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MIND MELDEN<br />

Beach Walker<br />

photograph by Alyssa Timon


MIND MELDEN<br />

Collected Poems of<br />

Mark Timon<br />

Bloomer Press & Audio Corp<br />

Walpole


THIS IS A BLOOMER BOOK<br />

PUBLISHED BY BLOOMER PRESS & AUDIO CORP.<br />

Copyright © 2017 by Mark Timon<br />

All rights reserved under International and Pan-American Copyright Conventions.<br />

Published in the United States by Bloomer Press & Audio Corp., Walpole<br />

Distributed by Bloomer Press & Audio Corp., Walpole<br />

Library of Congress Control Number: 2017901101<br />

Timon, Mark.<br />

<strong>Mind</strong> <strong>Melden</strong>: Collected Poems of Mark Timon /<br />

by Mark Timon-First ed.<br />

Includes index.<br />

ISBN 978-0-9986441-0-3 (Acid free. paper)<br />

Manufactured in the United States of America<br />

Published March 10, 2017<br />

First Printing, March, 2017


Dedication<br />

To Debbie, whose devotion is unshakable;<br />

to our children Morgan, Ariel, Alyssa,<br />

Marné, Hudsen, Carter, Mallorie,<br />

stepson Jason; and to Bill Shieff, who<br />

first believed.


Contents<br />

Introduction____________________________________________ 7<br />

Prologue________________________________________________ 9<br />

CHAPTER 1<br />

LOVE LUST LOSS__________________________________________ 11<br />

LOVE___________________________________________________ 13<br />

LUST___________________________________________________ 41<br />

LOSS__________________________________________________ 65<br />

CHAPTER 2<br />

NO COMMENT_____________________________________________ 87<br />

CHAPTER 3<br />

PHOTOS FROM ID_________________________________________ 135<br />

CHAPTER 4<br />

1970S NYC______________________________________________ 167<br />

CHAPTER 5<br />

EUPHORIA-MELANCHOLIA__________________________________ 183<br />

CHAPTER 6<br />

BEYOND 40______________________________________________ 217<br />

CHAPTER 7<br />

GRANDPA SPEAKING ______________________________________ 243<br />

Index_________________________________________________ 270<br />

illustration credits ___________________________________ 274


6 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Introduction<br />

I am at a loss to tell a compelling story<br />

about how these <strong>pages</strong> came about. So<br />

let me just step out of the way, and…<br />

Thank you for buying an edition of<br />

<strong>Mind</strong> <strong>Melden</strong>.<br />

Poetry is neither widely consumed nor<br />

commercially viable, but we all have<br />

poetry <strong>inside</strong> us and in our lives, just<br />

as strings hide <strong>inside</strong> a piano. Reading<br />

poetry sets those strings humming,<br />

leaving each of us enriched by the<br />

experience.<br />

If you like <strong>Mind</strong> <strong>Melden</strong>, please tell<br />

your friends. If you don’t like it, then<br />

that can just remain our little secret.<br />

Mark Timon<br />

March, 2017<br />

7


8 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Prologue<br />

Know not by word alone how<br />

I<br />

am.<br />

Thought comes through true, but<br />

is<br />

it?<br />

Oh, the Joke!<br />

Oh, the Truth!<br />

Oh, the Lies!<br />

Oh, the Wonder!<br />

Mum’s the word.<br />

9


10 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 1<br />

LOVE<br />

LUST<br />

LOSS<br />

photographs by Steve Zavodny<br />

Love, Lust, Loss<br />

11


12 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 1<br />

LOVE<br />

photograph by Steve Zavodny<br />

LOVE, LUST, LOSS | Love<br />

13


LOVE<br />

14 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Distill<br />

Distill<br />

paradise<br />

down<br />

to<br />

a<br />

petal<br />

dropping<br />

from<br />

blossom<br />

to<br />

reflecting<br />

pool<br />

below<br />

and<br />

know<br />

how<br />

I<br />

dream<br />

of<br />

you.<br />

LOVE, LUST, LOSS | Love<br />

15


Devotion<br />

A swallow’s swooping shadows<br />

would not grace your tips and valleys<br />

more softly than my touch.<br />

The pure hum of my love vows<br />

surpass the clean shush<br />

of wind through pine.<br />

While God’s sun still burns,<br />

my fond heat will kiss your skin<br />

and light the dark with radiance.<br />

My love stands still,<br />

an iron fence protecting<br />

with no gate of inconstance<br />

whether you’re mine or not.<br />

16 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


You<br />

You planted a kiss upon my forehead,<br />

And branded my heart forever in love for you.<br />

You smiled at me,<br />

And set aglow the light that shows me the way.<br />

You touched me,<br />

And my nerves bound to yours as we became one.<br />

You closed with me,<br />

And your scent became the aroma of heaven.<br />

You knew me,<br />

And our progeny came like blessed sailors to home port,<br />

And we their captains.<br />

There is no place among this<br />

Where crying may hold sway<br />

Or split the day to night.<br />

LOVE, LUST, LOSS | Love<br />

17


Natural Music<br />

Chickadee’s dee-dee-dee<br />

mourning doves’ tandem coo<br />

and redwing blackbird’s trill<br />

cannot match the rhythm of you<br />

in the lift of your laughter<br />

and the sigh in your breath.<br />

Your music writes our operas four<br />

Even after they leave our door.<br />

18 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Boy Ago<br />

Jason:<br />

during Summer let him swing.<br />

Sweet marigold’s bees horse and play,<br />

will jump and fly<br />

solely to entertain his eye.<br />

Sun tickles<br />

and never burns<br />

at two<br />

(and a little more).<br />

LOVE, LUST, LOSS | Love<br />

19


Daughters<br />

painting by Alyssa Timon<br />

In a space<br />

too easily reckoned,<br />

by measurements<br />

easily forgotten,<br />

a willow jumps<br />

from wisp to massive drape<br />

along the bank of the meadow brook<br />

where dinosaurs once strode to fame<br />

and little Nettie now swings with Jane.<br />

They shall take their time at foolery and games<br />

while eating,<br />

laughing<br />

and hiding from the rain,<br />

for we have sung them full of sound<br />

of what could be<br />

and will,<br />

to make feet light<br />

as they scamper up the hill.<br />

20 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Kid 6<br />

Love like hammer against anvil<br />

struck your steel humming.<br />

You caught your vision<br />

in a dark wet night.<br />

Your locomotive swiveled<br />

in the round house.<br />

Now departing,<br />

I beg your beacon<br />

gleams out the tunnel intently.<br />

LOVE, LUST, LOSS | Love<br />

21


Mal at 12<br />

Oh, last of mine,<br />

and first of someone’s,<br />

you are the crack<br />

of the whip<br />

who wants so to be the handle.<br />

Yours are dreams<br />

to be made<br />

by driving stakes deep;<br />

loves<br />

to be held too dear<br />

but quietly so;<br />

the nest<br />

one day built<br />

against the tumult of your times,<br />

(not mine) a fortress.<br />

You are the restless<br />

at rest<br />

on the outside<br />

for just a bit longer.<br />

22 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


The Bargain<br />

If you ask,<br />

I shall be pillar<br />

to your water.<br />

If you ask,<br />

I shall be forgiveness<br />

as you err.<br />

If you ask,<br />

I shall be mason<br />

against your woes,<br />

and if you ask,<br />

I shall be fire<br />

to keep away the ice.<br />

And if you don’t,<br />

I shall go away<br />

to keep myself in peace,<br />

a glimmer of your reflection.<br />

LOVE, LUST, LOSS | Love<br />

23


Vision<br />

This morning your beauty<br />

chiseled<br />

from the first grains of light<br />

radiated<br />

from the comforter<br />

snuggled<br />

around your neck,<br />

to adorn<br />

my day.<br />

24 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Discovery<br />

A boy’s treasure you<br />

under the sun glistens<br />

like quartz in a rolling stream,<br />

tastes like divinity<br />

on Christmas day,<br />

rushes through nerves<br />

like a gale through standing autumn corn.<br />

Your kiss beckoned spring to start again;<br />

withered roots to pulse again;<br />

bent willow to stand again;<br />

one man to be boy again<br />

in love.<br />

LOVE, LUST, LOSS | Love<br />

25


Grace Us<br />

The full moon dances<br />

where your face shines.<br />

The shadow of your breast<br />

flashes God’s masterwork.<br />

You were His gift<br />

to this petulant child,<br />

who seeks His grace anew.<br />

26 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Flag Day<br />

From your beaches<br />

sometimes washed in<br />

tears,<br />

spilled from an ocean.<br />

of blue eyes,<br />

glimpsed beyond the crest<br />

of fluid mountains<br />

clouded in place above the still bay<br />

on each peninsula south<br />

up to the Meadow kissed with dew,<br />

D. Marie I love<br />

your geography<br />

and plant my flag in fealty<br />

for perpetuity<br />

if you’ll have me.<br />

LOVE, LUST, LOSS | Love<br />

27


Love Silence<br />

You need no eyes<br />

to read my words<br />

hung like Christmas bells<br />

suspended<br />

above our bed,<br />

leftovers from the night,<br />

their soft tinkle rung<br />

by lance-beams from a newborn sun.<br />

28 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Our Ocean<br />

Your gull rides waves on<br />

the middle<br />

of my Pacific Ocean<br />

looking for the edge of<br />

my love.<br />

Limitless.<br />

A whoosh, oh God, of<br />

ocean breeze sweeps<br />

dune grasses each time<br />

you sigh<br />

on a cricket hummed July.<br />

Wind sail.<br />

No wave-stroked shore was<br />

ever loved more from the<br />

time of trilobites to the day<br />

our toes saw light under<br />

waving curtains<br />

in our seaside den.<br />

Love high.<br />

Love you.<br />

Never-ending.<br />

LOVE, LUST, LOSS | Love<br />

29


Magic Bird<br />

I found a bird in snow so slow,<br />

a Tanager left behind<br />

all frozen blond,<br />

death upon its breast.<br />

And so I cupped my hands beneath,<br />

and drew it up,<br />

my breath to spark<br />

its stilled heart to life.<br />

My kiss upon its wing,<br />

in circles of grateful joy,<br />

its whirling flight enrobing me,<br />

until we two were one.<br />

30 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Listen Up<br />

This is myself speaking,<br />

with my head full of pigeons,<br />

as I put my glass eye between<br />

your<br />

breasts<br />

and listen<br />

as they start their own band<br />

with your heart smacking out the time.<br />

LOVE, LUST, LOSS | Love<br />

31


Wee Man #6:<br />

Wishing<br />

My love,<br />

a Pyrex cup full of light<br />

waits<br />

waiting for whichever wellman<br />

or miner<br />

wishes to be my guide<br />

down the wells<br />

and coal blackened mines<br />

of the agonies in your worlds.<br />

I will bring light there<br />

freely.<br />

32 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Ring Song<br />

I am not young as you,<br />

and from my tarnished heart<br />

I strangle out shreds of love<br />

that you beguile<br />

into a blanket soft<br />

with your innocent caress.<br />

You weave the shroud<br />

‘round our day<br />

to seal out the night.<br />

LOVE, LUST, LOSS | Love<br />

33


Through to<br />

the other side<br />

Look me in the face dear,<br />

Try to stare me down,<br />

Have we really been so queer<br />

Doing what we have done?<br />

I find our old saw story<br />

Searing <strong>pages</strong> worldwide;<br />

Where many gave up glory<br />

To fury acidified.<br />

Most succumb and go away,<br />

Empty as a hollow glove<br />

Abandoned at a grave one day,<br />

Suspicious that they ever loved.<br />

Those few who survive,<br />

Once knocked back on their heels,<br />

End up more alive<br />

Bound tight in bands of steel.<br />

So look me in the face dear,<br />

And try to smile me down,<br />

For we really have no peer<br />

Who knows what we have won.<br />

34 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Antique<br />

It is for your antiquity<br />

I make my garden with you.<br />

An ageless gift<br />

is your devotion<br />

sculpted in stone<br />

of classical perfection<br />

smoothed to graceful lines,<br />

adored still<br />

in our jagged times.<br />

LOVE, LUST, LOSS | Love<br />

35


First Light Vigil<br />

Morning light,<br />

like a press of eiderdown,<br />

rolls my gaze to the secure sea<br />

rising and falling<br />

within your slumbered breath;<br />

your chest the ship<br />

upon which I ride safely<br />

to the end of time.<br />

In your garden beyond the pane,<br />

butterflies melt to lay their spent wings<br />

in a carpet for your barefoot stroll<br />

among the dewy morning glaze.<br />

Your gentle steps will quiet my heart,<br />

for each return smoothes<br />

the path ahead.<br />

You rise, and my world flowers.<br />

36 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Pirate Love<br />

or<br />

Shared Wealth<br />

Your breath a breeze<br />

across the bow<br />

turns my ship<br />

by memory alone<br />

to a fresher course,<br />

knowing how now<br />

the pirate’s cove needs treasure<br />

and will take it<br />

freely,<br />

willingly,<br />

lovingly,<br />

from this ship<br />

without bloodshed.<br />

LOVE, LUST, LOSS | Love<br />

37


Divine Talk<br />

My Lord said,<br />

“Let me just<br />

take off your clothes,<br />

put on my ballet<br />

slippers<br />

and dance<br />

all over your bare thorny body,<br />

through all your sucking railroad tunnels,<br />

tiptoeing through the secret crackling<br />

swamps,<br />

running<br />

hell bent for the sunshine<br />

up those mountains<br />

above timberline --<br />

And when the children are gone,<br />

we shall do this more often,”<br />

said the Lord<br />

to his lover,<br />

my Mother Earth.<br />

38 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Point to Point<br />

Wow your face,<br />

thank you,<br />

has finally arrived<br />

after 22 years<br />

of impossible, I swear,<br />

thinking<br />

that I’d never,<br />

let alone know,<br />

find it<br />

wherever it was,<br />

and even though<br />

I thought I knew,<br />

finally,<br />

sure I did,<br />

what we<br />

and it<br />

would be like,<br />

it was better!<br />

Surprise!<br />

What a<br />

Wowie!<br />

Gosh,<br />

your whip cream lips<br />

yes<br />

like a river<br />

of sun kisses<br />

pour soft heat<br />

high and low<br />

from brows to toes<br />

and in between<br />

where my heart<br />

melted vanilla ice cream<br />

you can<br />

suck up<br />

and swallow down<br />

oh past those lips<br />

<strong>inside</strong> you<br />

‘cause that’s where<br />

I wanna stay<br />

your heart<br />

for my blanket.<br />

Sigh!<br />

Your fingers<br />

tender electrodes<br />

plug in anytime<br />

unzip my masculinity<br />

anywhere<br />

they go<br />

rigor flies<br />

like a carnival toy<br />

whose elastic broke.<br />

I could never<br />

guess<br />

the words<br />

unspoken<br />

behind your touch.<br />

Suspicion is<br />

no one’s written them<br />

yet<br />

but they begin<br />

with trust<br />

and love.<br />

LOVE, LUST, LOSS | Love<br />

39


40 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 1<br />

LUST<br />

photograph by Steve Zavodny<br />

LOVE, LUST, LOSS | Lust<br />

41


LUST<br />

42 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Wanting<br />

Not unless I want to<br />

Would I<br />

Build this angle of repose<br />

Upon your lips<br />

And swim your curved back<br />

With this feverish skull of hands,<br />

Spiders of the mind<br />

Afloat.<br />

Not unless I want to<br />

Would I<br />

Catch the nervous sparrows<br />

Of your fluttering voice<br />

In my ears<br />

As they go searching<br />

For my autumn seeds<br />

Concealed.<br />

Not unless I want to<br />

Would I<br />

Make your hot summer sun<br />

Rise humidly<br />

With mouth yawned wide<br />

Over the night-rained morning woods<br />

Steaming.<br />

Wanting it,<br />

Not unless I want to<br />

Would I.<br />

LOVE, LUST, LOSS | Lust<br />

43


Pin Point Poetry<br />

or<br />

An Exercise in<br />

California<br />

Con<br />

Art<br />

I hear<br />

Your wails<br />

For love,<br />

“Boomba - de - Boom - Boom - Boom”<br />

But cannot go<br />

Until yourself shows through.<br />

So<br />

Boom!<br />

I’ve got you<br />

From the <strong>inside</strong>.<br />

Having been gunned down<br />

I hope<br />

You liked<br />

It.<br />

44 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Friendly Neighbor<br />

Couch curled she nymphly fannied sat,<br />

my naughty neighbor,<br />

her washing eyes out the drizzling<br />

window<br />

see,<br />

raining,<br />

this is my one set day<br />

for mowing lonely hay.<br />

painting by Alyssa Timon<br />

LOVE, LUST, LOSS | Lust<br />

45


Passion<br />

At sun up,<br />

steam rising on the Amazon,<br />

I oared across your river,<br />

pulling on feathers<br />

to reach you.<br />

Following after<br />

along your path,<br />

pushing jungle aside,<br />

and my<br />

oh my<br />

pitter-pat<br />

eyes trailed after<br />

you like puppies.<br />

My shoulders hum at the<br />

vision.<br />

At dusk,<br />

still warm and wet,<br />

we lilt and wave like grasses<br />

grown to meet<br />

the closing breeze<br />

expectant of the end of day.<br />

Its caress renews.<br />

Tonight, yes,<br />

shut out the lights, my dear.<br />

Inhale ecstasy<br />

and drain the sky of stars.<br />

At high noon,<br />

oh, your touch<br />

fired up my spine<br />

and we blazed ‘til our embers<br />

glowed and sputtered<br />

side-by-side<br />

red at their core<br />

clothed only in blue ash.<br />

I boiled in the heat.<br />

46 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Dark Night<br />

Thrilling to the raw umber<br />

Of your winter body<br />

Due to darken<br />

In the burnishing summer sun<br />

I elongated<br />

Await your necromancing nibble<br />

At the near-sighted eye<br />

Of yet a fonder heat.<br />

LOVE, LUST, LOSS | Lust<br />

47


1904<br />

Dancing behind the turn-of-the-century<br />

Baseball<br />

Outfield<br />

Board<br />

Fence<br />

I wait, a patch-pantsed boy, knothole hungry for<br />

The<br />

Drilling<br />

Women.<br />

Auger-handed and smiling they singingly arrive<br />

Bundled<br />

Gibson<br />

Girl<br />

Beauties<br />

To take off their clothes, drill holes,<br />

And<br />

Show<br />

Me<br />

How<br />

To be.<br />

48 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Callous Lover<br />

This beacon shaft of white,<br />

irrigation for growth<br />

from seedlings down to death,<br />

shines,<br />

rays,<br />

aye, illuminates<br />

the inner walls of rooms<br />

in pinks and reds<br />

seeking for the one worm’s den<br />

where nothing grows,<br />

having traveled from<br />

a heart of stone.<br />

LOVE, LUST, LOSS | Lust<br />

49


Halloween<br />

Forest Prank<br />

The stretching pines<br />

Were laying whispered lashes<br />

Upon the back of fleeing October<br />

(Halloween)<br />

While we were lain<br />

Upon a cushion pushing<br />

Among the tall<br />

and stretching pillars of<br />

the rite<br />

(Halloween).<br />

50 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Madelin<br />

Madelin Madelin Thousand Masks<br />

I have come<br />

To commence the intricate procedure<br />

To subdivide your clothing stuff.<br />

So that<br />

Wanting it,<br />

My loins<br />

Shake hands with<br />

Your loins<br />

And come out fighting.<br />

LOVE, LUST, LOSS | Lust<br />

51


On Our Way<br />

The I-beam presence of myself within<br />

the swirling whirling<br />

of your everywhere leaves of thighs<br />

about the pivotal private jungled realm<br />

bores the black absolute<br />

of a quick demise<br />

to the buried sloth<br />

of my once insouciant life.<br />

The process of our curtained love<br />

gives the hangman of your youth<br />

the strength<br />

to pull<br />

and haul the sailing wind of breath<br />

from there within the heaving lungs of our sore love.<br />

The wild dispersion<br />

from the ram-head worm<br />

liberates the electrical magnificence<br />

of the steppingstone universality<br />

of creation<br />

past us<br />

who supersede these rattling lives in death<br />

as space shall supersede the earth in death.<br />

On call,<br />

I remain<br />

The black absolute of your former jousting life.<br />

52 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


In Heat<br />

Looking for my Mrs. Robinson,<br />

I searched among the<br />

fire hoses,<br />

and, finding only<br />

a<br />

big<br />

red<br />

fire engine,<br />

I climbed aboard<br />

and took a<br />

screaminglong ride<br />

through the cold night<br />

to the hot fire.<br />

LOVE, LUST, LOSS | Lust<br />

53


Woof<br />

woof Woof Swee<br />

tie<br />

see my bou nc ing<br />

Dogun fur<br />

l<br />

s p o n g i l y<br />

take note:<br />

the quic ker<br />

the dic ker themore thelights<br />

flic ker<br />

ker - woof ker - woof Bow wow wow wow<br />

lights<br />

o<br />

u<br />

t<br />

s<br />

w<br />

e<br />

e<br />

t<br />

i<br />

e<br />

.<br />

54 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


A Wood Removed<br />

I. In the shadow of the sullen woods,<br />

new white axe in hand,<br />

I bend to kiss the fuming ground,<br />

weary at my trod of feet,<br />

crying woe for<br />

the impertinent growth of trees<br />

between its swollen legs,<br />

waiting for the white axe blowing,<br />

nipping at the dark wood’s roots.<br />

II. In the shadow of the sullen woods,<br />

I raise up from the fuming ground,<br />

and turning, bend my axe,<br />

a-nipping at the growth of trees<br />

waiting,<br />

I come crashing,<br />

thunder from my willful axe<br />

splitting and a-flashing<br />

at the sinking sullen woods.<br />

III. In the bright light of the one-time woods,<br />

I sleep<br />

and the freed ground<br />

suckles me in my exhaustion.<br />

LOVE, LUST, LOSS | Lust<br />

55


Sally, Oh, Sally<br />

Sally, with binary fields<br />

of kissability<br />

and butterfly fish for eyes,<br />

began our nocturnal scavenging<br />

with hoots and calls,<br />

trumpeting<br />

for the unobtrusive roots and tubers,<br />

‘til fastasahightonewhistle<br />

she runs<br />

to take a little ripe bit of me<br />

in<br />

to her buttress<br />

of a<br />

buttonbush<br />

below.<br />

56 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Virgin<br />

The age of veins within my arms<br />

denies<br />

the windless lake<br />

of your glass belly<br />

unstirred<br />

by the dike-busting storm of spring,<br />

a rage transposed<br />

through the lightning rod connection<br />

rifled through your innocence<br />

by this humble sabotuer.<br />

I bowing in peace following<br />

my heathen construction within<br />

the chambers of your shady brow,<br />

hand-shakingly congratulate the burial<br />

of your blushing anticipation.<br />

Hello, the age of veins.<br />

LOVE, LUST, LOSS | Lust<br />

57


Farming<br />

When I was young<br />

and you told me,<br />

I thought<br />

my yellow cats attacked<br />

your flower pots<br />

until I pulled out<br />

my American Heritage dictionary<br />

and read about how<br />

the old farmers<br />

used to plow<br />

and let<br />

the sweating storms<br />

and white-hot loud lightning<br />

lash the drooling furrows<br />

and<br />

make<br />

things<br />

grow.<br />

58 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Played<br />

Don’t let him kid ya, sweetie.<br />

The white powder sweetness<br />

of your ham-hock thighs<br />

will bring you two together<br />

in lunacy<br />

eventually,<br />

but the momentary emulsion<br />

yields no solution<br />

if you plan to go a-gardening<br />

in the spot where nothing grows.<br />

LOVE, LUST, LOSS | Lust<br />

59


Objective<br />

The object,<br />

my dear,<br />

is never to speak, so<br />

come join<br />

my secret garden<br />

in progress<br />

toward the establishment<br />

of bountiful well-being,<br />

unclothed,<br />

estimating my approach<br />

with sighs,<br />

yawning as a mouth does yawn<br />

with thighs.<br />

60 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Wisdom<br />

Stool wise,<br />

I shall bed thee proper.<br />

Virgin wise,<br />

I shall bed thee never.<br />

Lover wise,<br />

I shall bed thee hidden.<br />

Marriage wise,<br />

I shall bed thee whenever.<br />

Summer wise,<br />

I have bed thee all<br />

Amid tall and whispering grasses.<br />

LOVE, LUST, LOSS | Lust<br />

61


So New<br />

All thumbs of inexperience,<br />

my girl<br />

so new<br />

caresses me with two thumbs<br />

from above,<br />

learning fast,<br />

and<br />

dives<br />

into the congestive wars of love,<br />

peeking from the bunker<br />

for a quick shot<br />

of paradise.<br />

62 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Derailed<br />

Enthralled by her precarious automation<br />

down, down spun under<br />

the stropping bullwhip loin,<br />

puffing the weight of a cloud, her lungs<br />

suspend the stiffening shoulder<br />

(waving its salt sea masculinity)<br />

while she loves under the lilting lawless wave,<br />

‘til, with burning lightning fired within,<br />

spread and free she lies,<br />

derailed by her precarious automation.<br />

LOVE, LUST, LOSS | Lust<br />

63


64 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 1<br />

LOSS<br />

photograph by Steve Zavodny<br />

LOVE, LUST, LOSS | Loss<br />

65


LOSS<br />

66 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Cleopatra<br />

Cleopatra’s candles<br />

are like night<br />

against your long-legged light;<br />

a nightingale’s song<br />

mere baboon screech<br />

against your murmur in the dark.<br />

And yet my gifts<br />

are launched through other lives<br />

by this half a man,<br />

a man much less<br />

drawn dry under sizzling terror,<br />

roasted down<br />

to the crumb of a bone<br />

clenched by the reticent beast<br />

barring all from you.<br />

LOVE, LUST, LOSS | Loss<br />

67


Fantasy Fix<br />

Toasted shell of you lost<br />

in the tractless, bone-strewn plains;<br />

I,<br />

toiling in the hills<br />

archeologizing.<br />

I cannot reach you<br />

so I send eagles<br />

to snare your wandering husk<br />

and lift you back to me.<br />

Delivered,<br />

I replace<br />

pooled weary tears<br />

with rubies, emeralds,<br />

diamonds, opals.<br />

All spaces filled,<br />

I raise this shell enriched<br />

against Father Sun<br />

who sets the stones ablaze.<br />

You glow<br />

beyond perfection<br />

for someone...<br />

68 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Honesty Therapy<br />

May I sing<br />

to our frayed and dwindling bonds;<br />

I who come from time<br />

wheeling post-haste<br />

from <strong>pages</strong> written<br />

by those who have spent time<br />

to make the serpentine deductions<br />

to let us know post-haste<br />

oh, how to become a person<br />

of peace to ourselves<br />

and free<br />

of each other?<br />

LOVE, LUST, LOSS | Loss<br />

69


Disintegration<br />

Another body<br />

Foreign body<br />

Larger than you ever were<br />

Perfect body<br />

Smoothest body<br />

Better than a husband’s be.<br />

Morning meeting we<br />

Lay in meadows<br />

Under summer’s buzzing sun<br />

Swimmers of the maiden streams<br />

Lover that my man should be.<br />

Ripening lifting<br />

Softness cresting<br />

Silent murmurs breezing ears<br />

Holding viewing unrenewing<br />

He can’t make love like thee.<br />

Another body<br />

Foreign body<br />

Larger than you ever were<br />

Perfect body<br />

Smoothest body<br />

Better than a wife’s could be.<br />

Morning meeting we<br />

Lay in meadows<br />

Under summer’s buzzing sun<br />

Swimmers of the maiden streams<br />

Lover that my wife should be.<br />

Ripening lifting<br />

Softness cresting<br />

Silent murmurs breezing ears<br />

Holding viewing unrenewing<br />

She can’t make love like thee.<br />

painting by Alyssa Timon<br />

70 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Celestial Rage<br />

Life’s a gamble (often said),<br />

so let me flap<br />

one last card of tears<br />

down upon the table<br />

(yours this time<br />

not mine)<br />

for the solemn, silent dead;<br />

your complaint left to rattle ‘round<br />

the vacancy of his empty wooden chair,<br />

a tantrum to the God unfair,<br />

omniscient scoundrel<br />

unworthy of embrace.<br />

LOVE, LUST, LOSS | Loss<br />

71


Barmaid 1880<br />

I have not been to Nova Scotia.<br />

No,<br />

I have not been to Nova Scotia<br />

to see<br />

where you have gone<br />

to let your fertile seeds<br />

spawn their green fields of wheat<br />

and lay low the chastity of Halifax.<br />

72 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Lost You<br />

On wings<br />

where do i go<br />

?up or<br />

down a clown<br />

to you like a bird<br />

i sight from above<br />

where i wanted<br />

and didn’t<br />

got.<br />

LOVE, LUST, LOSS | Loss<br />

73


Wee Man #4:<br />

If at First<br />

Dark and stumpy,<br />

smelling like<br />

Smokey Bear’s last fought fire,<br />

some hillsides of his youth<br />

tried<br />

(with northern exposure)<br />

to grow new seedlings<br />

in the same old way:<br />

carving out fabled<br />

gurgling bouncing<br />

Coors clean<br />

silver mountain streams;<br />

spinning tales of black cats mousing<br />

or patch-eyed pirates<br />

afloat on midnight waves<br />

of adventure<br />

seeking<br />

love;<br />

and bringing out full moons of delight<br />

on bushy park benches<br />

and swingset trips to the stars<br />

but<br />

the sun only shines on the south slope<br />

now.<br />

74 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Dry<br />

dry<br />

with harsh lips and rough eyes<br />

i communicate<br />

futility<br />

to my mirror lying<br />

before me flat<br />

with lipstick<br />

on her moist lips<br />

and lipstick red<br />

her only clothing<br />

not listening<br />

wanting<br />

and i screaming<br />

dumbly<br />

with harsh dry lips, rough eyes<br />

and servile hands<br />

our passion shall<br />

be futile<br />

now,<br />

tomorrow,<br />

and all times beyond<br />

this moment<br />

of electric life<br />

coming.<br />

photograph by Alyssa Timon<br />

LOVE, LUST, LOSS | Loss<br />

75


Speechless<br />

To say what happens is a difficult thing,<br />

nay, impossible perhaps,<br />

when one loves the other and the other neither.<br />

For despising one buys self-hate<br />

under guilt<br />

for<br />

cruelty,<br />

rejection,<br />

acerbic words,<br />

secrets kept,<br />

lies told,<br />

an affair sloppily hidden.<br />

When one loves the other and the other neither,<br />

love waiting is not enough<br />

to draw off leaches from the other<br />

or burn away the guilt.<br />

Return to love waiting requires<br />

fatality of fantasy,<br />

apology deep,<br />

touch kind,<br />

longing for forgiveness (already granted),<br />

secrets told,<br />

lies confessed,<br />

affair abandoned.<br />

Love waiting says,<br />

“Come shoeless to me<br />

and I shall enfold thee<br />

in safety.”<br />

76 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


J. P.’s Poem<br />

Having come chirping<br />

out the red-walled cylinder,<br />

raising quick<br />

a black silk umbrella<br />

against<br />

the cold eyes of evil stars,<br />

I times long<br />

lost the weight of love<br />

with each new rising<br />

of the sun<br />

‘til I became so light<br />

with loneliness that please,<br />

before this breeze<br />

splats<br />

blasts<br />

puffs<br />

me away,<br />

grant enough just once<br />

to let me nestle<br />

under your paper wing<br />

and leave my sad white tears<br />

in your green womb<br />

boom<br />

boom<br />

booming<br />

on for posterity.<br />

LOVE, LUST, LOSS | Loss<br />

77


Long time<br />

Before the wisp of a ghost’s cloak graces your shoulder,<br />

it should be my fingertips to push cloth aside,<br />

my warm breath to steal the cool away.<br />

Before fog shrouds the blue light of your eyes,<br />

they should wash over our world,<br />

mirror our pool of years in trust and love.<br />

Before the well dries,<br />

its waters should be plumbed innumerable<br />

in repetitive rites of rejuvenation.<br />

Before the hinges fuse,<br />

our waltz from youth<br />

must be replayed.<br />

Before there’s nothing left of me to give<br />

nor of you to receive,<br />

Before we go, we must come<br />

home<br />

to<br />

each<br />

other.<br />

78 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


photograph by Steve Zavodny<br />

The Wall<br />

Little girl, I stare<br />

at you<br />

with eyes big as marvelous,<br />

lips all set to swarm over you,<br />

and my tongue<br />

a soft knife spreading marmalade.<br />

My hands are a tangle<br />

of dandy worms<br />

that would dance and crawl<br />

on your geography<br />

but for this wall<br />

that always comes<br />

between us.<br />

LOVE, LUST, LOSS | Loss<br />

79


Charcoal<br />

So spit fire now!<br />

(your self-absorbed yap)<br />

and I may rattle back<br />

a squawk or shout<br />

from habit of shaking<br />

the likes of you<br />

off my back.<br />

But I’m just a hack,<br />

mimic of another life<br />

once gone,<br />

come again<br />

conscious now,<br />

un then<br />

remembered now,<br />

abandoned when<br />

the first flames licked,<br />

as this<br />

inflamed Diablo incinerates<br />

to ashes us lost in dust<br />

or wave<br />

now food for roots<br />

or fishes.<br />

80 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


The Cabin<br />

Morningside’s hum<br />

with a distant creek<br />

rumble<br />

shakes my soul with a tremulous tilt,<br />

and reels my eyes<br />

to a wide-awake glaze<br />

when they reach into darkness<br />

to find not your warm hand<br />

or warm face<br />

and red cheek<br />

vibrating back with a union to meet<br />

in the oneness of singular love.<br />

LOVE, LUST, LOSS | Loss<br />

81


Who Knew<br />

A wise few,<br />

mated at the soul<br />

will know why<br />

snow clouds claimed his sunrise,<br />

and sympathize,<br />

While those<br />

ill wed,<br />

would see the fool on coals<br />

where they reside beside,<br />

confusing heat with summer,<br />

And the fool,<br />

blistered by artificial bliss,<br />

since spring,<br />

in autumn, circles<br />

their love embers,<br />

an ash dancing<br />

on her remembered breath<br />

until death.<br />

82 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Worn<br />

Narrowing down<br />

our love<br />

to a pi<br />

npo<br />

in<br />

t<br />

the<br />

thorns of pro<br />

tection hide your o<br />

paque nectar berries li<br />

ke knowledge of the future<br />

and slows the bloody picking in<br />

to gentle grace laced with the bleak<br />

fluid of our veins willing and due to per<br />

severe<br />

until your need is gone<br />

until my wounds are healed<br />

until we both are free.<br />

LOVE, LUST, LOSS | Loss<br />

83


Depression<br />

Long time since<br />

come down on me<br />

i pray<br />

come down on me<br />

honey of happiness<br />

and fill my niche.<br />

Escape your winter<br />

thaw this spring<br />

pour down on me<br />

and fill my niche<br />

come down on me<br />

come down<br />

come down<br />

i pray<br />

i pray.<br />

84 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Undying Love<br />

Sleep now<br />

is our cascade<br />

of love rain<br />

this slippery hot July.<br />

A Kentucky cricket throng<br />

sings praises.<br />

Sleep hence<br />

is our gift<br />

to spiders and worms<br />

underfoot, yet,<br />

we shall remember us<br />

long beyond<br />

the new morning.<br />

Finding<br />

will be the babes’ trick.<br />

LOVE, LUST, LOSS | Loss<br />

85


For Marné in May<br />

Girl, you are a furtive wave<br />

dancing against my toes<br />

who beckons me to chase,<br />

“Find me now!”<br />

as you gather back<br />

to your mother swell<br />

too shy to stay long<br />

at my shore<br />

with its confusing carnival<br />

of screaming and cheering<br />

on the beach.<br />

You, tiny once,<br />

small now,<br />

a bearer of bubbles only,<br />

gales in time<br />

(I cannot thwart the winds)<br />

shall heave you<br />

into a storm of womanhood,<br />

bearing ships in your turn<br />

(big work)<br />

and sending wave letters<br />

to the shore.<br />

I shall be then<br />

as sand to wash upon:<br />

feet gone<br />

to clay.<br />

86 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 2<br />

NO COMMENT<br />

photograph by Steve Zavodny<br />

NO COMMENT<br />

87


NO COMMENT<br />

88 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


A Joke<br />

Ha, ha, ha, ha, HEEEyaaaaahhhh!<br />

Ha, ha, ha, ha, ha, ha, ha, HOOOoooo!<br />

Time ratchets on<br />

t’ leave me gapin’<br />

wit’ all ‘a youse<br />

as we trod stupit’ly<br />

snagged on duh cogged chain<br />

rollin’ us so nonchalant<br />

along duh way<br />

dat each an’ ev’ry mannequin afore<br />

has flapped his rattlin’ gait along,<br />

sneerin’ at duh clatta’<br />

of his ancestuh’s bones,<br />

believin’ ‘is pathetic mediocrity<br />

makes ‘im betta’ d’an ‘is gramps.<br />

Get dis!<br />

We’s all pathetic,<br />

an dere ain’t no way<br />

to step off<br />

duh chain.<br />

photograph by Steve Zavodny<br />

NO COMMENT<br />

89


DICHOTOMY<br />

America,<br />

my favorite musical,<br />

I play you over and over<br />

and each<br />

time I<br />

do<br />

I think of your<br />

Grand Canyons and<br />

Allegheny green mountains,<br />

dark with trees and smoke filled eyes,<br />

flowing brooks of love<br />

so<br />

full<br />

of soft, white fish and<br />

hoping maybe<br />

(since I’m at your borders)<br />

you’ll let me in to stay;<br />

to be your citizen<br />

and soldier<br />

helping you to win wars<br />

win wars<br />

wars<br />

Yeah! Win them all.<br />

90 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


War Debt<br />

They died about a year ago<br />

in screaming wrath of childbirth<br />

(silent to my ears on the Somme)<br />

as I fought wars on foreign soil<br />

commanded by the state house dome.<br />

I thundered flame on children’s bones,<br />

and splintered nations with the rest,<br />

and trod the face of Earth in mud,<br />

while she and he climbed in the tomb<br />

exploding shells had dug for me.<br />

NO COMMENT<br />

91


‘Nam<br />

The president sat,<br />

a dangerous piece of radium<br />

in a sightless lead box,<br />

at his desk<br />

somewhere<br />

where my rancid breath<br />

could not reach him<br />

to make him smell<br />

my battlefield,<br />

mired in bloodthirsty worms.<br />

92 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Battlefield<br />

Promise lies swollen<br />

under the buzzing sun.<br />

Hovering souls wave like smoke,<br />

guessing who<br />

their fathers might have been,<br />

and cry for mothers<br />

gone dry.<br />

Corpse man in the mud,<br />

your eye is open.<br />

Can’t you see<br />

the fly<br />

crawl up your nose?<br />

Blow him away<br />

like the shell<br />

that spat your side to red rain.<br />

Earth, you swallow<br />

blood and ash,<br />

fresh-ground flesh,<br />

and bellowed tears<br />

that fertilize the flowers<br />

of our history.<br />

NO COMMENT<br />

93


A Wish from Home<br />

for Warriors Away<br />

If my hands were quick enough,<br />

I’d snatch the bullet<br />

tearing<br />

and sighing<br />

as it roars through<br />

desert air<br />

intent on killing you,<br />

deflating us all<br />

until we twist back<br />

upon each other,<br />

browned and slimed<br />

like outer leaves<br />

of a cabbage left out<br />

on a summer counter<br />

while I was away<br />

on<br />

vacation.<br />

94 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Compassion?<br />

Refugee,<br />

we hear only damp wind shushing<br />

when<br />

your cries play<br />

like an empty swing rocking<br />

in a breeze<br />

on a fresh Spring<br />

day<br />

away in the future<br />

when we all are<br />

new again, and<br />

these times are dust.<br />

NO COMMENT<br />

95


Apotheosis of Life<br />

Hear my oratorio of<br />

sympathy<br />

on the death of those few<br />

or many<br />

(it really doesn’t matter)<br />

as I spin a collective<br />

artifice of woe<br />

for you (all) to weep<br />

upon.<br />

And we agree<br />

on the apotheosis of life<br />

that lives just behind my lips<br />

and echoes across the airwaves<br />

overrun soon<br />

by truth<br />

of crusades and gluttony,<br />

and my boot upon<br />

the ants.<br />

photograph by Steve Zavodny<br />

96 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Stone Feelings<br />

Stone in the road<br />

knows not<br />

whether rain from clouds<br />

or blood sprayed by bullets<br />

drops on its back;<br />

hears not<br />

our martial steps drumming<br />

or our human thunder;<br />

if we lie in grass<br />

to rest or to die;<br />

cares not<br />

recoils not<br />

at the beast in our breast,<br />

swelling wrath beyond comprehending;<br />

tastes not<br />

how we devour and feel good,<br />

as we make others fall down;<br />

and sees not<br />

myopic war flinging dust<br />

against God’s Providence,<br />

and winning.<br />

NO COMMENT<br />

97


Palestinian Ode<br />

Vultures swirl,<br />

moaning as crows<br />

picking over this land<br />

blown free<br />

of grass and trees.<br />

I am the gentle father,<br />

of those who once knew grace,<br />

and of the rabid boy,<br />

who only knew bullets,<br />

and now is dust.<br />

Oh war,<br />

‘though you pull a flower<br />

from the center of my garden,<br />

Time shall raise others ‘round.<br />

Exhaustion is the fertilizer.<br />

I am civilization in rags,<br />

Waiting.<br />

98 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Oblivious<br />

Kansas son,<br />

God over fair meadows,<br />

at midday come in<br />

to lay aside<br />

your soiled shirt<br />

like ghost pictures<br />

from morning.<br />

Eat now,<br />

and later coax<br />

raccoon cities of corn<br />

up from the soiled heart of Earth.<br />

(as if<br />

anyone will notice)<br />

Your bare clay<br />

feet rooted stand<br />

apart unknown by<br />

the 44th & Broadway bistro bunch<br />

munching chips<br />

and laughing.<br />

(as if you knew)<br />

NO COMMENT<br />

99


Family of Man<br />

It used to be<br />

a fat man was the stranger,<br />

an oddity in the crowd<br />

the phone was at home<br />

waiting for us to come back and listen<br />

a neighbor was a friend,<br />

and there was time to talk<br />

the man who watched children play<br />

chuckled at their antics and nothing more<br />

farmers lived for us and them,<br />

their soil was rich and food was tasty<br />

books were read,<br />

and kept our hands warm holding them<br />

TV wasn’t, and then when it was<br />

yet again wasn’t by 11:00 p.m.<br />

It used to be<br />

no one lied,<br />

until the door was closed in Eden.<br />

100 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Birth<br />

Swimming dumb<br />

those first strokes to light,<br />

I, the sponge soaked in parental force,<br />

bellowed<br />

from life’s cliff<br />

in hunger from the start;<br />

and, answered in storms<br />

from that coast’s lashing seas surrounding,<br />

had I read the icy hail<br />

of tears to come,<br />

I should have stayed behind.<br />

NO COMMENT<br />

101


Abusing Storm<br />

He is of earth.<br />

A once fertile pasture<br />

baked brown by years<br />

of midsummer drought;<br />

a crisp wasteland now<br />

gathered under<br />

a billowing thunderhead flashing and scowling<br />

like a father’s final judgment<br />

swelling to explode in wrath<br />

whipping down<br />

the throb of joy,<br />

the promise of love,<br />

in waves until its last lash<br />

sighs into the shrunken sponge<br />

of a cowed back<br />

with whispered accusations<br />

that he’s just a man of clay.<br />

102 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


All Over<br />

Do not chatter<br />

of your soft free willow days,<br />

and how each quest<br />

soared as a gull in trade wind breeze;<br />

bragging that each deep wood<br />

kindled no fear of endlessness,<br />

but lay coursed with soft paths and fairy guides<br />

where wild flowers prayed at the waysides.<br />

Chant,<br />

chant not how all lay wide<br />

for you,<br />

for I would do it all – ALL again<br />

had I<br />

but more time to spend.<br />

photograph by Steve Zavodny<br />

NO COMMENT<br />

103


Rat’s Prayer<br />

Give me a lever to Mars<br />

that i might<br />

(puff )<br />

wedge it<br />

against the Earth<br />

(groan)<br />

freezing day and night<br />

(pant)<br />

long enough<br />

to<br />

catch<br />

up.<br />

photograph by Steve Zavodny<br />

104 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Burn Out<br />

For tall houses,<br />

for spacious, sun-drenched lawns,<br />

I strive because I know how,<br />

not because I wish.<br />

A tattered rock could be my pillow now,<br />

so far down the path<br />

scant time remains<br />

for comfort.<br />

NO COMMENT<br />

105


Brink<br />

I am beaten<br />

I am lazy<br />

I don’t care<br />

I want to quit<br />

Go away<br />

Leave me alone<br />

I’m afraid<br />

I can’t keep living<br />

Give me a gun<br />

One bang<br />

And it’s over<br />

For me<br />

But just begun<br />

For you<br />

So I’ll stay<br />

Come here<br />

Hold me<br />

Forgive me<br />

Love me<br />

I must find strength<br />

and cunning.<br />

106 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Locked<br />

You, Dear,<br />

whose desire stands cold<br />

as a<br />

crystal chrysalis hung high<br />

too much<br />

tight against the storm,<br />

learn, Dear,<br />

(you will)<br />

winds kiss<br />

and summer’s soft<br />

cyclones beat with feathers<br />

only when you<br />

build your wall<br />

from a composition of clouds.<br />

NO COMMENT<br />

107


Over<br />

Like the spent petals<br />

of a wild rose<br />

floating<br />

into<br />

the<br />

protection<br />

of<br />

the<br />

brambles<br />

below,<br />

we will leave the place of our last blooming.<br />

108 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Lull<br />

Sitting,<br />

I by myself<br />

sit,<br />

another sun setting out,<br />

in my one room<br />

camp;<br />

cluttered<br />

in thoughtless arrangement<br />

by my thoughtless emotions<br />

(whitefaced, point-eared dandies)<br />

who have brought me here<br />

by myself,<br />

now,<br />

not always so.<br />

NO COMMENT<br />

109


To Mecca<br />

My neighbor friend and I,<br />

on holiday curious,<br />

longed to hear the pranging music,<br />

drink the fragrant air,<br />

and see glaring white lights<br />

above the wet streets<br />

of Mecca…<br />

found,<br />

reflected up from below our heels,<br />

off flowing blood bubbling<br />

in the gutters,<br />

a gruesome sheen borne upon<br />

an appreciation furious.<br />

photograph by Steve Zavodny<br />

110 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Ms. Nature<br />

Mother of Lamb,<br />

Mother of Unicorn,<br />

Step forth from your nest<br />

In eternity,<br />

And see all eyes<br />

Turned up to you.<br />

Without you, life how much<br />

Would cease to be<br />

From worm through tree<br />

to we<br />

and thee.<br />

NO COMMENT<br />

111


Opposing wishes:<br />

Antietam<br />

I throw myself at you for a cause<br />

that is not love<br />

but their passion<br />

forcing my passion<br />

for life to be<br />

the guide behind my eye<br />

flex of my finger<br />

howl in my throat<br />

to bullet and scare you into submission<br />

if my time lets me<br />

do and hear it<br />

and once more<br />

return to my passion<br />

that is love<br />

for her who pulls<br />

water from the well<br />

of me<br />

to raise us both.<br />

112 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Bah, Humbug<br />

Winter I wonder<br />

why who needs you?<br />

Bugs struck dumb with numb?<br />

Frostbitten birds cast south?<br />

And ground gone stiff?<br />

Trees shock solid?<br />

Who lives by<br />

frozen stone-breath sinking<br />

to mate with snow?<br />

It is no kiss you give.<br />

It is no love I take.<br />

photograph by Steve Zavodny<br />

NO COMMENT<br />

113


Standing Fast<br />

“There are never storms enough<br />

To blow my ship off course,”<br />

of course<br />

bellowed the captain<br />

of the schooner<br />

lying beached on its side<br />

on a sandy shore<br />

with him bound fast<br />

by hands<br />

to the wheel,<br />

stuck fast in boots<br />

nailed to the wooden deck<br />

in permanent pose<br />

of the man in charge<br />

in line with the masts<br />

all cantilevered over in empty air<br />

over a sea of sand<br />

where his hat lay,<br />

rocking in the wind,<br />

gulls chortling above.<br />

114 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Futile Glow<br />

Ah, Morning! Welcome back!<br />

It’s good to see you again,<br />

as you pour your promising light<br />

into my hands,<br />

in the still dawn.<br />

Is it you who promise<br />

a flood of peace,<br />

but then forsake us<br />

to brute terror,<br />

bloodshed<br />

and anarchy,<br />

or are we unable<br />

to hold your perfect light<br />

in our cracked, seeping vessels,<br />

hands charred by perpetual sin?<br />

NO COMMENT<br />

115


Heat<br />

God,<br />

Electricity,<br />

Master Energy,<br />

will you<br />

glow<br />

really<br />

at the end<br />

as Tibetans say<br />

or sear me<br />

for my infidelity?<br />

photograph by Steve Zavodny<br />

116 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Legacy<br />

Sweet Blackman, could we say<br />

you are like a chocolate sundae<br />

(the biggest)<br />

since we have eaten you and loved it<br />

for three hundred years, getting fat<br />

and proud<br />

as the longest night of the year?<br />

How do we wipe<br />

our mouths clean?<br />

Will you do it<br />

for us<br />

with patient<br />

humanity?<br />

NO COMMENT<br />

117


Little Boy<br />

Ignored among the giants, oiled bellies basting,<br />

baking breasts, and bottoms red,<br />

He has filled his bucket with sand,<br />

a boy on the beach.<br />

On that four-season beach, he searched and searches<br />

for more than just the crystal grains,<br />

tacking to salt and sweat,<br />

a little boy gathers sand.<br />

Sifting swirling grains, broken shards of weathered rock,<br />

white brown tan and black,<br />

when diamonds lie pick-and-shovel deep,<br />

a little boy forever gathers sand.<br />

118 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Wolf at Night<br />

Hated, hunted beast<br />

howling;<br />

scratch and yowl at the moon,<br />

beat the Earth’s breast<br />

with that lurid scream.<br />

Proclaim how you give teeth and snarl<br />

claw and crush<br />

to gentle woodland prey.<br />

You liberate hearts.<br />

Are you crowing over bloody victories?<br />

Or do you ask us,<br />

“Love me though<br />

I do despicable things.”<br />

NO COMMENT<br />

119


Snow Fence<br />

Wire and rough hewn slats<br />

stand against the winter wind<br />

and snow,<br />

placed steadfast by a farmer<br />

along the long lane leading<br />

from the man-made state route<br />

to his white farmhouse<br />

centered among<br />

all his Nebraska lands,<br />

to trip the wind,<br />

drag down the rushing flakes<br />

that rip by<br />

tearing slivers away,<br />

smoothing edges<br />

of rough hewn slats,<br />

heaping more against their<br />

windward side<br />

saving the lane from oblivion<br />

while disappearing almost all<br />

beneath a weight so cold<br />

the slats lean down<br />

nearly lost,<br />

nearly flat,<br />

until spring,<br />

cracked and worn,<br />

so many severed at the base.<br />

Their season done,<br />

the farmer takes them<br />

quietly to the burn pile<br />

knowing he will,<br />

when time comes,<br />

place a new generation against<br />

the next season of cold wind.<br />

120 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Inequity Allegory<br />

Some leaves cling through autumn, ‘til spring,<br />

pleading their worth;<br />

chattering for redemption<br />

and another season,<br />

tarnished leftovers crisply waving<br />

wondering<br />

when<br />

their withered glue will hatch them<br />

down among spent comrades<br />

who caught sun alongside<br />

last spring and summer too<br />

boasting of their emerald hue.<br />

Now aged into a second spring,<br />

having dodged rain<br />

fought wind,<br />

reflected heat<br />

and borne snow,<br />

a leaf means something<br />

at least for one season<br />

their paper whine implores.<br />

But launch they will<br />

to dress the grip<br />

of collectors down under<br />

whose grave philosophies<br />

unravel joy;<br />

who bartered gloves of kid<br />

for claws<br />

to gather pleading leaves.<br />

NO COMMENT<br />

121


The Well<br />

The well<br />

that used to fill<br />

so well,<br />

it’s young brim shimmering,<br />

no longer swells<br />

from the dark<br />

to the rim.<br />

Shored up with stone<br />

each year a layer new<br />

is laid down<br />

to make it strong.<br />

Now so deep<br />

no light meets water,<br />

nor water its earth to quench,<br />

earth dried hard as stone,<br />

stone holding water<br />

left alone.<br />

122 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Responsibility<br />

Who’s her cause of screaming?<br />

she screams<br />

wise<br />

to know<br />

its someone<br />

anyone<br />

somewhere,<br />

a maniacal<br />

expert psychic adulterer<br />

who’s absent from her mirror,<br />

staring out her eyes,<br />

burning in her straight jacket.<br />

NO COMMENT<br />

123


Mr. Binger<br />

photograph by Steve Zavodny<br />

In Due Consideration of:<br />

The blaring, bulbous lust<br />

of her wonder voice,<br />

The powdered pallor<br />

of her shuddering skin<br />

(waves piling upon the rocky shore),<br />

The rumpled down<br />

of her scatter rug face,<br />

The caffeine twitch<br />

of her sunshine morning hands<br />

rustling on her bed of steel,<br />

Of her cellophane orange and snake pit hair<br />

sifting ‘round the neck nape there,<br />

And the pygmy space in her welcoming heart<br />

lodged so deep in her<br />

eggplant bodied<br />

core,<br />

And of you, Mr. Binger,<br />

In your frail, quail-feather coat<br />

And mustachioed neat nibbler lip;<br />

Tell me, Mr. Binger,<br />

Do you still of an evening ding her?<br />

124 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Schism<br />

Though fire dwells in ice<br />

today<br />

and eyes dart<br />

like a hare away<br />

before the hounds;<br />

though thought runs heedless<br />

to union without dignity,<br />

and his presence hangs in vapors,<br />

admonish not her heart<br />

swollen tender<br />

by affection<br />

for Anyone.<br />

NO COMMENT<br />

125


Love Lessons 5<br />

Sweets,<br />

in a minute,<br />

I may say<br />

I love you<br />

prematurely<br />

yes,<br />

but in the nick<br />

of time<br />

to save you<br />

from your history<br />

and to<br />

bury me<br />

in<br />

mine.<br />

I love you<br />

though I<br />

bore<br />

you<br />

and you bored<br />

bite<br />

back.<br />

My dear,<br />

lower down<br />

your low voltage heart<br />

and take a charge from mine<br />

and hope that neither halt again<br />

as they did<br />

once upon a time.<br />

photograph by Steve Zavodny<br />

Who was it showed me<br />

Where the schoolmarm<br />

among all the rest<br />

who taught me love whipped<br />

like her sharp willow switch?<br />

When man gives up his right to cry,<br />

and I as man<br />

shall cry no more,<br />

then death<br />

in all its stillness<br />

shall have my heart.<br />

126 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Presidentess<br />

Trying to seduce the first<br />

woman president of the<br />

U.S.A.,<br />

being the cabin boy,<br />

I was informed by black<br />

telephone<br />

not hot-line red,<br />

that work comes first.<br />

So now I know<br />

what a lousy lover work is.<br />

NO COMMENT<br />

127


Humanity?<br />

Insatiable crew<br />

On the Ship of Fools<br />

Pulling in fish on starboard,<br />

Spilling their guts to port,<br />

You know it’s best to stop<br />

But can’t,<br />

But can’t,<br />

‘Cause it’s in your blood,<br />

It’s in your will<br />

To kill and kill and kill, kill, kill.<br />

128 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Mountains<br />

How<br />

like<br />

a mountain range<br />

life can be:<br />

Never even,<br />

smooth,<br />

or placid,<br />

but filled with<br />

beguiling cascades<br />

that trill<br />

vigilance to sleep<br />

along the crumbling cliff walk<br />

where Anyone may<br />

tumbledown<br />

to smash<br />

upon the rocks.<br />

Awaken then,<br />

lick your wounds.<br />

All crippled<br />

still love<br />

in their own way.<br />

NO COMMENT<br />

129


Womb Wish<br />

I will be<br />

King or pauper,<br />

father or wretch,<br />

philanthropist or thief,<br />

lover or pimp,<br />

doctor or murderer,<br />

Priest or pedophile,<br />

but for a swig of Satan’s wine<br />

or a beacon’s glow from God.<br />

130 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Wee Man #3:<br />

Vicar<br />

Instructor from god<br />

(your run-of-the-mill<br />

electromagnetic energy)<br />

is the too-many-word-filled mouth<br />

of the Wee Man,<br />

breaking silence<br />

with nag and command,<br />

vociferous wind.<br />

Bah!<br />

Pathetic pastor put<br />

him<br />

in the leather<br />

tag-along<br />

kid’s marble pouch<br />

of forgetfulness.<br />

NO COMMENT<br />

131


photograph by Steve Zavodny<br />

Taxi Ride<br />

God’s taxi,<br />

this church,<br />

(a half-way house ‘tween youth and grave)<br />

graced with snow<br />

and scented with<br />

cadaverous sighs,<br />

blind eyed<br />

heaven’s youth<br />

does time impenitent<br />

before the robed cabbie<br />

naming off the sights<br />

speeding by<br />

along the way to<br />

the<br />

air<br />

port.<br />

132 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Unholy Prayer<br />

Churches! God,<br />

I love them all!<br />

They’re vacuums<br />

pulling on the happy chaff.<br />

Praise the Lord,<br />

who sweeps the world clean<br />

so there’s less in my way<br />

when I walk free.<br />

photograph by Steve Zavodny<br />

NO COMMENT<br />

133


134 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 3<br />

PHOTOS FROM ID<br />

photograph by Steve Zavodny<br />

Photos from ID<br />

135


PHOTOS FROM ID<br />

136 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Year 25<br />

Two manti<br />

preying;<br />

really only one,<br />

the mother-to-be<br />

female,<br />

upon the momentary father,<br />

the other,<br />

began to devour him,<br />

leg and shoulder, neck and head,<br />

one quarter gone,<br />

when wind,<br />

stunned by the sun,<br />

stumbled<br />

over the devouress,<br />

puffing her down<br />

among the lower<br />

branches,<br />

and him forsaken<br />

had three-fourths left<br />

to go<br />

and no head<br />

for direction.<br />

photograph by Steve Zavodny<br />

Photos from ID<br />

137


Look and See<br />

Gallant Fox bolts<br />

before the baying hounds.<br />

Brown grasses crackle<br />

before his orange flame<br />

burning for the sanctity<br />

of the river dell.<br />

138 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Ode to e.e.<br />

Suppose the sun<br />

who<br />

pops up every morning from (godknowswhere)<br />

all goldandyellow<br />

decided (smilingandwarm)<br />

to give us whatfor!<br />

and<br />

being a balloon<br />

and very hot<br />

meltedBurst anddisappeared<br />

and left us all in darkness.<br />

Whatthen,<br />

huh?<br />

Photos from ID<br />

139


Squirrelly cad<br />

Slipping unseen,<br />

in his frogskin coat<br />

and furry coonskin cap,<br />

from the fatigued, hunt-swept<br />

woods,<br />

(he left them dripping sweat)<br />

and having withdrawn<br />

his hot sun of searching,<br />

he brought his skein<br />

of murdered squirrels<br />

to the town square<br />

and,<br />

entering the contest,<br />

won the title<br />

of<br />

The Great<br />

Master Trapper.<br />

140 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Antarctic Expiration<br />

Those rock-stiff match-scratched hands<br />

fumbling through the snow<br />

for the blackheaded sizzling hope<br />

of life,<br />

ran molelishly beneath the snow<br />

as the unborn son<br />

of the last ditch fire<br />

sighed<br />

for rest<br />

as he fell in sleep<br />

beneath the fever blister cold.<br />

Photos from ID<br />

141


Rescued<br />

In the overflowing<br />

red brick down any town street firehouse<br />

of grinning<br />

rocking-chaired and pipe-pussed firemen,<br />

the false alarm of our love<br />

closed the latch<br />

over that sly elf, Fatality,<br />

before the lolling firemen<br />

got back their wits,<br />

boots,<br />

and chains,<br />

and trains of red trucks whined<br />

for traction on the streets,<br />

before they clanked suspenders fast<br />

and roared in the guise of mirth<br />

to our salvation.<br />

142 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Peaceful Slumber?<br />

Though this scorpion be moonlit,<br />

reflecting warmth<br />

in her curled wand,<br />

I find it hard to fear<br />

her diminutive spit of poison<br />

unless,<br />

of course,<br />

I should be sleeping<br />

and she would sting me in the night.<br />

Photos from ID<br />

143


Bound Forever<br />

The back-and-forth slap of the wind,<br />

dressed in maniacal snowflakes,<br />

rattles tan-gray cornstalks<br />

against the dry, hard cob,<br />

rigid on a frozen stalk<br />

stiff against the push<br />

and shove<br />

of changing seasons.<br />

144 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Baked<br />

Tumbling into<br />

the molasses pool of the sun<br />

The boys and girls and voluptuous mothers<br />

Of that freaking tide<br />

Stain brown<br />

as they swim<br />

In the sweltering stream of summer<br />

Which rages to an ocean<br />

of longing<br />

Beneath their leather<br />

white<br />

winter faces.<br />

Photos from ID<br />

145


The Proposal<br />

Or<br />

Lake Talk<br />

You, swan,<br />

there<br />

paddling;<br />

stay among my lily pads<br />

a while longer,<br />

and grace the blossoms<br />

grown to meet you<br />

until they wilt,<br />

until they die,<br />

stay a while gliding there.<br />

photograph by Steve Zavodny<br />

146 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Toad<br />

Admire the ulcered toad<br />

(Doubly ugly for his bounce)<br />

Asleep in his precision,<br />

Unimpeachable and genuine.<br />

No questions asked.<br />

No errors made.<br />

A toad be a toad,<br />

Has warts,<br />

And ugliness<br />

Down to his toadish toes.<br />

Photos from ID<br />

147


Alpine Melody<br />

Speak of the mountain in Winter<br />

whose young winds<br />

wind down<br />

singing through the crags,<br />

“Have peace with one another,”<br />

pushing snow<br />

(a trillion twinkles)<br />

with delight<br />

upon our village below;<br />

its rushing hushing<br />

each transient madness<br />

to leave us wishing:<br />

how can it not be always so?<br />

148 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Gone South<br />

Coagulated now<br />

the old man sits<br />

and hums<br />

(an electric raisin<br />

in the basting sun)<br />

mentally void<br />

with a distant comprehension<br />

of the yapping children’s<br />

crying dog<br />

jumping<br />

in the tufted nudity<br />

of his barren yard.<br />

Photos from ID<br />

149


Ancient Love<br />

The four quiet men<br />

sat<br />

while (which<br />

no one believed could ever happen)<br />

the dinosaurs of old came<br />

rumbling and swaying,<br />

their prehistoric<br />

marsh-slimed sides heaving,<br />

down between the eye-open walls<br />

of gaping city streets<br />

in Paris<br />

to kneel<br />

and kiss in swallowing<br />

the four drowsy men,<br />

one of whom<br />

had one eye<br />

open<br />

and saw the teeth of love descending.<br />

150 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Backwoods Birthing<br />

Whispering winded,<br />

cricket hummed and bullfrog mounted,<br />

in her stilted shack,<br />

bare-bulbed<br />

and back-woods hidden,<br />

with an automobiling tire scream<br />

(unanesthetized)<br />

her quivering flanks give way<br />

to the warped compulsion<br />

of the instantaneous deflation,<br />

the singular spaghetti man;<br />

her slippery-sided child-boy.<br />

photograph by Alyssa Timon<br />

Photos from ID<br />

151


Caught by Surprise<br />

When the first spring day (pogo-like) jumps<br />

Into the whistle-stop station of the morning,<br />

Squealing its steelwheels<br />

into reverse<br />

And smoking (squashing<br />

Children’s track-top pennies with glee<br />

hee<br />

hee<br />

hee)<br />

Tostop Intime Andnotmiss<br />

The moment of delivery,<br />

All the fools<br />

And wherever-you-want-it tumbledown baggage<br />

Wrangle themselves free<br />

To lie whispily twisted<br />

Like winter’s last gasp snow drifts<br />

On the wildflower grown<br />

and rabbit-ear-tickled<br />

platform of this day,<br />

Until the egg yolk sun<br />

From the downtown saloon of summer<br />

Brings mellow Yellow drinks<br />

Of charcoal filtered<br />

Peace and pleasure aged in wood<br />

for<br />

all.<br />

152 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Vehicular Eyes<br />

I have pulled up next to you.<br />

In silence,<br />

through the glass,<br />

I see your sounds.<br />

You see my sights;<br />

and now I have caught you,<br />

old one,<br />

but will not chastise you,<br />

for we are even now,<br />

for just this while.<br />

We will start from go<br />

to follow down this road<br />

expecting each to turn away<br />

next instant<br />

our faces<br />

or our vehicles of travel.<br />

You were singing when I saw you.<br />

Now you stare;<br />

I’ve stopped your song.<br />

So let me listen<br />

to your wordless mind<br />

stretched with song<br />

but not my life.<br />

And now the light is green.<br />

We saw each other,<br />

I pray, in peace<br />

before we go<br />

go go go go<br />

go.<br />

Photos from ID<br />

153


Free Danger<br />

I sitting bare-arsed<br />

Straw-hatted<br />

On the lion’s tongue prior<br />

to engulfment<br />

Before the shimmering teeth<br />

(bars before my hungry eyes) chewing<br />

At the navel dead center<br />

Of your affections,<br />

Sister Freedom<br />

I love you<br />

Because your love is rifle fast<br />

And on my side.<br />

154 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Scramble<br />

Skittering down the humpback driveway,<br />

master-pulled and digging in,<br />

Doggie came with feet aligned<br />

for duty to his bowels – salut!<br />

His leashed looks elongating<br />

the anguished hoots<br />

of his owl-faced<br />

and sweaty eyed leash-leader,<br />

they<br />

hurrying,<br />

surpassed only by<br />

the skittering turdies<br />

flung on down the humpback way.<br />

Photos from ID<br />

155


Boring<br />

I am clown much less today;<br />

I play my fiddle best<br />

in second chair.<br />

But I do twang well<br />

when the leader says<br />

“Band play!”<br />

So I play my lazy tune<br />

in second chair<br />

to put the band to sleep<br />

to put the hall<br />

town<br />

world to sleep<br />

to put my queen to sleep,<br />

alas.<br />

156 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


DC Trauma<br />

Sobbing on the bench<br />

at water’s edge<br />

at cherry blossom time,<br />

sobbing in terror<br />

of the ghosts crawling<br />

from a child’s toy box scorched by fire,<br />

the gun will jump<br />

from his briefcase<br />

excising his heart<br />

without pain<br />

when he wants it<br />

so badly<br />

to pacify his history.<br />

Photos from ID<br />

157


Upset<br />

In the squirming flight<br />

of a frightened midnight moth<br />

this airborne worm<br />

burns its paper wings<br />

as it curls and dives<br />

about these campfire candles<br />

aglow like love<br />

but dancing madly<br />

in a wild bonfire of jealousy.<br />

158 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Wee Man #7:<br />

Enlightenment<br />

What should I see?<br />

Having been careful not to,<br />

I climb into the<br />

laboratory centrifuge tube,<br />

a cultured matter<br />

seeking separation under<br />

the spinning of electromagnetic<br />

forces<br />

at the heart<br />

of the motor<br />

shocking<br />

to be stripped of culture,<br />

and find what matters.<br />

Photos from ID<br />

159


London Fog<br />

Mother whispers to the world,<br />

“I can take you all away<br />

still,<br />

though you should scratch my skin<br />

with highways,<br />

urinate on me from factories,<br />

and raise carbuncular citied rashes<br />

on my skin.”<br />

photograph by Steve Zavodny<br />

Her damp breath whispers this<br />

when abusing fog sequesters me,<br />

and all our towers<br />

are surely swept away<br />

though I stand where buses used to roam.<br />

I am left<br />

alone<br />

to plead forgiveness.<br />

160 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


1859 Photo<br />

Frontier farm fatality,<br />

worn thin<br />

as an old leather belt<br />

driving the steam thresher,<br />

steam fagged out,<br />

left his cadaver cantilevered<br />

on the kitchen table,<br />

awaiting the drunken photographer<br />

summoned<br />

to immortalize the sober scene<br />

for the mortalized sobbing family;<br />

ignorant flies humming numbly<br />

dog watching, wonder sniffing<br />

the breeze<br />

of dust swirling transience.<br />

Photos from ID<br />

161


The Orange<br />

Psst!<br />

Come here and look a minute.<br />

There upon the ground<br />

It lies upon its side<br />

And points a nippled face at us<br />

To say<br />

Come peel my amply bulging hide.<br />

And see another dangling there,<br />

I almost beg a breath of air<br />

To strip its twig<br />

And bring it bouncing down to us.<br />

Doubtless their taste is fine<br />

Behind the fleshy bubbled skin.<br />

162 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Christmas Snow<br />

Like so many paper cutouts,<br />

spilled in joy by God’s children,<br />

snow swings down<br />

(pixies on the stiff, cold air)<br />

chattering loudly<br />

(or so it seems)<br />

against the still arms<br />

of the slumbering oak<br />

ash<br />

and maple tree,<br />

taking rest<br />

on the fallen leaves<br />

swept away to forgetfulness<br />

by the magic white.<br />

(A holiday draught of dreams)<br />

Photos from ID<br />

163


St. Catherine’s Monastery<br />

or<br />

Monk Heads<br />

See you,<br />

they are all the same;<br />

peel back the skin<br />

with eternity<br />

and gaze upon their sameness.<br />

Feel you<br />

amid the pile<br />

how each mind was like the other,<br />

and each hollow eye<br />

was blind to it,<br />

and hailed the confusion<br />

of superiority.<br />

Hear you<br />

no bottomless mouth<br />

can intone the cadence<br />

with its black breath<br />

of how one word is greater.<br />

Smell you<br />

among this heap<br />

of monk bones dust;<br />

the scent on one side of the mountain<br />

recalls the breezes of the other<br />

filled with the must of perpetuity.<br />

Taste you<br />

nothing;<br />

for the flavor of their lives is gone.<br />

164 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


St. Catherine’s<br />

Monastery or<br />

Monk Heads<br />

photograph by Steve Zavodny<br />

Photos from ID<br />

165


166 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 4<br />

1970s NYC<br />

photograph by Steve Zavodny<br />

1970s NYC<br />

167


1970s NYC<br />

168 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


NYC Underbelly #1<br />

Russian Doll<br />

Effortlessly bending,<br />

handily piercing<br />

the tangled and corroding trash,<br />

mercifully trapped<br />

in<br />

the<br />

big<br />

trash<br />

can,<br />

Bartholomew stands<br />

bent,<br />

the<br />

big<br />

trash<br />

man,<br />

mercifully trapped<br />

in<br />

the<br />

big<br />

city<br />

can,<br />

whose buildings stand tall<br />

in<br />

the<br />

big<br />

trash<br />

land.<br />

photograph by Steve Zavodny<br />

1970s NYC<br />

169


NYC Underbelly #2<br />

His Mrs.<br />

Jellious-breasted Bartholomew’s baby<br />

rocks undead as a nodding guard<br />

beneath the squirm of the city square<br />

below the glass-eyed city walls<br />

seeking tongue-hungry a meaning for life.<br />

The melancholy madam lives<br />

scumming through life on poverty waves.<br />

photograph by Steve Zavodny<br />

170 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


photograph by Steve Zavodny<br />

NYC Underbelly #3<br />

Wrecked<br />

I sat for years<br />

watching<br />

the New York City freighttrain<br />

S. quirting<br />

O. ff the tracks of sense<br />

S. quealing<br />

toward the brick wall of my mind<br />

smashing<br />

through the fortress of my soul<br />

welding<br />

to the granite of my brain<br />

leaving<br />

me henceforth<br />

smoking.<br />

1970s NYC<br />

171


photograph by Steve Zavodny<br />

NYC Underbelly #4<br />

Existence<br />

Radio<br />

Rasping its sterile sound<br />

Around the absent-minded<br />

Direction<br />

Of thunderclapping<br />

Citified man wrap-<br />

Ping my ears in a cochleal fuzz<br />

Perpetual buzz<br />

Aroma rich sandified air<br />

Smell the grit<br />

Of the munchable breeze.<br />

172 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


NYC Underbelly #5<br />

Subway<br />

The mechanical mole<br />

threads the nervous underbelly<br />

along the intestinal tract<br />

below the building-nippled city<br />

rushing through bacterial swill<br />

quaking the innards<br />

and shuddering<br />

the pencil-cracked<br />

packed concrete<br />

steaming<br />

below the heat<br />

of the Mayoral Vision,<br />

our only rolling prison.<br />

photograph by Steve Zavodny<br />

1970s NYC<br />

173


NYC Underbelly #6<br />

Tin Cup<br />

The BMT handrail tin cup man,<br />

clacking<br />

for the sunlight in your veins,<br />

had never asked his mother<br />

who so long sang<br />

for the sunlight in his veins<br />

if songs will do the holding,<br />

if songs will make the sunshine bright.<br />

The metal of his few-coined cup<br />

jingles in the clasp<br />

of a gelatin hand outstretched<br />

quaking.<br />

photograph by Steve Zavodny<br />

174 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


photograph by Steve Zavodny<br />

NYC Underbelly #7<br />

Drugged<br />

Pieced together<br />

as a Frankenstinian mind,<br />

a small boy wanders<br />

into Adulthood,<br />

yawning,<br />

because he's done it all before<br />

at speed.<br />

1970s NYC<br />

175


photograph by Steve Zavodny<br />

NYC Underbelly #8<br />

Bathtub<br />

Gasping on water<br />

warping his life<br />

to make the desolate turn<br />

toward death,<br />

a heroin-yellowed<br />

vision<br />

of his vibrating image<br />

darkened on the bathtub floor<br />

intrigued the limpid mind<br />

and keeper<br />

of his weighty lungs<br />

just before this human bobber<br />

soddenly tugged<br />

at the drunken counterpart<br />

of life<br />

passing underwater<br />

through the incandescently<br />

peeling tenement W.C.<br />

176 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


NYC Underbelly #9<br />

Overdose<br />

And the beat goes on<br />

as the meticulous addict-master<br />

nominates his vein canal<br />

and interjects a freaking fluid<br />

between mind and its nobility<br />

persuading thus<br />

the bodily sponge<br />

to constipate and oversleep<br />

the rhythm<br />

of his hearty life.<br />

photograph by Steve Zavodny<br />

1970s NYC<br />

177


NYC Underbelly #10<br />

The Perpetual<br />

Businessman<br />

The intentional holiday festoons<br />

of his bone-bleached beached<br />

island<br />

wipe the mud man’s<br />

gargoylish edi-face soapily<br />

free of a millionaire’s drudge,<br />

supplying membranous permanence<br />

to the stagnant quality<br />

of his corrupted peace.<br />

photograph by Steve Zavodny<br />

178 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


NYC Underbelly #11<br />

Prayer Before the Macy’s<br />

Widow Creche<br />

Jesus, damn you’re cute,<br />

with that sticky-outy straw stuck all over<br />

them damn swaddlin’ clothes.<br />

Hey, you know what’s in store for you, man?<br />

It ain’t gonna be pretty.<br />

But it’ll be magic!<br />

Along the way, makin’ the blind see,<br />

the crippled walk,<br />

the dead live,<br />

and a couple of flippin’ fish into a banquet for thousands?<br />

You were the best!<br />

You taught us to be above the animals<br />

but not everybody heard,<br />

and they been fightin’<br />

among their selves ever since.<br />

But you the leader, man!<br />

You studied up<br />

on what the prophets wanted,<br />

and you did it – pulled it off;<br />

all them signs!<br />

Ridin’ in on the donkey – now that really got ‘em.<br />

Everybody swooned – well almost everybody.<br />

The Romans took notice<br />

and they wondered.<br />

The Jews were just hacked though;<br />

1970s NYC<br />

179


jealous as all get out.<br />

Sold you down the river, they did.<br />

But you showed ‘em in the end.<br />

Dad split their temple,<br />

and brought it right down, HA!<br />

Take that, Bozos!<br />

But damn, man!<br />

Why did you have to put yourself through that agony?<br />

I cry and feel sick each time I think about it.<br />

You had our hearts and heads without dat, man!<br />

You didn’t have to.<br />

We believed,<br />

those who got what you said.<br />

We woulda followed for years,<br />

and did, don’t ya see?<br />

It’s been going on for two-thousand years.<br />

You didn’t have to get stripped, whipped,<br />

nailed and stabbed!<br />

God, we loved you! Still do!<br />

You have our confidence.<br />

You are the greatest con man.<br />

180 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


photograph by Steve Zavodny<br />

NYC Underbelly #12<br />

End<br />

And the (last gasp) Golden Hand<br />

came up<br />

squeezing the (last beat) Busted Heart<br />

into forced ejaculation<br />

of its garnet glistening worth<br />

within the copper wire canopy of<br />

green<br />

corroding<br />

air<br />

weaving from the smokestack<br />

of the greatest (urine) nation.<br />

1970s NYC<br />

181


182 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 5<br />

EUPHORIA-MELANCHOLIA<br />

photograph by Steve Zavodny<br />

Euphoria-Melancholia<br />

183


EUPHORIA-MELANCHOLIA<br />

184 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Leukemia<br />

Death finds this boy<br />

shopping for music<br />

and dreaming<br />

of Christmas gifts<br />

to give<br />

and get.<br />

Death takes this boy<br />

unaware<br />

before his melody<br />

winds down<br />

to muffled cries<br />

of regret.<br />

Euphoria-Melancholia<br />

185


Furious Moon<br />

I had longed to move away<br />

from the hiss and crackle<br />

of the serpent’s lie,<br />

to rebel against its smoldering flame,<br />

clouding vision,<br />

choking mind,<br />

hiding dawn.<br />

I had longed to move away<br />

from night,<br />

afraid to die<br />

half convention and half lie,<br />

bound by the serpent ‘twined<br />

upon my strangled soul.<br />

So sought I the full moon’s rage,<br />

reflected fury of the sun,<br />

and by the deluge of its light,<br />

stilled the hiss and crackle,<br />

sent fire to smoke<br />

dissolved the serpent’s twine.<br />

Gracious is the fury of the moon.<br />

186 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Houseman<br />

Even the rock house,<br />

three generations thick,<br />

wind-lashed on the bluff<br />

says, “Goodbye,”<br />

as frost peels each stone away<br />

sending chill creeping in<br />

where mortar once had<br />

held the cold at bay.<br />

Weather seeps in<br />

filling corners first<br />

with winter’s rush<br />

and comes one veiled day<br />

to swirl ash beneath<br />

a last long fire<br />

beating up the flue.<br />

A man within<br />

feeds flames futilely<br />

‘til all wood is burned<br />

and standing he must sit<br />

and sitting he must lie<br />

and lying he must swirl<br />

beneath the long fire<br />

beating up the flue<br />

before the seeping chill.<br />

Euphoria-Melancholia<br />

187


Progression<br />

My young men and ladies<br />

Shall have their dreams,<br />

Shall have their loves,<br />

Shall have their schemes,<br />

And never let their hearts go freer.<br />

My men and ladies,<br />

Throwing their pulses together<br />

Beyond the woven gates of skirts,<br />

Shall only tear their wings<br />

At the end of the boiling flight.<br />

My old men and scanty ladies,<br />

Falling upon each other for the last time,<br />

Wet each other’s backs with tears of longing<br />

For the days<br />

When green sun burned long and gay<br />

And bones did not fear a coming joust with earth.<br />

188 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Cycle<br />

I On came<br />

the magic Osterizer Death<br />

dissolving time away from her<br />

to liquefy<br />

her patent impulse,<br />

joining<br />

many in a conglomerate whirr<br />

confusing life with lives exiled,<br />

removing<br />

her selected warmth from me.<br />

II And on came<br />

the magic Apprentice Life<br />

damply arrayed<br />

in naked flamboyancy<br />

squealing forth the splashing sounds<br />

of a princess eager<br />

for the Oster crown.<br />

Euphoria-Melancholia<br />

189


Hiroshima<br />

Changeling<br />

Within<br />

are fogs and dust<br />

suspended in<br />

luminescence<br />

from sunlight<br />

shining through my skin.<br />

Climb in<br />

and see<br />

there’s naught<br />

but gentle sparkling<br />

dust left<br />

<strong>inside</strong> of me.<br />

190 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Lost Youth<br />

You can’t raise Tripp’s blood up<br />

from out the soil where it has gone<br />

like so much rain<br />

into the mother sponge.<br />

Bring your lips down instead<br />

and kiss the life lost there.<br />

photograph by Alyssa Timon<br />

Euphoria-Melancholia<br />

191


Tiptoe Queen #2:<br />

Directions<br />

The bumper pool dancer<br />

unscrewing<br />

twirls down tunnels of<br />

various<br />

direction<br />

pleading “None be endless,<br />

let me sail<br />

on my racing sloop will<br />

out the end of a trombone bell”<br />

spins<br />

the Tiptoe Queen crying.<br />

192 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Circus Tale<br />

Unreachable she now,<br />

he then,<br />

calamity blew down,<br />

a witless wind,<br />

blowing the cover off<br />

their souls<br />

bubbling up<br />

in truculent depravity<br />

laid down abusedly<br />

by roaring, sneers and swipes.<br />

Safely unreachable, scarred<br />

lioness and lion locked lie<br />

in their cages<br />

protected from reachable love.<br />

Euphoria-Melancholia<br />

193


Brotherhood<br />

Mortality is our sad brotherhood<br />

that peels generations down,<br />

exfoliating layered ages<br />

to dust upon the ground<br />

amid buttercups watered by tears<br />

from forlorn bleeding hearts<br />

deaf to the angels’ cheers.<br />

194 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Anger<br />

Who places honor<br />

on this diseased monk<br />

infected with rage,<br />

subtly spreading contagion<br />

to your mallow will<br />

unjustly,<br />

undeservedly,<br />

unsolicited?<br />

Flatterers or fools,<br />

you swing affection on a string,<br />

and it tangles in my hair!<br />

I caught must reflect your<br />

beaming!<br />

(Thank God.)<br />

Euphoria-Melancholia<br />

195


Floor Allegory<br />

There is a spot of soil upon this floor,<br />

a stain set down years ago<br />

that tarnishes the beauty of the wood<br />

we laid working side-by-side as a team of lovers<br />

bent on laying a solid floor for our naked feet.<br />

So how now do we fix this stain soaked deep?<br />

A coat of paint just will not do,<br />

for eventually it would wear through,<br />

and there before our eyes<br />

the stain would glower up<br />

old shapes of what had died.<br />

Shall we then not look down ever again?<br />

Out of sight is out of mind they say.<br />

But out of sight perpetuates a lie<br />

that the stain is gone when it’s there each day.<br />

And how would we manage littler spills upon the floor<br />

(when stooping to mop them up reveals the dreaded blot)?<br />

They must be cleaned, and quickly too,<br />

lest they become another stain clear through.<br />

Shall we bare the surface of the floor,<br />

and stain it equal to the tarnished place?<br />

That would surely block the view,<br />

and help us forget where blight was laid.<br />

Yet a broadened change of hue<br />

would only slap our hearts and minds<br />

with recollections of the stain left behind.<br />

No, I believe the only way to cure the stain,<br />

196 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


working side-by-side as a team of lovers once again,<br />

is to tear away the old wood floor,<br />

(a handy bonfire it will make)<br />

and lay some solid tile there;<br />

strong ceramic glazed and glowing,<br />

impervious to soil,<br />

and reflective of our smiles pleased<br />

from hard work done well<br />

on our hands and knees.<br />

Euphoria-Melancholia<br />

197


Ummm…<br />

Die tomorrow?<br />

Deny me why<br />

a pleasure of today,<br />

your hay<br />

drop-knocked<br />

by rain quivering<br />

‘round the flagpole base,<br />

pennant stately furiously<br />

flapping<br />

from<br />

a doom storm brewing?<br />

Or stay <strong>inside</strong> drying,<br />

watching,<br />

joy by<br />

race by<br />

on down wind pushed by<br />

a doom storm brewing?<br />

My thoughts clandestine then<br />

dreamt ecstasy;<br />

parched<br />

now<br />

wither<br />

with<br />

me.<br />

198 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Wee Man #5:<br />

The Supplicant<br />

Wishing only that<br />

a directive from my blowing<br />

tongue<br />

should make a billowing in your<br />

wind-hungry sail of a will,<br />

I remain<br />

your<br />

Henry IX,<br />

Wee Man the Uncountable<br />

in my crown of red velvet<br />

and tin tinkle bells<br />

with scepter of candy cane stripes.<br />

Euphoria-Melancholia<br />

199


Breath of Distance<br />

I would like to see you young again<br />

from behind<br />

in morning<br />

when you have not seen me for who I am<br />

but who you thought<br />

before deception<br />

(or so you claim)<br />

brought views intolerable.<br />

I would like to see you young again<br />

standing on a glowing ocean dune<br />

wind gliding on your flowered skirt<br />

shadows absent of the thicker years;<br />

I far back to be unseen<br />

a passerby<br />

in admiration wishing<br />

yet urged by the wise breeze<br />

to drift back into the maw of town.<br />

photograph by Alyssa Timon<br />

I would like to see you young again<br />

where I could drift<br />

and you stand fast<br />

a vacancy between<br />

long before our passion crashed<br />

from love to foamed malignity.<br />

200 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Ode to ‘68 (In Disguise)<br />

We saying<br />

our evening of questionable<br />

capability<br />

being over,<br />

leaves us blushing,<br />

wondering<br />

what freight-train-over-head-rumbling<br />

apprehension<br />

had the power<br />

to spill the tower<br />

and leave us babbling<br />

from terrors<br />

doomed to the impotency<br />

of lost civility?<br />

Euphoria-Melancholia<br />

201


Grandfather<br />

Gulls buoyed above signify<br />

the ocean’s rest to sanctify<br />

my grandfather,<br />

letting me drum my voice<br />

against his ears gone ash,<br />

my peristaltic phrasings let him know<br />

and let him know<br />

and let him know<br />

and let him know<br />

and let him know<br />

the sun was more than morning bright<br />

before his eyes shut out its light.<br />

202 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Worthless<br />

As charismatic<br />

as a leppered dwarf<br />

sealed in an alabaster block<br />

painted flat black and<br />

buried out of sight<br />

in a pasture mined<br />

with cow pies,<br />

I evaporate<br />

from your mind.<br />

Euphoria-Melancholia<br />

203


Dandelion Man<br />

The dandelion man<br />

(in brief )<br />

grew quick from a nub<br />

against the wind and rain,<br />

and fighting,<br />

felt his head<br />

turn fragile white<br />

to be swept away<br />

from a wrinkled stalk.<br />

204 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


<strong>Mind</strong><br />

Beware what swims<br />

at the nerve ends<br />

within,<br />

blocked from the light<br />

by the skull lost in night.<br />

Wait,<br />

and the fresh dew<br />

of a new vision<br />

will glisten in the cave<br />

at first light.<br />

Euphoria-Melancholia<br />

205


Addiction<br />

In your high place Lady,<br />

your mister robs my pockets,<br />

carves away a bit<br />

(tiny chunk)<br />

of your soul<br />

where flies now lie<br />

in youth<br />

feasting on the wealth of love that<br />

used to fill that space (tiny chink).<br />

Lady, your mister leaves tracks<br />

of white dust<br />

that be<br />

our<br />

ashes.<br />

206 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Ned & Nellie<br />

Ned said to Nellie,<br />

“I do not play with you enough<br />

but look away at coming war<br />

and sink<br />

and sink<br />

and sink<br />

to melancholy.<br />

The stake of fear in me has wounded you<br />

when rather should I<br />

have draped garlands upon our bed.<br />

Can you forgive me,<br />

and grant us bliss again through talk<br />

and laughter,<br />

play,<br />

and quiet love all day?<br />

Euphoria-Melancholia<br />

207


Conception<br />

Calm,<br />

kissproof at the first,<br />

I play at your mouth,<br />

skinning down the cool<br />

of the leaf-clattered autumnal dusk,<br />

humbly laboring.<br />

Holy serpents plaguing nightfall,<br />

bid we farewell to upright stance,<br />

and<br />

crawl<br />

credit poor toward chrysalis wealth,<br />

warming flanks through<br />

jumbled fabric and<br />

consumptive meadows.<br />

We hurry<br />

down life’s corridor<br />

until we climb the pinnacle to<br />

explosion,<br />

vaulting time<br />

in scrambled disarray,<br />

to order<br />

one<br />

petrified,<br />

elongated second of heritage,<br />

engraving life<br />

with the ornateness of paradise.<br />

208 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Tarnished<br />

“There will be other summers,”<br />

Mabel said to me,<br />

(Yes, there may be<br />

I acknowledged feebly)<br />

“when poison in my head<br />

no longer taints my lusty dreams.”<br />

( Just venom in your heart<br />

de-sheens our radiant love scenes.)<br />

“and I will see the knight of nights<br />

polished, buffed again, and clean.”<br />

Euphoria-Melancholia<br />

209


Cold End<br />

Walking out<br />

on this night of terrors dark,<br />

cold winds blue down<br />

the fire in his cheeks,<br />

and stroke away<br />

the screaming heralds<br />

from his ears<br />

‘til both be lost<br />

in the chill whisper<br />

of passion’s demise.<br />

Clear ice<br />

spreads broad<br />

over Summer’s<br />

vibrant pond.<br />

210 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Coma<br />

Have you met an angel there?<br />

Discoursed soft in silence kept?<br />

How were you anointed so?<br />

Eager man from neophyte to sage,<br />

on white cotton in silence flow<br />

through simplicity to sagacity.<br />

Wake and show us how to hold<br />

emptiness<br />

teach us how to guard our time;<br />

to plum the well of love;<br />

and cross the shadowed chasm<br />

of despair.<br />

Ryan silent<br />

brave sleeper,<br />

gift giver<br />

of love,<br />

you have tilled<br />

the soil of souls.<br />

Euphoria-Melancholia<br />

211


Urban Escapee<br />

Selfish man!<br />

(forester extraordinaire)<br />

Happy wanderer,<br />

held by the traffic<br />

of catapulting salmon,<br />

night’s owl-boss<br />

scolding your lantern,<br />

escaped the predatory strife<br />

and collective wits<br />

of glistening ants.<br />

Oh, you,<br />

un-lose yourself<br />

from among the leaves and twigs!<br />

Come back!<br />

Contend,<br />

and be sad with us.<br />

212 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Against All Odds<br />

Green grasses,<br />

grown stiff<br />

and strong that<br />

freshest of early springs,<br />

perished<br />

in an autumn blaze set<br />

as two campers tired slept.<br />

The fertile meadow met demise.<br />

Years later,<br />

scorched shrubs and trees<br />

renewing<br />

to the yearning<br />

of the sun,<br />

throbbing life again<br />

against cyclic palpitations<br />

pushed<br />

the new green grasses<br />

up,<br />

and Nature stirred<br />

to move her hands<br />

in applause,<br />

for it was winter.<br />

Green grasses<br />

grow against all odds.<br />

Euphoria-Melancholia<br />

213


Visiting at Love’s End<br />

The sun today<br />

has buried itself in mud<br />

so that all who clothed themselves<br />

in barbed wire<br />

may let the painful armor<br />

uncurl<br />

unseen<br />

in this night of needing<br />

where the black moon<br />

remains<br />

to illuminate<br />

their affections.<br />

214 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Melting<br />

When it happens,<br />

spiders die beneath the skullcap.<br />

Their <strong>web</strong>s go up in flame.<br />

The fire and pulse of light<br />

burns away the lies.<br />

The bottled heat<br />

melts waxen eyes<br />

to tears,<br />

and he cries.<br />

Euphoria-Melancholia<br />

215


Starbuck Away<br />

Going sailing.<br />

Going whaling.<br />

Going sailing and whaling both together,<br />

I curly-haired black and blue-eyed go<br />

down the town its veins of streets<br />

to meet<br />

the vessels at the quays<br />

on this day,<br />

before<br />

fluff-bellied gulls<br />

ruffle their down<br />

as their vulture eyes<br />

chant unspoken songs of China<br />

to<br />

me.<br />

216 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 6<br />

BEYOND 40<br />

photograph by Steve Zavodny<br />

Beyond 40<br />

217


BEYOND 40<br />

218 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Daughter<br />

I am<br />

a slow stream narrow,<br />

and you<br />

the flat stone thrown<br />

skipping<br />

across my surface.<br />

Sometimes I see you.<br />

Sometimes you bounce<br />

against my surface.<br />

Too soon<br />

we end<br />

our touch-and-splash game,<br />

and you find<br />

the opposite bank,<br />

and I flow away<br />

looking back<br />

where your ripple<br />

used to be.<br />

photograph by Alyssa Timon<br />

Beyond 40<br />

219


Arguments<br />

Swallowed<br />

went each one counted<br />

registered<br />

ticked away<br />

on the abacus of lines<br />

about my eyes,<br />

flowing<br />

as alpine rivers<br />

in chills<br />

over our downstream waltz.<br />

A death of vows by drowning.<br />

220 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Long Roll<br />

Long rolls drum<br />

in my age of veins,<br />

rumbling from familiarity<br />

through causeways circuited to fatality.<br />

Each beat moves the mystery<br />

past merit to mediocrity,<br />

pounding out why red deeds lay congealed,<br />

in cans concealed in the basement store.<br />

I running before the last surge sounds<br />

at each quick turn of the circuit seek<br />

a course astern the howling worms teeth<br />

back to where brave eulogies root.<br />

Shall there be more pulse and time<br />

with courage, wit and skill<br />

to slay shabby biography<br />

and plant an oak upon its hill?<br />

Beyond 40<br />

221


Parched<br />

This well gone dry<br />

needs rains<br />

to come down upon it<br />

and fill it<br />

to overflowing<br />

so that<br />

it may bring<br />

moist lips of love<br />

to lands surrounding<br />

where only cacti thrive,<br />

spines taunting<br />

a molten steel sky ignited<br />

by a negligent god,<br />

forgetting his children<br />

are wet <strong>inside</strong>,<br />

survive and thrive<br />

on more than apples.<br />

222 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


The Keeping Room<br />

From your high young tree,<br />

Wild Man come down.<br />

The wind and howl<br />

of your melancholy descent<br />

exploding dry twigs<br />

(crisp leaves scurry to flight)<br />

shames the storms<br />

I send<br />

to warn<br />

of winter’s stillness.<br />

Come down<br />

into my keeping room<br />

where others slip<br />

from flesh<br />

to dust.<br />

photograph by Steve Zavodny<br />

Beyond 40<br />

223


It’s a Carnival<br />

Carnival day dawned<br />

bright and clear as a clown’s eye;<br />

bunting fluttering a-beckoning<br />

over its portal gate.<br />

We children grew to love that day<br />

through donkey rides<br />

and tilt-a-whirls,<br />

marksmanship and fishing for pearls.<br />

Some were strong enough<br />

to ring the bell<br />

and chide the devil’s house<br />

tangled corridors of fear.<br />

Others met him with their screams<br />

and sought to find<br />

the ending light;<br />

a promise of peace alluring.<br />

Yes, we children grew to love that day<br />

taking sight of ourselves<br />

in warped and swollen mirrors,<br />

future-flections that came to be.<br />

photograph by Steve Zavodny<br />

We were jazz dancers,<br />

gorged now like rats<br />

warped and swollen<br />

on carnival waste.<br />

Aw heck, it’s just a long day filled<br />

with cheap thrills<br />

before we go home<br />

for the longer night.<br />

224 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Cereal Bowl<br />

I in a bowl<br />

must seem to be<br />

not free<br />

to slosh about and play.<br />

I and cornflakes<br />

going soft<br />

with aged warming milk<br />

at prey,<br />

prepping us you see<br />

to mush<br />

for a golden spoon<br />

to take away.<br />

Beyond 40<br />

225


The Mirror<br />

Tell me who Where-is-he went,<br />

for I’m to find the man<br />

of glass;<br />

brittle,<br />

prone<br />

to crack<br />

in heat<br />

and dark,<br />

a crisp illusion<br />

who’s left is right;<br />

looking back backwards,<br />

conjuring confusion,<br />

for what we see<br />

isn’t,<br />

must be.<br />

226 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Closet Cure<br />

It’s dark<br />

<strong>inside</strong> the closet<br />

filled with<br />

rusting muskrat traps,<br />

your dusty wedding veil,<br />

the binding pin<br />

returned,<br />

stolen-by-night<br />

lane change signs<br />

pointing<br />

the wrong way;<br />

a box of children lost,<br />

another of children past,<br />

with nary a whisk broom<br />

to be found.<br />

And so the door<br />

is closed<br />

to keep<br />

the dark<br />

from coming out<br />

to unshine<br />

on this day.<br />

Beyond 40<br />

227


Lost and Found<br />

What architect dreamed and drew<br />

a boy like me<br />

with a girl like you<br />

facing north,<br />

facing south,<br />

on opposite sides of the city,<br />

beyond the looping “el,”<br />

satchelized and searching<br />

through greasy streets smothered<br />

in bellowing vendors’ calls:<br />

“Take me, buy me, use me!”<br />

all for the price of time?<br />

What architect napped<br />

while his blueprint faded<br />

in broad day away<br />

and a brush of soot<br />

turned the eyes<br />

and a coat of grime<br />

tarnished the sheen<br />

(of those seekers he dreamed and drew)<br />

and set them reeling.<br />

Curse the architect who woke<br />

at night<br />

and drew them dusty down entwined<br />

before switching off<br />

his workbench light.<br />

228 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Truth?<br />

He longs to move<br />

from this dry feast<br />

and leave the wily creatures<br />

alone to swill their final drops of wine<br />

and crack with snarled voices<br />

lies to hold tomorrow still.<br />

He longs to move<br />

but will not grieve<br />

should some last sip<br />

stun the drinkers dumb<br />

and sponge the air all free of lies,<br />

lies that burned his face and skin,<br />

that scorched his throat<br />

and burnished his loves with soot.<br />

Beyond 40<br />

229


Wardrobes<br />

This tall, antique wardrobe<br />

Has a musty smell<br />

With thick, rich wood of darkened rose<br />

Graced by nicks and wear<br />

Of years gone by,<br />

Showing stately character flawed<br />

Through heavy use.<br />

Hinges murmur from old agonies.<br />

It stands ready still.<br />

So old.<br />

So familiar.<br />

This new wardrobe<br />

Of equal breadth and height<br />

Has a fresh wood scent<br />

But stands with simpler form<br />

Unencumbered by age’s blight.<br />

It’s lustrous finish lacks a scratch;<br />

Supple hinges whisper promise<br />

Of years to pass before a squeal.<br />

It stands ready now.<br />

So new.<br />

So unfathomable.<br />

I shall use the older one<br />

And leave the other for my son.<br />

230 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Cold and Done<br />

Let him live clean<br />

and safe<br />

he wants to live clean<br />

and safe<br />

no touch, no soil<br />

actions straight and clear<br />

what’s expected only<br />

an automaton running off springs<br />

the same and predictable<br />

no shock to anyone<br />

especially me<br />

so safely simple<br />

boring<br />

trustworthy<br />

something that can be left behind<br />

without fear abandoned<br />

a self fulfilling prophecy<br />

of wallpaper in place<br />

uncomplaining<br />

steady, bland and ignored<br />

easy to leave behind<br />

as has been done before<br />

always<br />

when you go out the door<br />

mindless of what<br />

no longer makes a fuss<br />

and deserves no more<br />

nor wants<br />

any more.<br />

Beyond 40<br />

231


Safety Check<br />

Roaring by<br />

red eyes agog,<br />

screaming with impatience,<br />

I stop to see<br />

if I’m the choice<br />

today.<br />

But no,<br />

my corpse-a-future motors off<br />

the other way<br />

free<br />

for one more day.<br />

232 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Winterman<br />

Winterman,<br />

yearn you now<br />

for softness, over bone?<br />

With ice about,<br />

how rushes your stream?<br />

Inside,<br />

do shadows love your heart?<br />

Winterman,<br />

on this day of cold,<br />

snow missiles match<br />

your white of chin<br />

and<br />

I<br />

fear the wearing<br />

of your overcoat.<br />

photograph by Steve Zavodny<br />

Beyond 40<br />

233


Winter Hike<br />

Winter leaf,<br />

summer’s skeleton,<br />

scratches along<br />

behind<br />

borne on the<br />

exhausted exhalation<br />

of a year’s breath,<br />

as I ahead<br />

still strive up<br />

my mountain this<br />

chill winter<br />

uncaught.<br />

234 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


One Away<br />

Spooning up,<br />

up here<br />

in Maine,<br />

he is deaf to<br />

male moose mauling<br />

each other to death,<br />

coast crumbling<br />

under a tidal crash,<br />

forest gore gushing<br />

from the coyote’s jaw.<br />

Not even wails from<br />

Washington,<br />

Wall Street<br />

or the dying<br />

washer woman<br />

next door<br />

reach his peaceful ear.<br />

He only hears<br />

a sobbing siren<br />

wafting from<br />

a Florida ambulance<br />

charging up the coast<br />

that<br />

took one day<br />

his Louise<br />

away.<br />

Beyond 40<br />

235


Lucy<br />

Lucy by the marsh didn’t know,<br />

but Crusaders did,<br />

that life was thin<br />

like a sparrow babe’s shell<br />

before the wind,<br />

very thin,<br />

very thin,<br />

a crushable thing.<br />

Who can list the names<br />

of crusader soldiers brave?<br />

Oh, they’re lost,<br />

deeds done,<br />

shells gone,<br />

before the wind.<br />

Armor thick,<br />

lives so thin go<br />

to stories without hum<br />

unheard unless<br />

a wind tells us:<br />

Whoooshhh, “life is thin.”<br />

A love, a joy, a glory fire,<br />

burned once dies away<br />

to ash among the grass<br />

near where<br />

two sparrow shells lie.<br />

Once a flare, it matters none<br />

to no one<br />

but the sticks consumed,<br />

for dust will be the larger end<br />

of stone or raucous flame.<br />

236 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Parenthood<br />

-- or --<br />

Pin the tail on the donkey<br />

Untutored hands strike indelibly<br />

unintentionally<br />

branding blindly<br />

the donkey on the wall.<br />

Years of eyes put out,<br />

tongue slashed,<br />

mind pierced<br />

‘til its wits leak out,<br />

lets the image of this donkey<br />

hang against the wall,<br />

limp and lost,<br />

having lost its bray,<br />

aimlessly flapping in the breeze<br />

come in from the window<br />

on a warm spring day,<br />

branded everywhere by<br />

tales and needles;<br />

festering<br />

in an empty house.<br />

Beyond 40<br />

237


Night Chatter<br />

Asked the man,<br />

“Spattered fingerpaint of night sky,<br />

anyone up there can tell me why<br />

a downslope man<br />

drags dreams along?<br />

Oh say, worms, burrowed below the headstone,<br />

is it worth the stay<br />

bashing and gnashing<br />

‘til the Cool Hand smooths my earth?”<br />

Said the spattered sky,<br />

“Only if the skiff you’re in<br />

rocks on the belly of a gentle bay<br />

where her eyes glisten from every wave.”<br />

Said the worms,<br />

“And only if you two<br />

are a one so tight<br />

we cannot chew the bond.”<br />

“If so, then drag and go<br />

‘til the Cool Hand lays you down,”<br />

sang a chorus of stars and trees.<br />

238 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Grandma Wanda<br />

What did you tell me,<br />

plump with flesh and blood?<br />

Your lecture hall was kitchen<br />

and chalk a wooden spoon,<br />

eloquence stained your aprons.<br />

“Stick to it,” whispered wrists<br />

turning oranges hollow in succession<br />

on a fluted glass bowl.<br />

“Age builds deeper love.<br />

Care shows it. Listening gives it,”<br />

loud eyes said,<br />

“and there’s no world<br />

outside where fools dance<br />

that can match the sanity here.”<br />

“And one day you will be me,<br />

center of the realm, anchor of the name,<br />

for time is thin as paper,<br />

memory rigid as a dream,<br />

your push a passing fog<br />

swept aside by swirling steam.”<br />

Beyond 40<br />

239


Hedgerow<br />

Buried in this dying hedgerow<br />

are faces full of crying;<br />

caught in snares<br />

of gaunt grey twigs,<br />

brown, crisp beards<br />

of dying leaves<br />

adorn gaping mouths<br />

crossed in terror<br />

lest love not<br />

fall in and be consumed<br />

this time<br />

as I pass by<br />

the hedgerow<br />

of my younger days.<br />

photograph by Steve Zavodny<br />

240 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


The Beckoning of<br />

9-11-2001<br />

Come.<br />

It’s left to us now,<br />

with frivolity swept away.<br />

It’s left to us now<br />

the complex act of love;<br />

our resurrection against sadness,<br />

our construction against collapse,<br />

our joined skins moist armor<br />

against disaster hovering<br />

beyond our bedchamber door.<br />

There can be no insurrection against love<br />

‘though states succumb to war.<br />

Constant is the seed and core<br />

of pulsing humanity<br />

and inhumanity<br />

in our union<br />

and in their union<br />

so to repopulate the Earth<br />

with sanity<br />

and with insanity<br />

we believe<br />

and they know.<br />

Beyond 40<br />

241


Cynical Futilist<br />

Individualist<br />

Nursery school showed us skeletons <strong>inside</strong><br />

to teach how flesh was hung outside,<br />

to make our picture for all to see<br />

(“better than a classic tapestry”)<br />

couldn’t fool me.<br />

Tommy dolted on the facts.<br />

(he would)<br />

Patsy giggled and hardly knew.<br />

(she would)<br />

I wondered how the hinges held;<br />

what type of door had let us in;<br />

what type of door would let us out.<br />

242 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


CHAPTER 7<br />

GRANDPA SPEAKING<br />

photograph by Steve Zavodny<br />

Grandpa Speaking<br />

243


GRANDPA SPEAKING<br />

244 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Grandpa Speaking<br />

“If you give me a second,<br />

Boy,<br />

and I wring my brain<br />

like a wet washcloth,<br />

There<br />

will come a flood<br />

of memories of longer days that<br />

Must<br />

have been longer,<br />

because it takes so much longer to<br />

Have<br />

a laugh build, burst, and bubble away<br />

than it does to shed a tear that’s<br />

Been<br />

flung out on the bullwhip of snapped emotions.<br />

I’m sure there’s at least<br />

One<br />

good old time of joy.<br />

Just let me wring the last<br />

Raindrop<br />

from this brain and then we’ll just<br />

set ‘em up and look ‘em over and see which<br />

Of<br />

them is best at making us<br />

laugh now - again - when we need<br />

Happiness<br />

on this day of bad weather<br />

when I don’t like being shut<br />

In<br />

and when my right ankle squeals again<br />

from the dancing axe. I thought it was<br />

All<br />

Grandpa Speaking<br />

245


over for walking. But the doc<br />

had mortared up much worse than<br />

This<br />

and we thought<br />

it would mend up fine over<br />

Time,<br />

but it pains on bad days. Still, don’t be<br />

impatient; just give me another second,<br />

Please?”<br />

photograph by Steve Zavodny<br />

Grandpa Speaking<br />

246 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


In the Wake:<br />

A Neighbor’s Narrative<br />

She loved that fence<br />

with its white gate.<br />

Asked me to build it,<br />

she did,<br />

and I did.<br />

White pickets,<br />

endless soldiers guarding our sanctuary<br />

with their friendly dull spears,<br />

For this was where<br />

we kept ourselves,<br />

Her love for me<br />

and mine for her,<br />

Wedding us more tightly than anyone could know.<br />

Took us a long time of dancing and parading<br />

around with other folks,<br />

before we saw what we had.<br />

Each of us got lost,<br />

Befuddled on the straight path parents lay<br />

through the forest<br />

for their kids to find the way.<br />

Kept us apart for awhile.<br />

Then we found us,<br />

like suddenly lifting a rock<br />

and finding the worm of love<br />

Still there<br />

guarding the gem of your heart<br />

for someone to find.<br />

And she did mine<br />

and I did hers.<br />

We’d seen them before,<br />

Grandpa Speaking<br />

247


those gems, you know,<br />

but couldn’t believe they were real<br />

‘cause nothing<br />

had ever shined so bright and true.<br />

So we put ‘em under a rock.<br />

Then, like special things put in special places,<br />

we lost track of them<br />

and the rock<br />

for quite too long a time.<br />

If they weren’t true gems,<br />

the bugs would eat ‘em anyway.<br />

But those gems were too hard<br />

and bright and true<br />

for bugs<br />

and decay<br />

to take away.<br />

So we brought ‘em home<br />

here to our cottage<br />

and put ‘em on the mantle for all to see<br />

who had the eyes to see<br />

as we had seen.<br />

Wood rots, you know;<br />

balsa fast,<br />

pine slower,<br />

maple hardly at all at first<br />

but then it’ll go too.<br />

And all three did.<br />

But glorious gems stay forever,<br />

And she was my gem,<br />

sure enough!<br />

And what’s so lucky about it all<br />

is that I was her gem –<br />

Should say “is” and “am” though,<br />

For we know our gems mated<br />

into one great big diamond<br />

we’ll always know to find.<br />

She’s out looking for it now.<br />

248 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


I walked her to the gate in our picket fence,<br />

I cradled her face in my hands,<br />

let her through<br />

where pickets curve down<br />

like a hammock cradling.<br />

her soft cheeks felt<br />

one last time,<br />

her never-say-die smile<br />

branded in my eyes.<br />

“Goodbye,” I said. “I love you.”<br />

“I know. See you soon, sweetie.”<br />

“You bet.”<br />

Then she went to find that diamond<br />

and I closed the gate<br />

for a short time more.<br />

In the Wake: A<br />

Neighbor’s Narrative<br />

photograph by Steve Zavodny<br />

Grandpa Speaking<br />

249


Passed<br />

At this age,<br />

Mother’s touch,<br />

first love puppy,<br />

Summer’s warmth,<br />

supple fingers,<br />

blushing cheeks,<br />

beauty in the mirror,<br />

your affection,<br />

and<br />

the kiss of dreams<br />

are over.<br />

250 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


No<br />

Your cane crouches<br />

ashamed<br />

in the corner<br />

for having taken you<br />

into eternity.<br />

I bury it behind<br />

the open door,<br />

an unwelcome intruder<br />

into my living space<br />

of green deeds,<br />

blue longing, and<br />

red visions<br />

dropped,<br />

poured,<br />

splashed<br />

down to bind<br />

black canvas yearning.<br />

Grandpa Speaking<br />

251


Farewell Love<br />

“It’s<br />

one of my great pleasures<br />

that brings at last<br />

Most<br />

depth and richness to my life,<br />

and I never thought it<br />

Likely<br />

to be surrounded by<br />

little grandchildren.<br />

I’ll<br />

love you with abandon<br />

in my gray fuzzy way,<br />

Never<br />

letting you know the butterflies<br />

of joy swirling <strong>inside</strong> my tummy.<br />

Get<br />

close to me now<br />

oh, rascals mine<br />

To<br />

hear my grandpa’s heart sing<br />

an aria of longing;<br />

See<br />

my eyes x-ray your play<br />

into what’s left of my mind.<br />

You<br />

should stay free, gay, un-tormented<br />

innocent of horror,<br />

Old<br />

stale agonies fed from one age<br />

to another unrealized.<br />

My<br />

progeny will know joy and peace<br />

as long as I can smooth the way.<br />

Children,<br />

oh play to the end of days!”<br />

252 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Sons & Daughters<br />

Not like a worm, no,<br />

nor a bird in frost,<br />

will you leave so quick.<br />

But you will walk<br />

when I cannot<br />

and mate into a future<br />

I will know not.<br />

So I’ll leave my hat<br />

upon the wall<br />

for you to see<br />

come next fall,<br />

when you return<br />

to see your mum<br />

with whom<br />

we were so very young.<br />

Our longing is no fantasy<br />

and<br />

love the true reality.<br />

Grandpa Speaking<br />

253


Evaporation<br />

Forlorn Mountain pond<br />

at meadow’s edge<br />

(collecting water fruit<br />

from an ancient seep)<br />

succumbed.<br />

Hot wind from Sedona<br />

like a boiling mob<br />

out for a kill,<br />

drove the pool<br />

to vapor.<br />

254 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Over There<br />

Out south the farm<br />

has birthed jagged domes,<br />

a milieu of suburban homes<br />

swum up against a beaver dam<br />

of old woods<br />

that liked to scare the cows<br />

back to their field.<br />

In that woods fights still the father<br />

of all trees.<br />

It’s a sight to behold<br />

bound in vines<br />

that tugged the sapling down.<br />

But it grew<br />

humping along the ground<br />

until it finally rose up<br />

vines persistent yanking on it<br />

but rose with it<br />

and that tree grew all lumpy and bulging<br />

like a fat man<br />

pushing out beyond his belt<br />

and suspenders,<br />

suspenders that tell of elegance and constraint,<br />

success and pain,<br />

belts of natural woody vines.<br />

Children could swing on ‘em, and do.<br />

Mothers watch and laugh and don’t care much<br />

unless the tree should topple<br />

and turn to firewood<br />

or dust.<br />

Late now in that tree’s life<br />

Grandpa Speaking<br />

255


it’s beat the vines<br />

and reached the light;<br />

grown straight up higher than vines can grow<br />

clean, clear and full of leaf,<br />

hundred feet high or so.<br />

Nothing’s quite more compelling<br />

as sky’s true light<br />

for straightening out a trunk.<br />

Someone should put a beacon on its crown,<br />

but folks still watch<br />

the bound and twisted base.<br />

Fascinatin’ tree.<br />

256 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Smothered<br />

On a shaded porch adopted,<br />

Indian Summer stultifies a thin gray man<br />

with imperceptible pulse<br />

watching, rocking<br />

as a cattail in a gentle wind,<br />

at the end of his season<br />

buffeted but still firm<br />

against a final blast of disintegration<br />

yet to come.<br />

Raucous kids, dogs, stroller couples<br />

and single oldsters (the last of his own)<br />

flow down the street,<br />

he seeing, him unseen<br />

away from consideration.<br />

His dim, cracked orb,<br />

runs melancholy film this Indian Summer<br />

in Technicolor<br />

swollen with<br />

comfort and agony,<br />

a passion play passing<br />

through regretful eyes<br />

populated by characters out of time,<br />

he, as one of the lowest<br />

and one of the highest,<br />

sees again,<br />

sitting,<br />

stoppered by woe,<br />

life nudged on through habit.<br />

Grandpa Speaking<br />

257


Let Freedom Ring<br />

When there warn’t nothin’<br />

but injuns<br />

and the bay beckoned<br />

we come<br />

firs’ one boat, then ‘nother<br />

starved & died<br />

loved & praised God;<br />

whittled a village from the woods,<br />

clawed food from shallow, stony soil<br />

and waited out the bitin’ winds<br />

t’ go forth<br />

and claim our place<br />

of freedom<br />

apart<br />

from highborn lords<br />

callous and un-callused,<br />

born a’ know-nothin’ sluts’ comfort<br />

what cooked our generations<br />

‘til we slipped out<br />

them lords’ hot, black pans<br />

of dark centuries,<br />

void of human spirit,<br />

like half done bacon.<br />

So here we stick our hope<br />

sprung from the first dead<br />

restin’ deep on their rock pilla’s<br />

who tried an’ died an’ struggled free.<br />

We brew now an elixir for eternity:<br />

Liberty,<br />

from the sweat of brows<br />

behind the rump of mules<br />

and give it to all who will drink.<br />

Dare not t’ break my goblet,<br />

for I will go t’ the dirt<br />

t’ save my draught.<br />

photograph by Steve Zavodny<br />

258 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Bronze Giants<br />

No bronze giant I<br />

stand awed before<br />

Stanley, Stuyvesant, Sherman on horse,<br />

Jefferson eye-to-eye<br />

(we of the same high),<br />

and Deghewanus hiding<br />

in Letchworth’s woods.<br />

I so brief shall disappear;<br />

my deeds in air<br />

leave no dent on history,<br />

my mark a period<br />

at the end of a footnote<br />

at the bottom of the first page<br />

passed by by<br />

new readers eager<br />

to learn<br />

what comes next.<br />

Grandpa Speaking<br />

259


Lessons<br />

I am a damn<br />

holding back eight decades and more<br />

of great, triumphant living fish<br />

and stinking dead mackerel<br />

in my turgid water.<br />

I harvested<br />

glorious blooms,<br />

and lost them<br />

on shrill needles of reproach<br />

brayed by my enslaved mule.<br />

I carved the cogs<br />

and turned the wheels,<br />

ran and lost, jumped and won,<br />

slept, sighed<br />

and slowly died.<br />

Oh, Yes! I learned,<br />

but never taught, and<br />

so lie a thief<br />

among the selfish damned.<br />

260 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Sinners All<br />

God was a small man,<br />

don’t you know.<br />

Gripped tight an atom<br />

at the back of his jaw<br />

and bit us all into existence.<br />

Blew out the universe<br />

like a tire gone bad,<br />

spat utter chaos<br />

from the back of his mouth<br />

in a guttural cough<br />

(glad to have us gone).<br />

God’s sputum we are<br />

made in his image they say,<br />

our pastors and prophets past;<br />

Sinners all!<br />

Hey!<br />

We like Him?<br />

We Sinners all?<br />

So must He be,<br />

curse Him.<br />

And that explains the fall.<br />

Grandpa Speaking<br />

261


Incarnation<br />

If ever I see the light,<br />

I will die, and<br />

I will be born<br />

again,<br />

and I shall bow down<br />

before me<br />

and be<br />

thankful.<br />

262 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Autumn Storm<br />

A most sinister darkness rattles<br />

trees without this house<br />

and bones within,<br />

it’s storm brewing<br />

but not yet here.<br />

Where shall I go?<br />

Where shall you go<br />

when the brew comes to you?<br />

Do we race across the lawn<br />

and down the hill<br />

all the way to the next county<br />

where a warm, dry day<br />

may still let us play?<br />

Or do we slip quietly down<br />

into the basement<br />

to wait,<br />

eyes open upon the ceiling bulbs,<br />

and see<br />

if the storm shuts off<br />

our electricity?<br />

Grandpa Speaking<br />

263


Old<br />

The Sun blares all to whiteness<br />

and strikes my body into activity,<br />

but allows the snow to cling to all<br />

and stay<br />

to confuse my path,<br />

its deepness tugging<br />

at a growing stillness<br />

in my steps<br />

in my bones.<br />

This winter is the reason,<br />

and like the winter<br />

I have lost<br />

my most colorful autumn season.<br />

264 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Despair<br />

Gray headed me<br />

plugged full of vacancy<br />

from life done heavy,<br />

the fuel of love wasted<br />

in a fire of lies<br />

leaving shattered cinders,<br />

clogging my hollow pit.<br />

Pulse abates.<br />

<strong>Mind</strong> locks.<br />

Nothing left but a mouth<br />

full of silence<br />

to speak to the darkened door.<br />

How do I say,<br />

“Take me through?”<br />

photograph by Steve Zavodny<br />

Grandpa Speaking<br />

265


Black Sheets<br />

Is it warm or cool<br />

to lie down between black sheets<br />

and disappear from view?<br />

What is there left to hear<br />

when we’ve no one left to meet,<br />

and others tend the stew?<br />

Sleep beyond rest stills the fear;<br />

a certain sigh stills the beat,<br />

and dreams at last are new.<br />

It is no fool<br />

who lies down between black sheets<br />

when the days become so few.<br />

266 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


The Circle<br />

I will let this body<br />

fall away from me now,<br />

and let my pure peeled light<br />

rush through the next stage of antiquity<br />

so that<br />

it might still have time<br />

to brighten your womb;<br />

so that I might be born of you.<br />

Grandpa Speaking<br />

267


The Wait<br />

Waiting for the inevitable.<br />

Waiting for Godot?<br />

Watching out the window.<br />

Watching for the end.<br />

There is no poetry in this.<br />

No sun.<br />

No wind.<br />

No rain.<br />

Just horizon’s edge.<br />

268 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Mud Room<br />

It’s been a long winter,<br />

and so I hang<br />

my frayed<br />

and musty coat<br />

out of sight<br />

where the children coming<br />

will not see it and<br />

will forget its scent<br />

in the dewy air<br />

of their Springtime;<br />

their earthy footprints<br />

overlaying mine<br />

on the mudroom floor.<br />

photograph by Steve Zavodny<br />

Grandpa Speaking<br />

269


Index<br />

A<br />

Abusing Storm 102<br />

Addiction 206<br />

Against All Odds 213<br />

A Joke 89<br />

All Over 103<br />

Alpine Melody 148<br />

Ancient Love 150<br />

Anger 195<br />

Antarctic Expiration 141<br />

Antique 35<br />

Apotheosis of Life 96<br />

Arguments 220<br />

Autumn Storm 263<br />

A Wish from Home for Warriors Away 94<br />

A Wood Removed 55<br />

B<br />

Backwoods Birthing 151<br />

Bah, Humbug 113<br />

Baked 145<br />

Barmaid 1880 72<br />

Battlefield 93<br />

Birth 101<br />

Black Sheets 266<br />

Boring 156<br />

Bound Forever 144<br />

Boy Ago 19<br />

Breath of Distance 200<br />

Brink 106<br />

Bronze Giants 259<br />

Brotherhood 194<br />

Burn Out 105<br />

C<br />

Callous Lover 49<br />

Caught by Surprise 152<br />

Celestial Rage 71<br />

Cereal Bowl 225<br />

Charcoal 80<br />

Christmas Snow 163<br />

Circus Tale 193<br />

Cleopatra 67<br />

Closet Cure 227<br />

Cold and Done 231<br />

Cold End 210<br />

Coma 211<br />

Compassion? 95<br />

Conception 208<br />

Cycle 189<br />

Cynical Futilist Individualist 242<br />

D<br />

Dandelion Man 204<br />

Dark Night 47<br />

Daughter 219<br />

Daughters 20<br />

DC Trauma 157<br />

Depression 84<br />

Derailed 63<br />

Despair 265<br />

Devotion 16<br />

Dichotomy 90<br />

Discovery 25<br />

Disintegration 70<br />

Distill 15<br />

Divine Talk 38<br />

Dry 75<br />

E<br />

Evaporation 254<br />

F<br />

Family of Man 100<br />

Fantasy Fix 68<br />

Farewell Love 252<br />

Farming 58<br />

First Light Vigil 36<br />

Flag Day 27<br />

Floor Allegory 196<br />

For Marné in May 86<br />

Free Danger 154<br />

Friendly Neighbor 45<br />

270 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


Furious Moon 186<br />

Futile Glow 115<br />

G<br />

Gone South 149<br />

Grace Us 26<br />

Grandfather 202<br />

Grandma Wanda 239<br />

Grandpa Speaking 245<br />

H<br />

Halloween Forest Prank 50<br />

Heat 116<br />

Hedgerow 240<br />

Hiroshima Changeling 190<br />

Honesty Therapy 69<br />

Houseman 187<br />

Humanity? 128<br />

I<br />

Incarnation 262<br />

Inequity Allegory 121<br />

In Heat 53<br />

In the Wake: A Neighbor’s Narrative 247<br />

It’s a Carnival 224<br />

J<br />

J. P.’s Poem 77<br />

K<br />

Kid 6 21<br />

L<br />

Legacy 117<br />

Lessons 260<br />

Let Freedom Ring 258<br />

Leukemia 185<br />

Listen Up 31<br />

Little Boy 118<br />

Locked 107<br />

London Fog 160<br />

Long Roll 221<br />

Long Time 78<br />

Look and See 138<br />

Lost and Found 228<br />

Lost You 73<br />

Lost Youth 191<br />

Love Lessons 5 126<br />

Love Silence 28<br />

Lucy 236<br />

Lull 109<br />

M<br />

Madelin 51<br />

Magic Bird 30<br />

Mal at 12 22<br />

Melting 215<br />

<strong>Mind</strong> 205<br />

Mountains 129<br />

Mr. Binger 124<br />

Ms. Nature 111<br />

Mud Room 269<br />

N<br />

‘Nam 92<br />

Natural Music 18<br />

Ned & Nellie 207<br />

Night Chatter 238<br />

No 251<br />

Numbers<br />

1859 Photo 161<br />

1904 48<br />

NYC Underbelly #1 Russian Doll 169<br />

NYC Underbelly #2 His Mrs. 170<br />

NYC Underbelly #3 Wrecked 171<br />

NYC Underbelly #4 Existence 172<br />

NYC Underbelly #5 Subway 173<br />

NYC Underbelly #6 Tin Cup 174<br />

NYC Underbelly #7 Drugged 175<br />

NYC Underbelly #8 Bathtub 176<br />

NYC Underbelly #9 Overdose 177<br />

NYC Underbelly #10 The Perpetual<br />

Businessman 178<br />

NYC Underbelly #11 Prayer Before the<br />

Macy’s Widow Creche 179<br />

NYC Underbelly #12 End 181<br />

INDEX<br />

271


O<br />

Objective 60<br />

Oblivious 99<br />

Ode to ‘68 (In Disguise) 201<br />

Ode to e.e. 139<br />

Old 264<br />

One Away 235<br />

On Our Way 52<br />

Opposing wishes: Antietam 112<br />

Our Ocean 29<br />

Over 108<br />

Over There 255<br />

P<br />

Palestinian Ode 98<br />

Parched 222<br />

Parenthood -- or -- Pin the tail on the donkey 237<br />

Passed 250<br />

Passion 46<br />

Peaceful Slumber? 143<br />

Pin Point Poetry or An Exercise in California<br />

Con Art 44<br />

Pirate Love or Shared Wealth 37<br />

Played 59<br />

Point to Point 39<br />

Presidentess 127<br />

Progression 188<br />

R<br />

Rat’s Prayer 104<br />

Rescued 142<br />

Responsibility 123<br />

Ring Song 33<br />

S<br />

Safety Check 232<br />

Sally, Oh, Sally 56<br />

Schism 125<br />

Scramble 155<br />

Sinners All 261<br />

Smothered 257<br />

Snow Fence 120<br />

So New 62<br />

Sons & Daughters 253<br />

Speechless 76<br />

Squirrelly 140<br />

Standing Fast 114<br />

Starbuck Away 216<br />

St. Catherine’s Monastery or Monk Heads 164<br />

Stone Feelings 97<br />

T<br />

Tarnished 209<br />

Taxi Ride 132<br />

The Bargain 23<br />

The Beckoning of 9-11-2001 241<br />

The Cabin 81<br />

The Circle 267<br />

The Keeping Room 223<br />

The Mirror 226<br />

The Orange 162<br />

The Proposal Or Lake Talk 146<br />

The Wait 268<br />

The Wall 79<br />

The Well 122<br />

Through to the other side 34<br />

Tiptoe Queen #2: Directions 192<br />

Toad 147<br />

To Mecca 110<br />

Truth? 229<br />

U<br />

Ummm… 198<br />

Undying Love 85<br />

Unholy Prayer 133<br />

Upset 158<br />

Urban Escapee 212<br />

V<br />

Vehicular Eyes 153<br />

Virgin 57<br />

Vision 24<br />

Visiting at Love’s End 214<br />

272 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon


W<br />

Wanting 43<br />

War Debt 91<br />

Wardrobes 230<br />

Wee Man #3: Vicar 131<br />

Wee Man #4: If at First 74<br />

Wee Man #5: The Supplicant 199<br />

Wee Man #6: Wishing 32<br />

Wee Man #7: Enlightenment 159<br />

Who Knew 82<br />

Winter Hike 234<br />

Winterman 233<br />

Wisdom 61<br />

Wolf at Night 119<br />

Womb Wish 130<br />

Woof 54<br />

Worn 83<br />

Worthless 203<br />

Y<br />

Year 25 137<br />

You 17<br />

INDEX<br />

273


illustration credits<br />

Cover Iowa Twin Farmers Photograph by Steve Zavodny<br />

p. 1 Beach Walker Title page photograph by Alyssa Timon<br />

p. 11 LOVE LUST LOSS photograph by Steve Zavodny<br />

p. 13 Love title page photograph by Steve Zavodny<br />

p. 20 Daughters painting by Alyssa Timon<br />

p. 41 Lust title page photograph by Steve Zavodny<br />

p. 45 Friendly Neighbor painting by Alyssa Timon<br />

p. 65 Loss title page photograph by Steve Zavodny<br />

p. 70 Disintegration painting by Alyssa Timon<br />

p. 75 Dry photograph by Alyssa Timon<br />

p. 79 The Wall photograph by Steve Zavodny<br />

p. 87 NO COMMENT title page photograph by Steve Zavodny<br />

p. 89 A Joke photograph by Steve Zavodny<br />

p. 96 Apotheosis of Life photograph by Steve Zavodny<br />

p. 103 All Over photograph by Steve Zavodny<br />

p. 104 Rat’s Prayer photograph by Steve Zavodny<br />

p. 110 To Mecca photograph by Steve Zavodny<br />

p. 113 Bah, Humbug photograph by Steve Zavodny<br />

p. 116 Heat photograph by Steve Zavodny<br />

p. 124 Mr. Binger photograph by Steve Zavodny<br />

p. 126 Love Lessons 5 photograph by Steve Zavodny<br />

p. 132 Taxi Ride photograph by Steve Zavodny<br />

p. 133 Unholy Prayer photograph by Steve Zavodny<br />

p. 135 PHOTOS FROM ID title page photograph by Steve Zavodny<br />

p. 137 Year 25 photograph by Steve Zavodny<br />

p. 146 The Proposal or lake talk photograph by Steve Zavodny<br />

p. 151 Backwoods Birthing photograph by Alyssa Timon<br />

p. 160 London Fog photograph by Steve Zavodny<br />

p. 165 St. Catherine’s Monastery or Monk Heads photograph by Steve Zavodny<br />

p. 167 1970s NYC title page photograph by Steve Zavodny<br />

p. 169 NYC Underbelly #1 Russian Doll photograph by Steve Zavodny<br />

p. 170 NYC Underbelly #2 His Mrs photograph by Steve Zavodny<br />

p. 171 NYC Underbelly #3 Wrecked photograph by Steve Zavodny<br />

p. 172 NYC Underbelly #4 Existence photograph by Steve Zavodny<br />

p. 173 NYC Underbelly #5 Subway photograph by Steve Zavodny<br />

p. 174 NYC Underbelly #6 Tin Cup photograph by Steve Zavodny<br />

p. 175 NYC Underbelly #7 Drugged photograph by Steve Zavodny<br />

p. 176 NYC Underbelly #8 Bathtub photograph by Steve Zavodny<br />

p. 177 NYC Underbelly #9 Overdose photograph by Steve Zavodny<br />

p. 178 NYC Underbelly #10 The Perpetual Businessman photograph by Steve Zavodny<br />

p. 181 NYC Underbelly #12 End photograph by Steve Zavodny<br />

p. 183 EUPHORIA-MELANCHOLIA title page photograph by Steve Zavodny<br />

p. 191 Lost Youth photograph by Alyssa Timon<br />

p. 200 Breath of Distance photograph by Alyssa Timon<br />

p. 217 BEYOND 40 title page photograph by Steve Zavodny<br />

p. 219 Daughter photograph by Alyssa Timon<br />

p. 223 The Keeping Room photograph by Steve Zavodny<br />

p. 224 It’s a Carnival photograph by Steve Zavodny<br />

p. 233 Winterman photograph by Steve Zavodny<br />

p. 240 Hedgerow photograph by Steve Zavodny<br />

p. 243 GRANDPA SPEAKING title page photograph by Steve Zavodny<br />

p. 246 Grandpa Speaking photograph by Steve Zavodny<br />

p. 249 In the Wake: A Neighbor’s Narrative photograph by Steve Zavodny<br />

p. 258 Let Freedom Ring photograph by Steve Zavodny<br />

p. 265 Despair photograph by Steve Zavodny<br />

p. 269 Mud Room photograph by Steve Zavodny<br />

Back cover Mountain lake sunset photograph by Steve Zavodny<br />

274 <strong>Mind</strong> <strong>Melden</strong> | Mark Timon

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