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Michael Pickering-Research Methods in Cultural Studies (Research Methods for the Arts and Humanities) (2008)

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Notes on Contributors<br />

Mart<strong>in</strong> Barker is Professor of Film <strong>and</strong> Television <strong>Studies</strong> at <strong>the</strong> University<br />

of Wales, Aberystwyth. He has published thirteen books of research, <strong>in</strong>clud<strong>in</strong>g<br />

(with Roger Sab<strong>in</strong>) The Last<strong>in</strong>g of <strong>the</strong> Mohicans: History of an American Myth<br />

(University Press of Mississippi, 1996); (edited, with Julian Petley) Ill Effects:<br />

<strong>the</strong> Media Violence Debate (Routledge, 1997 <strong>and</strong> 2001); (with Kate Brooks)<br />

Know<strong>in</strong>g Audiences: Judge Dredd, its Friends, Fans <strong>and</strong> Foes (University of Luton<br />

Press, 1998) which presented <strong>the</strong> f<strong>in</strong>d<strong>in</strong>gs of an eighteen-month ESRC-funded<br />

research project, <strong>and</strong> (with a contribution from Thomas Aust<strong>in</strong>) From Antz To<br />

Titanic: Re<strong>in</strong>vent<strong>in</strong>g Film Analysis (Pluto, 2000). In 2001 he published <strong>the</strong><br />

f<strong>in</strong>d<strong>in</strong>gs of a second ESRC project on <strong>the</strong> reception of David Cronenberg’s<br />

Crash <strong>in</strong> Brita<strong>in</strong> <strong>in</strong> 1996–7 (The Crash Controversy: Censorship Campaigns <strong>and</strong><br />

Film Reception, Wallflower Press 2001, co-researched <strong>and</strong> written with Jane<br />

Arthurs <strong>and</strong> Ramaswami Har<strong>in</strong>dranath). His most recent book, Watch<strong>in</strong>g The<br />

Lord of <strong>the</strong> R<strong>in</strong>gs (co-edited with Ernest Mathijs, Peter Lang, 2007), presents<br />

<strong>the</strong> ma<strong>in</strong> f<strong>in</strong>d<strong>in</strong>gs of <strong>the</strong> (ESRC-funded) world audience project on <strong>the</strong> reception<br />

of <strong>the</strong> Jackson/Tolkien movies. He is jo<strong>in</strong>t editor of <strong>the</strong> onl<strong>in</strong>e journal<br />

Participations, which is devoted to audience <strong>and</strong> reception studies.<br />

Dr Aeron Davis is a Senior Lecturer <strong>and</strong> Director of <strong>the</strong> MA <strong>in</strong> Political<br />

Communications <strong>in</strong> <strong>the</strong> Department of Media <strong>and</strong> Communications,<br />

Goldsmiths College. His research <strong>in</strong>terests <strong>in</strong>clude promotional culture, media<br />

sociology <strong>and</strong> news production; public relations, politics <strong>and</strong> political communications;<br />

markets <strong>and</strong> economic sociology/cultural economy. He has conducted<br />

research on communications at Westm<strong>in</strong>ster, at <strong>the</strong> London Stock<br />

Exchange, amongst <strong>the</strong> major political parties <strong>and</strong> across <strong>the</strong> trade union<br />

movement. He has published on each of <strong>the</strong>se topics <strong>in</strong> journals <strong>and</strong> edited<br />

collections, <strong>and</strong> is <strong>the</strong> author of Public Relations Democracy (Manchester<br />

University Press, 2002) <strong>and</strong> The Mediation of Power (Routledge, 2007). He is

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