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TIL_22 Septimber 2017

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14<br />

RAINDANCE FILM FESTIVAL<br />

The 25th Raindance Film Festival is<br />

now underway in London’s West End,<br />

with a programme that includes more<br />

than 200 features, shorts, webfest, VR<br />

and music videos.<br />

Films playing in competition include<br />

Maya Dardel, starring Lena Olin and<br />

Rosanna Arquette, and In Another Life,<br />

set against the backdrop of the Calais<br />

Jungle.<br />

Other programme highlights are You<br />

Are Killing Me Susana, which stars Gael<br />

Garcia Bernal and tells the story of a<br />

Mexican native adapting to life in the<br />

USA; Black Butterfly, which stars Antonio<br />

Banderas and Jonathan Rhys Meyers, and<br />

is set in a mountain town grappling with a<br />

series of abductions and murders; and<br />

Barrage, starring Academy Award<br />

nominee Isabelle Huppert and her real life<br />

daughter Lolita Chammah.<br />

The festival also boasts several<br />

strands such as Women In Film and<br />

LGBT, as well as a newly established<br />

virtual reality strand (28 September -<br />

1 October).<br />

The festival closes with the international<br />

premiere of Stuck (pictured), an<br />

original pop musical film about six<br />

strangers who get stuck underground on a<br />

New York City subway together and<br />

change each other’s lives in unexpected<br />

ways.<br />

Screenings take place at the Vue<br />

Piccadilly. For full details and tickets,<br />

visit www.raindancefestival.org<br />

Ben Stevens<br />

FREE BY FREE PAINTERS AND<br />

SCULPTORS<br />

Capturing the essence of freedom and<br />

diversity, a new exhibition from Free<br />

Painters and Sculptors (FPS) opens to<br />

the public on 26 September at the<br />

Clerkenwell Gallery. The exhibition<br />

explores the principles, reflected in the<br />

core beliefs of FPS, of free speech and<br />

artistic expression and features work<br />

from members of the group using a wide<br />

variety of materials and styles.<br />

FPS, an artist-led organisation, was<br />

first established in 1952. Since its<br />

inception, the idea of freedom has been<br />

at the heart of its beliefs. In the aftermath<br />

of World War II, it was vital for the group<br />

to be able to protect the principles of<br />

artistic freedom, free speech and<br />

expression, and to challenge established<br />

notions and values.<br />

Clearly, since that time, there have<br />

been significant, and positive changes in<br />

attitudes concerning class, gender,<br />

sexuality, race and religion. Despite this<br />

progress, there is still a great need to<br />

defend these values. FPS champions<br />

and encompasses the essence of<br />

diversity. Many of the exhibiting artists<br />

will be present at the show at which you<br />

will be able to discuss and see their<br />

artistic representations of freedom and<br />

diversity.<br />

FPS was originally associated with<br />

the ICA (Institute of Contemporary Arts)<br />

and came to prominence by playing a<br />

significant part in the establishment of<br />

abstract art in the 1950's and 60's.<br />

ALEAH CHAPIN WITHIN WILDS<br />

AT FLOWERS GALLERY<br />

Intimate, revealing and personal, the<br />

latest paintings by American artist Aleah<br />

Chapin explore the passage of time as<br />

seen through the body; depicting friends<br />

and relations, all of whom she has<br />

known throughout her life growing up in<br />

a unique island community on the US<br />

Pacific Northwest Coast.<br />

Following on from her internationally<br />

renowned Aunties series, Chapin’s latest<br />

monumental canvases continue to open<br />

up a lesser-represented view of the<br />

female form, expanded to include the<br />

ageing figures of women in the later<br />

stages of life. Set within a wild Pacific<br />

landscape, Chapin portrays the physical<br />

journey of the body in poetic terms,<br />

imbuing the forms of the older women<br />

with natural, sensuous vitality. The<br />

paintings in the exhibition Within Wilds<br />

portray mysterious scenes where elderly<br />

women perform joyful nymph-like<br />

dances against the backdrop of moonlit<br />

mountains and forests. Groups of<br />

intertwined figures jostle and cling to<br />

one another, and in the case of the<br />

painting There Were Whispers Among<br />

the Branches, they huddle together,<br />

apparently sharing secrets.<br />

In a painting titled Under the Curve of<br />

Time, Chapin traces the effects of<br />

childbirth on the body, evoking not only<br />

the closeness of mother and child, but<br />

also a sensory connection to place and<br />

time through the soft carpet of forest<br />

grasses and fir trees around the figures.<br />

Following a recent return to live in the<br />

Pacific Northwest, Chapin has focused on<br />

the detail of her natural surroundings.<br />

Wild flowers found underfoot in this<br />

environment, such as Muscari and<br />

Taraxacum, are portrayed on smaller<br />

canvases. Painted in dark tones and<br />

covered in dew, the paintings summon<br />

memories of the fresh earth scent of the<br />

dawn forest; connecting the wildness<br />

and timelessness of the natural world.<br />

On view at Flowers Gallery, 21 Cork<br />

Street, W1, from 4 October until<br />

4 November. Telephone 020 7439 7766.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e

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