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The Journal of Australian Ceramics Vol 51 No 1 April 2012

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Vale Wanda Garnsey<br />

1914-2011<br />

Some sad news. Wanda Garnsey,<br />

the founder and first editor <strong>of</strong> Pottery<br />

in Australia (now <strong>The</strong> <strong>Journal</strong> <strong>of</strong><br />

<strong>Australian</strong> Ceramic, JAC) passed away<br />

on 24 December 2011 at the age <strong>of</strong><br />

97 years. As an active member <strong>of</strong> the<br />

Potters Society <strong>of</strong> Australia, Wanda saw<br />

the need for a journal that would provide<br />

<strong>Australian</strong> potters with an overview <strong>of</strong><br />

what was happening in Australia as well<br />

as overseas. After a few PSA meetings<br />

in which this was discussed, Wanda<br />

decided to go ahead and just do it. On<br />

seeing the first edition, members <strong>of</strong> the<br />

Potters Society <strong>of</strong> Australia - who had<br />

been expecting a modest newsletter -<br />

realised the extent <strong>of</strong> Wanda's vision and<br />

applauded it.<br />

Wanda Garnsey<br />

Photo: Douglas Thompson<br />

She showcased work by <strong>Australian</strong><br />

potters and provided in-depth cutting<br />

edge technical articles using <strong>Australian</strong><br />

materials. <strong>The</strong>re were reports on<br />

exhibitions, workshops and visits by<br />

overseas celebrities. Bernard Leach's visit<br />

to Australia featured in the first edition.<br />

Potters who travelled overseas were<br />

persuaded to write illustrated articles on<br />

their visits to potters in Asia, Europe, USA<br />

and the Middle East. Her daughter, Julie<br />

Blakemore, recalls Wanda cajoling articles<br />

from potters uncertain <strong>of</strong> their writing skills (" Just get the gist <strong>of</strong> it down; I'll fix the rest! "), and, <strong>of</strong>ten<br />

with Margaret Tuckson at her side, poring over her living room table spread with typewritten articles<br />

glued on bits <strong>of</strong> paper. By herself, Wanda Garnsey created a template for the journal which, with a few<br />

updates and revisions, remains the format for the JAC to this day.<br />

Her desire to see the work <strong>of</strong> <strong>Australian</strong> potters recognised more widely led to <strong>Australian</strong> Pottery<br />

(1972), co-written with arts historian and critic Kenneth Hood, a pr<strong>of</strong>usely illustrated book which<br />

remains a valuable resource for researchers into <strong>Australian</strong> studio ceramics. Wanda had a deep interest<br />

in Asian ceramics. After several visits to mainland China, Japan and Korea, in 1983, in collaboration<br />

with NZ writer Rewi Alley, she wrote, China, ancient kilns and modern ceramics: a guide to the<br />

potteries, which is still cited in the Encyclopedia Britannica online as a reference text.<br />

12 THE JOURNAL OF AUSTRALIAN CERAMICS APRil <strong>2012</strong>

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