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TMEA STATE ORCHESTRA CHAIR’S MESSAGE<br />
by Michelle Clupper<br />
One of things that I truly believe will<br />
have a benefit statewide is to ensure<br />
that all of our orchestra directors have<br />
a mentor, whether they are new to the<br />
profession or just the region.<br />
“CAN YOU TEACH ORCHESTRA?”<br />
Those are the words that changed my<br />
teaching career and one could say, my life.<br />
In the spring of 2010, I was asked by my<br />
then principal if I could teach orchestra<br />
due to a series of unfortunate staff reductions<br />
at our school. My response? “Am I<br />
certified, or can I?” He told me that he had<br />
complete faith in my ability to actually<br />
teach the class. Truthfully, I wasn’t so sure.<br />
So many questions swirled around in my<br />
head. Would the kids dismiss me because<br />
I’m a wind player? Would I shortchange<br />
them due to the fact that I’m a band person?<br />
The answer to both of those questions<br />
of course turned out to be no. My orchestra<br />
students were kind, helpful and funny. I<br />
learned as they learned and I even stopped<br />
saying things like “get your horns up”!<br />
So much has changed for me over the<br />
years but one thing has stayed the same: I<br />
love to go into the classroom every day and<br />
work with young people. I am privileged<br />
to be in my seventeenth year of teaching,<br />
fourteen of which have been at Farragut<br />
High School in Knoxville. At Farragut, I<br />
currently serve as the orchestra director,<br />
the assistant band director and also teach<br />
AP music theory and history of rock.<br />
I have come to truly understand the importance<br />
of having a mentor as an educator.<br />
I was lucky enough as a young teacher<br />
to start my career under the guidance of<br />
veteran teachers, like Mark Connell and<br />
Ron Rogers that cared about my success or<br />
failure as a band director. They wanted my<br />
students to have a good experience in band and they knew that meant that I needed to<br />
know my craft. By 2010, people had stopped referring to me as a new teacher. I began to<br />
think that I no longer need a mentor, and then suddenly found myself as a “new” teacher<br />
once again. When I found out that I would be teaching orchestra, I quickly called on<br />
veteran teachers around me and found an educational support system in the directors<br />
in my region. Katie Middleton, Peggy Jones, Gary Wilkes and many others have been my<br />
sounding board for concert literature and answered more questions than you can possibly<br />
imagine. Without their willingness to help a “new” teacher, where would I be? <strong>No</strong>w that<br />
I am a few years down the road, I feel much more comfortable choosing literature and<br />
discussing technique with my students but that is due in large part to the mentorship of<br />
the teachers around me.<br />
As a veteran music educator, I feel like it is so easy to get wrapped up in our day-to-day<br />
tasks and forget that newer directors might be floundering and need guidance in those same<br />
tasks. I also once believed that if someone needed my help or expertise, they would contact<br />
me and ask. I now know that is not always the case. Sometimes you either don’t know whom<br />
to call or you are afraid that someone might see your questions as a sign of incompetence.<br />
One of things that I truly believe will have a benefit statewide is to ensure that all of our<br />
orchestra directors have a mentor, whether they are new to the profession or just the region.<br />
One of my favorite moments of the 2016 TMEA Conference was attending the orchestra<br />
caucus where I had the pleasure of meeting many of the other directors from across<br />
the state. There was so much wonderful advice given, positive ideas shared and encouragement<br />
offered that I suddenly felt like part of a much larger community. The most interesting<br />
concept that I took away from the meeting was the idea of strengthening our<br />
connections across the state. We decided to look into assembling a state-wide directory<br />
of orchestra teachers that would be compiled from the regional association membership<br />
lists. In my opinion, this is a very exciting prospect and something that I would find extremely<br />
beneficial.<br />
In closing, I would encourage each and every one of you to be an active voice in your<br />
school, district, region and state. We are so lucky to have incredible teachers with a diverse<br />
set of skills and strengths and we should be our own best advocate. If you have a<br />
successful teaching strategy that you would like to share, please apply to present a session<br />
at TMEA and share your knowledge for the benefit of your colleagues around the state.<br />
I would also encourage all of you who are on Facebook to visit the group “Tennessee Orchestra<br />
Directors” which is a forum for topics related to orchestra programs across the<br />
state. If you have ideas that you would like to share or ways that I can help you or your<br />
program, please do not hesitate to contact me.<br />
28 | TENNESSEE MUSICIAN | 2016 | <strong>Vol</strong>ume <strong>69</strong>, <strong>No</strong>. 1