The Journal of Australian Ceramics Vol 52 No 2 July 2013

Art ist in Residence
Partnerships and my first residency
On graduation I was awarded the first Canberra Potters' Society (C PS) artist in residence, a partnership
with the ANU 's Emerging Artist Support Scheme (EASS). Commencing in January 2012, this award
allowed me to extend my educational experience in a different studio environment with access to a
studio, kilns and a library, as well as engagement with the Society's members. The CPS, like many other
associations and groups around Australia, provides critical resources for graduating students who are
suddenly faced with the reality of no access to a studio or kiln . These organisations also partner with
educational institutions to share visiting artists from Australia and overseas. Both students and the
community are able to access workshops and classes conducted by these profeSSional artists. I rely on
these workshops for up-to-date information and skills sharing and this important activity ensures we
survive and prosper in the arts arena.
Continuing research and access to institutions
During this local residency my research relied on access to other libraries as well - the ANU 's Art and
Music Library, the National Archives of Australia, and the collection at the Australian National Botanic
Gardens in Canberra . I developed motifs to decorate new work and discovered a drawing by American
architect Marion Mahony Griffin, which later that year became the basis for my application for an
international residency.
Networking and outreach
Networking is a key tool artists should have in their toolbox. I cannot live without it as it has led me to
many opportunities that may never have happened otherwise.
After I completed the EASS residency I attended my first international ceramics conference in
April in Seattle - NCECA. I was one of 4500 delegates and was impressed 'the biggest category of
people attending were students' (according to the President of NCECA). I assisted Janet de Boos in
promoting the ANU 's graduate program to prospective students considering an education in Australia.
Attracting and retaining students (in Australia and beyond) is a challenge, especially when domestic and
international scholarships are becoming ever more competitive.
At this event I caught up with Amanda Small, a US visiting artist to the ANU Ceramic workshop
(2010). She provided valuable advice and a fresh perspective with my studio-based project at the
time. Through her, and my persistent networking, I met w ith the director of the International Ceramic
Research Center (lCRC), based in Denmark, who encouraged me to apply for one of their programs.
Below: NCECA, Seattle, 28-31 March 2012