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TN Musician Vol. 69 No. 1 (proof 4)

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TMEA STATE CHORAL CHAIR’S MESSAGE<br />

by W. Fitzgerald Patton<br />

I<br />

BELIEVE THAT MUSIC EDUCATORS HAVE A GREAT CALLING<br />

to change and inspire the lives of our students each and every<br />

day we are in the classroom. As state choral chair, my job is to<br />

keep you informed on issues relevant to choral music education<br />

so that teachers across this great state can continue fulfilling their<br />

purpose. I am privileged to help strengthen music education in<br />

our state through serving choral directors across the regions.<br />

Having a unified audition process<br />

will make the process throughout the<br />

state more fair. In addition this uniform<br />

approach will better ensure that the<br />

top students are placed in each choir<br />

because the process a student would<br />

go through to get in a mid-state or allstate<br />

chorus would be the same.<br />

Before I introduce myself, let me take a moment to thank Jan<br />

Johnson, our previous state choral chair, for all of her hard work.<br />

Her dedication to serving choral directors is most appreciated. I<br />

am Gerald Patton, choral director and fine arts chair at Blackman<br />

High School in Murfreesboro, Tennessee. I have taught elementary<br />

general music, high school chorus, general music and music<br />

theory. I have nearly 20 years of experience in music education. I<br />

have served on the MTVA board for eight years as freshman honor<br />

choir chair. I am the founding organizer of the Rutherford County<br />

High School Choral Festival which has been in existence since<br />

2006. I am also the artistic director for the Wilson County Civic<br />

League Summer Arts Academy, a non-profit organization, located<br />

in my hometown of Lebanon, Tennessee. Finally, I am a church<br />

musician and worship leader at the Lebanon Cumberland Presbyterian<br />

Church.<br />

This is my first year on the state board, and I am honored to<br />

serve in this capacity. The board met in early June to discuss many<br />

issues for the upcoming school year. Most of our discussion centered<br />

on our next TMEA conference in Nashville, Tennessee April<br />

5 - 8, 2017. There were several hot topics, but the one that I believe<br />

most of you are concerned about is this year’s all-state choral performance<br />

venue. I can assure you, a lot of work has been devoted<br />

to making sure our students have the best experience at all-state.<br />

With that being said, we will not be at “the barn” again. Ron Meers,<br />

TMEA executive director, is working tirelessly to ensure that we<br />

have the performances at the presidential ballroom. But in order<br />

for TMEA to acquire this space, we need ALL music directors<br />

(band, orchestra, and choral) to stay at the Opryland Hotel. More<br />

specifically, if we can book 800 rooms, then we are almost guaranteed<br />

the ability to have the presidential ballroom for our all-state<br />

performances. Directors, please help us and encourage your colleagues<br />

to stay at the Opryland Hotel for our 2017 conference.<br />

Other issues that were discussed included uniform audition<br />

standards across the regions, transgender equality, diversity in<br />

the NAfME and TMEA leadership, general assembly, conference<br />

rooming coordinator, and new state music standards. Some of<br />

these topics generated a great deal of discussion. With others<br />

there was less discussion because of the need to do more research<br />

and follow up.<br />

Regarding, the transgender policy, the TMEA board will have<br />

much more discussion before we elect to give an official recommendation,<br />

but our main point is that students who are transgender<br />

are not excluded in participating in music performances.<br />

There is still a lot of dialogue that needs to happen, and I welcome<br />

your feedback. But the bottom line is this; make sure all students<br />

are included in your performances and make necessary accommodations<br />

within reason so these students are not singled out.<br />

Being African American, I am very fortunate to have attained<br />

the successes I have had in my career, but I owe my success to the<br />

teachers who inspired me and to my parents. I am on the state<br />

board because I had a fellow colleague in my county recommend<br />

me because she believed in me and knew that I possessed leadership<br />

skills that would help further music education in our state.<br />

Both NAfME and TMEA desire to have more African American<br />

26 | TENNESSEE MUSICIAN | 2016 | <strong>Vol</strong>ume <strong>69</strong>, <strong>No</strong>. 1

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