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14<br />
RAINDANCE FILM FESTIVAL<br />
The 25th Raindance Film Festival is<br />
now underway in London’s West End,<br />
with a programme that includes more<br />
than 200 features, shorts, webfest, VR<br />
and music videos.<br />
Films playing in competition include<br />
Maya Dardel, starring Lena Olin and<br />
Rosanna Arquette, and In Another Life,<br />
set against the backdrop of the Calais<br />
Jungle.<br />
Other programme highlights are You<br />
Are Killing Me Susana, which stars Gael<br />
Garcia Bernal and tells the story of a<br />
Mexican native adapting to life in the<br />
USA; Black Butterfly, which stars Antonio<br />
Banderas and Jonathan Rhys Meyers, and<br />
is set in a mountain town grappling with a<br />
series of abductions and murders; and<br />
Barrage, starring Academy Award<br />
nominee Isabelle Huppert and her real life<br />
daughter Lolita Chammah.<br />
The festival also boasts several<br />
strands such as Women In Film and<br />
LGBT, as well as a newly established<br />
virtual reality strand (28 September -<br />
1 October).<br />
The festival closes with the international<br />
premiere of Stuck (pictured), an<br />
original pop musical film about six<br />
strangers who get stuck underground on a<br />
New York City subway together and<br />
change each other’s lives in unexpected<br />
ways.<br />
Screenings take place at the Vue<br />
Piccadilly. For full details and tickets,<br />
visit www.raindancefestival.org<br />
Ben Stevens<br />
FREE BY FREE PAINTERS AND<br />
SCULPTORS<br />
Capturing the essence of freedom and<br />
diversity, a new exhibition from Free<br />
Painters and Sculptors (FPS) opens to<br />
the public on 26 September at the<br />
Clerkenwell Gallery. The exhibition<br />
explores the principles, reflected in the<br />
core beliefs of FPS, of free speech and<br />
artistic expression and features work<br />
from members of the group using a wide<br />
variety of materials and styles.<br />
FPS, an artist-led organisation, was<br />
first established in 1952. Since its<br />
inception, the idea of freedom has been<br />
at the heart of its beliefs. In the aftermath<br />
of World War II, it was vital for the group<br />
to be able to protect the principles of<br />
artistic freedom, free speech and<br />
expression, and to challenge established<br />
notions and values.<br />
Clearly, since that time, there have<br />
been significant, and positive changes in<br />
attitudes concerning class, gender,<br />
sexuality, race and religion. Despite this<br />
progress, there is still a great need to<br />
defend these values. FPS champions<br />
and encompasses the essence of<br />
diversity. Many of the exhibiting artists<br />
will be present at the show at which you<br />
will be able to discuss and see their<br />
artistic representations of freedom and<br />
diversity.<br />
FPS was originally associated with<br />
the ICA (Institute of Contemporary Arts)<br />
and came to prominence by playing a<br />
significant part in the establishment of<br />
abstract art in the 1950's and 60's.<br />
ALEAH CHAPIN WITHIN WILDS<br />
AT FLOWERS GALLERY<br />
Intimate, revealing and personal, the<br />
latest paintings by American artist Aleah<br />
Chapin explore the passage of time as<br />
seen through the body; depicting friends<br />
and relations, all of whom she has<br />
known throughout her life growing up in<br />
a unique island community on the US<br />
Pacific Northwest Coast.<br />
Following on from her internationally<br />
renowned Aunties series, Chapin’s latest<br />
monumental canvases continue to open<br />
up a lesser-represented view of the<br />
female form, expanded to include the<br />
ageing figures of women in the later<br />
stages of life. Set within a wild Pacific<br />
landscape, Chapin portrays the physical<br />
journey of the body in poetic terms,<br />
imbuing the forms of the older women<br />
with natural, sensuous vitality. The<br />
paintings in the exhibition Within Wilds<br />
portray mysterious scenes where elderly<br />
women perform joyful nymph-like<br />
dances against the backdrop of moonlit<br />
mountains and forests. Groups of<br />
intertwined figures jostle and cling to<br />
one another, and in the case of the<br />
painting There Were Whispers Among<br />
the Branches, they huddle together,<br />
apparently sharing secrets.<br />
In a painting titled Under the Curve of<br />
Time, Chapin traces the effects of<br />
childbirth on the body, evoking not only<br />
the closeness of mother and child, but<br />
also a sensory connection to place and<br />
time through the soft carpet of forest<br />
grasses and fir trees around the figures.<br />
Following a recent return to live in the<br />
Pacific Northwest, Chapin has focused on<br />
the detail of her natural surroundings.<br />
Wild flowers found underfoot in this<br />
environment, such as Muscari and<br />
Taraxacum, are portrayed on smaller<br />
canvases. Painted in dark tones and<br />
covered in dew, the paintings summon<br />
memories of the fresh earth scent of the<br />
dawn forest; connecting the wildness<br />
and timelessness of the natural world.<br />
On view at Flowers Gallery, 21 Cork<br />
Street, W1, from 4 October until<br />
4 November. Telephone 020 7439 7766.<br />
t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e