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The Inkling Volume 1

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When you go to the movie theatre, what do you expect? <strong>The</strong><br />

rustling of over-priced popcorn snacks? <strong>The</strong> smell of sweaty coach<br />

potatoes who have lugged themselves to the cinema to watch Star<br />

Wars for the seventeenth time? Or do you expect to be blown out<br />

of your seats, witnessing something you’ve never seen before, with<br />

characters you adore and a story you relate to…?<br />

Now I think about it, that’s exactly what I hope for. Perhaps not<br />

every time, but I do hope that every film will tell a unique story and<br />

say something different to me. I’m not going to walk into ‘My Little<br />

Pony: <strong>The</strong> Movie’, sadly an actual film coming out soon, expecting<br />

an Oscar Best Picture winner (although that would be amazing to<br />

see).<br />

If you don’t walk into a film expecting the best possible thing that<br />

film could be, then why bother? Why pay the £10 fortune to go and<br />

see something that you don’t believe in? Why is it not okay to ask<br />

that of a film?<br />

Surely it is?<br />

If you look back on this year, what films do you think of?<br />

Personally, I think of ‘La La Land’, my favourite film to be released<br />

in the UK this year. That film did blow me out of seat. I instantly fell<br />

in love with the setting, the characters and the story, and to date I<br />

have watched ‘La La Land’ five times since release - twice in<br />

cinema and three times at home on Blu-Ray.<br />

So my question to you is why can’t every film be like that? If ‘La La<br />

Land’ did it, then why can’t ‘My Little Pony’? Okay, I do now feel ill<br />

having posed that question, but I just need to prove my point.<br />

But in all honesty...why can’t it? Do Hollywood executives know<br />

which films are going to make the money and win the awards, so<br />

they just don’t bother with the others? If so, why?<br />

Now I know since the beginning I have just been throwing<br />

questions at you and ranting about La La Land (but then if you<br />

know me then I never really do stop ranting about ‘La La Land’, so<br />

we don’t have to worry about that). Question after question and all<br />

this article is now is like an angry protest at Hollywood and it’s<br />

dumb movies. But that’s not what this is. I’m merely here to open<br />

your eyes further, so that the next time you slide on to the<br />

uncomfortable leather of a cinema chair with popcorn in hand and<br />

an empty wallet, you can ask yourself if it was all worth it.<br />

We have now entered a rocky age of cinema: the rise of the guilty<br />

pleasure. Everyone has at least one: a film that they pretend to<br />

hate spitefully but, behind closed doors, they adore to the bottom<br />

of their heart. Mine is ‘Alvin and the Chipmunks’. 1...2... and 3. Not<br />

4. ‘<strong>The</strong> Road Chip’ is the worst thing I’ve ever seen. However, the<br />

rest are superb in my mind. I could very comfortably sit and watch<br />

all back to back just as much as I could watch ‘Star Wars’.<br />

So then what do we do now? This article has been about trying to<br />

get Hollywood to stop making bad movies but now I’ve openly said<br />

that I love three awful films - awful films that are quite<br />

frankly embarrassing to love.<br />

I guess what I am trying to say is that movies deserve a certain<br />

image, a vision, a crew that love what they are doing and want to<br />

do it in their own way. If we look at recent cinema however, it’s<br />

evident that Hollywood isn’t allowing this to happen.<br />

Take ‘Star Wars’. Everybody’s heard of it - if not, then I don’t think<br />

I want to know you. But that’s besides the point: ‘Star Wars’ is a<br />

multi-billion pound franchise which stretches over forty years. In<br />

2012, when Disney bought out Lucasfilm and announced to the<br />

world that the Force had returned (the ‘magic powers’ in ‘Star<br />

Wars’. Again, if you didn’t know that then I don’t want to see you<br />

ever) everybody in the world went absolutely ballistic with<br />

excitement. “‘Star Wars’ is back!” was all over Twitter; “<strong>The</strong> Force<br />

is with me!” covered Facebook “I love you Disney!” was constantly<br />

popping up on Instagram.<br />

When this juggernaut of a franchise space-warped into cinemas in<br />

December 2015, fans everywhere were over-the-moon. Most<br />

people had a great time, thrilled to see Han Solo, Princess Leia<br />

and Luke Skywalker (for literally less than a minute) on the big<br />

screen for another adventure. Some fans, however, went<br />

supernova as the film was ‘too nostalgic’ and ‘too alike the original<br />

trilogy’. This resulted in Disney filming extensive reshoots on<br />

‘Rogue One: A Star Wars Story’ which, when it came out the<br />

following year, was one of the most unique and out-there Star Wars<br />

movies to date.<br />

However, when the film garnered worse reviews than the<br />

previously mentioned ‘<strong>The</strong> Force Awakens’, Disney were left with<br />

some questions: ‘Why have we done this?’ <strong>The</strong>y must have<br />

thought. ‘We had a formula, so why may something different?’ This<br />

resulted in two directors of Star Wars sequels being let go because<br />

of ‘differing visions’...Absolute rubbish if you ask me!<br />

I think that Lucasfilm are too scared to take a risk. With their<br />

blockbuster franchise, they’ve stuck to the formula and now<br />

coming soon to theatres are two ‘Star Wars’ movies with some<br />

different numbers in front of them but still the same old characters<br />

waving their lightsabers round for two more hours.<br />

So what can happen to change this? In my mind, it’s actually quite<br />

simple: allow films to made how the filmmakers want to them to be.<br />

Film companies hire world-renowned directors and<br />

cinematographers and so on to make interesting and unique films -<br />

so let them do so.<br />

<strong>The</strong> biggest problem in modern day Hollywood is not the box office<br />

and how much money a film makes, it is what has the longest<br />

lasting legacy as a ground-breaking film or a guilty pleasure in the<br />

back of people’s minds. <strong>The</strong> highest grossing movie of all time,<br />

‘Avatar’, came out in 2009 and since then, the buzz has died down<br />

and I barely ever hear people talk about it. I hear people talk of<br />

‘Toy Story 3’, ‘Inception’ and ‘Iron Man’ - movies out around the<br />

same time. Legacy is more important than money because the<br />

more money a film makes, the more Hollywood thinks that they can<br />

pump out endless numbers of them which all make the same<br />

amount. Take Avatar: which has 4 more sequels in production<br />

before 2025. Seriously!<br />

So, (I really have to stop starting these paragraphs with so) the<br />

next time you walk into the cinema and book your tickets, maybe<br />

pick a film with a little bit of character - he oddball. Not the next<br />

‘Transformers’ or ‘Despicable Me’. Someone in the crowd will be<br />

just like you, looking for a lovely night at the cinema - instead of out<br />

making their own adventure in the city of stars. If you didn’t notice I<br />

just made three ‘La La Land’ references in that last sentence.<br />

I really do have to get a life.

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