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ARTS<br />
PAINTINGS<br />
A GIANT AMONG<br />
MINIATURE PAINTERS<br />
BIKANER-BASED MAHAVEER SWAMI’S<br />
EXQUISITE BRUSHWORK COMBINED<br />
WITH A UNIQUE INNER VISION HAS<br />
MADE HIM ONE OF INDIA’S FINEST<br />
TRADITIONAL ARTISTS<br />
NO DISCUSSION ON INDIAN MINIATURE<br />
painting can be complete without<br />
mentioning Mahaveer Swami. The<br />
Bikaner, Rajasthan resident may be softspoken<br />
and self-effacing but his fame has<br />
transcended state boundaries and he is<br />
now even a big name abroad. His shows in<br />
Korea and France were big hits and he is<br />
just back from a successful show in the<br />
United States.<br />
Swami has descended from a family<br />
of talented miniature painters. He<br />
learned the ropes from his father MR<br />
Swami and grandfather MD Swami. To<br />
Mahaveer Swami goes the credit of<br />
reviving the best aspects of the Bikaner<br />
School of painting.<br />
He stands out among thousands of<br />
traditional painters not only because of<br />
his great skills in drawing and painting<br />
but also because he has an ability to<br />
recognize the difference between the<br />
truly fine and mundane. He prefers to<br />
explore new subjects, new contexts and<br />
new forms of expressions but admits to<br />
being partial to religious and spiritual<br />
themes.<br />
Swami’s style has been strongly<br />
influenced by his studies of Mughal and<br />
Rajasthani miniatures. His subject<br />
matter is often drawn from the lifestyle of<br />
holy men and women, daily life of Indian<br />
women and sometimes from Hindu<br />
mythological terms. His paintings of<br />
ascetics and mystics are particularly<br />
striking because of his deep feelings for<br />
the spiritual and the emotional. As a child,<br />
the various holy men who visited his<br />
grandfather fascinated him.<br />
One of the finest traditional artists<br />
working in India today, his ethereal<br />
colours and exquisite brushwork are<br />
combined with a unique inner vision. His<br />
work demonstrates beyond a doubt that a<br />
rich and beautiful tradition is still very<br />
much alive.<br />
156<br />
NOVEMBER 2017