the<br />
U.S. during a fun, informative, and deeply<br />
enriching week, led by <strong>freeFall</strong> Artistic<br />
Director, Eric Davis.<br />
For more information, visit our website or<br />
call: 727.498.5205
A DEEPER<br />
UNDERSTANDING<br />
e<br />
Build a<br />
Lasting<br />
Legacy<br />
By remembering <strong>freeFall</strong> in your<br />
estate planning, you can help<br />
ensure our long-term financial<br />
health and stability well into the<br />
future.<br />
Legacy gifts form a strong<br />
foundation from which <strong>freeFall</strong><br />
can continue to grow and thrive,<br />
enriching our community for<br />
generations.<br />
Patrons who notify us of their<br />
planned gift will be included in our<br />
newly formed Legacy Society. We<br />
will honor your generosity with<br />
acknowledgment in our playbills<br />
and annual report, as well as at a<br />
special annual event.<br />
Please contact Development<br />
Director Margaret Murray at 727-<br />
498-5205 x5 for more information.<br />
free programming<br />
to enrich your<br />
theatre-going<br />
experience<br />
<strong>freeFall</strong> 411//<br />
These brief talks one hour prior<br />
to most performances (excluding<br />
opening weekend) are led by an<br />
actor or other artist working on<br />
the show. Topics usually focus<br />
on the personal and professional<br />
background of the artist, giving<br />
you special insight into their work<br />
prior to seeing the play.<br />
Talk-backs//<br />
After Friday evening performances<br />
these talks with members of<br />
the cast and creative team, moderated<br />
by James Rayfield, give the<br />
audience an opportunity to hear<br />
about the artists’ process and ask<br />
questions about what they’ve just<br />
seen.<br />
<strong>freeFall</strong> Foreword Series//<br />
These more in-depth talks with<br />
our resident dramaturg, Timothy<br />
Saunders, give insight into the<br />
history and background of the authors,<br />
settings, themes, and other<br />
aspects of the plays we produce.<br />
These talks are offered one hour<br />
prior to select Sunday matinees.<br />
See our online calendar of events<br />
at freefalltheatre.com for specific<br />
dates and times.
<strong>freeFall</strong> <strong>Theatre</strong> and Jethro Compton Productions present<br />
White Fang<br />
by Jethro Compton<br />
inspired by the novel by Jack London<br />
September 30 - October 22, <strong>2017</strong><br />
A world-premiere production transferring to London in Winter <strong>2017</strong><br />
presented by Bill Ward | sponsored by Michael Miller & Robert Jenkins<br />
2pm<br />
7pm<br />
2pm<br />
2pm<br />
7pm<br />
2pm<br />
SUN<br />
1898. Northwestern Canada. Deep in the forests of the Yukon<br />
Territory. After the massacre of her tribe, a young girl is rescued<br />
from the snow by an old huntsman from a nearby settlement who<br />
offers shelter and the strength to survive. Torn from centuries<br />
of tradition, facing a new and violent land, she struggles to find<br />
her path in the world. An outsider to all, she discovers hope<br />
in the friendship of an abandoned wolf, White Fang. With this<br />
newfound alliance, the two unite with the land, learning the ways<br />
of her ancestors. Lethal with blade and bow, there are few who<br />
can match her skill in the wild. But when the time comes, and she<br />
faces the greatest challenge of all, will these skills be enough to<br />
make a difference? Will they be enough to survive? An epic story<br />
of love, loss, and redemption – red-written in the snow – from<br />
Jethro Compton, writer and director of The Man Who Shot Liberty<br />
Valance. Inspired by the classic novel by Jack London, author of<br />
The Call of the Wild and The Sea-Wolf, this exciting world-premiere<br />
co-production with Jethro Compton Productions will transfer<br />
directly from <strong>freeFall</strong> to London’s Park <strong>Theatre</strong>.<br />
MON<br />
September<br />
October<br />
TUE WED THU FRI SAT<br />
8pm 2pm<br />
8pm<br />
24 25 26 27 28 29 30<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
1 2 3 4 5 6 7<br />
7pm 7pm 8pm<br />
2pm<br />
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8 9 10 11 12 13 14<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
15 16 17 18 19 20 21<br />
22 23 24 25 26 27 28
The Little Prince<br />
by Rick Cummins and John Scoullar<br />
based on the book by Antoine de Saint-Exupéry<br />
November 25 - December 24, <strong>2017</strong><br />
The intoxicating childhood classic in a vibrant new production<br />
presented by Kate Tiedemann & Ellen Cotton | sponsored by Marion Rich<br />
community partner Rick Behnke & Robert Newell<br />
2pm<br />
7pm<br />
2pm<br />
2pm<br />
7pm<br />
2pm<br />
2pm<br />
SUN<br />
MON<br />
November<br />
19 20 21 22 23 24 25<br />
26 27 28 29 30 1 2<br />
December<br />
An aviator crashes his plane in the Sahara Desert. There<br />
he meets a little prince who has left his home on Asteroid<br />
B-612 and its only other inhabitant, his beloved rose.<br />
Along the way he discovers a parade of extraordinary<br />
individuals from a king to a businessman to a fox.<br />
Each peels back another layer of what it means to be<br />
alive, ultimately revealing the importance of personal<br />
connection and sacrifice in a world that seeks to diminish<br />
that which connects us. The most translated book in the<br />
French language, this allegory remains a beautiful example<br />
of personal struggle manifesting itself as transcendent<br />
art. Saint-Exupéry’s fantastical musing, inspired by the<br />
fall of France to fascist Germany, is at once delightfully<br />
imaginative and deeply philosophical. “All grown-ups were<br />
once children... but only few of them remember it.”<br />
TUE WED THU FRI SAT<br />
8pm 2pm<br />
8pm<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
7pm 7pm 8pm<br />
2pm<br />
8pm<br />
2pm<br />
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3 4 5 6 7 8 9<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
10 11 12 13 14 15 16<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
17 18 19 20 21 22 23<br />
24 25 26 27 28 29 30
The Glass Menagerie<br />
by Tennessee Williams<br />
January 27 - February 18, <strong>2018</strong><br />
The seminal masterpiece by one of America’s greatest playwrights<br />
presented by Al May and Michael Miller & Robert Jenkins<br />
Amanda Wingfield dwells in memories of her idealized<br />
youth, when she entertained gentleman callers who,<br />
according to her, rivaled over her hand in marriage.<br />
With a smothering love for her children, she has driven<br />
Tom into a fantasy world of his own where he escapes<br />
into movies and solitude, wandering the midnight<br />
streets of St. Louis. His physically and emotionally<br />
fragile sister, Laura, escapes into her collection of small<br />
glass animals. This pressure cooker is released when<br />
Tom invites an acquaintance over for dinner. Amanda<br />
immediately maneuvers, seeing him as a possible husband<br />
for Laura. Will salvation for all three come from this<br />
fateful dinner with Laura’s very own gentleman caller?<br />
Or will the delicate world they’ve built around each<br />
other come toppling down? This deeply personal semiautobiographical<br />
work marked Tennessee William’s arrival<br />
as one of America’s greatest playwrights and is universally<br />
regarded as one of the most powerful and important<br />
plays of the Twentieth Century.<br />
2pm<br />
7pm<br />
2pm<br />
2pm<br />
7pm<br />
2pm<br />
SUN<br />
MON<br />
January<br />
February<br />
TUE WED THU FRI SAT<br />
8pm 2pm<br />
8pm<br />
21 22 23 24 25 26 27<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
28 29 30 31 1 2 3<br />
7pm 7pm 8pm<br />
2pm<br />
8pm<br />
4 5 6 7 8 9 10<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
11 12 13 14 15 16 17<br />
18 19 20 21 22 23 24
Daddy Long Legs<br />
music & lyrics by Paul Gordon book by John Caird<br />
based on the novel by Jean Webster<br />
March 17 - April 8, <strong>2018</strong><br />
The charming novel that became a classic film in a new musical adaptation<br />
presented by Kate Tiedemann & Ellen Cotton<br />
sponsored by Marion Rich and Diane Bailey Morton, Attorney<br />
Jerusha Abbott is the “Oldest Orphan in the John Grier Home”<br />
until a mysterious benefactor decides to send her to college to be<br />
educated as a writer. Required to write him a letter once a month,<br />
she is never to know the benefactor’s identity – so she invents<br />
one for him: Daddy Long Legs. Although she knows that he will<br />
never respond to her letters, she grows more and more fond of<br />
this elusive and kindly “old” gentleman. But another relationship<br />
soon begins to develop in Jerusha’s life. Jervis Pendleton is the<br />
well-to-do, “youngish” uncle of one of Jerusha’s roommates, who<br />
introduces her to a world of literature, travel, and adventure.<br />
Through her correspondence with Daddy Long Legs and her<br />
growing intimacy with Jervis, Jerusha’s letters chronicle her<br />
emergence as a delightfully independent “New American Woman.”<br />
Yet, there is one startling fact that Jerusha has yet to uncover – a<br />
fact that will change her life forever. This witty and romantic tale<br />
in the vein of Jane Austen, The Brontë Sisters and Downton Abbey<br />
features music by the composer of Broadway’s Jane Eyre and a<br />
book by the Tony-winning librettist/director of Les Misérables.<br />
2pm<br />
7pm<br />
2pm<br />
2pm<br />
7pm<br />
2pm<br />
SUN<br />
MON<br />
March<br />
11 12 13 14 15 16 17<br />
18 19 20 21 22 23 24<br />
April<br />
TUE WED THU FRI SAT<br />
8pm 2pm<br />
8pm<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
7pm 7pm 8pm<br />
2pm<br />
8pm<br />
2pm<br />
8pm<br />
25 26 27 28 29 30 31<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
1 2 3 4 5 6 7<br />
8 9 10 11 12 13 14
The Machine Stops<br />
by Eric Davis<br />
based on the story by E.M. Forster<br />
May 5 - May 27, <strong>2018</strong><br />
Forster’s prescient 1909 story that predicted our reliance on the internet<br />
presented by Sylvia Rusche | sponsored by Bill Ward<br />
E.M. Forster’s prescient short story,<br />
penned in 1909, predicts a world with<br />
chilling similarities to our own. Set in a<br />
dystopian future where people live isolated<br />
from one another in identical rooms<br />
and only interact through The Machine,<br />
Forster’s story seems to astutely predict<br />
technologies that evoke the internet, text<br />
messaging, and social media. For The<br />
Machine is an omnipotent technology<br />
that provides everything one could want,<br />
eliminating the need to ever leave one’s<br />
room. Vashti is content with life as it is, but<br />
her son Kuno believes there must be more<br />
to life, and ventures to the surface. What<br />
he finds there will change him forever. This<br />
important early sci-fi masterpiece is seen<br />
by many as the forebear to such works as<br />
Logan’s Run and Orwell’s 1984.<br />
2pm<br />
7pm<br />
2pm<br />
2pm<br />
7pm<br />
2pm<br />
SUN<br />
May<br />
MON<br />
TUE WED THU FRI SAT<br />
8pm 2pm<br />
8pm<br />
1 2 3 4 5<br />
2pm<br />
7pm<br />
7pm<br />
6 7 8 9 10 11 12<br />
13 14 15 16 17 18 19<br />
20 21 22 23 24 25 26<br />
27 28 29 30 31<br />
8pm<br />
7pm 7pm 8pm<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
2pm<br />
8pm<br />
2pm<br />
8pm
New<br />
Inspiration<br />
December 2015
The Musical of Musicals<br />
The Musical!<br />
music by Eric Rockwell lyrics by Joanne Bogart<br />
book by Eric Rockwell and Joanne Bogart<br />
June 23 - July 15, <strong>2018</strong><br />
A musically musical musical inspired by the musical writers that brought us musicals<br />
sponsored by Marion Rich | community partner Cherie Willard<br />
I can’t pay the rent! You must pay the rent! I’ll pay the rent!<br />
From this humble, classic American plot come not one,<br />
not three, but FIVE musical adaptations as though they<br />
were written by five of the most influential musical theatre<br />
writers or writing teams of all time. There is a Rodgers &<br />
Hammerstein version, set in Kansas in August, complete with<br />
a dream ballet; a Sondheim version, featuring the landlord<br />
as a tortured artistic genius who slashes the throats of his<br />
tenants in revenge for not appreciating his work; a Jerry<br />
Herman version, as a splashy star vehicle; an Andrew Lloyd<br />
Webber version, a rock musical with themes borrowed from<br />
Puccini; and a Kander & Ebb version, set in a speakeasy in<br />
Chicago. This hilarious musical pays loving tribute to the<br />
traditions of musical theatre while mercilessly lampooning<br />
them to shreds. The irreverent finale to our season was the<br />
longest-running show in the York <strong>Theatre</strong>’s history prior to its<br />
extended off-Broadway run.<br />
2pm<br />
7pm<br />
2pm<br />
2pm<br />
7pm<br />
2pm<br />
SUN<br />
June<br />
MON<br />
17 18 19 20 21 22 23<br />
24 25 26 27 28 29 30<br />
July<br />
TUE WED THU FRI SAT<br />
8pm 2pm<br />
8pm<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
7pm 7pm 8pm<br />
2pm<br />
8pm<br />
2pm<br />
8pm<br />
1 2 3 4 5 6 7<br />
2pm<br />
7pm<br />
7pm<br />
8pm<br />
2pm<br />
8pm<br />
8 9 10 11 12 13 14<br />
15 16 17 18 19 20 21
MAKE A DIFFERENCE. BECOME A MEMBER.<br />
Professional not-for-profit regional theatre exists only through the generous<br />
support of patrons like you. Though you see the theatre full when you attend,<br />
even sold-out houses can only cover about half the cost of keeping the theatre<br />
open.<br />
Your membership does so much more than give you fun perks and access to<br />
the best seats in the house. It is a statement of your belief in the power of the<br />
stories we tell and in all the artists who tell them. It makes possible our awardwinning<br />
productions and enables our creative excellence. Your tax-deductible<br />
membership gift is a philanthropic investment in <strong>freeFall</strong>’s future. Become a<br />
member of the <strong>freeFall</strong> family today!<br />
Each increasing level includes all previously mentioned benefits.<br />
FRIEND ($100) all box office fees waived, including exchanges • access<br />
to members-only seating • recognition in show programs<br />
BRONZE ($250) recognition in souvenir yearbook • 10% discount on<br />
single tickets • recognition on video signage • autographed poster from<br />
a production of your choice • recognition on our website<br />
SILVER ($750) invitation to annual season announcement party •<br />
complimentary beverages at the theatre bar • Invitations to exclusive<br />
behind-the-scenes experiences with directors, designers, or cast for<br />
each production this season<br />
GOLD ($1,250) invite up to four guests to accompany you to a <strong>freeFall</strong><br />
performance • complimentary copy of the season yearbook<br />
PLATINUM ($2,500) invite up to four guests to accompany you to two<br />
<strong>freeFall</strong> performances • personalized backstage tour for you and your<br />
guests<br />
DIAMOND ($5,000) invitation to exclusive dinner inspired by the<br />
coming season hosted by Artistic Director, Eric Davis and served on<br />
the set of the season's opening production • recognition in permanent<br />
annual installation on the <strong>freeFall</strong> campus (pending future construction)<br />
DIRECTOR'S CIRCLE ($10,000) host a private event at the theatre with<br />
space rental fees waived<br />
BENEFACTOR ($25,000) a customized benefits package created to suit<br />
your interests
We can’t<br />
do this<br />
without<br />
you.
Subscription Prices<br />
SEASON TICKETS<br />
This subscription includes one ticket to<br />
each of the six shows in <strong>freeFall</strong>’s season. It<br />
is a great value, but more importantly, it is<br />
one of the best ways to show your support<br />
of <strong>freeFall</strong> by making a commitment to our<br />
entire body of work.<br />
freePASS<br />
This subscription is our most flexible<br />
package and great for those who are in town<br />
seasonally with five tickets that can be used<br />
in any combination for the six show season.<br />
<strong>freeFall</strong> Under Forty<br />
Tampa Bay’s young leaders gather together<br />
to see the first Thursday performance of<br />
each run. This special group sees shows at a<br />
steep discount to build <strong>freeFall</strong>’s future.<br />
$249<br />
$225<br />
$99<br />
Single Ticket Prices<br />
PREMIUM<br />
Fridays 8:00pm<br />
Saturdays 8:00pm<br />
MID-RANGE<br />
Thursdays 7:00pm<br />
Sundays 2:00pm<br />
Sundays 7:00pm<br />
$52*<br />
$47*<br />
BARGAIN<br />
Wednesdays 2:00pm<br />
Wednesdays 7:00pm<br />
Saturdays 2:00pm<br />
$37*<br />
*Price includes $2 ticketing fee for non-members. Members do not pay this fee.<br />
$3 discount available for students/teachers/seniors/military. Student/teacher “rush tickets” available<br />
30 minutes prior to show time for 50% off - subject to availability. “Groundlings Tickets” are an<br />
access initiative intended for those without the financial means to attend the theatre at regular<br />
prices. These tickets are very limited and can be purchased by calling the box office.
You can become a member and/or subscriber<br />
by phone: 727.498.5205<br />
online: freefalltheatre.com<br />
in person: 6099 Central Avenue, St. Petersburg<br />
or by mail: use the form below<br />
Name: _______________________________________________________________________________<br />
Address: __________________________________________________ Unit: ____________<br />
City: ________________________________________ State: ________ Zip: _________________<br />
Phone: _____________________________ Email: _____________________________________<br />
I would like to become a MEMBER at the:<br />
mFRIEND LEVEL ($100)<br />
mBRONZE LEVEL ($250)<br />
mSILVER LEVEL ($750)<br />
mGOLD LEVEL ($1,250)<br />
mPLATINUM LEVEL ($2,500)<br />
mDIAMOND LEVEL ($5,000)<br />
mDIRECTOR’S CIRCLE LEVEL ($10,000)<br />
mBENEFACTOR LEVEL ($25,000)<br />
Please indicate how you would like to be listed in our program:<br />
______________________________________________________________________________________<br />
I would like to become a SUBSCRIBER<br />
I would like ____ six-show season tickets at $249 each<br />
I would like ____ freePasses at $225 each<br />
Total amount enclosed $____________________<br />
mEnclosed is my check made payable to: <strong>freeFall</strong> <strong>Theatre</strong><br />
mPlease charge my credit card for the amount above in full.<br />
Card #: ____________________________________ Exp: __________________ CVV: _________<br />
Membership benefits begin upon payment and continue for 1 year. Visit<br />
our box office or mail this form to:<br />
<strong>freeFall</strong> <strong>Theatre</strong><br />
6099 Central Avenue<br />
Saint Petersburg FL 33710
t h e a t r e c o m p a n y<br />
6099 Central Avenue<br />
Saint Petersburg, Florida 33710<br />
727.498.5205<br />
FREEFALL THEATRE IS A 501(C)(3) NOT-FOR-PROFIT ORGANIZATION. YOUR<br />
DONATION, LESS GOODS AND SERVICES RECEIVED, IS TAX-DEDUCTIBLE TO<br />
THE FULLEST EXTENT OF THE LAW. A COPY OF THE OFFICIAL REGISTRATION<br />
AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION<br />
OF CONSUMER SERVICES BY CALLING TOLL-FREE, WITHIN THE STATE,<br />
1-800-HELP-FLA. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL,<br />
OR RECOMMENDATION BY THE STATE. REGISTRATION CODE CH33321. WE DO<br />
NOT EMPLOY A PROFESSIONAL FUNDRAISER. 100% OF EACH CONTRIBUTION IS<br />
UTILIZED BY FREEFALL THEATRE.<br />
PROGRAMMING, SEATING CONFIGURATIONS, AND SHOW CONCEPTS SUBJECT<br />
TO CHANGE WITHOUT NOTICE.<br />
www.freefalltheatre.com<br />
727.498.5205<br />
NON PROFIT ORG<br />
U.S. POSTAGE PAID<br />
TAMPA FL<br />
PERMIT #3239