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TMEA STATE CHORAL CHAIR’S MESSAGE<br />
by W. Fitzgerald Patton<br />
I<br />
BELIEVE THAT MUSIC EDUCATORS HAVE A GREAT CALLING<br />
to change and inspire the lives of our students each and every<br />
day we are in the classroom. As state choral chair, my job is to<br />
keep you informed on issues relevant to choral music education<br />
so that teachers across this great state can continue fulfilling their<br />
purpose. I am privileged to help strengthen music education in<br />
our state through serving choral directors across the regions.<br />
Having a unified audition process<br />
will make the process throughout the<br />
state more fair. In addition this uniform<br />
approach will better ensure that the<br />
top students are placed in each choir<br />
because the process a student would<br />
go through to get in a mid-state or allstate<br />
chorus would be the same.<br />
Before I introduce myself, let me take a moment to thank Jan<br />
Johnson, our previous state choral chair, for all of her hard work.<br />
Her dedication to serving choral directors is most appreciated. I<br />
am Gerald Patton, choral director and fine arts chair at Blackman<br />
High School in Murfreesboro, Tennessee. I have taught elementary<br />
general music, high school chorus, general music and music<br />
theory. I have nearly 20 years of experience in music education. I<br />
have served on the MTVA board for eight years as freshman honor<br />
choir chair. I am the founding organizer of the Rutherford County<br />
High School Choral Festival which has been in existence since<br />
2006. I am also the artistic director for the Wilson County Civic<br />
League Summer Arts Academy, a non-profit organization, located<br />
in my hometown of Lebanon, Tennessee. Finally, I am a church<br />
musician and worship leader at the Lebanon Cumberland Presbyterian<br />
Church.<br />
This is my first year on the state board, and I am honored to<br />
serve in this capacity. The board met in early June to discuss many<br />
issues for the upcoming school year. Most of our discussion centered<br />
on our next TMEA conference in Nashville, Tennessee April<br />
5 - 8, 2017. There were several hot topics, but the one that I believe<br />
most of you are concerned about is this year’s all-state choral performance<br />
venue. I can assure you, a lot of work has been devoted<br />
to making sure our students have the best experience at all-state.<br />
With that being said, we will not be at “the barn” again. Ron Meers,<br />
TMEA executive director, is working tirelessly to ensure that we<br />
have the performances at the presidential ballroom. But in order<br />
for TMEA to acquire this space, we need ALL music directors<br />
(band, orchestra, and choral) to stay at the Opryland Hotel. More<br />
specifically, if we can book 800 rooms, then we are almost guaranteed<br />
the ability to have the presidential ballroom for our all-state<br />
performances. Directors, please help us and encourage your colleagues<br />
to stay at the Opryland Hotel for our 2017 conference.<br />
Other issues that were discussed included uniform audition<br />
standards across the regions, transgender equality, diversity in<br />
the NAfME and TMEA leadership, general assembly, conference<br />
rooming coordinator, and new state music standards. Some of<br />
these topics generated a great deal of discussion. With others<br />
there was less discussion because of the need to do more research<br />
and follow up.<br />
Regarding, the transgender policy, the TMEA board will have<br />
much more discussion before we elect to give an official recommendation,<br />
but our main point is that students who are transgender<br />
are not excluded in participating in music performances.<br />
There is still a lot of dialogue that needs to happen, and I welcome<br />
your feedback. But the bottom line is this; make sure all students<br />
are included in your performances and make necessary accommodations<br />
within reason so these students are not singled out.<br />
Being African American, I am very fortunate to have attained<br />
the successes I have had in my career, but I owe my success to the<br />
teachers who inspired me and to my parents. I am on the state<br />
board because I had a fellow colleague in my county recommend<br />
me because she believed in me and knew that I possessed leadership<br />
skills that would help further music education in our state.<br />
Both NAfME and TMEA desire to have more African American<br />
26 | TENNESSEE MUSICIAN | 2016 | <strong>Vol</strong>ume <strong>69</strong>, <strong>No</strong>. 1