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The Journal of Australian Ceramics Vol 51 No 1 April 2012

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All things digital<br />

QR code. What's that?<br />

Our 'Shoot the Potter' image folder on Flickr is well worth a<br />

visit, 50 try the QR Code on the right to view the images.<br />

A QR (Quick Response) code enables you to view and<br />

bookmark a web page using your digital device.<br />

Download a QR reader app to your smartphonelipadltablet,<br />

open the app, point it at the black and white square (right)<br />

and your device will scan the QR code. You will then be taken<br />

online to view our Shoot the Potter images.<br />

It's free and VERY clever! Give it a go right here.<br />

Would you like to see your exhibition<br />

review on our new blog?<br />

Check our new blog out here:<br />

http://australianceramics.wordpress.com/<br />

Submissions are now open for short and (not<br />

necessarily) sweet reviews <strong>of</strong> exhibitions you have<br />

visited.<br />

Requirements for blog reviews: 1 50-200 words<br />

along w ith a link to a website for images, or<br />

attach 2-4 low res (72dpi) images. Please send<br />

your review as plain text (no fancy formatting).<br />

Send by email to mail@australianceramics.com.<br />

If you would like an email every time there is a<br />

new blog post, click on the FOLLOW button (see<br />

bottom right <strong>of</strong> blog page) and enter your email<br />

address. You will be sent a confirmation email.<br />

AUSTRALlAIICERAIlICS<br />

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Be sure to enjoy our extra web features online at www.austraUanceramlcs.com<br />

Go online to enjoy a<br />

. Jan Howlin's visit to Peter's studio in<br />

the Blue Mountains, west <strong>of</strong> Sydney, resulted in this unique opportunity to capture his thoughts about<br />

the early days <strong>of</strong> JAC's predecessor, Pottery in Australia, and memories <strong>of</strong> his life as a studio potter.<br />

Read Michael Stephan's article by Jo Mcintyre Bornemissza, then go to http://vimeo.com/4826053<br />

to view<br />

on his life and work, one <strong>of</strong> three 'stillsbased'<br />

biographies that accompanied the exhibition Working Fire at Carnegie Gallery, Hobart Tasmania.<br />

This issue's web-only article is a .<br />

<strong>of</strong> HYPERCLAY: Contemporary<br />

<strong>Ceramics</strong>. Read Altair's overview <strong>of</strong> the exhibition, then go behind the scenes with the artists by<br />

downloading the free iTunes app, HYPERCLAY: Contemporary <strong>Ceramics</strong>.<br />

THE IOURNAl OF AUSTRAlIAN CERAMICS APRil <strong>2012</strong> 5

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