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MIND MELDEN<br />
Beach Walker<br />
photograph by Alyssa Timon
MIND MELDEN<br />
Collected Poems of<br />
Mark Timon<br />
Bloomer Press & Audio Corp<br />
Walpole
THIS IS A BLOOMER BOOK<br />
PUBLISHED BY BLOOMER PRESS & AUDIO CORP.<br />
Copyright © 2017 by Mark Timon<br />
All rights reserved under International and Pan-American Copyright Conventions.<br />
Published in the United States by Bloomer Press & Audio Corp., Walpole<br />
Distributed by Bloomer Press & Audio Corp., Walpole<br />
Library of Congress Control Number: 2017901101<br />
Timon, Mark.<br />
<strong>Mind</strong> <strong>Melden</strong>: Collected Poems of Mark Timon /<br />
by Mark Timon-First ed.<br />
Includes index.<br />
ISBN 978-0-9986441-0-3 (Acid free. paper)<br />
Manufactured in the United States of America<br />
Published March 10, 2017<br />
First Printing, March, 2017
Dedication<br />
To Debbie, whose devotion is unshakable;<br />
to our children Morgan, Ariel, Alyssa,<br />
Marné, Hudsen, Carter, Mallorie,<br />
stepson Jason; and to Bill Shieff, who<br />
first believed.
Contents<br />
Introduction____________________________________________ 7<br />
Prologue________________________________________________ 9<br />
CHAPTER 1<br />
LOVE LUST LOSS__________________________________________ 11<br />
LOVE___________________________________________________ 13<br />
LUST___________________________________________________ 41<br />
LOSS__________________________________________________ 65<br />
CHAPTER 2<br />
NO COMMENT_____________________________________________ 87<br />
CHAPTER 3<br />
PHOTOS FROM ID_________________________________________ 135<br />
CHAPTER 4<br />
1970S NYC______________________________________________ 167<br />
CHAPTER 5<br />
EUPHORIA-MELANCHOLIA__________________________________ 183<br />
CHAPTER 6<br />
BEYOND 40______________________________________________ 217<br />
CHAPTER 7<br />
GRANDPA SPEAKING ______________________________________ 243<br />
Index_________________________________________________ 270<br />
illustration credits ___________________________________ 274
6 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Introduction<br />
I am at a loss to tell a compelling story<br />
about how these <strong>pages</strong> came about. So<br />
let me just step out of the way, and…<br />
Thank you for buying an edition of<br />
<strong>Mind</strong> <strong>Melden</strong>.<br />
Poetry is neither widely consumed nor<br />
commercially viable, but we all have<br />
poetry <strong>inside</strong> us and in our lives, just<br />
as strings hide <strong>inside</strong> a piano. Reading<br />
poetry sets those strings humming,<br />
leaving each of us enriched by the<br />
experience.<br />
If you like <strong>Mind</strong> <strong>Melden</strong>, please tell<br />
your friends. If you don’t like it, then<br />
that can just remain our little secret.<br />
Mark Timon<br />
March, 2017<br />
7
8 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Prologue<br />
Know not by word alone how<br />
I<br />
am.<br />
Thought comes through true, but<br />
is<br />
it?<br />
Oh, the Joke!<br />
Oh, the Truth!<br />
Oh, the Lies!<br />
Oh, the Wonder!<br />
Mum’s the word.<br />
9
10 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 1<br />
LOVE<br />
LUST<br />
LOSS<br />
photographs by Steve Zavodny<br />
Love, Lust, Loss<br />
11
12 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 1<br />
LOVE<br />
photograph by Steve Zavodny<br />
LOVE, LUST, LOSS | Love<br />
13
LOVE<br />
14 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Distill<br />
Distill<br />
paradise<br />
down<br />
to<br />
a<br />
petal<br />
dropping<br />
from<br />
blossom<br />
to<br />
reflecting<br />
pool<br />
below<br />
and<br />
know<br />
how<br />
I<br />
dream<br />
of<br />
you.<br />
LOVE, LUST, LOSS | Love<br />
15
Devotion<br />
A swallow’s swooping shadows<br />
would not grace your tips and valleys<br />
more softly than my touch.<br />
The pure hum of my love vows<br />
surpass the clean shush<br />
of wind through pine.<br />
While God’s sun still burns,<br />
my fond heat will kiss your skin<br />
and light the dark with radiance.<br />
My love stands still,<br />
an iron fence protecting<br />
with no gate of inconstance<br />
whether you’re mine or not.<br />
16 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
You<br />
You planted a kiss upon my forehead,<br />
And branded my heart forever in love for you.<br />
You smiled at me,<br />
And set aglow the light that shows me the way.<br />
You touched me,<br />
And my nerves bound to yours as we became one.<br />
You closed with me,<br />
And your scent became the aroma of heaven.<br />
You knew me,<br />
And our progeny came like blessed sailors to home port,<br />
And we their captains.<br />
There is no place among this<br />
Where crying may hold sway<br />
Or split the day to night.<br />
LOVE, LUST, LOSS | Love<br />
17
Natural Music<br />
Chickadee’s dee-dee-dee<br />
mourning doves’ tandem coo<br />
and redwing blackbird’s trill<br />
cannot match the rhythm of you<br />
in the lift of your laughter<br />
and the sigh in your breath.<br />
Your music writes our operas four<br />
Even after they leave our door.<br />
18 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Boy Ago<br />
Jason:<br />
during Summer let him swing.<br />
Sweet marigold’s bees horse and play,<br />
will jump and fly<br />
solely to entertain his eye.<br />
Sun tickles<br />
and never burns<br />
at two<br />
(and a little more).<br />
LOVE, LUST, LOSS | Love<br />
19
Daughters<br />
painting by Alyssa Timon<br />
In a space<br />
too easily reckoned,<br />
by measurements<br />
easily forgotten,<br />
a willow jumps<br />
from wisp to massive drape<br />
along the bank of the meadow brook<br />
where dinosaurs once strode to fame<br />
and little Nettie now swings with Jane.<br />
They shall take their time at foolery and games<br />
while eating,<br />
laughing<br />
and hiding from the rain,<br />
for we have sung them full of sound<br />
of what could be<br />
and will,<br />
to make feet light<br />
as they scamper up the hill.<br />
20 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Kid 6<br />
Love like hammer against anvil<br />
struck your steel humming.<br />
You caught your vision<br />
in a dark wet night.<br />
Your locomotive swiveled<br />
in the round house.<br />
Now departing,<br />
I beg your beacon<br />
gleams out the tunnel intently.<br />
LOVE, LUST, LOSS | Love<br />
21
Mal at 12<br />
Oh, last of mine,<br />
and first of someone’s,<br />
you are the crack<br />
of the whip<br />
who wants so to be the handle.<br />
Yours are dreams<br />
to be made<br />
by driving stakes deep;<br />
loves<br />
to be held too dear<br />
but quietly so;<br />
the nest<br />
one day built<br />
against the tumult of your times,<br />
(not mine) a fortress.<br />
You are the restless<br />
at rest<br />
on the outside<br />
for just a bit longer.<br />
22 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
The Bargain<br />
If you ask,<br />
I shall be pillar<br />
to your water.<br />
If you ask,<br />
I shall be forgiveness<br />
as you err.<br />
If you ask,<br />
I shall be mason<br />
against your woes,<br />
and if you ask,<br />
I shall be fire<br />
to keep away the ice.<br />
And if you don’t,<br />
I shall go away<br />
to keep myself in peace,<br />
a glimmer of your reflection.<br />
LOVE, LUST, LOSS | Love<br />
23
Vision<br />
This morning your beauty<br />
chiseled<br />
from the first grains of light<br />
radiated<br />
from the comforter<br />
snuggled<br />
around your neck,<br />
to adorn<br />
my day.<br />
24 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Discovery<br />
A boy’s treasure you<br />
under the sun glistens<br />
like quartz in a rolling stream,<br />
tastes like divinity<br />
on Christmas day,<br />
rushes through nerves<br />
like a gale through standing autumn corn.<br />
Your kiss beckoned spring to start again;<br />
withered roots to pulse again;<br />
bent willow to stand again;<br />
one man to be boy again<br />
in love.<br />
LOVE, LUST, LOSS | Love<br />
25
Grace Us<br />
The full moon dances<br />
where your face shines.<br />
The shadow of your breast<br />
flashes God’s masterwork.<br />
You were His gift<br />
to this petulant child,<br />
who seeks His grace anew.<br />
26 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Flag Day<br />
From your beaches<br />
sometimes washed in<br />
tears,<br />
spilled from an ocean.<br />
of blue eyes,<br />
glimpsed beyond the crest<br />
of fluid mountains<br />
clouded in place above the still bay<br />
on each peninsula south<br />
up to the Meadow kissed with dew,<br />
D. Marie I love<br />
your geography<br />
and plant my flag in fealty<br />
for perpetuity<br />
if you’ll have me.<br />
LOVE, LUST, LOSS | Love<br />
27
Love Silence<br />
You need no eyes<br />
to read my words<br />
hung like Christmas bells<br />
suspended<br />
above our bed,<br />
leftovers from the night,<br />
their soft tinkle rung<br />
by lance-beams from a newborn sun.<br />
28 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Our Ocean<br />
Your gull rides waves on<br />
the middle<br />
of my Pacific Ocean<br />
looking for the edge of<br />
my love.<br />
Limitless.<br />
A whoosh, oh God, of<br />
ocean breeze sweeps<br />
dune grasses each time<br />
you sigh<br />
on a cricket hummed July.<br />
Wind sail.<br />
No wave-stroked shore was<br />
ever loved more from the<br />
time of trilobites to the day<br />
our toes saw light under<br />
waving curtains<br />
in our seaside den.<br />
Love high.<br />
Love you.<br />
Never-ending.<br />
LOVE, LUST, LOSS | Love<br />
29
Magic Bird<br />
I found a bird in snow so slow,<br />
a Tanager left behind<br />
all frozen blond,<br />
death upon its breast.<br />
And so I cupped my hands beneath,<br />
and drew it up,<br />
my breath to spark<br />
its stilled heart to life.<br />
My kiss upon its wing,<br />
in circles of grateful joy,<br />
its whirling flight enrobing me,<br />
until we two were one.<br />
30 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Listen Up<br />
This is myself speaking,<br />
with my head full of pigeons,<br />
as I put my glass eye between<br />
your<br />
breasts<br />
and listen<br />
as they start their own band<br />
with your heart smacking out the time.<br />
LOVE, LUST, LOSS | Love<br />
31
Wee Man #6:<br />
Wishing<br />
My love,<br />
a Pyrex cup full of light<br />
waits<br />
waiting for whichever wellman<br />
or miner<br />
wishes to be my guide<br />
down the wells<br />
and coal blackened mines<br />
of the agonies in your worlds.<br />
I will bring light there<br />
freely.<br />
32 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Ring Song<br />
I am not young as you,<br />
and from my tarnished heart<br />
I strangle out shreds of love<br />
that you beguile<br />
into a blanket soft<br />
with your innocent caress.<br />
You weave the shroud<br />
‘round our day<br />
to seal out the night.<br />
LOVE, LUST, LOSS | Love<br />
33
Through to<br />
the other side<br />
Look me in the face dear,<br />
Try to stare me down,<br />
Have we really been so queer<br />
Doing what we have done?<br />
I find our old saw story<br />
Searing <strong>pages</strong> worldwide;<br />
Where many gave up glory<br />
To fury acidified.<br />
Most succumb and go away,<br />
Empty as a hollow glove<br />
Abandoned at a grave one day,<br />
Suspicious that they ever loved.<br />
Those few who survive,<br />
Once knocked back on their heels,<br />
End up more alive<br />
Bound tight in bands of steel.<br />
So look me in the face dear,<br />
And try to smile me down,<br />
For we really have no peer<br />
Who knows what we have won.<br />
34 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Antique<br />
It is for your antiquity<br />
I make my garden with you.<br />
An ageless gift<br />
is your devotion<br />
sculpted in stone<br />
of classical perfection<br />
smoothed to graceful lines,<br />
adored still<br />
in our jagged times.<br />
LOVE, LUST, LOSS | Love<br />
35
First Light Vigil<br />
Morning light,<br />
like a press of eiderdown,<br />
rolls my gaze to the secure sea<br />
rising and falling<br />
within your slumbered breath;<br />
your chest the ship<br />
upon which I ride safely<br />
to the end of time.<br />
In your garden beyond the pane,<br />
butterflies melt to lay their spent wings<br />
in a carpet for your barefoot stroll<br />
among the dewy morning glaze.<br />
Your gentle steps will quiet my heart,<br />
for each return smoothes<br />
the path ahead.<br />
You rise, and my world flowers.<br />
36 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Pirate Love<br />
or<br />
Shared Wealth<br />
Your breath a breeze<br />
across the bow<br />
turns my ship<br />
by memory alone<br />
to a fresher course,<br />
knowing how now<br />
the pirate’s cove needs treasure<br />
and will take it<br />
freely,<br />
willingly,<br />
lovingly,<br />
from this ship<br />
without bloodshed.<br />
LOVE, LUST, LOSS | Love<br />
37
Divine Talk<br />
My Lord said,<br />
“Let me just<br />
take off your clothes,<br />
put on my ballet<br />
slippers<br />
and dance<br />
all over your bare thorny body,<br />
through all your sucking railroad tunnels,<br />
tiptoeing through the secret crackling<br />
swamps,<br />
running<br />
hell bent for the sunshine<br />
up those mountains<br />
above timberline --<br />
And when the children are gone,<br />
we shall do this more often,”<br />
said the Lord<br />
to his lover,<br />
my Mother Earth.<br />
38 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Point to Point<br />
Wow your face,<br />
thank you,<br />
has finally arrived<br />
after 22 years<br />
of impossible, I swear,<br />
thinking<br />
that I’d never,<br />
let alone know,<br />
find it<br />
wherever it was,<br />
and even though<br />
I thought I knew,<br />
finally,<br />
sure I did,<br />
what we<br />
and it<br />
would be like,<br />
it was better!<br />
Surprise!<br />
What a<br />
Wowie!<br />
Gosh,<br />
your whip cream lips<br />
yes<br />
like a river<br />
of sun kisses<br />
pour soft heat<br />
high and low<br />
from brows to toes<br />
and in between<br />
where my heart<br />
melted vanilla ice cream<br />
you can<br />
suck up<br />
and swallow down<br />
oh past those lips<br />
<strong>inside</strong> you<br />
‘cause that’s where<br />
I wanna stay<br />
your heart<br />
for my blanket.<br />
Sigh!<br />
Your fingers<br />
tender electrodes<br />
plug in anytime<br />
unzip my masculinity<br />
anywhere<br />
they go<br />
rigor flies<br />
like a carnival toy<br />
whose elastic broke.<br />
I could never<br />
guess<br />
the words<br />
unspoken<br />
behind your touch.<br />
Suspicion is<br />
no one’s written them<br />
yet<br />
but they begin<br />
with trust<br />
and love.<br />
LOVE, LUST, LOSS | Love<br />
39
40 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 1<br />
LUST<br />
photograph by Steve Zavodny<br />
LOVE, LUST, LOSS | Lust<br />
41
LUST<br />
42 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Wanting<br />
Not unless I want to<br />
Would I<br />
Build this angle of repose<br />
Upon your lips<br />
And swim your curved back<br />
With this feverish skull of hands,<br />
Spiders of the mind<br />
Afloat.<br />
Not unless I want to<br />
Would I<br />
Catch the nervous sparrows<br />
Of your fluttering voice<br />
In my ears<br />
As they go searching<br />
For my autumn seeds<br />
Concealed.<br />
Not unless I want to<br />
Would I<br />
Make your hot summer sun<br />
Rise humidly<br />
With mouth yawned wide<br />
Over the night-rained morning woods<br />
Steaming.<br />
Wanting it,<br />
Not unless I want to<br />
Would I.<br />
LOVE, LUST, LOSS | Lust<br />
43
Pin Point Poetry<br />
or<br />
An Exercise in<br />
California<br />
Con<br />
Art<br />
I hear<br />
Your wails<br />
For love,<br />
“Boomba - de - Boom - Boom - Boom”<br />
But cannot go<br />
Until yourself shows through.<br />
So<br />
Boom!<br />
I’ve got you<br />
From the <strong>inside</strong>.<br />
Having been gunned down<br />
I hope<br />
You liked<br />
It.<br />
44 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Friendly Neighbor<br />
Couch curled she nymphly fannied sat,<br />
my naughty neighbor,<br />
her washing eyes out the drizzling<br />
window<br />
see,<br />
raining,<br />
this is my one set day<br />
for mowing lonely hay.<br />
painting by Alyssa Timon<br />
LOVE, LUST, LOSS | Lust<br />
45
Passion<br />
At sun up,<br />
steam rising on the Amazon,<br />
I oared across your river,<br />
pulling on feathers<br />
to reach you.<br />
Following after<br />
along your path,<br />
pushing jungle aside,<br />
and my<br />
oh my<br />
pitter-pat<br />
eyes trailed after<br />
you like puppies.<br />
My shoulders hum at the<br />
vision.<br />
At dusk,<br />
still warm and wet,<br />
we lilt and wave like grasses<br />
grown to meet<br />
the closing breeze<br />
expectant of the end of day.<br />
Its caress renews.<br />
Tonight, yes,<br />
shut out the lights, my dear.<br />
Inhale ecstasy<br />
and drain the sky of stars.<br />
At high noon,<br />
oh, your touch<br />
fired up my spine<br />
and we blazed ‘til our embers<br />
glowed and sputtered<br />
side-by-side<br />
red at their core<br />
clothed only in blue ash.<br />
I boiled in the heat.<br />
46 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Dark Night<br />
Thrilling to the raw umber<br />
Of your winter body<br />
Due to darken<br />
In the burnishing summer sun<br />
I elongated<br />
Await your necromancing nibble<br />
At the near-sighted eye<br />
Of yet a fonder heat.<br />
LOVE, LUST, LOSS | Lust<br />
47
1904<br />
Dancing behind the turn-of-the-century<br />
Baseball<br />
Outfield<br />
Board<br />
Fence<br />
I wait, a patch-pantsed boy, knothole hungry for<br />
The<br />
Drilling<br />
Women.<br />
Auger-handed and smiling they singingly arrive<br />
Bundled<br />
Gibson<br />
Girl<br />
Beauties<br />
To take off their clothes, drill holes,<br />
And<br />
Show<br />
Me<br />
How<br />
To be.<br />
48 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Callous Lover<br />
This beacon shaft of white,<br />
irrigation for growth<br />
from seedlings down to death,<br />
shines,<br />
rays,<br />
aye, illuminates<br />
the inner walls of rooms<br />
in pinks and reds<br />
seeking for the one worm’s den<br />
where nothing grows,<br />
having traveled from<br />
a heart of stone.<br />
LOVE, LUST, LOSS | Lust<br />
49
Halloween<br />
Forest Prank<br />
The stretching pines<br />
Were laying whispered lashes<br />
Upon the back of fleeing October<br />
(Halloween)<br />
While we were lain<br />
Upon a cushion pushing<br />
Among the tall<br />
and stretching pillars of<br />
the rite<br />
(Halloween).<br />
50 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Madelin<br />
Madelin Madelin Thousand Masks<br />
I have come<br />
To commence the intricate procedure<br />
To subdivide your clothing stuff.<br />
So that<br />
Wanting it,<br />
My loins<br />
Shake hands with<br />
Your loins<br />
And come out fighting.<br />
LOVE, LUST, LOSS | Lust<br />
51
On Our Way<br />
The I-beam presence of myself within<br />
the swirling whirling<br />
of your everywhere leaves of thighs<br />
about the pivotal private jungled realm<br />
bores the black absolute<br />
of a quick demise<br />
to the buried sloth<br />
of my once insouciant life.<br />
The process of our curtained love<br />
gives the hangman of your youth<br />
the strength<br />
to pull<br />
and haul the sailing wind of breath<br />
from there within the heaving lungs of our sore love.<br />
The wild dispersion<br />
from the ram-head worm<br />
liberates the electrical magnificence<br />
of the steppingstone universality<br />
of creation<br />
past us<br />
who supersede these rattling lives in death<br />
as space shall supersede the earth in death.<br />
On call,<br />
I remain<br />
The black absolute of your former jousting life.<br />
52 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
In Heat<br />
Looking for my Mrs. Robinson,<br />
I searched among the<br />
fire hoses,<br />
and, finding only<br />
a<br />
big<br />
red<br />
fire engine,<br />
I climbed aboard<br />
and took a<br />
screaminglong ride<br />
through the cold night<br />
to the hot fire.<br />
LOVE, LUST, LOSS | Lust<br />
53
Woof<br />
woof Woof Swee<br />
tie<br />
see my bou nc ing<br />
Dogun fur<br />
l<br />
s p o n g i l y<br />
take note:<br />
the quic ker<br />
the dic ker themore thelights<br />
flic ker<br />
ker - woof ker - woof Bow wow wow wow<br />
lights<br />
o<br />
u<br />
t<br />
s<br />
w<br />
e<br />
e<br />
t<br />
i<br />
e<br />
.<br />
54 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
A Wood Removed<br />
I. In the shadow of the sullen woods,<br />
new white axe in hand,<br />
I bend to kiss the fuming ground,<br />
weary at my trod of feet,<br />
crying woe for<br />
the impertinent growth of trees<br />
between its swollen legs,<br />
waiting for the white axe blowing,<br />
nipping at the dark wood’s roots.<br />
II. In the shadow of the sullen woods,<br />
I raise up from the fuming ground,<br />
and turning, bend my axe,<br />
a-nipping at the growth of trees<br />
waiting,<br />
I come crashing,<br />
thunder from my willful axe<br />
splitting and a-flashing<br />
at the sinking sullen woods.<br />
III. In the bright light of the one-time woods,<br />
I sleep<br />
and the freed ground<br />
suckles me in my exhaustion.<br />
LOVE, LUST, LOSS | Lust<br />
55
Sally, Oh, Sally<br />
Sally, with binary fields<br />
of kissability<br />
and butterfly fish for eyes,<br />
began our nocturnal scavenging<br />
with hoots and calls,<br />
trumpeting<br />
for the unobtrusive roots and tubers,<br />
‘til fastasahightonewhistle<br />
she runs<br />
to take a little ripe bit of me<br />
in<br />
to her buttress<br />
of a<br />
buttonbush<br />
below.<br />
56 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Virgin<br />
The age of veins within my arms<br />
denies<br />
the windless lake<br />
of your glass belly<br />
unstirred<br />
by the dike-busting storm of spring,<br />
a rage transposed<br />
through the lightning rod connection<br />
rifled through your innocence<br />
by this humble sabotuer.<br />
I bowing in peace following<br />
my heathen construction within<br />
the chambers of your shady brow,<br />
hand-shakingly congratulate the burial<br />
of your blushing anticipation.<br />
Hello, the age of veins.<br />
LOVE, LUST, LOSS | Lust<br />
57
Farming<br />
When I was young<br />
and you told me,<br />
I thought<br />
my yellow cats attacked<br />
your flower pots<br />
until I pulled out<br />
my American Heritage dictionary<br />
and read about how<br />
the old farmers<br />
used to plow<br />
and let<br />
the sweating storms<br />
and white-hot loud lightning<br />
lash the drooling furrows<br />
and<br />
make<br />
things<br />
grow.<br />
58 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Played<br />
Don’t let him kid ya, sweetie.<br />
The white powder sweetness<br />
of your ham-hock thighs<br />
will bring you two together<br />
in lunacy<br />
eventually,<br />
but the momentary emulsion<br />
yields no solution<br />
if you plan to go a-gardening<br />
in the spot where nothing grows.<br />
LOVE, LUST, LOSS | Lust<br />
59
Objective<br />
The object,<br />
my dear,<br />
is never to speak, so<br />
come join<br />
my secret garden<br />
in progress<br />
toward the establishment<br />
of bountiful well-being,<br />
unclothed,<br />
estimating my approach<br />
with sighs,<br />
yawning as a mouth does yawn<br />
with thighs.<br />
60 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Wisdom<br />
Stool wise,<br />
I shall bed thee proper.<br />
Virgin wise,<br />
I shall bed thee never.<br />
Lover wise,<br />
I shall bed thee hidden.<br />
Marriage wise,<br />
I shall bed thee whenever.<br />
Summer wise,<br />
I have bed thee all<br />
Amid tall and whispering grasses.<br />
LOVE, LUST, LOSS | Lust<br />
61
So New<br />
All thumbs of inexperience,<br />
my girl<br />
so new<br />
caresses me with two thumbs<br />
from above,<br />
learning fast,<br />
and<br />
dives<br />
into the congestive wars of love,<br />
peeking from the bunker<br />
for a quick shot<br />
of paradise.<br />
62 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Derailed<br />
Enthralled by her precarious automation<br />
down, down spun under<br />
the stropping bullwhip loin,<br />
puffing the weight of a cloud, her lungs<br />
suspend the stiffening shoulder<br />
(waving its salt sea masculinity)<br />
while she loves under the lilting lawless wave,<br />
‘til, with burning lightning fired within,<br />
spread and free she lies,<br />
derailed by her precarious automation.<br />
LOVE, LUST, LOSS | Lust<br />
63
64 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 1<br />
LOSS<br />
photograph by Steve Zavodny<br />
LOVE, LUST, LOSS | Loss<br />
65
LOSS<br />
66 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Cleopatra<br />
Cleopatra’s candles<br />
are like night<br />
against your long-legged light;<br />
a nightingale’s song<br />
mere baboon screech<br />
against your murmur in the dark.<br />
And yet my gifts<br />
are launched through other lives<br />
by this half a man,<br />
a man much less<br />
drawn dry under sizzling terror,<br />
roasted down<br />
to the crumb of a bone<br />
clenched by the reticent beast<br />
barring all from you.<br />
LOVE, LUST, LOSS | Loss<br />
67
Fantasy Fix<br />
Toasted shell of you lost<br />
in the tractless, bone-strewn plains;<br />
I,<br />
toiling in the hills<br />
archeologizing.<br />
I cannot reach you<br />
so I send eagles<br />
to snare your wandering husk<br />
and lift you back to me.<br />
Delivered,<br />
I replace<br />
pooled weary tears<br />
with rubies, emeralds,<br />
diamonds, opals.<br />
All spaces filled,<br />
I raise this shell enriched<br />
against Father Sun<br />
who sets the stones ablaze.<br />
You glow<br />
beyond perfection<br />
for someone...<br />
68 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Honesty Therapy<br />
May I sing<br />
to our frayed and dwindling bonds;<br />
I who come from time<br />
wheeling post-haste<br />
from <strong>pages</strong> written<br />
by those who have spent time<br />
to make the serpentine deductions<br />
to let us know post-haste<br />
oh, how to become a person<br />
of peace to ourselves<br />
and free<br />
of each other?<br />
LOVE, LUST, LOSS | Loss<br />
69
Disintegration<br />
Another body<br />
Foreign body<br />
Larger than you ever were<br />
Perfect body<br />
Smoothest body<br />
Better than a husband’s be.<br />
Morning meeting we<br />
Lay in meadows<br />
Under summer’s buzzing sun<br />
Swimmers of the maiden streams<br />
Lover that my man should be.<br />
Ripening lifting<br />
Softness cresting<br />
Silent murmurs breezing ears<br />
Holding viewing unrenewing<br />
He can’t make love like thee.<br />
Another body<br />
Foreign body<br />
Larger than you ever were<br />
Perfect body<br />
Smoothest body<br />
Better than a wife’s could be.<br />
Morning meeting we<br />
Lay in meadows<br />
Under summer’s buzzing sun<br />
Swimmers of the maiden streams<br />
Lover that my wife should be.<br />
Ripening lifting<br />
Softness cresting<br />
Silent murmurs breezing ears<br />
Holding viewing unrenewing<br />
She can’t make love like thee.<br />
painting by Alyssa Timon<br />
70 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Celestial Rage<br />
Life’s a gamble (often said),<br />
so let me flap<br />
one last card of tears<br />
down upon the table<br />
(yours this time<br />
not mine)<br />
for the solemn, silent dead;<br />
your complaint left to rattle ‘round<br />
the vacancy of his empty wooden chair,<br />
a tantrum to the God unfair,<br />
omniscient scoundrel<br />
unworthy of embrace.<br />
LOVE, LUST, LOSS | Loss<br />
71
Barmaid 1880<br />
I have not been to Nova Scotia.<br />
No,<br />
I have not been to Nova Scotia<br />
to see<br />
where you have gone<br />
to let your fertile seeds<br />
spawn their green fields of wheat<br />
and lay low the chastity of Halifax.<br />
72 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Lost You<br />
On wings<br />
where do i go<br />
?up or<br />
down a clown<br />
to you like a bird<br />
i sight from above<br />
where i wanted<br />
and didn’t<br />
got.<br />
LOVE, LUST, LOSS | Loss<br />
73
Wee Man #4:<br />
If at First<br />
Dark and stumpy,<br />
smelling like<br />
Smokey Bear’s last fought fire,<br />
some hillsides of his youth<br />
tried<br />
(with northern exposure)<br />
to grow new seedlings<br />
in the same old way:<br />
carving out fabled<br />
gurgling bouncing<br />
Coors clean<br />
silver mountain streams;<br />
spinning tales of black cats mousing<br />
or patch-eyed pirates<br />
afloat on midnight waves<br />
of adventure<br />
seeking<br />
love;<br />
and bringing out full moons of delight<br />
on bushy park benches<br />
and swingset trips to the stars<br />
but<br />
the sun only shines on the south slope<br />
now.<br />
74 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Dry<br />
dry<br />
with harsh lips and rough eyes<br />
i communicate<br />
futility<br />
to my mirror lying<br />
before me flat<br />
with lipstick<br />
on her moist lips<br />
and lipstick red<br />
her only clothing<br />
not listening<br />
wanting<br />
and i screaming<br />
dumbly<br />
with harsh dry lips, rough eyes<br />
and servile hands<br />
our passion shall<br />
be futile<br />
now,<br />
tomorrow,<br />
and all times beyond<br />
this moment<br />
of electric life<br />
coming.<br />
photograph by Alyssa Timon<br />
LOVE, LUST, LOSS | Loss<br />
75
Speechless<br />
To say what happens is a difficult thing,<br />
nay, impossible perhaps,<br />
when one loves the other and the other neither.<br />
For despising one buys self-hate<br />
under guilt<br />
for<br />
cruelty,<br />
rejection,<br />
acerbic words,<br />
secrets kept,<br />
lies told,<br />
an affair sloppily hidden.<br />
When one loves the other and the other neither,<br />
love waiting is not enough<br />
to draw off leaches from the other<br />
or burn away the guilt.<br />
Return to love waiting requires<br />
fatality of fantasy,<br />
apology deep,<br />
touch kind,<br />
longing for forgiveness (already granted),<br />
secrets told,<br />
lies confessed,<br />
affair abandoned.<br />
Love waiting says,<br />
“Come shoeless to me<br />
and I shall enfold thee<br />
in safety.”<br />
76 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
J. P.’s Poem<br />
Having come chirping<br />
out the red-walled cylinder,<br />
raising quick<br />
a black silk umbrella<br />
against<br />
the cold eyes of evil stars,<br />
I times long<br />
lost the weight of love<br />
with each new rising<br />
of the sun<br />
‘til I became so light<br />
with loneliness that please,<br />
before this breeze<br />
splats<br />
blasts<br />
puffs<br />
me away,<br />
grant enough just once<br />
to let me nestle<br />
under your paper wing<br />
and leave my sad white tears<br />
in your green womb<br />
boom<br />
boom<br />
booming<br />
on for posterity.<br />
LOVE, LUST, LOSS | Loss<br />
77
Long time<br />
Before the wisp of a ghost’s cloak graces your shoulder,<br />
it should be my fingertips to push cloth aside,<br />
my warm breath to steal the cool away.<br />
Before fog shrouds the blue light of your eyes,<br />
they should wash over our world,<br />
mirror our pool of years in trust and love.<br />
Before the well dries,<br />
its waters should be plumbed innumerable<br />
in repetitive rites of rejuvenation.<br />
Before the hinges fuse,<br />
our waltz from youth<br />
must be replayed.<br />
Before there’s nothing left of me to give<br />
nor of you to receive,<br />
Before we go, we must come<br />
home<br />
to<br />
each<br />
other.<br />
78 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
photograph by Steve Zavodny<br />
The Wall<br />
Little girl, I stare<br />
at you<br />
with eyes big as marvelous,<br />
lips all set to swarm over you,<br />
and my tongue<br />
a soft knife spreading marmalade.<br />
My hands are a tangle<br />
of dandy worms<br />
that would dance and crawl<br />
on your geography<br />
but for this wall<br />
that always comes<br />
between us.<br />
LOVE, LUST, LOSS | Loss<br />
79
Charcoal<br />
So spit fire now!<br />
(your self-absorbed yap)<br />
and I may rattle back<br />
a squawk or shout<br />
from habit of shaking<br />
the likes of you<br />
off my back.<br />
But I’m just a hack,<br />
mimic of another life<br />
once gone,<br />
come again<br />
conscious now,<br />
un then<br />
remembered now,<br />
abandoned when<br />
the first flames licked,<br />
as this<br />
inflamed Diablo incinerates<br />
to ashes us lost in dust<br />
or wave<br />
now food for roots<br />
or fishes.<br />
80 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
The Cabin<br />
Morningside’s hum<br />
with a distant creek<br />
rumble<br />
shakes my soul with a tremulous tilt,<br />
and reels my eyes<br />
to a wide-awake glaze<br />
when they reach into darkness<br />
to find not your warm hand<br />
or warm face<br />
and red cheek<br />
vibrating back with a union to meet<br />
in the oneness of singular love.<br />
LOVE, LUST, LOSS | Loss<br />
81
Who Knew<br />
A wise few,<br />
mated at the soul<br />
will know why<br />
snow clouds claimed his sunrise,<br />
and sympathize,<br />
While those<br />
ill wed,<br />
would see the fool on coals<br />
where they reside beside,<br />
confusing heat with summer,<br />
And the fool,<br />
blistered by artificial bliss,<br />
since spring,<br />
in autumn, circles<br />
their love embers,<br />
an ash dancing<br />
on her remembered breath<br />
until death.<br />
82 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Worn<br />
Narrowing down<br />
our love<br />
to a pi<br />
npo<br />
in<br />
t<br />
the<br />
thorns of pro<br />
tection hide your o<br />
paque nectar berries li<br />
ke knowledge of the future<br />
and slows the bloody picking in<br />
to gentle grace laced with the bleak<br />
fluid of our veins willing and due to per<br />
severe<br />
until your need is gone<br />
until my wounds are healed<br />
until we both are free.<br />
LOVE, LUST, LOSS | Loss<br />
83
Depression<br />
Long time since<br />
come down on me<br />
i pray<br />
come down on me<br />
honey of happiness<br />
and fill my niche.<br />
Escape your winter<br />
thaw this spring<br />
pour down on me<br />
and fill my niche<br />
come down on me<br />
come down<br />
come down<br />
i pray<br />
i pray.<br />
84 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Undying Love<br />
Sleep now<br />
is our cascade<br />
of love rain<br />
this slippery hot July.<br />
A Kentucky cricket throng<br />
sings praises.<br />
Sleep hence<br />
is our gift<br />
to spiders and worms<br />
underfoot, yet,<br />
we shall remember us<br />
long beyond<br />
the new morning.<br />
Finding<br />
will be the babes’ trick.<br />
LOVE, LUST, LOSS | Loss<br />
85
For Marné in May<br />
Girl, you are a furtive wave<br />
dancing against my toes<br />
who beckons me to chase,<br />
“Find me now!”<br />
as you gather back<br />
to your mother swell<br />
too shy to stay long<br />
at my shore<br />
with its confusing carnival<br />
of screaming and cheering<br />
on the beach.<br />
You, tiny once,<br />
small now,<br />
a bearer of bubbles only,<br />
gales in time<br />
(I cannot thwart the winds)<br />
shall heave you<br />
into a storm of womanhood,<br />
bearing ships in your turn<br />
(big work)<br />
and sending wave letters<br />
to the shore.<br />
I shall be then<br />
as sand to wash upon:<br />
feet gone<br />
to clay.<br />
86 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 2<br />
NO COMMENT<br />
photograph by Steve Zavodny<br />
NO COMMENT<br />
87
NO COMMENT<br />
88 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
A Joke<br />
Ha, ha, ha, ha, HEEEyaaaaahhhh!<br />
Ha, ha, ha, ha, ha, ha, ha, HOOOoooo!<br />
Time ratchets on<br />
t’ leave me gapin’<br />
wit’ all ‘a youse<br />
as we trod stupit’ly<br />
snagged on duh cogged chain<br />
rollin’ us so nonchalant<br />
along duh way<br />
dat each an’ ev’ry mannequin afore<br />
has flapped his rattlin’ gait along,<br />
sneerin’ at duh clatta’<br />
of his ancestuh’s bones,<br />
believin’ ‘is pathetic mediocrity<br />
makes ‘im betta’ d’an ‘is gramps.<br />
Get dis!<br />
We’s all pathetic,<br />
an dere ain’t no way<br />
to step off<br />
duh chain.<br />
photograph by Steve Zavodny<br />
NO COMMENT<br />
89
DICHOTOMY<br />
America,<br />
my favorite musical,<br />
I play you over and over<br />
and each<br />
time I<br />
do<br />
I think of your<br />
Grand Canyons and<br />
Allegheny green mountains,<br />
dark with trees and smoke filled eyes,<br />
flowing brooks of love<br />
so<br />
full<br />
of soft, white fish and<br />
hoping maybe<br />
(since I’m at your borders)<br />
you’ll let me in to stay;<br />
to be your citizen<br />
and soldier<br />
helping you to win wars<br />
win wars<br />
wars<br />
Yeah! Win them all.<br />
90 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
War Debt<br />
They died about a year ago<br />
in screaming wrath of childbirth<br />
(silent to my ears on the Somme)<br />
as I fought wars on foreign soil<br />
commanded by the state house dome.<br />
I thundered flame on children’s bones,<br />
and splintered nations with the rest,<br />
and trod the face of Earth in mud,<br />
while she and he climbed in the tomb<br />
exploding shells had dug for me.<br />
NO COMMENT<br />
91
‘Nam<br />
The president sat,<br />
a dangerous piece of radium<br />
in a sightless lead box,<br />
at his desk<br />
somewhere<br />
where my rancid breath<br />
could not reach him<br />
to make him smell<br />
my battlefield,<br />
mired in bloodthirsty worms.<br />
92 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Battlefield<br />
Promise lies swollen<br />
under the buzzing sun.<br />
Hovering souls wave like smoke,<br />
guessing who<br />
their fathers might have been,<br />
and cry for mothers<br />
gone dry.<br />
Corpse man in the mud,<br />
your eye is open.<br />
Can’t you see<br />
the fly<br />
crawl up your nose?<br />
Blow him away<br />
like the shell<br />
that spat your side to red rain.<br />
Earth, you swallow<br />
blood and ash,<br />
fresh-ground flesh,<br />
and bellowed tears<br />
that fertilize the flowers<br />
of our history.<br />
NO COMMENT<br />
93
A Wish from Home<br />
for Warriors Away<br />
If my hands were quick enough,<br />
I’d snatch the bullet<br />
tearing<br />
and sighing<br />
as it roars through<br />
desert air<br />
intent on killing you,<br />
deflating us all<br />
until we twist back<br />
upon each other,<br />
browned and slimed<br />
like outer leaves<br />
of a cabbage left out<br />
on a summer counter<br />
while I was away<br />
on<br />
vacation.<br />
94 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Compassion?<br />
Refugee,<br />
we hear only damp wind shushing<br />
when<br />
your cries play<br />
like an empty swing rocking<br />
in a breeze<br />
on a fresh Spring<br />
day<br />
away in the future<br />
when we all are<br />
new again, and<br />
these times are dust.<br />
NO COMMENT<br />
95
Apotheosis of Life<br />
Hear my oratorio of<br />
sympathy<br />
on the death of those few<br />
or many<br />
(it really doesn’t matter)<br />
as I spin a collective<br />
artifice of woe<br />
for you (all) to weep<br />
upon.<br />
And we agree<br />
on the apotheosis of life<br />
that lives just behind my lips<br />
and echoes across the airwaves<br />
overrun soon<br />
by truth<br />
of crusades and gluttony,<br />
and my boot upon<br />
the ants.<br />
photograph by Steve Zavodny<br />
96 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Stone Feelings<br />
Stone in the road<br />
knows not<br />
whether rain from clouds<br />
or blood sprayed by bullets<br />
drops on its back;<br />
hears not<br />
our martial steps drumming<br />
or our human thunder;<br />
if we lie in grass<br />
to rest or to die;<br />
cares not<br />
recoils not<br />
at the beast in our breast,<br />
swelling wrath beyond comprehending;<br />
tastes not<br />
how we devour and feel good,<br />
as we make others fall down;<br />
and sees not<br />
myopic war flinging dust<br />
against God’s Providence,<br />
and winning.<br />
NO COMMENT<br />
97
Palestinian Ode<br />
Vultures swirl,<br />
moaning as crows<br />
picking over this land<br />
blown free<br />
of grass and trees.<br />
I am the gentle father,<br />
of those who once knew grace,<br />
and of the rabid boy,<br />
who only knew bullets,<br />
and now is dust.<br />
Oh war,<br />
‘though you pull a flower<br />
from the center of my garden,<br />
Time shall raise others ‘round.<br />
Exhaustion is the fertilizer.<br />
I am civilization in rags,<br />
Waiting.<br />
98 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Oblivious<br />
Kansas son,<br />
God over fair meadows,<br />
at midday come in<br />
to lay aside<br />
your soiled shirt<br />
like ghost pictures<br />
from morning.<br />
Eat now,<br />
and later coax<br />
raccoon cities of corn<br />
up from the soiled heart of Earth.<br />
(as if<br />
anyone will notice)<br />
Your bare clay<br />
feet rooted stand<br />
apart unknown by<br />
the 44th & Broadway bistro bunch<br />
munching chips<br />
and laughing.<br />
(as if you knew)<br />
NO COMMENT<br />
99
Family of Man<br />
It used to be<br />
a fat man was the stranger,<br />
an oddity in the crowd<br />
the phone was at home<br />
waiting for us to come back and listen<br />
a neighbor was a friend,<br />
and there was time to talk<br />
the man who watched children play<br />
chuckled at their antics and nothing more<br />
farmers lived for us and them,<br />
their soil was rich and food was tasty<br />
books were read,<br />
and kept our hands warm holding them<br />
TV wasn’t, and then when it was<br />
yet again wasn’t by 11:00 p.m.<br />
It used to be<br />
no one lied,<br />
until the door was closed in Eden.<br />
100 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Birth<br />
Swimming dumb<br />
those first strokes to light,<br />
I, the sponge soaked in parental force,<br />
bellowed<br />
from life’s cliff<br />
in hunger from the start;<br />
and, answered in storms<br />
from that coast’s lashing seas surrounding,<br />
had I read the icy hail<br />
of tears to come,<br />
I should have stayed behind.<br />
NO COMMENT<br />
101
Abusing Storm<br />
He is of earth.<br />
A once fertile pasture<br />
baked brown by years<br />
of midsummer drought;<br />
a crisp wasteland now<br />
gathered under<br />
a billowing thunderhead flashing and scowling<br />
like a father’s final judgment<br />
swelling to explode in wrath<br />
whipping down<br />
the throb of joy,<br />
the promise of love,<br />
in waves until its last lash<br />
sighs into the shrunken sponge<br />
of a cowed back<br />
with whispered accusations<br />
that he’s just a man of clay.<br />
102 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
All Over<br />
Do not chatter<br />
of your soft free willow days,<br />
and how each quest<br />
soared as a gull in trade wind breeze;<br />
bragging that each deep wood<br />
kindled no fear of endlessness,<br />
but lay coursed with soft paths and fairy guides<br />
where wild flowers prayed at the waysides.<br />
Chant,<br />
chant not how all lay wide<br />
for you,<br />
for I would do it all – ALL again<br />
had I<br />
but more time to spend.<br />
photograph by Steve Zavodny<br />
NO COMMENT<br />
103
Rat’s Prayer<br />
Give me a lever to Mars<br />
that i might<br />
(puff )<br />
wedge it<br />
against the Earth<br />
(groan)<br />
freezing day and night<br />
(pant)<br />
long enough<br />
to<br />
catch<br />
up.<br />
photograph by Steve Zavodny<br />
104 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Burn Out<br />
For tall houses,<br />
for spacious, sun-drenched lawns,<br />
I strive because I know how,<br />
not because I wish.<br />
A tattered rock could be my pillow now,<br />
so far down the path<br />
scant time remains<br />
for comfort.<br />
NO COMMENT<br />
105
Brink<br />
I am beaten<br />
I am lazy<br />
I don’t care<br />
I want to quit<br />
Go away<br />
Leave me alone<br />
I’m afraid<br />
I can’t keep living<br />
Give me a gun<br />
One bang<br />
And it’s over<br />
For me<br />
But just begun<br />
For you<br />
So I’ll stay<br />
Come here<br />
Hold me<br />
Forgive me<br />
Love me<br />
I must find strength<br />
and cunning.<br />
106 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Locked<br />
You, Dear,<br />
whose desire stands cold<br />
as a<br />
crystal chrysalis hung high<br />
too much<br />
tight against the storm,<br />
learn, Dear,<br />
(you will)<br />
winds kiss<br />
and summer’s soft<br />
cyclones beat with feathers<br />
only when you<br />
build your wall<br />
from a composition of clouds.<br />
NO COMMENT<br />
107
Over<br />
Like the spent petals<br />
of a wild rose<br />
floating<br />
into<br />
the<br />
protection<br />
of<br />
the<br />
brambles<br />
below,<br />
we will leave the place of our last blooming.<br />
108 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Lull<br />
Sitting,<br />
I by myself<br />
sit,<br />
another sun setting out,<br />
in my one room<br />
camp;<br />
cluttered<br />
in thoughtless arrangement<br />
by my thoughtless emotions<br />
(whitefaced, point-eared dandies)<br />
who have brought me here<br />
by myself,<br />
now,<br />
not always so.<br />
NO COMMENT<br />
109
To Mecca<br />
My neighbor friend and I,<br />
on holiday curious,<br />
longed to hear the pranging music,<br />
drink the fragrant air,<br />
and see glaring white lights<br />
above the wet streets<br />
of Mecca…<br />
found,<br />
reflected up from below our heels,<br />
off flowing blood bubbling<br />
in the gutters,<br />
a gruesome sheen borne upon<br />
an appreciation furious.<br />
photograph by Steve Zavodny<br />
110 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Ms. Nature<br />
Mother of Lamb,<br />
Mother of Unicorn,<br />
Step forth from your nest<br />
In eternity,<br />
And see all eyes<br />
Turned up to you.<br />
Without you, life how much<br />
Would cease to be<br />
From worm through tree<br />
to we<br />
and thee.<br />
NO COMMENT<br />
111
Opposing wishes:<br />
Antietam<br />
I throw myself at you for a cause<br />
that is not love<br />
but their passion<br />
forcing my passion<br />
for life to be<br />
the guide behind my eye<br />
flex of my finger<br />
howl in my throat<br />
to bullet and scare you into submission<br />
if my time lets me<br />
do and hear it<br />
and once more<br />
return to my passion<br />
that is love<br />
for her who pulls<br />
water from the well<br />
of me<br />
to raise us both.<br />
112 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Bah, Humbug<br />
Winter I wonder<br />
why who needs you?<br />
Bugs struck dumb with numb?<br />
Frostbitten birds cast south?<br />
And ground gone stiff?<br />
Trees shock solid?<br />
Who lives by<br />
frozen stone-breath sinking<br />
to mate with snow?<br />
It is no kiss you give.<br />
It is no love I take.<br />
photograph by Steve Zavodny<br />
NO COMMENT<br />
113
Standing Fast<br />
“There are never storms enough<br />
To blow my ship off course,”<br />
of course<br />
bellowed the captain<br />
of the schooner<br />
lying beached on its side<br />
on a sandy shore<br />
with him bound fast<br />
by hands<br />
to the wheel,<br />
stuck fast in boots<br />
nailed to the wooden deck<br />
in permanent pose<br />
of the man in charge<br />
in line with the masts<br />
all cantilevered over in empty air<br />
over a sea of sand<br />
where his hat lay,<br />
rocking in the wind,<br />
gulls chortling above.<br />
114 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Futile Glow<br />
Ah, Morning! Welcome back!<br />
It’s good to see you again,<br />
as you pour your promising light<br />
into my hands,<br />
in the still dawn.<br />
Is it you who promise<br />
a flood of peace,<br />
but then forsake us<br />
to brute terror,<br />
bloodshed<br />
and anarchy,<br />
or are we unable<br />
to hold your perfect light<br />
in our cracked, seeping vessels,<br />
hands charred by perpetual sin?<br />
NO COMMENT<br />
115
Heat<br />
God,<br />
Electricity,<br />
Master Energy,<br />
will you<br />
glow<br />
really<br />
at the end<br />
as Tibetans say<br />
or sear me<br />
for my infidelity?<br />
photograph by Steve Zavodny<br />
116 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Legacy<br />
Sweet Blackman, could we say<br />
you are like a chocolate sundae<br />
(the biggest)<br />
since we have eaten you and loved it<br />
for three hundred years, getting fat<br />
and proud<br />
as the longest night of the year?<br />
How do we wipe<br />
our mouths clean?<br />
Will you do it<br />
for us<br />
with patient<br />
humanity?<br />
NO COMMENT<br />
117
Little Boy<br />
Ignored among the giants, oiled bellies basting,<br />
baking breasts, and bottoms red,<br />
He has filled his bucket with sand,<br />
a boy on the beach.<br />
On that four-season beach, he searched and searches<br />
for more than just the crystal grains,<br />
tacking to salt and sweat,<br />
a little boy gathers sand.<br />
Sifting swirling grains, broken shards of weathered rock,<br />
white brown tan and black,<br />
when diamonds lie pick-and-shovel deep,<br />
a little boy forever gathers sand.<br />
118 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Wolf at Night<br />
Hated, hunted beast<br />
howling;<br />
scratch and yowl at the moon,<br />
beat the Earth’s breast<br />
with that lurid scream.<br />
Proclaim how you give teeth and snarl<br />
claw and crush<br />
to gentle woodland prey.<br />
You liberate hearts.<br />
Are you crowing over bloody victories?<br />
Or do you ask us,<br />
“Love me though<br />
I do despicable things.”<br />
NO COMMENT<br />
119
Snow Fence<br />
Wire and rough hewn slats<br />
stand against the winter wind<br />
and snow,<br />
placed steadfast by a farmer<br />
along the long lane leading<br />
from the man-made state route<br />
to his white farmhouse<br />
centered among<br />
all his Nebraska lands,<br />
to trip the wind,<br />
drag down the rushing flakes<br />
that rip by<br />
tearing slivers away,<br />
smoothing edges<br />
of rough hewn slats,<br />
heaping more against their<br />
windward side<br />
saving the lane from oblivion<br />
while disappearing almost all<br />
beneath a weight so cold<br />
the slats lean down<br />
nearly lost,<br />
nearly flat,<br />
until spring,<br />
cracked and worn,<br />
so many severed at the base.<br />
Their season done,<br />
the farmer takes them<br />
quietly to the burn pile<br />
knowing he will,<br />
when time comes,<br />
place a new generation against<br />
the next season of cold wind.<br />
120 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Inequity Allegory<br />
Some leaves cling through autumn, ‘til spring,<br />
pleading their worth;<br />
chattering for redemption<br />
and another season,<br />
tarnished leftovers crisply waving<br />
wondering<br />
when<br />
their withered glue will hatch them<br />
down among spent comrades<br />
who caught sun alongside<br />
last spring and summer too<br />
boasting of their emerald hue.<br />
Now aged into a second spring,<br />
having dodged rain<br />
fought wind,<br />
reflected heat<br />
and borne snow,<br />
a leaf means something<br />
at least for one season<br />
their paper whine implores.<br />
But launch they will<br />
to dress the grip<br />
of collectors down under<br />
whose grave philosophies<br />
unravel joy;<br />
who bartered gloves of kid<br />
for claws<br />
to gather pleading leaves.<br />
NO COMMENT<br />
121
The Well<br />
The well<br />
that used to fill<br />
so well,<br />
it’s young brim shimmering,<br />
no longer swells<br />
from the dark<br />
to the rim.<br />
Shored up with stone<br />
each year a layer new<br />
is laid down<br />
to make it strong.<br />
Now so deep<br />
no light meets water,<br />
nor water its earth to quench,<br />
earth dried hard as stone,<br />
stone holding water<br />
left alone.<br />
122 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Responsibility<br />
Who’s her cause of screaming?<br />
she screams<br />
wise<br />
to know<br />
its someone<br />
anyone<br />
somewhere,<br />
a maniacal<br />
expert psychic adulterer<br />
who’s absent from her mirror,<br />
staring out her eyes,<br />
burning in her straight jacket.<br />
NO COMMENT<br />
123
Mr. Binger<br />
photograph by Steve Zavodny<br />
In Due Consideration of:<br />
The blaring, bulbous lust<br />
of her wonder voice,<br />
The powdered pallor<br />
of her shuddering skin<br />
(waves piling upon the rocky shore),<br />
The rumpled down<br />
of her scatter rug face,<br />
The caffeine twitch<br />
of her sunshine morning hands<br />
rustling on her bed of steel,<br />
Of her cellophane orange and snake pit hair<br />
sifting ‘round the neck nape there,<br />
And the pygmy space in her welcoming heart<br />
lodged so deep in her<br />
eggplant bodied<br />
core,<br />
And of you, Mr. Binger,<br />
In your frail, quail-feather coat<br />
And mustachioed neat nibbler lip;<br />
Tell me, Mr. Binger,<br />
Do you still of an evening ding her?<br />
124 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Schism<br />
Though fire dwells in ice<br />
today<br />
and eyes dart<br />
like a hare away<br />
before the hounds;<br />
though thought runs heedless<br />
to union without dignity,<br />
and his presence hangs in vapors,<br />
admonish not her heart<br />
swollen tender<br />
by affection<br />
for Anyone.<br />
NO COMMENT<br />
125
Love Lessons 5<br />
Sweets,<br />
in a minute,<br />
I may say<br />
I love you<br />
prematurely<br />
yes,<br />
but in the nick<br />
of time<br />
to save you<br />
from your history<br />
and to<br />
bury me<br />
in<br />
mine.<br />
I love you<br />
though I<br />
bore<br />
you<br />
and you bored<br />
bite<br />
back.<br />
My dear,<br />
lower down<br />
your low voltage heart<br />
and take a charge from mine<br />
and hope that neither halt again<br />
as they did<br />
once upon a time.<br />
photograph by Steve Zavodny<br />
Who was it showed me<br />
Where the schoolmarm<br />
among all the rest<br />
who taught me love whipped<br />
like her sharp willow switch?<br />
When man gives up his right to cry,<br />
and I as man<br />
shall cry no more,<br />
then death<br />
in all its stillness<br />
shall have my heart.<br />
126 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Presidentess<br />
Trying to seduce the first<br />
woman president of the<br />
U.S.A.,<br />
being the cabin boy,<br />
I was informed by black<br />
telephone<br />
not hot-line red,<br />
that work comes first.<br />
So now I know<br />
what a lousy lover work is.<br />
NO COMMENT<br />
127
Humanity?<br />
Insatiable crew<br />
On the Ship of Fools<br />
Pulling in fish on starboard,<br />
Spilling their guts to port,<br />
You know it’s best to stop<br />
But can’t,<br />
But can’t,<br />
‘Cause it’s in your blood,<br />
It’s in your will<br />
To kill and kill and kill, kill, kill.<br />
128 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Mountains<br />
How<br />
like<br />
a mountain range<br />
life can be:<br />
Never even,<br />
smooth,<br />
or placid,<br />
but filled with<br />
beguiling cascades<br />
that trill<br />
vigilance to sleep<br />
along the crumbling cliff walk<br />
where Anyone may<br />
tumbledown<br />
to smash<br />
upon the rocks.<br />
Awaken then,<br />
lick your wounds.<br />
All crippled<br />
still love<br />
in their own way.<br />
NO COMMENT<br />
129
Womb Wish<br />
I will be<br />
King or pauper,<br />
father or wretch,<br />
philanthropist or thief,<br />
lover or pimp,<br />
doctor or murderer,<br />
Priest or pedophile,<br />
but for a swig of Satan’s wine<br />
or a beacon’s glow from God.<br />
130 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Wee Man #3:<br />
Vicar<br />
Instructor from god<br />
(your run-of-the-mill<br />
electromagnetic energy)<br />
is the too-many-word-filled mouth<br />
of the Wee Man,<br />
breaking silence<br />
with nag and command,<br />
vociferous wind.<br />
Bah!<br />
Pathetic pastor put<br />
him<br />
in the leather<br />
tag-along<br />
kid’s marble pouch<br />
of forgetfulness.<br />
NO COMMENT<br />
131
photograph by Steve Zavodny<br />
Taxi Ride<br />
God’s taxi,<br />
this church,<br />
(a half-way house ‘tween youth and grave)<br />
graced with snow<br />
and scented with<br />
cadaverous sighs,<br />
blind eyed<br />
heaven’s youth<br />
does time impenitent<br />
before the robed cabbie<br />
naming off the sights<br />
speeding by<br />
along the way to<br />
the<br />
air<br />
port.<br />
132 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Unholy Prayer<br />
Churches! God,<br />
I love them all!<br />
They’re vacuums<br />
pulling on the happy chaff.<br />
Praise the Lord,<br />
who sweeps the world clean<br />
so there’s less in my way<br />
when I walk free.<br />
photograph by Steve Zavodny<br />
NO COMMENT<br />
133
134 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 3<br />
PHOTOS FROM ID<br />
photograph by Steve Zavodny<br />
Photos from ID<br />
135
PHOTOS FROM ID<br />
136 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Year 25<br />
Two manti<br />
preying;<br />
really only one,<br />
the mother-to-be<br />
female,<br />
upon the momentary father,<br />
the other,<br />
began to devour him,<br />
leg and shoulder, neck and head,<br />
one quarter gone,<br />
when wind,<br />
stunned by the sun,<br />
stumbled<br />
over the devouress,<br />
puffing her down<br />
among the lower<br />
branches,<br />
and him forsaken<br />
had three-fourths left<br />
to go<br />
and no head<br />
for direction.<br />
photograph by Steve Zavodny<br />
Photos from ID<br />
137
Look and See<br />
Gallant Fox bolts<br />
before the baying hounds.<br />
Brown grasses crackle<br />
before his orange flame<br />
burning for the sanctity<br />
of the river dell.<br />
138 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Ode to e.e.<br />
Suppose the sun<br />
who<br />
pops up every morning from (godknowswhere)<br />
all goldandyellow<br />
decided (smilingandwarm)<br />
to give us whatfor!<br />
and<br />
being a balloon<br />
and very hot<br />
meltedBurst anddisappeared<br />
and left us all in darkness.<br />
Whatthen,<br />
huh?<br />
Photos from ID<br />
139
Squirrelly cad<br />
Slipping unseen,<br />
in his frogskin coat<br />
and furry coonskin cap,<br />
from the fatigued, hunt-swept<br />
woods,<br />
(he left them dripping sweat)<br />
and having withdrawn<br />
his hot sun of searching,<br />
he brought his skein<br />
of murdered squirrels<br />
to the town square<br />
and,<br />
entering the contest,<br />
won the title<br />
of<br />
The Great<br />
Master Trapper.<br />
140 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Antarctic Expiration<br />
Those rock-stiff match-scratched hands<br />
fumbling through the snow<br />
for the blackheaded sizzling hope<br />
of life,<br />
ran molelishly beneath the snow<br />
as the unborn son<br />
of the last ditch fire<br />
sighed<br />
for rest<br />
as he fell in sleep<br />
beneath the fever blister cold.<br />
Photos from ID<br />
141
Rescued<br />
In the overflowing<br />
red brick down any town street firehouse<br />
of grinning<br />
rocking-chaired and pipe-pussed firemen,<br />
the false alarm of our love<br />
closed the latch<br />
over that sly elf, Fatality,<br />
before the lolling firemen<br />
got back their wits,<br />
boots,<br />
and chains,<br />
and trains of red trucks whined<br />
for traction on the streets,<br />
before they clanked suspenders fast<br />
and roared in the guise of mirth<br />
to our salvation.<br />
142 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Peaceful Slumber?<br />
Though this scorpion be moonlit,<br />
reflecting warmth<br />
in her curled wand,<br />
I find it hard to fear<br />
her diminutive spit of poison<br />
unless,<br />
of course,<br />
I should be sleeping<br />
and she would sting me in the night.<br />
Photos from ID<br />
143
Bound Forever<br />
The back-and-forth slap of the wind,<br />
dressed in maniacal snowflakes,<br />
rattles tan-gray cornstalks<br />
against the dry, hard cob,<br />
rigid on a frozen stalk<br />
stiff against the push<br />
and shove<br />
of changing seasons.<br />
144 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Baked<br />
Tumbling into<br />
the molasses pool of the sun<br />
The boys and girls and voluptuous mothers<br />
Of that freaking tide<br />
Stain brown<br />
as they swim<br />
In the sweltering stream of summer<br />
Which rages to an ocean<br />
of longing<br />
Beneath their leather<br />
white<br />
winter faces.<br />
Photos from ID<br />
145
The Proposal<br />
Or<br />
Lake Talk<br />
You, swan,<br />
there<br />
paddling;<br />
stay among my lily pads<br />
a while longer,<br />
and grace the blossoms<br />
grown to meet you<br />
until they wilt,<br />
until they die,<br />
stay a while gliding there.<br />
photograph by Steve Zavodny<br />
146 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Toad<br />
Admire the ulcered toad<br />
(Doubly ugly for his bounce)<br />
Asleep in his precision,<br />
Unimpeachable and genuine.<br />
No questions asked.<br />
No errors made.<br />
A toad be a toad,<br />
Has warts,<br />
And ugliness<br />
Down to his toadish toes.<br />
Photos from ID<br />
147
Alpine Melody<br />
Speak of the mountain in Winter<br />
whose young winds<br />
wind down<br />
singing through the crags,<br />
“Have peace with one another,”<br />
pushing snow<br />
(a trillion twinkles)<br />
with delight<br />
upon our village below;<br />
its rushing hushing<br />
each transient madness<br />
to leave us wishing:<br />
how can it not be always so?<br />
148 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Gone South<br />
Coagulated now<br />
the old man sits<br />
and hums<br />
(an electric raisin<br />
in the basting sun)<br />
mentally void<br />
with a distant comprehension<br />
of the yapping children’s<br />
crying dog<br />
jumping<br />
in the tufted nudity<br />
of his barren yard.<br />
Photos from ID<br />
149
Ancient Love<br />
The four quiet men<br />
sat<br />
while (which<br />
no one believed could ever happen)<br />
the dinosaurs of old came<br />
rumbling and swaying,<br />
their prehistoric<br />
marsh-slimed sides heaving,<br />
down between the eye-open walls<br />
of gaping city streets<br />
in Paris<br />
to kneel<br />
and kiss in swallowing<br />
the four drowsy men,<br />
one of whom<br />
had one eye<br />
open<br />
and saw the teeth of love descending.<br />
150 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Backwoods Birthing<br />
Whispering winded,<br />
cricket hummed and bullfrog mounted,<br />
in her stilted shack,<br />
bare-bulbed<br />
and back-woods hidden,<br />
with an automobiling tire scream<br />
(unanesthetized)<br />
her quivering flanks give way<br />
to the warped compulsion<br />
of the instantaneous deflation,<br />
the singular spaghetti man;<br />
her slippery-sided child-boy.<br />
photograph by Alyssa Timon<br />
Photos from ID<br />
151
Caught by Surprise<br />
When the first spring day (pogo-like) jumps<br />
Into the whistle-stop station of the morning,<br />
Squealing its steelwheels<br />
into reverse<br />
And smoking (squashing<br />
Children’s track-top pennies with glee<br />
hee<br />
hee<br />
hee)<br />
Tostop Intime Andnotmiss<br />
The moment of delivery,<br />
All the fools<br />
And wherever-you-want-it tumbledown baggage<br />
Wrangle themselves free<br />
To lie whispily twisted<br />
Like winter’s last gasp snow drifts<br />
On the wildflower grown<br />
and rabbit-ear-tickled<br />
platform of this day,<br />
Until the egg yolk sun<br />
From the downtown saloon of summer<br />
Brings mellow Yellow drinks<br />
Of charcoal filtered<br />
Peace and pleasure aged in wood<br />
for<br />
all.<br />
152 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Vehicular Eyes<br />
I have pulled up next to you.<br />
In silence,<br />
through the glass,<br />
I see your sounds.<br />
You see my sights;<br />
and now I have caught you,<br />
old one,<br />
but will not chastise you,<br />
for we are even now,<br />
for just this while.<br />
We will start from go<br />
to follow down this road<br />
expecting each to turn away<br />
next instant<br />
our faces<br />
or our vehicles of travel.<br />
You were singing when I saw you.<br />
Now you stare;<br />
I’ve stopped your song.<br />
So let me listen<br />
to your wordless mind<br />
stretched with song<br />
but not my life.<br />
And now the light is green.<br />
We saw each other,<br />
I pray, in peace<br />
before we go<br />
go go go go<br />
go.<br />
Photos from ID<br />
153
Free Danger<br />
I sitting bare-arsed<br />
Straw-hatted<br />
On the lion’s tongue prior<br />
to engulfment<br />
Before the shimmering teeth<br />
(bars before my hungry eyes) chewing<br />
At the navel dead center<br />
Of your affections,<br />
Sister Freedom<br />
I love you<br />
Because your love is rifle fast<br />
And on my side.<br />
154 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Scramble<br />
Skittering down the humpback driveway,<br />
master-pulled and digging in,<br />
Doggie came with feet aligned<br />
for duty to his bowels – salut!<br />
His leashed looks elongating<br />
the anguished hoots<br />
of his owl-faced<br />
and sweaty eyed leash-leader,<br />
they<br />
hurrying,<br />
surpassed only by<br />
the skittering turdies<br />
flung on down the humpback way.<br />
Photos from ID<br />
155
Boring<br />
I am clown much less today;<br />
I play my fiddle best<br />
in second chair.<br />
But I do twang well<br />
when the leader says<br />
“Band play!”<br />
So I play my lazy tune<br />
in second chair<br />
to put the band to sleep<br />
to put the hall<br />
town<br />
world to sleep<br />
to put my queen to sleep,<br />
alas.<br />
156 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
DC Trauma<br />
Sobbing on the bench<br />
at water’s edge<br />
at cherry blossom time,<br />
sobbing in terror<br />
of the ghosts crawling<br />
from a child’s toy box scorched by fire,<br />
the gun will jump<br />
from his briefcase<br />
excising his heart<br />
without pain<br />
when he wants it<br />
so badly<br />
to pacify his history.<br />
Photos from ID<br />
157
Upset<br />
In the squirming flight<br />
of a frightened midnight moth<br />
this airborne worm<br />
burns its paper wings<br />
as it curls and dives<br />
about these campfire candles<br />
aglow like love<br />
but dancing madly<br />
in a wild bonfire of jealousy.<br />
158 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Wee Man #7:<br />
Enlightenment<br />
What should I see?<br />
Having been careful not to,<br />
I climb into the<br />
laboratory centrifuge tube,<br />
a cultured matter<br />
seeking separation under<br />
the spinning of electromagnetic<br />
forces<br />
at the heart<br />
of the motor<br />
shocking<br />
to be stripped of culture,<br />
and find what matters.<br />
Photos from ID<br />
159
London Fog<br />
Mother whispers to the world,<br />
“I can take you all away<br />
still,<br />
though you should scratch my skin<br />
with highways,<br />
urinate on me from factories,<br />
and raise carbuncular citied rashes<br />
on my skin.”<br />
photograph by Steve Zavodny<br />
Her damp breath whispers this<br />
when abusing fog sequesters me,<br />
and all our towers<br />
are surely swept away<br />
though I stand where buses used to roam.<br />
I am left<br />
alone<br />
to plead forgiveness.<br />
160 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
1859 Photo<br />
Frontier farm fatality,<br />
worn thin<br />
as an old leather belt<br />
driving the steam thresher,<br />
steam fagged out,<br />
left his cadaver cantilevered<br />
on the kitchen table,<br />
awaiting the drunken photographer<br />
summoned<br />
to immortalize the sober scene<br />
for the mortalized sobbing family;<br />
ignorant flies humming numbly<br />
dog watching, wonder sniffing<br />
the breeze<br />
of dust swirling transience.<br />
Photos from ID<br />
161
The Orange<br />
Psst!<br />
Come here and look a minute.<br />
There upon the ground<br />
It lies upon its side<br />
And points a nippled face at us<br />
To say<br />
Come peel my amply bulging hide.<br />
And see another dangling there,<br />
I almost beg a breath of air<br />
To strip its twig<br />
And bring it bouncing down to us.<br />
Doubtless their taste is fine<br />
Behind the fleshy bubbled skin.<br />
162 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Christmas Snow<br />
Like so many paper cutouts,<br />
spilled in joy by God’s children,<br />
snow swings down<br />
(pixies on the stiff, cold air)<br />
chattering loudly<br />
(or so it seems)<br />
against the still arms<br />
of the slumbering oak<br />
ash<br />
and maple tree,<br />
taking rest<br />
on the fallen leaves<br />
swept away to forgetfulness<br />
by the magic white.<br />
(A holiday draught of dreams)<br />
Photos from ID<br />
163
St. Catherine’s Monastery<br />
or<br />
Monk Heads<br />
See you,<br />
they are all the same;<br />
peel back the skin<br />
with eternity<br />
and gaze upon their sameness.<br />
Feel you<br />
amid the pile<br />
how each mind was like the other,<br />
and each hollow eye<br />
was blind to it,<br />
and hailed the confusion<br />
of superiority.<br />
Hear you<br />
no bottomless mouth<br />
can intone the cadence<br />
with its black breath<br />
of how one word is greater.<br />
Smell you<br />
among this heap<br />
of monk bones dust;<br />
the scent on one side of the mountain<br />
recalls the breezes of the other<br />
filled with the must of perpetuity.<br />
Taste you<br />
nothing;<br />
for the flavor of their lives is gone.<br />
164 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
St. Catherine’s<br />
Monastery or<br />
Monk Heads<br />
photograph by Steve Zavodny<br />
Photos from ID<br />
165
166 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 4<br />
1970s NYC<br />
photograph by Steve Zavodny<br />
1970s NYC<br />
167
1970s NYC<br />
168 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
NYC Underbelly #1<br />
Russian Doll<br />
Effortlessly bending,<br />
handily piercing<br />
the tangled and corroding trash,<br />
mercifully trapped<br />
in<br />
the<br />
big<br />
trash<br />
can,<br />
Bartholomew stands<br />
bent,<br />
the<br />
big<br />
trash<br />
man,<br />
mercifully trapped<br />
in<br />
the<br />
big<br />
city<br />
can,<br />
whose buildings stand tall<br />
in<br />
the<br />
big<br />
trash<br />
land.<br />
photograph by Steve Zavodny<br />
1970s NYC<br />
169
NYC Underbelly #2<br />
His Mrs.<br />
Jellious-breasted Bartholomew’s baby<br />
rocks undead as a nodding guard<br />
beneath the squirm of the city square<br />
below the glass-eyed city walls<br />
seeking tongue-hungry a meaning for life.<br />
The melancholy madam lives<br />
scumming through life on poverty waves.<br />
photograph by Steve Zavodny<br />
170 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
photograph by Steve Zavodny<br />
NYC Underbelly #3<br />
Wrecked<br />
I sat for years<br />
watching<br />
the New York City freighttrain<br />
S. quirting<br />
O. ff the tracks of sense<br />
S. quealing<br />
toward the brick wall of my mind<br />
smashing<br />
through the fortress of my soul<br />
welding<br />
to the granite of my brain<br />
leaving<br />
me henceforth<br />
smoking.<br />
1970s NYC<br />
171
photograph by Steve Zavodny<br />
NYC Underbelly #4<br />
Existence<br />
Radio<br />
Rasping its sterile sound<br />
Around the absent-minded<br />
Direction<br />
Of thunderclapping<br />
Citified man wrap-<br />
Ping my ears in a cochleal fuzz<br />
Perpetual buzz<br />
Aroma rich sandified air<br />
Smell the grit<br />
Of the munchable breeze.<br />
172 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
NYC Underbelly #5<br />
Subway<br />
The mechanical mole<br />
threads the nervous underbelly<br />
along the intestinal tract<br />
below the building-nippled city<br />
rushing through bacterial swill<br />
quaking the innards<br />
and shuddering<br />
the pencil-cracked<br />
packed concrete<br />
steaming<br />
below the heat<br />
of the Mayoral Vision,<br />
our only rolling prison.<br />
photograph by Steve Zavodny<br />
1970s NYC<br />
173
NYC Underbelly #6<br />
Tin Cup<br />
The BMT handrail tin cup man,<br />
clacking<br />
for the sunlight in your veins,<br />
had never asked his mother<br />
who so long sang<br />
for the sunlight in his veins<br />
if songs will do the holding,<br />
if songs will make the sunshine bright.<br />
The metal of his few-coined cup<br />
jingles in the clasp<br />
of a gelatin hand outstretched<br />
quaking.<br />
photograph by Steve Zavodny<br />
174 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
photograph by Steve Zavodny<br />
NYC Underbelly #7<br />
Drugged<br />
Pieced together<br />
as a Frankenstinian mind,<br />
a small boy wanders<br />
into Adulthood,<br />
yawning,<br />
because he's done it all before<br />
at speed.<br />
1970s NYC<br />
175
photograph by Steve Zavodny<br />
NYC Underbelly #8<br />
Bathtub<br />
Gasping on water<br />
warping his life<br />
to make the desolate turn<br />
toward death,<br />
a heroin-yellowed<br />
vision<br />
of his vibrating image<br />
darkened on the bathtub floor<br />
intrigued the limpid mind<br />
and keeper<br />
of his weighty lungs<br />
just before this human bobber<br />
soddenly tugged<br />
at the drunken counterpart<br />
of life<br />
passing underwater<br />
through the incandescently<br />
peeling tenement W.C.<br />
176 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
NYC Underbelly #9<br />
Overdose<br />
And the beat goes on<br />
as the meticulous addict-master<br />
nominates his vein canal<br />
and interjects a freaking fluid<br />
between mind and its nobility<br />
persuading thus<br />
the bodily sponge<br />
to constipate and oversleep<br />
the rhythm<br />
of his hearty life.<br />
photograph by Steve Zavodny<br />
1970s NYC<br />
177
NYC Underbelly #10<br />
The Perpetual<br />
Businessman<br />
The intentional holiday festoons<br />
of his bone-bleached beached<br />
island<br />
wipe the mud man’s<br />
gargoylish edi-face soapily<br />
free of a millionaire’s drudge,<br />
supplying membranous permanence<br />
to the stagnant quality<br />
of his corrupted peace.<br />
photograph by Steve Zavodny<br />
178 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
NYC Underbelly #11<br />
Prayer Before the Macy’s<br />
Widow Creche<br />
Jesus, damn you’re cute,<br />
with that sticky-outy straw stuck all over<br />
them damn swaddlin’ clothes.<br />
Hey, you know what’s in store for you, man?<br />
It ain’t gonna be pretty.<br />
But it’ll be magic!<br />
Along the way, makin’ the blind see,<br />
the crippled walk,<br />
the dead live,<br />
and a couple of flippin’ fish into a banquet for thousands?<br />
You were the best!<br />
You taught us to be above the animals<br />
but not everybody heard,<br />
and they been fightin’<br />
among their selves ever since.<br />
But you the leader, man!<br />
You studied up<br />
on what the prophets wanted,<br />
and you did it – pulled it off;<br />
all them signs!<br />
Ridin’ in on the donkey – now that really got ‘em.<br />
Everybody swooned – well almost everybody.<br />
The Romans took notice<br />
and they wondered.<br />
The Jews were just hacked though;<br />
1970s NYC<br />
179
jealous as all get out.<br />
Sold you down the river, they did.<br />
But you showed ‘em in the end.<br />
Dad split their temple,<br />
and brought it right down, HA!<br />
Take that, Bozos!<br />
But damn, man!<br />
Why did you have to put yourself through that agony?<br />
I cry and feel sick each time I think about it.<br />
You had our hearts and heads without dat, man!<br />
You didn’t have to.<br />
We believed,<br />
those who got what you said.<br />
We woulda followed for years,<br />
and did, don’t ya see?<br />
It’s been going on for two-thousand years.<br />
You didn’t have to get stripped, whipped,<br />
nailed and stabbed!<br />
God, we loved you! Still do!<br />
You have our confidence.<br />
You are the greatest con man.<br />
180 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
photograph by Steve Zavodny<br />
NYC Underbelly #12<br />
End<br />
And the (last gasp) Golden Hand<br />
came up<br />
squeezing the (last beat) Busted Heart<br />
into forced ejaculation<br />
of its garnet glistening worth<br />
within the copper wire canopy of<br />
green<br />
corroding<br />
air<br />
weaving from the smokestack<br />
of the greatest (urine) nation.<br />
1970s NYC<br />
181
182 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 5<br />
EUPHORIA-MELANCHOLIA<br />
photograph by Steve Zavodny<br />
Euphoria-Melancholia<br />
183
EUPHORIA-MELANCHOLIA<br />
184 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Leukemia<br />
Death finds this boy<br />
shopping for music<br />
and dreaming<br />
of Christmas gifts<br />
to give<br />
and get.<br />
Death takes this boy<br />
unaware<br />
before his melody<br />
winds down<br />
to muffled cries<br />
of regret.<br />
Euphoria-Melancholia<br />
185
Furious Moon<br />
I had longed to move away<br />
from the hiss and crackle<br />
of the serpent’s lie,<br />
to rebel against its smoldering flame,<br />
clouding vision,<br />
choking mind,<br />
hiding dawn.<br />
I had longed to move away<br />
from night,<br />
afraid to die<br />
half convention and half lie,<br />
bound by the serpent ‘twined<br />
upon my strangled soul.<br />
So sought I the full moon’s rage,<br />
reflected fury of the sun,<br />
and by the deluge of its light,<br />
stilled the hiss and crackle,<br />
sent fire to smoke<br />
dissolved the serpent’s twine.<br />
Gracious is the fury of the moon.<br />
186 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Houseman<br />
Even the rock house,<br />
three generations thick,<br />
wind-lashed on the bluff<br />
says, “Goodbye,”<br />
as frost peels each stone away<br />
sending chill creeping in<br />
where mortar once had<br />
held the cold at bay.<br />
Weather seeps in<br />
filling corners first<br />
with winter’s rush<br />
and comes one veiled day<br />
to swirl ash beneath<br />
a last long fire<br />
beating up the flue.<br />
A man within<br />
feeds flames futilely<br />
‘til all wood is burned<br />
and standing he must sit<br />
and sitting he must lie<br />
and lying he must swirl<br />
beneath the long fire<br />
beating up the flue<br />
before the seeping chill.<br />
Euphoria-Melancholia<br />
187
Progression<br />
My young men and ladies<br />
Shall have their dreams,<br />
Shall have their loves,<br />
Shall have their schemes,<br />
And never let their hearts go freer.<br />
My men and ladies,<br />
Throwing their pulses together<br />
Beyond the woven gates of skirts,<br />
Shall only tear their wings<br />
At the end of the boiling flight.<br />
My old men and scanty ladies,<br />
Falling upon each other for the last time,<br />
Wet each other’s backs with tears of longing<br />
For the days<br />
When green sun burned long and gay<br />
And bones did not fear a coming joust with earth.<br />
188 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Cycle<br />
I On came<br />
the magic Osterizer Death<br />
dissolving time away from her<br />
to liquefy<br />
her patent impulse,<br />
joining<br />
many in a conglomerate whirr<br />
confusing life with lives exiled,<br />
removing<br />
her selected warmth from me.<br />
II And on came<br />
the magic Apprentice Life<br />
damply arrayed<br />
in naked flamboyancy<br />
squealing forth the splashing sounds<br />
of a princess eager<br />
for the Oster crown.<br />
Euphoria-Melancholia<br />
189
Hiroshima<br />
Changeling<br />
Within<br />
are fogs and dust<br />
suspended in<br />
luminescence<br />
from sunlight<br />
shining through my skin.<br />
Climb in<br />
and see<br />
there’s naught<br />
but gentle sparkling<br />
dust left<br />
<strong>inside</strong> of me.<br />
190 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Lost Youth<br />
You can’t raise Tripp’s blood up<br />
from out the soil where it has gone<br />
like so much rain<br />
into the mother sponge.<br />
Bring your lips down instead<br />
and kiss the life lost there.<br />
photograph by Alyssa Timon<br />
Euphoria-Melancholia<br />
191
Tiptoe Queen #2:<br />
Directions<br />
The bumper pool dancer<br />
unscrewing<br />
twirls down tunnels of<br />
various<br />
direction<br />
pleading “None be endless,<br />
let me sail<br />
on my racing sloop will<br />
out the end of a trombone bell”<br />
spins<br />
the Tiptoe Queen crying.<br />
192 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Circus Tale<br />
Unreachable she now,<br />
he then,<br />
calamity blew down,<br />
a witless wind,<br />
blowing the cover off<br />
their souls<br />
bubbling up<br />
in truculent depravity<br />
laid down abusedly<br />
by roaring, sneers and swipes.<br />
Safely unreachable, scarred<br />
lioness and lion locked lie<br />
in their cages<br />
protected from reachable love.<br />
Euphoria-Melancholia<br />
193
Brotherhood<br />
Mortality is our sad brotherhood<br />
that peels generations down,<br />
exfoliating layered ages<br />
to dust upon the ground<br />
amid buttercups watered by tears<br />
from forlorn bleeding hearts<br />
deaf to the angels’ cheers.<br />
194 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Anger<br />
Who places honor<br />
on this diseased monk<br />
infected with rage,<br />
subtly spreading contagion<br />
to your mallow will<br />
unjustly,<br />
undeservedly,<br />
unsolicited?<br />
Flatterers or fools,<br />
you swing affection on a string,<br />
and it tangles in my hair!<br />
I caught must reflect your<br />
beaming!<br />
(Thank God.)<br />
Euphoria-Melancholia<br />
195
Floor Allegory<br />
There is a spot of soil upon this floor,<br />
a stain set down years ago<br />
that tarnishes the beauty of the wood<br />
we laid working side-by-side as a team of lovers<br />
bent on laying a solid floor for our naked feet.<br />
So how now do we fix this stain soaked deep?<br />
A coat of paint just will not do,<br />
for eventually it would wear through,<br />
and there before our eyes<br />
the stain would glower up<br />
old shapes of what had died.<br />
Shall we then not look down ever again?<br />
Out of sight is out of mind they say.<br />
But out of sight perpetuates a lie<br />
that the stain is gone when it’s there each day.<br />
And how would we manage littler spills upon the floor<br />
(when stooping to mop them up reveals the dreaded blot)?<br />
They must be cleaned, and quickly too,<br />
lest they become another stain clear through.<br />
Shall we bare the surface of the floor,<br />
and stain it equal to the tarnished place?<br />
That would surely block the view,<br />
and help us forget where blight was laid.<br />
Yet a broadened change of hue<br />
would only slap our hearts and minds<br />
with recollections of the stain left behind.<br />
No, I believe the only way to cure the stain,<br />
196 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
working side-by-side as a team of lovers once again,<br />
is to tear away the old wood floor,<br />
(a handy bonfire it will make)<br />
and lay some solid tile there;<br />
strong ceramic glazed and glowing,<br />
impervious to soil,<br />
and reflective of our smiles pleased<br />
from hard work done well<br />
on our hands and knees.<br />
Euphoria-Melancholia<br />
197
Ummm…<br />
Die tomorrow?<br />
Deny me why<br />
a pleasure of today,<br />
your hay<br />
drop-knocked<br />
by rain quivering<br />
‘round the flagpole base,<br />
pennant stately furiously<br />
flapping<br />
from<br />
a doom storm brewing?<br />
Or stay <strong>inside</strong> drying,<br />
watching,<br />
joy by<br />
race by<br />
on down wind pushed by<br />
a doom storm brewing?<br />
My thoughts clandestine then<br />
dreamt ecstasy;<br />
parched<br />
now<br />
wither<br />
with<br />
me.<br />
198 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Wee Man #5:<br />
The Supplicant<br />
Wishing only that<br />
a directive from my blowing<br />
tongue<br />
should make a billowing in your<br />
wind-hungry sail of a will,<br />
I remain<br />
your<br />
Henry IX,<br />
Wee Man the Uncountable<br />
in my crown of red velvet<br />
and tin tinkle bells<br />
with scepter of candy cane stripes.<br />
Euphoria-Melancholia<br />
199
Breath of Distance<br />
I would like to see you young again<br />
from behind<br />
in morning<br />
when you have not seen me for who I am<br />
but who you thought<br />
before deception<br />
(or so you claim)<br />
brought views intolerable.<br />
I would like to see you young again<br />
standing on a glowing ocean dune<br />
wind gliding on your flowered skirt<br />
shadows absent of the thicker years;<br />
I far back to be unseen<br />
a passerby<br />
in admiration wishing<br />
yet urged by the wise breeze<br />
to drift back into the maw of town.<br />
photograph by Alyssa Timon<br />
I would like to see you young again<br />
where I could drift<br />
and you stand fast<br />
a vacancy between<br />
long before our passion crashed<br />
from love to foamed malignity.<br />
200 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Ode to ‘68 (In Disguise)<br />
We saying<br />
our evening of questionable<br />
capability<br />
being over,<br />
leaves us blushing,<br />
wondering<br />
what freight-train-over-head-rumbling<br />
apprehension<br />
had the power<br />
to spill the tower<br />
and leave us babbling<br />
from terrors<br />
doomed to the impotency<br />
of lost civility?<br />
Euphoria-Melancholia<br />
201
Grandfather<br />
Gulls buoyed above signify<br />
the ocean’s rest to sanctify<br />
my grandfather,<br />
letting me drum my voice<br />
against his ears gone ash,<br />
my peristaltic phrasings let him know<br />
and let him know<br />
and let him know<br />
and let him know<br />
and let him know<br />
the sun was more than morning bright<br />
before his eyes shut out its light.<br />
202 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Worthless<br />
As charismatic<br />
as a leppered dwarf<br />
sealed in an alabaster block<br />
painted flat black and<br />
buried out of sight<br />
in a pasture mined<br />
with cow pies,<br />
I evaporate<br />
from your mind.<br />
Euphoria-Melancholia<br />
203
Dandelion Man<br />
The dandelion man<br />
(in brief )<br />
grew quick from a nub<br />
against the wind and rain,<br />
and fighting,<br />
felt his head<br />
turn fragile white<br />
to be swept away<br />
from a wrinkled stalk.<br />
204 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
<strong>Mind</strong><br />
Beware what swims<br />
at the nerve ends<br />
within,<br />
blocked from the light<br />
by the skull lost in night.<br />
Wait,<br />
and the fresh dew<br />
of a new vision<br />
will glisten in the cave<br />
at first light.<br />
Euphoria-Melancholia<br />
205
Addiction<br />
In your high place Lady,<br />
your mister robs my pockets,<br />
carves away a bit<br />
(tiny chunk)<br />
of your soul<br />
where flies now lie<br />
in youth<br />
feasting on the wealth of love that<br />
used to fill that space (tiny chink).<br />
Lady, your mister leaves tracks<br />
of white dust<br />
that be<br />
our<br />
ashes.<br />
206 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Ned & Nellie<br />
Ned said to Nellie,<br />
“I do not play with you enough<br />
but look away at coming war<br />
and sink<br />
and sink<br />
and sink<br />
to melancholy.<br />
The stake of fear in me has wounded you<br />
when rather should I<br />
have draped garlands upon our bed.<br />
Can you forgive me,<br />
and grant us bliss again through talk<br />
and laughter,<br />
play,<br />
and quiet love all day?<br />
Euphoria-Melancholia<br />
207
Conception<br />
Calm,<br />
kissproof at the first,<br />
I play at your mouth,<br />
skinning down the cool<br />
of the leaf-clattered autumnal dusk,<br />
humbly laboring.<br />
Holy serpents plaguing nightfall,<br />
bid we farewell to upright stance,<br />
and<br />
crawl<br />
credit poor toward chrysalis wealth,<br />
warming flanks through<br />
jumbled fabric and<br />
consumptive meadows.<br />
We hurry<br />
down life’s corridor<br />
until we climb the pinnacle to<br />
explosion,<br />
vaulting time<br />
in scrambled disarray,<br />
to order<br />
one<br />
petrified,<br />
elongated second of heritage,<br />
engraving life<br />
with the ornateness of paradise.<br />
208 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Tarnished<br />
“There will be other summers,”<br />
Mabel said to me,<br />
(Yes, there may be<br />
I acknowledged feebly)<br />
“when poison in my head<br />
no longer taints my lusty dreams.”<br />
( Just venom in your heart<br />
de-sheens our radiant love scenes.)<br />
“and I will see the knight of nights<br />
polished, buffed again, and clean.”<br />
Euphoria-Melancholia<br />
209
Cold End<br />
Walking out<br />
on this night of terrors dark,<br />
cold winds blue down<br />
the fire in his cheeks,<br />
and stroke away<br />
the screaming heralds<br />
from his ears<br />
‘til both be lost<br />
in the chill whisper<br />
of passion’s demise.<br />
Clear ice<br />
spreads broad<br />
over Summer’s<br />
vibrant pond.<br />
210 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Coma<br />
Have you met an angel there?<br />
Discoursed soft in silence kept?<br />
How were you anointed so?<br />
Eager man from neophyte to sage,<br />
on white cotton in silence flow<br />
through simplicity to sagacity.<br />
Wake and show us how to hold<br />
emptiness<br />
teach us how to guard our time;<br />
to plum the well of love;<br />
and cross the shadowed chasm<br />
of despair.<br />
Ryan silent<br />
brave sleeper,<br />
gift giver<br />
of love,<br />
you have tilled<br />
the soil of souls.<br />
Euphoria-Melancholia<br />
211
Urban Escapee<br />
Selfish man!<br />
(forester extraordinaire)<br />
Happy wanderer,<br />
held by the traffic<br />
of catapulting salmon,<br />
night’s owl-boss<br />
scolding your lantern,<br />
escaped the predatory strife<br />
and collective wits<br />
of glistening ants.<br />
Oh, you,<br />
un-lose yourself<br />
from among the leaves and twigs!<br />
Come back!<br />
Contend,<br />
and be sad with us.<br />
212 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Against All Odds<br />
Green grasses,<br />
grown stiff<br />
and strong that<br />
freshest of early springs,<br />
perished<br />
in an autumn blaze set<br />
as two campers tired slept.<br />
The fertile meadow met demise.<br />
Years later,<br />
scorched shrubs and trees<br />
renewing<br />
to the yearning<br />
of the sun,<br />
throbbing life again<br />
against cyclic palpitations<br />
pushed<br />
the new green grasses<br />
up,<br />
and Nature stirred<br />
to move her hands<br />
in applause,<br />
for it was winter.<br />
Green grasses<br />
grow against all odds.<br />
Euphoria-Melancholia<br />
213
Visiting at Love’s End<br />
The sun today<br />
has buried itself in mud<br />
so that all who clothed themselves<br />
in barbed wire<br />
may let the painful armor<br />
uncurl<br />
unseen<br />
in this night of needing<br />
where the black moon<br />
remains<br />
to illuminate<br />
their affections.<br />
214 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Melting<br />
When it happens,<br />
spiders die beneath the skullcap.<br />
Their <strong>web</strong>s go up in flame.<br />
The fire and pulse of light<br />
burns away the lies.<br />
The bottled heat<br />
melts waxen eyes<br />
to tears,<br />
and he cries.<br />
Euphoria-Melancholia<br />
215
Starbuck Away<br />
Going sailing.<br />
Going whaling.<br />
Going sailing and whaling both together,<br />
I curly-haired black and blue-eyed go<br />
down the town its veins of streets<br />
to meet<br />
the vessels at the quays<br />
on this day,<br />
before<br />
fluff-bellied gulls<br />
ruffle their down<br />
as their vulture eyes<br />
chant unspoken songs of China<br />
to<br />
me.<br />
216 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 6<br />
BEYOND 40<br />
photograph by Steve Zavodny<br />
Beyond 40<br />
217
BEYOND 40<br />
218 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Daughter<br />
I am<br />
a slow stream narrow,<br />
and you<br />
the flat stone thrown<br />
skipping<br />
across my surface.<br />
Sometimes I see you.<br />
Sometimes you bounce<br />
against my surface.<br />
Too soon<br />
we end<br />
our touch-and-splash game,<br />
and you find<br />
the opposite bank,<br />
and I flow away<br />
looking back<br />
where your ripple<br />
used to be.<br />
photograph by Alyssa Timon<br />
Beyond 40<br />
219
Arguments<br />
Swallowed<br />
went each one counted<br />
registered<br />
ticked away<br />
on the abacus of lines<br />
about my eyes,<br />
flowing<br />
as alpine rivers<br />
in chills<br />
over our downstream waltz.<br />
A death of vows by drowning.<br />
220 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Long Roll<br />
Long rolls drum<br />
in my age of veins,<br />
rumbling from familiarity<br />
through causeways circuited to fatality.<br />
Each beat moves the mystery<br />
past merit to mediocrity,<br />
pounding out why red deeds lay congealed,<br />
in cans concealed in the basement store.<br />
I running before the last surge sounds<br />
at each quick turn of the circuit seek<br />
a course astern the howling worms teeth<br />
back to where brave eulogies root.<br />
Shall there be more pulse and time<br />
with courage, wit and skill<br />
to slay shabby biography<br />
and plant an oak upon its hill?<br />
Beyond 40<br />
221
Parched<br />
This well gone dry<br />
needs rains<br />
to come down upon it<br />
and fill it<br />
to overflowing<br />
so that<br />
it may bring<br />
moist lips of love<br />
to lands surrounding<br />
where only cacti thrive,<br />
spines taunting<br />
a molten steel sky ignited<br />
by a negligent god,<br />
forgetting his children<br />
are wet <strong>inside</strong>,<br />
survive and thrive<br />
on more than apples.<br />
222 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
The Keeping Room<br />
From your high young tree,<br />
Wild Man come down.<br />
The wind and howl<br />
of your melancholy descent<br />
exploding dry twigs<br />
(crisp leaves scurry to flight)<br />
shames the storms<br />
I send<br />
to warn<br />
of winter’s stillness.<br />
Come down<br />
into my keeping room<br />
where others slip<br />
from flesh<br />
to dust.<br />
photograph by Steve Zavodny<br />
Beyond 40<br />
223
It’s a Carnival<br />
Carnival day dawned<br />
bright and clear as a clown’s eye;<br />
bunting fluttering a-beckoning<br />
over its portal gate.<br />
We children grew to love that day<br />
through donkey rides<br />
and tilt-a-whirls,<br />
marksmanship and fishing for pearls.<br />
Some were strong enough<br />
to ring the bell<br />
and chide the devil’s house<br />
tangled corridors of fear.<br />
Others met him with their screams<br />
and sought to find<br />
the ending light;<br />
a promise of peace alluring.<br />
Yes, we children grew to love that day<br />
taking sight of ourselves<br />
in warped and swollen mirrors,<br />
future-flections that came to be.<br />
photograph by Steve Zavodny<br />
We were jazz dancers,<br />
gorged now like rats<br />
warped and swollen<br />
on carnival waste.<br />
Aw heck, it’s just a long day filled<br />
with cheap thrills<br />
before we go home<br />
for the longer night.<br />
224 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Cereal Bowl<br />
I in a bowl<br />
must seem to be<br />
not free<br />
to slosh about and play.<br />
I and cornflakes<br />
going soft<br />
with aged warming milk<br />
at prey,<br />
prepping us you see<br />
to mush<br />
for a golden spoon<br />
to take away.<br />
Beyond 40<br />
225
The Mirror<br />
Tell me who Where-is-he went,<br />
for I’m to find the man<br />
of glass;<br />
brittle,<br />
prone<br />
to crack<br />
in heat<br />
and dark,<br />
a crisp illusion<br />
who’s left is right;<br />
looking back backwards,<br />
conjuring confusion,<br />
for what we see<br />
isn’t,<br />
must be.<br />
226 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Closet Cure<br />
It’s dark<br />
<strong>inside</strong> the closet<br />
filled with<br />
rusting muskrat traps,<br />
your dusty wedding veil,<br />
the binding pin<br />
returned,<br />
stolen-by-night<br />
lane change signs<br />
pointing<br />
the wrong way;<br />
a box of children lost,<br />
another of children past,<br />
with nary a whisk broom<br />
to be found.<br />
And so the door<br />
is closed<br />
to keep<br />
the dark<br />
from coming out<br />
to unshine<br />
on this day.<br />
Beyond 40<br />
227
Lost and Found<br />
What architect dreamed and drew<br />
a boy like me<br />
with a girl like you<br />
facing north,<br />
facing south,<br />
on opposite sides of the city,<br />
beyond the looping “el,”<br />
satchelized and searching<br />
through greasy streets smothered<br />
in bellowing vendors’ calls:<br />
“Take me, buy me, use me!”<br />
all for the price of time?<br />
What architect napped<br />
while his blueprint faded<br />
in broad day away<br />
and a brush of soot<br />
turned the eyes<br />
and a coat of grime<br />
tarnished the sheen<br />
(of those seekers he dreamed and drew)<br />
and set them reeling.<br />
Curse the architect who woke<br />
at night<br />
and drew them dusty down entwined<br />
before switching off<br />
his workbench light.<br />
228 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Truth?<br />
He longs to move<br />
from this dry feast<br />
and leave the wily creatures<br />
alone to swill their final drops of wine<br />
and crack with snarled voices<br />
lies to hold tomorrow still.<br />
He longs to move<br />
but will not grieve<br />
should some last sip<br />
stun the drinkers dumb<br />
and sponge the air all free of lies,<br />
lies that burned his face and skin,<br />
that scorched his throat<br />
and burnished his loves with soot.<br />
Beyond 40<br />
229
Wardrobes<br />
This tall, antique wardrobe<br />
Has a musty smell<br />
With thick, rich wood of darkened rose<br />
Graced by nicks and wear<br />
Of years gone by,<br />
Showing stately character flawed<br />
Through heavy use.<br />
Hinges murmur from old agonies.<br />
It stands ready still.<br />
So old.<br />
So familiar.<br />
This new wardrobe<br />
Of equal breadth and height<br />
Has a fresh wood scent<br />
But stands with simpler form<br />
Unencumbered by age’s blight.<br />
It’s lustrous finish lacks a scratch;<br />
Supple hinges whisper promise<br />
Of years to pass before a squeal.<br />
It stands ready now.<br />
So new.<br />
So unfathomable.<br />
I shall use the older one<br />
And leave the other for my son.<br />
230 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Cold and Done<br />
Let him live clean<br />
and safe<br />
he wants to live clean<br />
and safe<br />
no touch, no soil<br />
actions straight and clear<br />
what’s expected only<br />
an automaton running off springs<br />
the same and predictable<br />
no shock to anyone<br />
especially me<br />
so safely simple<br />
boring<br />
trustworthy<br />
something that can be left behind<br />
without fear abandoned<br />
a self fulfilling prophecy<br />
of wallpaper in place<br />
uncomplaining<br />
steady, bland and ignored<br />
easy to leave behind<br />
as has been done before<br />
always<br />
when you go out the door<br />
mindless of what<br />
no longer makes a fuss<br />
and deserves no more<br />
nor wants<br />
any more.<br />
Beyond 40<br />
231
Safety Check<br />
Roaring by<br />
red eyes agog,<br />
screaming with impatience,<br />
I stop to see<br />
if I’m the choice<br />
today.<br />
But no,<br />
my corpse-a-future motors off<br />
the other way<br />
free<br />
for one more day.<br />
232 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Winterman<br />
Winterman,<br />
yearn you now<br />
for softness, over bone?<br />
With ice about,<br />
how rushes your stream?<br />
Inside,<br />
do shadows love your heart?<br />
Winterman,<br />
on this day of cold,<br />
snow missiles match<br />
your white of chin<br />
and<br />
I<br />
fear the wearing<br />
of your overcoat.<br />
photograph by Steve Zavodny<br />
Beyond 40<br />
233
Winter Hike<br />
Winter leaf,<br />
summer’s skeleton,<br />
scratches along<br />
behind<br />
borne on the<br />
exhausted exhalation<br />
of a year’s breath,<br />
as I ahead<br />
still strive up<br />
my mountain this<br />
chill winter<br />
uncaught.<br />
234 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
One Away<br />
Spooning up,<br />
up here<br />
in Maine,<br />
he is deaf to<br />
male moose mauling<br />
each other to death,<br />
coast crumbling<br />
under a tidal crash,<br />
forest gore gushing<br />
from the coyote’s jaw.<br />
Not even wails from<br />
Washington,<br />
Wall Street<br />
or the dying<br />
washer woman<br />
next door<br />
reach his peaceful ear.<br />
He only hears<br />
a sobbing siren<br />
wafting from<br />
a Florida ambulance<br />
charging up the coast<br />
that<br />
took one day<br />
his Louise<br />
away.<br />
Beyond 40<br />
235
Lucy<br />
Lucy by the marsh didn’t know,<br />
but Crusaders did,<br />
that life was thin<br />
like a sparrow babe’s shell<br />
before the wind,<br />
very thin,<br />
very thin,<br />
a crushable thing.<br />
Who can list the names<br />
of crusader soldiers brave?<br />
Oh, they’re lost,<br />
deeds done,<br />
shells gone,<br />
before the wind.<br />
Armor thick,<br />
lives so thin go<br />
to stories without hum<br />
unheard unless<br />
a wind tells us:<br />
Whoooshhh, “life is thin.”<br />
A love, a joy, a glory fire,<br />
burned once dies away<br />
to ash among the grass<br />
near where<br />
two sparrow shells lie.<br />
Once a flare, it matters none<br />
to no one<br />
but the sticks consumed,<br />
for dust will be the larger end<br />
of stone or raucous flame.<br />
236 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Parenthood<br />
-- or --<br />
Pin the tail on the donkey<br />
Untutored hands strike indelibly<br />
unintentionally<br />
branding blindly<br />
the donkey on the wall.<br />
Years of eyes put out,<br />
tongue slashed,<br />
mind pierced<br />
‘til its wits leak out,<br />
lets the image of this donkey<br />
hang against the wall,<br />
limp and lost,<br />
having lost its bray,<br />
aimlessly flapping in the breeze<br />
come in from the window<br />
on a warm spring day,<br />
branded everywhere by<br />
tales and needles;<br />
festering<br />
in an empty house.<br />
Beyond 40<br />
237
Night Chatter<br />
Asked the man,<br />
“Spattered fingerpaint of night sky,<br />
anyone up there can tell me why<br />
a downslope man<br />
drags dreams along?<br />
Oh say, worms, burrowed below the headstone,<br />
is it worth the stay<br />
bashing and gnashing<br />
‘til the Cool Hand smooths my earth?”<br />
Said the spattered sky,<br />
“Only if the skiff you’re in<br />
rocks on the belly of a gentle bay<br />
where her eyes glisten from every wave.”<br />
Said the worms,<br />
“And only if you two<br />
are a one so tight<br />
we cannot chew the bond.”<br />
“If so, then drag and go<br />
‘til the Cool Hand lays you down,”<br />
sang a chorus of stars and trees.<br />
238 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Grandma Wanda<br />
What did you tell me,<br />
plump with flesh and blood?<br />
Your lecture hall was kitchen<br />
and chalk a wooden spoon,<br />
eloquence stained your aprons.<br />
“Stick to it,” whispered wrists<br />
turning oranges hollow in succession<br />
on a fluted glass bowl.<br />
“Age builds deeper love.<br />
Care shows it. Listening gives it,”<br />
loud eyes said,<br />
“and there’s no world<br />
outside where fools dance<br />
that can match the sanity here.”<br />
“And one day you will be me,<br />
center of the realm, anchor of the name,<br />
for time is thin as paper,<br />
memory rigid as a dream,<br />
your push a passing fog<br />
swept aside by swirling steam.”<br />
Beyond 40<br />
239
Hedgerow<br />
Buried in this dying hedgerow<br />
are faces full of crying;<br />
caught in snares<br />
of gaunt grey twigs,<br />
brown, crisp beards<br />
of dying leaves<br />
adorn gaping mouths<br />
crossed in terror<br />
lest love not<br />
fall in and be consumed<br />
this time<br />
as I pass by<br />
the hedgerow<br />
of my younger days.<br />
photograph by Steve Zavodny<br />
240 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
The Beckoning of<br />
9-11-2001<br />
Come.<br />
It’s left to us now,<br />
with frivolity swept away.<br />
It’s left to us now<br />
the complex act of love;<br />
our resurrection against sadness,<br />
our construction against collapse,<br />
our joined skins moist armor<br />
against disaster hovering<br />
beyond our bedchamber door.<br />
There can be no insurrection against love<br />
‘though states succumb to war.<br />
Constant is the seed and core<br />
of pulsing humanity<br />
and inhumanity<br />
in our union<br />
and in their union<br />
so to repopulate the Earth<br />
with sanity<br />
and with insanity<br />
we believe<br />
and they know.<br />
Beyond 40<br />
241
Cynical Futilist<br />
Individualist<br />
Nursery school showed us skeletons <strong>inside</strong><br />
to teach how flesh was hung outside,<br />
to make our picture for all to see<br />
(“better than a classic tapestry”)<br />
couldn’t fool me.<br />
Tommy dolted on the facts.<br />
(he would)<br />
Patsy giggled and hardly knew.<br />
(she would)<br />
I wondered how the hinges held;<br />
what type of door had let us in;<br />
what type of door would let us out.<br />
242 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
CHAPTER 7<br />
GRANDPA SPEAKING<br />
photograph by Steve Zavodny<br />
Grandpa Speaking<br />
243
GRANDPA SPEAKING<br />
244 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Grandpa Speaking<br />
“If you give me a second,<br />
Boy,<br />
and I wring my brain<br />
like a wet washcloth,<br />
There<br />
will come a flood<br />
of memories of longer days that<br />
Must<br />
have been longer,<br />
because it takes so much longer to<br />
Have<br />
a laugh build, burst, and bubble away<br />
than it does to shed a tear that’s<br />
Been<br />
flung out on the bullwhip of snapped emotions.<br />
I’m sure there’s at least<br />
One<br />
good old time of joy.<br />
Just let me wring the last<br />
Raindrop<br />
from this brain and then we’ll just<br />
set ‘em up and look ‘em over and see which<br />
Of<br />
them is best at making us<br />
laugh now - again - when we need<br />
Happiness<br />
on this day of bad weather<br />
when I don’t like being shut<br />
In<br />
and when my right ankle squeals again<br />
from the dancing axe. I thought it was<br />
All<br />
Grandpa Speaking<br />
245
over for walking. But the doc<br />
had mortared up much worse than<br />
This<br />
and we thought<br />
it would mend up fine over<br />
Time,<br />
but it pains on bad days. Still, don’t be<br />
impatient; just give me another second,<br />
Please?”<br />
photograph by Steve Zavodny<br />
Grandpa Speaking<br />
246 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
In the Wake:<br />
A Neighbor’s Narrative<br />
She loved that fence<br />
with its white gate.<br />
Asked me to build it,<br />
she did,<br />
and I did.<br />
White pickets,<br />
endless soldiers guarding our sanctuary<br />
with their friendly dull spears,<br />
For this was where<br />
we kept ourselves,<br />
Her love for me<br />
and mine for her,<br />
Wedding us more tightly than anyone could know.<br />
Took us a long time of dancing and parading<br />
around with other folks,<br />
before we saw what we had.<br />
Each of us got lost,<br />
Befuddled on the straight path parents lay<br />
through the forest<br />
for their kids to find the way.<br />
Kept us apart for awhile.<br />
Then we found us,<br />
like suddenly lifting a rock<br />
and finding the worm of love<br />
Still there<br />
guarding the gem of your heart<br />
for someone to find.<br />
And she did mine<br />
and I did hers.<br />
We’d seen them before,<br />
Grandpa Speaking<br />
247
those gems, you know,<br />
but couldn’t believe they were real<br />
‘cause nothing<br />
had ever shined so bright and true.<br />
So we put ‘em under a rock.<br />
Then, like special things put in special places,<br />
we lost track of them<br />
and the rock<br />
for quite too long a time.<br />
If they weren’t true gems,<br />
the bugs would eat ‘em anyway.<br />
But those gems were too hard<br />
and bright and true<br />
for bugs<br />
and decay<br />
to take away.<br />
So we brought ‘em home<br />
here to our cottage<br />
and put ‘em on the mantle for all to see<br />
who had the eyes to see<br />
as we had seen.<br />
Wood rots, you know;<br />
balsa fast,<br />
pine slower,<br />
maple hardly at all at first<br />
but then it’ll go too.<br />
And all three did.<br />
But glorious gems stay forever,<br />
And she was my gem,<br />
sure enough!<br />
And what’s so lucky about it all<br />
is that I was her gem –<br />
Should say “is” and “am” though,<br />
For we know our gems mated<br />
into one great big diamond<br />
we’ll always know to find.<br />
She’s out looking for it now.<br />
248 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
I walked her to the gate in our picket fence,<br />
I cradled her face in my hands,<br />
let her through<br />
where pickets curve down<br />
like a hammock cradling.<br />
her soft cheeks felt<br />
one last time,<br />
her never-say-die smile<br />
branded in my eyes.<br />
“Goodbye,” I said. “I love you.”<br />
“I know. See you soon, sweetie.”<br />
“You bet.”<br />
Then she went to find that diamond<br />
and I closed the gate<br />
for a short time more.<br />
In the Wake: A<br />
Neighbor’s Narrative<br />
photograph by Steve Zavodny<br />
Grandpa Speaking<br />
249
Passed<br />
At this age,<br />
Mother’s touch,<br />
first love puppy,<br />
Summer’s warmth,<br />
supple fingers,<br />
blushing cheeks,<br />
beauty in the mirror,<br />
your affection,<br />
and<br />
the kiss of dreams<br />
are over.<br />
250 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
No<br />
Your cane crouches<br />
ashamed<br />
in the corner<br />
for having taken you<br />
into eternity.<br />
I bury it behind<br />
the open door,<br />
an unwelcome intruder<br />
into my living space<br />
of green deeds,<br />
blue longing, and<br />
red visions<br />
dropped,<br />
poured,<br />
splashed<br />
down to bind<br />
black canvas yearning.<br />
Grandpa Speaking<br />
251
Farewell Love<br />
“It’s<br />
one of my great pleasures<br />
that brings at last<br />
Most<br />
depth and richness to my life,<br />
and I never thought it<br />
Likely<br />
to be surrounded by<br />
little grandchildren.<br />
I’ll<br />
love you with abandon<br />
in my gray fuzzy way,<br />
Never<br />
letting you know the butterflies<br />
of joy swirling <strong>inside</strong> my tummy.<br />
Get<br />
close to me now<br />
oh, rascals mine<br />
To<br />
hear my grandpa’s heart sing<br />
an aria of longing;<br />
See<br />
my eyes x-ray your play<br />
into what’s left of my mind.<br />
You<br />
should stay free, gay, un-tormented<br />
innocent of horror,<br />
Old<br />
stale agonies fed from one age<br />
to another unrealized.<br />
My<br />
progeny will know joy and peace<br />
as long as I can smooth the way.<br />
Children,<br />
oh play to the end of days!”<br />
252 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Sons & Daughters<br />
Not like a worm, no,<br />
nor a bird in frost,<br />
will you leave so quick.<br />
But you will walk<br />
when I cannot<br />
and mate into a future<br />
I will know not.<br />
So I’ll leave my hat<br />
upon the wall<br />
for you to see<br />
come next fall,<br />
when you return<br />
to see your mum<br />
with whom<br />
we were so very young.<br />
Our longing is no fantasy<br />
and<br />
love the true reality.<br />
Grandpa Speaking<br />
253
Evaporation<br />
Forlorn Mountain pond<br />
at meadow’s edge<br />
(collecting water fruit<br />
from an ancient seep)<br />
succumbed.<br />
Hot wind from Sedona<br />
like a boiling mob<br />
out for a kill,<br />
drove the pool<br />
to vapor.<br />
254 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Over There<br />
Out south the farm<br />
has birthed jagged domes,<br />
a milieu of suburban homes<br />
swum up against a beaver dam<br />
of old woods<br />
that liked to scare the cows<br />
back to their field.<br />
In that woods fights still the father<br />
of all trees.<br />
It’s a sight to behold<br />
bound in vines<br />
that tugged the sapling down.<br />
But it grew<br />
humping along the ground<br />
until it finally rose up<br />
vines persistent yanking on it<br />
but rose with it<br />
and that tree grew all lumpy and bulging<br />
like a fat man<br />
pushing out beyond his belt<br />
and suspenders,<br />
suspenders that tell of elegance and constraint,<br />
success and pain,<br />
belts of natural woody vines.<br />
Children could swing on ‘em, and do.<br />
Mothers watch and laugh and don’t care much<br />
unless the tree should topple<br />
and turn to firewood<br />
or dust.<br />
Late now in that tree’s life<br />
Grandpa Speaking<br />
255
it’s beat the vines<br />
and reached the light;<br />
grown straight up higher than vines can grow<br />
clean, clear and full of leaf,<br />
hundred feet high or so.<br />
Nothing’s quite more compelling<br />
as sky’s true light<br />
for straightening out a trunk.<br />
Someone should put a beacon on its crown,<br />
but folks still watch<br />
the bound and twisted base.<br />
Fascinatin’ tree.<br />
256 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Smothered<br />
On a shaded porch adopted,<br />
Indian Summer stultifies a thin gray man<br />
with imperceptible pulse<br />
watching, rocking<br />
as a cattail in a gentle wind,<br />
at the end of his season<br />
buffeted but still firm<br />
against a final blast of disintegration<br />
yet to come.<br />
Raucous kids, dogs, stroller couples<br />
and single oldsters (the last of his own)<br />
flow down the street,<br />
he seeing, him unseen<br />
away from consideration.<br />
His dim, cracked orb,<br />
runs melancholy film this Indian Summer<br />
in Technicolor<br />
swollen with<br />
comfort and agony,<br />
a passion play passing<br />
through regretful eyes<br />
populated by characters out of time,<br />
he, as one of the lowest<br />
and one of the highest,<br />
sees again,<br />
sitting,<br />
stoppered by woe,<br />
life nudged on through habit.<br />
Grandpa Speaking<br />
257
Let Freedom Ring<br />
When there warn’t nothin’<br />
but injuns<br />
and the bay beckoned<br />
we come<br />
firs’ one boat, then ‘nother<br />
starved & died<br />
loved & praised God;<br />
whittled a village from the woods,<br />
clawed food from shallow, stony soil<br />
and waited out the bitin’ winds<br />
t’ go forth<br />
and claim our place<br />
of freedom<br />
apart<br />
from highborn lords<br />
callous and un-callused,<br />
born a’ know-nothin’ sluts’ comfort<br />
what cooked our generations<br />
‘til we slipped out<br />
them lords’ hot, black pans<br />
of dark centuries,<br />
void of human spirit,<br />
like half done bacon.<br />
So here we stick our hope<br />
sprung from the first dead<br />
restin’ deep on their rock pilla’s<br />
who tried an’ died an’ struggled free.<br />
We brew now an elixir for eternity:<br />
Liberty,<br />
from the sweat of brows<br />
behind the rump of mules<br />
and give it to all who will drink.<br />
Dare not t’ break my goblet,<br />
for I will go t’ the dirt<br />
t’ save my draught.<br />
photograph by Steve Zavodny<br />
258 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Bronze Giants<br />
No bronze giant I<br />
stand awed before<br />
Stanley, Stuyvesant, Sherman on horse,<br />
Jefferson eye-to-eye<br />
(we of the same high),<br />
and Deghewanus hiding<br />
in Letchworth’s woods.<br />
I so brief shall disappear;<br />
my deeds in air<br />
leave no dent on history,<br />
my mark a period<br />
at the end of a footnote<br />
at the bottom of the first page<br />
passed by by<br />
new readers eager<br />
to learn<br />
what comes next.<br />
Grandpa Speaking<br />
259
Lessons<br />
I am a damn<br />
holding back eight decades and more<br />
of great, triumphant living fish<br />
and stinking dead mackerel<br />
in my turgid water.<br />
I harvested<br />
glorious blooms,<br />
and lost them<br />
on shrill needles of reproach<br />
brayed by my enslaved mule.<br />
I carved the cogs<br />
and turned the wheels,<br />
ran and lost, jumped and won,<br />
slept, sighed<br />
and slowly died.<br />
Oh, Yes! I learned,<br />
but never taught, and<br />
so lie a thief<br />
among the selfish damned.<br />
260 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Sinners All<br />
God was a small man,<br />
don’t you know.<br />
Gripped tight an atom<br />
at the back of his jaw<br />
and bit us all into existence.<br />
Blew out the universe<br />
like a tire gone bad,<br />
spat utter chaos<br />
from the back of his mouth<br />
in a guttural cough<br />
(glad to have us gone).<br />
God’s sputum we are<br />
made in his image they say,<br />
our pastors and prophets past;<br />
Sinners all!<br />
Hey!<br />
We like Him?<br />
We Sinners all?<br />
So must He be,<br />
curse Him.<br />
And that explains the fall.<br />
Grandpa Speaking<br />
261
Incarnation<br />
If ever I see the light,<br />
I will die, and<br />
I will be born<br />
again,<br />
and I shall bow down<br />
before me<br />
and be<br />
thankful.<br />
262 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Autumn Storm<br />
A most sinister darkness rattles<br />
trees without this house<br />
and bones within,<br />
it’s storm brewing<br />
but not yet here.<br />
Where shall I go?<br />
Where shall you go<br />
when the brew comes to you?<br />
Do we race across the lawn<br />
and down the hill<br />
all the way to the next county<br />
where a warm, dry day<br />
may still let us play?<br />
Or do we slip quietly down<br />
into the basement<br />
to wait,<br />
eyes open upon the ceiling bulbs,<br />
and see<br />
if the storm shuts off<br />
our electricity?<br />
Grandpa Speaking<br />
263
Old<br />
The Sun blares all to whiteness<br />
and strikes my body into activity,<br />
but allows the snow to cling to all<br />
and stay<br />
to confuse my path,<br />
its deepness tugging<br />
at a growing stillness<br />
in my steps<br />
in my bones.<br />
This winter is the reason,<br />
and like the winter<br />
I have lost<br />
my most colorful autumn season.<br />
264 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Despair<br />
Gray headed me<br />
plugged full of vacancy<br />
from life done heavy,<br />
the fuel of love wasted<br />
in a fire of lies<br />
leaving shattered cinders,<br />
clogging my hollow pit.<br />
Pulse abates.<br />
<strong>Mind</strong> locks.<br />
Nothing left but a mouth<br />
full of silence<br />
to speak to the darkened door.<br />
How do I say,<br />
“Take me through?”<br />
photograph by Steve Zavodny<br />
Grandpa Speaking<br />
265
Black Sheets<br />
Is it warm or cool<br />
to lie down between black sheets<br />
and disappear from view?<br />
What is there left to hear<br />
when we’ve no one left to meet,<br />
and others tend the stew?<br />
Sleep beyond rest stills the fear;<br />
a certain sigh stills the beat,<br />
and dreams at last are new.<br />
It is no fool<br />
who lies down between black sheets<br />
when the days become so few.<br />
266 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
The Circle<br />
I will let this body<br />
fall away from me now,<br />
and let my pure peeled light<br />
rush through the next stage of antiquity<br />
so that<br />
it might still have time<br />
to brighten your womb;<br />
so that I might be born of you.<br />
Grandpa Speaking<br />
267
The Wait<br />
Waiting for the inevitable.<br />
Waiting for Godot?<br />
Watching out the window.<br />
Watching for the end.<br />
There is no poetry in this.<br />
No sun.<br />
No wind.<br />
No rain.<br />
Just horizon’s edge.<br />
268 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Mud Room<br />
It’s been a long winter,<br />
and so I hang<br />
my frayed<br />
and musty coat<br />
out of sight<br />
where the children coming<br />
will not see it and<br />
will forget its scent<br />
in the dewy air<br />
of their Springtime;<br />
their earthy footprints<br />
overlaying mine<br />
on the mudroom floor.<br />
photograph by Steve Zavodny<br />
Grandpa Speaking<br />
269
Index<br />
A<br />
Abusing Storm 102<br />
Addiction 206<br />
Against All Odds 213<br />
A Joke 89<br />
All Over 103<br />
Alpine Melody 148<br />
Ancient Love 150<br />
Anger 195<br />
Antarctic Expiration 141<br />
Antique 35<br />
Apotheosis of Life 96<br />
Arguments 220<br />
Autumn Storm 263<br />
A Wish from Home for Warriors Away 94<br />
A Wood Removed 55<br />
B<br />
Backwoods Birthing 151<br />
Bah, Humbug 113<br />
Baked 145<br />
Barmaid 1880 72<br />
Battlefield 93<br />
Birth 101<br />
Black Sheets 266<br />
Boring 156<br />
Bound Forever 144<br />
Boy Ago 19<br />
Breath of Distance 200<br />
Brink 106<br />
Bronze Giants 259<br />
Brotherhood 194<br />
Burn Out 105<br />
C<br />
Callous Lover 49<br />
Caught by Surprise 152<br />
Celestial Rage 71<br />
Cereal Bowl 225<br />
Charcoal 80<br />
Christmas Snow 163<br />
Circus Tale 193<br />
Cleopatra 67<br />
Closet Cure 227<br />
Cold and Done 231<br />
Cold End 210<br />
Coma 211<br />
Compassion? 95<br />
Conception 208<br />
Cycle 189<br />
Cynical Futilist Individualist 242<br />
D<br />
Dandelion Man 204<br />
Dark Night 47<br />
Daughter 219<br />
Daughters 20<br />
DC Trauma 157<br />
Depression 84<br />
Derailed 63<br />
Despair 265<br />
Devotion 16<br />
Dichotomy 90<br />
Discovery 25<br />
Disintegration 70<br />
Distill 15<br />
Divine Talk 38<br />
Dry 75<br />
E<br />
Evaporation 254<br />
F<br />
Family of Man 100<br />
Fantasy Fix 68<br />
Farewell Love 252<br />
Farming 58<br />
First Light Vigil 36<br />
Flag Day 27<br />
Floor Allegory 196<br />
For Marné in May 86<br />
Free Danger 154<br />
Friendly Neighbor 45<br />
270 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
Furious Moon 186<br />
Futile Glow 115<br />
G<br />
Gone South 149<br />
Grace Us 26<br />
Grandfather 202<br />
Grandma Wanda 239<br />
Grandpa Speaking 245<br />
H<br />
Halloween Forest Prank 50<br />
Heat 116<br />
Hedgerow 240<br />
Hiroshima Changeling 190<br />
Honesty Therapy 69<br />
Houseman 187<br />
Humanity? 128<br />
I<br />
Incarnation 262<br />
Inequity Allegory 121<br />
In Heat 53<br />
In the Wake: A Neighbor’s Narrative 247<br />
It’s a Carnival 224<br />
J<br />
J. P.’s Poem 77<br />
K<br />
Kid 6 21<br />
L<br />
Legacy 117<br />
Lessons 260<br />
Let Freedom Ring 258<br />
Leukemia 185<br />
Listen Up 31<br />
Little Boy 118<br />
Locked 107<br />
London Fog 160<br />
Long Roll 221<br />
Long Time 78<br />
Look and See 138<br />
Lost and Found 228<br />
Lost You 73<br />
Lost Youth 191<br />
Love Lessons 5 126<br />
Love Silence 28<br />
Lucy 236<br />
Lull 109<br />
M<br />
Madelin 51<br />
Magic Bird 30<br />
Mal at 12 22<br />
Melting 215<br />
<strong>Mind</strong> 205<br />
Mountains 129<br />
Mr. Binger 124<br />
Ms. Nature 111<br />
Mud Room 269<br />
N<br />
‘Nam 92<br />
Natural Music 18<br />
Ned & Nellie 207<br />
Night Chatter 238<br />
No 251<br />
Numbers<br />
1859 Photo 161<br />
1904 48<br />
NYC Underbelly #1 Russian Doll 169<br />
NYC Underbelly #2 His Mrs. 170<br />
NYC Underbelly #3 Wrecked 171<br />
NYC Underbelly #4 Existence 172<br />
NYC Underbelly #5 Subway 173<br />
NYC Underbelly #6 Tin Cup 174<br />
NYC Underbelly #7 Drugged 175<br />
NYC Underbelly #8 Bathtub 176<br />
NYC Underbelly #9 Overdose 177<br />
NYC Underbelly #10 The Perpetual<br />
Businessman 178<br />
NYC Underbelly #11 Prayer Before the<br />
Macy’s Widow Creche 179<br />
NYC Underbelly #12 End 181<br />
INDEX<br />
271
O<br />
Objective 60<br />
Oblivious 99<br />
Ode to ‘68 (In Disguise) 201<br />
Ode to e.e. 139<br />
Old 264<br />
One Away 235<br />
On Our Way 52<br />
Opposing wishes: Antietam 112<br />
Our Ocean 29<br />
Over 108<br />
Over There 255<br />
P<br />
Palestinian Ode 98<br />
Parched 222<br />
Parenthood -- or -- Pin the tail on the donkey 237<br />
Passed 250<br />
Passion 46<br />
Peaceful Slumber? 143<br />
Pin Point Poetry or An Exercise in California<br />
Con Art 44<br />
Pirate Love or Shared Wealth 37<br />
Played 59<br />
Point to Point 39<br />
Presidentess 127<br />
Progression 188<br />
R<br />
Rat’s Prayer 104<br />
Rescued 142<br />
Responsibility 123<br />
Ring Song 33<br />
S<br />
Safety Check 232<br />
Sally, Oh, Sally 56<br />
Schism 125<br />
Scramble 155<br />
Sinners All 261<br />
Smothered 257<br />
Snow Fence 120<br />
So New 62<br />
Sons & Daughters 253<br />
Speechless 76<br />
Squirrelly 140<br />
Standing Fast 114<br />
Starbuck Away 216<br />
St. Catherine’s Monastery or Monk Heads 164<br />
Stone Feelings 97<br />
T<br />
Tarnished 209<br />
Taxi Ride 132<br />
The Bargain 23<br />
The Beckoning of 9-11-2001 241<br />
The Cabin 81<br />
The Circle 267<br />
The Keeping Room 223<br />
The Mirror 226<br />
The Orange 162<br />
The Proposal Or Lake Talk 146<br />
The Wait 268<br />
The Wall 79<br />
The Well 122<br />
Through to the other side 34<br />
Tiptoe Queen #2: Directions 192<br />
Toad 147<br />
To Mecca 110<br />
Truth? 229<br />
U<br />
Ummm… 198<br />
Undying Love 85<br />
Unholy Prayer 133<br />
Upset 158<br />
Urban Escapee 212<br />
V<br />
Vehicular Eyes 153<br />
Virgin 57<br />
Vision 24<br />
Visiting at Love’s End 214<br />
272 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon
W<br />
Wanting 43<br />
War Debt 91<br />
Wardrobes 230<br />
Wee Man #3: Vicar 131<br />
Wee Man #4: If at First 74<br />
Wee Man #5: The Supplicant 199<br />
Wee Man #6: Wishing 32<br />
Wee Man #7: Enlightenment 159<br />
Who Knew 82<br />
Winter Hike 234<br />
Winterman 233<br />
Wisdom 61<br />
Wolf at Night 119<br />
Womb Wish 130<br />
Woof 54<br />
Worn 83<br />
Worthless 203<br />
Y<br />
Year 25 137<br />
You 17<br />
INDEX<br />
273
illustration credits<br />
Cover Iowa Twin Farmers Photograph by Steve Zavodny<br />
p. 1 Beach Walker Title page photograph by Alyssa Timon<br />
p. 11 LOVE LUST LOSS photograph by Steve Zavodny<br />
p. 13 Love title page photograph by Steve Zavodny<br />
p. 20 Daughters painting by Alyssa Timon<br />
p. 41 Lust title page photograph by Steve Zavodny<br />
p. 45 Friendly Neighbor painting by Alyssa Timon<br />
p. 65 Loss title page photograph by Steve Zavodny<br />
p. 70 Disintegration painting by Alyssa Timon<br />
p. 75 Dry photograph by Alyssa Timon<br />
p. 79 The Wall photograph by Steve Zavodny<br />
p. 87 NO COMMENT title page photograph by Steve Zavodny<br />
p. 89 A Joke photograph by Steve Zavodny<br />
p. 96 Apotheosis of Life photograph by Steve Zavodny<br />
p. 103 All Over photograph by Steve Zavodny<br />
p. 104 Rat’s Prayer photograph by Steve Zavodny<br />
p. 110 To Mecca photograph by Steve Zavodny<br />
p. 113 Bah, Humbug photograph by Steve Zavodny<br />
p. 116 Heat photograph by Steve Zavodny<br />
p. 124 Mr. Binger photograph by Steve Zavodny<br />
p. 126 Love Lessons 5 photograph by Steve Zavodny<br />
p. 132 Taxi Ride photograph by Steve Zavodny<br />
p. 133 Unholy Prayer photograph by Steve Zavodny<br />
p. 135 PHOTOS FROM ID title page photograph by Steve Zavodny<br />
p. 137 Year 25 photograph by Steve Zavodny<br />
p. 146 The Proposal or lake talk photograph by Steve Zavodny<br />
p. 151 Backwoods Birthing photograph by Alyssa Timon<br />
p. 160 London Fog photograph by Steve Zavodny<br />
p. 165 St. Catherine’s Monastery or Monk Heads photograph by Steve Zavodny<br />
p. 167 1970s NYC title page photograph by Steve Zavodny<br />
p. 169 NYC Underbelly #1 Russian Doll photograph by Steve Zavodny<br />
p. 170 NYC Underbelly #2 His Mrs photograph by Steve Zavodny<br />
p. 171 NYC Underbelly #3 Wrecked photograph by Steve Zavodny<br />
p. 172 NYC Underbelly #4 Existence photograph by Steve Zavodny<br />
p. 173 NYC Underbelly #5 Subway photograph by Steve Zavodny<br />
p. 174 NYC Underbelly #6 Tin Cup photograph by Steve Zavodny<br />
p. 175 NYC Underbelly #7 Drugged photograph by Steve Zavodny<br />
p. 176 NYC Underbelly #8 Bathtub photograph by Steve Zavodny<br />
p. 177 NYC Underbelly #9 Overdose photograph by Steve Zavodny<br />
p. 178 NYC Underbelly #10 The Perpetual Businessman photograph by Steve Zavodny<br />
p. 181 NYC Underbelly #12 End photograph by Steve Zavodny<br />
p. 183 EUPHORIA-MELANCHOLIA title page photograph by Steve Zavodny<br />
p. 191 Lost Youth photograph by Alyssa Timon<br />
p. 200 Breath of Distance photograph by Alyssa Timon<br />
p. 217 BEYOND 40 title page photograph by Steve Zavodny<br />
p. 219 Daughter photograph by Alyssa Timon<br />
p. 223 The Keeping Room photograph by Steve Zavodny<br />
p. 224 It’s a Carnival photograph by Steve Zavodny<br />
p. 233 Winterman photograph by Steve Zavodny<br />
p. 240 Hedgerow photograph by Steve Zavodny<br />
p. 243 GRANDPA SPEAKING title page photograph by Steve Zavodny<br />
p. 246 Grandpa Speaking photograph by Steve Zavodny<br />
p. 249 In the Wake: A Neighbor’s Narrative photograph by Steve Zavodny<br />
p. 258 Let Freedom Ring photograph by Steve Zavodny<br />
p. 265 Despair photograph by Steve Zavodny<br />
p. 269 Mud Room photograph by Steve Zavodny<br />
Back cover Mountain lake sunset photograph by Steve Zavodny<br />
274 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon