17.11.2017 Views

IFFI 2017 International Cinema Catalogue

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

OFFICIAL CATALOGUE<br />

INTERNATIONAL<br />

CINEMA<br />

<strong>IFFI</strong> <strong>2017</strong><br />

Òkjr dk 48ok¡ vUrjkZ’Vªh; fQ+Ye lekj¨g] x¨ok<br />

48th <strong>International</strong> Film Festival of India, Goa<br />

uoEcj 20&28] <strong>2017</strong><br />

November 20―28, <strong>2017</strong><br />

lwpUkk v©j Álkj.k Eka«kkYk;] Òkjr ljdkj<br />

Ministry of Information and Broadcasting, Government of India


Festival Director Sunit Tandon<br />

Senior Programmer Deepika Suseelan<br />

Consulting Programmer and Festival Manager Sanjay Ram<br />

Film Programmer Anshuman Shekhar<br />

Festival Scheduler Prasad Khatu<br />

Programmer and EA to the Festival Director Prateek Rawat<br />

Assistant Film Programmer Chandrima Chatterjee<br />

Festival Coordinators Rajat Aggarwal, Jeevika Kalra<br />

Editor (English) Saibal Chatterjee<br />

Editor (Hindi) Manju Khanna, Dr. Usha Kataria<br />

Editorial Coordinator Chandrima Chatterjee<br />

Cover Design Jaspreet Matharu<br />

Creative Team<br />

Leena Khobragade<br />

Pooja Mohite<br />

Mayur Patel<br />

Ballori Roy Chowdhury<br />

Published by<br />

<strong>IFFI</strong> Secretariat<br />

Ministry of Information & Broadcasting<br />

Government of India<br />

Produced by Directorate of Advertising and Visual Publicity<br />

Printed at Paras Offset, New Delhi<br />

We are grateful to various film and festival publications/websites, the extracts from which have helped enrich this<br />

book. All views expressed in this publication are not necessarily those of the Editor or of the <strong>IFFI</strong> Secretariat.<br />

You can visit us at www.iffigoa.org


Òkjr dk 48ok¡ vUrjkZ’Vªh; fQ+Ye lekj¨g] x¨ok<br />

48th <strong>International</strong> Film Festival of India, Goa<br />

uoEcj 20&28] <strong>2017</strong><br />

November 20―28, <strong>2017</strong>


jk"Vªifr<br />

Hkkjr x.kra=<br />

PRESIDENT<br />

REPUBLIC OF INDIA<br />

MESSAGE<br />

I am happy to learn that the 48th edition of <strong>International</strong> Film Festival of India (<strong>IFFI</strong>, <strong>2017</strong>) is being<br />

organised from November 20-28, <strong>2017</strong> at Goa. <strong>IFFI</strong> promotes friendship and cooperation among<br />

countries by serving as a platform for filmmakers, academicians, actors, students and film enthusiasts<br />

from around the globe to connect, collaborate, exchange ideas and gain memorable experiences.<br />

Owing to the universal appeal of cinema, it can be used as one of the most powerful mediums to<br />

transcend boundaries, promote cultural exchange and encourage friendly ties among different nations<br />

by showcasing films that portray their social and cultural ethos. I extend my greetings and felicitations<br />

to all those associated with the 48th <strong>IFFI</strong>, <strong>2017</strong> and wish their endeavours every success.<br />

(Ram Nath Kovind)<br />

New Delhi<br />

November 7, <strong>2017</strong>


Hkkjr ds mi&jk"Vªifr<br />

Hkkjr x.kra=<br />

VICE PRESIDENT OF INDIA<br />

MESSAGE<br />

I am very glad that the 48 th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>, <strong>2017</strong>) is being organized from 20th<br />

- 28th of November, <strong>2017</strong>, in the beautiful beach state Goa.<br />

Being one of the strongest mediums of mass communication, cinema can have tremendous impact on<br />

society. It reflects on the ideological, cultural, socio-political and economic structures of a society, while<br />

enthralling audiences with their individual narratives.<br />

For the past four decades of its existence, <strong>IFFI</strong> has relentlessly been trying to treat its participants by<br />

showcasing films from around the world that shed light on the socio-cultural structures and dynamics<br />

of different societies.<br />

I take immense pleasure in welcoming all of you to this grand event and I extend my heartiest<br />

congratulations to the organizers of the festival.<br />

(Venkaiah Naidu)


Á/kkuea«kh<br />

PRIME MINISTER<br />

MESSAGE<br />

I am delighted to learn that the 48th Edition of the <strong>International</strong> Film Festival of India is being organized<br />

by the Ministry of Information and Broadcasting from 20th to 28th November, <strong>2017</strong> in Goa.<br />

Over the years, <strong>IFFI</strong> has become a prestigious event, drawing attention from all over the world. The<br />

beautiful state of Goa has become a perfect host for the film festival since the last many editions.<br />

India is home to a vibrant film industry. Films in several languages are gaining immense popularity across<br />

the nation and in many parts of the world. Several actors from India have distinguished themselves<br />

internationally through their work.<br />

I am certain that this edition of <strong>IFFI</strong> will also be an occasion to appreciate the rich cinematic culture of<br />

India. Best wishes to all the film lovers and organizers for the success of <strong>IFFI</strong>.<br />

(Narendra Modi)


MINISTER OF INFORMATION &<br />

BROADCASTING AND TEXTILES<br />

GOVERNMENT OF INDIA<br />

MESSAGE<br />

It is my esteemed privilege to welcome you all to the 48th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) to<br />

celebrate the creativity, vibrancy and influence of cinema in our lives.<br />

<strong>IFFI</strong>, since 1952, has provided the opportunity and platform to showcase brilliance and innovation in<br />

all aspects of film making. It has given India the necessary push to position itself globally as a creative<br />

soft power.<br />

Over the years, <strong>IFFI</strong> has captured the emerging contemporary trends of cinema from a global and<br />

Indian perspective. As a platform, it has always encouraged the participation of young film makers<br />

and creative geniuses. The 48th Edition of <strong>IFFI</strong> will be a new experience for all cinema lovers. The<br />

festival will attempt to weave the audiences and film makers through a narrative that combines culture,<br />

languages and the heritage of different nations.<br />

I am confident it will be an exhilarating experience to all.<br />

(Smriti Zubin Irani)


CHIEF MINISTER<br />

GOA<br />

MESSAGE<br />

I am delighted that the 48th <strong>International</strong> Film Festival is going to commence in our strikingly beautiful<br />

and picturesque state of Goa, on 20th November, <strong>2017</strong> and will continue till 28th November, <strong>2017</strong>.<br />

For the past 13 years, my state has been hosting the Festival. Our state has always been a favorite<br />

film location for Indian and international filmmakers. Since 2004, when <strong>IFFI</strong> was permanently moved to<br />

Goa, the Konkani / Goan film industry has seen remarkable growth in the quality and quantity of films<br />

produced, as <strong>IFFI</strong> has successfully implanted a taste for good cinema among our people. For them,<br />

cinema is no longer just a means of entertainment, but also a source to enhance their awareness and<br />

perspectives.<br />

Not only does <strong>IFFI</strong> provide lovers of cinema an opportunity to indulge into a cinematic fiesta for 9<br />

eventful days, it also provides them the opportunity to explore the rich culture, food, art and architecture<br />

of Goa. The special events organized by the Entertainment Society of Goa during the festival add<br />

colour to the festival.<br />

I take this opportunity to welcome all cinema lovers from around the country and the world to join us in<br />

celebrating one of the largest carnivals of cinema. I wish the Festival all the success.<br />

(Manohar Parrikar)


MINISTER OF STATE (I /C) YOUTH AFFAIRS<br />

& SPORTS AND MINISTER OF STATE<br />

INFORMATION & BROADCASTING<br />

GOVERNMENT OF INDIA<br />

MESSAGE<br />

I take this opportunity to welcome all film enthusiasts to the 48th <strong>International</strong> Film Festival of India,<br />

<strong>2017</strong>.<br />

The 9 day long Festival provides the largest platform in the country for filmmakers, technicians,<br />

students and film enthusiasts to showcase their talent and to exchange ideas of film making in context<br />

of different cultures.<br />

Every year we try to programme the best of cinema from across the country and the world. These<br />

include many insightful films that address issues of social and cultural concern and helps in developing<br />

understanding and empathy among societies and nations.<br />

The films screened during the festival enable conversations and debate and they also challenge and<br />

encourage us to image new possibilities in our engagement with the world around us.<br />

I am delighted to extend my warm greetings to all the participants and organisers of the Festival.<br />

(Col Rajyavardhan Rathore)


SECRETARY,<br />

MINISTRY OF INFORMATION & BROADCASTING<br />

GOVERNMENT OF INDIA<br />

MESSAGE<br />

I am extremely happy to welcome all of you to the 48th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) being<br />

held in Goa from 20th – 28th of November, <strong>2017</strong>.<br />

Over the years, <strong>IFFI</strong> has gained the reputation of being one of the most awaited events amongst<br />

cinema lovers from around the globe. Every year we try to enhance the quality of the Festival by taking<br />

new initiatives, showcasing the best of films and by conducting Master Classes, Panel Discussions,<br />

Seminars, Workshops and other special events that would help the participants to interact with the<br />

connoisseurs of cinema and to develop an insight into the art, craft and the technique of filmmaking.<br />

I am sure this year too <strong>IFFI</strong> will deliver an extremely diverse array of <strong>International</strong> and Indian Sections<br />

such as the <strong>International</strong> Competition, <strong>Cinema</strong> of the World, Retrospectives, BRICS Award-Winning<br />

films, Focus on Canada, Restored Classics, Homages, <strong>International</strong> Competition, and an Indian<br />

Panorama Section featuring the best of Indian <strong>Cinema</strong> produced in the past year.<br />

My special thanks to all the participants and the <strong>IFFI</strong> team for their contributions to making the Festival<br />

successful.<br />

(N K Sinha)


FESTIVAL DIRECTOR<br />

48 TH INTERNATIONAL FILM FESTIVAL OF INDIA<br />

MESSAGE<br />

Over the years, the <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) has created a firm place for itself in the<br />

global Film Festival calendar. Organised under the aegis of the Ministry of Information & Broadcasting,<br />

Government of India, <strong>IFFI</strong> has become one of the most important Film Festivals in the Asian region.<br />

In this 48th edition of the Festival, we are delighted to be presenting a strong <strong>International</strong> and Indian<br />

film programme.<br />

This year, <strong>IFFI</strong> <strong>2017</strong> is proud to present the Lifetime Achievement Award to the prolific filmmaker, writer<br />

and director, Mr. Atom Egoyan, whose works have been viewed and loved the world over. <strong>IFFI</strong> is also<br />

elated to honour the legendary actor, Shri Amitabh Bachchan with the Indian Film Personality of the<br />

Year Award for his tremendous contribution to Indian and global cinema.<br />

The Festival is also delighted to open this year’s edition with renowned filmmaker Majid Majidi’s ‘Beyond<br />

The Clouds’ and close with the well-regarded filmmaker, Pablo César’s ‘Thinking of Him’. An Iranian<br />

Master makes his first film outside his own country and chooses to do so in India. An Argentinian<br />

director chooses to link his country with India through a bond between major literary figures of the two<br />

countries. Both the films reflect true Indo-international collaborations and the Make in India outlook:<br />

filmmakers from opposite ends of the earth coming to India, not only as an extraordinary location but<br />

also as an inspiring subject. What better way could there be of book-ending this truly <strong>International</strong> Film<br />

Festival, that is also truly Indian at heart?<br />

The Country Focus on Canada has been taken forward in association with Telefilm Canada and with<br />

collaboration from the Toronto <strong>International</strong> Film Festival. We also have a selection of films from the<br />

“Biennale College” of the Venice <strong>International</strong> Film Festival.<br />

We are confident that all of you will enjoy the carefully curated programme of the best of international<br />

and Indian films, many of which are being presented in the country for the first time, including some<br />

cinematic landmarks in the Restored Classics.<br />

Additionally, the Panel Discussions and Master Classes with industry and thought leaders form one of<br />

the core pillars of this year’s Festival.<br />

We also urge all of you to experience the Mixed Reality Sidebar which includes a special VR package<br />

put together for you, in addition to the various other new initiatives in this edition, aimed at “Celebrating<br />

the Future of <strong>Cinema</strong>”.<br />

On behalf of the entire team of <strong>IFFI</strong> <strong>2017</strong>, I wish you all a great Festival experience.<br />

(Sunit Tandon)


Contents


Contents<br />

<strong>IFFI</strong> Awards 17<br />

Lifetime Achievements Award 19<br />

Atom Egoyan Retrosprective 23<br />

Exotica 24<br />

The Sweet Hereafter 25<br />

Remember 26<br />

Indian Film Personality Of The Year 29<br />

<strong>International</strong> Competition Jury 31<br />

Muzaffar Ali (Jury Chairman) 31<br />

Maxine Williamson 32<br />

Roger Christian 32<br />

Tzahi Grad 33<br />

Vladislav Opelyants 33<br />

ICFT-UNESCO Gandhi Medal 34<br />

Opening Film 37<br />

Beyond The Clouds 38<br />

Closing Film 41<br />

Thinking Of Him 42<br />

<strong>International</strong> Competition 45<br />

Ana, Mon Amour 46<br />

Angels Wear White 47<br />

Beats Per Minute 48<br />

Blank 13 49<br />

Dark Skull 50<br />

Freedom 51<br />

The Great Buddha+ 52<br />

Kachcha Limbu 53<br />

A Man of Integrity 54<br />

Marionette 55<br />

Racer and the Jailbird 56<br />

Shuttle Life 57<br />

Still Night, Still Light 58<br />

Take Off 59<br />

Village Rockstars 60<br />

ICFT-UNESCO Gandhi Medal Films 61<br />

Amok 62<br />

Khibula 63<br />

Kshitij – A Horizon 64<br />

Manusangada 66<br />

Poorna 67<br />

Railway Children 68<br />

<strong>Cinema</strong> of the World 71<br />

3/4 (Three Quarters) 72<br />

9 Fingers 73<br />

Barrage 74<br />

Birds Without Names 75<br />

Black Level 76<br />

Bloody Milk 77<br />

The Boy with the Topknot 78<br />

The Breadwinner 79<br />

Breath 80<br />

The Cakemaker 81<br />

Candelaria 82<br />

Children Of The Night 83<br />

A Ciambra 84<br />

Close-Knit 85<br />

Closeness 86<br />

Daybreak 87<br />

Disappearance 88<br />

El Inca 89<br />

Elon Doesn’t Believe In Death 90<br />

Euthanizer 91<br />

A Fantastic Woman 92<br />

Father And Son 93<br />

Félicité 94<br />

Final Portrait 95<br />

Frost 96<br />

A Gentle Creature 97<br />

Her Love Boils Bathwater 98<br />

High Noon Story 99<br />

Hostages 100<br />

The House by the Sea 101<br />

I Dream in Another Language 102<br />

In Blue 103<br />

Insyriated 104<br />

The Journey 105<br />

Let the Sunshine In 106<br />

Life Beyond Me 107<br />

Light Up! 108<br />

Love Me Not 109<br />

Loveless 110<br />

M 111


Mrs. Hyde 112<br />

Marlina the Murderer in Four Acts 113<br />

Men Don’t Cry 114<br />

The Midwife 115<br />

Montparnasse Bienvenue 116<br />

Mother! 117<br />

Murder on the Orient Express 118<br />

The Nile Hilton Incident 119<br />

No Bed of Roses 120<br />

No Date No Sign 121<br />

On Body And Soul 122<br />

Once Upon A Time 123<br />

The Other Side of Hope 124<br />

Park 125<br />

The Party 126<br />

Pomegranate Orchard 127<br />

Pop Aye 128<br />

Radiance 129<br />

Razzia 130<br />

The Reconciliation 131<br />

Redoubtable 132<br />

Requiem For Mrs. J 133<br />

Scaffolding 134<br />

Scary Mother 135<br />

The Secret Ingredient 136<br />

Shelter 137<br />

A Sort of Family 138<br />

Spoor 139<br />

The Square 140<br />

The Strange Ones 141<br />

Summer 1993 142<br />

Sweet Country 143<br />

Uma 144<br />

Union Leader 145<br />

Until the Birds Return 146<br />

Unwanted 147<br />

Wajib 148<br />

Western 149<br />

Wonderstruck 150<br />

The Wound 151<br />

The Young Karl Marx 152<br />

Zer 153<br />

Country Focus - Canada 155<br />

Allure 156<br />

Closet Monster 157<br />

Don’t Talk to Irene 158<br />

Eye on Juliet 159<br />

Meditation Park 160<br />

Old Stone 161<br />

Ravenous 162<br />

The Stairs 163<br />

BRICS Film Festival Award Winners 165<br />

Ayanda 166<br />

Nise: The Heart of Madness 167<br />

Panfilov’s 28 168<br />

The Second Mother 169<br />

Soulmate 170<br />

Turtle 171<br />

Where Has Time Gone? 172<br />

James Bond Retrospective 175<br />

Dr. No 176<br />

Golden Eye 177<br />

Goldfinger 178<br />

Licence to Kill 179<br />

Octopussy 180<br />

On her Majesty’s Secret Service 181<br />

Skyfall 182<br />

The Spy who Loved Me 183<br />

The World is not Enough 184<br />

Restored Classics 185<br />

Beauty of the Day 186<br />

Flavour of Green Tea over Rice 187<br />

The Ruins 188<br />

The Lodger 189<br />

Metropolis 190<br />

The Old Dark House 191<br />

The Sacrifice 192<br />

Two or Three Things I Know about Her 193<br />

New Initiative 195<br />

Ears 202<br />

Hotel Salvation 203<br />

The Solitude 204<br />

One Sister 205<br />

Master Class and Panel Discussion 207<br />

Acknowledgements 230


48th <strong>IFFI</strong> Awards<br />

Best Film<br />

The award carries a cash prize of `40,00,000/- to be shared equally<br />

between the Director and the Producer. The Director is to be given<br />

the Golden Peacock Award and a Certificate in addition to the cash component.<br />

The Producer is to be given a Certificate in addition to the cash component.<br />

Best Director<br />

The award carries a Silver Peacock, a Certificate and a cash prize of `15,00,000/-<br />

Best Actor (Male)<br />

The award carries a Silver Peacock, a Certificate and a cash prize of `10,00,000/-<br />

Best Actor (Female)<br />

The award carries a Silver Peacock, a Certificate and a cash prize of `10,00,000/-<br />

Special Jury Award<br />

The award carries a Silver Peacock, a Certificate and a cash prize of `15,00,000/- given to a film<br />

(for any aspect of the film which the jury wishes to award/acknowledge) or an individual (for his/her<br />

artistic contribution to a film). The award, if given, will be given to the Director.<br />

Lifetime Achievement Award<br />

The prestigious award consisting of a cash prize of `10,00,000/-, Certificate, shawl and a scroll is conferred<br />

upon a master filmmaker for his/her outstanding contribution to cinema.<br />

Indian Film Personality of the Year Award<br />

The prestigious award consisting of a cash prize of `10,00,000/-, Certificate, shawl and Medal (Silver Peacock) is<br />

conferred upon an Indian Film Personality for his/her outstanding contribution to Indian cinema.<br />

Award for the Best Debut Feature Film of a Director<br />

Silver Peacock, a Certificate and a cash prize of `10,00,000/-, (To be given to a director for his/her feature film<br />

to recognize and encourage the most promising new directorial talent in world cinema.)


Atom Egoyan<br />

Lifetime Achievement Award<br />

ATOM EGOYAN RETROSPECTIVE


flusek esa vkthou ;ksxnku ds fy, iqjLdkj<br />

Lifetime Achievement Award<br />

,sVe Ãx¨,u<br />

Atom Egoyan<br />

,sVe bZxks;u dukMk ds lokZf/kd çfl) dykRed funsZ”kdksa esa ls ,d gSaA<br />

bZxks;u us fVªfuVh d‚yst] VksjaVks fo”ofo|ky; ls Lukrd fd;kA dku fQ+Ye<br />

lekjksg ¼xzka çh] baVjus”kuy fØfVDl vokMZ~l vkSj bD;qesfudy twjh iqjLdkj½<br />

esa ikap iqjLdkj ÁkIr fd;sA blds vfrfjDr nks vdkneh iqjLdkj ukekadu] 25<br />

dukMkbZ tsuh iqjLdkj ¼rhu loZJs’B fQYe iqjLdkjksa lfgr½] us”kuy cksMZ v‚Q+<br />

fjO;w ls iqjLdkj] ÝSadQ+VZ cqd esys esa csLV baVjus”kuy ,MsIVs”ku iqjLdkj çeq[k<br />

gSaA 1994 esa ,Dt+ksfVdk ls mUgsa varjjk’Vªh; igpku feyhA n LohV gsvjvk+Vj<br />

leh{kdksa }kjk cgqr ljkgh x;hA mudh fQ+Ye vjkjr rqdhZ vksVkseu lkezkT;<br />

esa vkehZfu;kbZ ujlagkj ls cps vf”kZy x‚dhZ ds thou ij vk/kkfjr gSaA vf”kZy<br />

ckn esa vejhdh lkj vfHkO;fäokn dk vxz.kh cusA “yks, O;kolkf;d :i ls<br />

bZxks;u ds dSfj;j dh lQyre fQ+Ye jghA Ogs;j n VªqFk ykbt+] vMksjs”ku]<br />

MsfoYl ukWV] n dSfIVo vkSj fjesEcj bxks;u dh vU; fQ+Yesa gSaA bxks;u us<br />

fFk,Vj vkSj vksisjk dk funsZ”ku Hkh fd;k gS] ftlesa n vk;fj”k VkbEl@bZ,lch<br />

iqjLdkj ls lEekfur lSeq,y csdsV~l dk ,g tks “kkfey gSA bZxks;u us dusfM;u<br />

vksisjk daiuh vkSj fyadu lsaVj Q+sfLVoy] U;w;‚dZ ds fy, iqjLdkj fotsrk vksisjk<br />

çLrqfr;ksa dk funsZ'ku fd;kA islsfQ+d vksisjk foDVksfj;k ds fy, fufeZr tsuqQ+k<br />

dk foDVksfj;k esa çhfe;j gqvkA bZxks;u ds dykRed dk;ksZa dks osful fcukys<br />

vkSj çfrf’Br varjjk"Vªh; laLFkkuksa esa çLrqr fd;k x;k gSA mudk LVhucsDdsV<br />

VsV ds laxzg dk LFkk;h fgLlk gS tks fczVsu ds vkVZ,axy }kjk deh”ku fd;k<br />

x;k gSSA bZxks;u dks Ýkal dk loksZPp lEeku ßdEisfu;u vkWQ+ n vkMZj vkWQ+<br />

dukMkß ls lEekfur fd;k x;k gSA<br />

Atom Egoyan is one of Canada’s most celebrated arthouse<br />

directors. Exotica, which won the FIPRESCI Prize at<br />

Cannes’94, was his international breakthrough film. The<br />

Sweet Hereafter, his most critically acclaimed film, received<br />

two Academy Award nominations. Ararat, about the Armenian<br />

genocide in the Turkish Ottoman Empire, centred on child<br />

survivor Arshile Gorky, who went on to become the pioneer<br />

of American abstract expressionism. Where the Truth Lies,<br />

Adoration and The Captive have all competed for the Palme<br />

d’Or in Cannes. Egoyan has also directed theatre and opera,<br />

including an adaptation of Samuel Beckett’s Eh Joe, winner of<br />

The Irish Times/ESB Award for Best Direction. He has directed<br />

award-winning opera productions for the Canadian Opera<br />

Company and the Lincoln Center Festival, New York. Egoyan’s<br />

art installations have been presented at the Venice Biennale.<br />

His work, Steenbeckett, commissioned by the UK’s Artangel,<br />

is part of the permanent collection of the Tate. His films have<br />

been presented in several retrospectives across the globe, with<br />

complete career overviews in Paris, Madrid, New York and<br />

Brussels. Egoyan was knighted by the French government and<br />

is a Companion of the Order of Canada, the country’s highest<br />

honour.<br />

LIFETIME ACHIEVEMENT AWARD<br />

21


Atom Egoyan<br />

Retrospective<br />

A presentation of some of<br />

Atom Egoyan’s<br />

most iconic works<br />

ATOM EGOYAN RETROSPECTIVE<br />

23


,Dt+ksfVdk<br />

Exotica<br />

1994 | Canada | English | Colour | 103 minutes<br />

Director Atom Egoyan<br />

Producer Atom Egoyan,<br />

Camelia Frieberg<br />

Screenplay Atom Egoyan<br />

<strong>Cinema</strong>tographer Paul Sarossy<br />

Editor Susan Shipton<br />

Production Designer Linda Del<br />

Rosario, Richard Paris<br />

Sound Designer Steve Munro<br />

Cast Bruce Greenwood, Mia Kirshner,<br />

Don McKellar, Arsinée Khanjian,<br />

Elias Koteas<br />

,Dt+ksfVdk Dyc esa fØfLVuk ¼fe;k fdj”usj½<br />

lokZf/kd yksdfç; urZdh gSA<br />

gj jkr mlds ikl ,d mnklhu tquwuh ys[kk<br />

ijh{kd Ý+kafll ¼czwl xzhuoqM½ vkrk gSA<br />

bl chp fØfLVuk dk iwoZ çseh] Dyc dk ,elh]<br />

,fjd ¼,fy;kl dksfj;kl½ vHkh Hkh mldss fy,<br />

ykykf;r gS ij bZ’;kZ djrk gSSA Dyc dh ekyfdu<br />

t+ks ¼vjfluh [kkfUt;u½ ds lkFk ,fjd dk fj”rk<br />

,d vyx leL;k gS] tks mldss cPps dh eka cuus<br />

okyh gSA<br />

In the upscale Canadian strip club<br />

Exotica, Christina (Mia Kirshner) is the<br />

most popular dancer, and she’s visited<br />

nightly by the obsessive Francis (Bruce<br />

Greenwood), a depressed tax auditor.<br />

Meanwhile, her ex-boyfriend, the club’s<br />

MC, Eric (Elias Koreas), still jealously<br />

pines for her, even as he introduces<br />

her onstage. Eric is having his own<br />

relationship problems with the club’s<br />

owner, Zoe (Arsinée Khanjian), who is<br />

intent on becoming pregnant with his<br />

child.<br />

Sales agent Ego Film Arts<br />

• info@egofilmarts.com.<br />

24 ATOM EGOYAN RETROSPECTIVE


n LohV gsvjvk+Vj<br />

The Sweet Hereafter<br />

1997 | Canada | English | Colour | 112 minutes<br />

Director Atom Egoyan<br />

Producer Atom Egoyan,<br />

Camelia Frieberg<br />

Screenplay Atom Egoyan<br />

<strong>Cinema</strong>tographer Paul Sarossy<br />

Editor Susan Shipton<br />

Production Designer Phillip Barker<br />

Cast Maury Chaykin, Peter Donaldson,<br />

Bruce Greenwood, David Hemblem,<br />

Brooke Johnson, Arsinée Khanjian,<br />

Sarah Polley, Gabrielle Rose,<br />

Alberta Watson<br />

;g ,d NksVs “kgj ds fuokfl;ksa dk =klnh ds ckn<br />

,dtqV gks tkus dh dgkuh gSA ysfdu ,d cM+s<br />

“kgj dk odhy vius cqjs bjknksa vkSj fopkjksa ls<br />

uxjokflvksa esa QwV Mkydj muds xqLls dks c


fjesEcj<br />

Remember<br />

2015 | Canada | English, German | Colour | 94 minutes<br />

Director Atom Egoyan<br />

Producer Robert Lantos, Ari Lantos<br />

Screenplay Benjamin August<br />

<strong>Cinema</strong>tographer Paul Sarossy<br />

Editor Christopher Donaldson<br />

Cast Christopher Plummer, Bruno<br />

Ganz, Jürgen Prochnow, Heinz Lieven,<br />

Henry Czerny, Dean Norris,<br />

Martin Landau<br />

Sales agent IM Global<br />

• info@imglobalfilm.com.<br />

fjesEcj t+so dh ledkyhu dgkuh gSA t+so dks irk<br />

yxrk gS fd 70 lky igys mlds ifjokj dh gR;k<br />

djus okyk ukth xkMZ igpku cny dj vesfjdk esa<br />

jgrk gSA LokHkkfod pqukSfr;ksa ds ckotwn t+so nks’kh<br />

O;fä dks


Amitabh Bachchan<br />

Indian Film Personality<br />

of the Year Award


Indian Film Personality Of The Year<br />

vferkÒ cPpu<br />

Amitabh Bachchan<br />

vferkHk cPpu Hkkjr ds lokZf/kd ÁfrHkk”kkyh vfHkusrkvksa esa ls ,d gSaA ikaposa<br />

n”kd ls Hkkjrh; flusek esa vius ;ksxnku ls ,d lnkcgkj vfHkusrk ds :i esa<br />

mUgksaus dbZ ehy ds iRFkj gkfly fd, gSaA fganh fQYeksa esa “kq#vkrh Hkwfedkvksa<br />

esas mudh Nfo ,d ß,axzh ;axeSuß dh cu xbZ FkhA 1970 vkSj 1980 ds n”kd<br />

dh vf/kdka”k fQ+Yesa vferkHk ij dsafær jghaA mUgksaus 1969 esa lkr fganqLrkuh<br />

ds lkFk flusek ds {ks= esa dne j[kk vkSj mudh vkuan] ued gjke] tathj]<br />

f=’kwy] M‚u] uVojyky] lqgkx] n xzsV xsEcyj] dkfy;k] flyflyk vkSj “kfä<br />

vius le; dh lQyre fQ+Yesa jghaA 1984 esa og jktuhfr esa lfØ; gq, vkSj<br />

bykgkckn ls lkaln pqus x, fdarq viuk dk;Zdky iwjk gksus ls igys gh mUgksaus<br />

R;kxi= ns fn;kA vferkHk cPpu dks vfXuiFk] CySd] ik vkSj ihdw esas mRd`’V<br />

vfHku; ds fy, pkj ckj jk’Vªh; iqjLdkj ls lEekfur fd;k tk pqdk gSA mUgsa<br />

2001 esa in~e Hkw’k.k vkSj 2015 esa in~e foHkw’k.k ls lEekfur fd;k x;kA ç”uksÙkjh<br />

dk;ZØe dkSu cusxk djksM+ifr dh estckuh ls mudh yksdfç;rk vkSj c


<strong>International</strong> Competition Jury<br />

eqt++Q+j vyh<br />

MUZAFFAR ALI (JURY CHAIRMAN)<br />

Hkkjrh; fQ+Yedkj<br />

eqt++Q+j vyh ,d lQy Hkkjrh; fQYe fuekZrk] Q+S”ku fMt+kbuj] dfo]<br />

dykdkj] laxhr çseh vkSj lkekftd dk;ZdrkZ gSaA os dksVokM+k ds “kkgh ifjokj<br />

ls gaSA xeu mudh igyh fQ+Ye FkhA mejko tku] mudh lQyre fQ+Ye jgh<br />

ftlds fy, vfHku=h js[kk dks loZJs’B vfHkus=h dk jk’Vªh; iqjLdkj Hkh çkIr<br />

gqvkA vkxeu vkSj tkafulkj budh vU; fQ+Yesa gSa] ftlesa mUgksaus vfHku; Hkh<br />

fd;k gSA eqt++Q+j vyh us 1990 esa viuh okLrqdkj iRuh ehjk vyh ds lkFk<br />

vo/k {ks= ds ijaijkxr f”kYi dks iquthZfor djus ds fy, varjkZ’Vªh; oL=<br />

czkaM ßdksVokM+kß dks LFkkfir fd;k vkSj mldk usr`Ro fd;kA eqt++Q+j vyh<br />

Áfro’kZ varjkZ’Vªh; lwQ+h lekjksg dk vk;kstu djrs gSaA bUgsa 2005 esa in~~eJh<br />

rFkk 2014 esa jktho xka/kh jk’Vªh; ln~Hkkouk iqjLdkj ls lEekfur fd;k x;kA<br />

Filmmaker, India<br />

Muzaffar Ali is an Indian filmmaker, fashion designer, poet,<br />

artist, music lover and social worker. He belongs to the royal<br />

house of Kotwara in India. He has had a successful career<br />

as a film producer and director. He made his debut in 1978<br />

with Gaman. It was followed by his most successful film to<br />

date, Umrao Jaan, which fetched Rekha the National Award<br />

for best actress. Ali’s other directorial credits are Aagaman<br />

and Jaanisaar, in which he also acted. Ali spearheads the<br />

international couture brand Kotwara, which he set up with his<br />

architect wife Meera Ali in 1990 to revive the traditional craft of<br />

the region of Awadh.


eSDlhu<br />

fofy;elu<br />

MAXINE<br />

WILLIAMSON<br />

egksRlo funsZ”kd] v‚LVªsfy;k<br />

eSDlhu fofy;elu fczlcsu baVjus”kuy fQ+Ye Q+sfLVoy<br />

dh funsZ”kd vkSj ,f”k;k ç”kkar flusek dhs ,d fo”ks’kK<br />

gaSA eSDlhu us dykRed fo”o flusek ds 10 o’kksZa rd<br />

lQ+y çn”kZu ,oa forj.k ds ckn 2007 esa ,f”k;k isflfQ+d<br />

LØhu iqjLdkj ¼,ih,l,½ czkaM dh LFkkiuk dhA pkj o’kksZa<br />

rd ,ih,l, ds vk;kstu ds ckn] og 2011 esa dykRed<br />

funsZ”kd vkSj 2013&2016 ls fQ+Ye funsZ”kd cu x;haA<br />

eSDlhu us vius ,ih,l, ds dk;Zdky es lHkh fu.kkZ;d<br />

eaMyksa dk xBu fd;k vkSj ykWMZ MsfoM iqêue] vlxj<br />

Q+jgnh] “;ke csusxy] fde Mksax&gks] “kckuk vkt+eh vkSj<br />

ukUlqu “kh vkfn tSls fnXxtksa ds lkFk dke fd;kA mUgksaus<br />

2007&2009 esa lh,u,u baVjus”kuy vkSj 2010&2011 esa<br />

,chlh usVodZ ij çlkfjr o`Ùkfp= J`a[kyk lhu ck; lhu<br />

dh fØ,fVo dkWaUVsaV ÁksM~;wlj jghaA<br />

eSDlhu 2013&2016 ls fczLcsu ,f”k;k ç”kkar fQYe lekjksg<br />

dh funsZ”kd jghaA eSDlhu pkj o”kZ ls ,arkY; fQ+Ye Q+ksje]<br />

rqdhZ ds fy, ,f”k;k isflfQ+d dh dUlYVsaV gSaA eSDlhu<br />

usViSd ¼usVodZ Q+kWj n Áeks”ku vkWQ+ ,f”k;u flusek½ vkSj<br />

,ih,u ¼,f”k;k çksMîwllZ usVodZ½ dh lnL; Hkh gSA<br />

esDlhu us DohalySaM ;wfuoflZVh v‚Q+ VsDuksy‚th ls fQ+Ye<br />

vkSj Vhoh çksMD”ku esa cSpyj v‚Q vkVZ~l fd;k gSA<br />

Festival Director, Australia<br />

Maxine has done significant work with APSA-Asia<br />

Pacific Screen Awards, where she established<br />

the rules and regulations, governance of the film<br />

competition and filmmaker network in 2007 and<br />

ran the competition for its 10 editions. Maxine<br />

became Artistic Director in 2011 and then Film<br />

Director after delivering its 10th anniversary<br />

edition in November 2016. During her time at<br />

APSA, Maxine worked with such luminary Jury<br />

Presidents as Lord David Puttnam, Asghar<br />

Fahardi, Shyam Benegal, Kim Dong-ho,<br />

Shabana Azmi and Nansun Shi. She was creative<br />

content producer on the documentary series<br />

Scene by Scene broadcast from 2007-2009 on<br />

CNN <strong>International</strong> and on ABC network during<br />

showcasing films and filmmakers of Asia Pacific<br />

to a global audience. She now consults to the<br />

APSA Academy and is Director of the Brisbane<br />

<strong>International</strong> Film Festival, the city’s premiere<br />

festival, delivering its 23rd edition this year.<br />

Maxine had previously directed the Brisbane<br />

Asia Pacific Film Festival. Maxine is Asia Pacific<br />

Consultant for the Antalya Film Forum, Turkey - a<br />

position she has held for four years. Maxine is<br />

a member of the APSA Academy; NETPAC and<br />

APN. She has served on numerous international<br />

juries including Berlin, Kerala, Asean Film<br />

Awards, Eurasia, Gothenburg, Fajr (Iran) and the<br />

Hanoi <strong>International</strong> Film Festival.<br />

jkstj fØf”p;u<br />

ROGER<br />

CHRISTIAN<br />

ÁksMD”ku fMtkbuj vkSj fQYe funsZ”kd] ;w-dsjkstj<br />

fØf”p;u ÁksMD”ku fMtkbuj vkSj fQ+Ye funsZ”kd<br />

ds :i esa Áfl) gaSA mUgsa LVkj oklZ ds lsV fMt+kbu ds<br />

fy, vdkneh iqjLdkj feykA mUgksauss fQ+Ye fuekZrk t‚tZ<br />

yqdkl ds lkFk fjVuZ vkWQ+ tsnh vkSj LVkj oklZ ,filksM 1<br />

& n QSaVe esul ij dke fd;kA mUgsa yqdkl ds ek/;e ls<br />

viuh igyh y?kq fQ+Ye CySd ,aty ds ys[ku vkSj funsZ”ku<br />

dk volj feykA fØfLV;u us fjMys Ld‚V dh ,fy;u esa<br />

dyk funsZ”ku ds fy, v‚Ldj ukekadu thrkA<br />

fØf”p;u dh nwljh y?kq fQ+Ye n M‚yj c‚Ve dks loZJs’B<br />

ukVdh; y?kq fQ+Ye dk vdkneh iqjLdkj vkSj ck+rk<br />

ukekadu feykA<br />

fØf”p;u us n lsaMj ¼,dsMeh v‚Q+ lkbal fQD”ku<br />

}kjk loZJs’B fQ+Ye ds fy, euksuhr½] Q+SaVslh] uksLVªkMkel]<br />

Q+kbuy dV ¼,pchvks çhfe;j fQ+Ye½] vaMjoYMZ]<br />

ekLVjekbaM~l dk funsZ”ku fd;kA<br />

VkbVu }kjk Ádkf”kr fØf”p;u dh vkRedFkk flusek<br />

vYdsfeLV esa muds ltZukRed ;ksxnku dks crkrh gSA<br />

Director and Production Designer, UK<br />

Roger Christian has had an extensive career as<br />

a production designer and film director. He won<br />

an Academy Award for set decoration on the<br />

original Star Wars, which began a long working<br />

collaboration with filmmaker George Lucas.<br />

Lucas subsequently tapped Christian to direct the<br />

second unit on Return of the Jedi and chose him<br />

to helm alongside him on Star Wars: Episode 1<br />

– The Phantom Menace. It was through Lucas<br />

that Christian got his first opportunity to direct<br />

a short film that he wrote, Black Angel, which<br />

accompanied the release of The Empire Strikes<br />

Back. Christian won an Oscar nomination for art<br />

direction in Ridley Scott’s Alien.<br />

<strong>Cinema</strong> Alchemist, Christian’s autobiography on<br />

his creative involvement making Star Wars, Alien<br />

and Black Angel, has been recently published by<br />

Titan. Christian’s second short film The Dollar<br />

Bottom won an Academy Award for best dramatic<br />

short film and a BAFTA nomination.<br />

His directing credits include The Sender,<br />

nominated for Best Film by the Academy of<br />

Science Fiction, Fantasy, and Horror Films;<br />

Nostradamus starring Julia Ormond, Tcheky<br />

Karyo, F Murray Abraham, Rutger Hauer and<br />

Amanda Plummer; Final Cut, The HBO premier<br />

movie, starring Sam Elliot, Matt Craven and<br />

Anne Ramsey; Underworld, starring Denis<br />

Leary, Joe Montagna, and Anabella Sciorra; and<br />

Masterminds, starring Patrick Stewart, Vincent<br />

Kartheiser and Brenda Fricker.


t+kgh xzkr<br />

TZAHI GRAD<br />

vfHkusrk vkSj funsZ”kd] bt+jkby<br />

,d lqÁfl) vfHkusrk] funsZ”kd vkSj ys[kd t+kgh xzkr dk<br />

tUe ;:”kyse esa gqvkA fulku usfVo ,fDVax LVqfM;ks ds<br />

Lukrd xzkr us 1991 ls dbZ ukVdksa] fQ+Yeksa vkSj Vsyhfotu<br />

J`a[kykvksa esa vfHku; fd;kA<br />

vfHku; ds vfrfjDr mUgksaus rhu Q+hpj fQ+Yeksa dk ys[ku<br />

,oa funsZ”ku Hkh fd;kA bu rhuksa fQ+Yeksa dks bt+jk;yh<br />

vdkneh ls fofHkUu Jsf.k;ksa esa vusd ukekadu çkIr gq,A<br />

xzkr dh igyh fQ+Ye ft+jkQ+ ¼2001½ us ts#lye baVjus'kuy<br />

fQ+Ye QsfLVoy esa iVdFkk ds fy, iqjLdkj thrkA nwljh<br />

fQYe Q‚my tsLpj ¼2006½ dks gkbQ+k esa lokZsPp lEeku<br />

rFkk fQIjsLdh iqjLdkj vkSj fe;keh baVjus”kuy fQ+Ye<br />

QsfLVoy esa fo”ks’k mYys[k feykA<br />

rhljh fQ+Ye n dft+u ¼<strong>2017</strong>½ dk osful baVjus”kuy fQ+Ye<br />

QsfLVoy esa çhfe;j gqvk vkSj gkbQk baVjus”kuy fQ+Ye<br />

Qs+fLVoy esa loZJs’B vfHkusrk dk iqjLdkj Hkh feykA<br />

vfHku; dks tkjh j[krs gq, xzkr fQ+Ye fuekZ.k ij vf/kd<br />

/;ku dsafær dj jgs gSA orZeku esa ,gkn ,gkn ¼ou ck;<br />

ou@ihl ck; ihl½ ij dke dj jgs gSaA<br />

Actor, Director and Writer, Israel<br />

A well regarded Actor, Director and Writer, Tzahi<br />

Grad was born in Jerusalem.<br />

A graduate from the Nissan Nativ Acting Studio,<br />

he has participated in many plays, films and<br />

television series since 1991, gaining popularity<br />

as a widely popular actor in Israel. In addition<br />

to acting in numerous feature films, he has also<br />

directed a few theatre productions.<br />

Grad’s film The Cousin premiered at the<br />

Venice <strong>International</strong> Film Festival and bagged<br />

nominations from the Israeli Academy, and<br />

also won him the Best actor award at the Haifa<br />

international Film Festival.<br />

His film Foul Gesture also won major nominations<br />

from the Israeli Academy and top honors at the<br />

Haifa <strong>International</strong> Film Festival, in addition to<br />

the FIPRESCI award and special mention at the<br />

Miami <strong>International</strong> Film Festival. His other film<br />

Giraffes also garnered 14 nominations from the<br />

Israeli Academy and won Script Award at the<br />

Jerusalem <strong>International</strong> Film Festival among<br />

others.<br />

Grad continues acting, but is more focused on<br />

filmmaking. He is currently working on Ehad Ehad<br />

(one by one / piece by piece) initiative.<br />

OykfnLyko<br />

vksisy;saRl<br />

VLADISLAV<br />

OPELYANTS<br />

funsZ”kd Q+ksVksxzkQ+h] jf'k;k<br />

tuojh 1968 dks e‚Ldks esa tUes OykfnLyko vksisy;saRl :l<br />

ds lqçfl) Q+ksVksxzkQ+h funsZ”kdksa esa ls ,d gSaA mUgksaus 1992<br />

esa :lh LVsV ;wfuoflZVh v‚Q+ fluseSVksxzkQ+h ds pyfp=<br />

foHkkx ls Lukrd fd;kA OykfnLyko us dksdk&dksyk] isIlh<br />

vkSj usLdsQ+s lfgr 100 ls vf/kd O;kolkf;d ohfM;ks vkSj<br />

Áfl) jf”k;u ikWi ,oa jkWd xk;dksa ds fy, laxhr ohfM;ks<br />

“kwV fd,A Nk;kdkj ds :i esa xkfjd lqdkpso dh feMy<br />

ykbQ+ Økbfll mudh igyh fQ+Ye FkhA mUgksaus fufdrk<br />

fe[kkydkso dh cUVZ ck; n lu&2% ,DlksMl] cUVZ ck; n<br />

lu&2% flVkMsy vkSj luLVªksd ds Q+ksVksxzkQ+h funZs”kd ds<br />

:i esa dke fd;kA gky gh esa] mUgksaus jst+ks ftfXkussf”ofy<br />

dh gksLVtsl dk Nk;kadu fd;k ftldk <strong>2017</strong> cfyZu<br />

fQ+Ye egksRlo esa çhfe;j gqvk rFkk bZQ+h <strong>2017</strong> esa fn[kkbZ<br />

tk jgh gSA vksisy;saRl us fdfjy lsjsczsfudkso dh n LVqMsaV<br />

dk Nk;kadu fd;k tks 2016 esa dku fQ+Ye lekjksg esa<br />

çhfe;j gqbZA<br />

Director of Photography, Russia<br />

Vladislav Opelyants is one of Russia’s most<br />

celebrated Directors of Photography. Born in<br />

January 1968 in Moscow, he graduated from the<br />

Department of <strong>Cinema</strong>tography at the Russian<br />

State University of <strong>Cinema</strong>tography (workshop<br />

of Vladimir Yusov) in 1992. He has shot over<br />

100 commercial videos, with Coca-Cola, Pepsi<br />

and Nescafé, among others, as well as music<br />

videos for top Russian pop and rock singers<br />

like Alla Pugacheva, Zemphira and Mumy Troll.<br />

He made his wide screen debut with Garik<br />

Sukachev’s Middle Life Crisis. He worked as<br />

Director of Photography on the Nikita Mikhalkov<br />

films 2, Burnt by the Sun-2: Exodus, Burnt by<br />

the Sun-2: Citadel and Sunstroke. Most recently,<br />

he shot Rezo Gigieneshvili’s Hostages, which<br />

premiered at the <strong>2017</strong> Berlin Film Festival and is<br />

also being screened in <strong>IFFI</strong> as part of the <strong>Cinema</strong><br />

of the World section. Opelyants also shot Kirill<br />

Serebrennikov’s The Student, which premiered at<br />

the Cannes Film Festival in 2016.


ICFT-UNESCO<br />

Gandhi Medal<br />

The <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) <strong>2017</strong> in collaboration with the <strong>International</strong> Council<br />

for Film, Television and Audiovisual Communication (ICFT), Paris, will present a special ICFT prize<br />

consisting of the UNESCO Gandhi Medal awarded to a film which reflects the ideals promoted by<br />

UNESCO.<br />

Broad guidelines for the selection of the films<br />

• Have a strong ethical component<br />

• High aesthetic value<br />

• Exhibit artistic excellence in screenplay, in film technique and music<br />

• Attract a wide audience, especially among youth, whose view of media is distorted by violent<br />

imagery and showy techniques which are devoid of intelligent and critical discernment<br />

• Additionally include an educational component to cope with the flood of inappropriate<br />

imagery commonly marketed<br />

• Awareness of the role of the filmmaker confronting a declining society; because it is<br />

recognized that cinematographic and video images are much more powerful than any other<br />

means of communication<br />

About the UNESCO Gandhi Medal<br />

In 1994, UNESCO issued a commemorative medal marking the 125th anniversary of the birth of<br />

Mahatma Gandhi, India’s “Father of the Nation” and the world’s advocate of non-violence, peace<br />

and tolerance. The General Conference of one of the previous years had adopted a resolution calling<br />

for a series of activities around the “great world personality whose thought and creative modes of<br />

non-violent action have shaped socio-economic and political currents in the 20th century”.<br />

The medal bears a portrait of Gandhi engraved by the French artist Pierre-Yves Tŕemois. Etched<br />

underneath is the Mahatma’s message of hope: “In the midst of darkness light prevails”. The<br />

reverse side carries the UNESCO Logo.


Films competing for this prestigious award<br />

S. N. Film Country Director<br />

1 Amok Poland Kasia Adamik<br />

2 Khibula Georgia, Germany, France George Ovashvili<br />

3 Kshitij - A Horizon India Manoj Kadam<br />

4 The Last Painting Taiwan Hung-i Chen<br />

5 Manusangada India Amshan Kumar<br />

6 Poorna India Rahul Bose<br />

7 Railway Children India Prithvi Konanur<br />

8 Take-Off India Mahesh Narayanan<br />

9 Women Of The Weeping River UK, USA Sheron Dayoc


ICFT - UNESCO Jury<br />

Ambassador, Inoussa<br />

OUSSEINI and<br />

President of ICFT<br />

A film director and scenarist<br />

At present he is an Ambassador, Permanent Delegate of the Republic<br />

of Niger to UNESCO and President of the <strong>International</strong> Council for Film,<br />

Television and Audiovisual Communication (ICFT), official partner of<br />

UNESCO.<br />

A film director, producer and scenarist<br />

Costa GAVRAS,<br />

President of the French<br />

Cinémathèque<br />

President of the French National <strong>Cinema</strong>theque<br />

Awards: Oscars, Golden Bear (Berlin), Cesar (France), and Palme D’or<br />

(Cannes)<br />

Founder of film clubs, journalist and film critic<br />

Former President of FIPRESCI (<strong>International</strong> Federation of the Film Press).<br />

Jean ROY, former<br />

President of FIPRESCI<br />

Founder of film clubs, filmmaker<br />

Serge MICHEL,<br />

Vice-President of ICFT<br />

Vice-President of ICFT representing Unica - Union <strong>International</strong>e Du<br />

<strong>Cinema</strong> - (<strong>International</strong> <strong>Cinema</strong> Union)<br />

Lola POGGI GOUJON,<br />

Secretary-General of<br />

ICFT<br />

Engineer by training<br />

Former international civil servant at UNESCO, teacher<br />

Secretary-General of ICFT<br />

Georges DUPONT,<br />

Luxembourg National<br />

Commission for<br />

UNESCO<br />

Former research engineer (audiovisual) at the French Public Broadcasting<br />

Service, international civil servant at UNESCO, and teacher<br />

Member of the Luxembourg National Commission for UNESCO,<br />

representing the <strong>International</strong> Telecommunication Union (ITU) at UNESCO<br />

and Director General of ICFT


Opening<br />

Film<br />

An Iranian master’s first Indian<br />

foray is an extension on his<br />

cinematic beliefs, the roots of<br />

which lie in human values, love,<br />

friendship and family bonding.<br />

37 OPENING FILM


fc;kWUM n DykmM~l<br />

Beyond the Clouds<br />

India | <strong>2017</strong> | Hindi | 120 min | Colour<br />

Director Majid Majidi<br />

Producer Shareen Mantri Kedia,<br />

Kishor Arora, Zee Studios<br />

Screenplay Majid Majidi,<br />

Mehran Kashani<br />

<strong>Cinema</strong>tographer Anil Mehta<br />

Editor Hassan Hassandoost<br />

Music AR Rahman<br />

Sound Shajith Koyeri<br />

Production Designer Mansi Dhruv<br />

Mehta<br />

Cast Ishaan Khattar, Malavika<br />

Mohanan, Goutam Ghose, GV Sharada,<br />

Dhwani Rajesh, Amruta Santosh<br />

Thakur, Shivam Pujari<br />

Sales agent Zee Studios<br />

Vibha Chopra (<strong>International</strong> Distribution<br />

Head)<br />

• vibha.chopra@zee.esselgroup.com<br />

Bhumika Tewari (Domestic Distribution<br />

Head – Zee Studios)<br />

• Bhumika.tewari@zee.esselgroup.com<br />

eqacbZ dh >qXxh cLrh ds vkfej ;qok et+nwj dh<br />

ft+nxh MªXl dk /ka/kk dj eqlhcr esa Qals jguk<br />

gSA blds ckotwn og vius ifjokj dh deh cgqr<br />

eglwl djrk gSA ,d fnu MªXl dk HkaMkQksM+ gksus<br />

ij viuh ukjkt+ cgu rkjk ds ikl iagqp tkrk gSA<br />

rkjk vdsys jgrh gS vkSj iq#’k mls ijs”kku djrs<br />

jgrs gSaA HkkbZ&cgu lkFk jgus dk ç;kl djrs gSa]<br />

ysfdu gkfu vkSj fujk”kk ls f?kjk vrhr eqf”dysa<br />

cuk, j[krk gSA rkjk cykRdkj dk ç;kl djus okys<br />

,d vkneh dks yxHkx ekj nsrh gS] mls tsy gks<br />

tkrh gSA vpkud mls vkfej esa vk”kk dh fdj.k<br />

fn[kkbZ nsrh gSA vkfej cgu dks cpkus dh dksf”k”k<br />

djrk gSA<br />

Beyond The Clouds is a story of a brother<br />

and sister like Children of Heaven, with<br />

the difference being that the siblings are<br />

grown-ups and tackle greater conflicts<br />

against the backdrop of the bustling<br />

city of Mumbai. The film is a vindication<br />

of Majid Majid’s firm view that human<br />

emotions have no barriers of language<br />

and geography.<br />

The paths of two siblings collide, when<br />

on the run from the cops after a drug<br />

bust, Amir a 19 year old peddler from<br />

Mumbai finds solitude in his past - his<br />

estranged sister Tara, who in a bid<br />

to protect her brother lands up in jail<br />

herself. However, this catastrophic<br />

incident turns into a serendipitous one<br />

for Tara and Aamir, whose entire lives<br />

have been clouded by despair and<br />

disappointment, as unexpectedly the<br />

light shines on them, from beyond the<br />

clouds. The film highlights beautifully the<br />

many facets of India intertwined with a<br />

heartfelt celebration of love and family !<br />

Academy Award nominee, Majid Majidi, for the first time, sets a film in India and tells a story with universal<br />

resonance in an extention of a creative credo that defines his career.<br />

38 OPENING FILM


ethn ethnh<br />

ekftn ethnh dk tUe 17 vçSy 1959 dks rsgjku] bZjku esa gqvkA mUgksaus<br />

baLVhV~;wV vkWQ+ MªesfVd vkVZ] rsgjku ls dyk dk v/;;u fd;kA 1979 dh<br />

bLykfed Økafr ds ckn] flusek esa #fp tkx`r gksus ij mUgksaus fofHkUu fQYeksa]<br />

fo”ks’kdj c‚;d‚V vkSj rhjcju esa vfHku; fd;kA mUgksaus fQYe cnqd ds<br />

lkFk iVdFkkys[ku vkSj funsZ”ku “kq: fd;k tks dku lekjksg ds Mk;jsDVlZ<br />

Q+ksVZukbV esa fn[kk;h x;h vkSj rsgjku ds Q+tz fQ+Ye lekjksg esa iqjLd`r<br />

gqbZA rnqijkar mUgksaus dbZ mYys[kuh; fQYeksa dk ys[ku vkSj funsZ”ku fd;k<br />

ftUgsas nqfu;k Hkj esa ekU;rk çkIr gqbZA ethnh dh dyj v‚Q iSjkMkbt+] cju]<br />

csvjQ+qV Vw gsjkr] n foyks Vªh fo”o ds lekjksgksa esa fn[kk;h x;ha vkSj vusd<br />

iqjLdkjksa ls lEekfur gqbZaA budh lokZf/kd pfpZr fQ+Ye fpYMªu vkWQ+ gsou<br />

vkWLdj esa ukekafdr gqbZ FkhA<br />

Majid Majidi<br />

Majid Majidi was born on April 17, 1959 in Tehran, Iran. He<br />

started acting in amateur theatre groups at the age of 14.<br />

After receiving his high school diploma, he studied art at the<br />

Institute of Dramatic Art in Tehran. After the Islamic Revolution<br />

of 1979, his interest in cinema brought him to act in various<br />

films, notably Mohsen Makhmalbaf’s Boycott and Ali Azghar<br />

Shadaravan’s Teer baran. His feature film screenwriting and<br />

directing debut is marked by Baduk, which was presented at<br />

the Cannes Directors’ Fortnight and won awards at Tehran’s<br />

Fajr Film Festival. Since then, he has written and directed<br />

many noteworthy films that won worldwide recognition,<br />

notably Children of Heaven, winner of the Best Picture award<br />

at the Montreal <strong>International</strong> Film Festival and nominated for<br />

the Best Foreign Film at the Academy Awards, The Colour<br />

of Paradise, which also won the Best Picture award from<br />

Montreal <strong>International</strong> Film Festival and set a new record of<br />

box office for an Asian film, and Baran, which won several<br />

major awards worldwide, and received nomination for the<br />

European Film Academy Award. Majidi’s previous lauded film<br />

credits include Father, Song of Sparrows, Baran, The Color of<br />

Paradise. In 2001, during the Afghanistan anti-Taliban war, he<br />

produced Barefoot to Herat, an emotional documentary about<br />

Afghanistan’s refugee camps that won the Fipresci Award at<br />

Thessaloniki <strong>International</strong> Film Festival. Majid Majidi has also<br />

received the Douglas Sirk Award in 2001 and the Amici Vittorio<br />

de Sica Award in 2003. In 2005, he directed The Willow Tree<br />

about a blind man who falls in love with someone other than<br />

his wife when he gets the chance to see again. The film won<br />

four awards at the 2005 Fajr Film Festival in Tehran.<br />

OPENING FILM<br />

39


Closing<br />

Film<br />

Argentinian director Pablo Cesar’s<br />

exploration of a chapter in the life of<br />

Rabindranath Tagore<br />

CLOSING FILM


ÇFkÇdx vkWQ+ fge<br />

Thinking of Him<br />

Argentina, India | <strong>2017</strong> | Bengali, Spanish, English | 110 min | Colour, B & W<br />

Director Pablo César<br />

Producer Pablo Ballester,<br />

Debendra Jagadala, Suraj Kumar<br />

Screenplay Jernimo Toubes<br />

<strong>Cinema</strong>tographer Carlos Essmann<br />

Editor Liliana Nadal<br />

Sound Design Francisco Bissone,<br />

Gerardo Kalmar, Emiliano Monsegur<br />

Production Designer Emilio Basaldua,<br />

Vishnu Nishad<br />

Cast Victor Banerjee, Eleonora Wexler,<br />

Hector Bordoni, Raima Sen<br />

Sales agent Suraj Kumar<br />

• ipknh.dd@gmail.com<br />

le; ds lkFk nks dgkfu;ka ,d nwljs ls feyrh<br />

gSaA orZeku esa ca/kd dsaæ esa Hkwxksy v/;kid<br />

Q+sfyDl dks vpkud caxkyh dfo jchaæukFk VSxksj<br />

}kjk fyf[kr ,d iqLrd feyrh gS tks mls pfdr<br />

dj nsrh gSA vrhr esa jchaæukFk VSxksj vtsaZVhuk<br />

vkrs gSa vkSj ysf[kdk foDVksfj;k vksdaiks ds vfrfFk<br />

curs gSaA nksuksa lkaL—frd gfLr;ksa ds chp ,slk<br />

fj”rk cu tkrk gS fd foDVksfj;k VSxksj dh<br />

Ásj.kk cu tkrh gSA Hkkjrh; dfo vkSj vtsaZVhuh<br />

ys[kd dh dgkuh ls ÁHkkfor Q+sfyDl mu ckSf)d<br />

vkSj vk/;kfRed fopkjksa dks tku ikrk gS] tks Hkkjr<br />

esa VSxksj ds Økafrdkjh fo|ky; dh LFkkiuk dk<br />

vk/kkj cusA Q+sfyDl Hkkjr dh ;k=k vkSj mu f”k{k.k<br />

fof/k;ksa dk vuqHko djus dk fu.kZ; djrk gS ftudk<br />

VSxksj us lkjh ekuo tkfr ds fy, liuk ns[kk FkkA<br />

Two stories intertwine over time. In the<br />

present, Felix, who teaches Geography<br />

in a detention centre, stumbles upon<br />

a book that dazzles him. In the past,<br />

Rabindranath Tagore, Bengali poet and<br />

author of the book that has come to Felix,<br />

arrives in Argentina and is hosted by<br />

writer Victoria Ocampo. A deep, platonic<br />

bond develops between the two cultural<br />

figures and Victoria becomes Tagore’s<br />

distant muse. While Felix is increasingly<br />

obsessed with the story of the Indian poet<br />

and the Argentinian writer, he gains an<br />

insight into the intellectual and spiritual<br />

notions on which Tagore’s revolutionary<br />

school in India was founded. Felix<br />

decides to visit India and experience<br />

for himself the teaching methods that<br />

Tagore dreamed of for all mankind.<br />

42 CLOSING FILM


ikCyks lht+j<br />

ikCyks lht+j dk tUe 26 Qjojh] 1962 dks C;wul vk;lZ esa gqvk FkkA og<br />

vtsaZVhuk ds funsZ”kd] fuekZrk] ys[kd] vfHkusrk vkSj laiknd gSaA ikCyks us Ng<br />

lky dh vk;q esa igyk d‚feDl cuk;k] 10 lky esa igyk cqysfVu fy[kk vkSj<br />

eqfær fd;kA 1975 esa muds cM+s HkkbZ us mUgsa ,d ohfM;ks dSejk fn;k mUgksaus<br />

ftldk mi;ksx djds nks lky ckn 7 feuV dh viuh igyh y?kq fQYe cukbZ<br />

vkSj mldh iVdFkk Hkh fy[khA blh Øe esa mUgksaus dbZ Á;ksxkRed y?kq fQYesa<br />

cukbZ vkSj muds fy, vusd iqjLdkj ÁkIr fd;sA<br />

ikCyks vusd varjkZ’Vªh; fQ+Ye lekjksgksa esa fu.kkZ;d eaMy ds lnL; jg pqds<br />

gSaA 1992 ls os ;wfuoflZMkM Msy flus Mh C;wul vk;lZ esa çksQslj gSaA og<br />

vtsaZVhuk vkSj Vîwuhf”k;k ¼bfDoukssfl;ks] n xkMZu v‚Q jksts+l] 1991½] Hkkjr<br />

¼;wfud‚uZ] n xkMZu v‚Q ÝwV~l] 1996½ vkSj ekyh ¼,Ý+ksMkbV] n xkMZu v‚Q+<br />

ij;wEl] 1998½ ds chp fQYe lg&çksMD”kal ds vxz.kh FksA ;s rhuksa fQYesa mu<br />

ns”kksa ds yksd feFkdksa ij vk/kkfjr Fkha tgka mUgsa fQ+Yek;k x;k FkkA<br />

tks lkaxzs ¼2003½] xzs Q+k;j ¼1994½ vkSj n lsØsM QS+feyh ¼1988½ tSlh fQ+Yeksa<br />

ds fy, Áfl) gSaA<br />

Pablo César<br />

At the age of six he began to project comics, at 10 he wrote and<br />

printed his first bulletin that he sold at the Champagnat School<br />

where he was studying and in nearby kiosks. In 1975, his older<br />

brother gave him a video camera that he used intensively and two<br />

years later he scripted and made his first short film of 7 minutes,<br />

followed by others. In 1980, for his short film Del genesis, he<br />

was awarded the first prize in the “Experimental” category in the<br />

contest of the Ateneo Foto-Cine Rosario, in addition to earning a<br />

mention for Best Editing and Third Prize (without category) in the<br />

contest of the Circle of Filmmakers Marplatenses and a Special<br />

Mention of UNCIPAR. For his film De los caras de los espejos,<br />

Cesar won the First Prize of UNICA, the Amateur <strong>International</strong> Film<br />

Union in 1983. He was a jury at the festivals of Amiens (France),<br />

Montreal Young Film Festival (Canada), Kelibia (Tunisia), Huy<br />

(Belgium), Hyderabad (India), Ouagadougou (Burkina Faso), Villa<br />

Carlos Paz and Buenos Aires. Since 1992 he is a professor at the<br />

Universidad del Cine de Buenos Aires. He was a pioneer in film<br />

co-productions between Argentina and Tunisia (Equinoccio, The<br />

Garden of Roses, 1991), India (Unicorn, The Garden of Fruits,<br />

1996) and Mali (Aphrodite, The Garden of Perfumes, 1998).<br />

These three films were mostly based on folk myths from each of<br />

the countries where they were filmed.<br />

CLOSING FILM<br />

43


<strong>International</strong><br />

Competition<br />

15 films from across the globe<br />

compete for the prestigious<br />

Golden and Silver Peacocks<br />

INTERNATIONAL COMPETITION


vuk] eksu veksj<br />

Ana, Mon Amour<br />

✪ INDIA PREMIERE<br />

Romania, Germany, France | 2016 | Romanian | 130 min | Colour<br />

Director Cãlin Peter Netzer<br />

Producer Cãlin Peter Netzer,<br />

Oana Iancu<br />

Screenplay Cãlin Peter Netzer,<br />

Cezar Paul-Badescu, Iulia Lumânare<br />

<strong>Cinema</strong>tographer Andrei Butica<br />

Editor Dana Bunescu<br />

Sound Design Dana Bunescu<br />

Production Designer Mihaela Poenaru<br />

Cast Mircea Postelnicu, Diana<br />

Cavallioti, Adrian Titieni, Vasile Muraru<br />

Sales agent Beta <strong>Cinema</strong><br />

• Cosima.Finkbeiner@betacinema.com<br />

rksek vkSj vuk fo'ofo|ky; esa lkfgR; dh iu dks lqy>kus dh dksf”k”k djrk<br />

gS fd vc rd og fdl coaMj ls xqt+j jgk FkkA<br />

Toma meets Ana while they are both<br />

studying literature at a university. Ana<br />

has a neurotic disorder and suffers<br />

from panic attacks. Toma follows her to<br />

every dark corner she ends up in, he<br />

fights his parents when they reject her,<br />

he accepts being a father and marries<br />

her, he becomes her babysitter, her<br />

driver, her everything. Toma appears to<br />

be in control of the couple’s relationship,<br />

when in fact he just gravitates around a<br />

woman he cannot understand, pushing<br />

his endurance to the limit, trying to save<br />

her. When Ana overcomes her fears and<br />

becomes adapted to the outside world,<br />

Toma remains alone, trying to put the<br />

pieces of the puzzle together, striving<br />

to understand the whirlwind that he has<br />

gone through.<br />

dSfyu ihVj usRt+j<br />

dSfyu ihVj usRt+j dh igyh fQ+Ye ekfj;k vkSj nwljh fQ+Ye esMy<br />

v‚Q+ v‚uj foÜo ds vusd fQ+Ye lekjksgksa esa fn[kk;h x;ha vkSj<br />

iqjLd`r Hkh gqbaZA ,d vU; fQ+Ye pkbYM~l ikst+ cfyZu xksYMu fc;j<br />

thrus okyh ,dek= jksekfu;u fQ+Ye gSA uohure fQ+Ye vuk] eksu<br />

veksj cfyZu fQ+Ye lekjksg esa p;fur gqbaZA<br />

Cãlin Peter Netzer<br />

Cãlin Peter Netzer’s first feature film Maria won awards<br />

in Locarno and was nominated for the EFA Awards.<br />

His second feature, Medal of Honor, was selected in<br />

more than 30 festivals. Child’s Pose became the only<br />

Romanian film to win the Berlin Golden Bear.<br />

46 INTERNATIONAL COMPETITION


,aftYl fo;j OgkbV<br />

Angels Wear White<br />

✪ INDIA PREMIERE<br />

China | <strong>2017</strong> | Mandarin | 107 min | Colour<br />

Director Vivian Qu<br />

Producer Sean Chen<br />

Screenplay Vivian Qu<br />

<strong>Cinema</strong>tographer Benoit Dervaux<br />

Editor Yang Hongyu<br />

Sound Design Zhang Yang<br />

Production Designer<br />

Cast Wen Qi, Zhou Meijun, Shi Ke,<br />

Geng Le, Liu Weiwei. Peng Jing,<br />

Wang Yuexin, Li Mengnan<br />

Sales agent Wild Bunch<br />

• edevos@wildbunch.eu<br />

,d eksVy esa nks Ldwyh yM+fd;ksa ds lkFk e/;&vk;q<br />

oxhZ; O;fä ds }kjk nqO;Zogkj fd;k tkrk gSA ml<br />

jkr fjlsI'ku ij dke djus okyh fe;k bldh<br />

,dek= lk{kh gS] ysfdu ukSdjh [kks tkus ds Mj ls<br />

og pqi jgrh gSA ckgj dh nqfUk¸kk cgqr vlqjf{kr gS<br />

ihfM+rksa esa ls ,d 12 o"khZ; osu vkSj fe;k dks bl<br />

nq'pØ ls fudyus dk ekxZ Lo;a gh


chV~l ij feuV<br />

Beats Per Minute<br />

120 Battements Par Minute<br />

France | <strong>2017</strong> | French | 144 min | Colour<br />

Director Robin Campillo<br />

Producer Hugues Charbonneau,<br />

Marie-Ange Luciani<br />

Screenplay Philippe Mangeot,<br />

Robin Campillo<br />

<strong>Cinema</strong>tographer Jeanne Lapoirie<br />

Editor Robin Campillo, Anita Roth,<br />

Stephanie Leger<br />

Sound Design Julien Sicart,<br />

Valérie Deloof, Jean - Pierre Laforce<br />

Production Designer Emanuelle<br />

Duplay<br />

Cast Nahuel Pérez Biscayart,<br />

Arnaud Valois, Adèle Haenel<br />

Sales agent Films Distribution<br />

• joris@playtime.group<br />

1990 ds n”kd ds esa isfjl esa dk;ZdrkZvksa dk ,d<br />

lewg ,pvkbZoh@,M~l xzLr yksxksa ds fy, lqLr<br />

ljdkjh ,tsafl;ksa vkSj Q+kekZL;qfVdy daifu;ksa ds<br />

fo#) la?k’kZ djrk gSA mudh laLFkk ß,DV viÞ ds<br />

dbZ lnL; leySafxd vkSj ,pvkbZoh i‚ftfVo gSaA<br />

jSfy;ksa] fojks/kksa] vkSj mRlkgh u`R; ikfVZ;ksa ds chp<br />

uokxarqd ukrku dk Økafrdkjh lsu ds lkFk I;kj<br />

gks tkrk gSA<br />

✪ INDIA PREMIERE<br />

In Paris in the early 1990s, a group<br />

of activists goes to battle for those<br />

stricken with HIV/AIDS, taking on<br />

sluggish government agencies and<br />

major pharmaceutical companies in<br />

bold, invasive actions. The organisation<br />

is ACT UP, and its members, many of<br />

them gay and HIV-positive, embrace<br />

their mission with a literal life-or-death<br />

urgency. Amid rallies, protests, fierce<br />

debates and ecstatic dance parties,<br />

the newcomer Nathan falls in love with<br />

Sean, the group’s radical firebrand, and<br />

their passion sparks against the shadow<br />

of mortality as the activists fight for a<br />

breakthrough.<br />

j‚fcu dSfEiyks<br />

1962 esa eksjDdks esa tUes j‚fcu dSfEiyks Ýsap iVdFkk ys[kd]<br />

laiknd vkSj fQ+Ye funsZ”kd gSaA n Dykl] gsfMax lkmFk] ns dse cSd]<br />

bZLVuZ c‚;t vkSj Vkbe vkmV vkfn mudh cgqpfpZr fQYesa gSaA<br />

Robin Campillo<br />

Robin Campillo is a Moroccan-born French screenwriter,<br />

editor and film director. He is known for his work on films<br />

such as The Class, Heading South, the French zombie<br />

film They Came Back, Eastern Boys, and Time Out.<br />

Beats Per Minute won this year's Grand Prix in Cannes.<br />

48 INTERNATIONAL COMPETITION


CySad 13<br />

Blank 13<br />

✪ INDIA PREMIERE<br />

Japan | <strong>2017</strong> | Japanese | 70 min | Colour<br />

Director Takumi Saitô<br />

Producer Yuiko Kobayashi<br />

Screenplay Mitsutoshi Saijô<br />

Cast Takahashi Issey, Lily Franky,<br />

Kanno Misuzu, Takumi Saitô<br />

Sales agent Tokyo <strong>International</strong><br />

• midori.inoue@tokyomedia.jp<br />

dkst+h ds 13 lky ls ykirk firk dks dSalj gS vkSj<br />

muds ikl dsoy rhu eghus dk le; cpk gSA<br />

muds tqvkjhiu ls ifjokj dtZ esa Mwc x;kA dkst+h<br />

dh eka vkSj HkkbZ muls dsoy uQjr djrs gSa ysfdu<br />

dkst+h dks muls lgkuqHkwfr gSA vafre laLdkj ds<br />

fnu HkkbZ&cgu dks firk dh x+yfr;ksa dk i”pkrki<br />

djuk iM+rk gSA<br />

Koji’s absent father of 13 years is found<br />

with cancer and given three months to<br />

live. A heavy gambler, he saddled the<br />

family with debt. While his mother and<br />

brother feel only hatred, Koji harbours a<br />

degree of sympathy and clings on to the<br />

memory of their shared love for baseball.<br />

When the inevitable day of their father’s<br />

funeral arrives, the siblings must confront<br />

the void left by his abandonment as well<br />

as a collection of odd acquaintances who<br />

have come to pay their last respects.<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

lSrks rkdqeh<br />

lSrks rkdqeh tkiku ds eu¨jatu m|¨x esa ,d cgqeq[kh Áfrk L®<br />

lEiUUk O;fDrRo gaSA os Vhoh Mªkekt+ vkSj 13 ,lsflUl] r¨jkdst rFkk<br />

“khu xkWMt+hyk lfgr fofUu fQ+Ye¨a ds vfusrk gaSA n¨ “kkWVZ fQ+Ye<br />

iwjh djus ds ckn mudh CySd 13 igyh fQpj fQYe çnf”kZr gqÃA<br />

Saitô Takumi<br />

Takumi Saitô, is a prominent multitalented and<br />

multifaceted figure in the Japanese entertainment<br />

industry. He is prolific as an actor in TV dramas, and<br />

a wide array of films including 13 Assassins, Torakage<br />

and Shin Godzilla. His personal wide-ranging interest in<br />

cinema led him to filmmaking. After completing two short<br />

films, he made his debut feature Blank 13.<br />

INTERNATIONAL COMPETITION<br />

49


MkdZ Ldy<br />

Dark Skull<br />

Viejo Calavera<br />

Bolivia, Qatar | 2016 | Spanish | 80 min | Colour<br />

Director Kiro Russo<br />

Producer Pablo Paniagua,<br />

Kiro Russo<br />

Screenplay Kiro Russo,<br />

Gilmar Gonzales<br />

<strong>Cinema</strong>tographer Pablo Paniagua<br />

Editor Pablo Paniagua, Kiro Russo<br />

Sound Design Marcelo Guzman, Kiro<br />

Russo, Pepo Razzari, Gilmar Gonzales<br />

Production Designer Carlos Piñeiro<br />

Cast Narciso Choquecallata,<br />

Anastasia Daza López, Felix Espejo<br />

vius firk dh e`R;q ls nq[kh vkSj ijs'kku ,d<br />

;qok vius NksVs ls 'kgj esa HkVdrk jgrk gSA ,d<br />

x‚MQ+knj mls [knkuksa esa ukSdjh fnykus esa lQy gks<br />

tkrk gSA :lks dks vius firk dh e`R;q ds jgL; dk<br />

irk pyrk gSA lR; vk'p;Zpfdr vkSj “kksdlarIr<br />

dj nsus okyk gSA<br />

✪ INDIA PREMIERE<br />

Broken by the recent death of his father,<br />

a troubled young man tears through<br />

a small, indigenous town until his<br />

godfather gets him a job in the mines.<br />

With jaw-dropping, dreamlike visuals,<br />

Russo’s debut offers a darkly beautiful<br />

subterranean study in atmosphere and<br />

mourning.<br />

Sales agent Socavón Cine<br />

• socavoncine@gmail.com,<br />

kirorusso@gmail.com<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

fdjks :lks<br />

funsZ”kd] fuekZrk vkSj iVdFkk ys[kd fdjks :lks us ;wfuoflZMkM<br />

Msy flus] C;wul vk;lZ ls funsZs”ku dh f”k{kk çkIr dhA mudh<br />

y?kq fQYesa ,aVjçkbt+] tqdw vkSj U;w ykbQ+ fo”o ds lHkh<br />

egÙoiw.kZ fQYe lekjksgksa T©ls y¨dkUk¨Z] lsu lscsfLRk¸ku] fYkLcu<br />

bR¸kkfn esa çnf”kZr ,oa iqjLd`r gqbZaA<br />

Kiro Russo<br />

Kiro Russo studied directing at Universidad del cine in<br />

Buenos Aires. He made short films Enterprise, Juku and<br />

New Life winning prizes at important film festivals around<br />

the world - Locarno Film Festival, San Sebastian Film<br />

Festival, Indie Lisboa, Jihlava <strong>International</strong> Documentary<br />

Film Festival and Kaohsiung Film Festival.<br />

50 INTERNATIONAL COMPETITION


Ý+hMe<br />

Freedom<br />

Freiheit<br />

Germany, Slovakia | <strong>2017</strong> | German, Slovak | 100 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Jan Speckenbach<br />

Producer Sol Bondy, Jamila Wenske<br />

Screenplay Andreas Deinert,<br />

Jan Speckenbach<br />

<strong>Cinema</strong>tographer Tilo Hauke<br />

Editor Matthias Albrecht,<br />

Henning Stöve<br />

Sound Design Jan Hetmer,<br />

Michal Krajczok , Marian Mentrup ,<br />

Jan Meyerdierks<br />

Production Designer Juliane Friedrich<br />

Cast Johanna Wokalek, Georg Arms,<br />

Hans-Jochen Wagner<br />

Sales agent Pluto Film<br />

• daniela@plutofilm.de<br />

,d efgyk vius ifr vkSj cPpksa dks vyfonk dgs<br />

fcuk dgha pyh tkrh gSA rhu [kaMksa esa cuh fQ+Ye<br />

,d gh fo’k; dks vyx vyx ifjçs{; esa fn[kkrh<br />

gSA igys esa efgyk vrhr d¨ wYkdj u;k thou<br />

thus dh dksf”k”k dj jgh gS] nwljs esa ifr vkSj cPpksa<br />

dk nks lky ckn dk thou gSA os mlds pYks Tkkus<br />

ls vh h ijs'kku gSA rhljk ifjokj dh vafre<br />

“kke dk ifjn`”; gSA<br />

A woman leaves her husband and<br />

children without saying goodbye. While<br />

she struggles to build a new life, her family<br />

is left completely uncertain about her<br />

fate. The radical nature of her departure<br />

appears to be an opportunity as well as<br />

a trauma. The film is structured in three<br />

episodes, each showing a different<br />

perspective of the subject. The first one<br />

accompanies the woman in Vienna and<br />

Bratislava creating a new life for herself.<br />

Although her past remains untold, she<br />

seems driven by it. The second episode<br />

portrays the life of her abandoned<br />

husband and their children two years<br />

after her disappearance. Their days<br />

are still dominated by her mysterious<br />

leaving. The final episode returns to the<br />

last evening of the family.<br />

;ku LisdsUck[k+<br />

;ku LisdsUck[k+ us fFk,Vj esa Lora«k ohfM;¨ dykdkj ds #i esa<br />

dke fd;k gSaA mUgsa Q©jsoj ;ax esa ohfM;ks dyk ds fy, usLVªkW;<br />

iqjLdkj ÁkIr gqvkA n vnj Ms bu ,Mu vkSj LiSjkst+ mudh çfl)<br />

y?kq fQYesa gSaA Qhpj fQ+Ye fjiksfVZM feflax cfyZu esa vkSj Ý+hMe<br />

yksdkuksZ esa çhfe;j gqbZA<br />

Jan Speckenbach<br />

Jan Speckenbach has worked as a freelance video artist<br />

in theatre. He received a Nestroy Award for the video art<br />

in Forever Young. His short film, The Other Day in Eden,<br />

was screened in Cannes and his film Sparrows was<br />

short-listed for the Oscars. His first feature film Reported<br />

Missing, premiered at the Berlinale. Freedom premiered<br />

at the Locarno Film Festival.<br />

INTERNATIONAL COMPETITION<br />

51


n xzsV cq)+$<br />

The Great Buddha+<br />

✪ INDIA PREMIERE<br />

Taiwan | <strong>2017</strong> | Minnan | 102 min | Colour<br />

Director Hsin-yao Huang<br />

Producer Mong-Hong Chung,<br />

Ju Feng Yeh<br />

Screenplay Hsin-yao Huang<br />

<strong>Cinema</strong>tographer Mong-Hong Chung<br />

Editor Hsiu-hsiung Lai<br />

Sound Design Du-Chih Tu,<br />

Shu-yao Wu<br />

Production Designer Shih-hao Chao<br />

Cast Cres Chuang, Bamboo Chen,<br />

Leon Dai, Na-Dou Lin<br />

Sales agent MandarinVision<br />

• desmond@mandarinvision.com<br />

fidy dkaL; çfrek dkj[kkus esa jkf= lqj{kk xkMZ<br />

gSA mldk lg;ksxh csyh c‚Ve fnu esa jhlkbfDyax<br />

dysDVj ds :i esa dke djrk gSA fidy ds thou<br />

esa v'yhy if=dkvksa dh fDyfIkaXl euksjatu dk<br />

lcls cM+k lk/ku gSA nsj jkr ds LuSDl vkSj Vhoh<br />

ns[kuk mu nksuksa ds lqLr thou dk ,d vfHkUu<br />

fgLlk gSaA vpkud ,d fnu Vhoh VwVus ls mudk<br />

thou ges”kk ds fy, cny tkrk gSA ekuoh;<br />

bPNk,¡] dkeqdrk wrÁsr] Xkoku & dgkuh bu<br />

Lkcds bnZfXknZ Äwerh gSA<br />

Pickle is a night security guard at a<br />

bronze statue factory. His colleague,<br />

Belly Bottom, works as a recycling<br />

collector during the day, and Pickle’s<br />

biggest pleasure in life is flicking through<br />

the porn magazines Belly Bottom collects<br />

in the small hours in the security room.<br />

Having late night snacks and watching<br />

television are an integral part of their<br />

dull lives. One day when the television<br />

is broken, their lives are changed<br />

forever. The story involves gods, the<br />

middle-aged men’s sexual desire and<br />

the conversation between ghosts and<br />

humans. May be the audience will find it<br />

preposterous, but isn’t life itself a farce?<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

lhu&;kvks gqvkax<br />

lhu&;kvks gqvkax egku funsZ'kd vkSj ys[kd gSa ftUgsa n xzsV cq)<br />

vkSj rkbokyq ds fy, tkuk tkrk gSA mUgksaus rsisbZ fQ++Ye egksRlo<br />

esa vkSj 42osa VksjaVks varjkZ"Vªh; fQ+Ye egksRlo esa n xzsV cq) ds fy,<br />

usViSd iqjLdkj thrkA<br />

Hsin-yao Huang<br />

Hsin-yao Huang is a director and writer known for<br />

The Great Buddha and Taivalu. He has won awards<br />

at the Taipei Film Festival, NETPAC Award at Toronto<br />

<strong>International</strong> Film Festival. The Great Buddha+, his first<br />

narrative feature, won the NETPAC Prize at the 42nd<br />

Toronto <strong>International</strong> Film Festival.<br />

52 INTERNATIONAL COMPETITION


dPpk fyacw<br />

Kachcha Limbu<br />

India | <strong>2017</strong> | Marathi | 116 min | Colour and B/W<br />

Director Prasad Oak<br />

Producer Mandar Bhaskar Devasthali<br />

Screenplay Chinmay Mandlekar<br />

<strong>Cinema</strong>tographer Amalendu<br />

Choudhary<br />

Editor Jayant Jathar<br />

Cast Sachin Khedekar, Sonali Kulkarni,<br />

Ravi Jadhav, Manmeet Pem,<br />

Ananth Mahadevan, Uday Sabnis,<br />

Ajit Kelkar<br />

dPpk fyacw] ftls detksj dks fpsy jgs gSaA<br />

t;oar nyoh ds ejkBh miU;kl dk ;g flusekbZ<br />

#ikarj.k 1980 ds le; esa feLVj vkSj felst<br />

dkVnjs dh my>uksa vkSj mu my>uksa ds chp Hkh<br />

lkFk cus jgus dh dksf'k'kksa dk thoar nLrkost gSA<br />

Kachcha Limbu, slang for underdog, is<br />

the poignant tale of a couple and their<br />

everyday trials in nurturing their mentally<br />

challenged child Bachchu. Adapted<br />

from Jaywant Dalvi’s Marathi language<br />

novel, this 1980’s story takes us through<br />

Mr. and Mrs. Katdare’s dilemmas and<br />

their attempt at sanity and togetherness<br />

despite teeming odds.<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

çlkn vksd<br />

vfHkusrk çlkn vksd ;wa rks fQYedkj cuuk pkgrs Fks] ysfdu uCcs<br />

ds n'kd esa eqEcbZ igq¡prs gh mUgsa vfHku; ds dqN uk;kc volj<br />

feysA chl lkyk dfj;j esa muds uke lÙkj fQYesa] iPphl ukVd<br />

vkSj vLlh Vsyhfotu /kkjkokfgd gSaA mUgsa fQYe vkSj Vsyhfotu<br />

esa vius dk;Z ds fy, dbZ lEeku fey pqds gSaA dPpk fyacw mudk<br />

funsZ'kdh; inkiZ.k gSA<br />

Prasad Oak<br />

Actor Prasad Oak always wanted to be a filmmaker.<br />

However, pure fate landed him really good acting<br />

offers as soon as he arrived in Mumbai in the 90’s.<br />

He has 70 films, 25 dramas and 80 TV serials to his<br />

credit as an actor in a span of 20 years. He has been<br />

the recipient of several prestigious awards and state<br />

honours for his work in film and television. Kachcha<br />

Limbu (Raw Lemon) is Oak’s directorial debut.<br />

INTERNATIONAL COMPETITION 53


, eSu vkWQ+ bUVsfxzVh ✪ INDIA PREMIERE<br />

A Man of Integrity<br />

Lerd<br />

Iran | <strong>2017</strong> | Farsi | 117 min | Colour<br />

Director Mohammad Rasoulof<br />

Producer Mohammad Rasoulof, Kaveh<br />

Farnam, Rozita Hendijanian, Michal<br />

Krecek<br />

Screenplay Mohammad Rasoulof<br />

<strong>Cinema</strong>tographer Ashkan Ashkani<br />

Editor Meysam Muini, Mohammedreza<br />

Muini<br />

Sound Design Alireza Alavian<br />

Production Designer<br />

Cast Reza Akhlaghirad, Soudabeh<br />

Beizaee, Nasim Adabi, Missagh Zareh,<br />

Zeinab Shabani, Zhila Shahi<br />

Sales agent The Match Factory<br />

• sergi.steegmann@matchfactory.de<br />

jt+k ¼35½ mÙkjh bZjku ds ,d xkao esa vius xksYM<br />

fQ+”k Q+keZ esa dke djrs gq, iRuh vkSj cPpksa ds<br />

lkFk lknk thou O;rhr djrk gSA ,d futh daiuh<br />

ljdkjh vkSj LFkkuh; vf/kdkfj;ksa dh feyhHkxr<br />

ls {ks=h; thou ds lHkh igyqvksa dks fu;af=r dj<br />

ysrh gSA dbZ xzkeh.k Hkh Hkz"Vkpkj ds cM+s usVodZ<br />

dk fgLlk cu tkrs gSaA jt+k ncko v©j vR¸kkpkj<br />

dk foj®èk djrk gS v©j vius QkeZ d® cpkus dh<br />

Lld d¨f'k'k djrk gSA<br />

Reza (35), having distanced himself<br />

from the urban quagmire, leads a<br />

simple life along with his wife and sole<br />

child, somewhere in a remote village<br />

in Northern Iran. A private company<br />

with close links to the government and<br />

local authorities, has taken control of<br />

nearly every aspect of the regional life.<br />

Its shareholders, accumulating wealth,<br />

power and economic rents, have been<br />

pushing local farmers and small owners<br />

to dilapidate their belongings, farms and<br />

estates, to the benefit of the Company’s<br />

influential network. It is under their<br />

pressure that many villagers have<br />

themselves become local rings of the<br />

larger network of corruption. Meanwhile,<br />

Reza strives to resist coercion and<br />

preserve his farm.<br />

eksgEen jlksmyksQ+<br />

eksgEen jlksmYQ+ us ukS o’kZ dh vk;q ls fFk;sVj esa vfHku; “kq:<br />

fd;kA fQj mUgksaus jaxeap ds fy, ys[ku vkSj funsZ”ku fd;kA<br />

mudh igyh Q+hpj fQ+Ye n V~okbykbV 21oha Qtz varjkZ’Vªh;<br />

fQ+Ye lekj¨g rsgjku esa fØLVy flekWÄ thrkA eSU;qfLØIV~l M‚UV<br />

cuZ 66oha dkal fQ+Ye lekj¨g esa çnf”kZr gqbZaA<br />

Mohammad Rasoulof<br />

Rasoulof’s documentary The Twilight was his first feature<br />

length film. It won the Crystal Simorgh at the 21st Fajr<br />

<strong>International</strong> Film Festival in Tehran. His film Goodbye<br />

was screened at the 64th Cannes Film Festival and his<br />

exit ban from Iran was lifted. Manuscripts Don’t Burn was<br />

screened at the 66th Cannes Film Festival.<br />

54 INTERNATIONAL COMPETITION


esfj;ksusV<br />

Marionette<br />

✪ WORLD PREMIERE<br />

South Korea | <strong>2017</strong> | Korean | 116 min | Colour<br />

Director Lee Hanuk<br />

Producer Lee Gun Woo<br />

Screenplay Lee Hanuk<br />

<strong>Cinema</strong>tographer Park Kyung Kun<br />

Editor Won Chang Jae<br />

Sound Design Lee Kee Jun<br />

Production Designer Jung Sung Kyun<br />

Cast Kim Hie Won, Lee You-young<br />

Sales agent Contents Panda<br />

• nakyung.kim@cj.net<br />

;g fQ+Ye mu fd”kksjksa dh dgkuh tks uSfrd ewY;ksa<br />

ds ckjs esa lksps fcuk fdlh ds Hkh gkFk dh dBiqryh<br />

cu tkrs gSa vkSj bl çfØ;k ds QyLo:i vgadkj<br />

ls Hkjk thou thrs gSaA flv®fju d¢ Nk=] Ckk¸kÝsaM<br />

v©j vklikl ds Yk®x lh jgL¸kEk¸k ekLVj<br />

}kjk pyk;s Xk¸® nq'PkØ dk fgLLkk cu tkrs gSA<br />

flv®fju mUgsa blls ckgj Ykkus ds fy, vIkuh iwjh<br />

'kfDr yXkk nsrh gSA<br />

A high school teacher named Seo-Rin<br />

encounters a mysterious person called<br />

Master through instant messaging. This<br />

figure reminds her of the past that she<br />

has always wanted to forget. As her<br />

students, boyfriend and acquaintances<br />

get involved in this incident, the situation<br />

grows more and more serious. Seo-Rin<br />

tries her best to overcome what she is<br />

going through.<br />

yh gku&md<br />

yh gku&md ,d dksfj;kbZ ys[kd vkSj funsZ'kd gSA mudk tUe<br />

1980 esa flvksy esa gqvk FkkA mUgksaus 215 ¼2008½ vkSj gkbM ,u<br />

lhd ¼2012½ dk fuekZ.k] ys[ku vkSj funsZ'ku fd;kA Eksfj;ksusV<br />

mudh uohure fQ+Ye gSA<br />

Lee Hanuk<br />

Lee Hanuk is a Korean writer and director. He was born<br />

in Seoul in 1980. His credits include the film 215 (2008)<br />

and Hide N Seek (2012), which he produced, wrote and<br />

directed. Marionette is his latest film.<br />

INTERNATIONAL COMPETITION<br />

55


jslj ,aM n tsycMZ<br />

Racer and the Jailbird<br />

Le Fidėle<br />

France, Belgium | <strong>2017</strong> | French | 130 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Michaël R. Roskam<br />

Producer Pierre-Ange Le Pogam, Bart<br />

Van Langendonck<br />

Screenplay Thomas Bidegain,<br />

Noé Debré, Michaël R. Roskam<br />

<strong>Cinema</strong>tographer Nicolas<br />

Karakatsanis<br />

Editor Alain Desssauvage<br />

Sound Design Jean - Luc Audy<br />

Production Designer Geert Paredis<br />

Cast Matthias Schoenaerts,<br />

Adèle Exarchopoulos<br />

xhuks vkSj csusfMDVs dks igyh utj esa I;kj gks<br />

tkrk gSA csusfMDVs ifjokj ds O;olk; esa dke<br />

djrh gS vkSj lfdZVksa ij dkj Hkh pykrh gSA xhuks<br />

'kkar] lqanj vkSj lkekU; vkneh gS] ysfdu mldk<br />

,d jgL; gS tks mlds vius vkSj vkl&ikl ds<br />

yksxksa ds thou dks [krjs esa Mky ldrk gSA xhu¨<br />

v©j C®usfMDV d¨ kX¸k L® yM+uk g®Xkk v©j viuh<br />

det®fj;¨a d¨ nwj djds vius I;kj d® cpkuk<br />

g¨XkkA<br />

When Gino meets Bénédicte, it is love<br />

at first sight, passionate, unconditional<br />

and fiery. She is working in the family<br />

business, and she also drives cars on<br />

circuits. Gino is that kind of normal guy,<br />

cool, handsome but he hides a secret.<br />

That kind of secret that can endanger<br />

your life and the lives of those around<br />

you. Gino and Bénédicte will have to<br />

fight against fate, reason and their own<br />

weaknesses to save their love.<br />

Sales agent Wild Bunch<br />

• edevos@wildbunch.eu<br />

ekbdy vkj- jksLde<br />

ekbdy vkj- jksLde us lsaV Y;wdkl vdkneh v‚Q yfyr dyk]<br />

czlsYl ls fp=dyk vkSj ledkyhu dyk dk v/;;u fd;kA<br />

og +ysfe'k v[k+ckj Ms e‚xZu ds i=dkj Hkh jg pqds gSaA cqygsM<br />

¼loZJs"B fons”kh Hkk’kk fQYe ds fy, v‚Ldj vkSj lhtj ukfer½]<br />

n MªkWi vkSj jslj ,aM n tsycMZ varjjk"Vªh; Lrj ij ç”kaflr<br />

fQYesa gSaA<br />

Michaël R. Roskam<br />

Michaël Roskam was a journalist for the Flemish<br />

newspaper De Morgen. Racer and the Jailbird is his<br />

third feature film after the internationally acclaimed film<br />

Bullhead in 2011 (Oscar and César nominee for Best<br />

Foreign Language Film) and The Drop, a dark crime<br />

film with Tom Hardy, Noomi Rapace and the late James<br />

Gandolfini playing the lead roles.<br />

56 INTERNATIONAL COMPETITION


“kVy ykbQ+<br />

Shuttle Life<br />

Fen Bèi Rén Sheng<br />

Malaysia | <strong>2017</strong> | Mandarin | 91 min | Colour<br />

Director Tan Seng Kiat<br />

Producer Roland Lee, Jin Ong<br />

Screenplay Tan Seng Kiat,<br />

Chris Leong Siew Hong<br />

<strong>Cinema</strong>tographer Chen Ko Chin<br />

Editor Chen Hsiao Tung,<br />

Yue Ba Ren Zi<br />

Sound Design Tu Duu Chih,<br />

Chiang Lien Chen<br />

Cast Sylvia Chang, Jack Tan,<br />

Angel Chan<br />

fdvkax ekufld :i ls vfLFkj ek¡ vkSj ikap lky<br />

dh cgu gq;h 'kku dh ns[kHkky djus ds fy, la?k"kZ<br />

djrk gSA ,d rst jrkj dkj ls Vdjk dj gq;h<br />

dh e`R;q gks tkrh gS] fdvkax cgu ds e`r 'kjhj dk<br />

nkok djrk gSA fdvkax eka dks bldh tkudkjh u<br />

nsdj vdsys bl ladV dk lkeuk djrk gSA<br />

✪ INDIA PREMIERE<br />

Qiang struggles to take care of his<br />

mentally unstable mother and a fiveyear-old<br />

sister, Hui Shan. When a<br />

speeding car kills Hui Shan, Qiang is<br />

desperate to claim his sister’s body.<br />

Qiang’s mother is of no help given her<br />

condition, so Qiang is forced to face this<br />

predicament on his own.<br />

Sales agent Wen Hsiao<br />

• wenhsiao.mm@gmail.com<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

rku lsx fdvkr<br />

eysf”k;k esa tUes rku lsax fdvkr us jk"Vªh; rkboku fo'ofo|ky;<br />

ls fQ+Ye fuekZ.k dk v/;;u fd;kA og y?kq fQ+Ye 32 fMxzh<br />

lsfYl;l Q‚y bu yo ds funZs'kd gSaA “kVy ykbQ+ budh igyh<br />

Q+hpj fQ+Ye gSA<br />

Tan Seng Kiat<br />

Tan Seng Kiat was born in Malaysia. He studied<br />

filmmaking at the National Taiwan University. He is the<br />

director of the short 32°C Fall in Love. Shuttle Life is his<br />

debut feature film.<br />

INTERNATIONAL COMPETITION<br />

57


fLVy ukbV] fLVy ykbV<br />

Still Night, Still Light<br />

Mes Nuit Feront Écho<br />

Canada, China, Mexico | 2016 | Spanish, French, English, Mandarin | 98 min | Colour<br />

Director Sophie Goyette<br />

Producer Sophie Goyette<br />

Screenplay Sophie Goyette<br />

<strong>Cinema</strong>tographer Léna Mill-Reuillard<br />

Editor Sophie Goyette<br />

Production Designer Sophie Goyette<br />

Cast Éliane Prèfontaine,<br />

Gerardo Trejoluna<br />

Sales agent Sophie Goyette<br />

• sogoyette@gmail.com<br />

D;wcsd] eSfDldks vkSj ,f'k;k esa rhu laosnu'khy<br />

dykdkj ,yh;u] jksesl vkSj mlds firk ikCyks<br />

fu.kZ; ysrs gSa fd vc mUgsa vius liuksa dks mM+ku<br />

Hkjus nsuk pkfg,A ;g fQ+Ye gesa ,d laosnu”khy<br />

;k=k ij ys tkrh gS tgka ;k=k] dyk] LoIu<br />

vkSj Le`fr ehy dk iRFkj cu tkrs gaSA mu rhu<br />

dykdkjksa dh vkarfjd ftKklk jax ykrh gSA bl<br />

;k=k esa jkRk v©j fnu dh lhek,¡ feV tkrh gS v©j<br />

dkO¸k egd mBrk gSA<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

✪ INDIA PREMIERE<br />

In Quebec, Mexico and Asia, three<br />

sensitive souls heed the call of the<br />

images and melodies that haunt their<br />

days and nights. Moved at once by loss,<br />

yearning and longing, Eliane, Romes<br />

and his father Pablo decide to take<br />

action before it is too late. Whatever the<br />

risks, they must let their dreams take<br />

flight. Implicitly trusting that inner voice<br />

dwelling inside us all, the film beckons us<br />

on a sensory journey where travel, art,<br />

dream, and memory serve as mileposts.<br />

It blurs the boundary that separates night<br />

from day; poetry blooms where these<br />

two worlds intersect. As it attentively<br />

follows the three characters’ quests, the<br />

film directs our gaze to the magic that<br />

seeps from the cracks in daily life.<br />

lksQ+h xks;rs<br />

dukMk ds ys[kd lksQ+h xks;rs us ikap y?kq fQ+Yeksa dk ys[ku vkSj<br />

funsZ”ku fd;k gSA yk jksans vkSj ys Q+qrqj çksps fofHkUu fQ+Ye lekjksgksa<br />

TkSls lUMkUl] y¨dku¨Z v©j V¨jUV¨ esa çnf”kZr gqbZa vkSj mUgsa vusd<br />

iqjLdkj Hkh feysA fLVy ukbV] fLVy ykbV mudh igyh Q+hpj<br />

fQ+Ye gSA<br />

Sophie Goyette<br />

Sophie Goyette is a writer and maker of five short films<br />

awarded in competition at the Sundance, Locarno<br />

and Toronto festivals. Her film La ronde, premiered at<br />

Locarno. Her short Le futur proche won several awards<br />

and was selected for the <strong>International</strong> Competition at the<br />

2013 Sundance Festival. Still Night, Still Light is her first<br />

feature film.<br />

58 INTERNATIONAL COMPETITION


Vsd vkWQ<br />

Take Off<br />

India | <strong>2017</strong> | Malayalam | 139 min | Colour<br />

Director Mahesh Narayanan<br />

Producer Shebin Backer,<br />

Anto Joseph<br />

Screenplay Mahesh Narayanan,<br />

P V Shaji Kumar<br />

<strong>Cinema</strong>tographer Sanu Jose Varghese<br />

Editor Abhilash Balachandran<br />

Cast Parvathy, Fahad Faasil,<br />

Kunchacko Boban, Asif Ali,<br />

Prakash Belawadi<br />

Sales agent Anto Joseph Film<br />

Company<br />

lehjk is'ks ls ulZ gS vkSj vkB lky ds bc: dh ek¡<br />

gSA gky gh esa rykd ls xqtjh lehjk viuh vkfFkZd<br />

fnDdrksa ds lek/kku ds fy, ;q) esa f?kjs bZjkd esa<br />

ukSdjh Lohdkj dj ysrh gSA oks tYnckth esa vius<br />

lgdehZ 'kkfgn ls fookg dj bZjkd pyh tkrh gS<br />

ysfdu ogk¡ 'kkfgn dks foæksgh lsuk vi`gr dj ysrh<br />

gSA blls igys fd oks nksckjk 'kknh dks laHkkys vkSj<br />

vius csVs dks vius xHkZorh gksus dh otg le>k,]<br />

mlds vLirky dks Hkh ca/kd cuk fy;k tkrk gSA<br />

b/kj nwrkokl vius ukxfjdksa dh lqjf{kr okilh ds<br />

fy, ç;kljr gS] ogk¡ bl ifjokj ds iqufeZyu vkSj<br />

cpko dk loky Hkh lkeus [kM+k gSA<br />

Sameera, a nurse, a mother to an 8 year<br />

old Ibru. Recently divorced, she takes<br />

up a job in war-torn Iraq to overcome<br />

financial liabilities. Soon after, she<br />

hastily marries her colleague Shahid and<br />

moves to Iraq where much to her chagrin<br />

Shahid is taken hostage by the rebel<br />

army. Appallingly the hospital she works<br />

at is captured soon after. As the embassy<br />

wages diplomatic battles to negotiate the<br />

return of its nationals, the possibility of<br />

a family reunion and imminent rescue<br />

looms large.<br />

Nominated for the Award for the Best Debut Feature of a Director and competing for the ICFT UNESCO Gandhi Medal<br />

egs'k ukjk;.ku<br />

egs'k dk lEikndh; inkiZ.k jkf=ek>k us csLV funsZ'kd dk jk"Vªh;<br />

iqjLdkj thrk vkSj ik¡p dsjy jkT; iqjLdkj Hkh thrsA Hkkjrh;<br />

fQYe m|ksx esa ,d lEekfur lEiknd ds :i esa mUgsa tkuk tkrk<br />

gS vkSj feyh] ftls dsjy esa [kwc vkykspdh; rkjhQsa çkIr gks jgh gSa]<br />

fQYe ds lkFk mUgksaus [kqn dks ,d dkfcy ys[kd Hkh lkfcr fd;k<br />

gSA Vsd vkWQ egs'k ukjk;.ku dk funsZ'kdh; inkiZ.k gSA<br />

Mahesh Narayanan<br />

Mahesh Narayanan’s editorial debut Rathrimazha<br />

bagged National award for the best director and five<br />

Kerala State Awards. Having rapidly climbed the ladder<br />

as a renowned editor in the Indian Film Industry, Mahesh<br />

proved his expertise in writing as well through the film<br />

Mili, that has opened to rave reviews in Kerala. Take Off<br />

is Mahesh Narayanan’s directorial debut.<br />

INTERNATIONAL COMPETITION<br />

59


foyst jkWdLVklZ<br />

Village Rockstars<br />

India | <strong>2017</strong> | Assamese | 87 min | Colour<br />

Director Rima Das<br />

Producer Rima Das<br />

Story Rima Das<br />

Screenplay Rima Das<br />

<strong>Cinema</strong>tographer Rima Das<br />

Editor Rima Das<br />

Music Nilotpal Borah<br />

Sound Design Amrit Pritam<br />

Cast Banita Das, Basanti Das<br />

Sales agent Asian Shadows<br />

• contact@chineseshadows.com<br />

/kquq ¼ƒå½ lqnwj vle ds lqfo/kkvksa ls oafpr bykds<br />

esa jgrh gS] ysfdu vktkn [k;kyksa okyh bl yM+dh<br />

dk iDdk Hkjkslk vius liuksa dh rkdr ij gSA<br />

mldh fo/kok ek¡ fdlh rjg la?k"kksaZ ds chp ?kj<br />

pykrh gS ysfdu /kquq –


ICFT UNESCO<br />

Gandhi Medal<br />

A competitive section for films<br />

that explore the themes of<br />

peace, harmony and unity<br />

61 ICFT UNESCO GANDHI MEDAL


vkeksd<br />

Amok<br />

✪ INDIA PREMIERE<br />

Poland | <strong>2017</strong> | Polish | 108 min | Colour<br />

Director Kasia Adamik<br />

Producer Beata Pisula<br />

Screenplay Richard Karpala<br />

<strong>Cinema</strong>tographer Tomasz Naumiuk<br />

Editor Michal Czarnecki<br />

Production Designer Anna Anosowicz<br />

Cast Mateusz Kosciukiewicz, Lukasz<br />

Simlat, Zofia Wichlacz, Zbigniew Stryj,<br />

Miroslaw Haniszewski, Jan Peszek<br />

,d vkneh dh gR;k dj nh tkrh gS] ysfdu<br />

ftEesnkj O;fä lkeus vkus vkSj fxjrkj gksus ls<br />

cpk jgrk gSA dqN lky ckn ,d iqfyl baLisDVj<br />

dks yxrk gS fd mlss gky gh esa çdkf'kr vkeksd<br />

uked iqLrd esa gR;k ds lcwr fey x;s gSaA<br />

A man is murdered, but the person<br />

responsible avoids being discovered<br />

and arrested. A few years later, a<br />

police inspector suspects he has found<br />

evidence in a newly-published book<br />

entitled Amok.<br />

drkjt+kbuk vMsfed<br />

iksfy'k fQYe funsZ'kd drkjt+kbuk ,Msfed ¼dkfl;k ,Msfed½ us<br />

,dsMseh vkWQ+ Q+kbu vkV~Zl] czlsYl ls xzkfQ+Dl esa Lukrd fd;kA<br />

1993 ls ysdj MkdZusl] d‚fiax chFkksosu] ,ojhfFkax bt+ bY;wfeusVsM]<br />

dSVoweWu] VªSIM] twyh o‚fdax gkse] ,atsy v‚Q+ MsFk] gkVZ~l bu<br />

vVykafVl] ,atsy vkbt+] xksYMu MªhEl] n FkMZ fejkdy] n oqM<br />

vkSj iksfy'k osfMax tSlh vusd fQ+Yeksa esa ,d LVksjhcksMZ dykdkj<br />

ds :i esa dke fd;kA<br />

Katarzyna Adamik<br />

Katarzyna Adamik, a.k.a Kasia Adamik is a Polish film<br />

director, visual art artist and storyboard artist. She has<br />

worked as a storyboard artist on an array of movies,<br />

including In Darkness, Copying Beethoven, Everything<br />

Is Illuminated, Catwoman, Trapped, Julie Walking Home,<br />

Angel of Death, Hearts in Atlantis, Angel Eyes and more.<br />

62 ICFT UNESCO GANDHI MEDAL


f[kcqyk<br />

Khibula<br />

✪ ASIA PREMIERE<br />

Georgia, Germany, France | <strong>2017</strong> | Georgian | 98 min | Colour<br />

Director George Ovashvili<br />

Producer George Ovashvili,<br />

Eike Goreczka, Christoph Kukula,<br />

Guillaume de Seille<br />

Screenplay Roelof-Jan Minneboo<br />

<strong>Cinema</strong>tographer Enrico Lucidi<br />

Editor Sun-Min Kim<br />

Cast Hossein Mahjoob, Kishvard<br />

Manvelishvili, Nodar Dzidziguri,<br />

Zurab Antelava<br />

gky gh esa Lora=rk çkIr ns'k esa vius yksxksa<br />

}kjk fuokZfpr ,d O;fä dks 'kh?kz gh r[rkiyV<br />

}kjk fudky fn;k tkrk gSA og igkM+ksa ij Hkkx<br />

tkrk gS tgka oQ+knkj lSfud mldk bartkj dj<br />

jgs gSaA og fuokZLku ls ckgj vkdj muls feydj<br />

lÙkk esa okilh dh ;kstuk cukrk gSA fo'okl vkSj<br />

vfo'okl] vk”kk vkSj fujk”kk ds chp ;g ;k=k<br />

vklku ugha FkhA ysfdu tks mlds HkkX; esa gS ogh<br />

feysxkA<br />

A man, elected by his people to become<br />

the head of a newly independent country,<br />

gets ousted by a coup d´état shortly<br />

after. He flees into the mountains, where<br />

loyal troops are rumoured to be waiting<br />

for him. He plans to meet them and<br />

come back from his exile to regain his<br />

power. Full of hope, he is following his<br />

guardians into the mountains, in order to<br />

regroup with his true followers.<br />

t‚tZ vksof'oyh<br />

t‚tZ vksof'oyh dk tUe 14 uoacj] 1963 dks t‚ftZ;k esa gqvk FkkA<br />

og xkXek usihjh vkSj d‚uZ vkbySaM ds fuekZrk vkSj funsZ'kd gSaA<br />

f[kcqyk mudh uohure Q+hpj fQ+Ye gSA<br />

George Ovashvili<br />

George Ovashvili was born in Georgia on 14 November<br />

1963. He is a producer and director known for Gagma<br />

Napiri and Corn Island. Khibula is his latest feature film.<br />

ICFT UNESCO GANDHI MEDAL<br />

63


f{kfrt & , gksjkbtu<br />

Kshitij – A Horizon<br />

✪ WORLD PREMIERE<br />

India | <strong>2017</strong> | Marathi | 95 min | Colour<br />

Director Manouj Kadaamh<br />

Producer Navroz Prasla, Karishma<br />

Mhadolkar<br />

Screenplay Manouj Kadaamh<br />

<strong>Cinema</strong>tographer Yogesh Rajguru<br />

Editor Neeraj Voraliya<br />

Cast Upendra Limaye,<br />

Kanchan Jadhav, Vaishnavi Tangde,<br />

Arnav Mandrubkar, Rajkumar Tangde,<br />

Manoj Joshi, Vidyadhar Joshi,<br />

Sanjay Mone, Prakash Dhotre,<br />

Akansha Pingale,<br />

okph ckjg lky dh gS vkSj reke pqukSfr;ksa ds<br />

ckotwn i


n ykLV isafVax<br />

The Last Painting<br />

✪ INDIA PREMIERE<br />

Taiwan | <strong>2017</strong> | Mandarin | 108 min | Colour<br />

Director Hung-i Chen<br />

Producer Ying-chuan Wei,<br />

Gene Yao<br />

Screenplay Hung-i Chen,<br />

Ying-chuan Wei<br />

<strong>Cinema</strong>tographer Jing-Pin Yu<br />

Editor Hung-i Chen<br />

Sound Design Min-Hsu Wang<br />

Production Designer Max Huang,<br />

Shuo-Lin Liang<br />

Cast J.C. Lin, Ning Chang, Wei-Yi Lin<br />

vdsys jgus okyh fp=dkj ds ?kj ,d jktuhfrd<br />

dk;ZdrkZ Nk= gkmlesV cu dj vkrk gSA mldk<br />

O;ogkj csgwnk vkSj vthc gS fdarq fp=dkj thou ds<br />

Áfr vk'kkoknh gSA rkboku esa u, jk"Vªifr ds gksus<br />

okys pqukoksa dh gypy gSA ;g ledkyhu ,f'k;kbZ<br />

flusek dhs loZJs"B fQ++Ye le; vkSj y; dk ltho<br />

fp=.k gS A ns[kus esa çHkko'kkyh fFkzyj esa jktuhfr]<br />

dyk vkSj gR;k dk lfEeJ.k gSA<br />

A student and political activist becomes<br />

the new housemate of a solitary painter.<br />

He is brusque and disillusioned, she<br />

is filled with hope. Outside, Taiwan<br />

is heading towards new presidential<br />

elections. Contemporary Asian cinema at<br />

its best, in which it’s all about timing and<br />

rhythm. A visually impressive, layered<br />

thriller about politics, art and murder.<br />

gax&vkbZ psu<br />

gax&vkbZ psu jk"Vªh; rkboku fo'ofo|ky;] n'kZu'kkL= foHkkx ls<br />

Lukrd gSA muds }kjk funsZf”kr foKkiuksa] laxhr ohfM;ks rFkk Qhpj<br />

fQYeksa us vusd iqjLdkj çkIr fd;s gsaA mudh igyh fQYe dSaMh<br />

jsu dks rkbis fQ+Ye lekjksg esa loZJs"B funsZ'kd iqjLdkj lfgr<br />

dbZ ckj lEekfur fd;k tk pqdk gSA n ykLV isafVax mudh pkSFkh<br />

Q+hpj fQ+Ye gSA<br />

Hung-i Chen<br />

Hung-i Chen has directed several award-winning<br />

commercials, music videos and feature films - including<br />

his debut Candy Rain. He received an award for Best<br />

Director at the Taipei Film Festival. The Last Painting is<br />

his fourth feature film.<br />

ICFT UNESCO GANDHI MEDAL<br />

65


euqlaxMk<br />

Manusangada<br />

India | 2016 | Tamil | 93 min | Colour<br />

Director Amshan Kumar<br />

Producer Ganan Natkunan, Thara<br />

Screenplay Amshan Kumar<br />

<strong>Cinema</strong>tographer P.S. Dharan<br />

Editor Dhanasekar<br />

Cast Rajeev Anand, A.S. Sasi Kumar,<br />

Sheela Rajkumar, Manimegalai<br />

Sales agent A K Films<br />

• ak_films@outlook.com<br />

dksyIiu ds firk xqtj x, gSa] bl nq[k ls uhph<br />

tkfr dk nfyr dksyIiu ijs'kku gS ;g lkspdj fd<br />

fdl rjg oks dkaVks ls Hkjs vLi"V jkLrs ls firk dh<br />

ikfFkZo nsg dks vfpfàr dczxkg rd ysdj tk,xkA<br />

lekt dh lkekftd vlekurkv¨a dk lrk;k<br />

dksyIiu foæksg djrk gS ,slh lkekftd vktknh<br />

ds fy, ftldk vk/kkj cjkcjh ds ekuokf/kdkj gksaA<br />

Beyond the grief that his father’s demise<br />

causes, Kolappan dreads the prospect<br />

of the burial that requires a low caste<br />

Dalit, to carry the body through a<br />

thorny, unformed route to an uncertain<br />

graveyard. Deeply disturbed with the<br />

inequalities, Kolappan begins a protest<br />

to enforce social liberty based on<br />

equitable human rights.<br />

vE'kku dqekj<br />

jk"Vªh; iqjLdkj ls lEekfur fQYedkj vE'kku dqekj ds uke<br />

dbZ iqjL—r fQYesa jgh gSaA os fQYe jlkLoknu ij çHkko'kkyh<br />

iqLrd flusek jlukbZ ds ys[kd gSa] ftls Hkkjr vkSj Jhyadk ds<br />

fo'ofo|ky;ksa esa iikue FksM+pkukewfrZ dks dbZ lekj®g¨a esa lEekfur fd¸kk<br />

tk Pkqdk gSA<br />

Amshan Kumar<br />

A national award-winning filmmaker, Amshan Kumar<br />

has several titles to his credit. He has authored<br />

<strong>Cinema</strong> Rasanai, an influential film appreciation text<br />

that is part of university syllabi in India and Sri Lanka.<br />

His feature film Oruththi and documentary Yazhpanam<br />

Thedchanamoorthy have bagged several prestigious<br />

awards and honours.<br />

66 ICFT UNESCO GANDHI MEDAL


iw.kkZ<br />

Poorna<br />

India | <strong>2017</strong> | Hindi | 100 min | Colour<br />

Director Rahul Bose<br />

Producer Rahul Bose<br />

Screenplay Prashant Pandey, Shreya<br />

Dev Verma<br />

<strong>Cinema</strong>tographer Subhransu<br />

Editor Manan Mehta<br />

Cast Aditi Inamdar, Rahul Bose, S.<br />

Mariya<br />

rsyaxkuk dh rsjg lky dh vkfnoklh yM+dh dSls<br />

,sojsLV ij p


jsyos fpYMªu<br />

Railway Children<br />

India | <strong>2017</strong> | Kannada | 155 min | Colour<br />

Director Prithvi Konanur<br />

Producer Tin Drum Beats<br />

Screenplay Prithvi Konanur<br />

<strong>Cinema</strong>tographer Eswaran Thangavel<br />

Editor Shivkumar Swamy<br />

Cast Manohara, Yash Shetty, Srikanth,<br />

Hanumant Raju, Narasappa<br />

jktw ckjg lky dh mez esa ?kj ls Hkkx x;k Fkk<br />

vkSj vc jsyos IysVQ‚eZ ij mls ftUnxh ds eqf'dy<br />

lcd fey jgs gSaA oks ,d ,sls xSax ds paxqy esa Qal<br />

tkrk gS tks IysVQ‚eZ ij xSjdkuwuh /ka/kksa esa fyIr<br />

gS] ysfdu ;gk¡ tksyw mldh enn djrk gS vkSj<br />

bu ifjfLFkfr;ksa esa dke djuk fl[kkrk gSA mudh<br />

nksLrh mUgsa u;k vkRefo'okl nsrh gS vkSj oks nqfu;k<br />

ij cM+s vknfe;ksa dh rjg viuk flDdk tekus dh<br />

[okfg'k djrs gSaA os viuk [kqn dk /ka/kk 'kq# djus<br />

fudy iM+rs gSa] fcuk ;s tkus fd oks [kqn dks dSls<br />

[krjs esa /kdsy jgs gSaA<br />

Raju, a 12-year-old runaway kid,<br />

discovers the sordid aspects of living<br />

life on a railway platform. Soon, falling<br />

prey to a gang dealing in illegal platform<br />

businesses, he finds a friend in Jollu who<br />

helps him learn the ropes of the job at<br />

hand. Their friendship gives them newfound<br />

confidence to start out on their<br />

own and for their world to take notice of<br />

them as grown men. Unable to see the<br />

danger they are subjecting themselves<br />

to, the duo start a venture on their own.<br />

i`Foh dksUuwj<br />

dksUuwj dh igyh y?kq fQYe daMh'kuy Vªwl Jhyadk esa dbZ<br />

vUrjkZ"Vªh; fQYe lekjksgksa esa çnf'kZr gqbZA mudh dUuM+ Hkk"kk esa<br />

Q+hpj vysxkyw dk fuekZ.k lh,Q,lvkbZ ¼bafM;k½ us fd;k] vkSj bls<br />

VhvkbZ,Q,Q fdM~l] rsgjku] LVMxkVZ bafM;u fQYe QsfLVoy esa<br />

vPNh çfrfØ;k,a feyhaA<br />

Prithvi Konanur<br />

Prithvi Konanur’s debut short Conditional Truce shot<br />

in Srilanka has been screened at several international<br />

film festivals. His Kannada language feature Alegalu,<br />

was produced by CFSI (India); the film was well<br />

received at TIFF Kids, Tehran, Stuttgart Indian film<br />

festival and more.<br />

68 ICFT UNESCO GANDHI MEDAL


oqeWu vkWQ+ n ohfiax fjoj<br />

Women of the Weeping River<br />

✪ INDIA PREMIERE<br />

UK,USA | English, Spanish | 1989 | 133 min | Colour<br />

Director Sheron Dayoc<br />

Producer Sheron Dayoc<br />

Screenplay Sheron Dayoc<br />

<strong>Cinema</strong>tographer Rommel Sales<br />

Editor Carlo Francisco Manatad<br />

Sound Design Mike Idioma<br />

Cast Laila Ulao, Sharifa Pearlsia Ali-<br />

Dans, Taha G. Daranda Tan, Miriam<br />

Zimadar-Raper<br />

Q+jhnk vkSj lrjk nksuksa ,d =klnh vkSj jDrikr]<br />

fgalk vkSj fooknksa dh mFkyiqFky vkSj v”kkafr ls<br />

ca/kh gqbZa gSaA os nksuksa fiNyh ihf


<strong>Cinema</strong> of the<br />

World<br />

A section that celebrates the<br />

notable films of the past year<br />

from across the world<br />

CINEMA OF THE WORLD


3@4 ¼Fkzh DokVlZ½ ✪ INDIA PREMIERE<br />

3/4 (Three Quarters)<br />

Bulgaria, Germany | <strong>2017</strong> | Bulgarian | 82 min | Colour<br />

Director Ilian Metev<br />

Producer Ingmar Trost, Ilian Metev<br />

Screenplay Betina Ip, Ilian Metev<br />

<strong>Cinema</strong>tographer Julian Atanassov<br />

Editor Ilian Metev<br />

Sound Design Mirko Reinhard<br />

Production Designer Nikolay Hristov,<br />

Ivelina Mineva<br />

Cast Mila Mikhova, Niki Mashalov,<br />

Todor Veltchev<br />

;qok fi;kuksoknd feyk fons'k esa ,d v‚fM'ku dh<br />

rS;kjh djrh gSA mldk HkkbZ fudh viuh vokafNr<br />

gjdrksa ls mls fopfyr djrk jgrk gSA muds<br />

[kxksy'kkL=h firk VksMksj vius cPpksa dh fparkvksa<br />

ls fuiVus esa vleFkZ gSaA fiNyh xfeZ;ksa esa ,d lkFk<br />

tqVs ifjokj dk ,d fp=A<br />

Young pianist Mila prepares for an<br />

audition abroad. Her brother Niki<br />

distracts her with his unwanted talent for<br />

the absurd. Their astrophysicist father<br />

Todor seems incapable of dealing with<br />

his children’s anxieties. A portrait of a<br />

family during their last summer together.<br />

Sales agent Memento Films<br />

• sales@memento-films.com<br />

bfy;u esVso<br />

1981 esa lksfQ+;k esa tUes bfy;u esVso us ok;fyu oknd ds :i esa<br />

dSfj;j “kq# fd;kA 2008 esa jk"Vªh; fQ+Ye vkSj Vsyhfotu fo|ky;]<br />

yanu ls y?kq fQ+Ye xksYks”kksoks ds lkFk Lukrd fd;kA mudh igyh<br />

Q+hpj lksfQ;kt+ ykLV ,Ecqysal dk dku fØfVDl ohd çhfe;j gqvk<br />

vkSj bls Ýkal 4 fotujh iqjLdkj feykA<br />

Ilian Metev<br />

Born in Sofia in 1981, Ilian Metev initially pursued a<br />

career as a violinist. In 2008, he graduated from the<br />

National Film and Television School near London with<br />

his short film Goleshovo. His first feature, Sofia’s Last<br />

Ambulance, premiered at the Critics’ Week in Cannes<br />

where it won the France 4 Visionary award.<br />

72 CINEMA OF THE WORLD


ukbu fQ+axlZ<br />

9 Fingers<br />

9 Doigts<br />

France, Portugal | <strong>2017</strong> | French | 99 min | B&W, Colour<br />

✪ INDIA PREMIERE<br />

Director F.J. Ossang<br />

Producer Sbastien Haguenauer, Bruce<br />

Satarenko, Lus Urbano<br />

Screenplay F.J. Ossang<br />

<strong>Cinema</strong>tographer Simon Roca<br />

Editor Walter Mauriot<br />

Sound Design Julien Cloquet<br />

Production Designer Rafael Mathe<br />

Monteiro<br />

Cast Damien Bonnard, Diogo Dria<br />

e/; jkf= esa esxykWjs ls ,d lqulku jsyos LVs'ku ij<br />

/kweziku djrs le; iqfyl igpku i= ekaxrh gSA<br />

og fcuk fdlh lkeku vkSj Hkfo"; dh ;kstuk ds<br />

nkSM+us yxrk gSA vpkud ,d ej.kklUu O;fä<br />

feyrk gS] tks mldk HkkX; cny nsrk gSA blds<br />

ckn ,d fxjksg esxykWjs dk ihNk djrk gS] og u<br />

dsoy mudk ca/kd cfYd lkFkh Hkh cu tkrk gSA<br />

In the middle of the night, Magloire<br />

smokes a cigarette in an abandoned<br />

train station when the police show up for<br />

an identity check. He starts running with<br />

no luggage and no future until he meets<br />

a dying man from whom he inherits<br />

a fortune. Subsequently Magloire is<br />

chased by a gang and becomes not only<br />

their hostage but also their accomplice.<br />

Sales agent Capricci Films<br />

• valentin.carre@capricci.fr<br />

,Q+- ts- vksLlax<br />

,Q+- ts- vksLlax dk tUe 7 vxLr 1956 dks gqvkA funsZ”kd vkSj<br />

vfHkusrk vksLlax /keZ xUl ¼yk lDls”kWu LVkjdkso½] MkWDVj pkal<br />

rFkk lkbysUl ds fy, çfl) gSaA<br />

F.J. Ossang<br />

F.J. Ossang was born on August 7, 1956 as Jacques<br />

Plougeaut. He is a director and actor known for Dharma<br />

Guns (La succession Starkov), Doctor Chance and<br />

Silence.<br />

CINEMA OF THE WORLD<br />

73


cSjst+<br />

Barrage<br />

Luxembourg, Belgium, France | <strong>2017</strong> | French | 112 min | Colour<br />

Director Laura Schroeder<br />

Producer Pol Cruchten,<br />

Sébastien Delloye, Jeanne Geiben,<br />

Sebastian Schelenz<br />

Screenplay Marie Nimier,<br />

Laura Schroeder<br />

<strong>Cinema</strong>tographer Hélène Louvart<br />

Editor Damien Keyeux<br />

Production Designer Christina<br />

Schaffer<br />

Cast Lolita Chammah, Themis Pauwels,<br />

Isabelle Huppert<br />

fons'k esa nl lky fcrkus ds ckn dSFkjhu viuh<br />

csVh vYck ds ikl yDtecxZ ykSVh gS] ftlss mldh<br />

eka ,fyt+kcsFk us ikyk gSA vYck vkSj ,fyt+kcsFk<br />

bl vtuch ls nwj jguk pkgrh gSaA bl vlguh;<br />

ifjfLFkfr esa dSFkjhu vYck dk vigj.k dj ,d<br />

;k=k ij ys tkrh gSA fdarq mldk ekr` çse gh<br />

mldk “k=q cu tkrk gSA<br />

After ten years abroad, Catherine returns<br />

to Luxembourg to catch up with her<br />

daughter Alba, who has been brought up<br />

by Catherine’s mother Elisabeth. Alba is<br />

cold and distant with this stranger who<br />

shows up suddenly in her life, and so<br />

is Elisabeth, keen to keep her protegee<br />

to herself. When she cannot take it<br />

anymore, Catherine ‘kidnaps’ Alba and<br />

takes her on a trip to a lake up North. The<br />

unsettling journey into the puzzling world<br />

of motherly love leads to the realization<br />

that she might be her own worst enemy.<br />

Sales agent Luxbox Films<br />

• festivals@luxboxfilms.com<br />

yksjk LdksjssMj<br />

yDlecxZ esa tUeh yksjk LdksjssMj dh fQ+Yesa fo”o Hkj ds fQ+YeksRloksa<br />

esa fn[kk;h x;h gSaA dbZ Lo;a fufeZr fQ+Yeksa ds ckn] mUgksaus y?kq<br />

fQ+Yeksa lsaMlZ vkSj Mcy l‚V dk funsZ'ku vkSj ys[ku fd;kA n<br />

Vªst+j ukbV~l] n lhØsV v‚Q esyqfluk vkSj CyjMZ c‚MZlZ budh<br />

vU; fQ+Yesa gSaA<br />

Laura Schroeder<br />

Laura Schroeder was born in Luxembourg. Her works<br />

have screened at festivals worldwide. After several selfproduced<br />

films, she wrote and directed the short films<br />

Senteurs and Double Saut. Her other credits include The<br />

Treasure Knights—The Secret of Melusina and Blurred<br />

Borders.<br />

74 CINEMA OF THE WORLD


cM~lZ fonkmV usEl<br />

Birds Without Names<br />

Kanojo Ga Sono Na Wo Shiranai Toritachi<br />

Japan | <strong>2017</strong> | Japanese | 123 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Kazuya Shiraishi<br />

Producer Kazumi Fukase<br />

Screenplay Taeko Asano<br />

<strong>Cinema</strong>tographer Takahiro Haibara<br />

Editor Hitomi Kato<br />

Sound Design Kazunori Urata<br />

Production Designer Riki Imamura<br />

Cast Yu Aoi, Sadawo Abe, Tori<br />

Matsuzaka, Yutaka Takenouchi<br />

Sales agent Nikkatsu<br />

• m.furukawa@nikkatsu.co.jp<br />

Qksu ij dqN xjhc [kqnjk dk;ZdrkZvksa dk fglkc<br />

j[kus ds vfrfjDr rksokdks ds ikl cgqr [kkyh<br />

le; gSA og u, çseh ds lkFk ;kSu laca/k j[krs gq,<br />

Hkh vkSj vius ykirk iwoZ çseh dks ;kn djrh gSA<br />

bl nqfo/kk esa mldk :eesV ftath Hkh mldk ihNk<br />

djus yxrk gSA iwoZ çseh dk ykirk gksuk r¨okd¨<br />

ds fy, var rd jgL; gh jgrk gSA<br />

Towako has a lot of free time, and when<br />

she’s not busy berating some poor retail<br />

worker over the phone, she’s switching<br />

between two modes – having sex with<br />

her new beau, and craving it from her<br />

missing ex-lover. Thrown in amongst this<br />

spiritual orgy is Jinji (Sadao Abe), her<br />

unlikely roommate and caretaker, who<br />

begins to lurk in the shadows everywhere<br />

she goes. This, in conjunction with the<br />

mysterious circumstances surrounding<br />

her ex-lover’s disappearance, has her<br />

reconsidering whether his disappearance<br />

is really such a mystery after all.<br />

dkt+q;k f”kjk;”kh<br />

tkiku ds gksDdkbMks esa tUes dkt+q;k f”kjk;”kh us fuekZrk dksth<br />

odkekRlw vkSj xsUth ukdkeqjk ds lgk;d ds :i esa dke djus<br />

ds ckn viuh igyh Q+hpj fQYe y‚LV iSjkMkbt+ bu VksD;ks dk<br />

funsZ'ku fd;kA MsfoYl ikFk vkSj fV~ofLVM tfLVl budh vU;<br />

fQ+Yesa vkSj cM~lZ fonkmV usEl uohure gSA<br />

Kazuya Shiraishi<br />

Kazuya Shiraishi was born in Asahikawa in the Kazuya<br />

Shiraishi Hokkaido prefecture of Japan. After working for<br />

a time as an assistant to filmmakers Koji Wakamatsu and<br />

Genji Nakamura, he went on to direct his first feature,<br />

Lost Paradise in Tokyo. Subsequent directorial credits<br />

include The Devil’s Path and Twisted Justice. Birds<br />

Without Names is his most recent film.<br />

CINEMA OF THE WORLD<br />

75


CySd ysoy<br />

Black Level<br />

Riven' Chornoho<br />

Ukraine | <strong>2017</strong> | No Dialogues | 91 min | Colour<br />

Director Valentyn Vasyanovych<br />

Producer Valentyn Vasyanovych, Iya<br />

Myslytska, Dennis Ivanov<br />

Screenplay Valentyn Vasyanovych<br />

<strong>Cinema</strong>tographer Valentyn<br />

Vasyanovych<br />

Cast Kostyantyn Mokhnach, Kateryna<br />

Molchanova<br />

cM+s “kgj esa cgqr vdsykiu gS vkSj osfMax QksVksxzkQj<br />

dksLR;k ds thou esa HkhA dke ds le; og vius<br />

thou esa fo'ks"k {k.kksa dks eukrs gq, çlUufpÙk<br />

yksxksa ls f?kjk jgrk gSA dksLR;k 50 dk gksus okyk<br />

gS vkSj viuh gj I;kjh pht dks [kks jgk gSA D;k<br />

og fujk'kk ls eqdkcyk dj thou dh [kfq”k;ksa dh<br />

vksj ykSV ik;sxk \<br />

✪ INDIA PREMIERE<br />

Loneliness dwells in a big city; Kostya,<br />

the wedding photographer, dwells there<br />

too. At work, he is surrounded by happy<br />

people celebrating special moments in<br />

their lives. Kostya is about to turn 50,<br />

and he is drastically losing everything<br />

he used to cherish. Will he cope with his<br />

despair and regain the joy of life?<br />

Sales agent Arthouse Traffic<br />

• program@arthousetraffic.com<br />

oSysaVhu okluuksfod<br />

oSysaVhu okluuksfod ;wØsuh funs'kd] fuekZrk vkSj Mhvksih gSA 2004<br />

esa muds o`Ùkfp= vxsULV n lu dks DysjeksaUV&QsjaM vkSj fQ+D”ku<br />

fQ+Yeksa fct+usl ,t+ ;qt+vy ,oa ØsMsal vksMslk fQ+Ye lekjksg esaa<br />

iqjLdkj feysA ;wØsu dh cgqpfpZr fQ+Ye n Vªkbc jghA ØsiqLD¸kwYk<br />

v®Mslk fQYe lekj®g dh loZJs"B ¸kwØsfu¸ku fQ+Ye pquh xbZA<br />

Valentyn Vasyanovych<br />

Valentyn Vasyanovych is a director, producer and DOP.<br />

His documentary Against the Sun received the Jury Prize<br />

at the Clermont-Ferrand IFF. His fiction films Business as<br />

Usual and Kredens were awarded at the Odessa IFF.<br />

The Tribe is considered the biggest Ukrainian festival hit.<br />

Crepuscule (documentary) was recognised as the best<br />

Ukrainian film at Odessa Film Festival (2015).<br />

76 CINEMA OF THE WORLD


CyMh feYd<br />

Bloody Milk<br />

Petit Paysan<br />

France | <strong>2017</strong> | French | 90 min | Colour<br />

Director Hubert Charuel<br />

Producer Stéphanie Bermann,<br />

Alexis Dulguerian<br />

Screenplay Claude le Pape,<br />

Hubert Charuel<br />

<strong>Cinema</strong>tographer Sebastien Goepfert<br />

Editor Julie Lena, Lilian Corbeille,<br />

Grégoire Pontécaille<br />

Sound Design Emmanuel Augeard<br />

Vincent Cosson<br />

Cast Swann Arlaud, Sara Giraudeau,<br />

Bouli Lanners, Isabelle Candelier,<br />

Jean-Paul Charuel, Marc Barb<br />

Ms;jh fdlku fi;js dk thou esa i'kqfpfdRld<br />

cgu] ekrk&firk] [ksr vkSj xk;sa gh lc dqN gSaA<br />

Ýkal esa tc ,d egkekjh dk igyk ekeyk lkeus<br />

vk;k rks mls irk pyk fd mldk ,d i”kq h<br />

laØfer gSA fi;js ds ikl vius i'kqËku ds vYkkok<br />

dqN h ugha gSA fi;js viuh xk;ksa dks [kks ugha<br />

ldrkA og mUgsa cpkuss ds fy, dqN Hkh djsxkA<br />

✪ INDIA PREMIERE<br />

Pierre is a 30-year-old dairy farmer. His<br />

life revolves around the family farm he<br />

took over, his cows, his veterinarian<br />

sister and his parents. When the first<br />

cases of an epidemic disease break out<br />

in France, Pierre finds out that one of his<br />

animals is infected. Losing his cows is<br />

not an option for Pierre. He has nothing<br />

else and he will do whatever it takes to<br />

save them.<br />

Sales agent Pyramide <strong>International</strong><br />

• ilaria@pyramidefilms.com<br />

áwcVZ pk#,y<br />

n Qsfel fQYe Ldwy ls Lukrd áwcVZ pk#,y us rhu y?kq<br />

fQ+Yeksa dk lg&ys[ku vkSj funsZ'ku fd;kA 2016 esa mUgksaus igyh<br />

Q+hpj fQ+Ye isfVV islu DykmM ys isi ds lkFk feydj fy[kh<br />

vkSj mldk funsZ”ku fd;kA budh fQ+Ye CyMh feYd dku fQYe<br />

lekjksg] <strong>2017</strong> ds fØfVDl ohd esa çnf”kZr gqbZA<br />

Hubert Charuel<br />

Charuel co-wrote (with Claude Le Pape) and directed<br />

Petit paysan, his first feature film, half-documentary<br />

(about life in a dairy farm) and half-fiction (a young<br />

dairy farmer tries desperately to save his herd from the<br />

ravages of an epidemic disease). Both interesting and<br />

thrilling, Charuel’s film was well received at the Critics’<br />

Week of the <strong>2017</strong> Cannes Film Festival.<br />

CINEMA OF THE WORLD<br />

77


n CkkW; fon n VkWiukWV<br />

The Boy with the Topknot<br />

✪ INTERNATIONAL PREMIERE<br />

UK | <strong>2017</strong> | English | 90 min | Colour<br />

Director Lynsey Miller<br />

Producer Nisha Parti<br />

Screenplay Mick Ford, Sathnam<br />

Sanghera<br />

<strong>Cinema</strong>tographer Adam Etherington<br />

Editor Sarah Brewerton<br />

Sound Design Martin Beresford<br />

Production Designer Caroline Greville-<br />

Morris<br />

Cast Sacha Dhawan, Anupam Kher,<br />

Deepti Naval, Joanna Vanderham,<br />

Kiran Sonia Sawar and Sam Otto.<br />

lruke la?ksjk oksYojgsEiVu esa rhu O;olk;ksa esa<br />

my> dj thou O;rhr dj jgk FkkA ifjokj ds<br />

:[ks O;ogkj dk og vH;Lr gks pqdk FkkA 24 o’kZ<br />

dh vk;q esa vpkud mls vrhr ds ckjs esa irk pyk<br />

fd mlds firk xzkeh.k iatkc ds dBksj thou ds<br />

ckn dSls oksYojgsEiVu VwfjLV v‚fQ+l rd igqaps<br />

vkSj thou ds çfr mldk ut+fj;k cny x;kA<br />

For Sathnam Sanghera, growing up<br />

in Wolverhampton in the 1980s was<br />

a confusing business. And then there<br />

was his family, whose strange and often<br />

difficult behaviour he took for granted<br />

until, at the age of twenty-four, Sathnam<br />

made a discovery that changed<br />

everything he ever thought he knew<br />

about them. He embarks on a journey<br />

into their extraordinary past - from his<br />

father’s harsh life in rural Punjab to the<br />

steps of the Wolverhampton Tourist<br />

Office.<br />

Sales agent Nisha Parti<br />

• nisha@partiproductions.co.uk<br />

fyals feyj<br />

Ld‚VySaM dh fyals feyj us pkj iqjLdkj fotsrk y?kq fQ+Yeksa dk<br />

funsZ”ku fd;k gSA feyj foKkiuksa vkSj laxhr ohfM;ks dk funsZ'ku<br />

Hkh djrh gSaA n c‚; fon n VkWiu‚V lruke la?ksjk ds chchlh 2 ds<br />

fy, fy[ks leh{kdksa }kjk ç'kaflr laLej.k ij vk/kkfjr gSA<br />

Lynsey Miller<br />

In 2012, Miller directed Colour, written by Vivienne<br />

Franzmann, for Channel 4’s Coming Up scheme. The<br />

pair then completed the BAFTA & Japan Prize winning<br />

Lizard Girl for BBC/EBU. Miller also directs commercials<br />

and music videos. The Boy with the Topknot is an<br />

adaptation of Sathnam Sanghera’s acclaimed memoir,<br />

for BBC2.<br />

78 CINEMA OF THE WORLD


n czsMfouj<br />

The Breadwinner<br />

✪ ASIA PREMIERE<br />

Canada, Ireland, Luxembourg | <strong>2017</strong> | English | 93 min | Colour<br />

Director Nora Twomey<br />

Producer Anthony Leo, Paul Young,<br />

Angelina Jolie, Andrew Rosen,<br />

Tomm Moore, Stephan Roelants<br />

Screenplay Anita Doron, Deborah Ellis<br />

Editor Darragh Byrne<br />

Sound Design Nelson Ferreira,<br />

J.R. Fountain<br />

Production Designer Ciaran Duffy,<br />

Reza Riahi<br />

Cast Saara Chaudry, Soma Chhaya,<br />

Laara Sadiq, Shaista Latif, Ali Badshah,<br />

Kawa Ada, Noorin Gulamgaus<br />

X;kjg o"khZ; ijokuk vius ifjokj ds lkFk ;q)xzLr<br />

dkcqy esa ,d NksVs ?kj esa jgrh gSA ,d fnu mlds<br />

firk dks fxjrkj dj fy;k tkrk gS vkSj ijokuk<br />

dk thou ges'kk ds fy, cny tkrk gSA :f


czsFk<br />

Breath<br />

Nafas<br />

Iran | <strong>2017</strong> | Persian | 112 min | Colour<br />

Director Narges Abyar<br />

Producer Mohammad Hossein<br />

Ghasemi, Abouzar Pour Mohammadi<br />

Screenplay Narges Abyar<br />

<strong>Cinema</strong>tographer Saed Nikzat<br />

Editor Sajjad Pahlavanzadeh<br />

Sound Design Arash Ghasemi<br />

Cast Gelare Abasi, Mehran Ahmadi,<br />

Jamshid Hashempur<br />

Sales agent Mohamed Atebai<br />

• info@iranianindependents.com<br />

,d NksVh bZjkuh yM+dh cgkj dFkk,aa vkSj dgkfu;ka<br />

i


n dsdesdj<br />

The Cakemaker<br />

✪ INDIA PREMIERE<br />

Germany, Israel | <strong>2017</strong> | English, German, Hebrew | 104 min | Colour<br />

Director Ofir Raul Graizer<br />

Producer Itai Tamir, Mathias<br />

Schwerbrock<br />

Screenplay Ofir Raul Graizer<br />

<strong>Cinema</strong>tographer Omri Aloni<br />

Editor Michal Oppenheim<br />

Sound Design Avi Mizrahi,<br />

Dominique Charpentier<br />

Production Designer Yael Bibel,<br />

Daniel Kossow<br />

Cast Tim Kalkhof, Sarah Adler,<br />

Zohar Shtrauss<br />

cfyZu esa ,d isLVªh 'ksQ+ V‚el vius bt+jkbyh çseh<br />

vksjsu dh dkj nq?kZVuk esa e`R;q ls vkgr gSA bl<br />

nq[k dks de djus ds fy, V‚el bt+jkby tkdj<br />

vksjsu dh iRuh vkSj ;qok csVs ds thou esa lfEefyr<br />

gks tkrh gSA “kksd vkSj Hkkoukvksa dk lkeatL;<br />

fQ+Ye dh fo”ks’krk gSA<br />

This tender drama about a closeted<br />

love affair unfolds through the eyes of<br />

Tomas, a Berlin pastry chef who learns<br />

that Oren, his Israeli lover, has died in<br />

a car accident in Jerusalem. Unmoored<br />

by his loss, Thomas journeys to Israel to<br />

begin the process of healing. Desiring to<br />

better know his now lost love, he inserts<br />

himself into the life of Oren’s wife and<br />

young son. This expertly crafted film is<br />

a moving portrait of grief and catharsis.<br />

Sales agent Films Boutique<br />

• aleksandr@filmsboutique.com<br />

vksfQ+j jkmy xzk;t+j<br />

btjk;yh fQYe funsZ'kd vkSj ohfM;ks dykdkj vksfQ+j us o"kksaZ rd<br />

fofHkUu {ks=ksaa esa dke djus ds i”pkr~ flusek dk v/;;u fd;k<br />

vkSj v/;;u ds nkSjku dbZ y?kq fQYeksa dk funsZ'ku fd;kA muds<br />

lg&funsZ”ku esa cuh fQ+Ye yk fMLdksFksd dbZ lekjksgksa esa çnf”kZr<br />

gqbZA n dsdesdj mudh igyh Q+hpj fQ+Ye gSA<br />

Ofir Raul Graizer<br />

An Israeli film director and video artist, Ofir Raul Graizer<br />

co-directed La Discotheque, which was screened in<br />

Cannes Director’s Fortnight. He was also accepted to<br />

the Nipkow Program, Berlinale Talents and Agora Film<br />

Market. The Cakemaker is his first feature film. Graizer<br />

lives and works internationally, giving cooking classes as<br />

a hobby and working on several film and artistic projects.<br />

CINEMA OF THE WORLD<br />

81


dsUMsyfj;k<br />

Candelaria<br />

✪ ASIA PREMIERE<br />

Colombia, Germany, Norway, Argentina, Cuba | <strong>2017</strong> | Spanish | 88 min | Colour<br />

Director Jhonny Hendrix<br />

Producer Jhonny Hendrix Hinestroza,<br />

Juan Diego Villegas, Federico<br />

Eibuszyc, Barbara Sarasola-Day,<br />

Claudia Calviño<br />

Screenplay Mara Camila Arias,<br />

Jhonny Hendrix, Abel Arcosoto, Carlos<br />

Quintela<br />

<strong>Cinema</strong>tographer Soledad Rodrguez<br />

Editor Anita Remn, Mauricio Leiva,<br />

Jhonny Hendrix Hinestroza<br />

Sound Design Jesica Suarez, Miller<br />

Castro, Roberto Migone<br />

Cast Manuel Viveros, Alden Knigth<br />

lksfo;r la?k ds fo?kVu ls gokuk esa 'khr ;q) dh<br />

lekfIr ds ckn çfrca/k viuh pje ij gSA ,sls esa<br />

dsUMsyfj;k ¼75½ vkSj foDVj áwxks ¼76½ dk thou<br />

/kheh xfr ls py jgk gSA ,d fnu dsUMsyfj;k dks<br />

gksVy esa Tkgk¡ og dke djrh gS] ohfM;ks dSejk fey<br />

tkrk gSA dSejs ls vius I;kj dh fQYe cukrs gq,<br />

Hkwy tkrs gSa fd muesa ls ,d chekj gSA<br />

Havana, 1994. With embargo at its<br />

peak, the Cold War comes to an end and<br />

the Soviet Union disintegrates. But for<br />

Candelaria (75), and Victor Hugo (76)<br />

life continues at a slow pace. The days<br />

are repetitive, conversations are sparse,<br />

dinners are sad. One day, the monotony<br />

is broken when Candelaria finds a video<br />

camera hidden in the dirty sheets of the<br />

hotel where she works. This camera,<br />

subtly sneaks into their lives as the<br />

couple use it to film themselves. This<br />

spark of recovered love helps them<br />

forget that one of them is sick.<br />

Sales agent Beta <strong>Cinema</strong><br />

• Cosima.Finkbeiner@betacinema.com<br />

82 CINEMA OF THE WORLD<br />

tkWuh gsafMªDl<br />

tkWuh gsafMªDl fgusL=kst+k vuqHkoh funsZ'kd] fQYe fuekZrk vkSj<br />

,aVkpkZ fQYEl ds laLFkkid gSaA os MkWx bZV M‚x] MkW- vyseu<br />

tSlh dbZ fQYeksa dk fuekZ.k dj pqds gSaA gsafMªDl cgqr lh eq[;<br />

ySfVu&vesfjdh fQYeksa ds fuekZ.k ,oa funsZ”ku ls lac) gSaA mudh<br />

funsZf”kr fQ+Ye pksdks cfyZu 2012 esa çnf”kZr gqbZ FkhA<br />

Jhonny Hendrix<br />

An experienced director and film producer Jhonny<br />

Hendrix is best known for organising the Cali film<br />

festival Cien Milimetros and founding Antorcha Films, a<br />

production company focused on local content. Among<br />

his own movies are the critically acclaimed short film<br />

Cuando llegan los muchachos and his masterpiece<br />

Chocó, that was presented at the 2012 edition of the<br />

Berlinale.


fpYMªu vkWQ+ n ukbV<br />

Children of the Night<br />

I Figli Della Notte<br />

Italy, Belgium | 2016 | Italian | 85 min | Colour<br />

Director Andrea De Sica<br />

Producer Marta Donzelli,<br />

Gregorio Paonessa, Joseph Rouschop<br />

Screenplay Andrea De Sica,<br />

Mariano Di Nardo, Gloria Malatesta<br />

<strong>Cinema</strong>tographer Stefano Falivene<br />

Editor Alberto Masi<br />

Sound Design Fabien Pochat, Antoine<br />

Vandendriessche<br />

Production Designer Dimitri Capuani<br />

Cast Vicenzo Crea, Ludovico Succio,<br />

Fabrizio Rongione, Yuliia Sobol,<br />

Luigi Bignone, Petro Monfreda<br />

Sales agent Reel Suspects<br />

• a@reelsuspects.com<br />

17 o"khZ; fxmfyvks ,d cksfMaZx Ldwy Hkstk tkrk gS<br />

tgka ,MksMksZ ds lkFk mldh nksLrh gksrh gSA os jkr<br />

dks gksLVy ls Hkkxdj taxy esa fNis gq, ukbV Dyc<br />

esa tkuk 'kq: djrs gSa tgka os os';k ,ysuk ls feyrs<br />

gSa v©j mls ilan djus yxrs gSA vpkud mUgsa<br />

irk pyrk gS fd mudk fNik gqvk vijk/k okLro<br />

esa Ldwy ds '¨f{kd dk;ZØe dk fgLlk gSA muds<br />

Lora= g¨us dk d®bZ jkLrk vo'¸k g®xkA<br />

✪ INDIA PREMIERE<br />

Giulio, a 17-year old from a well-to-do<br />

family, is sent to a boarding school in an<br />

isolated place in the Alps. Where ironclad<br />

rules limit all contact with the outside,<br />

he makes friends with Edoardo, who is<br />

rather odd. Their friendship is sealed<br />

by frequent escapes at night, when the<br />

surveillance of the students seems to<br />

lapse. They begin to frequent a nightclub<br />

hidden in the forest, which becomes<br />

a refuge for the two young men. This<br />

is where they meet Elena, a prostitute,<br />

and become fond of her. Suddenly, they<br />

discover that the transgressions they<br />

have kept hidden are actually part of<br />

the school’s educational programme.<br />

And yet there must be a way for them to<br />

become truly free.<br />

,afMª;k fM fldk<br />

,afMª;k fM fldk dk tUe jkse esa 30 fnlacj 1981 dks gqvk FkkA og<br />

,d funsZ'kd vkSj ys[kd gSa] tks fe;k ,aM eh] fpYMªu v‚Q n ukbV<br />

vkSj y bUQ+uksZ lksuks Xyh vYrjh ds fy, tkus tkrs gSA<br />

Andrea De Sica<br />

Andrea De Sica was born on December 30, 1981 in<br />

Rome. He is a director and writer, known for Mia and Me,<br />

Children of the Night and L’inferno sono gli altri.<br />

CINEMA OF THE WORLD<br />

83


, flvkEcjk ✪ INDIA PREMIERE<br />

A Ciambra<br />

Italy, Germany, France, USA | <strong>2017</strong> | Italian | 120 min | Colour<br />

Director Jonas Carpignano<br />

Producer Paolo Carpignano,<br />

Jon Coplon, Christoph Daniel, Rodrigo<br />

Teixeira, Ryan Zacarias, Gwyn Sannia<br />

Screenplay Jonas Carpignano<br />

<strong>Cinema</strong>tographer Tim Curtin<br />

Editor Affonso Gonçalves<br />

Sound Design Guiseppe Tripodi<br />

Production Designer Marco Ascanio<br />

Viarigi<br />

Cast Pio Amato, Koudous Seihon,<br />

Damiano Amato<br />

Sales agent Luxbox Films<br />

• festivals@luxboxfilms.com<br />

dSykfcz;k ds ,d NksVs jksekuh leqnk; dk fivks<br />

vekVks rsth ls c


Dykst+ fuV<br />

Close-Knit<br />

Karera Ga Honki De Amu Toki Wa<br />

Japan | <strong>2017</strong> | Japanese | 127 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Naoko Ogigami<br />

Producer Kenzô Ishiguro, Noriaki<br />

Takagi, Masashi Igarashi<br />

Screenplay Naoko Ogigami<br />

<strong>Cinema</strong>tographer Kozo Shibasaki<br />

Editor Shinichi Fujima<br />

Sound Design Tetsuo Segawa<br />

Production Designer Mayumi Tomita<br />

Cast Tôma Ikuta, Kenta Kiritani, Eiko<br />

Koike<br />

Sales agent Nikkatsu<br />

• m.furukawa@nikkatsu.co.jp<br />

11 o"khZ; rkseks dh eka fgjkseh çk;% ?kj NksM+ dj<br />

pyh tkrh gSA eka ds bl O;ogkj dh vH;Lr rkseks<br />

fgjkseh ds HkkbZ ekfd;ks ds ?kj tkrh gS tks viuh<br />

lqanj çsfedk fjadks ds lkFk jgrk gSA fjadks Vªkaloweu<br />

gS vkSj uflaZx gkse esa dke djrh gSA rkseks fj”rksa<br />

dks ysdj my>u esa gS ysfdu rhuksa lkFk jgus yxrs<br />

gSaA fjad® Lokfn"V £kuk cukrh gS v©j dh dh<br />

r®e¨ d¨ xys h yxkrh gSA fjad¨ r®e® d® fl[kkrh<br />

gS fd cquus ls xqLLks d¨ dSls dkcw fd¸kk tk ldrk<br />

gSA ek¡ us h r®e¨ d¨ cquuk fl[kk¸kk FkkA<br />

One spring, Hiromi, who is the mother of<br />

an 11-year-old girl Tomo, leaves home<br />

for the umpteenth time. As always, Tomo,<br />

accustomed to such a mother, goes to<br />

Makio’s place. He is a brother of Hiromi<br />

and lives with Rinko, his pretty girlfriend.<br />

Actually, Rinko is a transwoman. She<br />

works as a caregiver in a nursing home<br />

where Makio’s mother Sayuri, who<br />

suffers from dementia, lives. Rinko<br />

makes a delicious meal and sometimes<br />

cuddles Tomo. She is a little confused,<br />

but Tomo, Rinko and Makio start to live<br />

a life together. One day, Rinko teaches<br />

Tomo to knit in order to control her<br />

temper... Rinko’s mother also taught her<br />

the same skill when she struggled with<br />

her sexuality during puberty...<br />

ukvdks vksfxxkeh<br />

tkiku esa tUeh ukvdks vksfxxkeh us nf{k.kh dSfyQksfuZ;k<br />

fo'ofo|ky; esa fQ+Ye dk v/;;u fd;k FkkA mudh igyh Q+hpj<br />

fQ+Ye ckjcj ;‚f'kuks 2004 esa cfyZu tujs'ku dk;ZØe esa çnf”kZr<br />

gqbZA vU; fQYesa dkekses 'ksdqMks] esxus vkSj jsaVkusdks gSaA<br />

Naoko Ogigami<br />

Naoko Ogigami’s feature film debut Barber Yoshino<br />

screened in the Berlinale Generation programme in<br />

2004. Her film Kamome shokudô was a huge hit in Japan.<br />

At the 2008 Berlin <strong>International</strong> Film Festival Megane<br />

won the Manfred Salzberger Award, for broadening the<br />

boundaries of cinema today.<br />

CINEMA OF THE WORLD<br />

85


Dykst+usl<br />

Closeness<br />

Tesnota<br />

Russia | <strong>2017</strong> | Russian | 118 min | Colour<br />

Director Kantemir Balagov<br />

Producer Eduard Pichugin, Aleksandr<br />

Sokurov, Nikolay Yankin<br />

Screenplay Kantemir Balagov,<br />

Anton Yarush<br />

<strong>Cinema</strong>tographer Artem Emelianov<br />

Editor Kantemir Balagov<br />

Sound Design Andrey Nikitin<br />

Production Designer Alexey Paderin<br />

Cast Atrem Cipin, Olga Dragunova,<br />

Veniamin Kac<br />

Sales agent Wildbunch<br />

• edevos@wildbunch.eu<br />

24 o"khZ; bykuk firk ds xsjkt esa mudh lgk;rk<br />

djrh gSA ,d 'kke lkjk ifjokj vkSj nksLr mlds<br />

NksVs HkkbZ MsfoM dh lxkbZ dk t'u eukus ds<br />

fy, bdës gksrs gSaA ml jkr ckn esa ;qok tksM+s<br />

dk vigj.k gks tkrk gS vkSj fQjkSrh ekaxh tkrh<br />

gSA IkqfYkl dh lgk¸krk dk loky gh ugha mBrkA<br />

fQj©rh ds fy, iSlk dgka ls vk¸¨xk? ysfdu bykuk<br />

vkSj mlds ekrk&firk dksbZ Hkh tksf[ke mBkdj<br />

iqfyl dh lgk;rk ds fcuk gh mUgsa cpk;saxsA<br />

1998, Nalchik, the North Caucasus,<br />

Russia. 24-year-old Ilana works in<br />

her father’s garage to help him make<br />

ends meet. One evening, her extended<br />

family and friends gather to celebrate<br />

the engagement of her younger brother<br />

David. Later that night, the young couple<br />

is kidnapped, and a ransom demand<br />

delivered. In this close-knit Jewish<br />

enclave, involving the police is out of<br />

the question. How will the family raise<br />

the money to save David? Ilana and her<br />

parents, each in their own way, will go as<br />

far as necessary, whatever the risks to<br />

themselves.<br />

dkarsfej ckykxkso<br />

uyfpd esa tUes dkarsfej ckykxkso us dckfMZuks&ckYdj LVsV<br />

;wfuoflZVh ls vysDtsaMj lksdqjkso ds funs'kd ikBîØe esa viuh<br />

i


Msczsd<br />

Daybreak<br />

Dita Zë Fill<br />

Albania | <strong>2017</strong> | Albanian | 85 min | Colour<br />

Director Gentian Koçi<br />

Producer Gentian Koçi<br />

Screenplay Gentian Koçi<br />

<strong>Cinema</strong>tographer Ilias Adamis<br />

Editor Christos Giannakopoulos, Bonita<br />

Papastathi<br />

Sound Design Christos<br />

Giannakopoulos<br />

Production Designer Ilia Kolka,<br />

Drini Shehu<br />

Cast Ornela Kapetani, Suzana Prifti,<br />

Kasem Hoxha<br />

dbZ eghuksa ls fdjk, dk Hkqxrku rd ugha djus ij<br />

ysrk dks ,d lky ds csVs ds lkFk vikVZesaV ls ckgj<br />

fudky fn;k tkrk gSA chekj cw


fMlvih;jsal<br />

Disappearance<br />

Napadid Shodan<br />

Iran, Oatar | <strong>2017</strong> | Persian | 89 min | Colour<br />

Director Ali Asgari<br />

Producer Pouria Heidary Oureh,<br />

Ali Sadraie<br />

Screenplay Farnoosh Samadi,<br />

Ali Asgari<br />

<strong>Cinema</strong>tographer Ashkan Ashkani<br />

Editor Ehsan Vaseghi<br />

Sound Design Hamed Ghoorchian,<br />

Hosseyn Ghourchian<br />

Production Designer Saeid Asadi<br />

Cast Sadaf Asgari, Amirreza Ranjbaran<br />

Sales agent New European Film Sales<br />

• ewa@neweuropefilmsales.com<br />

vk/kqfud rsgjku dh ,d “khrdkyhu jkr esa ,d<br />

;qok çseh ;qxy ,d xaHkhj leL;k esa Qal tkrs<br />

gSaSaA dqN gh ?kaV¨ esa mUgsa bLkd® lqy>kuk gh gSA<br />

lgk;rk ds fy, ,d ls nwljs vLirky esa HkVdrss<br />

gSa] ysfdu mUgsa bykt dh lqfo/kk ugha feyrhA<br />

os viuh leL;k ifjokj dks Hkh ugha crk ldrsA<br />

ifj.kke ¸kadj g® ldrk gSaA :fs muds laca/kksa dk<br />

Hkfo’; vfuf”pr gSA<br />

✪ INDIA PREMIERE<br />

On a cold winter night in modern Tehran,<br />

a couple of young lovers run into a<br />

serious problem, and they have just a few<br />

hours to come up with a solution. They<br />

go from hospital to hospital in search of<br />

help, but none of the hospitals will admit<br />

the young woman to provide her with<br />

the medical attention she desperately<br />

requires. While they try hard to find a way<br />

to solve the problem, they have to hide<br />

what is happening from their parents.<br />

Moreover, their relationship is facing a<br />

crisis and will suffer dire consequences.<br />

Caught between conservative traditions<br />

and modern day desires, the couple<br />

must face their uncertain futures.<br />

vyh vlxjh<br />

vyh vlxjh dh y?kq fQYesa eksj nSu Vw vkolZ vkSj n lkbysUl<br />

dku esa çfr;ksfxrk esa FkhaA n csch 2014 esa osful Q+sfLVoy esa<br />

çhfe;j gqbZ FkhA mudh y?kq fQYeksa dks 600 ls vf/kd fQYe<br />

lekjksgksa esa çnf'kZr gqbZ v©j mUgs 150 ls vf/kd iqjLdkj feysA<br />

Ali Asgari<br />

Ali Asgari’s shorts More Than Two Hours and The<br />

Silence (co-directed by Farnoosh Samadi), were<br />

in competition in Cannes. His short film The Baby<br />

premiered in competition at the Venice Film Festival in<br />

2014. His short films were screened in more than 600<br />

film festivals around the world and, won more than 150<br />

international awards.<br />

88 CINEMA OF THE WORLD


,y badk ✪ INDIA PREMIERE<br />

El Inca<br />

Venezuela | 2016 | Spanish | 128 ßmin | Colour<br />

Director Ignacio Castillo Cottin<br />

Producer Nathalie Sar - Shalom<br />

Screenplay Ignacio Castillo Cottin,<br />

Ada Hernández<br />

<strong>Cinema</strong>tographer Alexandra Henao<br />

Editor Maikel Jimenez<br />

Sound Design Maurlio López<br />

Production Designer Roger Vargas<br />

Cast Alexander Leterni, Scarlett<br />

Jaimes, Miguel Ferrari<br />

Sales agent Wide<br />

• ma@widemanagement.com<br />

,y badk nks ckj fo'o eqDdsckth pkSafi;u<br />

foYk{k.k çfrk'kkyh ,Mfou oysjks dh dgkuh ij<br />

vk/kkfjr gSA oysjks us ,d ds ckn ,d 18 ckj vius<br />

çfr}fUn;ksa dks ijkftr dj fo'o fjd‚MZ cuk;kA<br />

oysjks dk O;kolkf;d thou lQy fdarq futh<br />

thou vlqj{kkvksa ls f?kjk FkkA bu lcds chp ,y<br />

badk oysjks dh vn~Hkqr [ksy {kerk dh vkd’kZd<br />

çLrqfr gSA<br />

Based on the story of undefeated<br />

two-time World Boxing Champion<br />

Edwin Valero, El Inca is a powerhouse<br />

biographical drama about talent and<br />

charisma, love and ambition, excess<br />

and self-destruction. He set a world<br />

record by winning his first 18 fights with<br />

a first-round knockout. But as Valero’s<br />

professional life bloomed, his personal<br />

life began to stagger, with insecurities<br />

leading to marital infidelities and perilous<br />

addiction, aspects of Valero’s life that<br />

still spark controversy. El Inca tells of<br />

an exhilarating rise, a tragic fall, and the<br />

riveting displays of athletic mastery in<br />

between.<br />

bXukfl;ks dSfLVyks d‚fVu<br />

bXukfl;ks dSfLVyks d‚fVu osustq,yk ds funsZ'kd vkSj ys[kd gSA og<br />

nf{k.kh dSfyQ+ksfuZ;k fo'ofo|ky; ds Lukrd gSaA mUgksusa yk oftZu<br />

usxzk dk funsZ”ku fd;k gSaA ,y badk mudh uohure fQ+Ye gSA<br />

Ignacio Castillo Cottin<br />

Ignacio Castillo Cottin is a Venezuelan director and writer.<br />

He is a graduate of the University of Southern California.<br />

His directorial credits includes La virgen negra. El Inca<br />

is his newest film.<br />

CINEMA OF THE WORLD<br />

89


,yksu Mt+ ukWV fcyho bu MsFk<br />

Elon Doesn’t Believe in Death<br />

Elon Não Acredita Na Morte<br />

Brazil | <strong>2017</strong> | Portuguese | 75 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Ricardo Alves Jr.<br />

Producer Ricardo Alves Jr.<br />

Screenplay Ricardo Alves Jr.,<br />

Diego Hoefel, Germano Melo,<br />

João Salaviza<br />

<strong>Cinema</strong>tographer Matheus Rocha<br />

Editor Frederico Benevides,<br />

Michael Wahrmann<br />

Sound Design Daniel Saavedra<br />

Production Designer Diogo Hayashi<br />

Cast Rômulo Braga, Clara Choveaux,<br />

Lourenço Mutarelli<br />

,yksu dh iRuh enysuk jgL;e;


;wFksukbt+j<br />

Euthanizer<br />

Armomurhaaja<br />

Finland | <strong>2017</strong> | Finnish | 85 min | Colour<br />

Director Teemu Nikki<br />

Producer Jani Pösö, Marja Pihlaja<br />

Screenplay Teemu Nikki<br />

<strong>Cinema</strong>tographer Sari Aaltonen<br />

Editor Teemu Nikki<br />

Sound Design Sami Kiiski,<br />

Production Designer Teemu Nikki,<br />

Sari Aaltonen<br />

Cast Hannamaija Nikander, Jari<br />

Virman, Heikki Nousiainen<br />

;wFksukbt+j ,d 50 o"khZ; eSdsfud ohtks gkSDdk<br />

dh dgkuh gS] ftldk nwljk dke chekj ikyrw<br />

tkuojksa dks lqykus dk gSA ysfdu D;k gksrk gS tc<br />

og ,d xyr O;fä ds dqÙks dks cpkus dk QSlyk<br />

djrk gS\ dgkuh i'kqvksa ds vf/kdkj] ihM+k vkSj ekSr<br />

ds bnZfxnZ ?kwerh gSA fdarq ewy dgkuh dk fo’k;<br />

vPNkbZ ;k cqjkbZ ugha gS & ;g ,d iq#"k dh ew[kZrk<br />

ds ckjs esa gSA<br />

✪ INDIA PREMIERE<br />

Euthanizer is a violent summer noir.<br />

It tells the story of Veijo Haukka, a<br />

50-year-old mechanic, whose second<br />

job is to put sick pets to sleep. But<br />

what happens when he decides to save<br />

the wrong person’s dog? The themes<br />

revolve around animal rights, suffering<br />

and death. But the real story is not about<br />

good or evil, it’s about the stupidity of<br />

absolute men.<br />

Sales agent Wide<br />

• ma@widemanagement.com<br />

rhew fudh<br />

fQuySaM esa tUesa rhew fudh us dbZ y?kq fQ+Yesa] E;wftd ohfM;ks vkSj<br />

def”kZ;Yl dk funsZ'ku fd;k A mUgksaus viuh igyh Qhpj flLeks<br />

VkbEl Fkzh ds ckn mlh uke ls yksdfç; fQfu'k Vhoh ukVd ds<br />

vk/kkj ij yofeyk dk funsZ”ku fd;kA ;wFksukbt+j mudh uohure<br />

fQ+Ye gSA<br />

Teemu Nikki<br />

Teemu Nikki was born in Sysm, Finland. He has directed<br />

numerous shorts, music videos and commercials.<br />

He made his feature debut with Sismo Times Three,<br />

followed up by Lovemilla, based on the popular Finnish<br />

TV dramedy of the same name. The Euthanizer is his<br />

latest film.<br />

CINEMA OF THE WORLD<br />

91


, Q+sUVkfLVd oqeWu<br />

A Fantastic Woman<br />

Una Mujer Fantstica<br />

Chile | <strong>2017</strong> | Spanish | 103 min | Colour<br />

Director Sebastin Lelio<br />

Producer Juan de Dios Larran, Pablo<br />

Larran, Sebastin Lelio,<br />

Gonzalo Maza<br />

Screenplay Sebastin Lelio,<br />

Gonzalo Maza<br />

<strong>Cinema</strong>tographer Benjamn<br />

Echazarreta<br />

Editor Soledad Salfate<br />

Sound Design Tina Laschke<br />

Production Designer Estefana Larran<br />

Cast Daniela Vega, Francisco Reyes,<br />

Luis Gnecco, Aline Kuppenheim,<br />

Nicolas Saavedra, Amparo Noguera<br />

;qok VªkaltsUMj efgyk ekfj;k vius e/; vk;qoxhZ;<br />

çseh ds fu/ku ds ckn nq%[k vkSj lkekftd iwokZxzg<br />

nksuksa ds lkFk la?k"kZ djrh gSA M‚DVjksa vkSj v‚jySaMks<br />

ds ifjokj dks lansg gS fd ekfj¸kk gh mldh e`R;q<br />

dk dkj.k FkhA v‚jySaMks ds ifjokj ds fy, mu<br />

nksuksa dk ;kSu laca/k ,d fo—fr FkkA ekfj¸kk viuss<br />

vf/kdkj ds fy, la?k"kZ djrh gS ftuds fy, vc<br />

rd mlus viuk lkjk thou fcrk;k FkkA<br />

After her middle-aged boyfriend passes<br />

away, Maria, a young transgender<br />

woman, is treated with suspicion. The<br />

doctors and Orlando’s family don’t trust<br />

her. A woman detective investigates<br />

Marina to see if she was involved in<br />

his death. For most of Orlando’s family,<br />

her sexual identity is an aberration, a<br />

perversion. She battles the very same<br />

forces that she has spent a lifetime<br />

fighting just to become the woman she<br />

is now - a complex, strong, forthright and<br />

fantastic woman.<br />

Sales agent Funny Balloon<br />

• festivals@funny-balloons.com<br />

lsckfLr;u ysfyvks<br />

lSafV;kxks esa tUes lsckfLr;u ysfyvks us yk ,Ldq,yk Mh flus Ms<br />

fpyh ls Lukrd fd;k FkkA mUgksaus n lsØsM QWfeyh] fØlel]<br />

n bZ;j vkWQ+ n Vkbxj] vkSj Xyksfj;k] , Q+sUVkfLVd oqeWu vkSj<br />

fMlksfcfM;Ul dk funsZ”ku fd;k gSA<br />

Sebastin Lelio<br />

Sebastin Lelio was born in Santiago, Chile, and graduated<br />

from la Escuela de Cine de Chile. His directorial credits<br />

include The Sacred Family, Christmas, The Year of the<br />

Tiger, Gloria, A Fantastic Woman and Disobedience.<br />

92 CINEMA OF THE WORLD


Q+knj ,aM lu<br />

Father and Son<br />

✪ INDIA PREMIERE<br />

Vietnam | 2016 | Vietnamese | 90 min | Colour<br />

Director Luong Dinh Dung<br />

Producer Nguyen Chi Dung, Nguyen<br />

Thi Huong<br />

Screenplay Bui Kim Quy,<br />

Luong Dinh Dung<br />

<strong>Cinema</strong>tographer Ly Thai Dung<br />

Editor Pham Thi Hao, Julie Beziau<br />

Cast Ngo The Quan, Do Trong Tan<br />

ekWd fo;ruke dk xzkeh.k eNqvkjk gS tks vius csVs<br />

dk ds lkFk I;kj ls jgrk gSA dk gj fnu vkdk'k esa<br />

mM+rs gq, gokbZ tgkt ns[kus dk vkuan ysrk gS vkSj<br />

mUgsa 'kgj dk i{kh dgrk gSA dk tc xaHkhj :i ls<br />

chekj gks tkrk gS rks ekWd vius csVs ds bykt ds<br />

fy, “kgj dh nq[kn ;k=k djrk gSA<br />

Moc is a rural river fisherman in Vietnam,<br />

raising his son Ca in harmony with the<br />

land. Ca has a little yellow chick for a<br />

friend and enjoys running after airplanes<br />

in the sky every day, calling them birds<br />

from the city. When Ca falls ill, Moc must<br />

make the harrowing journey to the city<br />

with his son in order to seek treatment.<br />

Sales agent Tuvan Media<br />

• tuvanproduction@gmail.com<br />

yqvksax fMUg Mqax<br />

fo;rukeh fQYe fuekZrk yqvksax fMUg Mqax us guksbZ ,dsMeh v‚Q+<br />

fFk;sVj vkSj flusek ls ekLVj v‚Q Qkbu vkVZ~l dh fMxzh çkIr<br />

dhA mudh y?kq fQYe cksV eSu us 29osa VksD;ks baVjus”kuy fQ+Ye<br />

Q+sfLVoy esa iqjLdkj thrkA mudh M‚D;wesaVjh fQYe jsM gSIihusl<br />

Hkh leh{kdksa }kjk ç'kaflr gqbZ FkhA<br />

Luong Dinh Dung<br />

Luong Dinh Dung is a Vietnamese filmmaker who<br />

acquired a Master of Fine Arts at Hanoi Academy of<br />

Theatre and <strong>Cinema</strong>. His short film Boat man won an<br />

award at the 29th Tokyo <strong>International</strong> Film Festival<br />

(2007). His documentary Film Red Happiness was also<br />

critically acclaimed.<br />

CINEMA OF THE WORLD<br />

93


Q+sfyflrs<br />

Félicité<br />

France, Senegal | <strong>2017</strong> | Lingala, French | 123 min | Colour<br />

Director Alain Gomis<br />

Producer Arnaud Dommerc<br />

Screenplay Alain Gomis<br />

<strong>Cinema</strong>tographer Céline Bozon<br />

Editor Alain Gomis, Fabrice Rouaud<br />

Cast Véro Tshanda Beya Mputu,<br />

Gaetan Claudia, Papi Mpaka,<br />

Nadine Ndebo<br />

Q+sysflrs ,d daxksyhl xkf;dk gS] ftls vius 14<br />

o"khZ; csVs leks ds xaHkhj :i ls nq?kZVuk xzLr gksus<br />

ds dkj.k iSls dh l[+r t+:jr gSA og ftl ckj esa<br />

xkrh gS ogka fu;fer :i ls vkus okyk rcq mldh<br />

foÙkh; vkSj HkkoukRed lgk;rk djrk gSA<br />

Félicité is a Congolese singer who<br />

desperately needs money after her<br />

14-year-old son Samo suffers a serious<br />

accident. She soon finds financial and<br />

emotional support from Tabu, one of the<br />

regulars in the bar where she performs.<br />

Sales agent Jour 2 fete<br />

• clemence.michalon@jour2fete.com<br />

,ysu xksfel<br />

fclkÅ&X;ksfu;u vkSj lsusxy ewy ds Ýsap funsZ'kd ,ysu xksfel<br />

us isfjl esa lksjcksu fo'ofon~;ky; esa dyk bfrgkl vkSj fQYe dk<br />

v/;;u fd;kA ohfM;ks vkSj y?kq fQYeksa ls 'kq# dj mUgksaus 2002 esa<br />

viuh Q+hpj fQ+Ye y ,+jsal dk funsZ”ku fd;kA vUMkyqlh;k vkSj<br />

vkStfnZgqbZ ¼rs½ budh vU; çfl) fQ+Yesa gSaA<br />

Alain Gomis<br />

Alain Gomis’s debut feature L’Afrance focused on<br />

the spiritual hardships of migrants in France and was<br />

awarded a Silver Leopard in Locarno. His feature film<br />

Andalucia was shown at the Venice Days and Aujourd’hui<br />

(Tey) screened in Competition at the Berlinale in 2012. It<br />

was chosen as Senegal’s entry for an Oscar nomination<br />

for Best Foreign Language Film.<br />

94 CINEMA OF THE WORLD


Q+kbuy iksVsªZV<br />

Final Portrait<br />

✪ INDIA PREMIERE<br />

UK, US | <strong>2017</strong> | English | 90 min | Colour<br />

Director Stanley Tucci<br />

Producer Nik Bower, Gail Egan, Ilann<br />

Girard<br />

Screenplay Stanley Tucci<br />

<strong>Cinema</strong>tographer Danny Cohen<br />

Editor Camilla Toniolo<br />

Sound Design Jack Gillies<br />

Production Designer James Merifield<br />

Cast Armie Hammer, Geoffrey Rush,<br />

Clmence Posy, Tony Shalhoub,<br />

James Faulkner<br />

Sales agent Festival Agency<br />

• valentine@thefestivalagency.com<br />

çfl) dykdkj vYcVksZ fxvkdksesêh vpkud<br />

vius iqjkus nksLr] vesfjdh leh{kd tsEl y‚MZ ls<br />

feyrk gSA [k+wclwjr psgjs ds dkj.k vYcVksZ mudk<br />

iksVªsZV cukus dk vuqjks/k djrk gSA iksVªsZV cukus dh<br />

yach çfØ;k ds dkj.k tsEl ijs”kku gks tkrs gSaA<br />

mUgsa yxrk gS fd mUkdk thou v©j le¸k tSls<br />

vycrksZ ds vk/khu g¨ x¸® gSA varr% os dykdkj<br />

ds HkkoukRed rdZ dks le>rs gSa vkSj gesa vYcVksZ<br />

dh vafre d`fr esa ,d iw.kZ çfrHkk”kkyh O;fDrRo<br />

fn[krk gSA<br />

Paris, 1964. Alberto Giacometti, the<br />

famous artist, bumps into his old friend,<br />

the American critic James Lord, and<br />

begs that he sits for a portrait because<br />

he has an interesting face. It’ll just take<br />

a couple of days in his studio. Lord is<br />

flattered by the request and as the days<br />

go by and turn into weeks seemingly with<br />

no end in sight, he realises his entire life<br />

has been hijacked by this erratic genius.<br />

The portrait continues to ebb and flow.<br />

Veering between frustration and joy, Lord<br />

ultimately sees logic in the artist’s chaotic<br />

mind and together we witness a genius<br />

complete one of his last masterpieces.<br />

LVsuyh Vqph<br />

LVsuyh Vqph ,d vesfjdh pfj= vfHkusrk] ys[kd] fuekZrk vkSj<br />

fQYe funsZ'kd gSA n yoyh cksul esa vius çn'kZu ds fy, loZJs"B<br />

lgk;d vfHkusrk ds fy, ,d vdkneh iqjLdkj ds fy, Vqph dks<br />

ukekafdr fd;k x;k FkkA<br />

Stanley Tucci<br />

Stanley Tucci is an American character actor, writer,<br />

producer and film director. Tucci was nominated for<br />

an Academy Award for Best Supporting Actor for his<br />

performance in The Lovely Bones.<br />

CINEMA OF THE WORLD<br />

95


Ý+kWLV<br />

Frost<br />

✪ INDIA PREMIERE<br />

Lithuania, France, Ukraine, Poland | <strong>2017</strong> | Lithuanian | 90 min | Colour<br />

Director Sarunas Bartas<br />

Producer Valery Kalmykov, Maria<br />

Blicharska, Rémi Burah<br />

Screenplay Sarunas Bartas,<br />

Anna Cohen-Yanay<br />

<strong>Cinema</strong>tographer Eitvydas Doskus<br />

Editor Dounia Sichov<br />

Cast Vanessa Paradis,<br />

Weronika Rosati, Andrzej Chyra<br />

Sales agent Luxbox Films<br />

• festivals@luxboxfilms.com<br />

Ý+kWLV fyFkqvkfu;kbZ ;qok jksDlk dh dgkuh gSA<br />

j®Dlk vius yksxksa dks le>us ds fy, ;q) dks<br />

le>uk pkgrk gSA fyFkqvkfu;k ls ;wØsu rd<br />

ekuoh; lgk;rk ifjogu ds dkfQys ij og ,d<br />

iq#’k vkSj efgyk laoknnkrk ls feyrk gSA fdlh<br />

h eqn~ns ij mudh lgefr ugha curh ysfdu ;q)<br />

dh mFky&iqFky ds chp bl ;k=k esa rhuksa vius<br />

euksoSKkfud lhekvksa ls ijss ,d etcwr laca/k cuk<br />

ysrs gSaA<br />

Frost tells the story of Rokas, a young<br />

Lithuanian man who wants to understand<br />

war in order to understand his people.<br />

On a convoy transporting humanitarian<br />

aid from Lithuania to the Ukraine, he<br />

meets a couple of reporters, a Man and<br />

a Woman, with whom he continues the<br />

road journey. The trio will be forced to<br />

overcome their psychological limits and<br />

build a strong relationship, their only<br />

solid ground in the midst of the turmoil of<br />

war. They do not agree upon anything,<br />

except for their wish to be where they<br />

are, each for their own reasons.<br />

l#ukl ckVZl<br />

1964 esa tUes vkjul ckVZl 20 oha 'krkCnh ds varjkZ"Vªh; Lrj<br />

ij lcls çeq[k fyFkqvkfu;kbZ fQ+Ye funsZ'kdksa esa ls ,d gSaA og n<br />

d‚fjMksj] bZLVuZ fMª+V] vkSj ihl Vw vl bu voj MªhEl ds fy,<br />

ç[;kr gaSA<br />

Sarunas Bartas<br />

Sarunas Bartas is one of the most prominent Lithuanian<br />

film directors internationally from the late 20th century.<br />

He was born on August 16, 1964 in Siauliai, Lithuania.<br />

He is known for Eastern Drift, Peace to Us in Our Dreams<br />

and The Corridor.<br />

96 CINEMA OF THE WORLD


v tsUVy Øhpj<br />

A Gentle Creature<br />

Krotkaya<br />

France, Germany, Lithuania, Netherlands | <strong>2017</strong> | Russian | 143 min | Colour<br />

Director Sergei Loznitsa<br />

Producer Marianne Slot<br />

Screenplay Sergei Loznitsa<br />

<strong>Cinema</strong>tographer Oleg Mutu<br />

Editor Danielius Kokanauskis<br />

Sound Design Vladimir Golovnitski<br />

Production Designer Kirill Shuvalov<br />

Cast Vasilina Makovtseva, Marina<br />

Kleshcheva, Lia Akhedzhakova,<br />

Valeriu Andriuta, Boris Kamorzin,<br />

Sergei Kolesov<br />

Sales agent In2 Infotainment<br />

• narayan.srinivasan@gmail.com<br />

:l ds ,d xkao esa vdsys jgus okyh efgyk dks<br />

,d fnu vius ifr dks tsy esa Hkstk gqvk iklZy<br />

okil fey tkrk gSA ijs”kku gksdj og dkj.k<br />

tkuus ds fy, tsy tkrh gSA vc vHks| fdys esa<br />

tkus dk la?k’kZ 'kq: gksrk gS] tgka vukpkj v©j<br />

lkekftd cqjkbZ Ácy gSA fgalk vkSj vieku ls<br />

csijokg og foijhr ifjfLFkfr;ksa esa U;k; dh [kkst<br />

tkjh j[krh gSaA<br />

A woman lives alone on the outskirts of a<br />

village in Russia. One day she receives<br />

a parcel she sent to her incarcerated<br />

husband, marked ‘return to sender’.<br />

Shocked and confused, the woman has<br />

no choice but to travel to the prison in<br />

a remote region of the country in search<br />

of an explanation. Thus begins the story<br />

of a battle against this impenetrable<br />

fortress, the prison where the forces of<br />

social evil are constantly at work. Braving<br />

violence and humiliation, in the face of all<br />

opposition, our protagonist embarks on a<br />

blind quest for justice.<br />

lxsZbZ ykst+fuRl<br />

lxsZbZ ykst+fuRl us 1997 esa jf”k;u LVsV baLVhVîwV v‚Q+<br />

flusesVksxzkQ+h] ekLdks ls Q+hpj fQ+Ye fuekZ.k dk v/;;u fd;kA<br />

1996 ls lxsZbZ us 16 o``Ùkfp=ksa dk funsZ'ku fd;k gS vkSj dbZ<br />

varjjk"Vªh; iqjLdkj çkIr fd, gSaA mudh igyh fQ+Ye ekb t‚;<br />

vkSj Q+hpj&ysaFk o`Ùkfp= eSnku dk dku çfr;ksfxrk esa çhfe;j<br />

gqvkA blds ckn bu n Q‚x us esa FIPRESCI iqjLdkj thrkA<br />

Sergei Loznitsa<br />

Sergei Loznitsa has received numerous international<br />

awards, including festival prizes. His feature debut<br />

My Joy premiered in the Cannes Competition. It was<br />

followed by In the Fog, another Cannes Competition<br />

entry. It won the FIPRESCI Prize. His feature-length<br />

documentary Maidan, dedicated to the revolution in<br />

Ukraine, premiered in Cannes in 2014.<br />

CINEMA OF THE WORLD<br />

97


gj yo ckW;Yl ckFk okWVj<br />

Her Love Boils Bathwater<br />

Yu Wo Wakasuhodo No Atsui Ai<br />

Japan | 2016 | Japanese | 125 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Ryôta Nakano<br />

Producer Kazumi Fukase,<br />

Yusuke Wakabayashi<br />

Screenplay Ryôta Nakano<br />

<strong>Cinema</strong>tographer Yoshihiro Ikeuchi<br />

Sound Design Masahide Koura<br />

Cast Rie Miyazawa, Hana Sugisaki,<br />

Tori Matsuzaka, Joe Odagiri<br />

Sales agent Yoshimi<br />

• yoshimi.takahata@hakuhodody-map.jp<br />

lkphuks ifjokj dk lkph uks ;w Luku?kj firk ds<br />

vpkud xk;c gksus ds ckn can gks x;kA galeq[k<br />

vkSj –


gkbZ uwu LVksjh<br />

High Noon Story<br />

Majaray Nimroz<br />

Iran | <strong>2017</strong> | Farsi | 110 min | Colour<br />

Director Mohammad Hossein<br />

Mahdavian<br />

Producer Seyed Mahmoud Razavi<br />

Screenplay Ebrahim Amini and<br />

Mohammad Hossein Mahdavian<br />

<strong>Cinema</strong>tographer Hadi Behrouz<br />

Editor Sajad Pahlavan Zadeh<br />

Sound Design Hadi Saed Mokham<br />

Cast Mehrdad Sedighian, Ahmad<br />

Mehranfar, Javad Ezati, Mehdi<br />

fQ+Ye 1981 esa bZjku ds vkradoknh lewg ihiYl<br />

eqtkfgnhu vkWQ+ bZjku dh dgkuh gSA bZjkfu;u<br />

laln }kjk cuh&lnz ds fu"dklu ds ckn<br />

vkradokfn;ksa us vf/kdkfj;ksa dh gR;k “kq: dj nhA<br />

'kgj dhs lM+dksa] xyh&xfy;kjksa vkSj ?kjksa esa QSyh<br />

bl vfLFkjrk vkSj Hkze dk D;k var gksxk\ bl<br />

chp ¸kg ns[kus vkrk gS fd ,d lqj{kk xkMZ v©j<br />

vkradoknh xqzi dh efgyk ,d nqljs d¨ tkurs gSaA<br />

✪ INDIA PREMIERE<br />

After the dismissal of president Bani-<br />

Sadr by the Iranian parliament, the<br />

tensions run high. Terrorist groups begin<br />

to assassinate Iranian officials. The<br />

Iranian government and the revolutionary<br />

guards are after these terrorists to arrest<br />

them. Meanwhile, a young member of<br />

the revolutionary guard and a woman of<br />

the terrorist groups are known to each<br />

other.<br />

Sales agent Farabi <strong>Cinema</strong> Foundation<br />

• fcf1@dpi.net.ir<br />

eksgEen gqlSu eg~nfo;u<br />

1981 E®a ckc®Yk esa tUesa eksgEen gqlSu eg~nfo;u us bZjku çlkj.k<br />

fo'ofon~¸kky; ls Vhoh çksMD”ku esa fMxzh çkIr dh gSA mudh igyh<br />

Qhpj LVSafMax bu MLV bZjku esas cgqpfpZr jghA gk; uwu LVksjh<br />

mudh nwljh Q+hpj fQ+Ye gS ftlus 34 oha jk"Vªh; Q+tz fQ+Ye<br />

egksRlo esa jtr fleks?kZ thrk gSA<br />

Mohammad Hossein Mahdavian<br />

Born in 1981 in Babol, Mohammad Hossein Mahdavian<br />

holds a BA in TV production from Iran Broadcasting<br />

University. His debut feature Standing in Dust was<br />

very well-received domestically. High Noon Story is his<br />

second feature film. It won the Silver Simorgh at the 34th<br />

National Fajr Film Festival.<br />

CINEMA OF THE WORLD<br />

99


gksLVsftl<br />

Hostages<br />

✪ INDIA PREMIERE<br />

Georgia, Russia, Poland | <strong>2017</strong> | Georgian, Russian | 103 min | Colour<br />

Director Rezo Gigineishvili<br />

Producer Mikhail Finogenov, Tamara<br />

Tatishvili, Vladimer Katcharava, Rezo<br />

Gigineishvili<br />

Screenplay Lasha Bughadze,<br />

Rezo Gigineishvili<br />

<strong>Cinema</strong>tographer Vladislav Opelyants<br />

Editor Jaroslav Kaminski,<br />

Andrey Gamov<br />

Sound Design Gia Kancheli,<br />

Gleb Nekhoroshev<br />

Production Designer Kote Japaridze<br />

Cast Irakli Kvirikadze, Tinatin<br />

Dalakishvili, Avtandil Makharadze<br />

1983 esa t‚ftZ;kbZ lksfo;r lektoknh x.kjkT; eas<br />

c‚MZj j{kd dkys leqæ esa eLrh dj jgs yksxksa ds<br />

,d lewg ij utj j[ks gq, gSaA os iqfyl jkT; vkSj<br />

viuss vfHkHkkodksa ls vktknh pkgrs gSaA bl lewg ds<br />

uofookfgr vUuk vkSj fudk ds foeku dk vigj.k<br />

dj fy;k tkrk gSA nqkZX¸kiw.kZ ÄVukv®a dh ,d<br />

J`a[kyk }kjk mudh Lora=rk dh rhoz bPNk jk"Vªh;<br />

=klnh esa cny tkrh gSA<br />

The Georgian Soviet Socialist Republic<br />

in 1983. Border guards are keeping an<br />

eye on a group of young Georgians who<br />

are enjoying a boisterous dip in the Black<br />

Sea. The group includes doctors, actors,<br />

an aspirant for the orthodox priesthood,<br />

as well as Anna and Nika, who are about<br />

to marry. After the wedding, they plan to<br />

board a scheduled flight in Tbilisi, hijack<br />

the aircraft at gunpoint and force the pilot<br />

to land in Turkey. An unfortunate chain<br />

of unexpected events lead to a national<br />

tragedy.<br />

Sales agent Westend Films<br />

• alex@westendfilms.com<br />

jst+ks fxfxuh'kfoyh<br />

fj;ks fxfxuh'kfoyh us xSjsflekso baLVhVîwV v‚Q+ flusesVksxzkQh]<br />

e‚Ldks ls f”k{kk çkIr dhA os vc rd foKkiuksa dk funZs'ku djus ds<br />

ckn flusek ij /;ku dsafær dj jgs gSaA jksekafVd d‚esMh yo fon<br />

,DlsaV lfgr mudh fQYesa :l vkSj t‚ftZ;k nksuksa esa O;kolkf;d<br />

:i ls lQy jgh gSaA<br />

Rezo Gigineishvili<br />

Born in Tbilisi, Georgia in 1982, Rezo Gigineishvili<br />

lives and works in Georgia and Russia. He studied at<br />

the Gerasimov Institute of <strong>Cinema</strong>tography in Moscow<br />

and is an established director of commercials who is<br />

now focusing on auteur cinema. His films, including<br />

the romantic comedy Love with Accent, have been big<br />

commercial hits in both Russia and Georgia.<br />

100 CINEMA OF THE WORLD


n gkml ck; n lh<br />

The House by the Sea<br />

La Villa<br />

France | <strong>2017</strong> | French | 107 min | Colour<br />

Director Robert Guédiguian<br />

Producer Robert Guédiguian,<br />

Marc Bordure<br />

Screenplay Robert Guédiguian,<br />

Serge Valletti<br />

<strong>Cinema</strong>tographer Pierre Milon<br />

Editor Bernard Sasia<br />

Sound Design Laurent Lafran<br />

Production Designer Michel<br />

Vandestien<br />

Cast Ariane Ascaride,<br />

Jean-Pierre Darroussin, Gérard Meylan,<br />

Anaïs Demoustier, Robinson Stévenin,<br />

Jacques Boudet<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

ekflZys ds fudV ,d o`) ds ikl [kwclwjr foyk<br />

gSA vafre fnuksa esa rhuksa cPps mlds ikl bdës gq,<br />

gSaA isfjl esa jgus okyh vfHkus=h ,atsyk] [kqn ls<br />

vk/kh mez dh yM+dh ls I;kj djus okyk ;wlqQ+ vkSj<br />

vekZan tks ekflZys esa gh ikfjokfjd jsLrjka pykrk<br />

gSA ;s ns[kus dk le; gS fd fojklr esa feys<br />

vkn”kksZa dks mUgksaus fdruk lgstk gSA uko Eksa vk¸ks<br />

y¨x¨a dk lewg bu koqd {k.k¨a dk mFky iqFky esa<br />

cny nsrk gSA<br />

✪ INDIA PREMIERE<br />

By a little bay near Marseille lies a<br />

picturesque villa owned by an old man.<br />

His three children have gathered by<br />

his side for his last days: Angela, an<br />

actress living in Paris; Joseph, who has<br />

just fallen in love with a girl half his age;<br />

and Armand, the only one who stayed<br />

behind in Marseille to run the family’s<br />

small restaurant. It’s time for them to<br />

weigh up what they have inherited of<br />

their father’s ideals and the community<br />

spirit he created in this magical place.<br />

The arrival, at a nearby cove, of a group<br />

of boat people will throw these moments<br />

of reflection into turmoil he created in this<br />

magical place.<br />

j‚cVZ xqbfMxqvu<br />

ekflZys esa tUes j‚cVZ xqbfMxqvu dh çeq[k fQ+Yesa , yk ok;k] yk<br />

foys ,V VªWkafDoys] ekWu isjs ,V baftuhvj] ys o‚;st ,u vjesfu<br />

vkSj uhxsl Mq fdfyeant+kjks gSaA ys çksesfumj Mq pSai ns eklZ] y<br />

vkehZ Mw Økbe] vkSj ;wu fgLVksbjs Ms Q+kS vU; fQ+Yesa gSaA yk foyk<br />

uohure fQ+Ye gSA<br />

Robert Guédiguian<br />

Robert Guédiguian was born in Marseille. His films,<br />

include la via, la mort, La Ville est tranquille, Mon pre<br />

est ingnieur, Le Voyage en Armnie, and Neiges du<br />

Kilimandjaro. Other credits include Le promeneur du<br />

champ de Mars, L’arme du crime and Une histoire de<br />

fou. La Villa is his latest film.<br />

CINEMA OF THE WORLD<br />

101


vkbZ Mªhe bu ,unj ysaXost<br />

I Dream in Another Language<br />

Sueño En Otro Idioma<br />

Mexico, Netherlands | Spanish, English | 103 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Ernesto Contreras<br />

Producer Mónica Lozano,<br />

Luis Albores, Erika vila,<br />

Eamon O’ Farrill, Dijana Olcay-Hot,<br />

Raymond Van Der Kaaij<br />

Screenplay Carlos Contreras<br />

<strong>Cinema</strong>tographer Tonatiuh Martinez<br />

Editor Jorge Macaya<br />

Sound Design Enrique Greiner,<br />

Production Designer Barbara<br />

Enriquez<br />

Cast Fernando Álvarez Rebeil,<br />

José Manuel Poncelis, Eligio Melndez<br />

ekfVZu ,d e`rçk;% çkphu Hkk"kk dh fjd‚fMaxZ ds<br />

fy, eSfDldu xkao esa Hkk"kk ds nks vafre oäkvksa<br />

ls feyrk gSA ,d gh efgyk bokfjLVks ls I;kj ls<br />

mRiUu 50 o"kZ iqjkus erHksn ds dkj.k os vkil esas<br />

ckr ugha djrsA bokfjLVks dh iksrh muesa ckrphr<br />

djokus esa lQy gks tkrh gSA tSls gh og ckr<br />

djrs gSa i{kh;ks dh vthc vkoktsa muds iwoZtks dk<br />

vkOgku djus yxrh gSaA<br />

Martin arrives in a remote Mexican<br />

village to record a dying, ancient<br />

indigenous language. He finds the last<br />

two speakers of the language, but they<br />

refuse to speak to each other because of<br />

a 50-year grudge.<br />

Sales agent Mundial Sales<br />

• patricia_arias@mundialsales.com<br />

102 CINEMA OF THE WORLD<br />

vusZLVks daVªsjkl<br />

vusZLVks daVªsjkl dh igyh fQ+Ye Cyw vkbZfyM~l fo”o ds çfrf"Br<br />

lekjksgksa esa çnf'kZr dh xbZA o`Ùkfp= lsxqbj lhuMks] dSQs VSDOck<br />

çhfe;j ds ckn d‚UVªsl us fookfnr fQ+Ye n v‚CLd;ksj fLçax<br />

cuk;hA budh pkSFkh Q+hpj lq,uks ,u vksVªks bMhvksek dks luMsal<br />

baLVhVîwV dk efgUæk Xykscy fQYeesfdax iqjLdkj feykA<br />

Ernesto Contreras<br />

Ernesto Contreras’s award-winning debut, Blue Eyelids,<br />

screened at Cannes, San Sebastián, Tokyo and<br />

Sundance film festivals. After his documentary Seguir<br />

siendo: Café Tacvba, Contreras reappeared with the<br />

controversial The Obscure Spring. He is now presenting<br />

his fourth feature, Sueño en otro idioma, which received<br />

Sundance Institute’s Mahindra Global Filmmaking<br />

Award.


u Cyw<br />

In Blue<br />

✪ ASIA PREMIERE<br />

Netherlands, Romania | <strong>2017</strong> | Dutch, English, Romanian | 102 min | Colour<br />

Director Jaap van Heusden<br />

Producer Marc Bary<br />

Screenplay Jan-Willem den Bok,<br />

Jaap van Heusden<br />

<strong>Cinema</strong>tographer Melle van Essen<br />

Editor Jasper Quispel<br />

Sound Design<br />

Production Designer Lieke Scholman,<br />

Jorien Sont<br />

Cast Maria Kraakman, Bogdan Iancu,<br />

Ellis van den Brink<br />

,d fgEer okyh mM+ku ifjpkfjdk mM+ku ds e/;<br />

esa ,d cPps dks tUe nsus esa lgk;rk djrh gSA 15<br />

o’kZ ds ckn ml cPps ls og cq[k+kjsLV dh lM+dksa<br />

ij feyrh gSA mlds lkFk eka ;k çsfedk ds laca/k<br />

dks ysdj og Hkze esa gSA<br />

A sturdy flight attendant has to deliver<br />

a child in mid-air and gets involved in a<br />

confusing mother/lover relationship with<br />

a boy who’s living under the streets of<br />

Bucharest.<br />

Sales agent Wide<br />

• ma@widemanagement.com<br />

tki oWu g~~;wlMssu<br />

tki oSu gslMsu us 2005 esa uhnjySaM~~l fQYe ,aM Vsyhfotu vdsMeh]<br />

,ELVMZe ls Lukrd fd;kA mudh Fkhfll fQYe bZu baxsthfoDdsYM<br />

osjgky] ,UuokmfMx osVZYM dks nqfu;k Hkj esa lEekfur fd;k x;kA<br />

mudh igyh fQ+Ye fou@fou j‚VjMSe varjjk"Vªh; fQYe egksRlo<br />

esa çhfe;j gqbZA mudh nwljh Q+hpj n U;w oYMZ 40 ls vf/kd fQYe<br />

lekjksgksa esa çnf'kZr dh xbZA bu Cyw g~~;wlMssu dh rhljh fQ+Ye gSA<br />

Jaap van Heusden<br />

Jaap van Heusden’s thesis film, Een Ingewikkeld<br />

Verhaal, Eenvoudig Verteld, was awarded worldwide.<br />

His feature directing debut Win/Win, world premiered<br />

at the <strong>International</strong> Film Festival Rotterdam (IFFR). His<br />

second feature The New World, premiered at IFFR,<br />

and screened at more than 40 film festivals. In Blue is<br />

Heusden’s third feature.<br />

CINEMA OF THE WORLD<br />

103


ulhfj;kVsM<br />

Insyriated<br />

In Syria<br />

Belgium, France | <strong>2017</strong> | Arabic | 85 min | Colour<br />

Director Philippe Van Leeuw<br />

Producer Guillaume Malandrin, Serge<br />

Zeitoun, Pierre Sarraf<br />

Screenplay Philippe Van Leeuw<br />

<strong>Cinema</strong>tographer Virginie Surdej<br />

Editor Gladys Joujou<br />

Sound Design Chadi Roukoz<br />

Production Designer Kathy Lebrun<br />

Cast Hiam Abbass, Diamand Abou<br />

Abboud<br />

Sales agent Films Boutique<br />

• aleksandr@filmsboutique.com<br />

'kgj dh ?ksjkcanh ds rgr ?kj esa Qalh rhu cPpksa dh<br />

eka vkse ;t+u us vius +ySV dks ifjokj vkSj iM+ksfl;ksa<br />

ds fy, lqjf{kr LFkku cuk fn;k gSA Pkksj YkwV Ekpk<br />

jgs gSa] ceksa }kjk bekjr ds u"V gksus dk [k+rjk gS vkSj<br />

vkØe.kdkfj;ksa us ?kj dks ?kkrd {ks= esa cny fn;k<br />

gSA can nhokjksa esa larqyu cuk, j[kuk vc thou<br />

vkSj e`R;q dk Á'u cu tkrk gSA<br />

✪ INDIA PREMIERE<br />

Trapped inside her house in a city under<br />

siege, Oum Yazan, mother of three,<br />

turns her flat into a safe harbour for her<br />

family and neighbours, trying to protect<br />

them from the war outside. When bombs<br />

threaten to destroy the building, when<br />

snipers turn the courtyards into deadly<br />

zones, and burglars break in to claim<br />

their dreadful bounties, maintaining the<br />

thin balance of routine inside the walls<br />

becomes a matter of life and death.<br />

fQ+fyi oku yhm<br />

Nk;kdkj vkSj funsZ“kd fQ+fyi oku yhm n ykbQ v‚Q thll]<br />

LVscy vuLVscy vkSj fMesaVsM ds fy, fo[;kr gSaA mUgksaus bUlkl]<br />

czlsYl vkSj vesfjdu fQYe baLVhVîwV] y‚l ,aftYl ls f”k{kk çkIr<br />

dhA rnqijkar dbZ O;kolkf;d] laLFkkxr ;k d‚iksZjsV fQYeksa esa<br />

Q+ksVksxzkQ+h ds funsZ“kd ds :i esa dke fd;kA<br />

Philippe van Leeuw<br />

Philippe van Leeuw is a cinematographer and director,<br />

known for The Life of Jesus, Stable Unstable and<br />

Demented. He collaborated as director of photography<br />

with a number of commercial, institutional or corporate<br />

films. In 2008, he directed his first feature film, The Day<br />

God Walked Away.<br />

104 CINEMA OF THE WORLD


n tuhZ<br />

The Journey<br />

Al Rahal<br />

Iraq, UK, Qatar, France, Netherlands | <strong>2017</strong> | Arabic, English | 82 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Mohamed Jabarah Al-Daradji<br />

Producer Isabelle Stead, Mohamed<br />

Jabarah Al-daradji, Hélène Cases<br />

Screenplay Isabelle Stead,<br />

Mohamed Jabarah Al-daradji<br />

<strong>Cinema</strong>tographer Duraid Munajim<br />

Editor Mohamed Jabarah Al-daradji,<br />

Pascale Chavance, Herve De Luz<br />

Sound Design Oliver Laurent,<br />

Laurent Chassaigne<br />

Cast Zahraa Gandour,<br />

Ameer Ali Jabarah<br />

Sales agent Giedre<br />

• Giedre@picturetree-international.com<br />

lkjk cxnkn LVs'ku dh fjvksifuax lsjseWuh esa x+yr<br />

bjkns ls ços'k djrh gSA tSls gh og bl dke dks<br />

vatke nsuk pkgrh gS rHkh vkRefuHkZj vkSj pqycqyk<br />

lsYleSu lyke ls vpkud vthc eqBHksM ls +mldh<br />

Hkzked ;kstuk cny tkrh gSA fdlh ds thou dks<br />

u"V djus tk jgh lkjk ds fy, D;k ;g vijk/k<br />

cks/k gS ;k ,d nwljk ekSdk\<br />

Sara enters Baghdad station with sinister<br />

intentions for its reopening ceremony. As<br />

she braces to commit an unthinkable<br />

act, her plans are drastically altered by<br />

an unwanted and awkward encounter<br />

with Salam, a self-assured and flirtatious<br />

salesman. With Salam now hostage<br />

to Sara’s confused and deluded plan,<br />

he battles desperately to appeal to her<br />

humanity and sway her decision. In a<br />

moment of consideration and with her<br />

convictions crumbling before her, Sara<br />

is given the opportunity to witness the<br />

life and innocence she was so willing to<br />

destroy. But is this a second chance or<br />

an admission of guilt?<br />

eksgEen tcjkg vy&njnt+h<br />

bjkdh&Mp fQYe fuekZrk eksgEen tckg vy&njnth us Nk;kadu<br />

vkSj funsZ'ku esa f”k{kk ÁkIr dhA mUgksaus MªhEl] bjkd% o‚j] yo]<br />

x‚M ,aM eSMusl] lu v‚Q+ cschyksu] vkSj bu ek; enlZ vkElZ dk<br />

funsZ”ku fd;k gSA n tuhZ mudh uohure Q+hpj fQ+Ye gSA<br />

Mohamed Jabarah Al-Daradji<br />

Mohamed Jabarah Al-Daradji is an Iraqi-Dutch filmmaker.<br />

He completed two master’s degrees in cinematography<br />

and directing at the Northern Film School in Leeds. His<br />

directorial credits include Dreams, Iraq: War, Love, God<br />

& Madness, Son of Babylon and In My Mother’s Arms,<br />

which he co-directed with his brother, Atia Al-Daradji.<br />

The Journey is his latest feature film.<br />

CINEMA OF THE WORLD<br />

105


ysV n lu”kkbu bu<br />

Let the Sunshine In<br />

Un Beau Soleil Intérieur<br />

France | <strong>2017</strong> | French | 95 min | Colour<br />

Director Claire Denis<br />

Producer Olivier Delbosc<br />

Screenplay Claire Denis,<br />

Christine Angot<br />

<strong>Cinema</strong>tographer Agnès Godard<br />

Editor Guy Lecorne<br />

Sound Design Stuart Staples,<br />

Jean-Paul Mugel<br />

Production Designer Arnaud de<br />

Moleron<br />

Cast Juliette Binoche, Gérard<br />

Depardieu, Valeria Bruni-Tedeschi<br />

jksysaM ckFkZl ds miU;kl yolZ fMLdkslZ % Ý+sXesaV~l<br />

ls çsfjr Dys;j Msful ;g fQ+Ye ,dy efgyk<br />

dykdkj vkSj rykd'kqnk ek¡ blkcsy ds ckjs esa gS<br />

tks isfjl esa vdsys jgrh gS vkSj lPps I;kj dh<br />

ryk'k djrh gSA<br />

Inspired by, but not adapted from<br />

Roland Barthes’s A Lover’s Discourse:<br />

Fragments, Claire Denis’ new film is<br />

about a single woman, Isabelle, an artist<br />

and divorced mother living alone in Paris<br />

and looking for true love.<br />

Sales agent Film Distribution<br />

• joris@playtime.group<br />

Dys;j Msful<br />

Ýsap fQYe funsZ'kd vkSj ys[kd Dys;j Msful ledkyhu fo'o<br />

flusek dh l”kDr gLrh gaSA OgkbV esfVfj;y vkSj 35 'k‚V~l vkWQ+<br />

je 21 oha lnh dh loZJs"B fQYeksa esa ls gSaA p‚dysV vkSj chm<br />

VªSosy flusek ds bfrgkl esa efgykvksa }kjk funsZf'kr lcls cM+h vkSj<br />

mRd`’V fQYesa gSA<br />

Claire Denis<br />

Claire Denis is considered as one of the strongest voices<br />

in contemporary world cinema: her films White Material,<br />

35 Shots of Rum and Chocolate and Beau Travail,<br />

are considered some of the greatest films directed by<br />

women in the history of cinema. Her work has had a<br />

lasting impact on cinematic identity of Europe.<br />

106 CINEMA OF THE WORLD


ykbQ+ fcvkWUM eh<br />

Life Beyond Me<br />

Une Vie Ailleurs<br />

France, Uruguay | <strong>2017</strong> | Spanish, French | 96 min | Colour<br />

✪ ASIA PREMIERE<br />

Director Olivier Peyon<br />

Producer Bertrand Faivre<br />

Screenplay Olivier Peyon,<br />

Cécilia Rouaud<br />

<strong>Cinema</strong>tographer Alexis Kavyrchine<br />

Editor Tina Baz<br />

Sound Design Julien Sicart<br />

Cast Isabelle Carré, María Dupláa,<br />

Ramzy Bedia<br />

Sales agent The Bureau Sales<br />

• gb@lebureaufilms.com<br />

flYoh ds csVs fQ+fyi dk ikap lky dh mez esa<br />

mlds firk ikCyks us vigj.k dj fy;k FkkA pkj<br />

lky ckn ikCyks dh ekSr vkSj futh tklwl dh<br />

enn ls flYoh dks m#Xos ds xkao esa fQ+fyi dk irk<br />

py tkrk gSA flYoh ds la?k"kZ ls ÁHkkfor gksdj<br />

,d lkekftd dk;ZdrkZ esgnh mldh enn djus<br />

dk QSlyk djrk gSA nksuksa feydj cPps dks Ý+kal<br />

okil ykus ds fy, m#Xos py iM+rs gSaA<br />

The story hinges on Sylvie’s son Felipe,<br />

who was abducted at the age of five by<br />

his father Pablo. Four years and a few<br />

hiccups by social services later, thanks<br />

to Pablo’s death and the work of a private<br />

detective, Sylvie picks up Felipe’s trace<br />

in the countryside in Uruguay, Pablo’s<br />

home country. Mehdi, a social worker<br />

who has lost faith in his job, is so moved<br />

by Sylvie’s struggle that he decides to<br />

leave everything and help her. Together,<br />

they set out for Uruguay to kidnap the<br />

child and bring him back to France.<br />

vksfyfo;j is;‚u<br />

funsZ'kd vkSj iVdFkk ys[kd] vksfyfo;j is;‚u us bæhlk vkmækmxks<br />

ds lgk;d ds :i esa vius dfj;j dh 'kq:vkr dhA mudh<br />

funsZf”kr ikap y?kq fQ+Yesa vusd lekjksgks esa çnf”kZr ,oa lEekfur<br />

gqbZaA 2006 esa mUgksaus viuh igyh Q+hpj ysl isfVV~l okd‚Ulsl<br />

cuk;hA is;‚u dh nwljh csgn lQy 2013 dh M‚D;wesaVjh gkm vkbZ<br />

dse Vw gsV eSFl] ftlus vkt dh nqfu;k esa xf.kr dk egÙo crk;kA<br />

Olivier Peyon<br />

Peyon began his career as production assistant, notably<br />

on the films of Idrissa Ouedraogo. He directed five short<br />

films that bagged prestigious festival prizes namely<br />

Promis, Juré, Jingle Bells, Claquage après Étirements<br />

and À tes amours. His first feature, Les Petites Vacances<br />

(Stolen Holidays) was followed by the hugely successful<br />

documentary How I Came to Hate Math.<br />

CINEMA OF THE WORLD<br />

107


ykbV vi!<br />

Light Up!<br />

Zhgi!<br />

Russia | <strong>2017</strong> | Russian | 104 min | Colour<br />

Director Kirill Pletnev<br />

Producer Ruben Dishdishyan<br />

Screenplay Kirill Pletnev<br />

<strong>Cinema</strong>tographer Sergey Mihalchuk<br />

Editor Vasiliy Klepatskiy<br />

Sound Design Sergey Ovcharenko<br />

Production Designer Irina<br />

Grazhdankina<br />

Cast Inga Oboldina, Viktoria Isakova,<br />

Vladinir Ilyin, Anna Ukolova<br />

vksisjk xk;d tSlh vkokt+ okyh ,ysfOruk jksekuksok<br />

,d dBksj tsy naM vf/kdkjh gSA cpiu ls viuh<br />

vkokt+ ls 'kfeaZnk og vdsys esa gh xkrh FkhA ,d<br />

dSnh }kjk lsy Qksu ls mldh vkokt+ dk ohfM;ks<br />

fjd‚MZ dj baVjusV ij viyksM djrk gSA ohfM;ks<br />

fgV gksus ij ,ysfOruk dks ns'k ds lcls yksdfç;<br />

xhr çfr;ksfxrk ds fy, ekLdks esa vkeaf=r fd;k<br />

tkrk gSA çfr;ksfxrk ds fy, mls ,d iwoZ xk;d<br />

dSnh dh enn pkfg;sA<br />

✪ INDIA PREMIERE<br />

Alevtina Romanova is a penal officer in<br />

a women’s prison colony. Her image of a<br />

stern officer is betrayed only by her voice<br />

– a kind of voice to be envied by opera<br />

stars. She has been embarrassed of her<br />

gift since she was a child and now sings<br />

only when she stays alone, to herself.<br />

Her secret is revealed – an inmate<br />

records a video with her cell phone and<br />

uploads it on the internet. The video is<br />

a hit, and Alevtina is invited to Moscow<br />

to the country’s most popular song<br />

contest. The woman is eager not to miss<br />

her chance, and, finally, to change her<br />

life. But she is totally unprepared for the<br />

competition. The only person who can<br />

help her rehearse is the inmate – who is<br />

a former singer.<br />

fdfjy iysRuso<br />

[kkdksZo esa tUes fdfjy iysRuso us lsaV ihVlZcxZ LVsV vdkneh<br />

vkWQ+ fFk;sfVªdy vkVZ~l ls Lukrd fd;k vkSj dbZ ekLdks fFk;sVlZ esa<br />

dke fd;kA ckn esa og vkesZu ftxj[k+kU;ku dh v/;{krk esa ekLdks<br />

Mªkek fFk;sVj esa 'kkfey gks x,A 2003 eap ds funZs'kd vk;fjuk<br />

ds#Rpsadks ds lkFk lg;ksx djuk 'kq: dj fn;kA ykbV vi iysRuso<br />

dh igyh Q+hpj fQ+Ye gS<br />

Kirill Pletnev<br />

Kirill Pletnev entered SPGATI to become a student<br />

of Vladimir Petrov’s course. Upon graduation, he<br />

joined the Moscow Drama Theatre headed by Armen<br />

Dzhigarkhanyan and moved to the Russian capital.<br />

In the spring of 2003 he left the theatre and started to<br />

collaborate with stage director Irina Kerutchenko. Light<br />

Up is Pletnev’s first feature film.<br />

108 CINEMA OF THE WORLD


yo eh ukWV<br />

Love Me Not<br />

✪ INDIA PREMIERE<br />

Greece, France | <strong>2017</strong> | Greek | 99 min | Colour<br />

Director Alexandros Avranas<br />

Producer Christos V.<br />

Konstantakopoulos, Kristina Larsen<br />

Screenplay Alexandros Avranas,<br />

Kostas Peroulis<br />

<strong>Cinema</strong>tographer David Pimm<br />

Editor Christos Giannakopoulos<br />

Production Designer Jacqueline<br />

Abrahams<br />

Cast Eleni Roussinou, Christos Loulis<br />

Sales agent Elle Driver<br />

• Sales@elledriver.eu<br />

,d nEifr ;qok efgyk dks ljksxslh ds fy, vius<br />

lqanj foyk esa cqykrs gSaA vkneh ds dke ij tkus ds<br />

ckn efgyk vkSj yM+dh esa fe=rk gks tkrh gS vkSj<br />

os n®u®a feYkdj ;qxy ds /ku lEifÙk dk vkuan ysrs<br />

gSaA ysfdu bl [kq”kh ds ihNs mnklh vkSj fujk”kk<br />

gSA vxyh lqcg ifr dks Qksu ij iRuh dh e`R;q dh<br />

lwpuk feyrh gS ,d {kfrXkzLr dkj esa mLkdk tyk<br />

gqvk 'kjhj feyrk gSA<br />

A couple hires a young migrant to be<br />

their surrogate mother and moves her<br />

to their beautiful villa. While the man is<br />

away for work, the woman and the girl<br />

start to bond and enjoy the couple’s<br />

wealthy way of life. But behind her forced<br />

cheerfulness, the woman seems more<br />

and more depressed. After a few drinks<br />

with the girl, she goes for a drive. The<br />

next morning, her husband gets a call:<br />

his wife is dead, her burned body was<br />

found in her wrecked car.<br />

,ysDtsaMªksl ,ojkukl<br />

,ysDtsaMªksl dh igyh fQ+Ye fonkmV us Fkslkyksfudh fQ+Ye lekjksg<br />

esa lkr xzhd jkT; iqjLdkj thrsA vxyh fQ+Ye fel okW;ysal dks<br />

osful fQYe lekjksg esa ikap iqjLdkj çkIr gq,A mudh vesfjdu<br />

fQ+Ye Vªw ØkbEl esa fte dSjh vkSj pkyksZV xSUlcxZ us eq[; Hkwfedk,a<br />

fuHkkbZA yo eh ukWV mudh pkSFkh Q+hpj fQ+Ye gSA<br />

Alexandros Avranas<br />

With his first film, Without, Alexandros Avranas won<br />

seven Greek State Awards at the Thessaloniki Film<br />

Festival. His next feature, Miss Violence received the<br />

Silver Lion for Best Director, the Volpi Cup for Best Actor.<br />

For his American debut, the thriller True Crimes, he<br />

worked with Jim Carrey and Charlotte Gainsbourg in the<br />

leading roles. Love me Not is his fourth feature film.<br />

CINEMA OF THE WORLD<br />

109


yoysl<br />

Loveless<br />

Nelyubov<br />

Russia, France, Belgium, Germany | <strong>2017</strong> | Russian | 127 min | Colour<br />

Director Andrey Zvyagintsev<br />

Producer Alexandre Rodnyansky,<br />

Serguey Melkumov<br />

Screenplay Oleg Negin,<br />

Andrey Zvyagintsev, Gleb Fetisov<br />

<strong>Cinema</strong>tographer Mikhail Krichman<br />

Editor Anna Mass<br />

Sound Design Andrey Dergachev<br />

Production Designer Andrey<br />

Ponkratov<br />

Cast Maryana Spivak, Aleksey Rozin,<br />

Matvey Novikov, Varvara Shmykova<br />

>saU;k vkSj cksfjl ,d nwljs ds Áfr ukjkt+xh]<br />

grk'kk vkSj nks’kkjksi.k ds dkj.k rykd+ ds nkSj ls<br />

xqt+j jgs gSaA nksuks gh u;s lkFkh ds u;k thou 'kq:<br />

djus ds fy, v/khj gSaA thou ds bl u, i`"B ds<br />

fy, & Hkys gh mUgsa vius 12 o"khZ; csVs vY;ks”k dks<br />

NksM+uk iM+sA varr% muds >xM+s dks ns[kus ds ckn<br />

vY;ks”k dgha pyk tkrk gSA<br />

Zhenya and Boris are going through a<br />

vicious divorce marked by resentment,<br />

frustration and recriminations. Already<br />

embarking on new lives, each with a<br />

new partner, they are impatient to start<br />

again, to turn the page – even if it means<br />

threatening to abandon their 12-year-old<br />

son Alyosha. Until, after witnessing one<br />

of their fights, Alyosha disappears.<br />

Sales agent In2 infotainment<br />

• narayan.srinivasan@gmail.com<br />

,aMªh t~okbfxuRlso<br />

vfHkusrk vkSj funsZ”kd ,aMªh t~okbfxuRlso us :lh fo'ofo|ky; esa<br />

vfHku; esas Lukrd dh mikf/k çkIr dhA mudh igyh fQ+Ye n fjVuZ<br />

us osful fQYe lekjksg esa xksYMu yk;u iqjLdkj thrkA nwljh<br />

fQ+Ye csfu”kesaV 60 osa dku fQYe lekjksg esa çnf”kZr gqbZA rhljh<br />

fQYe ,sysuk us 67osa dku fQ+Ye lekjksg fo'ks"k twjh iqjLdkj thrkA<br />

yoysl mudh uohure fQ+Ye gSA<br />

Andrey Zvyagintsev<br />

Andrey Zvyagintsev’s debut film, The Return, became<br />

a cinema sensation. His second film Banishment was<br />

presented in Cannes. His third film, Elena, premiered in<br />

the Un Certain Regard at Cannes and won the Special<br />

Jury Prize. Leviathan, screened in Official Competition<br />

in Cannes. Loveless is Zvyagintsev’s newest feature. It<br />

won the Jury Prize at Cannes.<br />

110 CINEMA OF THE WORLD


,e ✪ INDIA PREMIERE<br />

M<br />

France | 2016 | French | 110 min | Colour<br />

Director Sara Forestier<br />

Producer Denis Freyd, Hugo Selignac,<br />

Seg Selignal, Vincent Mazel<br />

Screenplay Sara Forestier<br />

<strong>Cinema</strong>tographer Guillaume Schiffman<br />

Editor Eric Armbruster<br />

Sound Design Nicolas Provost<br />

Production Designer Virginie Destine,<br />

Catherine Jarrier - Prieur<br />

Cast Redouanne Harjane,<br />

Sara Forestier, Jean-Pierre Léaud<br />

yhyk vkSj eks ,d cl LV‚i ij feyrs gSaA yhyk<br />

gdykrh gS vkSj eks okd~iVq gSA yhyk viuh<br />

ijh{kkvksa dh rS;kjh dj jgh gSA eks vkthfodk ds<br />

fy, voS/k :i ls jsl essa dkj pykrk gSA foijhr<br />

vkd’kZ.k ls nksuksa esa I;kj gks tkrk gSA ysfdu eks<br />

vius eu esa ,d cks> fNikdj j[krk gSA<br />

Lila and Mo meet at a bus stop. Lila has<br />

a paralysing speech impediment. Mo is<br />

chatty and exuberant. Lila is preparing<br />

for her exams. Mo illegally races cars for<br />

a living. Opposites attract, and they fall<br />

in love. But Mo carries a secret burden.<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

lkjk Q+‚jsLVfj;j<br />

cpiu ls gh ys[ku] isafVax vkSj fo”ks’k :i ls vfHku; esa ÁfrHkk”kkyh<br />

lkjk us fQYeksa vkSj Vhoh esa NksVh NksVh Hkwfedk,a fuHkkuh “kq: dhaA<br />

lkjk us viuh ÁfrHkk ls vCnsy yrhQ+ dsfpps dh fQ+Ye y ,LDoho<br />

esa eq[; Hkwfedk gkfly dhA funsZ'kd ds :i esa ,e mudh igyh<br />

fQ+Ye gSA<br />

Sara Forestier<br />

Sara Forestier revealed an artistic temperament, since<br />

an early age. When she was 13-and-a-half years old, she<br />

decided to accompany one of her friends to an audition.<br />

She took the audition with brilliance, and her career in<br />

acting started here. Since then she has never looked<br />

back. She is a leading actor. She makes her directorial<br />

debut with the film, M.<br />

CINEMA OF THE WORLD<br />

111


felst gkbM<br />

Mrs. Hyde<br />

Madame Hyde<br />

France | <strong>2017</strong> | French | 95 min | Colour<br />

Director Serge Bozon<br />

Producer David Thion,<br />

Philippe Martin<br />

Screenplay Axelle Ropert,<br />

Serge Bozon<br />

<strong>Cinema</strong>tographer Céline Bozon<br />

Editor Franois Quiqueré<br />

Sound Design Laurent Gabiot<br />

Production Designer Laurie Colson<br />

Cast Romain Duris, Isabelle Huppert,<br />

Jośe Garcia, Adda Senani,<br />

Guillaume Verdier<br />

,d 'kehZyh f'k{kd Jherh thfDoy vius lgdfeZ;ksa<br />

vkSj Nk=ksa }kjk frjLd`r gksrh gSA ,d rwQkuh jkr<br />

esa ç;ksx'kkyk esa ,d ç;ksx dss le; og djaV<br />

yxus ls csgks'k gks tkrh gSA csgks”kh ls tkxus ij<br />

fuf'pr :i ls vyx eglwl djrh gSA felst<br />

gkbM dh Hk;kog mifLFkfr thfDoy dh f'k{k.k<br />

fof/k ij çHkko Mkyrh gSA<br />

✪ INDIA PREMIERE<br />

Mrs. Gquil is a shy teacher despised<br />

by her colleagues and students. On<br />

a stormy night, while conducting an<br />

experiment in her lab, she is struck by<br />

lightning and faints. When she wakes<br />

up, she feels decidedly different and the<br />

appearance of the dangerous Mrs. Hyde<br />

soon impacts on Mrs. Gquil’s teaching<br />

methods.<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

ltZ ckst+ksu<br />

viuh igyh Q+hpj ,y vesfr, ds funsZ'ku ls igys ltZ ckst+ksu<br />

us vfHkusrk vkSj fQYe leh{kd ds :i esa dke fd;kA muds<br />

}kjk funsZf”kr EkkWM~l vkSj yk Ýkal dku ds Mk;jsDVlZ Q+ksVZukbV esa<br />

çnf”kZr vkSj Áh T;k¡ ohxks ls iqjLd`r gqbZaA 2013 esa fVi VkWi dks<br />

dku esa fo”ks’k mYys[k feykA<br />

Serge Bozon<br />

Born in 1972, Serge Bozon initially worked as an<br />

actor and film critic (Trafic, Lettre du Cinma, Cahiers<br />

du cinma, Transfuge, Vertigo) before directing his first<br />

feature, L’Amiti. He has also made Mods and La France,<br />

screened in the Directors’ Fortnight at Cannes and<br />

winner of the Prix Jean Vigo. In 2013, Tip-Top received a<br />

SACD Special Mention at Cannes.<br />

112 CINEMA OF THE WORLD


Ekjfyuk n eMZjj bu Q+ksj ,DV~l<br />

Marlina the Murderer in Four Acts<br />

Marlina Si Pembunuh Dalam Empat Babak<br />

Indonesia, France, Malaysia, Thailand | <strong>2017</strong> | Indonesian | 90 min | Colour<br />

Director Mouly Surya<br />

Producer Rama Adi, Fauzan Zidni<br />

Screenplay Rama Adi, Garin Nugroho,<br />

Mouly Surya<br />

<strong>Cinema</strong>tographer Yunus Pasolang<br />

Editor Kelvin Nugroho<br />

Sound Design Khikmawan Santosa<br />

Production Designer Frans Paat<br />

Cast Egy Fedly, Dea Panendra,<br />

Yoga Pratama<br />

Ekjfyuk lqack esa “kkafriwoZd thou fcrk jgh gSA ,d<br />

fnu ekdZl vkSj mldk fxjksg Ekjfyuk ds ?kj dks<br />

ywVus dh dksf'k'k djrs gSaA og ekdZl dks ekj nsrh<br />

gSA ekdZl dh vkRek mls ijs”kku djrh gS vkSj<br />

mldk thou iwjh rjg ls mFky iqFky gks tkrk gSA<br />

Marlina lives quietly in Sumba until<br />

one day a man named Markus and his<br />

gang try to rob her house. She kills him.<br />

Eventually, she is haunted by Markus,<br />

and her life turns 180 degrees.<br />

Sales agent Asian Shadows<br />

• lya@chineseshadows.com<br />

ekSyh lw;kZ<br />

ekSyh lw;kZ baMksusf'k;k dh lokZf/kd mHkjrh efgyk fQYe fuekZrkvksa<br />

esa ls ,d gaSA mudh igyh fQ+Ye fQ+D'ku us JIFFEST 2008 esa<br />

loZJs"B funsZ'kd lfgr dbZ iqjLdkj thrs vkSj 13 osa cqlku lekjksg<br />

esa çhfe;j gqbZA OgkWV ns MksUV VkWd vckmV Ogsu ns VkWd vckmV<br />

yo mudh nwljh fQ+Ye FkhA<br />

Mouly Surya<br />

Mouly Surya, is considered one of the most promising<br />

female filmmakers in Indonesia. Her debut film, Fiction,<br />

premiered at Busan and won numerous awards including<br />

Best Director at JIFFEST 2008. What They Don’t Talk<br />

About When They Talk About Love was her second<br />

feature. Marlina the Murderer in Four Acts was selected<br />

for the Quinzaine des Réalisateurs.<br />

CINEMA OF THE WORLD<br />

113


eSu MksUV Økb<br />

Men Don’t Cry<br />

Muskarci Ne Placu<br />

Bosnia and Herzegovina, Slovania, Croatia, Germany | <strong>2017</strong> | Bosnian | 98 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Alen Drljević<br />

Producer Damir Ibrahimovich, Jasmila<br />

Žbanić<br />

Screenplay Alen Drljevi, Zoran<br />

Solomun<br />

<strong>Cinema</strong>tographer Erol Zubevic<br />

Editor Vladimir Gojun<br />

Sound Design Igor Camo<br />

Production Designer Mirna Ler<br />

Cast Boris Isakovi, Leon Luev,<br />

Emir Hadihafizbegovi, Sebastian<br />

Cavazza,Ermin Bravo, Boris Ler,<br />

Ivo Gregurevi, Primo Petkovek,<br />

Jasna urii, Izudin Bajrovi<br />

1990 ds n'kd ds l'kL= la?k"kZ us iwoZ ;wxksLykfo;k<br />

dh dsoy Hkwfe dks gh u"V ugha fd;k] vfirq tq>k:<br />

jk"Vªksa dh Le`fr ij xgjk vk?kkr Hkh NksM+k gSA<br />

;q) lekIr gksus ds nks n'kd chr tkus ij Hkh<br />

iw.kZ ln~Hkko dh vis{kk djuk dfBu gS D;ksafd iwoZ<br />

lSfud viuh iwokZxzgksa vkSj gB/kfeZrk ls xzLr FksA<br />

fQ+Ye ¸kg bl lR¸k d¨ Áfrikfnr djuh gS nwlj¨a<br />

d¨ {kek djus dh ¸k¨X¸krk rh vk ldrh gS tc<br />

ge Lo¸ka d¨ {kek djuk Lkh[k ysaA<br />

When, less than two decades since<br />

the war ended in Yugoslavia, a diverse<br />

group of veterans gathers at a remote<br />

mountain hotel to undergo days of<br />

therapy, it’s hard to expect absolute<br />

harmony. This brilliantly directed drama,<br />

about the ability to forgive others only<br />

after we have forgiven ourselves,<br />

presents the pinnacle of the Balkan male<br />

acting scene.<br />

Sales agent Picture Tree <strong>International</strong><br />

• Giedre@picturetree-international.com<br />

,yu M~yZtsfod<br />

tkfLeyk t+ckfud ds iwoZ lgk;d funsZ'kd ,yu M~yZtsfod us<br />

;qxksLyko ;q) ds lSfudksa ds thou ij vk/kkfjr viuh igyh fQ+Ye<br />

eSu MksUV Økb dk funsZ”ku fd;kA mudh y?kq fQYe ispsd ;wjksih;<br />

fQYe iqjLdkj ds fy, ukekafdr vkSj lkjktsoks fQ+Ye egksRlo esa<br />

fçDl UIP ls iqjLd`r gqbZA<br />

Alen Drljević<br />

Alen Drljević, the former assistant director of Golden<br />

Bear winner Jasmila Zbanic Grbavica, makes his feature<br />

fiction debut with this Look at veterans of the Yugoslav<br />

Wars, Men Don’t Cry. His short film Paycheck was<br />

nominated for the European Film Award and won Prix<br />

UIP at the Sarajevo Film Festival.<br />

114 CINEMA OF THE WORLD


n feMokbQ+<br />

The Midwife<br />

Sage Femme<br />

France | <strong>2017</strong> | French | 117 min | Colour<br />

Director Martin Provost<br />

Producer Olivier Delbosc<br />

Screenplay Martin Provost<br />

<strong>Cinema</strong>tographer Yves Cape<br />

Editor Albertine Lastera<br />

Sound Design Ingrid Ralet<br />

Production Designer Thierry François<br />

Cast Catherine Frot, Catherine<br />

Deneuve, Olivier Gourmet,<br />

Quentin Dolmaire, Mylène Demongeot<br />

Sales agent Memento<br />

• sata@memento-films.com<br />

;g fQ+Ye ,d çfrHkk'kkyh ysfdu nq[kh feMokbQ+<br />

Dys;j vkSj Dys;j ds fnoaxr firk dh ifjR;Drk<br />

j[kSy chVªkbl dh dgkuh gSA gj rjg foijhr<br />

LoHkko okyh os nksuksa vlkekU; ifjfLFkfr;ksa dk<br />

lkeuk djrs gq, ?kfu’B fe= cu tkrh gSa vkSj ,d<br />

nwljs ij Hkjkslk djus yxrh gSaA<br />

✪ INDIA PREMIERE<br />

Two of French cinema’s biggest stars<br />

shine in this bittersweet drama about<br />

the unlikely friendship that develops<br />

between Claire (Catherine Deneuve), a<br />

talented but tightly wound midwife, and<br />

Batrice (Catherine Frot), the estranged,<br />

free-spirited mistress of Claire’s late<br />

father. Though polar opposites in almost<br />

every way, the two come to rely on each<br />

other as they cope with the unusual<br />

circumstance that brought them together.<br />

ekfVZu çksoksLV<br />

ekfVZu çksoksLV dk tUe 13 ebZ] 1957 dks Ýkal esa gqvk FkkA og<br />

,d vfHkusrk vkSj ys[kd gSaA lsjkfQ+us] n feMokbQ+ vkSj okW;sysV<br />

ds fy, fo[;kr gSaA<br />

Martin Provost<br />

Martin Provost was born on May 13, 1957 in Brest,<br />

Finistre, France. He is an actor and writer, known for<br />

Sraphine, The Midwife and Violette.<br />

CINEMA OF THE WORLD<br />

115


eksUikjukl fc,osU;w<br />

Montparnasse Bienvenue<br />

Jeune Femme<br />

France | <strong>2017</strong> | French | 97 min | Colour<br />

Director Léonor Serraille<br />

Producer Sandra da Fonseca<br />

Screenplay Léonor Serraille<br />

<strong>Cinema</strong>tographer Émilie Noblet<br />

Editor Clémence Carré<br />

Sound Design Anne Dupouy<br />

Production Designer Valérie Valéro<br />

Cast Laetitia Dosch, Grégoire<br />

Monsaingeon, Souleymane Seye<br />

Ndiaye, Léonie Simaga, Nathalie<br />

Richard, Érika Sainte, Lila-Rose<br />

Gilberti-Poisot, Audrey Bonnet<br />

gj Ádkj ls viekfur vkSj fujk”k ikmyk yacs<br />

le; rd ckgj jgus ds ckn isfjl okil ykSVrh<br />

gSA tSls tSls og vyx&vyx yksxksa ls feyrh gS]<br />

og fufÜpr :i ls ,d ckr tku tkrh gS fd mls<br />

dqN u;k djuk gS] og Hkh fdlh fof”k’V “kSyh vkSj<br />

vkRefoÜokl ds lkFk!<br />

Broke, with nothing but her cat to her<br />

name and doors closing in her face,<br />

Paula is back in Paris after a long<br />

absence. As she meets different people<br />

along the way, there is one thing she<br />

knows for sure: she’s determined to<br />

make a new start and she’ll do it with<br />

style and panache!<br />

Sales agent Be For Films<br />

• festival@beforfilms.com<br />

ysuksj lsjSys<br />

fy;ksu] isfjl vkSj ckflZyksuk esa lkfgR; dk v/;;u djus ds<br />

ckn ysuksj lsjSys dks Ýkalhlh jkT; fQYe Ldwy esa iVdFkk ys[ku<br />

dk;ZØe esa Lohd`fr feyhA Lukrd gksus ds ckn mUgksaus ukFkkyh<br />

fjpMZ ds lkFk 16 feeh y?kq fQYe c‚Mh dk funsZ'ku fd;kA<br />

eksUikjukl fc;kft+uh mudh igyh Q+hpj fQ+Ye gSA<br />

Léonor Serraille<br />

La Femis The French State Film School screenplay<br />

writing programme alumni Léonor Serraille directed the<br />

16mm short film, Body, that was selected for the Brive,<br />

Créteil and Osnabrück Film Festivals. Jeune Femme<br />

(Montparnasse Bienvenue), her graduation screenplay,<br />

is her first feature film.<br />

116 CINEMA OF THE WORLD


Eknj!<br />

Mother!<br />

USA | <strong>2017</strong> | English | 121 min | Colour<br />

Director Darren Aronofsky<br />

Producer Darren Aronofsky,<br />

Ari Handel<br />

Screenplay Darren Aronofsky<br />

<strong>Cinema</strong>tographer Matthew Libatique<br />

Editor Andrew Weisblum<br />

Sound Design Craig Henighan<br />

Production Designer Philip Messina<br />

Cast Jennifer Lawrence, Michelle<br />

Pfeiffer Javier Bardem, Ed Harris<br />

,d nEifr ds fj'rs dk bErgku rc gksrk gS] tc<br />

fcu cqyk;s esgeku muds ?kj igqap tkrs gSa vkSj<br />

muds 'kkafriw.kZ thou esa gypy epk nsrs gaSA<br />

A couple’s relationship is tested when<br />

uninvited guests arrive at their home,<br />

disrupting their tranquil existence.<br />

Sales agent Viacom18<br />

• Kishor.Varma@viacom18.com<br />

Mkjsu vjksuksQ+Ldh<br />

czqdfyu] U;w;‚dZ esa tUes Mkjsu vjksuksQ+Ldh cpiu ls dykRed<br />

:fp ds Fks vkSj ges'kk Dykfld fQYesa ilan djrs FksA fd'kksjkoLFkk<br />

esa mUgksaus fHkfÙkfp= dyk cukus esa le; fcrk;k FkkA gkbZ Ldwy ds<br />

ckn Mkjsu gkoZMZ ;wfuoflZVh esas fQ+Ye ¼ykbo ,D'ku vkSj ,uhes'ku<br />

nksuksa½ dk v/;;u djus ds fy, x,A<br />

Darren Aronofsky<br />

Darren Aronofsky was born on February 12, 1969, in<br />

Brooklyn. His directorial credits include Pi (his debut),<br />

Requiem for a Dream, The Fountain, The Wrestler and<br />

The Black Swan.<br />

CINEMA OF THE WORLD<br />

117


eMZj vkWu n vksfj;aV ,DlÁsl<br />

Murder on the Orient Express<br />

✪ INDIA PREMIERE<br />

Malta, USA | <strong>2017</strong> | English | 114 min | Colour<br />

Director Kenneth Branagh<br />

Producer Kenneth Branagh,<br />

Mark Gordon, Judy Hofflund,<br />

Simon Kinberg, Michael Schaefer,<br />

Ridley Scott<br />

Screenplay Michael Green,<br />

Agatha Christie<br />

<strong>Cinema</strong>tographer Haris Zambarloukos<br />

Editor Mick Audsley<br />

Production Designer Jim Clay<br />

Cast Kenneth Branagh, Penelope Cruz,<br />

Johnny Depp, Michelle Pfeiffer,<br />

Willem Dafoe, Judi Dench, Josh Gad<br />

;g fQ+Ye vxkFkk fØLVh ds miU;kl eMZj vkWu<br />

n vksfj,aV ,Dlçsl ij vk/kkfjr gSA fQ+Ye esa HkO;<br />

Vªsu ;k=k esa ,d gR;k gks tkrh gSA bl xqRFkh dks<br />

lqy>kus esa yxs ,d tklwl dks lHkh 13 Qals gq,<br />

;kf=;ksa ij lansg gSA mlds bl igsyh dks gy<br />

djus ls igys gh gR;kjk nksckjk geyk dj nsrk gSA<br />

A lavish train ride unfolds into a stylish<br />

and suspenseful mystery. From the novel<br />

by Agatha Christie, Murder on the Orient<br />

Express tells of thirteen stranded strangers<br />

and one man’s race to solve the puzzle<br />

before the murderer strikes again.<br />

Sales agent Fox Star Studios<br />

• shonyp@in.foxstarstudios.com<br />

dsusFk czkukx<br />

vfHkusrk] funsZ'kd vkSj iVdFkk ys[kd dsusFk czkukx dk tUe ,d<br />

Jfed ifjokj esa gqvk FkkA mUgksaus j‚;y vdkneh v‚Q MªkekfVd<br />

vkVZ~l lss f”k{kk yhA mUgsas fofy;e 'ksDlfi;j ds ukVdksa vksFksyks esa<br />

b;kxks vkSj gseysV eq[; fdjnkj ds vfHku; vkSj l”kDr vfHkO;fDr<br />

ds fy, fo”ks’k igpku feyhA gSjh i‚Vj ,aM n pSacj v‚Q+ lhØsV~l]<br />

okYD;jh vkSj MafddZ esa Hkh mudk vfHku; ljkguh; FkkA<br />

Kenneth Branagh<br />

Actor, director, screenwriter Kenneth Charles Branagh<br />

is rightfully regarded as one of the finest interpreters<br />

of William Shakespeare in the 20th century, thanks to<br />

his string of screen adaptations, including Othello and<br />

a lavish production of Hamlet. His acting credits include<br />

Harry Potter and the Chamber of Secrets, Valkyrie and<br />

Dunkirk.<br />

118 CINEMA OF THE WORLD


n ukby fgYVu bUlhMsaV<br />

The Nile Hilton Incident<br />

A Kairi Eset<br />

Sweden, Denmark, Germany | <strong>2017</strong> | Arabic, Dinka | 110 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Tarik Saleh<br />

Producer Kristina Åberg<br />

Screenplay Tarik Saleh<br />

<strong>Cinema</strong>tographer Pierre Aïm<br />

Editor Theis Schmidt<br />

Sound Design Marc Meusinger<br />

Production Designer Roger<br />

Rosenberg<br />

Cast Fares Fares, Mari Malek,<br />

Yasser Ali Maher<br />

felz ds Økafr dh i`"BHkwfe esa cus bl fFkzyj esa<br />

,d iqfyl vf/kdkjh ,d efgyk dh gR;k dh<br />

tkap djrk gSA 'kq: esa ,d os';k dh gR;k dk<br />

ekeyk yxrk gS] ysfdu tkap ds ckn dsl ,d<br />

vR;f/kd tfVy :i ys ysrk gS ftlesa felz ds<br />

cgqr gh laHkzkar yksx 'kkfey gSaA<br />

Set against the backdrop of the Egyptian<br />

Revolution, the thriller features a police<br />

officer who investigates the murder of<br />

a woman. What initially seems to be a<br />

killing of a prostitute turns into a more<br />

complicated case involving the very elite<br />

of Egypt.<br />

Sales agent Swedish Film Institute/The<br />

Match Factory<br />

• sergi.steegmann@matchfactory.de<br />

rkfjd lkysg<br />

felz ewy ds rkfjd lkysg ,d LohfM'k Vsyhfotu fuekZrk] ,uhesVj]<br />

çdk'kd] i=dkj vkSj fQ+Ye funsZ'kd gSa] tks 1990 ds n'kd ds<br />

'kq: esa LohMu ds çeq[k fHkfÙkfp= dykdkjksa esa ls ,d FksA os ,Veks<br />

ds laLFkkidksa esa ls ,d gaSA mUgksaus Losjsxst Vsyhfotu ds fy, Hkh<br />

dke fd;k gSaA<br />

Tarik Saleh<br />

Tarik Saleh is a television producer, animator, publisher,<br />

journalist and film director and one of Sweden’s most<br />

prominent graffiti artists. He has also worked as a TV<br />

host for Sveriges Television and is one of the founders<br />

of production company Atmo. His work often contains<br />

techniques such as montages, cut-out graphics and<br />

faces with manipulated lip synching.<br />

CINEMA OF THE WORLD<br />

119


Ukks csM vkWQ+ jkst+st+<br />

No Bed of Roses<br />

Doob<br />

Bangladesh-India | <strong>2017</strong> | Bengali, English | 86 min | Colour<br />

Director Mostofa Sarwar Farooki<br />

Producer Himanshu Dhanuka, Abdul<br />

Aziz, Ashok Kumar Dhanuka<br />

<strong>Cinema</strong>tographer Sheikh Rajibul Islam<br />

Editor Momin Biswas<br />

Sound Design Ripon Nath<br />

Production Designer Masood Parvez<br />

Cast Irrfan Khan, Nusrat Imrose Tisha<br />

Sales agent Chabial<br />

• privilegedkid@gmail.com<br />

ewoh funsZ'kd tkosn glu viuh csVh lcjh ds<br />

cpiu dhs nksLr uhrw ds lkFk I;kj djus yxrs<br />

gSA ¸kg dkaM ,d jk"Vªh¸k ppkZ dk fo"k¸k cu tkrk<br />

gSA tkosn dk ukjkt+ ifjokj muls vyx gks tkrk<br />

gSA og iRuh ek;k dks rykd ns dj uhrw ls 'kknh<br />

djrs gSaA ysfdu ckaXykns'kh lekt esa bl naifr<br />

ds fy, thou vklku ugha FkkA fujk”kk ds {k.kksa esa<br />

lcjh cpiu dh fe=rk dks Hkwydj viuh eka dks<br />

xfjeke; Lora= thou thus dh fgEer nsrh gSA<br />

fujk'kk ds {k.k®a esa n¨u¨a ds ,d nwLkjs ds lkFk ls<br />

cy feyrk gSA<br />

Successful movie director Javed<br />

Hasan finds himself in a midlife crisis,<br />

questioning whether marriage and career<br />

have demanded too much from him. A<br />

tryst with Nitu, his daughter’s childhood<br />

friend, turns into a national scandal.<br />

Javed’s loving family is torn apart. He<br />

eventually divorces wife Maya and is<br />

estranged from daughter Saberi and son<br />

Ahir. Javed and Nitu marry, but it’s no bed<br />

of roses for the couple as they receive<br />

the wrath of a judgmental Bangladeshi<br />

society. Once close friends, Saberi and<br />

Nitu become vulnerable to public shame.<br />

Saberi realizes that Nitu has competed<br />

against her since childhood. Saberi must<br />

now gather herself and push her mother<br />

to explore the grace of independence. In<br />

desperation, together they seek strength.<br />

eqLrQ+k ljoj Q+k:d+h<br />

eqLrQ+k ljoj Q+k:d+h ckaXykns'k U;w oso flusek vkanksyu dk ,d<br />

çeq[k mnkgj.k gSA mudh fQ+Ye Vsyhfotu cqlku esa lekiu fQYe<br />

Fkh vkSj ,f'k;k ç'kkar LØhu iqjLdkjksa esa xzSaM twjh iqjLdkj thrkA<br />

bl fQ+Ye ls og nf{k.k iwoZ ,f'k;kbZ vxz.kh fQ+Ye fuekZrk cu<br />

x;sA mudh pkSFkh fQ+Ye dbZ varjjk"Vªh; mRloksa esa Ánf”kZr gqbZ<br />

vkSj ckaXykns'k dh vksj ls v‚Ldj ds fy, Hksth xbZA nwc mudh<br />

NBh Qhpj gSA<br />

120 CINEMA OF THE WORLD<br />

Mostofa Sarwar Farooki<br />

Mostofa Sarwar Farooki is a Bangladeshi film director,<br />

producer and screenwriter. His 2012 feature Television<br />

was the closing film of Busan festival and won the Grand<br />

Jury Prize in Asia Pacific Screen Award 2013. He also<br />

founded the filmmakers' movement called "Chabial".


uks MsV uks lkbu<br />

No Date No Sign<br />

Bedoune Tarikh, Bedoune Emza<br />

Iran | <strong>2017</strong> | Persian | 103 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Vahid Jalilvand<br />

Producer Ali Jalilvand, Ehsan Alikhani<br />

Screenplay Ali Zarnegar, Vahid<br />

Jalilvand<br />

<strong>Cinema</strong>tographer Payman Shadmanfar<br />

Editor Vahid Jalilvand, Sepehr Vakili<br />

Sound Design Sayyed Alireza Alavian,<br />

Amin Mirshekari<br />

Production Designer Mohsen<br />

Nassrollahi<br />

Cast Navid Mohammadzadeh, Amir<br />

Agha’ee, Hediyeh Tehrani, Zakieh<br />

Behbahani, Sa’eed Dakh, Alireza<br />

Ostadi.<br />

Qksjsafld jksxfoKkuh ujheu dh dkj ls ,d cPpk<br />

?kk;y gks tkrk gSA ujheu cPps dks fDyfud esa<br />

ys tkus ds fy, dgrk gS] cPps ds firk mudh<br />

lgk;rk ugha ysrsA vxyh lqcg ujheu ds vLirky<br />

esa ogh cPpk lafnX/k ekSr ds ckn 'ko ijh{kk ds fy,<br />

yk;k tkrk gSA ujheu nqfo/kk esa gS fd cPps dh<br />

e`R;q dk dkj.k dkj nq?kZVuk gS ;k fo’kkDr HkkstuA<br />

The forensic pathologist Nariman has<br />

a car accident with a motorcyclist and<br />

injures his 8-year-old son. He offers to<br />

take the child to a clinic nearby, but the<br />

father refuses his help and money. The<br />

next morning, in the hospital where he<br />

works, Nariman finds out that the little<br />

boy has been brought for an autopsy<br />

after a suspicious death. He faces a<br />

dilemma: is he responsible for the child’s<br />

death due to the car accident or the child<br />

died of food poisoning according to other<br />

doctors’ diagnosis?<br />

Sales agent Noori Pictures<br />

• fest.smi@gmail.com<br />

okfgn tyhyoan<br />

okfgn tfyyoan rsgjku fo'ofo|ky; ls fFk,Vj funsZ'ku esa Lukrd<br />

gSaA mUgksaus fFk,Vj vfHkusrk] bZjkuh jkT; Vhoh esa laiknd vkSj<br />

funsZ'kd ds :i esa dke fd;kA nks ?kjsyw ohfM;ks J`a[kyk vkSj<br />

lkekftd&vkS|ksfxd {ks=ksa esa 30 ls vf/kd o`Ùkfp=ksa dk funsZ'ku<br />

fd;kA osMuslMs] es 9 mudh igyh Q+hpj fQ+Ye gSA<br />

Vahid Jalilvand<br />

Vahid Jalilvand directed two home video series and more<br />

than 30 documentaries in social and industrial fields.<br />

He has been a director and actor in many television<br />

series and plays. Wednesday, May 9, his first feature,<br />

was selected in the 2015 Venice Film Festival’ Orizzonti<br />

where he received the FIPRESCI Award.<br />

CINEMA OF THE WORLD<br />

121


vkWu ckWMh ,aM lksy<br />

On Body and Soul<br />

Teströl És lélekröl<br />

Hungary | <strong>2017</strong> | Hungarian | 116 min | Colour<br />

Director Ildikó Enyedi<br />

Producer Mónika Mécs, András Muhi,<br />

Erno Mesterházy<br />

Screenplay Ildikó Enyedi<br />

<strong>Cinema</strong>tographer Mt Herbai<br />

Editor Kroly Szalai<br />

Sound Design Péter Lukács<br />

Production Designer Imola Láng<br />

Cast Alexandra Borbély, Géza<br />

Morcsányi, Réka Tenki, Zoltán<br />

Schneider, Ervin Nagy<br />

cqMkisLV ds dRy[kkus esa dke djus okys nks<br />

vareqZ[kh yksxksa dks ;g irk pyrk gS fd os gj jkr<br />

,d gh liuk ns[krs gSaA os my>u esa gSa vkSj FkksM+s<br />

Hk;Hkhr HkhA os bl vthc la;ksx dks f>>drs gq,<br />

Lohdkj djrs gSa vkSj lius esa gqbZ ?kVukvksa dks fnu<br />

ds mtkys esa nksgjkus dh dksf'k'k djrs gSaA<br />

Two introverted people who work in<br />

a Budapest slaughterhouse find out<br />

by pure chance that they share the<br />

same dream every night. They are<br />

puzzled, incredulous, a bit frightened.<br />

As they hesitantly accept this strange<br />

coincidence, they try to recreate in broad<br />

daylight what happens in their dream.<br />

Sales agent Films Boutique<br />

• aleksandr@filmsboutique.com<br />

bfYndks ,U;sfn<br />

cqMkisLV esa tUes bfYndks ,U;sfn us vFkZ'kkL= vkSj fQ+Ye fuekZ.k<br />

dk v/;;u fd;kA mUgksaus ek; V~oafVvFk lsapqjh ¼89½] eSftd gaVj<br />

¼94½ vkSj lheksu] n esftf”k;u ¼99½ dk funsZ'ku fd;k gSA c‚Mh<br />

,aM lksy mudh uohure fQ+Ye gS ftls cfyZu fQ+Ye egksRlo esa<br />

xksYMu ch;j iqjLdkj ÁkIr gqvkA<br />

Ildikó Enyedi<br />

Ildikó Enyedi was born in Budapest where she studied<br />

economics and filmmaking. She has directed Terápia,<br />

and Simon, the Magician. On Body and Soul is her latest<br />

film. It won the Golden Bear at the Berlin Film Festival.<br />

122 CINEMA OF THE WORLD


oUl viksu v Vkbe<br />

Once Upon a Time<br />

Zhili-Byli<br />

Russia | <strong>2017</strong> | Russian | 90 min | Colour<br />

Director Eduard Parri<br />

Producer Ekaterina Sarycheva, Maria<br />

Mamulina, Fyodor Dobranov<br />

Screenplay Aleksey Borodachyov<br />

<strong>Cinema</strong>tographer Masha Slovyova<br />

Production Designer Fyodor Savelyev<br />

Cast Roman Madyanov,<br />

Fyodor Dobronravov, Irina Rozanova<br />

Sales agent Fyodor Dobornravov<br />

Production Centre<br />

e/; :l e/; ds ,d lwus mtM+s gq, xkao esa dsoy<br />

rhu yksx gh cps Fks & gky gh esa fo/kok gqbZ ,d<br />

L=h vkSj nks ,dkdh o`)A muesa ls ,d vius<br />

vdsysiu dks nwj djus ds fy, fo/kok lss “kknh dk<br />

çLrko j[kuss dk QSlyk djrk gS] ysfdu nwljk ,slk<br />

ugha gksus nsxk D;ksafd og Hkh ;gh pkgrk gS vFkkZr~<br />

nks cqtqxksZa ds chp ;q)!<br />

✪ WORLD PREMIERE<br />

In an abandoned little town in the middle<br />

of nowhere in Russia - two lonely old<br />

men and a recently widowed lady are the<br />

only ones living there. One of the men<br />

decides to put an end to his loneliness<br />

and offer his hand to the widow.<br />

However, the other man is not satisfied<br />

with the twist and also offers himself as<br />

her companion. They wage war with<br />

each other.<br />

,MoMZ ikjh<br />

,MoMZ ikjh ,d funsZ'kd] iVdFkk ys[kd vkSj vfHkusrk gSaA mUgksussa<br />

Vw v‚Q nse] n ;syks MªSxu] vks] ydheSu!] n vkbZySaM vkWQ+ ihiy<br />

uks ou uhM~l vkSj n glyj dk funsZ”ku fd;kA ikjh us “ksyWu esa<br />

vfHku; fd;k vkSj n ;syks MªSxu dk iVdFkk ys[ku fd;kA<br />

Eduard Parri<br />

Eduard Parri is a director, screenwriter and actor. As<br />

director, his credits include Two of Them, The Yellow<br />

Dragon, é, Luckyman!, The Island of People No One<br />

Needs and The Hustler. As an actor, Parri appeared in<br />

Echelon. He also scripted The Yellow Dragon.<br />

CINEMA OF THE WORLD<br />

123


n vnj lkbM vkWQ+ gksi<br />

The Other Side of Hope<br />

Toivon Tuolla Puolen<br />

Finland, Germany | <strong>2017</strong> | Finnish, English, Arabic, Swedish | 100 min | Colour<br />

Director Aki Kaurismäki<br />

Producer Aki Kaurismäki<br />

Screenplay Aki Kaurismäki<br />

<strong>Cinema</strong>tographer Timo Salminen<br />

Editor Samu Heikkilä<br />

Sound Design Tero Malmberg,<br />

Olli Pärnänen<br />

Production Designer Markku Pätilä<br />

Cast Ville Virtanen, Sherwan Haji,<br />

Dome Karukoski, Kati Outinen<br />

Sales agent Finnish Film Foundation<br />

• Jenni.domingo@ses.fi<br />

lhfj;kbZ 'kj.kkFkhZ [k+kfyn ekyokgd ij gsyfladh<br />

ys tk;k tkrk gSA ;k=k dj jgk foØsrk fodLVªe<br />

iksdj Vscy ij cM+h /kujkf'k thrdj jsLrjka<br />

[kjhnrk gSA vf/kdkjh [k+kfyn dk 'kj.k ds fy,<br />

vkosnu ukeatwj dj nsrs gSaA fodLVªe dks ykpkj<br />

[k+kfyn jsLrjka ds ihNs lks;k gqvk feyrk gSA og<br />

mls ukSdjh vkSj vkJ; nsrk gSA FkksM+h nsj ds fy,<br />

gh lgh] os jsLrjka ds osVªsl] 'ksQ+ vkSj dqÙks ds lkFk<br />

;wVksfi;u la?k cukrs gSaA<br />

Khaled, a Syrian refugee, stows away<br />

on a freighter to Helsinki. Meanwhile,<br />

Wikstrm is a traveling salesman who wins<br />

big at a poker table and buys himself a<br />

restaurant with the proceeds. When the<br />

authorities turn down his application for<br />

asylum, Khaled is forced underground<br />

and Wikstrm finds him sleeping in the<br />

yard behind his restaurant. He offers him<br />

a job and a roof over his head and, for<br />

a while, they form a Utopian union with<br />

the restaurant’s waitress, the chef and<br />

his dog.<br />

vdh dkSfjLekdh<br />

vdh dkSfjLEkkdh us vius cM+s HkkbZ ehdk dkSfjLekdh ds lkFk fuekZ.k<br />

,oa forj.k daiuh foYysQ+k dh LFkkiuk dhA nksuksa HkkbZ;ksa dks 1980<br />

ds n'kd ls fQ+fu'k fQ+Ye m|ksx ds dqy fuekZ.k ds ikaposa fgLls dk<br />

Js; tkrk gSA vdh dk dke fons'k esa vf/kd yksdfÁ; gSA mudh<br />

fQYesa NksVh gksrh gSaA vdh us fofHkUu 'kSfy;ksa ¼lu fQYesa] fQYe<br />

uks;j] j‚d c‚Mht½ esa fQ+Yesa cuk;hA<br />

Aki Kaurismäki<br />

Aki Kaurismäki formed a production and distribution<br />

company, Villealfa in homage to Jean-Luc Godard’s<br />

Alphaville with his older brother Mika Kaurismäki, also a<br />

filmmaker. Both Aki and Mika are prolific filmmakers, and<br />

have been responsible for one-fifth of the total output of<br />

the Finnish film industry since the 1980s.<br />

124 CINEMA OF THE WORLD


ikdZ<br />

Park<br />

Parkas<br />

Greece, Poland | <strong>2017</strong> | Greek, English | 100 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Sofia Exarchou<br />

Producer Christos V.<br />

Konstantakopoulos, Amanda Livanou<br />

Screenplay Sofia Exarchou<br />

<strong>Cinema</strong>tographer Monika Lenczewska<br />

Editor Sofia Exarchou,<br />

Yorgos Mavropsaridis<br />

Sound Design Valia Tserou, Persefoni<br />

Miliou<br />

Production Designer Pinelopi Valti<br />

Cast Dimitris Kitsos, Dimitra<br />

Vlagopoulou, Thomas Bo Larsen<br />

Sales agent Imediate Servicing<br />

• manne.fourton@imediate.fr<br />

,Fksal ds catj vksyafid xkao esa fd'kksjksa dk lewg<br />

jkst ?kqM+nkSM+ esa layXu jgrk gSA muesa ls nks lcls<br />

cM+s vUuk vkSj “kehZyh fnfe=h I;kj djus yxrs gSa<br />

vkSj tYn gh “kknh dj ysrs gSaA ,d&nwljs ds lkFk<br />

ls [kq”k ftKklq vkSj mÙksftr fd'kksj leqæ rVh;<br />

i;ZVu LFky ij tkrs gSaA le; chrus ds lkFk<br />

muds fj'rksa dh e/kqjrk de gksus yxrh gS vkSj<br />

vkuan O;Fkk esa cny tkrk gSA lkekftd çFkk,¡<br />

O¸kfäXkr #i ls ihM+knk¸kd h g¨ ldrh gSA<br />

Gathering in the parched concrete<br />

wasteland of Athens’ crumbling Olympic<br />

village, a group of teenagers engages<br />

daily in boisterous horseplay. The eldest<br />

of them, doe-eyed Anna and the timid<br />

Dimitri begin courting and soon become<br />

a couple. Coming alive in each other’s<br />

company, they explore the attractions<br />

of a seaside tourist resort with gleeful<br />

curiosity and juvenile excitement. Yet<br />

with the passing of time, their relationship<br />

goes from summery bliss to autumnal<br />

anguish, and the impact of the social<br />

body on the individual is keenly, painfully<br />

felt.<br />

lksfQ;k ,Dlkjpks<br />

funsZ'kd vkSj iVdFkkys[kd lksfQ+;k us bysfDVªdy bathfu;fjax]<br />

fQ+Ye funsZ”ku] jaxeap vfHku; vkSj flusek rFkk v‚fM;ksfotqvy<br />

esa f”k{kk ÁkIr dhA mUgksaus nks y?kq fQYeksa dk ys[ku vkSj funsZ'ku<br />

fd;k gSA igyh Qhpj ikdZ dk VksjaVks esa çhfe;j gqvk vkSj lSu<br />

lscsfLV;u esa u, funsZ'kd dk iqjLdkj feykA 2014 esa mUgksaus<br />

luMkal LØhujkbVlZ ,aM Mk;jsDVlZ ySc esa Hkkx fy;kA<br />

Sofia Exarchou<br />

Director and screenwriter, Sofia Exarchou has written<br />

and directed two short films. In 2014, she participated in<br />

the Sundance Screenwriters & Directors’ Lab. Park, her<br />

first feature, premiered at Toronto IFF and was selected<br />

at San Sebastián IFF, where it won the New Directors’<br />

Award.<br />

CINEMA OF THE WORLD<br />

125


n ikVhZ<br />

The Party<br />

UK | <strong>2017</strong> | English | 71 min | Black and White<br />

Director Sally Potter<br />

Producer Kurban Kassam, Christopher<br />

Sheppard<br />

Screenplay Sally Potter<br />

<strong>Cinema</strong>tographer Alexey Rodionov<br />

Editor Emilie Orsini, Anders Refn<br />

Sound Design Jean-Paul Mugel<br />

Production Designer Carlos Conti<br />

Cast Patricia Clarkson, Bruno Ganz,<br />

Cherry Jones, Kristin Scott Thomas<br />

Sales agent Great Point Media<br />

• ABryant@greatpointmedia.com<br />

yanu esa tsusV inksUufr dh [kq”kh esa vkSj<br />

fojks/kh ikVhZ ds LokLF; ea=h dks uhpk fn[kkus ds<br />

fy, ikVhZ dk vk;stu djrh gSA mldk fo/ks;d<br />

ifr fcy igys ls gh O;Lr gSA nksLrksa ds vkxeu<br />

ds lkFk ukVdh; [kcjsa lkeus vkrh gSaA fcy dh<br />

?kks"k.kk ls gq, jgL;ksn~?kkVuksa ds dkj.k 'ksaisu ls<br />

'kq: gqbZ ikVhZ jDrjaftr gks tkrh gSA ikVhZ esa vk¸¨<br />

gq, lh esgeku h gSjku v©j ijs'kku g¨ tkrs gSA<br />

Janet is hosting an intimate gathering<br />

of friends to celebrate her promotion to<br />

Shadow Minister of Health in the party<br />

of opposition. Her husband, Bill, seems<br />

preoccupied. As their friends arrive, some<br />

of whom have their own dramatic news<br />

to share, the soire gradually unravels. An<br />

announcement by Bill provokes a series<br />

of revelations that rapidly escalate into<br />

all-out confrontation, as people’s illusions<br />

about themselves and each other go up<br />

in smoke, along with the canapes, The<br />

Party becomes a night that began with<br />

champagne but ends with blood on the<br />

floor.<br />

lSyh i‚Vj<br />

lSyh i‚Vj dh i`"BHkwfe dksfj;ksxzkQh] laxhr] n`”;dyk vkSj<br />

ç;ksxkRed fQYe esa gSA mUgksaus lkr Qhpj fQYeksa] dbZ y?kq fQYeksa<br />

vkSj ,d Vsyhfotu J`a[kyk dk ys[ku ,oa funsZ'ku fd;kA lSyh<br />

i‚Vj dh fQYeksa us 40 ls vf/kd varjjk"Vªh; iqjLdkj thrs gSa vkSj<br />

vdkneh iqjLdkj vkSj ck+rk ukekadu çkIr fd, gSaA<br />

Sally Potter<br />

Sally Potter made her first 8mm film aged 14. Orlando,<br />

Sally Potter’s bold adaptation of Virginia Woolf’s classic<br />

novel, first brought her work to a wider audience. It was<br />

followed by The Tango Lesson, The Man Who Cried,<br />

Yes, Rage and Ginger & Rosa. Sally Potter’s films have<br />

won over 40 international awards and received both<br />

Oscar and BAFTA nominations.<br />

126 CINEMA OF THE WORLD


iksexzsusV vkWpZM<br />

Pomegranate Orchard<br />

Nar Baǧi<br />

Azerbaijan | <strong>2017</strong> | Azerbaijani | 90 min | Colour<br />

Director Ilgar Najaf<br />

Producer Mushfug Hatamov,<br />

Ilgar Najaf<br />

Screenplay Asif Rustamov, Ilgar<br />

Najaf, Roelof Yan Minneboo inspirovno<br />

divadeln hrou Viov sad<br />

<strong>Cinema</strong>tographer Ayhan Salar<br />

Editor Elmir Hasanov<br />

Sound Design Peter Rusner, Teynur<br />

Kerimov, Stephan Konken<br />

Production Designer Rafig Nasirov<br />

Cast Hasan Agayev, Samimi Farhad,<br />

Ilaha Hasanova , Gurban Ismailov<br />

xkfcy vukj ds isM+ksa ls f?kjs vius euksje<br />

Q+keZgkml esaa ykSV vkrs gSaA 12 lky igys vpkud<br />

pys tkus ds ckn mUgksaus dHkh ifjokj ls laidZ ugha<br />

fd;k FkkA gkykafd tks xgjh HkkoukRed ihM+k og<br />

ihNs NksM+ x;s Fks og fdlh Hkh rjg ls de ugha<br />

dh tk ldrhA<br />

✪ INDIA PREMIERE<br />

Gabil returns home to the humble family<br />

farmstead, surrounded by an orchard<br />

of venerable pomegranate trees. Since<br />

his sudden departure 12 years ago, he<br />

was never once in contact. However,<br />

the deep emotional scars he left behind<br />

cannot be erased from one day to the<br />

next.<br />

Sales agent Buta Film<br />

• asif_rustamov@yahoo.com<br />

bYxkj ut+Q+<br />

bYxkj ut+Q+ us vt+jcstku LVsV ;wfuoflZVh vkWQ+ dYpj ,aM<br />

vkVZ~l ls flusek vkSj VhOkh funsZ”ku dk v/;;u fd;kA bYxkj us<br />

vusd o`Ùkfp= cuk;s vkSj 2004 esa cwVk fQ+YEl dh LFkkiuk dhA<br />

mudh igyh Q+hpj fQ+Ye cwVk vusd fQ+Ye lekjksgksa esa Ánf”kZr<br />

,oa iqjLd`r gqbZA<br />

Ilgar Najaf<br />

Ilgar Najaf began as a documentarist, turning out Shacks<br />

without Shades (Kölgəsiz komalar) and There Exists an<br />

Old Man (Bir qoca var). His feature film debut Buta, won<br />

awards at the Houston World Fest and Isfahan IFF, it was<br />

also Azerbaijan’s submission to the Academy Awards.<br />

CINEMA OF THE WORLD<br />

127


ikWi v;s<br />

Pop Aye<br />

✪ INDIA PREMIERE<br />

Thailand, Singapore | <strong>2017</strong> | Thai | 104 min | Colour<br />

Director Kirsten Tan<br />

Producer Wenhong Huang,<br />

Zhang Jianbin, Weijie Lai<br />

Screenplay Kirsten Tan<br />

<strong>Cinema</strong>tographer Chananun<br />

Chotrungroj<br />

Editor Lee Chatametikool<br />

Production Designer Rasiguet<br />

Sookkarn<br />

Cast Thaneth Warakulnukroh,<br />

Penpak Sirikul, Bong<br />

,d fojDr okLrqdkj dks yEcs le; ls [kks;k gqvk<br />

viuk gkFkh vpkud cSadkd dh lM+dksa ij feyrk<br />

gSA mls ns[k dj og cgqr mRlkfgr gks tkrk gSA<br />

og vius gkFkh ds lkFk FkkbZySaM dh ;k=k ij fudy<br />

iM+rk gS] ml [ksr dh ryk'k esa] tgka os ,d lkFk<br />

cM+s gq, FksA<br />

On a chance encounter, a disenchanted<br />

architect bumps into his long-lost<br />

elephant on the streets of Bangkok.<br />

Excited, he takes his elephant on a<br />

journey across Thailand, in search of the<br />

farm where they grew up together.<br />

Sales agent Cercamon<br />

• sebastien@cercamon.biz<br />

fØLVsu rku<br />

Mk;jsDVj vkSj fluseSVksxzkQ+j rku dh dFkkud gkL; ds lkFk ÁLrqr<br />

,d vyx –'; 'kSyh gSA rku us U;w ;kWdZ fo'ofo|ky; ls fQ+Ye<br />

ÁksMD”ku dk v/;;u fd;k tgka mUgsa Vh”k Ldwy v‚Q+ vkVZ~l<br />

xzstq,V QSyksf'ki ls lEekfur fd;k x;kA flaxkiqj ds lcls fuiq.k<br />

;qok fQ+Ye fuekZrk dh igyh fQYe i‚i v;s luMkal lekjksg esa<br />

fn[kk;h x;h vkSj LØhujkbfVax ds fy, fo'ks"k twjh iqjLdkj ls<br />

lEekfur dh x;hA<br />

128 CINEMA OF THE WORLD<br />

Kirsten Tan<br />

Kirsten Tan is a director/cinematographer with a distinct<br />

visual style of storytelling laced with astringent humor.<br />

She has been lauded as one of Singapore’s most<br />

accomplished young filmmakers. Her debut feature<br />

Pop Aye was selected as the opening film at Sundance<br />

Film Festival and awarded the Special Jury Prize for<br />

Screenwriting.


jsfMvUl<br />

Radiance<br />

Hikari<br />

France, Japan | <strong>2017</strong> | Japanese | 101 min | Colour<br />

Director Naomi Kawase<br />

Producer Naoya Kinoshita,<br />

Masa Sawada, Yumiko Takebe<br />

Screenplay Naomi Kawase<br />

<strong>Cinema</strong>tographer Arata Dodo<br />

Editor Tina Baz<br />

Sound Design Ibrahim Maalouf<br />

Production Designer Setsuko<br />

Shirakawa<br />

Cast Masatoshi Nagase, Ayame Misaki,<br />

Tatsuya Fuji<br />

felkdks us=ghuksa ds fy, fQYe ys[ku djrh gSA<br />

,d LØhfuax esa og iqjkus Q+ksVksxzkQ+j ukdkeksjh ls<br />

feyrh gaS] tks /khjs&/khjs viuh –f"V [kks jgs gSaA<br />

felkdks dks ukdkeksjh dh rLohjsa feyrh gSa tks<br />

vk”p;Ztud :i ls mls vius vrhr esa okil ys<br />

tkrh gSaA nksuksa lkFk feydj ml mTToy nqfu;k<br />

dks ns[kuk lh[ksaxs tks felkdks ds fy, v–'; FkkA<br />

Misako is a passionate writer of film<br />

versions for the visually impaired. At<br />

a screening, she meets Nakamori, an<br />

older photographer who is slowly losing<br />

his eyesight. Misako soon discovers<br />

Nakamori’s photographs, which will<br />

strangely bring her back to her past.<br />

Together, they will learn to see the radiant<br />

world that was invisible to her eyes.<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

ukvkseh dokls<br />

ukvkseh dokls dk tUe ukjk] tkiku esa gqvk Fkk vkSj vkslkdk Ldwy<br />

v‚Q+ Q+ksVksxzkQh esa Vsyhfotu vkSj fQ+Ye dk v/;;u fd;kA og<br />

'kjk] n e‚fuaZx Q+‚jsLV] lt+kdw] gustw] fLVy n okVj] vkSj ,u ds<br />

funsZ'kd gSaA jsfMvUl mudh uohure fQ+Ye gSA<br />

Naomi Kawase<br />

Naomi Kawase was born in Nara, Japan, and studied<br />

television and film at the Osaka School of Photography.<br />

She is the director of the films Shara, The Mourning<br />

Forest, Sazaku, Hanezu and Still the Water. Radiance<br />

is her latest film.<br />

CINEMA OF THE WORLD<br />

129


jft+;k<br />

Razzia<br />

✪ INDIA PREMIERE<br />

France, Morocco, Belgium | <strong>2017</strong> | French, Arabic | 120 min | Colour<br />

Director Nabil Ayouch<br />

Producer Bruno Nahon,<br />

Patrick Quinet, Nabil Ayouch<br />

Screenplay Maryam Touzani,<br />

Nabil Ayouch<br />

<strong>Cinema</strong>tographer Virginie Surdej<br />

Editor Sophie Reine, Marie-Helene<br />

Dozo<br />

Sound Design Zacharie Naciri<br />

Production Designer Hafid Amly<br />

Cast Maryam Touzani, Arieh Worthalter,<br />

Amine Ennaji, Abdelilah Rachid, Dounia<br />

Binebane, Abdellah Didane<br />

vCnYykg] lyhek] tks] gkfde] vkSj busl ikap<br />

yksx vUtkus esa gh dklkCykadk 'kgj esa ,d nwljs<br />

ds lkFk tqM+s x;s gSaA vyx psgjs] vyx la?k"kZ]<br />

ysfdu 'kgj ,d] lkal ,dA fQ+Ye dk feFkd iwjh<br />

rjg ls g‚yhoqM LVwfM;ks esa “kwV fd;k x;k gS] tks<br />

okLrfodrk dk vkHkkl djkrk gSA<br />

Five people, Abdallah, Salima, Joe,<br />

Hakim and Ina, are connected to each<br />

other without realising it. Different faces,<br />

different struggles, but one same breath.<br />

One city, Casablanca, as a fragment of<br />

reality, as the myth of a film entirely shot<br />

in Hollywood studios, which reality has<br />

come back to claim.<br />

Sales agent Films Distribution<br />

• joris@playtime.group<br />

uchy v;bZp<br />

eksjDdks esa tUes uchy v;bZp us mu feuqVs fM lksysy ,u eksbu]<br />

OgkV ,oj yksyk okaV~l] ek; ySaM] gksflZl v‚Q+ x‚M] esDrkmc] vyh<br />

tw+;k vkSj ep yOM dk funsZ”ku fd;k gSA jft+;k mudh uohure<br />

fQYe gS<br />

Nabil Ayouch<br />

Nabil Ayouch was born in Morocco. His feature credits<br />

include Une minute de soleil en moin, Whatever Lola<br />

Wants, My Land and Horses of God, as well as Mektoub,<br />

Ali Zaoua and Much Loved. Razzia is his latest film.<br />

130 CINEMA OF THE WORLD


n fjdUlhfy,”ku<br />

The Reconciliation<br />

Zgoda<br />

Poland | <strong>2017</strong> | Polish | 87 min | Colour<br />

Director Maciej Sobieszczański<br />

Producer Zbigniew Domagalski<br />

Screenplay Malgorzata<br />

Sobieszczanska<br />

<strong>Cinema</strong>tographer Valentyn<br />

Vasyanovych<br />

Editor Rafal Listopad<br />

Sound Design Paulina Bocheńska,<br />

Aleksander Musialowski<br />

Production Designer Ewa<br />

Skoczkowska<br />

Cast Jakub Gierszal,<br />

Julian Świezewski, Zofia Wichlacz<br />

Sales agent Aleksandra Biernacka<br />

• aleksandra.biernacka500@outlook.com<br />

f}rh; fo”o ;q) ds vafre fnuksa esa vij<br />

flysfl;k] iksySaM esa dE;qfuLV flD;ksfjVh lfoZl<br />

teZu] flysfl;u vkSj iksYl ds fy, t+xksMk@<br />

fjdUlhfy,”ku uked Je f'kfoj dk vk;kstu<br />

djrs gSaA ÝSad ,d iksfy'k dSnh vUuk ls I;kj djrk<br />

vkSj mls NqM+kuk pkgrk gSA og ugha tkurk fd<br />

dSnh teZu fe= bjfou Hkh vUuk ls I;kj djrk gSaA<br />

ÝSad dk bjknk usd ugha gSA og fLkLVe d¨ cnyus<br />

dh vk'kk ls dE¸kqfuLV cu tkrk gSA<br />

✪ INDIA PREMIERE<br />

The beginning of 1945, Upper Silesia,<br />

Poland. The last days of WW2. In the just<br />

liberated areas, the Communist Security<br />

Service eliminates its enemies under the<br />

pretext of punishing national traitors. It<br />

organises a labour camp for Germans,<br />

Silesians and Poles, at the site of a<br />

former Nazi concentration camp, which<br />

is named Zgoda/Reconciliation. Franek,<br />

who is in love with a Polish prisoner<br />

Anna, joins the camp crew to rescue her.<br />

He doesn’t know that one of the inmates<br />

is Erwin, his German friend, who, like<br />

himself, has also loved Anna for a long<br />

time. Franek joins Communists in the<br />

illusory hope of outsmarting the system.<br />

eklht lksfclt~tULdh<br />

eklht lksfclt~tULdh ,d ys[kd vkSj funsZ'kd gSaA mUgksaus ykWM~t+<br />

fQ+Ye Ldwy] okWjlkW ls f”k{kk ÁkIr dh vkSj ogha ij Ák/;kid Hkh<br />

gSaA mUgksaus y?kq fQYe cFkZMs dk funsZ”ku vkSj çk;ksfxd Q+hpj fQ+Ye<br />

ijQ+‚eZj dk lg&funsZ'ku ¼yqdkt jksaaMMk ds lkFk½ fd;k] ftls<br />

cfyZu fQ+Ye Q+sfLVoy 2015 esa iqjLd`r fd;k x;kA<br />

Maciej Sobieszczański<br />

Maciej Sobieszczański is a writer and director and<br />

lecturer at the Łódź Film School. His short film Birthday,<br />

is based on a story by Etgar Keret. He co-directed<br />

(with Lukasz Ronduda) the experimental feature film<br />

Performer, about the life and work of the contemporary<br />

Polish artist Oskar Dawicki. The film won the THINK:<br />

Film Award at the Berlin Film Festival 2015.<br />

CINEMA OF THE WORLD<br />

131


fjMkmVscy<br />

Redoubtable<br />

France | <strong>2017</strong> | French | 107 min | Colour<br />

Director Michel Hazanavicius<br />

Producer Michel Hazanavicius,<br />

Florence Gastaud, Riad Sattouf<br />

Screenplay Michel Hazanavicius<br />

<strong>Cinema</strong>tographer Guillaume Schiffman<br />

Editor Anne-Sophie Bion<br />

Sound Design Jean Minondo<br />

Production Designer Christian Marti<br />

Cast Louis Garrel, Stacy Martin,<br />

Bérénice Bejo, Micha Lescot,<br />

Grégory Gadebois, Felix Kysyl<br />

Sales agent In2 Infotainment<br />

• narayan.srinivasan@gmail.com<br />

isfjl esa o’kZ 1967 esa lqçfl) fQ+Ye fuekZrk<br />

T;ka&yqd xksnknZ Lo;a ls 20 o’kZ NksVh ,suh<br />

fo;kt+esLdh ds lkFk 'kwfVax dj jgs gSaA os ,d<br />

nwljs ls I;kj djus yxrs gSa vkSj “kknh dj ysrs gSaA<br />

fQ+Ye dk mn~?kkVu xksnknZ dks vkReeaFku ds fy,<br />

ck/; djrk gSA ebZ 1968 esa ?kVh ?kVukvksa ls xksnknZ<br />

vR;ar fopfyr gks tkrs gSaA ,d foy{k.k ÁfrHkk<br />

okyk funsZ”kd foæksgh dykdkj dSls cu tkrk gS<br />

;g le>uk vlaHko gSA<br />

Paris 1967. Jean-Luc Godard, the most<br />

renowned filmmaker of his generation,<br />

is shooting La Chinoise with the woman<br />

he loves, Anne Wiazemsky, 20 years his<br />

junior. Happy, in love, magnetic, they<br />

marry. But the film’s reception unleashes<br />

a profound self-examination in Jean-Luc.<br />

The events of May 1968 will amplify this<br />

process, and the crisis that shakes Jean-<br />

Luc will change him profoundly, from<br />

star director to Maoist artist outsider, as<br />

misunderstood as he is impossible to<br />

understand.<br />

ekbdy gt+uohfl;l<br />

ekbdy gt+uohfl;l Ý+kalhlh fQ+Ye funsZ'kd] fuekZrk]<br />

iVdFkkys[kd vkSj laiknd gSA mudh fQ+Ye n vkfVZLV us 84<br />

osa vdkneh iqjLdkjksa esa loZJs"B fQ+Ye vkSj loZJs"B funsZ'kd ds<br />

fy, v‚Ldj thrkA mUgksaus tklwlh fQYeksa iSjksMht vks,l,l 117]<br />

dkfgjk] usLV v‚Q Likbt+ vkSj vks,l,l 117 % y‚LV bu fj;ks<br />

dk Hkh funsZ'ku fd;kA<br />

Michel Hazanavicius<br />

Michel Hazanavicius (born March 29, 1967) is a French<br />

film director, producer, screenwriter and film editor best<br />

known for his 2011 film, The Artist, which won the Oscar<br />

for Best Picture at the 84th Academy Awards. It also<br />

won him the Academy Award for Best Director. He also<br />

directed spy film Parodies OSS 117: Cairo, Nest of Spies<br />

and OSS 117: Lost in Rio.<br />

132 CINEMA OF THE WORLD


fjfDoe Q+kWj felst ts<br />

Requiem For Mrs. J<br />

Rekvijem Za Gospodju J<br />

Serbia, Bulgaria, Macedonia, Russia, France | <strong>2017</strong> | Serbian | 93 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Bojan Vuletić<br />

Producer Nenad Dukić<br />

Screenplay Bojan Vuletić<br />

<strong>Cinema</strong>tographer Jelena Stanković<br />

Editor Vladimir Pavlovski<br />

Sound Design Boris Trayanov<br />

Production Designer Zorana Petrov<br />

Cast Mirjana Karanović, Danića<br />

Nedeljković, Jovana Gavrilović<br />

Jherh ts dss ifr ,d mPp inklhu lsuk vf/kdkjh<br />

FksA ,d o’kZ iwoZ mudh e`R;q gks tkus ds ckn ls og<br />

mnkl jgrh gSaaA og vkRegR;k djus dh ;kstuk<br />

cuk jgh gS D;ksafd mlds fy, vius ifjokj dh<br />

leL;kvksa ls fuiVuk vlaHko gks x;k gSA<br />

Mrs. J is depressed by the death of her<br />

husband, a top-ranking military official,<br />

who passed away one year ago. She is<br />

planning to commit suicide as she can’t<br />

deal with the problems of her family.<br />

Sales agent Soulfood Films<br />

• tijana.visnjic@soulfoodfilms.com<br />

Ckkstu oqysfVd<br />

Ckkstu oqysfVd us ukVd dyk ladk;] csYxzsM esa funsZ'ku fQYe<br />

vkSj Vsyhfotu dk v/;;u fd;kA Q+hpj fQ+Ye çSfDVdy xkbM Vw<br />

csYxzsM fon flafxx ,aM Økbax dkyksZoh osjh lekjksg esa çhfe;j gqbZA<br />

bls vU; dbZ iqjLdkj feyssA mUgksaus LVhQ+u vklsZuhtsfod ds lkFk<br />

ykWLV ,aM Q+kmaM dk ys[ku fd;k tks cfyZu] 2005 esa fn[kk;h x;h<br />

vkSj yo ,aM vnj ØkbEl cfyZu 2008 esa fn[kk;h xbZA<br />

Bojan Vuletić<br />

Bojan Vuletić’s debut, Practical Guide to Belgrade with<br />

Singing and Crying, premiered at the Karlovy Vary<br />

<strong>International</strong> Film Festival. He collaborated as a cowriter<br />

with Stefan Arsenijević on Lost and Found, which<br />

screened in the Berlinale and on Love and Other Crimes.<br />

CINEMA OF THE WORLD<br />

133


LdSQk+sfYMax<br />

Scaffolding<br />

Pigumim<br />

Israel, Poland | <strong>2017</strong> | Hebrew | 95 min | Colour<br />

Director Matan Yair<br />

Producer Gal Greenspan,<br />

Roi Kurland, Stanislaw Dziedzic,<br />

Moshe Edery, Leon Edery<br />

Screenplay Matan Yair<br />

<strong>Cinema</strong>tographer Bartosz Bieniek<br />

Editor Dov Steuer<br />

Sound Design Mateusz Adamczyk,<br />

Sebastian Witkowski<br />

Production Designer Nitzan Zifrut<br />

Cast Asher Lax, Ami Smolarchik,<br />

Yaacov Cohen, Keren Berger<br />

Sales agent New European Film Sales<br />

• ewa@neweuropefilmsales.com<br />

17 o"khZ; vk'ksj cpiu ls ijs'kku djus okyk gSA<br />

Øks/k vkSj fgalk ds dkj.k mlds fy, d{kk esa<br />

/;ku nsuk dfBu gSA l[+r firk mls ikfjokfjd<br />

O;olk; ds LokHkkfod mÙkjkf/kdkjh ds :i esa ns[krs<br />

gSaA vk'ksj vius f'k{kd jkeh dks vkn”kZ ekurk<br />

gSA vpkud gqbZ =klnh ls nqfo/kkxzLr vk”ksj dh<br />

ifjiDork dh vafre ijh{kk gksrh gSA vk'ksj u¸®<br />

thou v©j ubZ igpku dh vk'kk djrk gSA<br />

✪ INDIA PREMIERE<br />

17-year-old Asher has always been the<br />

impulsive troublemaker, from primary<br />

school, all through junior high and high<br />

school. It’s hard for him to concentrate<br />

in class, and he is compelled by a lot<br />

of rage and violence; yet he is also<br />

endowed with a considerable amount of<br />

charm and street wisdom. While his strict<br />

father sees him as a natural successor to<br />

the family’s scaffolding business, Asher<br />

finds a different masculine role model in<br />

his gentle literature teacher Rami and<br />

forges a special connection with him.<br />

Torn between the two worlds, Asher<br />

looks for a chance for a new life and<br />

new identity. When a sudden tragedy<br />

occurs, he has to take the ultimate test<br />

of maturity.<br />

erku ;Sj<br />

ekru ;Sj fQYe fuekZrk] ys[kd vkSj bljkby esa lkfgfR;d f'k{kd<br />

gSaA mUgksaus lSe Lihxy fQ+Ye ,aM Vsyhfotu Ldwy] ts#lye ls<br />

iVdFkk ys[ku vkSj rsy voho fo'ofo|ky; ls funsZ'ku esa fMxzh<br />

yhA bV bt+ fjVu bu ;ksj vkbZ-Mh- nSV vk; ,e ;ksj Q+knj<br />

o`Ùkfp= cuk;kA LdSQ+WfYMax mudh igyh Q+hpj fQ+Ye gSA<br />

Matan Yair<br />

Matan Yair is a filmmaker, author, and high-school<br />

literature teacher from Israel. After graduating from both<br />

the screenwriting program at the Sam Spiegel Film and<br />

Television School in Jerusalem and the directing program<br />

at Tel Aviv University, he directed the documentary It is<br />

written in your I.D. that I am your Father. Scaffolding is<br />

his first feature.<br />

134 CINEMA OF THE WORLD


Ldsjh enj<br />

Scary Mother<br />

Sashishi Deda<br />

Georgia, Estonia | <strong>2017</strong> | Georgian | 107 min | Colour<br />

Director Ana Urushadz<br />

Producer Tinatin Kajrishvili,<br />

Lasha Khalvashi<br />

Screenplay Ana Urushadze<br />

<strong>Cinema</strong>tographer Konstantin Esadze<br />

Editor Alexander Kuranov<br />

Sound Design Paata Godziashvili<br />

Production Designer Tea Telia<br />

Cast Nata Murvanidze, Ramaz<br />

Ioseliani, Dimitri Tatishvili,<br />

Avtandil Makharadze<br />

,d 50 o"khZ; x`fg.kh eukuk nqfo/kk esa gS & mls<br />

vius ikfjokfjd thou vkSj dbZ lkyksa ls nck dj<br />

j[ks gq;s ys[ku ds Áfr çse ds chp p;u djuk gSA<br />

varr% og vius tquwu dks pqurh gSA og mlds fy,<br />

ekufld vkSj 'kkjhfjd :i ls lc dqN cfynku<br />

djus ds fy, rS;kj gSA<br />

A 50-year-old housewife, Manana,<br />

struggles with a dilemma: she has to<br />

choose between her family life and a<br />

love for writing she has repressed for<br />

years. When she finally decides to follow<br />

her passion, she is ready to sacrifice<br />

everything for it, mentally and physically.<br />

Sales agent Miguel<br />

• miguel@alief.co.uk<br />

vuk m#”kn~tS+<br />

1990 esa rfCyfll ¼t‚ftZ;k½ esa tUeh vuk m#”kn~ts+ us 2013 esa<br />

'kksVk :Lrosyh fFk;sVj vkSj t‚ftZ;k LVsV fQ+Ye ;wfuoflZVh ls<br />

Lukrd fd;k vkSj vkbfM;kt+ vkSj ou eSu YkOM eh tSlh dbZ y?kq<br />

fQYeksa dk funsZ'ku fd;kA Ldsjh enj mudh igyh Q+hpj fQ+Ye gSA<br />

Ana Urushadze<br />

Ana Urushadze, born in Tbilisi (Georgia) in 1990,<br />

graduated from the Shota Rustaveli Theatre and Georgia<br />

State Film University (TAFU) in 2013 and directed<br />

several short films such as Ideas and One Man Loved<br />

Me. Scary Mother is her feature film debut.<br />

CINEMA OF THE WORLD<br />

135


n lhآV baxzsfM,aV<br />

The Secret Ingredient<br />

✪ INDIA PREMIERE<br />

Macedonia, Greece | <strong>2017</strong> | Macedonian | 104 min | Colour<br />

Director Gjorce Stavreski<br />

Producer Gjorce Stavreski<br />

Screenplay Gjorce Stavreski<br />

<strong>Cinema</strong>tographer Dejan Dimeski<br />

Editor Martin Ivanov<br />

Sound Design Igor Popovski<br />

Production Designer<br />

Cast Blagoj Veselinov, Anastas<br />

Tanovski, Aksel Mehmet,<br />

Aleksandar Mikic<br />

Sales agent Wide Management<br />

• ma@widemanagement.com<br />

osys vius dSalj xzLr firk ds fy, egaxh nok,a<br />

ugha [kjhn ldrkA fujk'k gksdj og vijkf/k;ksa ls<br />

ekfjtqvkuk pqjkrk gS] mlds dsd cukdj firk dks<br />

nnZ de gksus dh mEehn ls f[kykrk gSA firk dk<br />

LokLF; peRdkfjd :i ls lq/kj tkrk gS] ysfdu<br />

osys ladV esa iM+ tkrk gS tc iM+kslh mipkj<br />

ds uqL[ks dh ekax djrs gSa vkSj vijk/kh nokvksa<br />

dks okil ekaxrs gSaA ysfdu blls cM+h pqukSrh gS]<br />

vius firk dks ;g eukuk fd mudh ftanxh thus<br />

;ksX; gSA<br />

Vele can’t afford to buy the expensive<br />

medications for his father who has<br />

cancer. Desperate, he steals marijuana<br />

from some criminals, makes a cake<br />

with it and gives it to him, hoping it will<br />

reduce his pain. His father’s health<br />

miraculously improves, but Vele is<br />

suddenly confronted by their neighbours<br />

who demand the recipe for the “remedial”<br />

cake and by the criminals who want their<br />

drugs back. The greatest challenge,<br />

however, is to persuade his father that<br />

his life is worth living.<br />

XtkslsZ LVªozsLdh<br />

XtkslsZ LVªozsLdh eSflMksfu;k ds ,d iqjLdkj fotsrk fQ+Ye fuekZrk<br />

gSA mudk o`Ùkfp= ,Me ,aM bZo dks Øks,f'k;k esa tkxzsc MksDl<br />

QsfLVoy esa Lis'ky T;wjh esU'ku feykA mudh y?kq fQ+Ye ,V Msczsd<br />

DysjeksaV&Qsjkan fQYe lekjksg] Ýkal esa vkf/kdkfjd çfr;ksfxrk<br />

esa FkhA vkSj mudh y?kq dfYir fQ+Ye v‚fM'ku esfVfj;y dks<br />

cksxks”kkWVZ~l] dksyfEc;k esa loZJs"B y?kq dfYir fQ++Ye dk iqjLdkj<br />

feykA n lhØsV bUxzhfM,UV mudh igyh Q+hpj fQ+Ye gSA<br />

136 CINEMA OF THE WORLD<br />

Gjorce Stavreski<br />

Gjorce Stavreski is an award winning filmmaker from<br />

Skopje, Macedonia. His documentary Adam and Eve<br />

got the Special Jury Mention Award at ZagrebDox film<br />

festival in Croatia. His short fiction At Daybreak was in<br />

official competition at Clermont-Ferrand film festival in<br />

France, and his short fiction Audition Material won the<br />

Best Short Fiction Award at Bogoshorts, Colombia. The<br />

Secret Ingredient is his feature film debut.


“ksYVj<br />

Shelter<br />

✪ ASIA PREMIERE<br />

Germany, Israel, France | <strong>2017</strong> | English, Hebrew, Arabic | 93 min | Colour<br />

Director Eran Riklis<br />

Producer Bettina Brokemper<br />

Screenplay Eran Riklis<br />

<strong>Cinema</strong>tographer Sebastian Edschmid<br />

Editor Richard Marizy<br />

Sound Design Gil Toren<br />

Production Designer Bertram Strauss<br />

Cast Golshifteh Farahani, Neta Riskin,<br />

Lior Ashkenazi, Haluk Bilginer,<br />

Yehuda Almagor, Mark Waschke<br />

Sales agent Beta <strong>Cinema</strong><br />

• Cosima.Finkbeiner@betacinema.com<br />

,d yscukuh efgyk eksuk vkSj btjk;y ekslkn<br />

,tsaV ukvkseh viuh igpku fNikus ds fy, gSEcxZ<br />

esa ,d vikVZesaV esa nks lIrkg rd 'kkafr ls jgrh<br />

gSaA ,d lqjf{kr vkJ;& dksbZ Hkh ugha tkurk Fkk<br />

fd nks lIrkg ckn og vkrad ftlus vkt fo'o<br />

d¨ iwjh rjg ls Äsjk gqvk gSA mUgsa bls NksM+ dgha<br />

vkSj tkuk iM+sxkA nks efgykvksa ds chp cuk varjax<br />

fj'rk vkrad ds lk;s esa vk x;k gSA<br />

Lemon Tree meets John le Carré in a<br />

subtle thriller set in Germany involving<br />

Mona, a Lebanese woman, and Naomi,<br />

an Israeli Mossad agent sent to protect<br />

their informant while recovering from<br />

plastic surgery for her new identity.<br />

Mona and Naomi - together for two<br />

weeks in a quiet apartment in Hamburg.<br />

A safe house. A shelter. No one saw<br />

what was coming, no one knew that this<br />

supposedly quiet fortnight would turn into<br />

an abyss and that shelter would need to<br />

be found elsewhere. The intimacy of the<br />

relationship that develops between the<br />

two women is exposed to the threat of<br />

terror that is engulfing the world today.<br />

,ju fjfDyl<br />

,ju fjfDyl us rsy voho fo'ofo|ky; vkSj baXySaM ds us”kuy<br />

fQYe Ldwy ls flusek dk v/;;u fd;kA vkSj vkWu , fDy;j Ms<br />

;w dSu lh MkeLdl] di Qkbuy] tksgj] oYdu taD'ku] lhfj;u<br />

czkbM] yseu Vªh] ftlus cfyZu esa v‚fM;sal iqjLdkj thrk] n áweu<br />

fjlkslZ eSustj v‚fQj iqjLdkj thrk]a Iysv‚Q+] t+srkmu vkSj Mkaflax<br />

vjc dk funsZ”ku fd;kA<br />

Eran Riklis<br />

Eran Riklis’ debut On a Clear Day You Can See<br />

Damascus was followed by Cup Final. After the domestic<br />

hit Zohar, his international breakthrough The Syrian<br />

Bride won numerous awards, followed by Lemon Tree,<br />

which won the audience award in Berlin and The Human<br />

Resources Manager won the Ophir-Awards. Other works<br />

include Playoff, Zaytoun and Dancing Arabs.<br />

CINEMA OF THE WORLD<br />

137


, lkWVZ vkWQ+ Q+sfeyh<br />

A Sort of Family<br />

Una Especie De Familia<br />

Argentina, Brazil, France, Poland | <strong>2017</strong> | Spanish | 95 min | Colour<br />

Director Diego Lerman<br />

Producer Nicolás Avruj,<br />

Diego Lerman<br />

Screenplay Diego Lerman, María Meira<br />

<strong>Cinema</strong>tographer Wojciech Staron<br />

Editor Alejandro Brodersohn<br />

Sound Design Leandro de Loredo<br />

Production Designer Marcos Pedroso<br />

Cast Bárbara Lennie, Daniel Aráoz,<br />

Claudio Tolcachir<br />

Sales agent Film Factory<br />

• manon@filmfactory.es<br />

e/; vk;qoxhZ; ekysuk ,d lQy M‚DVj gSA og<br />

ftl cPps dks xksn ysuk pkgrh gS og tUe ysus okyk<br />

gSA cPps ds tSfod ekrk&firk mls CySdesy djrs gSa<br />

vkSj cPps dks vukFkky; esa Mkyus dh /kedh nsrs gSaA<br />

dkuwu muds i{k esa gSA ekysuk uSfrd vkSj dkuwuh<br />

nqfo/kkvksa ls xzLr bl pqukSrh dks Lohdkj dj<br />

vfuf'pr ;k=k dh vksj py iM+rh gSA ns[kuk ¸kg<br />

gS fd D¸kk og pqu©rh d¨ iqjk dj ik¸®xh\ mls cPP¨<br />

dk vfËkdkj fey ik¸®xk\<br />

Malena is a successful doctor about to hit<br />

middle-age. She receives a call that will<br />

change her life: the baby she adopted is<br />

about to be born. She goes to retrieve<br />

him from his surrogate mother only to<br />

find herself blackmailed by the newborn’s<br />

biological parents: either Malena pays<br />

more money or they’ll put the baby in an<br />

orphanage. And the law is on their side.<br />

Malena takes up the challenge and sets<br />

out on an uncertain journey plagued by<br />

moral and legal dilemmas to see how far<br />

she is willing to go to get what she wants<br />

most.<br />

Mhxks yeZu<br />

C;wul vk;lZ esa tUes Mhxks yeZu us C;wul vk;lZ fo'ofo|ky; ls<br />

/ofu vkSj fMtkbu vkSj E;qfufliy Ldwy vkWQ+ MªesfVd vkVZ~l ls<br />

ukVd dk v/;;u fd;kA og lMuyh] ehuOgkby] n bufoft+cy<br />

vkbZ] vkSj js+;wfx;kMks ds funsZ'kd gSaA<br />

Diego Lerman<br />

Diego Lerman was born in Buenos Aires. He studied<br />

sound and design at the University of Buenos Aires, and<br />

drama at the Municipal School of Dramatic Arts. He is<br />

the director of the features Suddenly, Meanwhile, The<br />

Invisible Eye and Refugiado.<br />

138 CINEMA OF THE WORLD


Liwj<br />

Spoor<br />

Pokot<br />

Poland, Germany, Czech Republic, Sweden, Slovak Republic | <strong>2017</strong> | Polish | 128 min | Colour<br />

Director Agnieszka Holland<br />

Producer Krzysztof Zanussi, Janusz<br />

Waçhala<br />

Screenplay Olga Tokarczuk,<br />

Agnieszka Holland<br />

<strong>Cinema</strong>tographer Jolanta Dylewska,<br />

Rafa Paradowski<br />

Editor Pavel Hrdlicka<br />

Sound Design Mattias Eklund<br />

Production Designer Joanna Macha<br />

Cast Agnieszka Mandat, Wiktor<br />

Zborowski, Miroslav Krobot, Jakub<br />

Giersza, Patricia Volny, Tomasz Kot<br />

lsokfuo`Ùk fuekZ.k vfHk;ark] T;ksfr"kfoKkuh vkSj<br />

'kkdkgkjh Mlt+sT+dks psd&iksfy'k lhek ij igkMh+<br />

xkao esa jgrh gSA ,d fnu mlds fç; dqÙks xk;c gks<br />

tkrs gSaA eghuksa ckn iM+kslh dk e`r 'kjhj feyrk<br />

gSA ?kj ds pkjksa vksj feys fgjuksa ds [kqjksa ds fu'kku<br />

jgL;e; ekSr dk ladsr nsrss gSaA vkSj ekSrsa Hkh gks<br />

jgh gSa] Mlt+sT+dks dk ekuuk gS fd lHkh gR;k,a<br />

taxyh tkuojksa }kjk dh tk jgha gSaA lh ihfM+r<br />

LFkkuh¸k lazkr ifjokj¨a ls gS v©j iqfyl d¨ d¨bZ<br />

lqjkx ugh feyrkA<br />

Duszejko, an eccentric retired<br />

construction engineer, an astrologist and<br />

a vegetarian, lives in a small mountain<br />

village on the Czech-Polish border. One<br />

day her beloved dogs disappear. A few<br />

months later she discovers a dead body<br />

of her neighbour, a poacher. The only<br />

traces leading to the mysterious death<br />

are those of roe deer hooves around<br />

the house. As time goes by, more grisly<br />

killings are discovered. The victims, all<br />

hunters, belonged to the local elite. The<br />

police investigation proves ineffective.<br />

Duszejko has her own theory: all murders<br />

were committed by wild animals.<br />

Sales agent Beta <strong>Cinema</strong><br />

• Cosima.Finkbeiner@betacinema.com<br />

,fXu,Ldk g‚ySaM<br />

,fXu,Ldk g‚ySaM us vkaæs okT+nk vkSj fØLVksQ+ t+kuqlh ds lgk;d<br />

ds :i vius fQYe dSfj;j dh 'kq#vkr dhA mudh igyh Vhoh<br />

fQYe ,u bZofuax ,V ,cnUl vkSj igyh Q+hpj çksfof”k;y ,DVlZ<br />

tksfd Þflusek v‚Q eksjy fMLDok,VÞ dh çeq[k fiDpj FkhA budh<br />

fQ+Yeksa MkdZusl] ;wjksik ;wjksik vkSj ,Xt+ke gkosZLV dks dbZ çfrf"Br<br />

iqjLdkj vkSj ukekadu çkIr gq,A<br />

Agnieszka Holland<br />

Agnieszka Holland’s TV film debut was An Evening at<br />

Abdon’s and her first feature film was Provincial Actors,<br />

one of the flagship pictures of the “cinema of moral<br />

disquiet”. Three of Agnieszka Holland’s films were<br />

nominated to the Oscar Academy Award (Best Foreign<br />

Language category) -In Darkness, Europa Europa and<br />

Angry Harvest.<br />

CINEMA OF THE WORLD<br />

139


n LDosvj<br />

The Square<br />

Sweden, Germany, France, Denmark | <strong>2017</strong> | English, Swedish, Danish | 142 min | Colour<br />

Director Ruben Östlund<br />

Producer Erik Hemmendorff, Philippe<br />

Bober<br />

Screenplay Ruben Östlund<br />

<strong>Cinema</strong>tographer Fredrik Wenzel<br />

Editor Jacob Secher Schulsinger,<br />

Ruben Östlund<br />

Sound Design Jonas Rudels, Jesper<br />

Miller<br />

Production Designer Josefin Åsberg<br />

Cast Claes Bang, Elisabeth Moss,<br />

Dominic West<br />

Sales agent Alliance Media<br />

• sundarrajan.perumal@alliancemedia.in<br />

fØf”p;u ,d ledkyhu dyk laxzgky; dk<br />

lEekfur D;wjsVj gSA mldk 'kks ßn LDos;jß lcdks<br />

ekuoh; drZO;ksa dks fuHkkus dh ;kn fnykrk gSA<br />

ysfdu dHkh&dHkh Lo;a ds vkn'kksaZ dks iwjk djuk<br />

dfBu gksrk gSA fØf”p;u ds Q+ksu dh pksjh dh<br />

ew[kZrkiw.kZ çfrfØ;k mls 'keZukd ifjfLFkfr;ksa esa<br />

[khaprh gS tks mlds Lo;a ds vkSj laxzgky; ds<br />

,d vfLrRo ds ladV esa Mky nsrh gSA bl chp<br />

laxzgky; dk tulaidZ fokx n LDos;j ds fy,<br />

fo'¨"k vf¸kkuk NsM+ nsrk gSA<br />

Christian is the respected curator of a<br />

contemporary art museum, a divorced<br />

but devoted father of two who drives<br />

an electric car and supports good<br />

causes. His next show is The Square,<br />

an installation which invites passersby<br />

to altruism, reminding them of their role<br />

as responsible fellow human beings. But<br />

sometimes, it is difficult to live up to your<br />

own ideals: Christian’s foolish response<br />

to the theft of his phone drags him into<br />

shameful situations. Meanwhile, the<br />

museum’s PR agency has created an<br />

unexpected campaign for The Square.<br />

The response is overblown and sends<br />

Christian, as well as the museum, into<br />

an existential crisis.<br />

#csu vksLVyaM<br />

,d 'kkSdhu Ldh;j ds :i esa] #csu vksLVyaM us ikap lkyksa rd<br />

Ldh fQYeksa dk funsZ'ku fd;kA lekt'kkL= ij vk/kkfjr mudh<br />

fQ+Yesa ekuoh; O;ogkj ds gkL;iw.kZ vkSj lVhd voyksdu ds :i<br />

esa tkuh tkrh gSaA mudh vafre rhu Q+hpj fQ+Yeksa dk çhfe;j<br />

dku lekjksg esa gqvk FkkA mudh fiNyh fQYe VwfjLV us 2014 esa<br />

vulVsZu fjxkMZ T;wjh iqjLdkj thrkA<br />

Ruben Östlund<br />

As an avid skier, Ruben Östlund directed ski films for<br />

five years, until his mid-20s, testifying his taste for long<br />

sequence shots. His work is best described as humorous<br />

and accurate observations of human social behaviour.<br />

His last three feature films have premiered in Cannes<br />

and his previous film Turist won the Un Certain Regard<br />

Jury Prize in 2014.<br />

140 CINEMA OF THE WORLD


n LVªsat oUl<br />

The Strange Ones<br />

✪ INDIA PREMIERE<br />

USA | <strong>2017</strong> | English | 81 min | Colour<br />

Director Christopher Radcliff, Lauren<br />

Wolkstein<br />

Producer Sébastien Aubert,<br />

Shani Geva, Michael Prall, Eric Schultz,<br />

Daniela Taplin Lundberg<br />

Screenplay Christopher Radcliff,<br />

Lauren Wolkstein<br />

<strong>Cinema</strong>tographer Todd Banhazl<br />

Editor Christopher Radcliff,<br />

Lauren Wolkstein<br />

Sound Design Eliott Taylor<br />

Production Designer Danica Pantic<br />

Cast Alex Pettyfer, James Freedson-<br />

Jackson, Emily Althaus<br />

nwjnjkt ds vesfjdh ifj–'; esa ?kwers gq,<br />

nks ;kf=;ksa dks jgL;e; ?kVuk,a ?ksj ysrh gSaA<br />

ns[kus esa lHkh lkekU; yxrk gS] ysfdu ,d lhnk<br />

lknk vodk'k va/kdkj ,oa tfVy nq'pØ esa cny<br />

tkrk gSA<br />

Mysterious events surround two<br />

travellers as they make their way across<br />

a remote American landscape. On the<br />

surface all seems normal, but what<br />

appears to be a simple vacation soon<br />

gives way to a dark and complex web of<br />

secrets.<br />

Sales agent Festival Agency<br />

• valentine@thefestivalagency.com<br />

fØLVksQ+j jsMfDyQ+<br />

fØLVksQ+j jsMfDyQ+ y?kq fQYes LVªsatj vkSj csu vkSj cksuh<br />

j‚Dl dks ns’k Hkj ds vusd lekjksgksa esa çnf'kZr gqbaZA<br />

y‚jsu okWdLVhu<br />

y‚jsu okWdLVhu dh fQYesa fo”o Hkj dsa vusd lekjksgksa esa<br />

çnf'kZr gqbaZA<br />

Christopher Radcliff<br />

Christopher Radcliff's short film Stranger was<br />

selected for Faculty Honors in 2009 and also won<br />

the IFP Audience Choice Award.<br />

Lauren Wolkstein<br />

Lauren Wolkstein is an NYC based film maker,<br />

whose films have been screened at prestigious<br />

international festivals<br />

CINEMA OF THE WORLD<br />

141


lej 1993<br />

Summer 1993<br />

Estiu 1993<br />

Spain | <strong>2017</strong> | Spanish | 97 min | Colour<br />

Director Carla Simón<br />

Producer Valrie Delpierre<br />

Screenplay Carla Simón<br />

<strong>Cinema</strong>tographer Santiago Racaj<br />

Editor Didac Palou, Ana Pfaff<br />

Sound Design Roger Blasco<br />

Production Designer Mónica Bernuy<br />

Cast David Verdaguer, Laia Artigas,<br />

Paula Robles, Bruna Cus<br />

Sales agent New European Film Sales<br />

• ewa@neweuropefilmsales.com<br />

ekrk&firk dh e`R;q ds ckn Ng o"khZ; fÝnk<br />

ckflZyksuk ls vius u, dkuwuh laj{kd pkph vkSj<br />

pkpk ds ikl dkrkyu pyh tkrh gSA ;gka fÝMk<br />

dk thou pqukSrhiw.kZ gS & mlds vklikl dh<br />

ç—fr jgL;e; vkSj fofp= gSA fÝnk d¨ Äj ls<br />

Hkkkx tkuk gh leL¸kk dk ,d lekèkku yxrk gSA<br />

vc mls NksVh cgu dh ns[kHkky djuh iM+rh gS]<br />

ftlls fÝnk bZ"¸kkZ djrh gSA fQj Hkh ifjokj thou<br />

dks larqfyr vkSj lkekU; cukus dh iwjh dksf”k”k<br />

djrk gSA<br />

In the summer of 1993, following the<br />

death of her parents, six-year-old Frida<br />

moves from Barcelona to the Catalan<br />

province to live with her aunt and uncle,<br />

who are now her new legal guardians.<br />

The country life is a challenge for Frida –<br />

time passes differently in her new home<br />

and the nature that surrounds her is<br />

mysterious and estranging. She now has<br />

a little sister whom she has to take care<br />

of and has to deal with new feelings,<br />

such as jealousy. Often, Frida is naively<br />

convinced that running away would be<br />

the best solution to her problems. Yet,<br />

the family does what it can to achieve a<br />

fragile new balance and bring normality<br />

to their life.<br />

dkykZ lkbeu<br />

dkykZ lkbeu us dSfyQ+ksfuZ;k fo'ofo|ky; vkSj ckflZyksuk ls<br />

v/;;u fd;kA mUgksaus Vhoh dkrkyu ds fy, Vhoh J`a[kyk vkSj<br />

dk;ZØeksa dk funsZ'ku fd;kA vksczk lks'ky Þyk dSDlkß dh çfrf"Br<br />

Nk=o`Ùkh ls lEefur gksus ds ckn o`Ùkfp= ckWuZ i‚ftfVo vkSj n<br />

fQ+D’'ku fyifLVd dk ys[ku vkSj funsZ'ku fd;kA lej 1993<br />

mudh igyh Q+hpj fQ+Ye gSA<br />

Carla Simón<br />

Carla Simón has directed TV series and programmes<br />

for TV Catalan. After being awarded the prestigious<br />

scholarship of Obra Social “la Caixa”, she also wrote and<br />

directed the documentary Born Positive and the fiction<br />

Lipstick, both short films were selected in numerous<br />

international film festivals. Summer 1993 is her feature<br />

film debut.<br />

142 CINEMA OF THE WORLD


LohV daVªh<br />

Sweet Country<br />

Australia | <strong>2017</strong> | English | 110 min | Colour<br />

Director Warwick Thornton<br />

Producer David Jowsey, Greer Simpkin<br />

Screenplay Steven McGregor,<br />

David Tranter<br />

<strong>Cinema</strong>tographer Dylan River,<br />

Warwick Thornton<br />

Editor Nick Meyers<br />

Sound Design Lachlan Harris<br />

Production Designer Tony Cronin<br />

Cast Bryan Brown, Matt Day,<br />

Tremayne Doolan<br />

1920 ds n'kd esa v‚LVªsfy;k dh mÙkjh lhek ij<br />

e/; vk;q oxhZ; vkfnoklh lSe ,d 'osr HkwriwoZ<br />

lSfud gSjh dh mlds Q+keZgkml ij vkRej{kk ds<br />

fy, xksyh pyk nsrk gSA idMs+ tkus ds Hk; ls og<br />

Hkkx tkrk gSA gR;kjs ds :i esa lSe dh ryk”k<br />

gksus yxrh gSA Lo;a U;k; dh ijh{kk gS] D;k lSe<br />

okLro esa vijk/kh gS\<br />

An Australian western set on the<br />

Northern Territory frontier in the 1920s,<br />

where justice itself is put on trial when an<br />

aged Aboriginal farmhand shoots a white<br />

man in self defence and goes on the run<br />

as a posse gathers to hunt him down.<br />

Sales agent Memento Films<br />

• festivals@memento-films.com<br />

okjfod Fk‚uZVu<br />

okjfod Fk‚uZVu ,d v‚LVªsfy;kbZ fQ+Ye funsZ'kd] iVdFkk ys[kd<br />

vkSj pyfp=dkj gSaA mudh igyh Q+hpj fQ+Ye] lSelu ,aM<br />

Msyhykg 2009 ds dku fQ+Ye lekjksg esa dSejk Mh*v‚j iqjLdkj<br />

ls lEekfur gqbZA<br />

Warwick Thornton<br />

Warwick Thornton is an Australian film director,<br />

screenwriter and cinematographer. His debut feature film<br />

Samson and Delilah won the Camra d’Or at the 2009<br />

Cannes Film Festival.<br />

CINEMA OF THE WORLD<br />

143


mek<br />

Uma<br />

✪ WORLD PREMIERE<br />

Venezuela, USA, Italy | <strong>2017</strong> | Spanish, Italian | 96 min | Colour<br />

Director Alain Maiki<br />

Producer Alain Maiki, Liz Maiki<br />

Screenplay Rosa Clemente, Raul<br />

Pietro, Liz Maiki, Alain Maiki, William<br />

Goite<br />

<strong>Cinema</strong>tographer Alain Maiki<br />

Editor Alain Maiki<br />

Sound Design Jaime Cardona,<br />

Francesca Contantino<br />

Cast Alexandra Braun, Orlando<br />

Delgado, Pedro Medina, Henry Zakka,<br />

Natalia Denegri, William Goite,<br />

Nello Nappi, Ana Turpin, Fabio<br />

Massimo Bonini, Monica Rodriguez<br />

Sales agent Alain Maiki<br />

• alainmaiki1@gmail.com<br />

fQ+Ye mek vkSj fy;ks ds chp lPps I;kj dh ,d<br />

lqanj dgkuh dk ukVdh; vkSj jgL;e; :ikarj.k<br />

gSA mek vkSj fy;ks xsVs ds rV ij feyrs gSa vkSj<br />

igyh ut+j esa muesas I;kj gks tkrk gSA ysfdu mUgsa<br />

thou esa ,d lkFk jgus ds fy, cgqr la?k"kZ vkSj<br />

pqukSfr;ksa dk lkeuk djuk iM+sxkA<br />

Love, drama and suspense is the main<br />

vertex of a beautiful story that enhances<br />

the intensity and honesty of true love<br />

between Uma and Leo from the moment<br />

they meet in the coast of Gaeta. An<br />

instant chemistry between them will<br />

confront struggles and challenges to<br />

stay together.<br />

,ysu ekbdh<br />

,ysu ekbdh ,fid bu eks'ku ds laLFkkid lnL; gSaA cpiu ls<br />

firk dks dfork vkSj xhr fy[krs gq, ns[kdj xhr jpuk vkSj laxhr<br />

ds fy, çsfjr gq,A fuekZrk vkSj laxhrdkj ds :i esa mUgksaus dbZ<br />

laxhr ohfM;ks] y?kq fQYe] vkSj nks Q+hpj fQ+Yeksa dk fuekZ.k vkSj<br />

funsZ'ku fd;k gSA nsoqbYoses yk foMk 2016 esa osustq,yk esa çnf'kZr<br />

gqbZA mek mudh nwljh Q+hpj fQ+Ye gSA<br />

Alain Maiki<br />

Alain Maiki is a founding member of Epic in Motion. He<br />

has produced and directed numerous music videos,<br />

short films, and two feature films. Devuélveme La Vida,<br />

produced and directed by him, was released in 2016 in<br />

Venezuela. Uma is his second feature film.<br />

144 CINEMA OF THE WORLD


;qfu;u yhMj<br />

Union Leader<br />

✪ INDIA PREMIERE<br />

Canada, India | <strong>2017</strong> | Hindi | 105 min | Colour<br />

Director Sanjay Patel<br />

Producer Sanjay Patel, Haresh Patel<br />

Screenplay Sanjay Patel, Winston<br />

Rainey<br />

<strong>Cinema</strong>tographer Nilip Deb<br />

Editor Aurelian Brentraus,<br />

Brock Roberts<br />

Sound Design Frank Laratta<br />

Production Designer Satish Chauhan<br />

Cast Rahul Bhat, Tillotama Shome,<br />

Vivek Ghamande, Jayesh More,<br />

Tirth Sharma, Chetan Daiya<br />

t; xksfgy ,d viksyks dsfedYl ds fy, dke<br />

djrk gS] tks mlds dfeZ;ksa esa dSalj vkSj vU;<br />

chekfj;ksa dk dkj.k gSA t; bls ukSdjh [kksus ds<br />

Mj ls utjvankt+ djrk gSA nksLr vkSj lg;ksxh<br />

fnxar dh e`R;q gks tkus ij t; lqj{kk mYya?ku<br />

dh f'kdk;r djrk gSA ,d uSfrd dkexkj la?k<br />

cukdj t; orZeku Hkz"V ÁcU/ku ds va/ksjs bfrgkl<br />

dks mtkxj djrk gSA<br />

Jay Gohil, 36, works for Apollo<br />

Chemicals, a chemical plant that is<br />

causing cancer and other ailments in its<br />

workers. He turns a blind eye to these<br />

issues in fear of losing his job. But when<br />

his good friend and colleague, Digant, is<br />

found dead after complaining about the<br />

plant’s health and safety violations, Jay<br />

takes action. Jay uncovers a dark history<br />

of cover-ups and deceit that results in an<br />

overhaul of the plant’s management and<br />

soon finds himself in charge.<br />

Sales agent Sanjay Patel<br />

• sanjaybagadia23@hotmail.com<br />

lat; iVsy<br />

bathfu;j vkSj ys[kd lat; iVsy lkekftd ifjorZu ds fy, ,d<br />

midj.k ds :i esa fQYe dk mi;ksx djrs gSaA mudk mís'; fQ+Yeksa<br />

ds ek/;e ls nwljksa dks f'kf{kr djuk] le>kuk vkSj l'kä cukuk<br />

gSA funsZ'kd vkSj fuekZrk ds :i esa mudh igyh fQ+Ye bQ+ ;w yo<br />

;ksj fpYMªu dks 2014 esa y‚l ,aftYl esa fn[kk;h tkus ds ckn 20<br />

varjjk"Vªh; iqjLdkj ÁkIr gks pqds gSaA<br />

Sanjay Patel<br />

Patel is passionate about using film as a tool for social<br />

change. Sanjay made his debut as director and producer<br />

with the award winning short film If You Love Your<br />

Children. Since its August 2014 release in Los Angeles,<br />

the film has won 20 international awards.<br />

CINEMA OF THE WORLD<br />

145


vfUVy n cMZl fjVuZ<br />

Until the Birds Return<br />

En Attendant Les Hirondelles<br />

Algeria, France, Germany | <strong>2017</strong> | Arabic | 115 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Karim Moussaoui<br />

Producer David Thion, Philippe Martin<br />

Screenplay Karim Moussaoui,<br />

Maud Ameline<br />

<strong>Cinema</strong>tographer David Chambille<br />

Editor Thomas Marchand<br />

Sound Design Pierre Bariaud<br />

Production Designer Hamid<br />

Boughrara<br />

Cast Mohamed Djouhri, Sonia Mekkiou,<br />

Mehdi Ramdani, Hassan Kachach,<br />

Nadia Kaci, Samir El Hakim, Aure Atika<br />

vk/kkqfud vYthfj;k esa ,d /kukh ,d ;qorh] vkSj<br />

;q)dkyhu vijk/kksa ls ckf/kr ,d egRokdka{kh<br />

U;wjksy‚ftLV ds thou esa foxr vkSj orZeku vkil<br />

esa Vdjkrs gSaA bu rhuksa dh dgkfu;ka ,d ledkyhu<br />

vjc lekt dk vkUrfjd fp=.k n”kkZrh gSaA<br />

Algeria today. Past and present collide<br />

in the lives of a newly wealthy property<br />

developer, a young woman torn between<br />

the path of reason and sentiment and<br />

an ambitious neurologist impeded by<br />

wartime wrongdoings. Three stories<br />

that plunge us into the human soul of a<br />

contemporary Arab society.<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

djhe eqlkSbZ<br />

djhe eqlkSbZ ,d funsZ'kd vkSj ys[kd gSa tks n Mst+ chQ+ksj] Msykbl<br />

iyksek vkSj vfUaVy n cMZl fjVuZ ds fy, Áfl) gaSA<br />

Karim Moussaoui<br />

Karim Moussaoui is Algerian-born director and writer<br />

known for The Days Before, Dlice Paloma and Until the<br />

Birds Return.<br />

146 CINEMA OF THE WORLD


vUokaVsM<br />

Unwanted<br />

T’padashtun<br />

Kosovo | <strong>2017</strong> | Dutch, Albanian | 85 min | Colour<br />

✪ ASIA PREMIERE<br />

Director Edon Rizvanolli<br />

Producer Edon Rizvanolli<br />

Screenplay Edon Rizvanolli<br />

<strong>Cinema</strong>tographer Danny Noordanus<br />

Editor Edon Rizvanolli<br />

Sound Design Pellumb Ballata,<br />

Gerben Kokmeijer<br />

Production Designer Leonora<br />

Mehmeti, Pavle Mihalic<br />

Cast Adriana Matoshi, Jason de<br />

Ridder, Niki Verkaar, Hugo Koolschijn,<br />

Celia Nufaar, Besnik Krapi<br />

vdsyk vkSj mnkl vYcku viuh eka ds lkFk<br />

,ELVMZe esa jgrk gS] tks dkslksoks dh 'kj.kkFkhZ gSaA<br />

eka mlls ;q) ds vk?kkr dks fNikrh gSA vYcku<br />

,d ;qorh ls I;kj djrk gS ysfdu ;q) ls tqM+h<br />

vrhr dh Le`fr;ka vYcku dh nqfu;k dks myV<br />

iqyV dj nsrh gSA<br />

Alban, a lonely boy, who lives in<br />

Amsterdam with his refugee mother<br />

from Kosovo, keeps getting into trouble<br />

while yearning for her acceptance. But<br />

the traumas caused by the war, which<br />

his mother hides away from him, turn his<br />

world upside down.<br />

Sales agent Asfalt Films<br />

• info@asfaltfilms.com<br />

bZMu fjtoku‚yh<br />

vfHkusrk] laiknd vkSj funsZ”kd bZMu fjtoku‚yh vuokaVsM] es ch<br />

Vqekjks vkSj 'kQ+y&iksfyfVd] yduqjs ns jksdsujksy ds fy, lqçfl)<br />

gSaA ¸kg fQ+Ye dky¨Zoh osjh fQ+Ye lekj¨g es fn[kk¸kh FkhA<br />

Edon Rizvanolli<br />

Edon Rizvanolli is an actor, editor and director known<br />

for Unwanted, Maybe Tomorrow and Shuffle - Politike,<br />

laknur dhe rokenroll. Unwanted is his feature film debut,<br />

screened at Karlovy Vary.<br />

CINEMA OF THE WORLD<br />

147


okftc<br />

Wajib<br />

Palestine, France, Germany, Colombia, Norway, Qatar, United Arab Emirates | <strong>2017</strong> | Arabic | 96 min | Colour<br />

Director Annemarie Jacir<br />

Producer Ossama Bawardi<br />

Screenplay Annemarie Jacir<br />

<strong>Cinema</strong>tographer Antoine Héberié<br />

Editor Jacques Comets<br />

Sound Design Carlos Garcia,<br />

Kostas Varympopiotis<br />

Production Designer Nael Kanj<br />

Cast Mohammad Bakri, Saleh Bakri,<br />

Maria Zreik, Rana Alamuddin<br />

Sales agent Pyramide <strong>International</strong><br />

• ilaria@pyramidefilms.com<br />

rykd'kqnk vcw&'kkMh dk csVk fj”rnkjksa dks viuh<br />

cgu ds fookg ds fuea=.k ckaVus esa lgk;rk ds<br />

fy, jkse ls ukt+jr vk;k gSA “kkMh dk vius “kgj<br />

vkSj ifjokj ls laidZ VwV pqdk FkkA vcw&'kkMh csVs<br />

ls tqM+us dh dksf'k'k djrk gS] ysfdu ijs'kku gS<br />

fd rykd ds le; 'kkMh us eka dk i{k fy;k FkkA<br />

blh le; okftc dgkuh esa vkrk gSA firk&iq= tc<br />

iwjk fnu lkFk xqt+kjrs gSa r¨ mUgsa ukt+qd lacaèk¨a dk<br />

,glkl g¨rk gSA<br />

Abu Shadi is a divorced father and school<br />

teacher in his mid-60s living in Nazareth.<br />

After his daughter’s wedding in one<br />

month he will be living alone. Shadi,<br />

his architect son, arrives from Rome<br />

after years abroad to help his father in<br />

hand delivering the wedding invitations<br />

as per local Palestinian custom. As the<br />

estranged pair spend the day together,<br />

the tense details of their relationship<br />

come to a head challenging their fragile<br />

and very different lives.<br />

,uhesjh tlhj<br />

dksyafc;k fo'ofo|ky; ls f”kf{kr ,uhesjh tkdhj us 16 fQ+Yeksa<br />

dk ys[ku] fuekZ.k vkSj funsZ'ku fd;k gSA tSdj dh ykbd V~osaVh<br />

bai‚flfcYl igyh y?kq vjc fQ+Ye Fkh tks dku lekjksg fn[kkbZ<br />

xbZ FkhA mudh Q+hpj fQ+Yesa lkWYV vkWQ+ fnl lh rFkk Ogsu vkbZ<br />

lkW ;w fo”o Hkj ds fQ+Ye lekjksgksa esa Ánf”kZr vkSj lEekfur gqbZaA<br />

Annemarie Jacir<br />

Annemarie Jacir has written, directed and produced<br />

16 films. Like Twenty Impossibles was the first Arab<br />

short film to screen in the official selection at Cannes.<br />

Jacir’s debut, Salt of this Sea, premiered at Cannes, was<br />

Palestine’s 2008 Oscar Entry and won the FIPRESCI<br />

Prize. When I Saw You was named Best Asian Film at<br />

Berlin, Abu Dhabi, Olympia, Amiens and Phoenix.<br />

148 CINEMA OF THE WORLD


osLVuZ<br />

Western<br />

✪ INDIA PREMIERE<br />

Germany, Bulgaria, Austria | <strong>2017</strong> | German, English, Bulgarian | 119 min | Colour<br />

Director Valeska Grisebach<br />

Producer Jonas Dornbach,<br />

Janine Jackowski, Maren Ade,<br />

Michel Merkt<br />

Screenplay Valeska Grisebach<br />

<strong>Cinema</strong>tographer Bernhard Keller<br />

Editor Bettina Böhler<br />

Sound Design Fabian Schmidt<br />

Production Designer Beatrice Schultz<br />

Cast Meinhard Neumann,<br />

Reinhardt Wetrek, Waldemar Zang,<br />

Detlef Schaich, Syuleyman Alilov Letifo,<br />

Veneta Fragnova, Viara Borisova<br />

teZu Jfedksa dk lewg cqYxkfj;k vkSj xzhl ds<br />

chp lhek {ks= esa ,d fuekZ.k LFky ij vkrk gSA<br />

fons'kh Hkwfe vkSj yqHkkouk ifj–'; iq#"kksa esa lkgl<br />

dh Hkkouk dks tkx`r djrk gS ysfdu Hkk"kk vkSj<br />

lkaL—frd fHkUurk ls mitss iwokZxzg vkSj vfo'okl<br />

mudks fudV vkus ls jksdrs gSaA iq#"k¨a ds chp LFkkuh;<br />

xzkeh.kksa ls ekU;rk vkSj i{kikr ds fy, çfrLi/kkZ 'kq:<br />

gks tkrh gSaA<br />

A group of German workers sets off<br />

to a construction site in the border<br />

region between Bulgaria and Greece.<br />

This foreign land and its breathtaking<br />

landscape awaken the men’s sense of<br />

adventure, but they are also confronted<br />

with their own prejudice and mistrust<br />

due to the language barrier and cultural<br />

differences. The stage is quickly set for<br />

a showdown when the men begin to<br />

compete for recognition and favour from<br />

the local villagers.<br />

Sales agent Films Boutique<br />

• aleksandr@filmsboutique.com<br />

oysLdk fxzlck[k+<br />

teZu fQYe funsZ'kd okYlsdk fxzlck[k+ dk tUe czsesu esa gqvkA<br />

mUgksaus osLVuZ ds vfrfjDr ykWfUxax vkSj ch ekbZ LVkj dk funsZ”ku<br />

fd;k gSA osLVuZ dks dku fQ+Ye Q+sfLVoy ds vu lVsZu fjxkMZ [kaM<br />

esa çnf'kZr fd;k x;kA<br />

Valeska Grisebach<br />

Valeska Grisebach is a German film director. She was<br />

born in Bremen on January 4, 1968. Her directorial<br />

credits include Longing and Be My Star. Western was<br />

screened in the Cannes Film Festival’s Un Certain<br />

Regard.<br />

CINEMA OF THE WORLD<br />

149


oUMjLVªd<br />

Wonderstruck<br />

USA | <strong>2017</strong> | English | 117 min | Colour, Black and White<br />

Director Todd Haynes<br />

Producer Pamela Koffler,<br />

John Sloss, Christine Vachon<br />

Screenplay Brian Selznick<br />

<strong>Cinema</strong>tographer Edward Lachman<br />

Editor Affonso Gonçalves<br />

Sound Design Drew Kunin<br />

Production Designer Mark Friedberg<br />

Cast Oakes Fegley, Julianne Moore,<br />

Michelle Williams, Millicent Simmonds<br />

csu vkSj jkst+ nksuksa gh pkgrs gSa fd mudk thou<br />

dqN vyx gksA csu dks vius firk dh Árh{kk gS<br />

ftls mlus dHkh ugha ns[kkA jkst+ viuh LØSicqd<br />

esa cuk pqdh ,d jgL;e; vfHkus=h ds thou dh<br />

dYiuk djrh gSA csu dks ,d lqjkx feyrk gSA<br />

jkst+ ,d eksgd 'kh"kZd dks i


n owUM<br />

The Wound<br />

Inxeba<br />

South Africa, Germany, Netherlands, France | <strong>2017</strong> | Xhosa | 88 min | Colour<br />

Director John Trengove<br />

Producer Elias Ribeiro, Cait<br />

Pansegrouw<br />

Screenplay John Trengove,<br />

Malusi Bengu, Thando Mqgolozona<br />

<strong>Cinema</strong>tographer Paul Ozgur<br />

Editor Matthew Swanepoel<br />

Sound Design Matthew James<br />

Production Designer Bobby Cardoso,<br />

Solly Sithole<br />

Cast Nakhane Touré, Niza Jay Ncoyini,<br />

Bongile Mantsai, Thobani Mseleni<br />

,Dlksyuh ,d dkj[kkus esas dk;ZdrkZ iwohZ dsi ds<br />

igkM+ksa esa vius leqnk; ds iq#"kksa ds lkFk fd'kksjksa dks<br />

ikjEifjd >kslk nh{kk vuq"Bku ds vuqlkj enkZuxh<br />

esa fl[kkus ds fy, 'kkfey gksrs gSaA bl dke dks<br />

djrs gq, ,Dlksyuh vius vrhr dh Le`fr;ksa esa [kks<br />

tkrk gSA ;g fQ+Ye nks iq#"kksa ds chp ,d djhch<br />

fj'rs dks VªSd djrh gSA<br />

Xolani, a lonely factory worker, joins the<br />

men of his community in the mountains<br />

of the Eastern Cape to initiate a group<br />

of teenage boys into manhood. When a<br />

defiant initiate from the city discovers his<br />

best kept secret, Xolani’s entire existence<br />

begins to unravel. The Wound premiered<br />

in competition at the Sundance Film<br />

Festival in <strong>2017</strong>.<br />

Sales agent Pyramide <strong>International</strong><br />

• ilaria@pyramidefilms.com<br />

t‚u VªsUxkso<br />

t‚u VªsUxkso nf{k.k vÝ+hdh fQ+Ye vkSj jaxeap funsZ'kd gaSA n oawM<br />

mudh ,d fooknkLin fQ+Ye jghA mudh y?kq fQYe n xksV 2014<br />

esa cfyZu fQ+Ye lekjksg esa çhfe;j gqbZ vkSj 40 ls vf/kd fQ+Ye<br />

lekjksgksa esa fn[kk;h x;hA 2010 esa mUgksaus gksifoys J`a[kyk dk<br />

funsZ'ku fd;kA mudk ukVd n ,filus cqpj cgqr Áfl) gqvkA<br />

John Trengove<br />

John Trengove is a South African writer and director.<br />

The Wound his first feature, premiered in Sundance. His<br />

short film, The Goat, premiered at the Berlinale in 2014.<br />

Hopeville, a miniseries, was a Emmy nomination and<br />

received the prestigious Rose d’Or for drama.<br />

CINEMA OF THE WORLD<br />

151


n ;ax dkyZ ekDlZ<br />

The Young Karl Marx<br />

Le Jeune Karl Marx<br />

Germany, France, Belgium | <strong>2017</strong> | German, French, English | 112 min | Colour<br />

Director Raoul Peck<br />

Producer Nicolas Blanc,<br />

Rémi Grellety, Robert Guédiguian,<br />

Raoul Peck<br />

Screenplay Pascal Bonitzer,<br />

Raoul Peck<br />

<strong>Cinema</strong>tographer Kolja Brandt<br />

Editor Frédérique Broos<br />

Sound Design Jörg Theil, Benoît Biral<br />

Production Designer Benoît Barouh,<br />

Christophe Couzon<br />

Cast August Diehl, Stefan Konarske,<br />

Vicky Krieps<br />

26 o’kZ dh vk;q esa dkyZ ekDlZ viuh iRuh tsuh ds<br />

lkFk çokl ds fy, fudy iM+sA 1844 esa isfjl esa<br />

mudh HksaV ÝsMfjd ,axsYl ls gqbZ ftUgksaus fczfV'k<br />

ofdaZx Dykl dh [kkst dhA nksuksa us feydj<br />

lsaljf'ki vkSj iqfyl neu] naxksa vkSj jktuhfrd<br />

mFky&iqFky ds chp vk/kqfud ;qx ds Je vkanksyu<br />

dk usr`Ro fd;kA<br />

Karl Marx, aged 26, embarks with his<br />

wife Jenny on the road to exile. In 1844<br />

Paris, he meets Friedrich Engels, an<br />

industrialist’s son, who investigated the<br />

birth of the British working-class. Engels,<br />

the dandy, provides the last piece of the<br />

puzzle to the young Karl Marx’s new<br />

vision of the world. Together, between<br />

censorship and the police’s repression,<br />

riots and political upheavals, they will<br />

lead the labour movement during its<br />

development into a modern era.<br />

Sales agent Film Distribution<br />

• joris@playtime.group<br />

jkmy isd<br />

jkmy isd o`Ùkfp= vkSj Q+hpj nksuksa gh cukrs gSaA jktuhfrd :i<br />

ls lfØ; jkmy ekpZ 1996 ls flracj 1997 rd gSrh ds laL—fr<br />

ea=h jg pqds gSaA tuojh <strong>2017</strong> esa tsEl ckYMfou ds thou ij<br />

vk/kkfjr mudh fQYe vkbZ ,e u‚V ;ksj uhxzks v‚Ldj ds fy,<br />

ukekafdr gqbZ FkhA<br />

Raoul Peck<br />

Raoul Peck (born 1953) is a Haitian maker of both<br />

documentary and feature films, and a political activist.<br />

From March 1996 to September 1997, he was Haiti’s<br />

Minister of Culture. His film I Am Not Your Negro about<br />

the life of James Baldwin was nominated for an Oscar in<br />

January <strong>2017</strong>.<br />

152 CINEMA OF THE WORLD


Tk+sj<br />

Zer<br />

✪ ASIA PREMIERE<br />

Germany, Turkey, USA | <strong>2017</strong> | Turkish, Kurdish, English | 113 min | Colour<br />

Director Kazim Öz<br />

Producer Turan Tokel, Kazim Öz<br />

Screenplay Kazim Öz<br />

<strong>Cinema</strong>tographer Eyüp Boz,<br />

Feza Çaldiran, Orçun Özkilinç<br />

Editor Thomas Balkenhol, Kazim Öz<br />

Sound Design Mustafa Biber<br />

Production Designer Babak Tahmili<br />

Cast Ahmet Aslan, Haleigh Ciel,<br />

Fsun Demirel, Nik Xhelilaj<br />

tsj ,d xkus dh dgkuh gSA tkWu dks mldhs nknh<br />

dh e`R;q ds le; ,d xkuk lquk;k x;k FkkA MsflZe<br />

ujlagkj ls cph nknh t+sfjQ+ viuh igpku vkSj<br />

bl xkus ls tqM+s vrhr dks tkWu ls fNikrh gSA<br />

U;w;kdZ esa iyk cM+k tkWu nknh ds vrhr vkSj Lo;a<br />

dh igpku dh [kkst ds fy, dqfnZLrku dh ;k=k<br />

ij fudy iM+rk gSA<br />

Zer is the story of a song, whispered to<br />

Jan’s ear on his grandmother’s deathbed.<br />

A survivor of Dersim Massacre, Zarife<br />

hid her identity, her past in her memory<br />

of this song. Raised in NYC, Jan begins<br />

a journey through Kurdistan, searching<br />

for his grandma’s past and his own self.<br />

Sales agent Köz Film<br />

• közfilm@gmail.com<br />

dkft+e vkst+<br />

funsZ'kd] –';oknh] laiknd] pyfp=dkj dkft+e vkst+ dbZ<br />

lEekfur fQYeksa ds fuekZrk ds :i esa tkus tkrs gaSA vkst+ us fcj<br />

ofeZl fcj ;ksdeql] fQ+jfruk] o`Ùkfp= Mwj@mt+kd] Q+ksVksxzkQ+ vkSj<br />

VkWijd dk funsZ”ku fd;k gSA<br />

Kazim Öz<br />

Kazim Öz, is known as a director, scenarist, editor,<br />

cinematographer and producer of many awarded films.<br />

Öz’s films as a director are Bir Varmış Bir Yokmuş,<br />

Fırtına, the documentary Dûr/Uzak, Fotoğraf and Toprak.<br />

CINEMA OF THE WORLD<br />

153


Country Focus<br />

Canada<br />

A showcase of recent films from<br />

Canada. In collaboration with<br />

Telefilm Canada; curated by the<br />

Toronto <strong>International</strong><br />

Film Festival<br />

155 COUNTRY FOCUS CANADA


vY;qj<br />

Allure<br />

✪ INDIA PREMIERE<br />

Canada | <strong>2017</strong> | English | 105 min | Colour<br />

Director Carlos Sanchez, Jason<br />

Sanchez<br />

Producer Luc Déry, Kim McCraw<br />

Screenplay Carlos Sanchez, Jason<br />

Sanchez<br />

<strong>Cinema</strong>tographer Sara Mishara<br />

Editor Jesse Rivere, Elisabeth Olga<br />

Tremblay<br />

Cast Evan Rachel Wood, Julia Sarah<br />

Stone, Denis O’Hare<br />

Sales agent Seville <strong>International</strong><br />

• LMeynial@filmsseville.com<br />

nq[kn vrhr dh ihM+k vkSj vlQy çse ls v”kkar<br />

ykSjk lkekU; thou ds fy, la?k’kZ djrh gSA eka<br />

}kjk Fkksih xbZ ft+naxh ls mnklhu ,d çfrHkk”kkyh<br />

fi;kuksoknd 16 o’khZ; bZok ykSjk ds thou esa vk”kk<br />

dh fdj.k cudj vkrh gSA nksuksa ds chp ,d<br />

vuisf{kr fj”rk curk gS vkSj bZok ykSjk ds fy, ,d<br />

tquwu cu tkrh gSA ykSjk ?kj ls uk[k+q”k bZok dks ?kj<br />

tkus ds fy, le>krh gSA nksuksa gsjQsj] budkj vkSj<br />

lg&fuHkZjrk dh xgu my>u esa Qal tkrh gSaA<br />

Plagued by the abuse of her past and<br />

the turmoil of failed intimate encounters,<br />

Laura struggles to find a lover and a<br />

sense of normalcy. Her beacon of hope<br />

comes in 16-year-old Eva, a talented<br />

pianist disillusioned by the life her<br />

mother imposes upon her. An unlikely<br />

relationship is formed between the two<br />

and Eva becomes an obsession to<br />

Laura. In light of Eva’s unhappiness,<br />

Laura convinces her to run away to her<br />

house and they soon find themselves<br />

caught within an intense entanglement.<br />

Manipulation, denial and co-dependency<br />

fuel what ultimately becomes a fractured<br />

dynamic that can only sustain itself for<br />

so long.<br />

dkyksZl vkSj tslu lkapst<br />

dkyksZl vkSj tslu lkapst e‚fUVª;y ds mR—’V<br />

dyk&QksVksxzkQ+j vkSj fQYe funsZ”kd gSaA nksuks us d‚ud‚fMZ;k<br />

fo”ofo|ky; ls v/;;u fd;kA mudk dykd`fr;ka us”kuy<br />

xSyjh vkWQ+ dukMk vkSj E;qft+;e vkWQ+ Qkbu vkVZ~l] áwLVu<br />

esa laxzghr dh x;h gSaA vY;qj mudh igyh Q+hpj fQ+Ye gSA<br />

Carlos and Jason Sanchez<br />

Carlos and Jason Sanchez are fine-art<br />

photographer-filmmakers from Montreal.<br />

They studied at Concordia University. Their<br />

work is housed in the collections of the<br />

National Gallery of Canada and the Museum<br />

of Fine Arts in Houston, among others.<br />

Allure is their feature film debut.<br />

156 COUNTRY FOCUS CANADA


DykslsV ekWULVj<br />

Closet Monster<br />

✪ INDIA PREMIERE<br />

Canada | 2016 | English | 90 min | Colour<br />

Director Stephen Dunn<br />

Producer Kevin Krikst, Fraer Ash,<br />

Edward J. Martin<br />

Screenplay Stephen Dunn<br />

<strong>Cinema</strong>tographer Bobby Shore CSC<br />

Editor Bryan Atkinson<br />

Cast Connor Jessup, Aaron Abrams,<br />

Joanne Kelly, Aliocha Schneider, Sofia<br />

Banzhaf<br />

Sales agent WTFILMS<br />

• sales@wtfilms.fr<br />

,d dYiuk”khy vdsys cPps v‚Ldj eSMyh<br />

dk lcls djhch nksLr ikyrw gELVj cQ+h gSA<br />

ekrk&firk dk rykd gks pqdk gSA firk mls ,d<br />

?k`.kkLin leySafxdrk ls tqM+k vijk/k fl[kkrk gSA<br />

cM+s gksdj vius lgdehZ ekWUVªh;y dh Ásj.kk ls<br />

v‚Ldj viuh igpku dks iqu% çkIr djuk “kq:<br />

djrk gSA vius firk }kjk Mkys x, Mj dk lkgl<br />

ls lkeuk djrk gSA varr% thr vkRefo”okl dh<br />

gksrh gSA<br />

Oscar Madly is an imaginative “onlychild”<br />

in St. John, Newfoundland, whose<br />

closest friend is a pet hamster named<br />

Buffy. He finds himself caught in the<br />

middle of his parents’ turbulent divorce,<br />

Oscar is viciously catapulted into<br />

adulthood when his father teaches him<br />

about a shocking hate-crime involving a<br />

young gay man. Fearing that he too might<br />

be gay, Oscar is driven to suppress his<br />

femininity. But when Oscar comes of age,<br />

his resistance to his sexuality weakens<br />

as he forms a tenuous friendship with a<br />

tattooed co-worker from Montreal who<br />

opens his eyes to a whole world of new<br />

possibilities.<br />

LVhQu Mu<br />

fQYe fuekZrk LVhQ+u Mu us u‚eZu tsfolu ds dukMkbZ fQYe lsaVj<br />

vkSj jk;jlu fo”ofo|ky; ls f”k{kk çkIr dhA mudh y?kq fQ+Yesa<br />

ykbQ+ Mt+ ukWV ÝkbVu eh] oh okaVsM eksj vkSj LokyksM Vªhcsdk]<br />

VksjaVks vkSj E;wfu[k tSls varjjk’Vªh; fQYe lekjksgksa esa çnf”kZr ,oa<br />

iqjLd`r gqbZ gSaA gky gh esa Mu dh i‚i&vi iksuksZ uked rhu fQ+Yeksa<br />

dh J`a[kyk luMkUl esa fn[kk;h x;h gSA<br />

Stephen Dunn<br />

Stephen Dunn is an award-winning filmmaker and<br />

graduate of Norman Jewison’s Canadian Film Centre<br />

and Ryerson University’s Film Program. His short<br />

films, Life Doesn’t Frighten Me, We Wanted More and<br />

Swallowed have screened around the world. Closet<br />

Monster is Dunn’s first feature.<br />

COUNTRY FOCUS CANADA<br />

157


MksUV VkWd Vw vk;jhu<br />

Don’t Talk to Irene<br />

✪ INTERNATIONAL PREMIERE<br />

Canada | <strong>2017</strong> | English | 82 min | Colour<br />

Director Pat Mills<br />

Producer Alyson Richards,<br />

Mike MacMillan<br />

Screenplay Pat Mills<br />

<strong>Cinema</strong>tographer Paul Sarossy<br />

Editor Tiffany Beaudin<br />

Production Designer Cailin Bator<br />

Sound Design Roman Alex Buchok<br />

Cast Michelle McLeod, Bruce Gray,<br />

Anastasia Phillips, Scott Thompson,<br />

Geena Davis, Deborah Grover<br />

gkbZ Ldwy dh lcls eksVh yM+dh vk;jhu dks<br />

fuyacu ds ckn nks lIrkg ds fy, fjVk;jesaV<br />

gkse esa lkeqnkf;d lsok djus dh lt+k feyrh gSA<br />

vius fp;jyhfMax ds tquwu ds fy, og pqids ls<br />

ofj’B fuokfl;ksa dks u`R;&vk/kkfjr fj,fyVh “kks ds<br />

v‚fM”ku ds fy, ;g Áekf.kr djus ds fy, lkbu<br />

djrh gS fd vkidks foy{k.k gksus ds fy, “kkjhfjd<br />

:i ls iw.kZr;k vkn”kZ gksus dh vko”;drk ugha gSA<br />

When Irene - the fattest girl in high school<br />

- gets suspended, she must endure<br />

two weeks of community service at a<br />

retirement home. Following her passion<br />

for cheerleading, she secretly signs up<br />

the senior residents to audition for a<br />

dance-themed reality show to prove that<br />

you don’t need to be physically “perfect”<br />

to be perfectly Awesome.<br />

Sales agent The Film Sales Company<br />

(US), Search Engine Films<br />

• mike@lithiumstudios.com<br />

iSV feYl<br />

vksVkok esa tUes iSV feYl us jk;jlu fo”ofo|ky; ls Lukrd dh<br />

mikf/k çkIr dhA budh nks y?kq fQYesa iSV~l Q+LVZ fdl ¼2008½ vkSj<br />

5 fMLQ+D”kuy ihiy bu , dkj ¼2009½ rFkk mudh igyh Q+hpj<br />

fQ+Ye xkbMsUl ¼2014½ VksjaVks varjkZ’Vªh; fQ+Ye egksRlo esa fn[kk;h<br />

x;haA MksUV VkWd Vw vk;jhu mudh uohure fQ+Ye gS<br />

Pat Mills<br />

Pat Mills was born in Ottawa and graduated from<br />

Ryerson University. Two of his short films, Pat’s First<br />

Kiss and 5 Dysfunctional People in a Car, were screened<br />

at the Toronto <strong>International</strong> Film Festival, as did his<br />

feature directorial debut, Guidance. Don’t Talk to Irene<br />

is his latest film.<br />

158 COUNTRY FOCUS CANADA


vkbZ vkWu twfy;V<br />

Eye on Juliet<br />

✪ ASIA PREMIERE<br />

Canada | 2016 | English | 90 min | Colour<br />

Director Kim Nguyen<br />

Producer Pierre Even<br />

Screenplay Kim Nguyen<br />

<strong>Cinema</strong>tographer Christophe Collette<br />

Editor Richard Comeau<br />

Production Designer Emmanuel<br />

Fréchette<br />

Sound Design Therry Morlass-Lurbe,<br />

Claude Beagrand, Bernard Gariépy<br />

Strobl<br />

Cast Lina El Arabi, Joe Cole, Brent<br />

Skagford, Faycal Zeglat<br />

Sales agent Films Distributiion<br />

• Joris@playtime.group<br />

x‚MZu] ,d gsDlkiksM v‚ijsVj e#LFky esa ,d<br />

ikbi ykbu dk j{kd gSA og e/; iwoZ dh ,d<br />

;qorh vk;q”kk ls vpkud feyrk gS vkSj ml ij<br />

eksfgr gks tkrk gSA vk;q”kk dk fookg viuh mez<br />

ls cM+s O;fDr ds lkFk fuf”pr gqvk gS ftls og<br />

I;kj ugha djrhA nqfu;k ds nwljs Nksj ij vesfjdk<br />

esa jgrs gq, Hkh x‚MZu vk;q”kk dks cpkus ds fy,<br />

;Fkk”kfDr lc dqN djsxkA<br />

A love story through the eye of a spider<br />

drone. Across the landscape of a North<br />

African desert and an oil pipeline,<br />

appears a strange spider-like robot that<br />

seems to be scoping the horizon. At<br />

the other end of the world, in America,<br />

Gordon, drone operator and safe keeper<br />

of the pipeline, surveys the desolated<br />

landscapes from his screens. Having<br />

lost his way in a world he no longer<br />

comprehends, he becomes fascinated<br />

by Ayusha, a young woman promised to<br />

an older man she doesn’t love. Despite<br />

the distance, their mutual fear and their<br />

imperfect interaction, Gordon will do<br />

everything in his power to help Ayusha<br />

escape her fate, falling for her in the<br />

process.<br />

fde xq;su<br />

e‚fUVª;y esa tUes fde xq;su us d‚ud‚fMZ;k fo”ofo|ky; ls fQ+Ye<br />

dk v/;;u fd;kA mUgksaus yh ekjSl ¼2002½] VªwQ+s ¼2008½] yk flVs<br />

¼2010½] vdkneh iqjLdkj ukekafdr okWj fop ¼2012½] Vw yolZ ,aM<br />

, ch;j ¼2016½] vkSj o`Ùkfp= ys ust+ ¼2015½ dk funsZ”ku fd;k gSA<br />

vkbZ vkWu twfy;V ¼<strong>2017</strong>½ mudh uohure fQ+Ye gSA<br />

Kim Nguyen<br />

Kim Nguyen was born in Montreal and studied film at<br />

Concordia University. His features include Le Marais, the<br />

Academy Award–nominated War Witch, and Two Lovers<br />

and a Bear. His other credits as director include Truffe,<br />

La Cité, and the documentary Le Nez. Eye on Juliet is<br />

his latest feature.<br />

COUNTRY FOCUS CANADA<br />

159


esfMVs”ku ikdZ<br />

Meditation Park<br />

✪ ASIA PREMIERE<br />

COUNTRY FOCUS - GALA SCREENING<br />

Canada | <strong>2017</strong> | English | 94 min | Colour<br />

Director Mina Shum<br />

Producer Stephen Hegyes, Mina<br />

Shum, Raymond Massey<br />

Screenplay Mina Shum<br />

<strong>Cinema</strong>tographer Peter Wunstorf<br />

Editor Daria Ellerman<br />

Production Designer Jason Sutherland<br />

Sound Design Craig Berkey<br />

Cast Cheng Pei Pei, Tzi Ma, Sandra<br />

Oh, Don McKellar<br />

,d lefiZr iRuh] eka vkSj nknh dh nqfu;k fgy<br />

tkrh gS tc mls ifr ds eSys diM+ksa ds


vksYM LVksu<br />

Old Stone<br />

Lao Shi<br />

Canada, China | | 2016 | Mandarin | 86 min | Colour<br />

✪ INDIA PREMIERE<br />

COUNTRY FOCUS - OPENING FILM<br />

Director Johnny Ma<br />

Producer Wu Xian Jian, Chi-an Lin,<br />

Jing Wang, Sarah Stallard<br />

Screenplay Johnny Ma<br />

<strong>Cinema</strong>tographer Ming Kai Leung<br />

Editor Mike Long<br />

Sound Design T. Teressa Tate<br />

Cast Gang Chen, An Nai, Hongwei<br />

Wang, Zebin Zhang, Xue’er Luo<br />

dkf+dÅLd phu ds ,d NksVs ls “kgj esa VSDlh<br />

pkyd vksYM LVksu dks ,d dkj nq?kZVuk ds<br />

ckn fu;eksa dk lkeuk djuk iM+rk gSA ftlds<br />

ifj.kkeLo:i mldk ifjokj] nksLr vkSj mldk<br />

dke lHkh ladV esa gSa] D;k gR;k gh ,d jkLrk<br />

ugha gS\<br />

After a car accident that he caused, Mr<br />

Old Stone, a small-town taxi driver, has<br />

to face the rules of today’s Kafkaesque<br />

China. Now that his family, friends and<br />

his work are endangered, isn’t murder a<br />

way out?<br />

Sales agent Asian Shadows<br />

• anne@chineseshadows.com<br />

t‚uh ek<br />

phu esa usu ek ds :i esa tUes t‚uh ek nl o’kZ dh vk;q esa VksjaVks<br />

pys x;sA O;olk; vkSj QS”ku dh nqfu;k esa dfj;j ds ckn] t‚uh<br />

2008 esa fQ+Ye fuekZ.k ds {ks= esa vk;sA dksyafc;k fo”ofo|ky; ls<br />

funsZ”ku vkSj iVdFkk ys[ku esa Lukrd fd;kA t‚uh dh y?kq fQYesa<br />

vusd varjkZ’Vªh; lekjksgksa esa çnf”kZr ,oa iqjLd`r gqbZaA os VsfyfQ+Ye<br />

dukMk fip fnl Áfr;ksfxrk ds fotsrk gSaA<br />

Johnny Ma<br />

Johnny first made the move to documentary filmmaking<br />

in 2008. His short films have screened at TIFF, Dallas<br />

<strong>International</strong> Film Festival and Aspen Shortfest. Johnny<br />

is developing his second feature-length project, also<br />

set in China. He is a recent alum of the 2014 Sundance<br />

Institute Screenwriting/Directing Lab and winner of the<br />

Telefilm Canada Pitch-This competition.<br />

COUNTRY FOCUS CANADA<br />

161


jsouWl<br />

Ravenous<br />

Les Affamés<br />

Canada | <strong>2017</strong> | French | 100 min | Colour<br />

Director Robin Aubert<br />

Producer Stéphanie Morisette<br />

Screenplay Robin Aubert<br />

<strong>Cinema</strong>tographer Steeve Desrosiers<br />

Editor Francis Cloutier<br />

Production Designer Andrétine,<br />

Beavparlent<br />

Cast Marc- André Grondin, Monia<br />

Chokri, Micheline Lanctôt, Brigette<br />

Pouparte<br />

Åijh D;wcsd ds NksVs nwjnjkt xkao esa ifjfLFkfr;k¡<br />

cny xbZ gSaA LFkkuh; yksx vc igys tSls ugha gSaA<br />

“kjhj vkSj eu det+ksj gksus ls os vius gh fç;tuksa<br />

ds f[kykQ+ gks x;s gSaA cps gq, eqëh Hkj yksx vius<br />

tSls vU; yksxksa dh ryk”k esa taxy esa fNi x;s gaSA<br />

✪ ASIA PREMIERE<br />

In a small, remote village in upstate<br />

Quebec, things have changed. Locals<br />

are not the same anymore - their bodies<br />

are breaking down and they have turned<br />

against their loved ones. A handful of<br />

survivors goes hiding into the woods,<br />

looking for others like them.<br />

Sales agent Alma <strong>Cinema</strong><br />

• sales@almacinema.com<br />

j‚fcu vkScVZ<br />

e‚fUVª;y fLFkr vfHkusrk vkSj fQ+Ye fuekZrk j‚fcu vkScVZ gSe&ukWMZ]<br />

D;qcsd ls gSaA lsaV ekfVZ;lZ vkWQ+ n MSEM] Vªsu Vw uksOgs;j vkSj Økbax<br />

vkmV mudh Q+hpj fQ+Yesa gSA ,ojhfFkax v‚y jkbV vkSj v‚u lhesaV<br />

y?kq fQ+Yesa gSaA ys ,Q+kes mudh uohure fQ+Ye gS<br />

Robin Aubert<br />

Robin Aubert is Montreal-based actor and filmmaker<br />

from Ham-Nord, Quebec. His features include Saint<br />

Martyrs of the Damned and Crying Out. His other films<br />

include Train to Nowhere and the shorts Everything is<br />

All Right and On Cement. Les Affamés is his latest film.<br />

162 COUNTRY FOCUS CANADA


n LVsvlZ<br />

The Stairs<br />

✪ INDIA PREMIERE<br />

Canada | 2016 | English | 95 min | Colour<br />

Director Hugh Gibson<br />

Producer Hugh Gibson<br />

<strong>Cinema</strong>tographer Hugh Gibson, Cam<br />

Woykin<br />

Editor Ryan J. Noth, Andres Landau<br />

Cast Martin Thompson, Greg Bell,<br />

Roxanne Smith<br />

Sales agent Midnight Lamp Films<br />

• hugh.gibson@sympatico.ca<br />

ekVhZ] xzsx vkSj jksDlkus] ÁR;sd us n”kdksa rd<br />

lkekftd dk;Z fd;kA u, vfLrRo dh fLFkjrk<br />

ds la?k’kZ ds lkFk vius vuqHkoksa ls ,d nwljs dh<br />

lgk;rk djrh gqbZ lkekftd dk;Z dks tkjh j[krh<br />

gSaA n LVsvlZ fdlh ewY;kadu ds fcuk lekt ds<br />

gkf”k;s ds thou dk fp=.k djrh gSA varjax fp=ksa<br />

ds ek/;e ls :f


BRICS Films Festival<br />

Award Winners<br />

Award winning films from this<br />

year’s BRICS Film Festival<br />

BRICS FILMS


v;kaMk<br />

Ayanda<br />

South Africa | 2015 | English | 105 min | Colour<br />

Director Sara Blecher<br />

Producer Robbie Thorpe, Terry Pheto,<br />

Busi Sizani, Sara Blecher<br />

Screenplay Trish Malone<br />

<strong>Cinema</strong>tographer Jonathan Kovel<br />

Editor Nicholas Costaras<br />

Cast Fulu Moguvhani, Oc Ukeje,<br />

Nthati Moshesh, Kenneth Nkosi<br />

vius firk dh Le`fr;ksa dks thoar j[kus ds ç;kl<br />

esa 21 o"khZ; vÝks fgIih v;kaMk Lo;a ls gh ifjfpr<br />

gksus dh ;k=k ij vxzlj gksrh gSA mldk lkeuk<br />

,slh nqfu;k ls gksrk gS tgka fyax Hksn gS] :f


uhl] n gkVZ vkWQ+ esMusl<br />

Nise: The Heart of Madness<br />

Nise: O Coração Da Loucura<br />

Brazil | Portuguese | 2015 | Portuguese | 109 min | Colour<br />

Director Roberto Berliner<br />

Producer Rodrigo Letier<br />

Screenplay Patrícia Andrade,<br />

Leonardo Rocha, Roberto Berliner,<br />

Flávia Castro, Maurício Lissovski, Chris<br />

Alcazar, Maria Camargo<br />

<strong>Cinema</strong>tographer André Horta<br />

Editor Pedro Bronz, Leonardo,<br />

Domingues<br />

Cast Glória Pires, Simone Mazzer,<br />

Julio Adrião, Cláudio Jaborandy,<br />

Fabrício Boliveira, Roney Villela, Flávio<br />

Bauraqui, Bernardo Marinho, Roberta<br />

Rodrigues, Augusto Madeira, Zé Carlos<br />

Machado, Fernando Eiras<br />

MkWDVj uhl nk flYohjk fj;ks Mh tusfj;ks ds<br />

euf”pfdRlh; vLirky esa vius dke ij ykSVrh<br />

gSaA og fLdtksÝsfuDl ds fy, fctyh ds >Vdksa<br />

okys fgald mipkj djus ds fy, euk djrh gSaA<br />

M‚DVjksa ds migkl ls vkgr] og vkWD;qis”kuy<br />

Fksjsih ds {ks= esa isaV~l] dqÙkksa vkSj Lusg ls mipkj ds<br />

{ks= esa ubZ Økafr ykrh gSaA<br />

Dr. Nise da Silveira is back at work in a<br />

psychiatric hospital on the outskirts of<br />

Rio de Janeiro. He refuses to employ<br />

the new and violent electroshock for the<br />

treatment of schizophrenics. Ridiculed<br />

by doctors, she is forced to take the<br />

abandoned Sector for Occupational<br />

Therapy, where she starts a revolution<br />

through paints, dogs and love.<br />

j‚cVksZ cfyZuj<br />

j‚cVksZ cfyZuj us nks fQ+D“ku fQ+Yeksa uhl] n gkVZ v‚Q eSMusl<br />

vkSj twfy;kst x‚u ,oa Q+hpj M‚D;wesUVªh tSls jdl ,V n ldZl]<br />

fiaMksjkek] gcZVZ vi Dykst+ rFkk ckWuZ Vw ch CykbaM dk funsZ”ku fd;k<br />

gSA mUgksaus ”k‚VZ fQYesa] Vhoh “kks] laxhr ohfM;ks vkSj Vhoh foKkiu<br />

Hkh cuk, gSaA<br />

Roberto Berliner<br />

Roberto Berliner has directed two fiction films Nise,<br />

The Heart of Madness and Julio’s Gone; feature<br />

documentaries such as Ruckus at the Circus, Pindorama,<br />

Herbert Up Close and Born to be Blind. His work has<br />

been screened and awarded in festivals such as IDFA,<br />

AFI, Tokyo and San Francisco. In 1993, he founded<br />

TVZero, which produces all of his work.<br />

BRICS FILMS<br />

167


iSufQ+yksOl 28<br />

Panfilov’s 28<br />

Russia | 2016 | Russian | 105 min | Colour<br />

Director Kim Druzhinin, Andrey<br />

Shalopa<br />

Producer Andrey Shalopa, Anton<br />

Yudintsev<br />

Screenplay Andrey Shalopa<br />

<strong>Cinema</strong>tographer Nikita<br />

Rozhdestvenskiy<br />

Editor Vitaliy Vinogradov<br />

Cast Maksim Abrosimov, Sergey<br />

Agafonov, Pavel Aseev, Ivan Batarev,<br />

Maksim Belborodov<br />

;w,l,lvkj] uoEcj, 194A yky lsuk ds lekpkj<br />

i= esa okflyh dksjksrho ds fooj.k ij vk/kkfjrA<br />

;g tujy boku iSufQykso dh deku esa yky lsuk<br />

dh 316 oha jkbQ+y fMohtu iSufQ+yksOl 28 ds<br />

lSfudksa dh dgkuh gSA tujy boku dbZ fnuksa rd<br />

54 ukt+h VSadksa ds ,d LraHk dks e‚Ldks ij vkØe.k<br />

djus ls jksdus esa lQy jgsA vi;kZIr “kL= gksrs<br />

gq, Hkh mUgksaus var rd ;q) fd;kA<br />

USSR, Late November, 1941. Based<br />

on the account by reporter Vasiliy<br />

Koroteev that appeared in the Red<br />

Army’s newspaper, Krasnaya Zvezda,<br />

shortly after the battle, this is the story of<br />

Panifilov’s 28, soldiers of the Red Army’s<br />

316th Rifle Division, under the command<br />

of General Ivan Panfilov, that stopped<br />

the advance on Moscow of a column<br />

of 54 Nazi tanks of the 11th Panzer<br />

Division for several days. Though armed<br />

only with standard issue Mosin-Nagant<br />

infantry rifles and DP and PM-M1910<br />

machine guns, all useless against tanks,<br />

and with wholly inadequate RPG-40 antitank<br />

grenades and PTRD-41 anti-tank<br />

rifles, they fought defiantly.<br />

fde fMªft+fuu<br />

fde fMªft+fuu ,d vfHkusrk vkSj funsZ“kd gS] tks<br />

iSufQ+yksOl 28] iks;erosneq vkSj Loks;kpq>;k ds<br />

fy, tkus tkrs gSaA<br />

,aMªh “kkyksi<br />

,aMªh “kkyksi ,d funsZ“kd vkSj vfHkusrk gSa tks<br />

iSufQ+yksOl 28 vkSj iks;erosneq ds fy, çfl) gSaA<br />

Kim Druzhinin<br />

Kim Druzhinin is an actor and director, known for<br />

Panfilov’s 28, Poymat vedmu and Svoya chuzhaya.<br />

Andrey Shalopa<br />

Andrey Shalopa is a director and actor known for<br />

Panfilov’s 28 and Poymat vedmu.<br />

168 BRICS FILMS


n lsdaM enj<br />

The Second Mother<br />

Que Horas Ela Volta<br />

Brazil | 2015 | Portuguese | 112 min | Colour<br />

Director Anna Muylaert<br />

Producer Caio Gullane, Fabiano<br />

Gullane, Débora Ivanov & Anna<br />

Muylaert<br />

Screenplay Anna Muylaert<br />

<strong>Cinema</strong>tographer Barbara Alvarez<br />

Editor Karen Harley<br />

Production Designer Marcos Pedraso,<br />

Thales Junqueira<br />

Sound Design Miriam Biderman,<br />

Ricardo Reis<br />

Cast Regina Casé, Michel Joelsas,<br />

Camila Márdila, Karine Teles, Lourenço<br />

Mutarelli, Helena Albergaria<br />

Sales agent The Match Factory<br />

oky us lkvks ikmyks esa fQ+uchuks dh vk;k ds :i<br />

esa 13 lky dke fd;kA og vkfFkZd :i ls fLFkj<br />

gS] ysfdu viuh csVh tsfldk dks fj”rsnkjksa ds ikl<br />

NksM nsus ds vijk/kcks/k ls xzLr gSA tsfldk d‚yst<br />

ços”k ijh{kk ds fy, lkvks ikmyks esa vkrh gSA oky<br />

vkSj vU; lHkh mlds O;fDrRo vkSj Li’Vokfnrk<br />

ls vlgt gks tkrs gSaA tsfldk lkekftd<br />

izfrtcU/kksa vkSj ikfjokfjd laca?kksa dks Lohdkj djus<br />

ls euk dj nsrh gSA<br />

The Second Mother centres on Val, a<br />

hard-working live-in housekeeper in<br />

modern day Sao Paulo. Val is perfectly<br />

content to take care of every one of her<br />

wealthy employers’ needs, from cooking<br />

and cleaning to being a surrogate mother<br />

to their teenage son, who she has raised<br />

since he was a toddler. But when Val’s<br />

estranged daughter Jessica suddenly<br />

shows up, the unspoken but intrinsic<br />

class barriers that exist within the home<br />

are thrown into disarray. Jessica is smart,<br />

confident, and ambitious, and refuses to<br />

accept the upstairs/downstairs dynamic,<br />

testing relationships and loyalties and<br />

forcing everyone to reconsider what<br />

family really means.<br />

vUuk ew;,VZ<br />

vUuk ew;,VZ us y?kq vkSj cky fQ+Yeksa dh J`a[kyk dk funsZ”ku rFkk<br />

fQ+Ye leh{kd ds :i esa dke fd;kA 2002 esa igyh Q+hpj fQ+Ye<br />

nqjoky fMLdks us xzkeksdks fQ+Ye Q+sfLVoy esa lkr iqjLdkj vkSj<br />

nwljh fQ+Ye b ç‚fcnksQqej us 30 ls vf/kd jk"Vªh; iqjLdkj thrsA<br />

dysDV d‚y vkSj n lsdaM enj mudh vU; fQ+Yesa gSaA<br />

Anna Muylaert<br />

Anna Muylaert, after sharpening her skills in shorts and<br />

children‘s series and shows, and developing her critical<br />

visions as film critic, directed her first feature film, Durval<br />

Discos in 2002, winner of seven awards at Gramado<br />

Film Festival, including Best Picture. Her second feature<br />

film, É Probido Fumar, won over 30 national awards. Her<br />

other films include Collect Call and The Second Mother.<br />

BRICS FILMS<br />

169


lksyesV<br />

Soulmate<br />

Qiyue And Ansheng<br />

China | 2016 | Mandarin | 110 min | Colour<br />

Director Derek Tsang<br />

Producer Le Che<br />

Screenplay Peter Ho-sun Chan<br />

<strong>Cinema</strong>tographer Jake Pollock<br />

Editor Derek Hui, Dranshi Li, Xiang-<br />

Yuan Tan, Xiadin Zhou<br />

Production Designer Tao Zhai<br />

Sound Design Zheng Huang<br />

Cast Zhou Dongyu, Ma Sichun, Toby<br />

Lee<br />

lksyesV ,uh csch ds miU;kl ij vk/kkfjr nks<br />

efgykvksa vkSj ,d vkneh ds chp çse f=dks.k dh<br />

dgkuh gSA nqHkkZX; ls nks gkbZ Ldwy dh lcls vPNh<br />

nksLr ,d gh vkneh lss I;kj djus yxrh gSa] tks<br />

,d =klnh dk dkj.k cu tkrk gSA twyh vkSj<br />

vkUlsu ,d flDds dhs nks igyw gSaA ,d ikuh dh<br />

rjg “kkar gS rks nwljh vkx dh rjg xjeA os ,d<br />

lkFk ;k=k “kq# djrh djrs gSa ysfdu mudh nksLrh<br />

yach vyfonk esa cny tkrh gSA<br />

Adapted from Annie Baby’s novel Qiyue<br />

and Ansheng, Soulmate centres on a<br />

love-triangle between two women and<br />

one man. Due to a twist of fate, two<br />

high school best friends fall in love with<br />

the same man, planting the seeds of<br />

tragedy. The story chronicles the coming<br />

of age journey of two very different young<br />

women, who choose different paths in<br />

life. July and Ansen are flip sides of the<br />

same coin; one is calm like water and<br />

the other is passionate like fire. Although<br />

they endure the rites of passage<br />

together, from youth to adulthood, their<br />

friendship may only persist in the form of<br />

a long goodbye, until they part forever.<br />

170 BRICS FILMS<br />

Msjsd Rlkax<br />

Msjsd Rlkax gkaxdkax esa xksYMu fpdu] n vkbZ 2] isax gks&psax<br />

,-oh-] blkcsyk] n FkhOl] tsM LV‚eZ vkSj Ý+kWe osxkl Vw edkÅAA<br />

esa vfHku; fd;kA mUgksaus fteh oku ds lkFk yolZ fMLdkslZ dk<br />

lgfunsZ”ku fd;kA Lora= funsZ”kd ds :i esa leh{kdksa }kjk ç”kaflr<br />

vkSj iqjLd`r lksyesV mudh igyh fQ++Ye gSA<br />

Derek Tsang<br />

Derek Tsang worked as an actor in Hong Kong, in films<br />

such as Golden Chicken, The Eye 2, Pang Ho-Cheung<br />

AV, Isabella, The Thieves, Z Storm and From Vegas<br />

to Macau II. He co-directed with Jimmy Wan his debut<br />

Lover’s Discourse, this film was nominated in 15th BIFF<br />

New Currents section and was awarded the Grand<br />

Prix (Best Picture Award) at the 6th Osaka Asian Film<br />

Festival.


dklo<br />

Kaasav<br />

Turtle<br />

India | 2016 | Marathi | 105 min | Colour<br />

Director Sumitra Bhave and Sunil<br />

Sukthankar<br />

Producer Dr. Mohan Agashe, Sunil<br />

Sukhtankar, Sumitra Bhave<br />

Screenplay Sumitra Bhave<br />

<strong>Cinema</strong>tographer Dhananjay Kulkarni<br />

Editor Mohit Takalkar<br />

Production Designer Sumitra Bhave<br />

Cast Irawati Harshe,Alok<br />

Rajwade,Kishor Kadam,Dr.Mohan<br />

Agashe,Devika Daftardar,Santosh<br />

Redkar,Omkar Ghadi<br />

rykd”kqnk tkudh rVh; xkao esa leqæh&dNqvksa dh<br />

laj{k.k ifj;kstuk esa vius thou ds vFkZ dks [kkstuss<br />

dk ç;kl dj jgh gSA og vLirky ls Hkkxs gq,<br />

;qod ekuo ls feyrh gSa tks vkRegR;k ds ç;kl ds<br />

dkj.k vLirky esa yk;k x;k FkkA tkudh mls bl<br />

my>u ls fudkyus ds fy, fu"i{k vkSj lkSgknZiw.kZ<br />

okrkoj.k cukus dh iwjh dksf”k”k djrh gSA<br />

Janaki is a divorcee trying to find meaning<br />

in her life in a sea-turtle conservation<br />

project run in a coastal village. She<br />

meets a young man Manav who has<br />

escaped from the hospital where he was<br />

in for attempted suicide. Janaki tries to<br />

create a non-judgmental, non-intrusive,<br />

warm atmosphere to help him bloom.<br />

Sales agent Vichitra Nirmitee<br />

lqfe=k Hkkos vkSj lquhy lqDFkadj<br />

lkekftd oSKkfud&“kks/kdrkZ lqfe=k Hkkos us jaxeap funsZ”kd vkSj<br />

ys[kd lquhy lqDFkadj ds lkFk 14 Q+hpj fQ+Yeksa dk funsZ”ku fd;k<br />

gSA mudh fQYeksa dks Ng varjjk"Vªh; iqjLdkj] 11 jk’Vªh; iqjLdkj]<br />

dbZ jk"Vªh; Lrj ds iqjLdkj] 45 ls vf/kd jkT; iqjLdkj vkSj dbZ<br />

jkT; Lrjh; iqjLdkj çkIr gq, gSaA<br />

Sumitra Bhave and Sunil Sukthankar<br />

Sumitra Bhave, is a recipient of the Chitra Ratna<br />

Puraskar and Kamdhenu Award for literary contribution.<br />

Sunil Sukthankar is a FTII alumni. As a theatre activist, he<br />

has written and directed several noted plays. Together,<br />

they have directed 14 feature films that have received six<br />

international awards, 11 national awards and more than<br />

45 state awards.<br />

BRICS FILMS<br />

171


Ogs;j gSt+ Vkbe xkWu\<br />

Where Has Time Gone?<br />

Shi Jian Qu Na Er Le?<br />

Brazil, Russia, India, South Africa, China | <strong>2017</strong> | Portuguese, Russian, Hindi, IsiXhosa, Sesotho, Chinese | 111 min | Colour<br />

Ogsu n vFkZ VªsEcYl ¼czkt+hy½<br />

funsZ”kd % okWYVj lsyl<br />

5 uoacj] 2015 dks czkthy esa ,d futh [kuu<br />

daiuh dk cka/k QVus ls gtkjksa yksx foLFkkfir]<br />

e`r ;k ?kk;y gks x,A yksx bl =klnh dks Hkwy<br />

ugha ik;saxs ysfdu mUgsa Hkfo"; ds çfr vk“kk cuk;s<br />

j[kuh gksxhA<br />

When The Earth Trembles (Brazil)<br />

On November 5, 2015, the greatest<br />

socio-environmental disaster in Brazil’s<br />

history befell the region of Minas Gerais.<br />

A private mining company’s dam burst,<br />

leaving thousands of people displaced,<br />

dead or wounded.<br />

okWYVj lsyl<br />

n xkfMZ;u ds vuqlkj okWYVj lsyl<br />

nqfu;k ds 40 loZJs’B funsZ”kdksa esa ls<br />

,d gaSA lsaVªy LVs”ku] vkWu n jksM<br />

vkSj n eksVj lkbfdy Mk;jht+ mudh çfrfuf/k<br />

fQ+Yesa gSaA<br />

Walter Salles<br />

Walter Salles’s film Central Station won<br />

the Golden Bear Award at Berlin and, was<br />

nominated for the Academy Award for Best<br />

Foreign Language Film.<br />

172 BRICS FILMS<br />

czhfnax ¼:l½<br />

funsZ”kd % ,ysDlh Q+snpsZUdks<br />

ft+uk dk ifr ut+j mldk jsyos pkyd ds lkFk<br />

voS/k laca/k gksus dk vkjksi yxkrk gSA bl ij<br />

nksuksa dk >xM+k gksrk gSA ut+j pkyd ds migkj<br />

vdkfMZ;u dks rksM+ nsrk gSA nq?kZVuk gksus ij ftuk<br />

mlh vdkfMZ;u ls vius ifr dks cpkrh gSA<br />

Breathing (Russia)<br />

Zina and Nazar live in a remote snowcovered<br />

town, Nazar accuses Zina of<br />

having an affair. They get into a bitter fight<br />

that leads to unimagined consequences.<br />

,ysDlh QsnpsZUdks<br />

:lh funsZ”kd ,ysDlh QsnpsZUdks Q+LVZ<br />

v‚u n ewu ds fy, fo[;kr gSaA<br />

lkbysUV lksYl] lsysfLV;y okbOl<br />

v‚Q+ n esMks ekjh vkSj ,fUtYl v‚Q+ fjoksY;w”ku<br />

mudh vU; fQ+Yesa gSaA<br />

Alexey Fedorchenko<br />

Alexey Fedorchenko is known for the<br />

mockumentary First on the Moon. He is<br />

best known for the highly acclaimed film<br />

Angels of Revolution.<br />

eqEcbZ feLV ¼bafM;k½<br />

funsZ”kd % e/kqj HkaMkjdj<br />

lsokfuo`Ùk paædkar eqacbZ esa Lo;a dks vdsyk ikrs gSaA<br />

ikdZ esa nl o"khZ; vukFk pkyhZ ls feydj mudk<br />

thou cny tkrk gSA vpkud pkyhZ ds xk;c gks<br />

tkus ls os ijs”kku gks mBrs gSaA pkyhZ us mUgas vewY;<br />

pht nh & le;!<br />

Mumbai Mist (India)<br />

Chandrakant spends his retirement time<br />

in Mumbai, the busiest city in India. In<br />

this ever-changing landscape of life, he<br />

feels abandoned until he meets a tenyear-old<br />

orphan, Charlie.<br />

e/kqj HkaMkjdj<br />

e/kqj HkaMkjdj us loZJs’B Q+hpj<br />

fQ+Ye ds fy, 3 ckj jk’Vªh; iqjLdkj<br />

vkSj VªSfQd flXuy ds fy, loZJs’B<br />

funsZ”kd dk iqjLdkj thrkA 2016 esa HkaMkjdj dks<br />

in~eJh ls lEekfur fd;k x;kA<br />

Madhur Bhandarkar<br />

Madhur Bhandarkar is a two time National<br />

Film Award winning director. All his films<br />

have achieved great commercial and<br />

critical success.


Director Walter Salles, Alexey Fedorchenko, Madhur Bhandarkar, Jahmil X.T. Quebeka, Jia Zhangke<br />

Producer Jia Zhangke, Dong Ping<br />

Screenplay<br />

<strong>Cinema</strong>tographer<br />

Editor<br />

Cast Maeve Jinkings, Alisa Kravtsova, Konstantin Itunin, Annu Kapoor, Mandisa Nduna, Zhao Tao, Liang Jingdong<br />

fLVy ckWuZ ¼lkmFk vÝ+hdk½<br />

funsZ”kd % tkfey ,Dl- Vh- D;wcsdk<br />

euq’; dk thou iwoZfu/kkZfjr gksrk gS ysfdu uksckseh ,l,Dl 1 Lo;a dks [k+rjs esa<br />

Mkydj Hkh vius HkkX; dks cnyus vkSj dqN u;k djus ds fy, çsfjr gS ftlesaa<br />

og thou dks eglwl dj ,d ekuo gksus dk vFkZ ik ldrh gSA<br />

fjokbo ¼phu½<br />

funsZ”kd % ft;k tk+aXds<br />

38 o"khZ; rkvks vkSj fyvkaxth dh ,d fd”kksj csVh gSA nks&cPpksa dh uhfr ykxw<br />

gksus ij os ,d vkSj cPpk djuss dk QSlyk djrs gSaA dbZ dfBukb;k¡ gSa fQj<br />

Hkh rkvks dgrk gS&le; us tks pqjk fy;k gS ge mls /khjs /khjs ik ldrs gSaA<br />

Still Born (South Africa)<br />

Nobomi SX1, a programmed janitor, is somehow inspired to<br />

change her destiny even if it means risking her life. She uses all<br />

her effort to create a path where she could feel life itself.<br />

Revive (China)<br />

Tao and Liangzi are a couple with a teenage daughter, working<br />

as performers at a tourist attraction. When the two-child policy<br />

is introduced, the couple decides to have another baby.<br />

tkfey ,Dl- Vh- D;wcsdk<br />

tkfey ,Dl Vh- D;wcsdk nf{k.k vÝ+hdk ds mR—"V funsZ”kd gSaA<br />

mudh fQ+Ye v‚Q xqM fjiksVZ us ikap vÝ+hdu ewoh vdkneh<br />

iqjLdkj thrs vkSj dbZ varjjk"Vªh; fQ+Ye egksRloksa esa fn[kkbZ xbZA<br />

ft;k tk+aXds<br />

ft;k tk+aXds us 11 Q+hpj vkSj dbZ y?kq fQYeksa dk funsZ“ku fd;k<br />

gSA fLVy ykbQ+ vkSj fgt+ ekmUVsUl es fMikVZ us dbZ iqjLdkj<br />

thrsA dku fQYe lekjksg] 2015 esa mUgsa ykbQ+Vkbe vphoesaV<br />

vokMZ ls lEekfur fd;k x;k FkkA<br />

Jahmil X.T. Qubeka<br />

Jahmil X.T. Qubeka is considered South Africa’s most outstanding<br />

contemporary director. His film Of Good Report won five African<br />

Movie Academy Awards.<br />

Jia Zhangke<br />

Jia Zhangke has directed 11 full-length movies and a number of<br />

short films. In 2015, he was honoured with the Lifetime Achievement<br />

Award Carrosse d’Or (Golden Coach) at the Cannes Film Festival.<br />

BRICS FILMS<br />

173


James Bond<br />

Retrospective<br />

A selection from the James Bond<br />

franchise - featuring the most<br />

celebrated spy in films<br />

JAMES BOND RETROSPECTIVE


MkW- uks<br />

Dr. No<br />

DR. NO © 1962 UNITED ARTISTS CORPORATION &<br />

DANJAQ, LLC. All Rights Reserved<br />

UK, Jamaica | 1962 | English, French | 110 min | Colour<br />

Director Terence Young<br />

Producer Albert R. Broccoli, Harry<br />

Saltzman<br />

Screenplay Richard Maibaum,<br />

Johanna Harwood, Berkely Mather<br />

<strong>Cinema</strong>tographer Ted Moore<br />

Editor Peter R. Hunt<br />

Production Designer Ken Adam<br />

Cast Sean Connery, Ursula Andress,<br />

Joseph Wiseman, Jack Lord,<br />

Bernard Lee, Anthony Dawson<br />

tsEl c‚UM xkFkk dks “kq: djus okyh fQ+YeA ,tsaV<br />

007 ¼“k‚u d‚ujh½ vesfjdk ds varfj{k dk;ZØe dks<br />

u’V djus dks mrk: çfrHkk”kkyh oSKkfud M‚DVj<br />

uks ls la?k’kZ dj jgk gSA nq?kZVuk gksus okyh gS] c‚UM<br />

dks teSdk tkuk gh gksxkA ogka og vius fo”kky<br />

}hi ds eq[;ky; esa ,d Øwj [kyuk;d dk eqdkcyk<br />

djus ds fy, lqanj guh jkbMj ¼mlqZyk ,aMªsl½ ls<br />

feyrk gSA<br />

In the film that launched the James<br />

Bond saga, Agent 007 (Sean Connery)<br />

battles the mysterious Dr. No, a scientific<br />

genius bent on destroying the U.S.<br />

space programme. As the countdown<br />

to disaster begins, Bond must go to<br />

Jamaica, where he encounters beautiful<br />

Honey Ryder (Ursula Andress), to<br />

confront a megalomaniacal villain in his<br />

massive island headquarters.<br />

Vsjsal ;ax<br />

fczfV”k fQYe funsZ”kd vkSj iVdFkk ys[kd Vsjsal ;ax tsEl c‚UM dh<br />

rhu fQ+Yeksa M‚- uks] Ý+kWe jf”k;k fon yo vkSj FkaMjc‚y ds funsZ”ku<br />

djus ds fy, fo[;kr gSaA rhuksa fQ+Yeksa esa tsEl c‚UM ds :i esa<br />

“k‚u d‚ujh us vfHku; fd;k gS] ftls ,tsaV 007 Hkh dgk tkrk gSA<br />

Terence Young<br />

Terence Young was a British film director and<br />

screenwriter best known for directing three James Bond<br />

films, including the first two in the series, Dr. No and<br />

From Russia with Love, as well as Thunderball. All three<br />

films starred Sean Connery as James Bond.<br />

176 JAMES BOND RETROSPECTIVE


xksYMu vkb<br />

Golden Eye<br />

GOLDENEYE © 1995 DANJAQ, LLC & UNITED<br />

ARTISTS CORPORATION. All Rights Reserved<br />

UK,USA | 1995 | English, Russian, Spanish | 130 min | Colour<br />

Director Martin Campbell<br />

Producer Barbara Broccoli,<br />

Michael G. Wilson<br />

Screenplay Jeffrey Caine,<br />

Bruce Feirstein, Michael France<br />

<strong>Cinema</strong>tographer Phil Meheux<br />

Editor Terry Rawlings<br />

Production Designer Peter Lamont<br />

Cast Pierce Brosnan, Sean Bean,<br />

Izabella Scorupco, Judi Dench<br />

ijek.kq varfj{k gfFk;kj dk ,d lkFkh ,tsaV] ftls<br />

igys e`r le>k x;k Fkk] }kjk vigj.k jksdus ds<br />

fy, tsEl c‚UM ,d u’V gq, :lh vuqla/kku dsaæ<br />

ds ,dek= mÙkjthoh ds lkFk feyrk gSA<br />

James Bond teams up with the lone<br />

survivor of a destroyed Russian research<br />

centre to stop the hijacking of a nuclear<br />

space weapon by a fellow agent formerly<br />

believed to be dead.<br />

ekfVZu dSaicsy<br />

U;wthySaM ds Vhoh vkSj fQYe funsZ”kd ekfVZu dSaicsy tsEl c‚UM<br />

dh fQYeksa xksYMu vkb vkSj dSlhuks jks;ky ds funsZ”ku ds fy,<br />

lqçfl) gaSA mUgksaus fn ekLd v‚Q t+ksjks] n ystsaM v‚Q t+ksjks vkSj<br />

xzhu ySUVuZ dk funsZ”ku Hkh fd;k gSA<br />

Martin Campbell<br />

Martin Campbell is a New Zealand TV and film director,<br />

best known for directing the Bond movies Golden Eye<br />

and Casino Royale. He also directed The Mask of Zorro,<br />

The Legend of Zorro, and Green Lantern.<br />

JAMES BOND RETROSPECTIVE<br />

177


xksYMfQ+axj<br />

Goldfinger<br />

GOLDFINGER © 1964 UNITED ARTISTS<br />

CORPORATION & DANJAQ, LLC. All Rights Reserved<br />

UK | 1964 | English, Chinese, Spanish | 110 min | Colour<br />

Director Guy Hamilton<br />

Producer Albert R. Broccoli,<br />

Harry Saltzman<br />

Screenplay Richard Maibaum,<br />

Paul Denn<br />

<strong>Cinema</strong>tographer Ted Moore<br />

Editor Peter R. Hunt<br />

Production Designer Ken Adam<br />

Cast Sean Connery, Gert Fröbe,<br />

Honor Blackman, Bernard Lee<br />

lksus ds /ku dh rLdjh dh tkap djrs gq, tsEl<br />

c‚UM us xksYM fjtoZ Q+ksVZ ukDl dks nwf’kr vkSj<br />

fo”o vFkZO;oLFkk dks u’V djus dh lkft”k dk<br />

irk yxk;kA<br />

Investigating a gold magnate’s<br />

smuggling, James Bond uncovers a<br />

plot to contaminate the Fort Knox gold<br />

reserve.<br />

xk; gSfeYVu<br />

Ý+kal esa tUes xk; gSfeYVu us Ýkalhlh vkSj fczfV”k fQYeksa esa dSjksy<br />

jhM] tkWu g~;wLVu vkSj vysDtsaMj dksMkZ ds lgk;d funsZ”kd ds<br />

:i esa viuk dSfj;j “kq: fd;kA n d‚fYMV~l LVksjh vkSj n MsfoYl<br />

fMlkbiy ds i”pkr~ mUgksaus tsEl c‚UM dh fQ+Yeksa xksYMfQaxj]<br />

MkW;e.M~l vkj Qk+Wj,oj] fyo ,aM ysV MkbZ vkSj n eSu fon n<br />

xksYMu xu dk funsZ”ku fd;kA<br />

Guy Hamilton<br />

Guy Hamilton worked as assistant director for directors<br />

Carol Reed and John Huston. In 1964 Cubby Broccoli<br />

and Harry Saltzman invited him to direct the third and<br />

arguably the best James Bond film Goldfinger. Guy<br />

returned seven years later to direct Sean Connery’s<br />

Diamonds are Forever before guiding Roger Moore in<br />

Live and Let Die and The Man with the Golden Gun.<br />

178 JAMES BOND RETROSPECTIVE


ykblsal Vw fdy<br />

Licence to Kill<br />

LICENCE TO KILL © 1989 UNITED ARTISTS<br />

CORPORATION & DANJAQ, LLC. All Rights Reserved<br />

UK,USA | 1989 | English, Spanish | 133 min | Colour<br />

Director John Glen<br />

Producer Albert R. Broccoli,<br />

Michael G. Wilson<br />

Screenplay Michael G. Wilson,<br />

Richard Maibaum<br />

<strong>Cinema</strong>tographer Alec Mills<br />

Editor John Grover<br />

Production Designer Peter Lamont<br />

Cast Timothy Dalton, Carey Lowell,<br />

Robert Davi<br />

tsEl c‚UM ,d Mªx ljxuk ls cnyk ysus ds fy,<br />

vR;f/kd mÙksftr gks tkrk gS ftlus mlds lcls<br />

vPNs nksLr lhvkbZ, ,tsaV ij vR;kpkj djds mls<br />

ejuss ds fy, NksM+ fn;kA vkSj mls idM+okus esa<br />

enn djus okyh mldh nqYgu dh gR;k dj nh<br />

FkhA<br />

Following an important drug bust, CIA<br />

agent Felix Leiter gets married, but the<br />

drug lord he helped arrest- escapes,<br />

murders his wife and mutilates Leiter.<br />

Leiter’s loyal friend, British agent James<br />

Bond, deserts Her Majesty’s Secret<br />

Service and makes it his personal<br />

vendetta to kill those responsible.<br />

t‚u Xysu<br />

vaxzsth fQ+Ye funsZ”kd] laiknd vkSj ys[kd t‚u Xysu uss nks n”kd<br />

rd tsEl c‚UM dh vkB fQYeksa dk laiknu fd;kA os ck.M dh<br />

vkWu gj estsLVht+ lhØsV lfoZl] n Likb gw yOM eh vkSj ewujsdj<br />

ds nwljs ;wfuV funsZ”kd vkSj Q+kWj ;ksj vkbt+] vkWDVksilh] , O;w Vw<br />

fdy] n fyfoax MsykbV~l vkSj Ykkblsal Vw fdy ds funsZ”kd jgsA<br />

lqijeSu vkSj n okbYM xht+ mudh vU; fQ+Yesa gSaA<br />

John Glen<br />

John Glen, a renowned director, editor, and author, is<br />

best known for his directorial and editing work on eight<br />

James Bond films. He holds the record for directing the<br />

most number of films in the series to date, just one film<br />

more than Guy Hamilton.<br />

JAMES BOND RETROSPECTIVE<br />

179


vkWDVksilh<br />

Octopussy<br />

OCTOPUSSY © 1983 UNITED ARTISTS CORPORATION &<br />

DANJAQ, LLC.. All Rights Reserved<br />

UK,USA | 1983 | English, Russian, German, Spanish | 131 min | Colour<br />

Director John Glen<br />

Producer Albert R. Broccoli<br />

Screenplay George MacDonald Fraser,<br />

Richard Maibaum, Michael G. Wilson<br />

<strong>Cinema</strong>tographer Alan Hume<br />

Editor Peter Davis,<br />

Henry Richardson<br />

Production Designer Peter Lamont<br />

Cast Roger Moore, Maud Adams, Louis<br />

Jourdan, Kristina Wayborn, Kabir Bedi,<br />

Vijay Amritraj<br />

udyh Qs+cjts vaMk vkSj ,d lkFkh ,tsaV dh ekSr ds<br />

dkj.k tsEl ckaM dks jgL;e; vkWDVksilh ds usr`Ro<br />

esa xguksa dh rLdjh ds ek/;e ls ukVks Qk+sflZl ij<br />

ijek.kq geys dh lkft”k jpus okys varjjk’Vªh;<br />

fxjksg dk inkZQ+k”k djus ds fy, fu;qDr fd;kA<br />

A fake Fabergé egg, and a fellow agent’s<br />

death, lead James Bond to uncover an<br />

international jewel-smuggling operation,<br />

headed by the mysterious Octopussy,<br />

being used to disguise a nuclear attack<br />

on NATO forces.<br />

t‚u Xysu<br />

vaxzsth fQ+Ye funsZ”kd] laiknd vkSj ys[kd t‚u Xysu uss nks n”kd<br />

rd tsEl c‚UM dh vkB fQYeksa dk laiknu fd;kA os ck.M dh<br />

vkWu gj estsLVht+ lhØsV lfoZl] n Likb gw yOM eh vkSj ewujsdj<br />

ds nwljs ;wfuV funsZ”kd vkSj Q+kWj ;ksj vkbt+] vkWDVksilh] , O;w Vw<br />

fdy] n fyfoax MsykbV~l vkSj Ykkblsal Vw fdy ds funsZ”kd jgsA<br />

lqijeSu vkSj n okbYM xht+ mudh vU; fQ+Yesa gSaA<br />

John Glen<br />

John Glen, a renowned director, editor, and author, is<br />

best known for his directorial and editing work on eight<br />

James Bond films. He holds the record for directing the<br />

most number of films in the series to date, just one film<br />

more than Guy Hamilton.<br />

180 JAMES BOND RETROSPECTIVE


vkWu gj estsLVht+ lhØsV lfoZl<br />

On her Majesty’s Secret Service<br />

ON HER MAJESTY’S SECRET SERVICE © 1969<br />

UNITED ARTISTS CORPORATION and DANJAQ,<br />

LLC. All Rights Reserved<br />

UK | 1969 | English, German, French | 142 min | Colour<br />

Director Peter R. Hunt<br />

Producer Albert R. Broccoli,<br />

Harry Saltzman<br />

Screenplay Richard Maibaum<br />

<strong>Cinema</strong>tographer Michael Reed<br />

Editor John Glen<br />

Production Designer Syd Cain<br />

Cast George Lazenby, Diana Rigg,<br />

Telly Savalas<br />

CyksQs+YM uss fLol vkYIl esa ,ythZ vuqla/kku djrs<br />

gq, nqfu;k Hkj dh lqanj efgykvksa dks lEeksfgr<br />

fd;k FkkA tsEl c‚UM ,d mÙksftr HkhM+ eqkf[k;k<br />

dh csVh ls I;kj dk bt+gkj dj vuqla/kku ds fy,<br />

lgh dkj.kksa dks mtkxj djrk gSA<br />

James Bond woos a mob boss’s daughter<br />

and goes undercover to uncover the true<br />

reason for Blofeld’s allergy research in<br />

the Swiss Alps that involves beautiful<br />

women from around the world.<br />

ihVj vkj- gaV<br />

ihVj gaV vaxzsth fQ+Ye laiknd] funs”kd vkSj Vsyhfot+u fuekZrk<br />

FksA gaV us viuh Rofjr dVkSrh] ,D”ku ds le; dSejk >qdko tSlh<br />

vfHkuo laiknu “kSyh ds lkFk tsEl c‚UM dh fQ+Yeksa ij vius<br />

dke ds fy, ekU;rk çkIr dhA d‚y eh cokuk] n vkbZçsl Q+kby<br />

funsZ”ku Hkh fd;kA<br />

Peter R. Hunt<br />

Peter R. Hunt was a film editor, director and television<br />

producer. He gained recognition for his film editing<br />

techniques when he utilised quick cutting, allowing<br />

camera swings during action and inserts interweaving<br />

other elements while working as editor on the first three<br />

Bond films. Hunt debuted with the sixth James Bond film,<br />

On Her Majesty’s Secret Service.<br />

JAMES BOND RETROSPECTIVE<br />

181


LdkbQ+kWy<br />

Skyfall<br />

Skyfall © 2012 Danjaq, LLC, United Artists Corporation,<br />

Columbia Pictures Industries, Inc. Skyfall, 007 Gun Logo<br />

and related James Bond Trademarks © 1962-2013 Danjaq,<br />

LLC and United Artists Corporation. Skyfall, 007 and related<br />

James Bond Trademarks are trademarks of Danjaq, LLC.<br />

All Rights Reserved.<br />

UK, USA | 2012 | English | 143 min | Colour<br />

Director Sam Mendes<br />

Producer Barbara Broccoli,<br />

Michael G. Wilson, Andrew Noakes,<br />

David Pope<br />

Screenplay Neal Purvis, Robert Wade,<br />

John Logan<br />

<strong>Cinema</strong>tographer Roger Deakins<br />

Editor Stuart Baird<br />

Production Designer Dennis Gassner<br />

Cast Daniel Craig, Judi Dench, Javier<br />

Bardem, Ralph Fiennes, Naomi Harris<br />

,e ds çfr c‚UM dh fu’Bk dh ijh{kk gksrh gS tc<br />

mldk vrhr Mjkus ds fy, okil vkrk gSA ,e ds<br />

çfr çfr”kks/k dh Hkkouk ls iwoZ ,tsaV ,evkbZ6 us<br />

vR;ar egÙoiw.kZ xqIr lwpuk dks pqjk fy;k gSA 007<br />

dks [k+rjs dk irk yxkuk gksxk vkSj mls u’V djuk<br />

gksxk] pkgs mlds fy, dqN Hkh ewY; pqdkuk iM+s\<br />

Bond’s loyalty to M is tested when her<br />

past comes back to haunt her. When<br />

MI6 comes under attack, 007 must track<br />

down and destroy the threat, no matter<br />

how personal the cost.<br />

lSe esaMsl<br />

lSe esaMsl jaxeap funsZ”kd vkSj vdkneh iqjLdkj fotsrk fQYe<br />

funsZ”kd gSaA 1992 esa mUgsa Mksuej osvjgkml] yanu dk dykRed<br />

funs”kd fu;qä fd;k x;kA mudh fQ+Yesa dSscjs ¼igyh fQ+Ye½]<br />

vesfjdu C;wVh] tkjgsM] LdkbQ+kWy vkSj LisDVªs leh{kdksa }kjk<br />

ç”kaflr jgha vkSj mUgsa vusd iqjLdkj çkIr gq,A mUgksaus dbZ fQ+Yeksa<br />

dk fuekZ.k Hkh fd;kA<br />

Sam Mendes<br />

Sam Mendes is a stage director and Academy Awardwinning<br />

filmmaker. Mendes has directed the Bond movies<br />

Skyfall and Spectre. His most acclaimed directorial work<br />

includes 1998 production of Cabaret; his debut film,<br />

The American Beauty and Jarhead. He has produced<br />

noteworthy films like The Kite Runner, Revolutionary<br />

Road and documentary Out of the Ashes.<br />

182 JAMES BOND RETROSPECTIVE


n LikbZ gw yOM eh<br />

The Spy who Loved Me<br />

SPY WHO LOVED ME, THE © 1977 DANJAQ, LLC &<br />

UNITED ARTISTS CORPORATION. All Rights Reserved<br />

UK | 1977 | English, Italian, Arabic | 125 min | Colour<br />

Director Lewis Gilbert<br />

Producer Albert R. Broccoli,<br />

William P. Cartlidge<br />

Screenplay Christopher Wood,<br />

Richard Maibaum<br />

<strong>Cinema</strong>tographer Claude Renoir<br />

Editor John Glen<br />

Production Designer Ken Adam<br />

Cast Roger Moore, Barbara Bach,<br />

Curd Jürgens<br />

tsEl c‚UM ijek.kq gfFk;kj ys tkus okyh fczfV”k<br />

vkSj :lh iuMqfCc;ksa ds vigj.k dh tkap djrs gSaA<br />

blds fy;s c‚UM ,d dsthch ,tsaV dh lgk;rk<br />

ysrs gSa] ftlds çseh dks og ekj pqds gSaA<br />

James Bond investigates the hijacking of<br />

British and Russian submarines carrying<br />

nuclear warheads, with the help of a<br />

KGB agent, whose lover he killed.<br />

yqbZl fxYcVZ<br />

fczfV”k funsZ”kd] fuekZrk vkSj iVdFkk ys[kd yqbZl fxYcVZ us Ng<br />

n”kdksa esa 40 ls vf/kd fQ+Yesa funsZf”kr dh gSaA buesa jhp Q+‚j n<br />

LdkbZ] flad n fcLekdZ] ,YQ+h] ,MqdsfVax jhVk] f”kjys osyUVkbu<br />

vkSj tsEl c‚UM dh ;w vkWuyh fyo V~okbl] n Likb gw yOM eh<br />

vkSj ewujsdj çeq[k gSaA<br />

Lewis Gilbert<br />

Lewis Gilbert, CBE, is a British film director, producer and<br />

screenwriter. Besides three James Bond films (You Only<br />

Live Twice, The Spy Who Loved Me and Moonraker) he<br />

has to his credit more than 40 films over six decades;<br />

among them such varied titles as Reach for the Sky,<br />

Sink the Bismarck!, Alfie, Educating Rita and Shirley<br />

Valentine.<br />

JAMES BOND RETROSPECTIVE<br />

183


n oYMZ bt+ ukWV ,uQ+<br />

The World is not Enough<br />

WORLD IS NOT ENOUGH, THE © 1999 DANJAQ, LLC &<br />

UNITED ARTISTS CORPORATION. All Rights Reserved<br />

UK,USA | 1999 | English, Russian, Spanish | 128 min | Colour<br />

Director Michael Apted<br />

Producer Barbara Broccoli,<br />

Michael G. Wilson<br />

Screenplay Neal Purvis, Robert Wade,<br />

Bruce Feirstein<br />

<strong>Cinema</strong>tographer Adrian Biddle<br />

Editor Jim Clark<br />

Production Designer Peter Lamont<br />

Cast Pierce Brosnan, Sophie Marceau,<br />

Robert Carlyle, Judi Dench<br />

tsEl c‚UM ,d rsy O;olk;h ds csVh dhs mlds<br />

iwoZ vigj.kdrkZ] ,d dBksj ân;h varjjk’Vªh;<br />

vkradoknh ls lqj{kk dh ft+Eesnkjh fuHkkrs le;<br />

,d ijek.kq lkft”k dk Hkh irk yxkrk gSA<br />

James Bond uncovers a nuclear plot<br />

when he protects an oil heiress from<br />

her former kidnapper, an international<br />

terrorist who can’t feel pain.<br />

ekbdy vkIVsM<br />

cgqeq[kh çfrHkk okys funsZ”kd ekbdy us o`Ùkfp= vkSj Q+hpj fQ+Ye<br />

nksuksa ds chp jpukRed larqyu cuk;s j[kkA baXySaM esa M‚D;wesaVªh<br />

J`a[kyk vi vkSj dbZ Vsyhfotu dk;ZØeksa ds ckn ekbdy vesfjdk<br />

pys x;sA mUgksaus dksy ekbulZ MkWVj] dkWUVhusaVy fMokbM] xksdhZ<br />

ikdZ] xksfjYykt+ bu n feLV] Dykl ,D”ku tSlh lQy fQYesa<br />

cuk;haA<br />

Michael Apted<br />

Michael David Apted, (born 10 February 1941) is an<br />

English director, producer, writer and actor. He is one of<br />

the most prolific British film directors of his generation,<br />

and directed the Up Series of documentaries and the<br />

James Bond film The World Is Not Enough.<br />

184 JAMES BOND RETROSPECTIVE


Restored<br />

Classics<br />

Motion pictures from cinema’s<br />

masters in pristine restorations<br />

185 RESTORED CLASSICS


C;qVh vkWQ n Ms<br />

Beauty of the Day<br />

Belle de Jour<br />

France, Italy | 1967 | French, Spanish, Mongolian | 100 min | Colour<br />

Director Luis Buñuel<br />

Producer Raymond Hakim,Robert<br />

Hakim<br />

Screenplay Joseph Kessel, Luis<br />

Buñuel, Jean-Claude Carrière<br />

<strong>Cinema</strong>tographer Sacha Vierny<br />

Editor Louisette, Hautecoeur<br />

Sound Design Pierre Davoust, René<br />

Longuet<br />

Production Designer Robert Clavel<br />

Cast Catherine Deneuve, Jean Sorel,<br />

Michel Piccoli<br />

lsofju ,d [kwclwjr ;qorh gS ftldh ,d M‚DVj<br />

ls 'kknh gqbZ gSA og vius ifr dks cgqr I;kj djrh<br />

gS] ysfdu mlds lkFk 'kkjhfjd laca/k dh varjaxrk<br />

ds fy, [kqn dks rS;kj ugha dj ikrhA ysfdu bldh<br />

txg og viuh dkeqd bPNkvksa dh iwfrZ ds fy,<br />

vthcks&xjhc dkeqd fØ;k,a djrh gSaA vkf[kjdkj<br />

og ,d os';k cudj nksigj esa ,d os';ky; esa<br />

dke djus yxrh gS ysfdu viuh 'kknh dh ifo=rk<br />

dks cuk;s j[krh gSA<br />

Severine is a beautiful young woman<br />

married to a doctor. She loves her<br />

husband dearly, but cannot bring herself<br />

to be physically intimate with him. She<br />

indulges instead in vivid, kinky, erotic<br />

fantasies to whet her sexual desires.<br />

Eventually she becomes a prostitute,<br />

working in a brothel in the afternoons<br />

while remaining chaste in her marriage.<br />

yqbl cwuq,y<br />

186 RESTORED CLASSICS<br />

vfr;FkkFkZoknh flusek ds vxz.kh cwuq,y us jSf[kd] rkfdZd dFkk dss vkanksyu<br />

lss eqfä ds y{; dks çkIr fd;kA mudhs fQ+Yesa dBksj] vijaijkxr ;FkkFkZoknh<br />

fo/kk dh gksrs gq, Hkh muesa okLrfod vkSj vokLrfod ds lVhd laca/k FksA mudh<br />

fQYeksa us mu phu vankyksm ls ysdj nSV vkWClsD;ksj vkWCtsDV vkWQ+<br />

fMt+k;j rd vlaxr dYiuk ds ek/;e ls ;kSu t+:jrksa dh ihM+k vkSj<br />

tfVyrk dks fn[kk;kA<br />

Luis Buñuel<br />

Luis Buñuel is a pioneer of surrealist cinema. His films<br />

Un Chien Andalou to That Obscure Object of Desire,<br />

explore the torment and complexity of sexual needs<br />

through uncompromising imagery. His work was derided<br />

with equal vehemence by the Catholic Church, Fascist<br />

Spain, and the Mexican Communist Party.


+ysolZ vkWQ+ xzhu Vh vksoj jkbl<br />

Flavour of Green Tea over Rice<br />

Ochazuke no aji<br />

Japan | 1952 | Japanese | 115 min | Black and White<br />

Director Yasujirõ Ozu<br />

Producer Takeshi Yamamoto<br />

Screenplay Kôgo Noda, Yasujirõ Ozu<br />

<strong>Cinema</strong>tographer Yûharu Atsuta<br />

Editor Yoshiyasu ,Hamamura<br />

Sound Design Yoshiomi Hori,<br />

Yoshisaburô Senoo, Katsumi Uzawa<br />

Production Designer Kintarô<br />

Yamamoto<br />

Cast Shin Saburi, Michiyo Kogure, Kôji<br />

Tsuruta<br />

VksD;ks ds mPp oxhZ; lekt dh euekSth Vkfd;ks<br />

vius 'kkar LoHkko okys lqLr ifr ls Åcus yxrh<br />

gSA mldk ifr ,d daiuh esa fo”oluh; vf/kdkjh<br />

gSA ,d ladV ds ckn og vius thou esa mlds<br />

vfLrRo ds egÙo dks le>rh gSA fQ+Ye esa ,d<br />

lekukarj mi&dFkk py jgh gS tgka mldh Hkrhth<br />

ifjokj }kjk fu;ksftr ijEijkxr fookg ÁFkk dk<br />

foæksg djrh gSA<br />

Takeo, a capricious wife from Tokyo<br />

high-society, is bored by her dull<br />

husband, a quiet and reliable company<br />

executive, raised in the country. After a<br />

crisis, she understands his true value.<br />

A parallel sub-plot shows her niece<br />

rebelling against the tradition of arranged<br />

marriages.<br />

;klqthjks vkstw<br />

tkikuh fQ+Ye funsZ'kd vkSj iVdFkk ys[kd us ;klqthjks vkstw ewd<br />

fQYeksa ls viuk dfj;j 'kq: fd;kA vkstq us 'kknh vkSj ifjokj]<br />

ihf


[kaMgj<br />

The Ruins<br />

Khandhar<br />

India | 1984 | Hindi | 106 min | Colour<br />

Director Mrinal Sen<br />

Producer Jagdish Choukhani<br />

Screenplay Mrinal Sen, Premendra<br />

Mitra<br />

<strong>Cinema</strong>tographer K. K. Mahajan<br />

Editor Mrinmoy Chakraborty<br />

Cast Shabana Azmi, Naseeruddin<br />

Shah, Gita Sen, Annu Kapoor<br />

'kgjh Q+ksVksxzkQj lqHkk"k ,d xkao esa dqN iqjkus<br />

eafnjksa vkSj vo'ks"kksa dh rLohjsa ysus vkrk gSA og<br />

vo'ks"kksa ls ÁHkkfor gks tkrk gSA xkao esa ,d ;qorh<br />

;kfeuh ls mldk ifjp; gksrk gSA igys gh ,d<br />

vU; vkxarqd ;kfeuh dk fny rksM+ pqdk gSA D;k<br />

bfrgkl [kqn dks nksgjk;sxk ;k ;kfeuh dks [kaMgj<br />

ls ckgj fudyus dk jkLrk feysxk\<br />

Subhash is a photographer from the city,<br />

who has come to take pictures of some<br />

old temples and ruins in a village. Ruins<br />

fascinate him. While in the village, he<br />

gets acquainted with a young woman,<br />

Jamini, who has had her heart broken in<br />

the past, by another visitor from the big<br />

city. Will history repeat itself, or will she<br />

find a way out of the ruins at last?<br />

e`.kky lsu<br />

,d çfl) Hkkjrh; fQYe fuekZrk vkSj funsZ”kd gSaA ledkyhu<br />

e`.kky lsu] lR;thr js vkSj _+fRod ?kVd ds lkFk mUgsa oSf”od<br />

Lrj ij Hkkjrh; lekukarj flusek ds vxznwr ekuk tkrk gSA mudk<br />

flusek lkekftd okLrfodrk ds vius dykRed fp=.k ds fy,<br />

tkuk tkrk gSA lsu us 30 Q+hpj fQ+Yesa vkSj vusd o`Ùkfp=ksa dk<br />

funsZ”ku fd;k ftUgsa vusd jk"Vªh; rFkk varjkZ"Vªh; iqjLdkj ÁkIr<br />

gq,A<br />

188 RESTORED CLASSICS<br />

Mrinal Sen<br />

After having studied physics at University of Calcutta,<br />

Sen worked as a freelance journalist, a salesman of<br />

patent medicines and a sound technician in a film studio.<br />

In 1956 Sen made his debut with Raat Bhore, the first of<br />

his 30 (as of 2002) films. Sen’s films have won numerous<br />

international awards. The Case Is Closed, took home the<br />

Jury Prize from the 1983 Cannes Film Festival.


n ykWt+j<br />

The Lodger<br />

UK | 1927 | English | 68 min | Black and White<br />

Director Alfred Hitchcock<br />

Producer Michael Balcon, Carlyle<br />

Blackwell<br />

Screenplay Eliot Stannard<br />

<strong>Cinema</strong>tographer Gaetano Di<br />

Ventimiglia, Hal Young<br />

Editor Ivor Montagu<br />

Production Designer C. Wilfred<br />

Arnold, Bertran Evans<br />

Cast Marie Ault, Arthur Chesney, June<br />

Tripp, Ivor Novello<br />

foDVksfj;u yanu esa tSd n fjij jkr esa vfHkusf=;ksa<br />

dh gR;k djrk gSA foÙkh; dfBukbZ ds dkj.k cVZu<br />

nEifr mls vius ?kj esa j[kus ds fy, etcwj gaSA<br />

ns[kus esa og ,d vPNk ;qod yxrk gS ysfdu<br />

Jherh cVZu mldh dqN jgL;e; vkSj lafnX/k<br />

vknrksa ds dkj.k ml ij lansg djrh gSaA cVZu<br />

dh [kwclwjr vfHkus=h Hkrhth muds lkFk jgrh gSaA<br />

os mldh lqj{kk dks ysdj og fpafrr vkSj Hk;Hkhr<br />

jgrh gSaA<br />

A landlady suspects her new lodger is<br />

the madman killing women in London.<br />

vYÝsM tkslsQ fgpd‚d<br />

,YÝ+sM fgpd‚d yxHkx 1920 esa flusek ds {ks= esa vk;sA mUgksaus<br />

lsV fMt+kbu djus ls ‘kq: fd;kA fgpd‚d dks 1923 esa igyh<br />

fQ+Ye cukus dk volj feyk vkSj mUgksaus uacj 13 dk funsZ”ku<br />

fd;kA fgpd‚d flusek ds ,sls ekLVj Fks ftudhs fQYesa c‚Dl<br />

v‚fQl lQyrk ds lkFk lkSan;Z’kkL= dh n`f’V ls Hkh dHkh foQy<br />

ugha gqbZaA<br />

Alfred Joseph Hitchcock<br />

It was around 1920 when Hitchcock joined the film<br />

industry. He started off drawing the sets. Hitchcock had<br />

his first real crack at directing a film, start to finish, in<br />

1923, when he was hired to direct the film Number 13.<br />

Hitchcock was a master of pure cinema who never failed<br />

to reconcile aesthetics with the demands of the boxoffice.<br />

RESTORED CLASSICS<br />

189


esVªksiksfyl<br />

Metropolis<br />

German | 1927 | Germany | 153 min | Black and White<br />

Director Fritz Lang<br />

Producer Erich Pommer<br />

Screenplay Thea von Harbou , Thea<br />

von Harbou, Fritz Lang<br />

<strong>Cinema</strong>tographer Karl Freund,<br />

Günther Rittau, Walter Ruttmann<br />

Editor Blake Jones<br />

Sound Design Brian Reeves, Frank<br />

Strobel, Otto Harzner<br />

Production Designer Otto Hunte, Erich<br />

Kettelhut, Karl Vollbrecht<br />

Cast Brigitte Helm, Alfred Abel, Gustav<br />

Fröhlich<br />

Hkfo’; esa cuus okys ,d 'kgj esa lekt nks oxksZa<br />

esa foHkkftr gS & ,d 'kgj ds ;kstukdkj vkSj<br />

nwljk mlesa dke djus okyk Jfed oxZA nksuksa esa<br />

oSpkfjd erHksn gSaA 'kgj ds eq[; ;kstukdkj dk<br />

csVk Jfedksa ds mRihM+u dks ns[krk gS vkSj mudh<br />

enn djuk pkgrk gSA og Jfedksa dh Áfrfuf/k ls<br />

I;kj djus yxrk gS tks ;g tku tkrh gS fd og<br />

muds vkilh erHksnksa dks feVkus ds fy, e/;LFk<br />

dh Hkwfedk fuHkk;sxkA<br />

In a futuristic city sharply divided between<br />

the working class and the city planners,<br />

the son of the city’s mastermind falls<br />

in love with a working class prophet<br />

who predicts the coming of a saviour to<br />

mediate their differences.<br />

fÝV~t ySax<br />

ÝsMfjd fØfÜp;u ,aVu fÝV~t ySax ,d v‚fLVª;kbZ fQ+Ye funsZ”kd]<br />

iVdFkk ys[kd] fuekZrk vkSj vfHkusrk FksA teZu vfHkO;fäokn<br />

ds loZJs’B Áfriknd fÝV~t ySax dks fczfV'k fQYe baLVhVîwV us<br />

mUgsa ekLVj v‚Q MkdZusl dk uke fn;kA mudh Áfl) fQYeksa esa<br />

esVªksiksfyl vkSj ÁHkko”kkyh ,e 'kkfey gSaA vdkneh fQ+Ye vkdkZbo<br />

us fÝV~t ySax dh g~;weu fMt+k;j] eSu gaV] vkSj n vkVZ Mk;jsDVj<br />

vkfn dbZ fQYeksa dks lajf{kr fd;k gSA<br />

190 RESTORED CLASSICS<br />

Fritz Lang<br />

Fritz Lang was an Austrian filmmaker, screenwriter,<br />

occasional film producer and actor. He was dubbed the<br />

“Master of Darkness” by the British Film Institute. His<br />

most famous films include, M, a film noir precursor. The<br />

Academy Film Archive has preserved a number of Fritz<br />

Lang’s films, including Human Desire, Man Hunt, and<br />

The Art Director.


n vksYM MkdZ gkml<br />

The Old Dark House<br />

USA | 1932 | English | 72 min | Black and White<br />

Director James Whale<br />

Producer Carl Laemmle Jr.<br />

Screenplay Benn Levy<br />

<strong>Cinema</strong>tographer Arthur Edeson<br />

Editor Clarence Kolster<br />

Cast Boris Karloff, Melvyn Douglas,<br />

Charles Laughton<br />

osYl esa rst rwQku ls vkJ;


lsØhQ+kbl<br />

The Sacrifice<br />

Sweden, UK, France | 1986 | Swedish, French, English | 149 min | Colour<br />

Director Andrei Tarkovsky<br />

Producer Anna-Lena Wibom<br />

Screenplay Andrei Tarkovsky<br />

<strong>Cinema</strong>tographer Sven Nykvist<br />

Editor Michal Leszczylowski, Andrei<br />

Tarkovsky<br />

Sound Design Christin Loman, Lars C.<br />

Lundberg, Bo Persson, Willie Peterson-<br />

Berger, Owe Svensson, Lasse Ulander<br />

Production Designer Anna Asp<br />

Cast Erland Josephson, Susan<br />

Fleetwood, Allan Edwall<br />

vysDtsaMj] ,d i=dkj] iwoZ vfHkusrk vkSj nk'kZfud<br />

gSaA os vius NksVs csVs dks crkrs gSa fd vk/kqfud<br />

ekuork esa vk/;kfRedrk dh deh ds fo’k; esa os<br />

fdrus fpafrr gSaA mudss tUefnu dh jkr dks rhljk<br />

foÜo ;q) fNM+ tkrk gSA fujk'k gksdj vysDtsaMj<br />

bZÜoj ls viuk lc dqN viZ.k dj ;q) dks jksdus<br />

dh çkFkZuk djus yxrs gSaA<br />

Alexander, a journalist and former actor<br />

and philosopher, tells his little son how<br />

worried he is about the lack of spirituality<br />

in modern mankind. On the night of his<br />

birthday, the third world war breaks out.<br />

In his despair Alexander turns himself in<br />

a prayer to God, offering him everything,<br />

to have the war not happen at all.<br />

vkaæs rkjdksOLdh<br />

vkaæs vklsZusfop rkjdksOLdh lokZf/kd ç'kaflr lksfo;r funsZ'kdksa esa ls<br />

,d gSA rkjdksOLdh dh fQYesa vkd’kZd –”; Nfo;ksa] çrhdkRedrk]<br />

nwjnf'kZrk] ijaijkxr dFkkf”kYi vkSj ukVdh; lajpuk ds dkj.k<br />

mYys[kuh; jghaA vius ns”k esa lksfo;r vf/kdkfj;ksa }kjk mudh<br />

fQ+Yesa lsalj dh x;h Fkha vkSj ?kjsyw forj.k ls jksd nh x;h FkhaA<br />

lsØhQ+kbl mudh vkf[kjh Qhpj fQYe gSA<br />

Andrei Tarkovsky<br />

Andrei Arsenyevich Tarkovsky is one of the most<br />

acclaimed Soviet motion-picture directors. Tarkovsky’s<br />

films were notable for their striking visual images,<br />

their symbolic, visionary tone, and their paucity of<br />

conventional plot and dramatic structure. Several of<br />

his films were barred from domestic distribution by the<br />

Soviet authorities. The Sacrifice was his last feature film.<br />

192 RESTORED CLASSICS


Vw vkWj Fkzh fFkaXl vkbZ uks vckmV gj<br />

Two or Three Things I Know about Her<br />

Deuz ou Trois choses que je sais D’Elle<br />

France | 1967 | French, Italian | 87 min | Colour<br />

Director Jean-Luc Godard<br />

Producer Anatole Dauman,<br />

Raoul Lévy<br />

Screenplay Catherine Vimenet,<br />

Jean-Luc Godard<br />

<strong>Cinema</strong>tographer Raoul Coutard<br />

Editor Françoise Collin,<br />

Chantal Delattre<br />

Cast Marina Vlady, Anny Duperey,<br />

Roger Montsoret, Jean-Luc Godard<br />

bl fQYe esa ßmldkß dk rkRi;Z twfy,V tsUlu<br />

dk pfj= vkSj mls vfHkuhr djus okyh vfHkus=h<br />

ejhuk OykfnMh nksuksa dks lanfHkZr djrk gSA fQYe<br />

,d rjg dk ukVî—r o`Ùkfp= gS ftlesa 1960<br />

ds n'kd ds u, isfjl ds Hkkoukghu thou dks<br />

vfrjaftr djds fn[kk;k x;k gSA rRdkyhu isfjl<br />

esa O;kolk;hdj.k de vk; okys ifjokjksa dk<br />

migkl djrk gS] os';ko`fÙk /kuksiktZu dk lk/ku gSA<br />

yksx fo;ruke =klnh dh cqjh ;knksas vkSj vklUu<br />

ijek.kq ;q) ls Hkkouk”kwU; gSaA<br />

In this film, ‘Her’ refers to both Paris,<br />

the character of Juliette Janson and<br />

the actress playing her, Marina Vlady.<br />

The film is a dramatised documentary,<br />

illustrating and exaggerating the<br />

emotionless lives of characters in<br />

the new Paris of the 1960s, where<br />

commercialism mocks families getting<br />

by on small incomes, where prostitution<br />

is a money-spinning option, and people<br />

are coldly resigned and immune to the<br />

human nightmares of Vietnam, and the<br />

impending Atomic war.<br />

T;ka yqd xksnknZ<br />

xksnknZ d® 1960 ds Ýkalhlh fQ+Ye vkanksyu] Ýkalhlh<br />

U;w oso ds lkFk igpkuk tkrk gSA xksnknZ us dFkk] fujarjrk]<br />

/ofu vkSj dSejs ds fu;eksa dks iqu% ikfjHkkf’kr fd;kA yacs le; ls<br />

Loh—r flusekbZ Hkk"kk dkss ca/ku ls eqä dj eks”ku fiDpj ds Ák:i<br />

esa Økafrdkjh ifjorZu fd;kA ckn esa mUgksaus g‚yhoqM QkewZyk fQ+Yeksa<br />

ds lkekU; lk/kuksa Qhpj fuekZ.k] forj.k vkSj çn'kZuh dks Hkh pqukSrh<br />

nsdj fQ+Ye cukus dh u;h fo/kk dks tUe fn;kA<br />

Jean-Luc Godard<br />

Jean-Luc Godard, was a film director, screenwriter<br />

and film critic. He is often identified with the French<br />

New Wave. Godard revolutionized the motion picture<br />

form, freeing the medium from the shackles of its longaccepted<br />

cinematic language by rewriting the rules of<br />

narrative, continuity, sound, and camera work in an effort<br />

to subvert the conventions of the Hollywood formula.<br />

RESTORED CLASSICS<br />

193


New<br />

Initiatives<br />

Experiencing the universe of<br />

‘new’ - idea, movies, technology<br />

NEW INITIATIVES


Mixed Reality Sidebar<br />

<strong>IFFI</strong> presents in collaboration with BECIL Mixed Reality Sidebar Powered by<br />

fot+u LVsVesaV & vkuan xka/kh<br />

Kku] fopkj vkSj var–Zf’V gLrkarfjr djus dh {kerk vkSj bPNk<br />

ekuork ds lkFk gh fodflr gqbZ gSA fefJr okLrfodrk ml<br />

ekuo çkstsDV dk fjdkMZ j[kus] ifjçs{; dks lk>k djus vkSj<br />

lgkuqHkwfr nsus okyh ,d cgqr cM+h ehy dk iRFkj gS] tks<br />

igyh xqQk isafVax ds lkFk ;k blls Hkh igys “kq: gks xbZ FkhA<br />

fefJr okLrfodrk vuqHko n”kZdksa vkSj fo’k; ds chp ÞvU;rkÞ dh<br />

ck/kk dks lekIr dj nsrh gSA var%lac) fo”o esa dksbZ ÞvU;Þ<br />

ugha gS<br />

opqZvy fj;fyVh ¼ohvkj½ ds lanHkZ esa] tgka n”kZd iw.kZr% vU;=<br />

igqap tkrk gS] vkSj c


Mixed Reality Sidebar<br />

l’kDr ubZ nqfu;k % vkHkklh<br />

okLrfodrk ¼ohvkj½ vkSj fQ+D’ku<br />

tsjkse CykudsV&oh-vkj- fQD”ku ¼iSuy½<br />

tsjkse CykadsV Nfo vkSj lgt ys[ku] tks lkekU;r% gekjs /;ku<br />

ls NwV tkrk gS] dk vUos’k.k djrs gSaA çkS|ksfxdh ls çsfjr gksdj<br />

og yxkrkj vius midj.kksa dh lhekvksa vkSj Kku ds fo’k; esa<br />

mRlqd jgrs gaSA os LFkkfir :iksa ls dqN vyx dh [kkst esa jgrs<br />

gSa tgka vFkZ fey ldsA<br />

Brave New Worlds: VR Meets<br />

Fiction<br />

Jerome Blanquet’s explorations of the image and<br />

spontaneous writing lead him to the representation<br />

of what escapes our consciousness. Inspired by<br />

technology, he continually interrogates the limits<br />

of his tools and his knowledge. It diverts from the<br />

established forms, in search of interstices, to the<br />

kinds of open areas where can find meaning<br />

ekLVjDykl & osc ohvkj ij czk;u<br />

pYlZ<br />

czk;u pYlZ oscohvkj dk ç;ksx djus okys fotqvykbts”ku<br />

IysVQ‚eZ MkVkokbT+M ds phQ+ VsDuksy‚th v‚fQlj gSaA os Lora=<br />

fQ+Ye dh nqfu;k esa ,d ekU;rk çkIr çoZrd gSaA os igys ukbV<br />

Q+kmaMs”ku }kjk foÙk iksf’kr ihvksoh esa fMftVy VsDuksy‚th Qsyks<br />

FksA mUgksaus vkHkklh okLrfodrk esa oSpkfjd vknku çnku] MsVk<br />

fotqvykbts”ku vkSj daVsaV&lays[ku ds fy, vfHkuo e‚Myksa<br />

dks fodflr fd;k gSA czk;u us baVjSfDVo ohfM;ks VqdM+ksa vkSj<br />

l‚Vos;j iqLrdky;ksa dh ,d ubZ “kSyh cukus esa enn dh gS<br />

tks flusek dh lkSan;Z “kfä ds lkFk osc dhs vUrjfØ;k”khyrk<br />

vkSj dusfDVfoVh dks la;ksftr djus ds rjhdksa dk çn”kZu djrs<br />

gSaA mudk dke lhih,p & Mhvks,Dl] ,evkbZVh] vkbZMh,Q,<br />

M‚dySc] ,l,Dl,lMCY;w vkSj Vªhcsdk fQ+Ye baLVhVîwV esa<br />

çnf”kZr fd;k x;k gSA<br />

Masterclass on Web VR<br />

Brian Chirls is the Chief Technology Officer<br />

at Datavized, an immersive data visualization<br />

platform using WebVR. A recognized innovator in<br />

the independent film world, he was previously the<br />

Digital Technology Fellow at POV, a position funded<br />

by the Knight Foundation. He has developed<br />

innovative models for interaction, data visualization<br />

and content-authoring in Virtual Reality. Brian has<br />

helped to create a new genre of interactive video<br />

pieces and software libraries that demonstrate<br />

ways to combine the interactivity and connectivity<br />

of the web with the aesthetic power of cinema. His<br />

work has been presented at CPH:DOX, MIT, IDFA<br />

DocLab, SXSW and Tribeca Film Institute.<br />

v.kZo ?kks"k & loaf/kZr okLrfodrk &<br />

loaf/kZr okLrfodrk vkSj MkD;qesaVjh<br />

v.kZo ?kks’k ,d oSpkjd] f”k{kd vkSj f”k{kk fuos”kd gSaA og Hkkjr]<br />

nf{k.k&iwoZ ,f”k;k] ;wjksi esa oSf’od czkaMksa] lsokvksa ds lkFk vius 20<br />

ds o’kksaZ ds vuqHko vkSj lsokvksa dh le> ls ekdsZfVax vkSj beflZo<br />

VsDuksy‚th] usr`Ro dh Hkwfedkvksa ds lkFk mRiknksa dks js[kkafdr<br />

djrs gSaA orZeku esa og CyhIij ds çca/k funsZ”kd gSaA og lkexzh<br />

dks okf.kT;] rduhd ,oa jpukRed çfØ;k ds lkFk dUVsaV dks<br />

f=dks.kh; vkSj çklafxd cukrs gSaA mUgsa lkaL—frd lg;ksx ,oa<br />

vknku çnku vkSj [kxksy foKku esa xgjh #fp gSA mUgksaus ,d<br />

Hkfo’;ok.kh fo’ysf”kdh dh “kq#vkr Hkh dh gSA<br />

Arnav Ghosh - Augmenting<br />

Reality (Panel)<br />

Arnav is a thought leader, educator and apprentice<br />

investor. He brings to the track a deep understanding<br />

of marketing and immersive technology products and<br />

services with his 20 years of multi-platform, vertical<br />

leadership roles with global Brands and services<br />

across India, S.E Asia and Europe. Currently, he<br />

is Managing Director of Blippar (a global AR / AI<br />

platform) in India. He loves to triangulate content,<br />

commerce and technology with the creative process<br />

to build a contextually relevant idea. He has a keen<br />

interest in cross cultural collaboration & astronomy.<br />

He has also co-founded a start up in the area of<br />

predictive analytics.<br />

NEW INITIATIVES<br />

197


Mixed Reality Sidebar<br />

Hkkjrh; vkHkklh okLrfodrk ¼ohvkj½<br />

% ge dgka gS\ ge dgka tk jgs gSaA<br />

vkuan xka/kh – vkHkklh Hkkjr ¼iSuy½<br />

vkuan xka/kh Hkkjr esa vkHkklh okLrfodrk ,oa loaf/kZr okLrfodrk<br />

ds vxz.kh gSaA 2015 esa vkuan us esesfll dYpj ySc dh LFkkiuk<br />

dh tks Hkkjr dk igyk opqZvy fj;yVh LVwfM;ks gSA mUgsa<br />

feidkWe] dku tSls IysVQ+kWeZ ij vius vuqHko lk>k djus ds<br />

fy, vkeaf=r fd;k x;k FkkA vkuan }kjk fufeZr ohvkj o`Ùkfp=<br />

VksjaVks] “ksQ+hYM vkSj nqcbZ varjjk’Vªh; fQ+Ye lekjksgksa esa çnf”kZr<br />

gqbZA esesfll dYpj ySc }kjk fufeZr czkaM dUVsaV Hkkjr esa lokZf/<br />

kd ns[kk tkus okyk ohvkj dUVsaV gSA<br />

Indian VR: Where are we now?<br />

Where are we headed?<br />

Anand is pioneer of VR and AR content in India. His<br />

company Memesys Culture Lab has created India’s<br />

first VR documentary platform called ElseVR.<br />

He has been invited to share his expertise at<br />

prominent platforms such as MIPCOM at Cannes.<br />

VR documentaries produced by Anand have been<br />

featured at prestigious film festivals such as TIFF,<br />

Shefeild and Dubai <strong>International</strong> Film Festival. The<br />

brand content produced by Memesys Labs is the<br />

most viewed VR content created in India.<br />

vfouk’k dqekj<br />

vfouk”k ,d fMtkbuj] ehfM;k dykdkj vkSj fMftVy D;wjsVj<br />

gSA os bafM;u Ldwy v‚Q fMtkbZu ,aM buksos”ku ¼vkbZ,lMhvkbZ½<br />

eqacbZ ds lkFk lk>snkjh esa LFkkfir bafM;u lsaVj Q‚j beflZo<br />

ehfM;k ¼vkbZlhvkbZ,e½ ds fØ,fVo Mk;jsDVj gSaA lsaVj dk vkHkklh]<br />

laof/kZr vkSj fefJr okLrfodrk esa Hkkjrh; beflZo lkexzh ds<br />

vuqla/kku vkSj Å’ek;u ds fy, ,d ,tsaMk gSA os Hkkjr dh<br />

vxz.kh uokpkj ijke”khZ esa ls ,d muds LVwfM;ks fDodlSaM<br />

}kjk fufeZr ,d Hkkjrh; lkaLd`frd ohfM;ks xse IysVQ+kWeZ varfj{k<br />

lapkj ds funs”kd Hkh gSaA<br />

Avinash Kumar - Virtual India<br />

(Panel)<br />

Avinash is a design strategist, media artist and digital<br />

curator. He is the Creative Director of the upcoming<br />

Indian Centre for Immersive Media (ICIM) - set up<br />

in partnership with the Indian School of Design &<br />

Innovation (ISDI) MumbaI - which has an agenda<br />

for the disruptive research and incubation of Indian<br />

Immersive content in Virtual, Augmented and Mixed<br />

Reality. He is also the director of an Indian cultural<br />

video game platform called Antariksha Sanchar,<br />

produced by his studio Quicksand - one of India’s<br />

leading innovation consultancies. www.quicksand.<br />

co.in<br />

t;h’kk iVsy<br />

o`Ùkfp=dkj iqjLdkj fotsrh yaMu esa fLFkr gS- mudh y?kq fQYesa<br />

dbZ lekjksg esa fn[kkbZ xbZ tSls cfyZu] dku] U;w;‚dZ fQYe<br />

lekjksg- t;h”kk us muds u;s ohvkj çkstsDV uksV~l Vw ek; Qknj<br />

v‚D;wyl gkml <strong>2017</strong> luMsal fQYe lekjksg esa “kq:vkr dh vkSj<br />

ekpZ esa ,l,Dl,lMCY;w fQYe lekjksg esa Hkh dke çLrqr fd;kA<br />

orZeku esa og lksejlsV gkml ds fuoklLFkku esa vkfVZLV gS tgka<br />

og mudk nwljk çkstsDV] Qk;j fodkflr dj jgh gSA<br />

Jayisha Patel<br />

An award winning documentary-maker based in<br />

London. Her short films have shown at festivals<br />

such as Berlin, Cannes, AFI Silverdocs and the<br />

New York Film Festival amongst others. Jayisha<br />

launched her new VR project Notes To My Father<br />

at the Oculus House at the <strong>2017</strong> Sundance Film<br />

Festival, and also presented the work at the SXSW<br />

Film Festival in March. She is currently an artist<br />

in residence at Somerset House where she is<br />

developing her second immersive project, Fire.<br />

198 NEW INITIATIVES


Features<br />

fç;kt+ 'kfä<br />

fç;kt+ “kfä Hkkjr dh igyh laof/kZr okLrfodrk ¼,vkj½ gkL; iqfLrdk gS vkSj<br />

;g 2014 esa “kq: gqbZA xzkfQd miU;kl vFkok gkL; iqfLrdk fç;k fd dgkuh<br />

crkrs gSA fç;k] Hkkjr dh ,d xzkeh.k O;fä gS ftldk mlds xk¡o ds yksxksa<br />

}kjk lkeqnkf;d cykRdkj gqvk gSA xzkeh.kksa }kjk Hk;adj “kfeaZnxh dk lkeuk<br />

djus ds ckn fç;k mlds thou dk var djus ds fy, taxy esa Hkkx tkrh gSA<br />

ysfdu nsoh ikoZrh mldh nqnZ”kk ns[krh gS vkSj mldh enr djuk pkgrh gSA<br />

og fç;k ds “kjhj esa ços”k djrh gS vkSj fç;k ds cykRdkfj;ksa dk lkeuk djrh<br />

gSA dSls fç;k efgykvksa ds vf/kdkfj;ksa dh j{kk djrh gS vkSj de ls de mlds<br />

[kqnds xk¡o dks cny nsrh gS ;g fç;k “kfä dh dgkuh gSA<br />

A<br />

Priya’s Shakti is India’s first augmented reality(AR) comic book<br />

and was launched in 2014. The graphic novel or comic book<br />

tells the story of Priya, a villager from India who is gang raped by<br />

men in her village. After facing fierce shaming by the villagers,<br />

Priya flees to the forest to end her life. But the Goddess Parvati<br />

sees her plight and seeks to help her. She enters Priya’s body<br />

and confronts the men who raped Priya. How Priya champions<br />

the cause of women’s rights and transforms at least her own<br />

village - is the story of Priya’s Shakti (Shakti=power)<br />

NEW INITIATIVES<br />

199


Features<br />

y eLd<br />

Hkkjr ds laxhr ds ekfgj ,-vkj-jsgeku us Þy eLdß ls vius funsZ”ku dk çkjEHk<br />

fd;kA ,d vkHkklh okLrfodrk ¼ohvkj½ cgq laosfnd çklafxd fQYe ftls jkse<br />

ds fofHkUu LFkyksa ij fpf=r fd;k x;k gSA y eLd esa çeq[k uksjk vusZtsnj] xk;<br />

cesZê vkSj efjvu >ksjkch;u gS tgka ,d vukFk mÙkjkf/kdkjh rFkk va”kdkfyd<br />

laxhrdkj] T;wfy,V] tksfd ,d vfHk;ku esa fnok gksus ds fy, vkxs c


Biennale College <strong>2017</strong> Venezia<br />

This year, for the very first time the <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) brings to you films of<br />

the oldest film festival of the World, Venice <strong>International</strong> Film Festival.<br />

The films of ”BIENNALE COLLEGE <strong>2017</strong> VENEZIA” segment of the Venice <strong>International</strong> Film<br />

Festival will be screened in this 48th edition of <strong>International</strong> Film Festival of India, <strong>2017</strong>.<br />

Biennale College is the project of La Biennale di Venezia which is dedicated to the formation of<br />

young people in the artistic field and in the activities of the organizational structure of the Biennale.<br />

Thus, Biennale College of <strong>Cinema</strong> was formed to inspire and promote the young budding film<br />

maker.<br />

This year, four films from La Biennale di Venezia would be screened, namely, Beautiful Things<br />

directed by Giorgio Ferroro (Italy), where the director gives us a sneak peak of the men who<br />

are monks in temples of steel and concrete carrying out their mechanical rituals in silence and<br />

solitude, Martyr directed by Mazen Khaled (Lebanon) gives us the exploration of the journey of life<br />

and death of a man who drowns and becomes a Martyr in Islamic religion and Strange Colours<br />

directed by Alina Lodkina (Australia), a story about a father and a daughter mending a fractured<br />

bond. The fourth film from this package is an Indian film Mukti Bhawan directed by Shubhashish<br />

Bhutiani, showcasing another father-son relationship where the father has a desire to go and die<br />

in the holy city of Varanasi in India and the son is left with no choice.<br />

The young aspiring film makers of India would be both inspired and motivated by seeing films of<br />

BIENNALE COLLEGE <strong>2017</strong> VENEZIA 74 in <strong>International</strong> Film Festival of India this year.<br />

It is only when film festivals collaborate, cinema as an art form is celebrated in the world.<br />

NEW INITIATIVES<br />

201


dku<br />

Ears<br />

Orecchie<br />

Italy | 2016 | Italian | 90 min | Black and White<br />

Director Alessandro Aronadio<br />

Producer Costanza Coldagelli<br />

Screenplay Alessandro Aronadio,<br />

Valerio Cilio<br />

<strong>Cinema</strong>tographer Francesco Di<br />

Giacomo<br />

Editor Roberto Di Tanna<br />

Sound Design Daniela Bassani, Marzia<br />

Cordò, Stefano Grosso<br />

Production Designer Daniele Frabetti<br />

Cast Daniele Parisi, Silvia D’Amico,<br />

Pamela Villoresi, Ivan Franek, Rocco<br />

Papaleo, Piera Degli Esposti, Milena<br />

Vukotic<br />

,d vkneh lqcg vius dku esa vthc lh vkokt<br />

ls ijs”kku ls gksdj mBrk gSA fÝ+t ij ,d uksV<br />

fpidk gS ßvkidk nksLr yqbxh ej pqdk gSß vuqys[k%<br />

eSa dkj ys tk jgk gwaA leL;k gS fd og fdlh<br />

yqbxh dks ugha tkurkA fQj ml ikxyiu dk nkSj<br />

“kq: gksrk gS tks mldh nqfu;k cny nsrk gSA<br />

✪ INDIA PREMIERE<br />

A man wakes up one morning with an<br />

irritating ringing in his ear. A note on the<br />

fridge says: “Your friend Luigi is dead.<br />

P.S. I took the car”. The problem is that<br />

he does not know who this Luigi is. And<br />

so begins a tragicomic day in search of<br />

the world’s madness, one of those days<br />

that change you forever.<br />

Sales agent 102 Distribution<br />

• festival@102distribution.com<br />

202 NEW INITIATIVES<br />

,yslsaMªks vjksusfM;k<br />

,yslsaMªks vjksusfM;k us ikyseksZ ;wfuoflZVh ls euksfoKku vkSj y‚l<br />

,aftYl fQ+Ye Ldwy ls funsZ”ku esa f”k{kk yhA igyh fQ+Ye Mîw<br />

ohVsisjdklks cfyZu egksRlo çfrLi/kkZ esa pquh x;h ,dek= bVkfy;u<br />

fQYe Fkh ftls 50 ls vf/kd varjjk’Vªh; lekjksgksa esa fn[kk;k x;k<br />

vkSj 15 iqjLdkj ÁkIr fd;sA bUgksaus dkslk owbZ psfl;k vkSj Dykls<br />

ts+M dk ys[ku fd;kA<br />

Alessandro Aronadio<br />

Alessandro Aronadio, directed Due Vite Per Caso, his<br />

first work for the cinema, which was the only Italian film<br />

chosen to compete at the Berlin Film Festival. The film<br />

was selected by over 50 international festivals, and<br />

won 15 prizes, among which was the Nastro d’Argento<br />

awarded to Isabella Ragonese. He has recently written<br />

Edoardo Leo’s Cosa Vuoi Che Sia and Guido Chiesa’s<br />

Classe Z.


eqfDr Hkou<br />

Hotel Salvation<br />

Mukti Bhawan<br />

India | 2016 | Hindi | 102 min | Colour<br />

Director Shubhashish Bhutiani<br />

Producer Sanjay Bhutiani, Sajida<br />

Sharma<br />

Screenplay Shubhashish Bhutiani<br />

<strong>Cinema</strong>tographer Michael<br />

McSweeney, David Huwiler<br />

Editor Manas Mittal<br />

Sound Design Ajay Kumar PB,<br />

Akhilesh Acharya<br />

Production Designer Avyakta Kapur<br />

Cast Adil Hussain, Lalit Behl, Geetanjali<br />

Kulakrni<br />

Sales agent C <strong>International</strong> Sales<br />

• camille.cheneval@cintsales.com<br />

77 o’khZ; n;kuan v”kqHk liuk ns[krs gSa fd mudk<br />

var fudV gSA os vafre lkal okjk.klh esa ysdj<br />

iqutZUe ds pØ dks lekIr djuk pkgrs gaSA csVk<br />

jktho ftíh firk ds lkFk okjk.klh esa e`R;q dh<br />

Árh{kk dj jgs yksxksa dks lefiZr ,d xsLVgkml<br />

eqfäHkou ¼gksVy lkYos”ku½ igqaprk gSA jktho<br />

dk thou ?kj dh ftEesnkfj;ksa vkSj firk ds Áfr<br />

drZO;ijk;.krk esa Qal x;k gSA<br />

An ominous dream convinces 77-yearold<br />

Dayanand Kumar that his end could<br />

be near. He takes the news to his son<br />

Rajiv, knowing he wants to breathe his<br />

last in the holy city of Varanasi and end<br />

the cycle of rebirth, by attaining salvation.<br />

Being the dutiful son he is, Rajiv is left<br />

with no choice but to drop everything<br />

and make the journey with his stubborn<br />

father. Daya and Rajiv check into Mukti<br />

Bhawan (Hotel Salvation) in Varanasi, a<br />

guesthouse devoted to people waiting to<br />

die. But as the days go by, Rajiv struggles<br />

to juggle his responsibilities back home,<br />

while Daya starts to bloom in the hotel.<br />

Rajiv gives his father a shot at salvation<br />

but as family bonds are tested, he finds<br />

himself torn, not knowing what he must<br />

do to keep his life together.<br />

“kqHkk”kh’k HkqfV;kuh<br />

“kqHkk”kh’k us 2013 esa Ldwy vkWQ+ fotqvy vkVZ~l] U;w;‚dZ ls funsZ”ku<br />

esa f”k{kk ÁkIr dhA budh igyh Q+hpj fQ+Ye eqfäHkou us vc rd<br />

;wusLdks xka/kh esMy lfgr 11 varjkZ’Vªh; iqjLdkj thrs gSaA “kqHkk”kh’k<br />

dh Fkhfll fQYe dq’k dks Hkkjr ds jk’Vªifr }kjk jk’Vªh; iqjLdkj<br />

lfgr 25 varjjk’Vªh; iqjLdkj ÁkIr gq,A<br />

Shubhashish Bhutiani<br />

Two-time Indian National Award winner, Shubhashish’s<br />

debut Mukti Bhawan - Hotel Salvation was honoured<br />

with the XXlIIrd Prix “Enrico Fulchignoni” Award and<br />

UNESCO Gandhi Medal 2016. Shubhashish’s thesis<br />

film, Kush, world premiered at Venice, where it won the<br />

Orizzonti Award. Kush was shortlisted by the Academy<br />

and won over 25 international awards.<br />

NEW INITIATIVES<br />

203


yk lksysMkM<br />

The Solitude<br />

La Soledad<br />

Venezuela, Canada, Italy | 2016 | Spanish | 89 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Jorge Thielen Armand<br />

Producer Adriana Herrera, Rodrigo<br />

Michelangeli, Jorge Thielen Armand<br />

Screenplay Rodrigo Michelangeli,<br />

Jeorge Thielen Armand<br />

<strong>Cinema</strong>tographer Rodrigo<br />

Michelangeli<br />

Editor Felipe Guerrero<br />

Sound Design Eli Cohn<br />

Production Designer Gabriela Vilchez<br />

Cast José Dolores López, Marley<br />

Alvillares, Adrializ López, María<br />

Agamez Palomino<br />

osustq,yk ladV ds chp yksxksa ds okLrfod thou<br />

dk fp=.k djus okyh ;g fQ+Ye ,d ;qok firk<br />

tksl dh dgkuh gSA og th.kZ gqbZ gosyh esa jgrk<br />

gS tks tYn gh


ou flLVj<br />

One Sister<br />

Una Hermana<br />

Argentina | 2016 | Spanish | 69 min | Colour<br />

Director Sofia Brockenshire, Verena<br />

Kuri<br />

Producer Sofia Brockenshire, Verena<br />

Kuri<br />

<strong>Cinema</strong>tographer Andrés Hilarión,<br />

Roman Kasseroller<br />

Editor Laura Bierbrauer, Sofia<br />

Brockenshire, Verena Kuri<br />

Sound Design Nicolás Payueta<br />

Production Designer Lucia Carnicero<br />

Cast Sofia Palomino, Eugenia Alonso,<br />

Adriana Ferrer, Lorena Stadelmann<br />

vtsaZVhuk ds NksVs ls cSdokVj “kgj esa ,d ;qorh<br />

viuh cgu dks [kkstus ds fy, vdsys fudyrh gSA<br />

ifjokj dh dkj esa unh ds fdukjs vkx yxus ds<br />

ckn mldk irk ugha pyk FkkA ukSdj”kkgh dqaBkvksa<br />

esa Qal dj fujk”k vYck unh ds fdukjs okil vk<br />

tkrh gS] tgka ,d ewd xokg gS ftls ns[kdj mls<br />

dqN “kkafr feyrh gSA<br />

✪ ASIA PREMIERE<br />

In a small Argentinian backwater<br />

town, a young woman sets out on a<br />

solitary search for her sister who has<br />

disappeared without a trace. When the<br />

family’s car appears in flames on the<br />

bank of a nearby river, Alba falls deeper<br />

into a world of bureaucratic frustrations,<br />

bringing her to the edge of despair. Her<br />

journey drags her back to the river,<br />

where a silent witness seems to provide<br />

the only calm that’s left.<br />

osjsuk dqjh<br />

osjsuk dqjh dh y?kq fQYesa ,isD;wu vkSj ,iSjh”ku dks ;wjksi<br />

vkSj ySfVu vesfjdk ds vusd lekjksgksa esa çLrqr fd;k x;kA<br />

lksfQ+;k czksdsa”kk;j<br />

lksfQ+;k us ftiksyks lbZl vkSj ,isD;wu dks funsZf”kr fd;kA<br />

ou flLVj mudh osjsuk ds lkFk igyh Q+hpj fQ+Ye gSA<br />

Verena Kuri<br />

Verena Kuri’s short films Epecuen and Apparition<br />

were awarded at various festivals in Europe and<br />

Latin America.<br />

Sofia Brockenshire<br />

Sofía wrote and directed the films Zapiola Seis<br />

and Epecuen. One Sister is her first feature film<br />

with Verena Kuri.<br />

NEW INITIATIVES<br />

205


Master Classes and<br />

Panel Discussions<br />

Learning from industry masters,<br />

experts and leaders - journeying<br />

through invaluable experiences<br />

and insights<br />

WORLD CINEMA


MASTER CLASS<br />

Virtual Reality and Augmented Reality<br />

vkuan xka/kh<br />

vkuan xka/kh ,d fQYe fuekZrk vkSj m|eh gSa] tks n'kZu] fodkloknh euksfoKku]<br />

uokpkj vkSj Hkfo"; esa xgjh #fp j[krs gSaA mudh igyh Qhpj f”ki vkWQ+<br />

Fkhfl;l VksjaVks varjkZ"Vªh; fQYe egksRlo esa çhfe;j gqbZ vkSj mls vkykspdksa<br />

vkSj n'kZdksa }kjk Hkkjr dh lokZf/kd egRoiw.kZ fQYe ds :i esa ekU;rk çkIr<br />

gqbZA bls loZJs’B fQ+Ye dk jk"Vªh; iqjLdkj vkSj varjkZ"Vªh; fQ+Ye lekjksgksa esa<br />

vusd iqjLdkj ÁkIr gq,A 2015 esa vkuan us esesfll dYpj ySc dh LFkkiuk dh<br />

tks Hkkjr dk igyk opqZvy fj;yVh LVwfM;ks gSA<br />

Hkkjr esa nSfud lksi vksisjk 'kSyh ds mn~Hko ds lkFk xka/kh dk ys[ku dSfj;j<br />

2000 esa 'kq: gqvk FkkA mUgksaus D;wadh lkl Hkh dHkh cgw Fkh uked yksdfç;<br />

/kkjkokfgd ds 82 ,filksM ds laokn fy[ks vkSj dgkuh ?kj ?kj dh /kkjkokfgd<br />

dh iVdFkk fy[khA<br />

vkuan xka/kh us lqxa/kh] çR;apk] {k.kksRlo] uk vkSj tu'k=q ,dkadh ukVd fy[ksA<br />

mUgksaus xqtjkrh esa py fjolZ esa tk,a fy[kk ftls 2005 ds fy, VªkalfefM;k<br />

csLV Iys iqjLdkj feykA<br />

funsZ'kd ds :i esa mudh igyh fQ+Ye jkbV gs;j] jkbV ukvks vkSj nwljh fQYe<br />

dafVuqe [kq'kcq jadk ds lkFk lg&funsZf'kr FkhA<br />

Anand Gandhi<br />

Anand Gandhi is a filmmaker and entrepreneur deeply<br />

interested in philosophy, evolutionary psychology, innovation<br />

and the future. Ship of Theseus, his first feature, premiered<br />

at the Toronto <strong>International</strong> Film Festival in 2012 and has<br />

since been recognized as “the most significant film to come<br />

out of India in decades” by critics and audiences alike. It has<br />

won prizes at the international film festivals of London, Dubai,<br />

Mumbai, Transilvannia, Tokyo, and Hong Kong, and played<br />

at Rotterdam, Munich and Sydney, among others. It was<br />

presented the National Award in 2014. In November 2015,<br />

Anand founded Memesys Culture Lab. It is a cinema and new<br />

media studio at the intersection of science, philosophy and<br />

culture, and home to ElseVR, the first Virtual Reality studio in<br />

India.<br />

Gandhi’s writing career began in 2000. He wrote the dialogue<br />

for the first 82 episodes of a popular show called Kyunki Saas<br />

Bhi Kabhi Bahu Thi and Kahaani Ghar Ghar Kii, for which he<br />

wrote the screenplay, are the longest running TV shows in the<br />

history of Indian television.<br />

He moved away from his television career to write and<br />

direct critically acclaimed plays like Sugandhi, Pratyancha,<br />

Kshanotsav, Na and Janashtaru. Almost all his work has<br />

been produced for the alternative one-act theatre. He has<br />

written only one mainstream play, Chal Reverse Ma Jaiye, in<br />

Gujarati. It achieved moderate commercial success and won<br />

the Transmedia Best Play award for 2005.<br />

His film directorial debut, Right Here, Right Now (2003), a<br />

30-minute film that deals with the idea of cyclic causality,<br />

achieved substantial critical acclaim. His second film Continuum<br />

(2006) was co-directed with Khushboo Ranka.


MASTER CLASS<br />

Filmmaker on Making Drama<br />

,sVe Ãx¨,u<br />

,sVe bZxks;u dukMk ds lokZf/kd çfl) dykRed funsZ”kdksa esa ls ,d gSaA<br />

bZxks;u us fVªfuVh d‚yst] VksjaVks fo”ofo|ky; ls Lukrd fd;kA dku fQ+Ye<br />

lekjksg ¼xzka çh] baVjus”kuy fØfVDl vokMZ~l vkSj bD;qesfudy twjh iqjLdkj½<br />

esa ikap iqjLdkj ÁkIr fd;sA blds vfrfjDr nks vdkneh iqjLdkj ukekadu] 25<br />

dukMkbZ tsuh iqjLdkj ¼rhu loZJs’B fQYe iqjLdkjksa lfgr½] us”kuy cksMZ v‚Q+<br />

fjO;w ls iqjLdkj] ÝSadQ+VZ cqd esys esa csLV baVjus”kuy ,MsIVs”ku iqjLdkj çeq[k<br />

gSaA 1994 esa ,Dt+ksfVdk ls mUgsa varjjk’Vªh; igpku feyhA n LohV gsvjvk+Vj<br />

leh{kdksa }kjk cgqr ljkgh x;hA mudh fQ+Ye vjkjr rqdhZ vksVkseu lkezkT;<br />

esa vkehZfu;kbZ ujlagkj ls cps vf”kZy x‚dhZ ds thou ij vk/kkfjr gSaA vf”kZy<br />

ckn esa vejhdh lkj vfHkO;fäokn dk vxz.kh cusA “yks, O;kolkf;d :i ls<br />

bZxks;u ds dSfj;j dh lQyre fQ+Ye jghA Ogs;j n VªqFk ykbt+] vMksjs”ku]<br />

MsfoYl ukWV] n dSfIVo vkSj fjesEcj bxks;u dh vU; fQ+Yesa gSaA bxks;u us<br />

fFk,Vj vkSj vksisjk dk funsZ”ku Hkh fd;k gS] ftlesa n vk;fj”k VkbEl@bZ,lch<br />

iqjLdkj ls lEekfur lSeq,y csdsV~l dk ,g tks “kkfey gSA bZxks;u us dusfM;u<br />

vksisjk daiuh vkSj fyadu lsaVj Q+sfLVoy] U;w;‚dZ ds fy, iqjLdkj fotsrk vksisjk<br />

çLrqfr;ksa dk funsZ'ku fd;kA islsfQ+d vksisjk foDVksfj;k ds fy, fufeZr tsuqQ+k<br />

dk foDVksfj;k esa çhfe;j gqvkA bZxks;u ds dykRed dk;ksZa dks osful fcukys<br />

vkSj çfrf’Br varjjk"Vªh; laLFkkuksa esa çLrqr fd;k x;k gSA mudk LVhucsDdsV<br />

VsV ds laxzg dk LFkk;h fgLlk gS tks fczVsu ds vkVZ,axy }kjk deh”ku fd;k<br />

x;k gSSA bZxks;u dks Ýkal dk loksZPp lEeku ßdEisfu;u vkWQ+ n vkMZj vkWQ+<br />

dukMkß ls lEekfur fd;k x;k gSA<br />

Atom Egoyan<br />

Atom Egoyan is one of Canada’s most celebrated arthouse<br />

directors. Exotica which won the FIPRESCI Prize at Cannes’94,<br />

was his international breakthrough film. The Sweet Hereafter,<br />

his most critically acclaimed film, received two Academy<br />

Award nominations. Ararat, about the Armenian genocide in<br />

the Turkish Ottoman Empire, centred on child survivor Arshile<br />

Gorky, went on to become the pioneer of American abstract<br />

expressionism. Where the Truth Lies, Adoration and The<br />

Captive, have all competed for the Palme d’Or in Cannes.<br />

Egoyan has also directed theatre and opera, including an<br />

adaptation of Samuel Beckett’s Eh Joe, winner of The Irish<br />

Times/ESB Award for Best Direction. He has directed awardwinning<br />

opera productions for the Canadian Opera Company<br />

and the Lincoln Center Festival, New York. Egoyan’s art<br />

installations have been presented at the Venice Biennale,<br />

his work, Steenbeckett, commissioned by the UK’s Artangel,<br />

is part of the permanent collection of the Tate. His films have<br />

been presented in several retrospectives across the globe,<br />

with complete career overviews in Paris, Madrid, New York and<br />

Brussels. Egoyan was knighted by the French government and<br />

is a Companion of the Order of Canada, the country’s highest<br />

honour.


MASTER CLASS<br />

Sound Mixing<br />

Øsx eku<br />

Øsx eku y‚l ,aftYl] dSfyQksfuZ;k esa fj&fjd‚fMaZx feDlj gSaA lkmaM baMLVªh<br />

esa mUgsa 15 o"kksaZ dk vuqHko gSA Øsx us bUlkbfM;l] vkb bu n Ldkb] ek'kZy]<br />

,sukcsys] fØ,'ku] Mksi ,aM xksYM tSlh Cy‚dcLVj fQ+Yeksa esa /ofu la;kstu<br />

fd;kA Øsx dks fOgIyS'k esa loZJs"B /ofu ds fy, ,,eih,l iqjLdkj] lSVsykbV<br />

vokMZ~l] ckVk iqjLdkj vkSj loZJs"B /ofu feJ.k ds fy, ,dsMseh iqjLdkj ls<br />

lEekfur fd;k x;k FkkA Øsx us Q+ku'kkos d‚yst] yanu vksUVsfj;ks ls E;qft+d<br />

baftfu;fjax Áksxzke dks iwjk dj lkmaM vkbfM;kt+ esa /ofu çHkko fjd‚fMaZx vkSj<br />

laiknu 'kq: fd;kA ogha ij mUgsa fQ+Ye esa #fp gqbZ vkSj mUgksaus dklkCykadk<br />

lkmaM] VksjaVks esa ikap o’kZ rd fjd‚fMaZx feDlj ds lgk;d ds :i esa dke<br />

fd;kA rRi”pkr~ os lkark eksfudk pys x;s vkSj VksM&,vks esa vkB o’kZ rd<br />

fjd‚fMaZx feDlj ds çf'k{kq ds :i esa dke fd;kA<br />

2009 esa Øsx dks Lora= :i ls dke djus dk volj feykA fQ++Yedkj dh<br />

–f"V dks LØhu ij ykus ds fy, /ofu ds mi;ksx ds u, u, rjhdksa dh [kkst<br />

djuk Øsx cgqr fÁ; gSA<br />

Craig Mann<br />

Craig Mann is a re-recording Mixer in Los Angeles, California.<br />

With over 15 years of sound industry experience under his<br />

belt, Craig’s work can be heard on a number of blockbusters,<br />

including Insidious, Eye In The Sky, Marshall, Annabelle:<br />

Creation, Dope and Gold starring Matthew McConaughey. He<br />

was recently awarded an AMPS award for Best Sound in a<br />

Feature Film, a Satellite Award for Best Sound, a BAFTA for<br />

Best Sound and an Academy Award for Best Sound Mixing for<br />

the film Whiplash.<br />

After completing the Music Engineering program on Music<br />

Industry Arts from Fanshawe College in London Ontario, Craig<br />

was hired at Sound Ideas, where he began recording and editing<br />

sound effects. While working there, sound for film aroused his<br />

interest, and he joined Casablanca Sound in Toronto. There,<br />

he worked as an assistant to several of the top re-recording<br />

mixers in Canada. After five years there, an opportunity arose<br />

to tour several sound facilities in Los Angeles. Craig realized<br />

that moving to the next level would involve a change of venue.<br />

He relocated to Santa Monica and was hired at Todd-AO. Over<br />

the next eight years, Craig served as an apprentice for several<br />

world-renowned re-recording mixers, soon taking the leap into<br />

mixing himself in 2009.<br />

Discovering new ways to utilize sound to help bring filmmakers’<br />

vision to the screen is what Craig loves most about his job.<br />

.


MASTER CLASS<br />

Characterization and Casting for <strong>Cinema</strong><br />

eqds'k NkcM+k<br />

eqds'k NkcM+k Hkkjr ds vxz.kh dkfLVax funsZ'kd gSaA Jhjke lsaVj ls nks lky rd<br />

vfHku; esa çf'k{k.k ysus ds ckn jk"Vªh; Ldwy v‚Q Mªkek ds lkFk feydj fnYyh<br />

esa lkr ls vf/kd lky fFk,Vj bu ,tqds”ku ds rgr cPpksa dks i


MASTER CLASS<br />

With Dangal Team<br />

furs'k frokjh<br />

furs'k frokjh us viuk cpiu e/; çns'k ds fofHkUu 'kgjksa esa fcrk;kA 1996<br />

esa vkbZvkbZVh] eqacbZ ls chVsd fd;kA vkbZvkbZVh&ch esa os [ksy ds lkFk&lkFk<br />

ukVdh; ekspksaZ ij cgqr lfØ; FksA chVsd ds ckn mUgksaus foKkiu ds {ks= esa<br />

mrjus ls igys ,d vxz.kh l‚+Vos;j QeZ ds lkFk dqN le; ds fy, dke<br />

fd;kA fy;ks cusZV bafM;k ds phQ fØ,fVo v‚fQlj ds :i esa dke djrs gq, 17<br />

o’kksZa rd viuh çfrHkk ls foKkiu txr esa igpku cuk ;hA bl nkSjku mUgksaus<br />

viuh Vhe ds lkFk dbZ ?kjsyw vkSj lkFk gh varjkZ"Vªh; ;knxkj foKkiu cuk,<br />

vkSj iqjLdkj thrsA frokjh fpYyj ikVhZ ds lg&ys[ku vkSj lg&funsZ'ku lkFk<br />

c‚yhoqM esa iw.kZdkfyd funsZ'kd cu x;sA fpYyj ikVhZ dks rhu jk"Vªh; iqjLdkj<br />

çkIr gq,A mlds ckn mUgksaus HkwrukFk fjVUlZ dk lg&ys[ku vkSj funsZ'ku fd;kA<br />

mUgksaus naxy dk lg&ys[ku vkSj funsZ'ku fd;k gSA ;g c‚yhoqM dh lQyre<br />

fQ+Yeksa esa ls ,d jghA<br />

ih;w"k xqIrk<br />

ih;w"k xqIrk ,d iVdFkk ys[kd gSaA mUgksaus naxy] HkwrukFk fjVUlZ vkSj ,lds,Q<br />

ds fy, ,d fQ+Ye ¼vHkh “kh’kZd ugha½ dh iVdFkk fy[kh gSA mUgsa foKkiu ds<br />

{ks= esa nl o’kksZ dk vuqHko gSA og vius dke esa ekuo var–Zf"V dks lekfgr<br />

djus esa fo'okl djrs gaSA mudk ekuuk gS fd ukVd thou dk fgLlk gS] dsoy<br />

bls [kkstus dh vko';drk gSA dqN iVdFkk ys[kd tSls _f"kds'k eq[kthZ vkSj<br />

ekftn ethnh ls mUgsa çsj.kk feyrhs gSaA<br />

fuf[ky esgjks=k<br />

vius thou dk vf/kdka'k le; eqacbZ vkSj fcgkj esa jgus ds ckn fuf[ky viuk<br />

le; yksxksa dks] muds O;ogkj vkSj fofp= vkdfLed ?kVukvksa dks ns[kus esa<br />

fcrkrs gSaA yksx dSls ckrphr djrs gSa] dSls ,d nwljs ds dke esas fnypLih ysrs<br />

gSa & ,sls gh dqN vuqHkoksa dks vius dke ds ek/;e ls fn[kkrs gaSA ,d n'kd<br />

rd fuf[ky us foKkiuksa dks fy[kus ds fy, ekuo var–Zf"V dks ,d midj.k ds<br />

:i esa mi;ksx fd;k gS vkSj vc Qhpj fQYeksa dks fy[kus ds fy, dj jgs gaSA<br />

fuf[ky us naxy] HkwrukFk fjVUlZ] fdy fny vkSj bÙksQ+kd dh iVdFkk fy[kh gSA<br />

Nitesh Tiwari<br />

Nitesh Tiwari spent his childhood in various towns of Madhya<br />

Pradesh. While pursuing B-Tech in IIT Bombay, he represented<br />

the team in cricket and his contribution to dramatics in the<br />

institute got him the Dramatics Roll Of Honour. He spent 17<br />

years in advertising and he was the Chief Creative Officer of<br />

Leo Burnett India before becoming a full time director. During<br />

these years he and his team did many memorable campaigns<br />

and won numerous advertising awards, domestic as well as<br />

international. Tiwari started his journey in Bollywood with Chillar<br />

Party which went on to win three National Awards. His other<br />

films oinclude Dangal and Bhootnath Returns.<br />

Piyush Gupta<br />

Piyush Gupta is a screenwriter. The films he has written include<br />

Dangal, Bhoothnath Returns and an untitled film for SKF. With<br />

over ten years’ experience in advertising, he believes in adding<br />

human insights and observations to his work. He believes<br />

that drama is part of life, one only needs to find it. Hrishikesh<br />

Mukherjee and Majid Majidi are some of the screenwriters who<br />

inspire him.<br />

Nikhil Mehrotra<br />

Having lived most of his life in Mumbai and Bihar, Nikhil spends<br />

his time observing people, their behaviour, and quirks. He<br />

imitates how an uncle talks, what a neighbour is interested in.<br />

What looks like a way of having fun is also the greatest tool to<br />

his craft.The tool of human insights. For a decade, Nikhil has<br />

used insights to write advertising campaigns. And now he is<br />

using them to write feature films. Some of the films Nikhil has<br />

penned include Dangal, Bhootnath Returns, Kill Dil and Ittefaq.


MASTER CLASS<br />

'ks[kj diwj<br />

'ks[kj diwj ,d Hkkjrh; fQYe funsZ'kd] fuekZrk vkSj dFkkdkj gSaA mUgksaus fganh<br />

fQYe eklwe ds lkFk funsZ'ku dh 'kq#vkr dhA mudh fQ+Ye feLVj bafM;k<br />

O;kolkf;d lQy rFkk Hkkjrh; flusek dh ^^100 loZJs"B Hkkjrh; fQYeksa esa ls<br />

,d jgh^^A mUgksaus dbZ o`Ùkfp= vkSj y?kq fQYe Hkh cukbZ gS<br />

diwj us Qwyu nsoh dh thouh fQYe csafMV Dohu ds lkFk oSf'od ekU;rk çkIr<br />

dh vkSj bls loZJs"B fganh fQYe dk jk"Vªh; fQ+Ye iqjLdkj feykA<br />

'ks[kj us jkuh ,fytkcsFk ds thou ij vk/kkfjr nks ,sfrgkfld fQ++Yeksa esa dSV<br />

CySapsV dks vfHku; dk volj nsdj varjjk’Vªh; igpku fnyk;hA bu fQ+Yeksa<br />

dks nks vdkneh iqjLdkjksa lfgr lkr ukekadu feysA bUgsa loZJs"B fQ+Ye lfgr<br />

ikap ck+rk iqjLdkj Hkh feysA<br />

'ks[kj us ,aMª;w y‚;M oscj ds lkFk c‚Ecs MªhEl cuk;kA os dku] yanu vkSj VksD;ks<br />

fQYe lekjksgksa ds twjh jg pqds gSaA ,d fMftVy ehfM;k m|eh ds :i esa Hkkjr<br />

ds lcls lQy v‚uykbu IysVQkeZ ßD;wdhß dh LFkkiuk dhA vesfjdh çlkjd<br />

ds fy, foy 'ksDlfi;j J`a[kyk dk funsZ'ku vkSj fuekZ.k fd;k gSA<br />

Shekhar Kapur<br />

Shekhar Kapur is an Indian film director,producer and storyteller.<br />

His directorial debut with cult Bollywood film Masoom won the<br />

Filmfare Critics Award for Best Movie of the year while Mr. India<br />

was declared one of the “100 Greatest Indian Films of All Time”<br />

on the centenary of Indian cinema. He has also made several<br />

documentaries and short films.<br />

Shekhar gained global recognition with the film Bandit Queen,<br />

a biopic of Indian bandit and politician Phoolan Devi, which<br />

won the National Award for Best Feature Film in Hindi and<br />

the Filmfare Critics Award for Best Movie and Best Direction<br />

for that year. Premiering in the Directors’ Fortnight section<br />

of the 1994 Cannes Film Festival, the film caused a furore,<br />

catapulting Kapur into international success. Kapur introduced<br />

Cate Blanchett to the world in his two historical biopics of<br />

Queen Elizabeth, which were nominated for 7 Academy<br />

Awards, including Best Film, and won 2; also winning 5 BAFTA<br />

Awards, including Best Film.<br />

Kapur co-created the hit West-end show Bombay Dreams with<br />

Andrew Lloyd Webber and has been the recipient of the Indian<br />

National Film Award, the BAFTA Award, the National Board of<br />

Review Award, and three Filmfare Awards. In 2010, he served<br />

as one of the Jury Members (<strong>International</strong> Competition) at the<br />

63rd Cannes Film Festival. He has also been on the jury of the<br />

London Film Festival, the Tokyo Film Festival, and was one of<br />

the sponsors of the <strong>International</strong> Indian Film Festival in Goa.<br />

Aside from his professional work in film, Kapur is one of India’s<br />

foremost activists on environmental and water sustainability<br />

issues. He is also a digital media entrepreneur, founding<br />

‘Qyuki’, one of India’s most successful online platforms for<br />

young Indian creators.


isuy }kjk ppkZ<br />

Hkkjr ds ;qok fQ+Yedkj & mHkjrh vkokt+sa vkSj u;s dFkkud<br />

lapkfydk vf'ouh v¸;j frokjh] fQYedkj<br />

vf'ouh v¸;j frokjh lksfQ+;k i‚yhVsfDud ls ,IykbM vkVZ~l esa Lo.kZ ind fotsrk gSaA foKkiu ,tsalh fy;ks cusZV ¼Hkkjr½ esa dke<br />

djrs gq, mUgksaus dku yk;Ul tSls dbZ iqjLdkj thrsA mUgksaus fQ+Ye cukus ds tquwu ds fy, foKkiu {ks= dks NksM+ fn;kA OgkWV bt+<br />

Q+kWj czsdQkLV\ mudh igyh y?kq fQ+Ye FkhA jk"Vªh; ,oa varjjk"Vªh; Lrj ds 100 ls vf/kd foKkiu cukus ds ckn vf'ouh us igyh<br />

fQ++Ye uhy cês lUukVk dk funsZ”ku fd;kA mUgksaus vEek dkukDdq ds :i mldk rfey :ikUrj cuk;kA mudh nwljh Q+hpj cjsyh<br />

dh cQhZ ,d Lyhij fgV FkhA<br />

vkj-,l- çlUuk] fQYedkj<br />

33 o"khZ; funsZ'kd vkj-,l- çlUuk ,d us c‚yhoqM esa jksekafVd d‚esMh 'kqHk eaxy lo/kku ds lkFk 'kq#vkr dh FkhA ;g mudh rfey fQYe<br />

dY;k.k lsuk lkne ij vk/kkfjr FkhA ,y-Ogh- çlkn fQYe Ldwy] psUubZ ds Lo.kZ ind fotsrk çlUuk us cfyZu vkSj cqlku fQ+YeksRloksa<br />

esa ,d ;qok fQYe çfrHkk ds :i esa Hkkx fy;kA çlUuk fo'ofo|ky;ksa ds d‚iksZjsV laxBuksa esa oDrk ds :i esa tkrs jgrs gaSA og orZeku<br />

esa viuh vxyh c‚yhoqM fQ+Ye dk ys[ku dj jgs gSa ftlds fuekZrk fl)kFkZ j‚; diwj gksxsaaA<br />

HkkLdj gtkfjdk] fQYedkj<br />

HkkLdj gtkfjdk ubZ fnYyh ds ,d ys[kd vkSj fQ+Ye fuekZrk gSaA mudh igyh fQ+Ye dksFkkuksnh dks ,f'k;kbZ flusek QaM ls iksLV<br />

çksMD'ku xzkaV çkIr gqbZ Fkh vkSj cqlku fQYe QsfLVoy esa fo'o çhfe;j gqbZ FkhA mlds i”pkr~ ;g fQ+Ye fo”o Hkj ds fQ+YeksRloksa<br />

esa Ánf”kZr gqbZ vkSj 2016 esa jk"Vªh; fQ+Ye iqjLdkj çkIr fd;kA gtkfjdk dh nwljh Qhpj & vkfel fuekZ.kk/khu gS vkSj 2018 esa<br />

fjyht gksus dh laHkkouk gSA<br />

dkfrZd lqCckjkt] fQYedkj<br />

enqjS ds dkfrZd lqCckjkt rfey fQYe ds funsZ'kd&fuekZrk gSaA mUgksaus funsZ'ku djus ls igys NksVh fQYesa cukbZaA 2012 esa dkfrZd dh<br />

igyh Q+hpj fiT+t+k lky dh lcls cM+h fgV FkhA mUgksaus 2014 esa ftxjnaMk ¼,d laxhre; xSaxLVj½ fQ+Ye dks nks jk"Vªh; iqjLdkj<br />

feysA 2016 ,d iq#"k&ç/kku lekt esa efgykvksa dh leL;kvksa ij cuh bZjk;oh dks cgqr egRoiw.kZ ç'kalk vkSj c‚Dl v‚fQl ij<br />

lQyrk feyhA og orZeku esa viuh pkSFkh fQYe ,d ewd fFkzyj edZ~;wjh dks vafre :i ns jgs gSaA


PANEL DISCUSSION<br />

Young Filmmakers of India- Emerging Voices and New Narratives<br />

Moderator Ashwiny Iyer Tiwari, Filmmaker<br />

Ashwiny Iyer Tiwari is a gold medalist in Applied Arts from Sophia Polytechnic. While working for advertising agency Leo Burnett<br />

(India), she won several awards, including Cannes Lions. She quit advertising to follow her passion in filmmaking. Her first short<br />

film was What’s for Breakfast?. After working for over 100 commercials and delivering creative solutions to national/international<br />

clients, she made her narrative feature debut with the highly acclaimed Nil Battey Sannata. She remade the film in Tamil as Amma<br />

Kanakku. Her second feature, Bareilly Ki Barfi, was a sleeper hit.<br />

R.S. Prasanna, Filmmaker<br />

R.S. Prasanna, 33, is a director who debuted in Bollywood this year with the romantic comedy Shubh Mangal Saavdhaan. The<br />

movie, adapted from his own Tamil debut Kalyana Samayal Saadham (2013), was hailed for the sensitive and hilarious treatment<br />

of an unusual theme: male impotence. A gold medal-winner from L.V. Prasad Film School, Chennai, he participated as a young<br />

filmmaking talent at the festivals in Berlin and Busan. Prasanna is a sought after speaker in universities, corporate outfits. He is<br />

currently writing his next Bollywood film to be produced by Siddharth Roy Kapur.<br />

Bhaskar Hazarika, Filmmaker<br />

Bhaskar Hazarika is a writer and filmmaker based in New Delhi. His debut film Kothanodi (2015) received the Post Production Grant<br />

from Asian <strong>Cinema</strong> Fund and had its World Premiere at the Busan Film Festival. Kothanodi has since travelled to festivals around<br />

the world and received the National Film Award in 2016. Hazarika’s second feature - Aamis (Voracious) - is under production at<br />

present and is expected to release in 2018.<br />

Karthik Subbaraj, Filmmaker<br />

Karthik Subbaraj is a director-producer in the Tamil Film industry. Hailing from Madurai, he made short films before directing<br />

four features. In 2012, Karthik’s first feature Pizza was the biggest hit of the year. He followed this up in 2014 with Jigarthanda,<br />

a musical gangster movie that won two National Awards. In 2016, Iraivi dealt with issues faced by women in a male-dominated<br />

society. The movie received enormous critical appreciation and was a box office success. He is currently giving finishing touches<br />

to his fourth film, Mercury, a silent thriller.


isuy }kjk ppkZ<br />

dgkuh dh “kfDr & vkWuykbu ,oa vkWQ+ykbu leqnk;ksa ds fy, u, lewgksa dh jpuk<br />

v‚CtoZj fjlpZ QkmaMs'ku ¼vksvkj,Q½ }kjk çLrqr v‚u ,aM v‚Qykbu dE;wuhVh ds fy, u, xzwi dh jpuk- ;g iWuy Jh lehj lju] mik/;{k] v‚CtoZj fjlpZ<br />

QkmaMs'ku }kjk lapkfyr fd;k tk,xkA buesa 'kkfey gksusokys iSuy ds lnL; gS %&<br />

lapkyd lehj lju] mik/;{k] v‚CtoZj fjlpZ Q+kmaMs'ku+<br />

lehj lju v‚CtoZj fjlpZ Q+kmaMs'ku] ubZ fnYyh ds mik/;{k gSaA og vksvkj,Q+ ds vkmVjhp vkSj O;kolkf;d fodkl xfrfof/k;ksa<br />

dk usr`Ro djrs gSA og jk;lhuk Mk;ykWx] Hkkjr ds okf’kZd Hkw&jktuhfr vkSj Hkw&vFkZ'kkL= dk çeq[k eap ds laxzgk/;{k rFkk lkbcj<br />

lqj{kk vkSj baVjusV lapkyu ij Hkkjr ds okf"kZd lEesyu flfQ ds v/;{k gSaA lehj oSf'od 'kklu ¼tyok;q ifjorZu vkSj ÅtkZ uhfr]<br />

oSf'od fodkl okLrqdyk] lkbcj lqj{kk vkSj baVjusV lapkyu½ ds fo’k;ksa ij Hkkjr dh fons'k uhfr ij fVIi.khdkj gaSA lehj n Xykscy<br />

dfe'ku v‚u n LVsfcfyVh v‚Q+ lkbcjLisl ds vk;qDr vkSj n oYMZ bdkWuksfed Q+ksje ds nf{k.k ,f'k;k lykgdkj cksMZ ds lnL;<br />

gksus ds lkFk&lkFk Xykscy +;wpj dkmafly vkWu lkbcj flD;ksfjVh dk ,d fgLlk gSaA og lsaVj Q+kWj ihl ,aM flD;ksfjVh] ljnkj<br />

iVsy iqfyl fo'ofo|ky;] tks/kiqj] Hkkjr ds funs'kd gSaA<br />

fuf'kdkar dker<br />

eqEcbZ esa tUes vkSj iyss fuf'kdkar dker us ,d jaxeap vfHkusrk vkSj funsZ'kd ds :i esa viuk dfj;j 'kq: fd;kA fQj mUgksaus ,d<br />

n'kd rd Vsyhfotu esa dke fd;kA ejkBh fQYe Mksafcoyh Q+kLV ds funsZ”ku ds lkFk mUgksaus flusek ds {ks= esa inkiZ.k fd;kA mUgksaus<br />

ckn esa bokuks vks#o uke ls bldk rfey :ikUrj cuk;kA 2008 esa] mUgksaus viuh igyh fganh fQYe eqacbZ esjh tku cukbZ ftlesa<br />

vkj- ek/kou] lksgk vyh [k+ku] bjQ+ku [k+ku] ijs'k jkoy vkSj ds ds esuu us vfHku; fd;k FkkA mudh vxyh fjyht Q+kslZ FkhA 2014<br />

esa fjrs'k ns'keq[k vfHkuhr ybZ Hkkjh ¼ejkBh½ dk funsZ”ku fd;kA tqykbZ 2015 esa] mUgksaus vt; nsoxu ds lg;ksx ls n`”;e cukbZA t‚u<br />

vczkge ds lkFk j‚dh gsUMle vkSj bjQ+ku [k+ku vfHkuhr enkjh budhs nks vU; fQYesa gSaA<br />

jktk —".k esuu<br />

jktk —".k esuu ,d Hkkjrh; fQ+Ye ys[kd] funsZ'kd vkSj fuekZrk gSaA mudk tUe dsjy ds f=pwj esa gqvk] tgka mUgksaus vius cpiu dk<br />

,d cM+k fgLlk fcrk;kA og ey;kye vfHkusrk Vh-ih- ek/kou ds iq= gSaA ,d foKkiu funZs'kd ds :i esa 'kq:vkr djus ds ckn os<br />

Qhpj fQYeksa dk funsZ”ku djus yxs vkSj cl ;w¡ gh] 'ksQ+] ,;jfy+V bR;kfn dk funsZ'ku fd;kA mudh nqljh fQ+Ye ckjg vkuk leh{kdksa<br />

}kjk ljkgh x;h rFkk vusd fQ+Ye lekjksgksa esa çnf”kZr gqbZ vkSj dbZ ukekadu ,oa iqjLdkj thrsA<br />

vUuk yqbZ lqLeu<br />

vUuk yqbZ lqLeu vkVZlh esa dyk cktkj laiknd gS] tgka og lkaL—frd fuekZ.k vFkZ'kkL= laca/kh dk;Z djrh gaSA og igys n o‚y<br />

LVªhV tuZy vkSj j‚;VlZ dh laoknnkrk] oqeWubunoYMZ-vksvkjth dhs laiknd rFkk ofj"B ys[kd] vkSj n Msyh LVkj] cs:r] yscuku<br />

dh dyk laiknd FkhasA 2015 esa og esykuhosohZj vkSj fde vtsjsyh ds Q+kLV Q+‚joMZ ¼,d iqLrd tks ;g çfrikfnr djrh gS fd<br />

oSf'od vFkZO;oLFkk esa efgykvksa dks vkxs c


PANEL DISCUSSION<br />

The Power of Story Telling - Creating New Groups for Communities<br />

Online and Offline<br />

Creating new Groups for Communities On and Offline presented by Observer Research Foundation (ORF) which is a not-forprofit,<br />

multidisciplinary public policy think tank engaged in developing and discussing policy alternatives on a wide-range of issues<br />

of national and international significance. Some of their key areas of research include international relations, defence, security,<br />

politics and governance, resources management and economy and development. Its mandate is to conduct in-depth research,<br />

provide inclusive platforms and invest in tomorrow’s thought leaders today. The panel will be moderated by Mr Samir Saran, Vice<br />

President, Observer Research Foundation.<br />

Moderator Samir Saran, VP, ORF<br />

Samir Saran is the Vice President of Observer Research Foundation, New Delhi. He spearheads ORF’s outreach and business<br />

development activities. He curates Raisina Dialogue, India’s annual flagship platform on geopolitics and geo-economics, and<br />

chairs CyFy, India’s annual conference on cyber security and internet governance.<br />

Samir is a frequent commentator on issues of global governance (climate change and energy policy, global development<br />

architecture, cyber security and internet governance) and on India’s foreign policy. Samir is Commissioner, The Global Commission<br />

on the Stability of Cyberspace, and member of the South Asia advisory board of the World Economic Forum as well as part of its<br />

Global Future Council on Cybersecurity. He is Director of the Centre for Peace and Security at the Sardar Patel Police University,<br />

Jodhpur, India.<br />

Nishikant Kamat<br />

Nishikant Kamat, born and raised in Mumbai, started his career as an actor and director in theatre. He then worked in television for<br />

a decade. He made his debut as a big screen director with the Marathi film Dombivali Fast, which he later adapted for the Tamil film<br />

Evano Oruvan. In 2008, he made his Hindi debut with Mumbai Meri Jaan. The film had an ensemble cast of R. Madhavan, Soha<br />

Ali Khan, Irrfan Khan, Paresh Rawal and Kay Kay Menon. His next release was Force in 2011. Kamat returned to Marathi cinema<br />

in 2014 with Lai Bhaari, starring Riteish Deshmukh. In July 2015, he collaborated with Ajay Devgn for the film Drishyam. He has<br />

made two other films – Rocky Handsome, his second collaboration with actor John Abraham, and Madaari, starring Irrfan Khan.<br />

Raja Krishna Menon<br />

Raja Krishna Menon is an Indian film writer, director and producer. He was born in Thrissur, Kerala, where he spent a major part of<br />

his childhood. He is the son of Malayalam actor T.P. Madhavan. He started as an advertisement director and later moved to feature<br />

films. He has directed Bollywood films like Chef and Airlift. His first film, Bas Yun Hi was among the first of wave of independent<br />

films made in Mumbai. His second film Barah Aana was received with rave reviews, travelled to many international film festivals<br />

and won many nominations and awards.<br />

Anna Louie Sussman<br />

Anna Louie Sussman is the art market editor at Artsy, where she covers the intersection of cultural production economics. She<br />

was previously a correspondent at The Wall Street Journal and Reuters, the editor and senior writer at WomenintheWorld.org,<br />

and the arts editor at The Daily Star in Beirut, Lebanon. In 2015, she was the lead researcher and writer for Melanne Verveer and<br />

Kim Azzarelli’s Fast Forward, a book that makes the moral and business case for why we must advance women across the global<br />

economy. She has over a decade of experience writing on gender, social issues, and the arts.


isuy }kjk ppkZ<br />

Hkkjr esa cPpksa dk flusek<br />

Jh çlwu tks'kh] v/;{k] lhch,Qlh }kjk lapkfyr *Hkkjrh; fQYeksa esa cPpksa dh fQYesa] D;k i;kZIr daVsaV gS cPps ftlls tqM+ lds\*<br />

lapkyd çlwu tks'kh dsaæh; fQYe çek.ku cksMZ] çeq[k<br />

Hkkjrh; fQYe m|ksx esa lcls lEekfur ukeksa esa ls ,d çlwu tks'kh ,d çfrHkk'kkyh xhrdkj ls dgha vf/kd gSA og dsaæh; fQYe<br />

çek.ku cksMZ ds çeq[k gaSA vYeksM+k] mÙkjk[kaM esa tUes 45 o"khZ; dfo vkSj iVdFkk ys[kd ,d lQy foKkiudkj gaSA ,d foKku Lukrd]<br />

tks'kh us vksfxyoh ,aM ekFksj ds lkFk viuk dfjvj 'kq: fd;k vkSj eSddsu&,fjdlu ds dk;Zdkjh mik/;{k cu x,A<br />

mUgksaus 1999 esa Hkksiky ,Dlçsl ds lkFk xhr fy[kuk 'kq: fd;k Fkk] ysfdu jktdqekj larks”kh dh fQYe yTtk ds xhr ÞdkSu Mxj<br />

dkSu “kgjÞ dh lQyrk ds lkFk mUgsa ubZ igpku feyhA blds ckn tks”kh us Quk] jax ns clarh] CySd] fnYyh 6 vkSj Hkkx feY[kk Hkkx<br />

tSlh fQYeksa ds xhr fy[ksA 2007 esa tks'kh dkss rkjs teha ij rFkk fpVkxkWUx ds fy, loZJs"B xhr ds jk"Vªh; iqjLdkj feysA muds<br />

fy[ks uhjtk ds xhr Hkh cgqr ilan fd;s x;sA 2015 esa tks'kh dks in~eJh ls lEekfur fd;k x;kA<br />

vuqjkx cklq<br />

vuqjkx cklq ,d c‚yhoqM funsZ'kd vkSj ys[kd gSaA mUgksaus Hkkjr ds igys lksi vksisjkvksa esa ls ,d rkjk lfgr dbZ Vsyhfotu<br />

/kkjkokfgdksa dk funsZ'ku fd;kA mUgksaus ckykth VsfyfQ+YEl ds dksf'k”k ,d vk”kk vkSj ehr dks jchaæukFk VSxksj dh dgkuh ij vk/kkfjr<br />

ukSdknwch dk funsZ”ku Hkh fd;k FkkA dqN rks gS mudh igyh fQYe FkhA vxyh fQYe lk;k vykSfdd 'kSyh dh FkhA eMZj g‚yhoqM dh<br />

fgV vuQ+sFkQ+qy ij vk/kkfjr FkhA viuh vxyh fQYe rqelk ugha ns[kk ds fQYekadu ds nkSjku cklq jä dSalj jksx ls ihfM+r gks x;sA<br />

ckn esa ;g fQ+Ye eksfgr lwjh vkSj egs'k Hkê us iwjh dhA 2006 esa vuqjkx clq us xSaxLVj ds lkFk okilh dhA blds ckn ykbQ+ bu<br />

, esVªks leh{kdksa }kjk ç'kaflr jghA cklq us xSaxLVj] ykbQ+ bu , esVªks vkSj dkbV~l dh iVdFkk,a Hkh fy[khaA<br />

furs”k frokjh<br />

furs'k frokjh us viuk cpiu e/; çns'k ds fofHkUu 'kgjksa esa fcrk;kA 1996 esa vkbZvkbZVh] eqacbZ ls chVsd fd;kA vkbZvkbZVh&ch esa os [ksy<br />

ds lkFk&lkFk ukVdh; ekspksaZ ij cgqr lfØ; FksA chVsd ds ckn mUgksaus foKkiu ds {ks= esa mrjus ls igys ,d vxz.kh l‚+Vos;j QeZ ds<br />

lkFk dqN le; ds fy, dke fd;kA fy;ks cusZV bafM;k ds phQ fØ,fVo v‚fQlj ds :i esa dke djrs gq, 17 o’kksZa rd viuh çfrHkk<br />

ls foKkiu txr esa igpku cuk;hA bl nkSjku mUgksaus viuh Vhe ds lkFk dbZ ?kjsyw vkSj lkFk gh varjkZ"Vªh; ;knxkj foKkiu cuk,<br />

vkSj iqjLdkj thrsA frokjh fpYyj ikVhZ ds lg&ys[ku vkSj lg&funsZ'ku lkFk c‚yhoqM esa iw.kZdkfyd funsZ'kd cu x;sA fpYyj ikVhZ<br />

dks rhu jk"Vªh; iqjLdkj çkIr gq,A mlds ckn mUgksaus HkwrukFk fjVUlZ dk lg&ys[ku vkSj funsZ'ku fd;kA mUgksaus naxy dk lg&ys[ku<br />

vkSj funsZ'ku fd;k gSA ;g c‚yhoqM dh lQyre fQYeksa esa ls ,d jghA<br />

jktho fpydk<br />

jktho xzhu xksYM ,fues'ku ds laLFkkid vkSj lhbZvks gSaA mUgksaus Hkkjr ds lcls cM+s ,uhes'ku czkaM NksVk Hkhe dk fuekZ.k fd;k<br />

gS ftls 4 djksM+ ls vf/kd cPps ns[krs gaSA ;g igyk Hkkjrh; ,uhes'ku pfj= gS] tkss Lo;a ,d czkaM cu x;k gSA muds Áfr’Bku<br />

xzhu xksYM us fiNys 14 o"kksaZ esa ,uhes'ku ds 550+ ,filksM] 75+ Vsyhfotu fQYesa vkSj pkj fQ+Yeksa dk fuekZ.k fd;k gSA fpydk us<br />

mLekfu;k fo'ofo|ky;] gSnjkckn ls bysDVª‚fuDl vkSj VsfydE;qfuds”kUl bathfu;fjax esa Lukrd dh mikf/k çkIr dh gSA mUgksaus<br />

felkSjh dkulkl flVh fo'ofo|ky; ls daI;wVj lkbal esa ekLVlZ fd;k vkSj ,dsMseh vkWQ+ vkV~Zl] lSu ÝkaflLdks ls ,uhes'ku dk<br />

Hkh v/;;u fd;kA


PANEL DISCUSSION<br />

Children’s <strong>Cinema</strong> in India<br />

“Children’s films in Indian <strong>Cinema</strong> - Is there enough content which connects to Children” this session will be moderated by Prasoon<br />

Joshi, Chairperson, Central Board of Film Certification.<br />

Moderator Prasoon Joshi CBFC, CEO<br />

One of the most respected names in the Indian film industry, Prasoon Joshi is more than just a talented lyricist. He is the chief<br />

of the Central Board of Film Certification (CBFC). Born in Uttarakhand’s Almora, the 45-year-old poet and screenwriter is a<br />

successful ad man. A science graduate, Joshi started his career with Ogilvy and Mather and went on to become the executive<br />

vice-president of McCann-Erickson. He began writing lyrics in 1999 with Bhopal Express, but his big break in films came with the<br />

song Kaun dagar, kaun shehar in Rajkumar Santoshi’s 2001 film Lajja. He became more prominent after penning songs for films<br />

like Fanaa, Rang De Basanti, Black, Delhi 6 and Bhaag Milkha Bhaag. In 2007, Joshi won the National Award for Best Lyrics for<br />

Taare Zameen Par and a second one for Chittagong in 2013. Recently, his lyrics for Neerja songs were also well received. Joshi<br />

was awarded the Padma Shri in 2015.<br />

Anurag Basu<br />

Anurag Basu is a Bollywood director and writer. He directed several television serials, including Tara, one of India’s first soap<br />

operas. He also directed Balaji Telefilms’ Koshish Ek Aasha and Miit, which was based on Rabindranath Tagore’s Noukadubi. He<br />

made his debut in movies with Kucch Toh Hai. His next film Saaya belonged to the supernatural genre. Murder was based on the<br />

Hollywood hit Unfaithful. During the filming of his next film Tumsa Nahin Dekha (2004), Basu was diagnosed with blood cancer.<br />

The movie was later completed by Mohit Suri and Mahesh Bhatt. In 2006, Anurag Basu came back to make Gangster. It was<br />

followed by the critically acclaimed Life in a Metro. Basu wrote the screenplays for Gangster, Life in a Metro and Kites.<br />

Nitesh Tiwari<br />

Nitesh Tiwari spent his childhood in various towns of Madhya Pradesh. In 1992, he came to Mumbai to pursue his B. Tech at the<br />

prestigious IIT Bombay. At IIT-B he was very active on the sports as well dramatic fronts. He represented IIT-B in cricket and his<br />

contribution to dramatics in the institute got him the Dramatics Roll Of Honour. He spent 17 years in advertising and he was the<br />

Chief Creative Officer of Leo Burnett India before becoming a full time director. During these years he and his team did many<br />

memorable campaigns and won numerous advertising awards, domestic as well as international. Tiwari started his journey in<br />

Bollywood with Chillar Party which he co-wrote and co-directed. Chillar Party went on to win three National Awards. He then cowrote<br />

and directed Bhoothnath Returns. His latest venture, Dangal, which he co-wrote and directed, is one of the most successful<br />

Bollywood movies ever.<br />

Rajiv Chilaka<br />

Rajiv is the Founder and CEO of Green Gold Animation. He has created and built India’s biggest animation brand Chhota Bheem,<br />

which currently has a viewership of over 40 million children, and is the first ever Indian animation character to have its own line of<br />

branded merchandise. Under him, over the past 14 years, Green Gold has produced over 550+ episodes of animation content, 75+<br />

television movies and four theatrical movies. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering<br />

from Osmania University, Hyderabad. Chilaka holds a Master’s degree in Computer Science from University of Missouri Kansas<br />

City. He also studied animation at the Academy of Art, San Franscisco.


isuy }kjk ppkZ<br />

lkfgfR;d Ásj.kk & flusek vkSj fyf[kr “kCn<br />

ok.kh f=ikBh fVDdq] fuekZrh ,oa vfHkus=h }kjk lapkfyr *D;k ledkyhu flusek gekjs le; ds lkfgR; dks n'kkZrk gS*<br />

lapkfydk ok.kh f=ikBh fVDdq] fuekZrk ,oa vfHkus=h<br />

ok.kh f=ikBh fVDdq dsUæh; fQYe çek.ku cksMZ dh lcls de mez dh lnL;k gSaA ,d dykdkj vkSj dk;ZdrkZ ds :i esa muds vfHk;ku<br />

vkSj vkmVjhp dk;ZØeksa us efgykvksa dh jktuhfr esa Hkkxhnkjh dks çksRlkfgr vkSj ;qokvksa dks ,d lkoZHkkSe eap çnku djus ij /;ku<br />

dsafær fd;k gS tks f'k{kk] l'kfädj.k vkSj jkstxkj tSls eqíksa dks lacksf/kr djrk gSA fuekZrk ds :i esa og i;kZoj.k vkSj oSf'od<br />

fLFkjrk ls lacaf/kr dk;ZØeksa esa lfØ; gaSA ,d vfHkus=h ds :i esa ns”k&fons”k esa mUgksaus yxHkx 50 ukVd] 40 Vhoh /kkjkokfgd vkSj<br />

Ng fQYeksa esa dke fd;k gSaA fnYyh fo'ofo|ky; ls jktuhfr foKku esa Lukrd gksus ds ckn os fyfoax fFk,Vj vdkneh xbZ vkSj<br />

bczkfge vYdkth ds ekxZn'kZu esa vfHku; lh[kkA mUgksaus us'kuy Ldwy v‚Q Mªkek fFk;sVj esa vfHku; dk f'k{k.k Hkh fd;kA ok.kh us<br />

2011 esa Hkksiky] e/; çns'k esa ns'k ds igys jkT; ljdkj }kjk lapkfyr ukVî fo|ky; dh LFkkiuk dhA ok.kh Hkkjr esa i=dkfjrk<br />

vkSj çlkj.k ls Hkh tqM+h jgha gSaA<br />

veh”k f=ikBh<br />

veh”k f=ikBh ,d tkus ekus Hkkjrh; uoksn; ys[kd gSaA fo'o çfl) fQYe funsZ'kd 'ks[kj diwj us mUgsa ßHkkjr dk igyk lkfgfR;d<br />

i‚iLVkjß dgkA veh'k dh dgkfu;kas esa /kkfeZd çrhdkRedrk] vk/;kRe vkSj xgu n'kZu'kkL= dk vuwBk la;kstu gSA vk/;kfRed xq#<br />

nhid pksiM+k us Hkh muds ys[ku dh Á”kalk dh gSA mudh vc rd N% iqLrdssa Ádkf”kr gks pqdh gSaA n bEeksVZYl vkWQ+ esyqgk] n lhØsV<br />

vkWQ+ ukxkt+] n vksFk vkWQ+ ok;qiq=kt+ f'ko=;h ds uke ls Áfl) Hkkjrh; çdk'ku bfrgkl esa lcls rsth ls fcdus okyh iqLrd J`a[kyk<br />

gSA flvkWu vkWQ+ b{okdq lhrk & okWfj;j vkWQ+ fefFkyk ¼jke paæ lhjht iqLrd 2] <strong>2017</strong>½ gSaA bEekWVZy bafM;k & ;ax daVªh] Vkbeysl<br />

flfoykbt+s”ku dh 40 yk[k çfr;ka eqfær gks pqdh gSaA mudh iqLrdsa 19 Hkkjrh; vkSj fons'kh Hkk"kkvksa esa vuqfnr gqbZ gSaA<br />

;rhaæ feJk<br />

dfo] laiknd] laxhrK vkSj flusek fo”ks’kK ;rhaæ feJk pkj fganh dfork laxzg ds ys[kd gSaA mUgksaus fofHkUu çfl) dykdkj fxfjtk<br />

nsoh] lksuy ekuflag vkSj mLrkn fcfLeYykg [k+ku ds thou vkSj dke ds ckjs esa fy[kk gSA egku ik'oZxkf;dk yrk eaxs'kdj ds thou<br />

ij vk/kkfjr mudh uohure iqLrd yrk % lqj&xkFkk dkss flusek ij loZJs"B ys[ku ds fy, jk"Vªh; fQ+Ye iqjLdkj vkSj ekeh eqacbZ fQYe<br />

egksRlo esa loZJs"B ys[ku ds fy, iqjLdkj çkIr gq,A mÙkj çns'k laxhr ukVd vdkneh iqjLdkj vkSj KkuihB QSyksf'ki ds çkIrdrkZ<br />

gSaA ;rhaæ feJk MhMh Hkkjrh pSuy] nwjn'kZu] çlkjHkkjrh ¼2014&2016½ ds lykgdkj jgs gSaA og v;ks/;k esa jgrs gSaA<br />

çlwu tks'kh<br />

Hkkjrh; fQYe m|ksx esa lcls lEekfur ukeksa esa ls ,d çlwu tks'kh ,d çfrHkk'kkyh xhrdkj ls dgha vf/kd gSA og dsaæh; fQYe<br />

çek.ku cksMZ ds çeq[k gaSA vYeksM+k] mÙkjk[kaM esa tUes 45 o"khZ; dfo vkSj iVdFkk ys[kd ,d lQy foKkiudkj gaSA ,d foKku<br />

Lukrd] tks'kh us vksfxyoh ,aM ekFksj ds lkFk viuk dfjvj 'kq: fd;k vkSj eSdsuu&,fjdlu ds dk;Zdkjh mik/;{k cu x,A<br />

mUgksaus 1999 esa Hkksiky ,Dlçsl ds lkFk xhr fy[kuk 'kq: fd;k Fkk] ysfdu jktdqekj larks"kh dh fQYe yTtk ds xhr ÞdkSu Mxj<br />

dkSu “kgjÞ dh lQyrk ds lkFk mUgsa ubZ igpku feyhA blds ckn tks”kh us Quk] jax ns clarh] CySd] fnYyh 6 vkSj Hkkx feY[kk<br />

Hkkx tSlh fQYeksa ds xhr fy[ksA 2007 esa tks'kh dkss rkjs teha ij rFkk fpVkxkWUx ds fy, loZJs"B xhr ds jk"Vªh; iqjLdkj feys A<br />

muds fy[ks uhjtk ds xhr Hkh cgqr ilan fd;s x;sA 2015 esa tks'kh dks in~eJh ls lEekfur fd;k x;kA


PANEL DISCUSSION<br />

Literary Inspirations <strong>Cinema</strong> and the Written Word<br />

“Is contemporary cinema reflecting the literature of our times” this session will be moderated by Ms Vani Tripathi Tikoo, Producer<br />

& Actress.<br />

Moderator - Vani Tripathi Tikoo Producer & Actress<br />

Vani Tripathi Tikoo is one of the youngest ever members of the Central Board of Film Certification. Her campaigns and outreach<br />

programmes as an artist and activist have focused on encouraging women’s participation in politics and bringing the youth<br />

to a universal platform that addresses issues like education, empowerment and employment. As a producer, she has been<br />

deeply involved in programmes related to environment and global sustainability. She has also been closely involved in theatre,<br />

films and television, having worked in India as well as abroad. As an actor, she has about 50 plays, 40-odd TV serials and<br />

six films to her credit. After graduating in political science from Delhi University, she went to the Living Theatre Academy of<br />

Drama and learnt acting under the guidance of the legendary theatre guru Ebrahim Alkazi. The noted theatre personalities Vani<br />

has worked with include B.V. Karanth, Maya Rao, Barry John and Tripurari Sharma. Later, she worked as an actor-teacher at<br />

the National School of Drama’s Theatre in Education Company. She founded the country’s first state government-run drama<br />

school in Bhopal, Madhya Pradesh Natya Vidyalaya, in 2011. Vani was also attached to journalism and broadcasting in India.<br />

She continues to contribute to Indian newspapers from time to time. She is currently on the Core Committee for the <strong>International</strong><br />

Film Festival of India.<br />

Amish Tripathi<br />

Described as ‘India’s first literary popstar’ by world-renowned film director Shekhar Kapur, Amish’s unique combination of crackling<br />

story-telling, religious symbolism and profound philosophies has made him an overnight publishing phenomenon, with spiritual<br />

guru Deepak Chopra hailing Amish’s books as ‘archetypal and stirring’.<br />

Six of his books – The Immortals of Meluha (2010), The Secret of the Nagas (2011) and The Oath of the Vayuputras (2013), which<br />

collectively comprise the Shiva Trilogy, and Scion of Ikshvaku (2015), Sita – Warrior of Mithila (<strong>2017</strong>), Immortal India – Young<br />

Country, Timeless Civilisation have 4 million copies in print. His books have been translated into 19 Indian and foreign languages.<br />

The Shiva Trilogy is the fastest selling book series in Indian publishing history. Amish is a graduate of IIM-Calcutta and worked for<br />

14 years in the financial services industry before turning to full-time writing.<br />

Yatindra Mishra<br />

Poet, editor, music and cinema scholar, Yatindra Mishra has four collections of Hindi poetry to his credit. He has written about the<br />

life and work of various eminent artists Girija Devi, Sonal Mansingh and Ustad Bismillah Khan. His latest book Lata: Sur-Gatha’<br />

on legendary playback singer Lata Mangeshkar won the National Film Award for Best Writing on <strong>Cinema</strong> and an award for Best<br />

Writing at the MAMI Mumbai Film Festival. Recipient of Uttar Pradesh Sangeet Natak Academy Award and Jnanpith Fellowship,<br />

Mishra has been an advisor to the DD Bharati Channel, Doordarshan, Prasar Bharati (2014-2016). He lives in Ayodhya.<br />

Prasoon Joshi CBFC CEO<br />

One of the most respected names in the Indian film industry, Prasoon Joshi is more than just a talented lyricist. He is the chief<br />

of the Central Board of Film Certification (CBFC). Born in Uttarakhand’s Almora, the 45-year-old poet and screenwriter is a<br />

successful ad man. A science graduate, Joshi started his career with Ogilvy and Mather and went on to become the executive<br />

vice-president of McCann-Erickson. He began writing lyrics in 1999 with Bhopal Express, but his big break in films came with the<br />

song Kaun dagar, kaun shehar in Rajkumar Santoshi’s 2001 film Lajja. He became more prominent after penning songs for films<br />

like Fanaa, Rang De Basanti, Black, Delhi 6 and Bhaag Milkha Bhaag. In 2007, Joshi won the National Award for Best Lyrics for<br />

Taare Zameen Par and a second one for Chittagong in 2013. Recently, his lyrics for Neerja songs were also well received. Joshi<br />

was awarded the Padma Shri in 2015.


isuy }kjk ppkZ<br />

VSxksj dk lalkj<br />

t+h t;iqj lkfgR; lekjksg }kjk çLrqr ^Vkxksj v‚u lSY;wyksbMß ij ppkZ-<br />

lapkfydk ok.kh f=ikBh fVDdq<br />

ok.kh f=ikBh fVDdq dsUæh; fQYe çek.ku cksMZ dh lcls de mez dh lnL;k gSaA ,d dykdkj vkSj dk;ZdrkZ ds :i esa muds vfHk;ku<br />

vkSj vkmVjhp dk;ZØeksa us efgykvksa dh jktuhfr esa Hkkxhnkjh dks çksRlkfgr vkSj ;qokvksa dks ,d lkoZHkkSe eap çnku djus ij /;ku<br />

dsafær fd;k gS tks f'k{kk] l'kfädj.k vkSj jkstxkj tSls eqíksa dks lacksf/kr djrk gSA fuekZrk ds :i esa og i;kZoj.k vkSj oSf'od<br />

fLFkjrk ls lacaf/kr dk;ZØeksa esa lfØ; gaSA ,d vfHkus=h ds :i esa ns”k&fons”k esa mUgksaus yxHkx 50 ukVd] 40 Vhoh /kkjkokfgd vkSj<br />

Ng fQYeksa esa dke fd;k gSaA fnYyh fo'ofo|ky; ls jktuhfr foKku esa Lukrd gksus ds ckn os fyfoax fFk,Vj vdkneh xbZ vkSj<br />

bczkfge vYdkth ds ekxZn'kZu esa vfHku; lh[kkA mUgksaus us'kuy Ldwy v‚Q Mªkek fFk;sVj esa vfHku; dk f'k{k.k Hkh fd;k A ok.kh us<br />

2011 esa Hkksiky] e/; çns'k esa ns'k ds igys jkT; ljdkj }kjk lapkfyr ukVî fo|ky; dh LFkkiuk dhA ok.kh Hkkjr esa i=dkfjrk<br />

vkSj çlkj.k ls Hkh tqM+h jgha gSaA<br />

'kksek ,- pVthZ<br />

'kksek pVthZ dksydkrk fLFkr Ýhykal i=dkj] fQYe fo”ks’kK vkSj ysf[kdk gSaA og yxHkx ,d ntZu fçaV ehfM;k vkSj v‚uykbu<br />

çdk'kuksa esa ;ksxnku djrh gSA mUgksaus 1991 esa loZJs"B fQYe leh{kd ds fy, vkSj 2002 esa flusek ij loZJs"B iqLrd ds fy, nks<br />

jk"Vªh; iqjLdkj thrs gSaA dbZ vU; iqjLdkjksa vkSj Qsyksf'ki ds lkFk&lkFk fy, mUgksaus 24 iqLrdksa dh jpuk dh gS ftuesa ls vf/kdka'k<br />

Hkkjrh; flusek ij gSaA mudh uohure iqLrd oqeu ,V n foaMks ¼gkiZj&d‚fyal bafM;k½ lR;ftr js dh fQYeksa ukjh ds fp=.k ls Ásfjr<br />

gSaA lR;ftr js dh fQYesa VSxksj dh dgkfu;ksa ij vk/kkfjr gSA<br />

ikCyks lht+j<br />

ikCyks lht+j dk tUe 26 Qjojh] 1962 dks C;wul vk;lZ esa gqvk FkkA og vtsaZVhuk ds funsZ”kd] fuekZrk] ys[kd] vfHkusrk vkSj laiknd<br />

gSaA ikCyks us Ng lky dh vk;q esa igyk d‚feDl cuk;k] 10 lky esa igyk cqysfVu fy[kk vkSj eqfær fd;kA 1975 esa muds cM+s HkkbZ us<br />

mUgsa ,d ohfM;ks dSejk fn;k mUgksaus ftldk mi;ksx djds nks lky ckn 7 feuV dh viuh igyh y?kq fQYe cukbZ vkSj mldh iVdFkk<br />

Hkh fy[khA blh Øe esa mUgksaus dbZ Á;ksxkRed y?kq fQYesa cukbZ vkSj muds fy, vusd iqjLdkj ÁkIr fd;sA ikCyks vusd varjkZ’Vªh; fQ+Ye<br />

lekjksgksa esa fu.kkZ;d eaMy ds lnL; jg pqds gSaA 1992 ls os ;wfuoflZMkM Msy flus Mh C;wul vk;lZ esa çksQslj gSaA og vtsaZVhuk vkSj<br />

Vîwuhf”k;k ¼bfDouksfl;ks] n xkMZu v‚Q jksts+l] 1991½] Hkkjr ¼;wfud‚uZ] n xkMZu v‚Q ÝwV~l] 1996½ vkSj ekyh ¼,Ý+ksMkbV] n xkMZu<br />

v‚Q+ ij;wEl] 1998½ ds chp fQYe lg&çksMD'kal ds vxz.kh FksA ;s rhuksa fQYesa mu ns”kksa ds yksd feFkdksa ij vk/kkfjr Fkha tgka mUgsa<br />

fQ+Yek;k x;k FkkA tks lkaxzs ¼2003½] xzs Q+k;j ¼1994½ vkSj n lsØsM QS+feyh ¼1988½ tSlh fQ+Yeksa ds fy, Áfl) gSaA<br />

jkbek lsu<br />

jkbek lsu ,d ç'kaflr fQYe vfHkus=h gSA mudh lQyrk dh Hkwfedk _rqi.kksZ ?kks"k dh pks[ksj ckyh vkSj leh{kdksa }kjk ç'kaflr<br />

2005 ds c‚yhoqM fQYe ifj.khrk esa gqbZA og rc ls caxkyh vkSj fganh fQYeksa esa egRoiw.kZ Hkwfedk fuHkkbZA 2014 esa] mUgksaus foyh;e<br />

'ksDlfi;j ls vuqdwfyr ,d caxkyh fQYe dh çeq[k fºznegkjh ctkbZ vkSj ckMZ ds tUe ds 450 osa o"kZ ij ,d J)katyh ds :i<br />

esa çLrqr fd;kA mudh vU; fQYeksa esa ,D'ku fFkzyj nl] vark egy] n cksax dusD'ku] euksjek Ng QhV vaMj vkSj fgV caxkyh<br />

fQYe cs'ksJkcksu gSaA<br />

equ equ lsu<br />

equ equ lsu us ,d i=dkj vkSj fQYe leh{kd ds :i esa viuk dSfj;j 'kq: fd;kA fQYeksa esa vkus ls igys og xzkfQd fMtkbu<br />

i


PANEL DISCUSSION<br />

Tagore On Celluloid<br />

“Tagore on Celluloid” presented by ZEE Jaipur Literature Festival.<br />

Moderator - Vani Tripathi Tikoo Producer & Actress<br />

Vani Tripathi Tikoo is one of the youngest ever members of the Central Board of Film Certification. Her campaigns and outreach<br />

programmes as an artist and activist have focused on encouraging women’s participation in politics and bringing the youth<br />

to a universal platform that addresses issues like education, empowerment and employment. As a producer, she has been<br />

deeply involved in programmes related to environment and global sustainability. She has also been closely involved in theatre,<br />

films and television, having worked in India as well as abroad. As an actor, she has about 50 plays, 40-odd TV serials and<br />

six films to her credit. After graduating in political science from Delhi University, she went to the Living Theatre Academy of<br />

Drama and learnt acting under the guidance of the legendary theatre guru Ebrahim Alkazi. The noted theatre personalities Vani<br />

has worked with include B.V. Karanth, Maya Rao, Barry John and Tripurari Sharma. Later, she worked as an actor-teacher at<br />

the National School of Drama’s Theatre in Education Company. She founded the country’s first state government-run drama<br />

school in Bhopal, Madhya Pradesh Natya Vidyalaya, in 2011. Vani was also attached to journalism and broadcasting in India.<br />

She continues to contribute to Indian newspapers from time to time. She is currently on the Core Committee for the <strong>International</strong><br />

Film Festival of India.<br />

Shoma A. Chatterji<br />

Shoma A. Chatterji is a Kolkata-based freelance journalist, film scholar and author. She contributes to around a dozen print media<br />

and online publications. She has won two National Awards for Best Writing on <strong>Cinema</strong> - for Best Film Critic in 1991 and for Best<br />

Book on cinema in 2002 along with several other awards and fellowships. She has authored 24 books of which most are on Indian<br />

cinema. Her latest, Woman at the Window (Harper-Collins India), deals with the material universe in Ray’s films adapted from<br />

Tagore’s stories.<br />

Pablo Cesar<br />

At the age of six he began to project comics, at 10 he wrote and printed his first bulletin that he sold at the Champagnat School<br />

where he was studying and in nearby kiosks. In 1975, his older brother gave him a video camera that he used intensively and<br />

two years later he scripted and made his first short film of 7 minutes, followed by others. In 1980, for his short film Del genesis, he<br />

was awarded the first prize in the “Experimental” category in the contest of the Ateneo Foto-Cine Rosario, in addition to earning a<br />

mention for Best Editing and Third Prize (without category) in the contest of the Circle of Filmmakers Marplatenses and a Special<br />

Mention of UNCIPAR. For his film De los caras de los espejos, Cesar won the First Prize of UNICA, the Amateur <strong>International</strong> Film<br />

Union in 1983. He was a jury at the festivals of Amiens (France), Montreal Young Film Festival (Canada), Kelibia (Tunisia), Huy<br />

(Belgium), Hyderabad (India), Ouagadougou (Burkina Faso), Villa Carlos Paz and Buenos Aires. Since 1992 he is a professor at<br />

the Universidad del Cine de Buenos Aires. He was a pioneer in film co-productions between Argentina and Tunisia (Equinoccio,<br />

The Garden of Roses, 1991), India (Unicorn, The Garden of Fruits, 1996) and Mali (Aphrodite, The Garden of Perfumes, 1998).<br />

These three films were mostly based on folk myths from each of the countries where they were filmed.<br />

Raima Sen<br />

Raima is an Indian film actress. Her breakthrough role came when she starred in Rituparno Ghosh's film Chokher Bali and the<br />

critically acclaimed hit in 2005 Parineeta. 2014 saw Sen as the leading lady in the critically acclaimed Hrid Majharey, the first<br />

Bengali movie based on the works of William Shakespeare, and presented as a tribute on the 450th year of birth of the Bard. Her<br />

other works include the action thriller Dus and the Bengali film Antar Mahal, The Bong Connection, Manorama Six Feet Under<br />

and the hit Bengali film Baishe Srabon.<br />

Moon Moon Sen<br />

Moon Moon Sen began her career as a journalist and film critic and later taught as a graphic designer before embarking on a<br />

successful cinematic journey. As an actress, she has worked in more than 60 films in 22 languages and countless TV serials.<br />

For over 6 years, she has been an active part of the Bengali "jatra", an ancient form of folk theatre with its roots in religion and<br />

mythology.


isuy }kjk ppkZ<br />

fMftVy Lisl n +;wpj<br />

MhftVy Lisl & bldk Hkfo"; vkSj D;k ;g flusek ds fy, vk'kadk gS \<br />

lapkyd Hkkjrckyk] fQYe fuekZrk<br />

Hkkjrckyk dk –f"Vdks.k fQYe fuekZ.k ds Áfr u;k gSA ljy Hkkouk,a vkSj cM+k dSuokl budh dk;Z”kSyh dks fpfUgr djrs gSaA Hkkjrckyk<br />

fo'o ds Jksrkvksa dks Hkkjrh; dFkk,a ,d lkoZHkkSfed laosnu'khyrk ds lkFk crkus ds fy, Áfl) gaSA varjjk"Vªh; flusek dks ns[kdj<br />

cM+s gq, Hkkjrckyk MsfoM yhu] MsfoM fyap vkSj fcey j‚; dh fQ+Yeksa ls cgqr çHkkfor gaSA czkthy ds funsZ'kd okWVj lkysl vkSj<br />

phuh funsZ'kd >kax f;ew us vius ns'k dhs dgkfu;ksa dks fo'o flusek LFkku esa fnyk;kA blh Ádkj Hkkjrckyk Hkh Hkkjrh; dgkfu;ksa dks<br />

varjkZ"Vªh; eap ij ys tkus ds fy, vR;ar mRlkfgr gSaA<br />

'ks[kj diwj<br />

'ks[kj diwj fQYe funsZ'kd] fuekZrk vkSj dFkkdkj gSaA mUgksaus fganh fQYe eklwe ds lkFk funsZ'ku dh 'kq#vkr dhA mudh fQYe feLVj<br />

bafM;k O;kolkf;d lQy rFkk Hkkjrh; flusek dh 100 loZJs"B Hkkjrh; fQYeksa esa ls ,d jghA mUgksaus dbZ o`Ùkfp= vkSj y?kq fQYe<br />

Hkh cukbZ gS diwj us Qwyu nsoh dh thouh fQYe n csafMV Dohu ds lkFk oSf'od ekU;rk çkIr dh vkSj bls loZJs"B fganh fQYe dk<br />

jk"Vªh; fQYe iqjLdkj feykA 'ks[kj us jkuh ,fytkcsFk ds thou ij vk/kkfjr nks ,sfrgkfld fQ+Yeksa esa dSV CySapsV dks vfHku; dk<br />

volj nsdj varjjk’Vªh; igpku fnyk;hA 'ks[kj us ,aMª;w y‚;M oscj ds lkFk c‚Ecs MªhEl cuk;kA ,d fMftVy ehfM;k m|eh ds<br />

:i esa Hkkjr ds lcls lQy v‚uykbu IysVQkeZ ßD;wdhß dh LFkkiuk dhA vesfjdh çlkjd ds fy, fofy;e 'ksDlfi;j J`a[kyk dk<br />

funsZ'ku vkSj fuekZ.k fd;k gSA<br />

fot; lqcze.;e<br />

vestWu çkbe ohfM;ks bafM;k esa dUVsaV funsZ'kd fot; lqcze.;e dks ehfM;k&Vhoh] jsfM;ks] çdk'ku vkSj fMftVy ehfM;k ds lHkh eq[;<br />

fo/kkvksa dk 20 ls vf/kd o"kksaZ ds vuqHko gSA lqczã.;e o‚YV fMtuh bafM;k esa ehfM;k usVod ds dk;Zdkjh funsZ'kd cusA blls igys<br />

mUgksaus ,eVhoh] bZ,uvkbZ,y&jsfM;ks fephZ] LVkj bafM;k vkSj LVkjMLV esa dke fd;kA lqczã.;e us fMTuh bafM;k ds ;qok pSuy fcankl<br />

ds fodkl esa egRoiw.kZ Hkwfedk fuHkkbZA mUgksaus n fVªi] xyZ bu n flVh vkSj beks”kuy vR;kpkj tSls lQy dk;ZØeksas dh 'kq:vkr dhA<br />

ufpdsr iaroS|<br />

ufpdsr iaroS| ,,yVh fMftVy ehfM;k ,aVjVsuesaV fyfeVsM ds lhbZvks gSaA og daiuh esa lkexzh] foi.ku] forj.k vkSj jktLo ds<br />

ifjpkyu esa ih ,aM ,y dk mÙkjnkf;Ro laHkkyrs gaSA blls igys og lksuh ,aVjVsuesaV Vsyhfotu ds fctusl Áeq[k FksA og LVkj<br />

Iyl ds fctusl Áeq[k Hkh Fks vkSj mUgksaus LVkj Vhoh usVodZ esa dbZ Hkwfedk,a dh ftuesa LVkj çokg ds çeq[k vkSj Q‚Dl Vsyhfotu<br />

LVwfM;ks ds çca/k funsZ'kd 'kkfey FksA vkbZvkbZ,e&vgenkckn ds iwoZ Nk= ufpdsr us chchlh vkSj fMTuh esa egRoiw.kZ çca/ku Hkwfedk,a<br />

fuHkk;ha gSaA<br />

lehj uk;j<br />

ehfM;k vkSj euksjatu m|ksx ds fnXxt lehj uk;j rhu n'kdksa rd vxz.kh ehfM;k Áfr’Bkuksa ds çeq[k jgss gSaA mudss dfj;j dh<br />

miyfC/k;ksa esa LVkj Vhoh usVodZ dk lq/kkj] vferkHk cPpu ds dkSu cusxk djksM+ifr dk çlkj.k vkSj LVkj Iyl ij ckykth ÁksMD”kal<br />

fufeZr lksi vksisjk 'kkfey FksA lehj ,uMhVhoh besftbu fyfeVsM ds lkFk m|eh cu x,A ckn esa mUgksaus VuZj tujy ,aVjVsuesaV<br />

usVodZ ds lhbZvks cuus ds fy, ,uMhVhoh besftu dks VuZj xzqi dks csp fn;kA mlds ckn lehj ckykth VsyhfQYEl fyfeVsM esa<br />

,,yVh ckykth ds lkFk mudk igyk fMftVy vkmVjhp ch 2 lh “kq# djus ds fy, 'kkfey gks x,A vxLr <strong>2017</strong> esa lehj us<br />

euksjatu djus ds fy, ,d u;k O;kolkf;d lQ+j & ,d ehfM;k] daVsaV vkSj vkbZih fØ,”ku LVwfM;ks vkfnR; fcM+yk lewg ds<br />

v/;{k dqekj eaxye fcM+yk ds lg;ksx ls 'kq: fd;k<br />

dj.k va'kqeu<br />

dj.k va'kqeu ,d ys[kd vkSj funsZ'kd gSaA mudh igyh y?kq fQ+Ye ,ysosVj ,fVdsV laHkor% fMftVy çk:i esa cuh Hkkjr dh igyh<br />

fQYe FkhA ;g fMftVy V‚dht lekjksg esa çhfe;j gqbZ FkhA vxyh fQ+Ye HkkbZpkjk dks cfyZu 'k‚VZ~l odZ'k‚i esa vkeaf=r fd;k<br />

x;k FkkA mUgksaus vkbZlhvkbZlhvkbZ çwMsaf'k;y] c‚Ecs Mkbax] ,elh,Dl] vkSj lsu o‚Vj fQYVj vkfn ds fy, foKkiu vkSj d‚iksZjsV<br />

fQYeksa dk funsZ'ku fd;kA mUgksaus lbZn fetkZ ds lkFk dbZ fQ+Yeksa vkSj iqLrdksa ij dke fd;kA dj.k iqjLdkj fotsrk osc vkSj eksckby<br />

fodkl ,tsalh MªheLdsi ehfM;k ds jpukRed funsZ'kd vkSj Hkkjrh; flusek ij xaHkhj n`f’V j[kus okys fQYe iksVZy vijLV‚y-d‚e<br />

ds lg&fuekZrk gSaA Vkbe if=dk }kjk bl osclkbV dks fo”o dh loksZPp rhu euksjatu osclkbV~l esa ls ,d ds :i esa ewY;kafdr<br />

fd;k x;k gSA dj.k rhu o’kZ rd eqacbZ fejj if=dk ds fQ+Ye vkykspd jgs gSaA


PANEL DISCUSSION<br />

Digital Space The Future Ahead<br />

“Digital space – What is the future and is it a threat to <strong>Cinema</strong>?<br />

Moderator Bharatbala Filmmaker<br />

Simple emotions and big canvasses mark the working style of this Chennai-born man who has a fresh outlook to filmmaking.<br />

A person who breathes life into his visuals through real places and people, Bharatbala tells Indian stories with a universal sensibility<br />

to a world audience. Having grown up on a diet of international cinema, Bharatbala is deeply influenced by works of David<br />

Lean, David Lynch and Bimal Roy. Like Brazilian director Water Salles and Chinese director Zhang Yimou, who have brought<br />

stories from their countries into the world cinema space, Bharatbala too is passionate about showcasing stories from India to an<br />

international audience.<br />

Shekhar Kapur<br />

Shekhar Kapur is an Indian film director, producer and storyteller. He made his directorial debut with the Hindi film Masoom. His<br />

film Mr. India was a huge commercial success and was declared one of the ‘100 Greatest Indian Films of All Time’. Kapur gained<br />

global recognition with Bandit Queen, which won the National Film Award. Kapur co-created the hit West End show Bombay<br />

Dreams with Andrew Lloyd Webber. He has served as a jury member at the 63rd Cannes Film Festival. He is also a digital media<br />

entrepreneur, founding ‘Qyuki’, one of India’s most successful online platforms for young Indian creators.<br />

Vijay Subramaniam<br />

Vijay Subramaniam, director for content at Amazon Prime Video India, is a media and entertainment professional with over 20<br />

years of experience in all mainstream forms of Media - TV, radio, publishing and digital Media. Subramaniam joined Walt Disney<br />

India in 2007 as executive director, media networks, before which he worked at MTV, ENIL- Radio Mirchi, Star India and Stardust.<br />

Subramaniam played a key role in the growth of Disney India’s youth channel Bindass; he steered the launches of successful<br />

shows like The Trip, Girl in the City and Emotional Atyachaar.<br />

Nachiket Pantvaidya<br />

CEO of ALT Digital Media Entertainment Ltd, Nachiket Pantvaidya has P&L responsibility of the company’s operations spanning<br />

content, marketing, distribution and revenues. In his earlier assignment, he was business head of Sony Entertainment Television.<br />

He was also the business head of Star Plus and held several roles in the Star TV network, including head of Star Pravah and<br />

Managing Director of Fox Television Studios. An IIM-Ahmedabad alumnus, he has also held key management roles in BBC and<br />

Disney.<br />

Sameer Nair<br />

A media and entertainment industry veteran, Sameer Nair’s illustrious career spans across three decades with him holding<br />

key positions at leading media houses. Among varied highlights in his career span was the network revamp at Star TV and the<br />

launch of Amitabh Bachchan’s KBC, and the Balaji soap operas on Star Plus. Sameer turned entrepreneur with NDTV Imagine<br />

Ltd. Later, he successfully concluded the sale of NDTV Imagine to the Turner Group, to become the CEO of Turner General<br />

Entertainment Networks. After this, Sameer went on to join Balaji Telefilms Ltd. as its Group CEO devising an expansive strategy<br />

for the company’s foray into digital - their first B2C outreach with ALT Balaji. In August <strong>2017</strong>, Sameer began a new professional<br />

journey to helm Applause Entertainment - a media, content & IP creation studio - promoted by Aditya Birla Group chairman -<br />

Kumar Mangalam Birla.<br />

Karan Anshuman<br />

Karan Anshuman is a writer and director. His first short, Elevator Etiquette, was a pure digital format film – that premiered at the<br />

Digital Talkies festival. The next short – Bhaichara – was invited to the Berlinale Shorts Workshop. He also directed ads and<br />

corporate films for ICICI Prudential, Bombay Dyeing and many more. He worked with Saeed Mirza on multiple docu, feature,<br />

and book projects and also wrote for television. Karan is the co-founder of two digital initiatives: he is the creative director of<br />

Dreamscape Media, an award-winning web and mobile development agency; and co-creator of Upperstall.com, a film portal that<br />

takes a serious look at Indian cinema and rated by TIME Magazine as one of the Top 3 entertainment websites in the world. Karan<br />

was the film critic for Mumbai Mirror for an eventful 3 years.


isuy }kjk ppkZ<br />

viuh vxyh fQ+Ye dSls cuk,a<br />

*vkidh vkxkeh fQYe dSls cuk, \ & ;qok fuekZrk ,oa ys[kdksa ds fy,* n çksMîwllZ fxYM v‚Q bafM;k fy- }kjk çLrqr vkSj vuqiek pksçk] fQYe leh{kd]<br />

i=dkj ,oa ys[kd }kjk lapkfyr gSA<br />

lapkyd vuqiek pksiM+k<br />

vuqiek pksiM+k ,d vkykspd] ys[kd vkSj eqacbZ fQ+Ye egksRlo dh funsZ'kd gSaA og 1993 ds ckn ls U;w;‚dZ VkbEl] n y‚l ,aftYl<br />

VkbEl vkSj lkbV ,aM lkmaM tSls varjjk"Vªh; çdk'kuksa esa c‚yhoqM ds ckjs esa fy[krh gSA og fQ+Ye dEisfu;u dh laLFkkid vkSj<br />

laiknd Hkh gSaA mUgksaus Hkkjrh; flusek ij dbZ iqLrdsa fy[kh gSaA vuqiek dks viuh iqLrd 'kksys % n esfdax v‚Q , Dykfld ds fy,<br />

loZJs"B iqLrd dk jk"Vªh; fQ+Ye iqjLdkj çkIr gqvk gSA<br />

fl)kFkZ j‚; diwj<br />

fl)kFkZ j‚; diwj çfrf"Br fQYe fuekZrk j‚; diwj fQ+YEl ds laLFkkid vkSj çksMîwllZ fxYM vkWQ+ bafM;k ds v/;{k gSaA og eqacbZ<br />

fQYe egksRlo ¼,e,,evkbZ½ ds cksMZ ds VªLVh vkSj Hkkjrh; varjkZ"Vªh; fQYe egksRlo ¼vkbZ,Q,QvkbZ½ dh lapkyu lfefr ds lnL;<br />

gSaA og o‚YV fMtuh daiuh bafM;k ds iwoZ çca/k funsZ'kd FkssA mUgksaus vusd vlk/kkj.k fQYeksa dk fuekZ.k fd;k vkSj Lo;a dks Hkkjrh;<br />

flusek txr ds l”kDr fuekZrk ds :i esa LFkkfir fd;k gSA os n bdksu‚fed VkbEl ds 40 o’kZ ls de vk;q okys 40 loksZPp bafM;u<br />

fctusl yhMlZ vkSj g‚yhoqM fjiksVZj usDLV tsusjs”ku ,f”k;k bukWxqjy Dykl vkWQ+ ;ax yhMlZ dh lwph esa 'kkfey gsaA fl)kFkZ j‚;<br />

diwj dks fQYeksa ds vfrfjDr muds m|ksx usr`Ro vkSj miyfC/k;ksa ds fy, vusd iqjLdkj ÁkIr gks pqds gaSA<br />

,drk diwj<br />

,drk diwj dks Hkkjr ds Vsyhfotu ifj–'; esa ifjorZu dk Js; fn;k tkrk gSA ckykth VsfyfQYEl ds vf/kdrj dk;ZØe euksjatd vkSj Ápfyr<br />

gSaA daiuh dh lQyrk ds ihNs Ásj.kkRed 'kfä ds :i esa ,drk fnu&çfrfnu ds jpukRed –f"Vdks.k esa fo'okl djrh gSA ,drk fu;fer :i<br />

ls çfrfnu 16&18 ?kaVs dke djrh gSaA ,drk ds ekxZn'kZu ds rgr ckykth us yxHkx gj çeq[k Vhoh iqjLdkj thrk gSA NksVh mez esa cM+s cM+s /<br />

kkjkokfgd cukus ds dkj.k mUgsa dbZ çfrf"Br iqjLdkj feys] ftuesa n bdksu‚fed VkbEl ¼fctusloweu v‚Q+ n bZ;j &2002½] vuZLV ,aM ;ax<br />

¼vkaVsªÁsU;ksj vkWQ+ n b;j] 2001½ vkSj vesfjdu ck;kxzksfQ+dy baLVhVîwV ¼oqeWu vkWQ+ n b;j] 2001½ “kkfey gSaA 2016 esa bEisDV if=dk }kjk Hkkjrh;<br />

foi.ku] foKkiu vkSj ehfM;k ikfjfLFkfrdh ç.kkfy;ksa esa ß50 eksLV bU+yq,saf”k;y oqeWuß esa ,drk diwj dks uacj 1 dh fLFkfr esa [kk j x;k FkkA<br />

fot; flag<br />

fot; flag dks ekpZ 2008 esa Q+‚Dl LVkj LVwfM;kst+ bafM;k ds eq[; dk;Zdkjh vf/kdkjh fu;qä fd;k x;k FkkA ;g LVwfM;ks c‚yhoqM<br />

dh fQ+Yeksa dk fuekZ.k vkSj g‚yhoqM rFkk c‚yhoqM fQ+Yeksa ds fy, ,d ekdsZfVax vkSj fMLVªhC;w'ku IysVQkeZ LFkkfir djrk gSA os LVkj<br />

bafM;k ds d‚jiksjsV dk;ksaZ tSls ubZ fctusl j.kuhfr fodflr djus vkSj Hkkjr esa LVkj ds la;qä m|e dkjksckj dh ns[kjs[k ds fy,<br />

ftEesnkj FksA fot; flag us Hkkjr esa lksuh E;wftd ,aVjVsuesaV dh LFkkiuk dh] tgka og 1996 ls 2002 rd çca/k funs'kd ds :i esa<br />

dke fd;kA blls igys mUgksaus ;wfuyhoj xzqi] o‚YV fMtuh dUT+;wej ÁksMDV~l vkSj VkVk ds xzqi ds lkFk ç'kklfud dk;ZHkkj laHkkykA<br />

Lkkftn ukfM;kMokyk<br />

lkftn ufM;kMokyk] ufM;kMokyk ifjokj dh rhljh ihls “kknh djksxh] gs; csch] gkmlQqy ¼vkSj blds lhDosy½ gkbZos] 2 LVsV~l]<br />

ghjksiarh] fdd] rek”kk] ckxh] fM'kwe vkSj tqMoka 2 tSlh fgV fQYesa 'kkfey gSaSA<br />

dj.k tkSgj<br />

dj.k tkSgj us 25 lky dh mez esa dqN dqN gksrk gS ls vius funsZ'ku dh 'kq#vkr dhA ;g fQ+Ye Hkkjrh; flusek esa ,d ehy dk<br />

iRFkj cuh ftls O;kolkf;d lQyrk ds lkFk lkFk Hkkjr vkSj fo'o esa leh{kdksa dh ç'kalk Hkh çkIr gqbZA fiNys 15 o"kksaZ esa mUgksaus<br />

dHkh [kq”kh dHkh xe] dHkh vyfonk uk dguk vkSj ekbZ use bt+ [k+ku tSlh leh{kdksa }kjk ç'kaflr vkSj O;kolkf;d :i ls lQy<br />

fQ+Yeksa dk funsZ'ku vkSj ys[ku fd;k gSA cgqeq[kh ÁfrHkk okys dj.k ,d çHkko'kkyh m|ksxifr Hkh gSaA dj.k ,d Vsyhfotu O;fäRo]<br />

V‚d 'kks gksLV] d‚LVîwe fMtkbuj vkSj vfHkusrk gSaaA muds V‚d 'kks d‚Qh foFk dj.k us Hkkjrh; Vsyhfotu ij lcls T;knk ns[ks<br />

tkus okys vaxzst+h V‚d 'kks gksus dk xkSjo çkIr fd;k gSA dj.k tkSgj vfXuiFk] nksLrkuk] ;s tokuh gS nhokuh] osd vi flM vkSj<br />

,d eSa vkSj ,d rw tSlh CykWdcLVj fQYeksa ds funsZ'kdksa ds ekxZn”kZd vkSj fuekZ.k esa lgk;d jgs gSaA


PANEL DISCUSSION<br />

How to make your next film?<br />

“How to make your next film? - For young Producers and writers” presented by The Producers Guild of India Ltd.<br />

This session will be moderated by Ms Anupama Chopra, Film critic, journalist and author.<br />

Moderator Anupama Chopra Film Critic<br />

Anupama Chopra is a critic, author and director of the Mumbai Film Festival. She has been writing about Bollywood since 1993<br />

for international publications like The New York Times, The Los Angeles Times and Sight & Sound. She is also the founder and<br />

editor of Film Companion. She has written several books on Indian cinema. She won the 2000 National Film Award for Best Book<br />

on <strong>Cinema</strong> for her first book Sholay -The Making of a Classic.<br />

Siddharth Roy Kapur<br />

Siddharth Roy Kapur is an eminent film producer, founder of Roy Kapur Films and the President of the Producers Guild of India.<br />

He is on the Board of Trustees of the Mumbai Film Festival (MAMI) and on the Steering Committee of the <strong>International</strong> Film<br />

Festival of India (<strong>IFFI</strong>). With an exceptional filmography to his credit as a producer, he has established himself as one of India’s<br />

trailblazing creative powerhouses. He has been featured on The Economic Times Top 40 Indian Business Leaders under 40 and<br />

The Hollywood Reporter Next Generation Asia Inaugural Class of Young Leaders.<br />

Ekta Kapoor<br />

Ekta Kapoor is credited with revamping India’s television landscape. She pioneered an entire genre of television content, heralding<br />

India’s satellite television boom. As the creative force behind the Company’s success, she believes in a hands-on approach in<br />

day-to-day creative direction for all their content. Under her creative guidance, Balaji has won almost every major TV award. In<br />

2016, she was placed at the No. 1 position among ’50 Most Influential Women’ in the Indian marketing, advertising and media<br />

ecosystems by IMPACT magazine.<br />

Vijay Singh<br />

Vijay Singh was appointed the CEO of Fox Star Studios India in 2008. Prior to this, he was President, Strategy and Corporate<br />

Development at Star India. Singh set up Sony Music Entertainment in India where he was responsible for setting up Sony’s Music.<br />

He has also worked with The Unilever Group, Walt Disney Consumer Products and the Tata Group.<br />

Sajid Nadiadwala<br />

Sajid Nadiadwala is the third generation filmmaker of the Nadiadwala family who have been in the filmmaking business from more<br />

than 60 years. His passion for entertaining the audience has yielded hit films like Jeet, Judwaa, Mujhse Shaadi Karogi, Heyy<br />

Babyy, Housefull, Highway, 2 States, Heropanti, Kick, Tamasha, Baaghi, Dishoom and Judwaa 2.<br />

Karan Johar<br />

Karan Johar made his directorial debut at age 25 with a path-breaking love story Kuch Kuch Hota Hai. The film remains a landmark<br />

in Indian cinema for the appreciation it received, both critically and commercially, in India as well as internationally. Over the last 15<br />

years, he has directed, written critically and commercially acclaimed blockbusters like Kabhie Khushi Kabhi Gham, Kabhi Alvida<br />

Na Kehna and My Name is Khan. The multi-faceted Karan wears many caps with ease. Besides being an acclaimed director and<br />

one of the most influential men in the industry today, Karan is also a television personality, talk show host, costume designer and<br />

the latest feather in his cap is that of being an actor. His talk show Koffee with Karan has the distinction of being the most watched<br />

English talk show on Indian television. Karan Johar has also been a mentor to many successful directors in India; releasing both<br />

commercial blockbusters like Agneepath, Dostana and Yeh Jawaani Hai Deewani, as well as critical indie successes like Wake<br />

Up Sid and Ek Main Aur Ek Tu.


isuy }kjk ppkZ<br />

fo'o vkfFkZd eap }kjk çLrqr<br />

iSuy ppkZ ,d ubZ okLrfodrk ds fo’k; esa n{krk ÁkIr djus ls lacaf/kr gSA rduhdh uokpkjksa vkSj u, O;olk; e‚My esa Hkkjrh; Vsyhfotu vkSj fQYeksa dks vf/kd<br />

lekos'kh vkSj baVjSfDVo cukus dh {kerk gSA ;g ifjorZu uhfr fuekZ.k] vFkZ'kkL=] O;kikj vkSj lekt lHkh dks ÁHkkfor djsaxsaA tSls&tSls m|ksx ,d mrkj&p ikrs gS vkSj bls ldkjkRed :i nsus ds fy, rS;kj gks tkrs gSaA fo'o vkfFkZd eap }kjk çLrqr<br />

,oa jksukstkW; cuthZ] ,adj vkSj lgk;d laiknd] lh,uchlh Vhoh 18 }kjk lapkfyr iSuy esa 'kkfey gksus okys lnL; gSA<br />

,drk diwj<br />

,drk diwj dks Hkkjr ds Vsyhfotu ifj–’; esa ifjorZu dk Js; fn;k tkrk gSA ckykth VsfyfQYEl ds vf/kdrj dk;ZØe euksjatd<br />

vkSj Ápfyr gSaA daiuh dh lQyrk ds ihNs Ásj.kkRed 'kfä ds :i esa ,drk fnu&çfrfnu ds jpukRed –f"Vdks.k esa fo'okl djrh<br />

gSA ,drk fu;fer :i ls çfrfnu 16&18 ?kaVs dke djrh gSaA ,drk ds ekxZn'kZu ds rgr ckykth us yxHkx gj çeq[k Vhoh iqjLdkj<br />

thrk gSA NksVh mez esa cM+s cM+s /kkjkokfgd cukus ds dkj.k mUgsa dbZ çfrf"Br iqjLdkj feys] ftuesa n bdksu‚fed VkbEl ¼fctusloweu<br />

v‚Q+ n bZ;j &2002½] vuZLV ,aM ;ax ¼vkaVsªÁsU;ksj vkWQ+ n b;j] 2001½ vkSj vesfjdu ck;kxzksfQ+dy baLVhVîwV ¼oqeWu vkWQ+ n b;j]<br />

2001½ “kkfey gSaA 2016 esa bEisDV if=dk }kjk Hkkjrh; foi.ku] foKkiu vkSj ehfM;k ikfjfLFkfr dh ç.kkfy;ksa esa ß50 eksLV bU+yq,saf”k;y<br />

oqeWuß esa ,drk diwj dks uacj 1 dh fLFkfr esa j[kk x;k FkkA<br />

dj.k tkSgj<br />

dj.k tkSgj us 25 lky dh mez esa dqN dqN gksrk gS ls vius funsZ'ku dh 'kq#vkr dhA ;g fQ+Ye Hkkjrh; flusek esa ,d ehy dk<br />

iRFkj cuh ftls O;kolkf;d lQyrk ds lkFk lkFk Hkkjr vkSj fo'o esa leh{kdksa dh ç'kalk Hkh çkIr gqbZA fiNys 15 o"kksaZ esa mUgksaus dHkh<br />

[kq”kh dHkh xe] dHkh vyfonk uk dguk vkSj ekbZ use bt+ [k+ku tSlh leh{kdksa }kjk ç'kaflr vkSj O;kolkf;d :i ls lQy fQ+Yeksa<br />

dk funsZ'ku vkSj ys[ku fd;k gSA cgqeq[kh ÁfrHkk okys dj.k ,d çHkko'kkyh m|ksxifr Hkh gSaA dj.k ,d Vsyhfotu O;fäRo] V‚d 'kks<br />

gksLV] d‚LVîwe fMtkbuj vkSj vfHkusrk gSaaA muds V‚d 'kks d‚Qh foFk dj.k us Hkkjrh; Vsyhfotu ij lcls T;knk ns[ks tkus okys<br />

vaxzst+h V‚d 'kks gksus dk xkSjo çkIr fd;k gSA dj.k tkSgj vfXuiFk] nksLrkuk] ;s tokuh gS nhokuh] osd vi flM vkSj ,d eSa vkSj ,d<br />

rw tSlh CykWdcLVj fQYeksa ds funsZ'kdksa ds ekxZn”kZd vkSj fuekZ.k esa lgk;d jgs gSaA<br />

lq/kka'kq oRl<br />

lq/kka'kq oRl ok;kd‚e 18 ehfM;k çkbosV fyfeVsM ds lhbZvks gSa vkSj mldh lHkh bdkbZ;ksa ds fy, mÙkjnk;h gSaA fiNys pkj o"kksaZ esa mUgksaus<br />

xzqi dks pSuy usVodZ dk foLrkj djrs gq, ykHknk;d m|e ds :i esa lQyrkiwoZd fodflr fd;kA lq/kka'kq us daVssUV&vk/kkfjr flusek dk<br />

fuekZ.k fd;k] fofHkUu 'kSfy;ksa ds euksjatd dk;ZØeksa dks ykbo bosaV~l ds :i esa ÁLrqr fd;kA daT;wej çksMDV~l ds O;olk; dks “kkfey<br />

fd;k vkSj daiuh ds Hkfo"; dks ok;kd‚e 18 fMftVy osaplZ ds vksVhVh IysVQ‚eZ ohvksvksVh ds lkFk rS;kj fd;kA lq/kka'kq ds usr`Ro esa ;g<br />

xzqi 6 ls ysdj 36 pSuyksa rd c


PANEL DISCUSSION<br />

Mastering A New Reality<br />

The Panel Discussion is on Mastering a New Reality; technological innovations and new business models<br />

have the potential to make the Indian television and films more immersive, inclusive and interactive. Yet these<br />

changes will have an impact on policymaking, economics, business and society. As the industry stands at an<br />

inflection point, how can stakeholders better understand the disruptions and be prepared to positively shape it.<br />

Presented by World Economic Forum which will be moderated by Mr Ronojoy Banerjee, Anchor and Assistant<br />

Editor, CNBC TV18.<br />

Ekta Kapoor<br />

Ekta Kapoor is credited with revamping India’s television landscape. She pioneered an entire genre of television content, heralding<br />

India’s satellite television boom. Balaji’s shows have been and continue to be channel drivers for most general entertainment<br />

broadcasters. As the creative force behind the Company’s success, she believes in a hands-on approach in day-to-day creative<br />

direction for all their content; routinely putting in 16-18 hours each day, she moves ahead with India’s rapidly metamorphosing TV<br />

climate. Under her creative guidance, Balaji has won almost every major TV award. Her stellar work in creating a large content<br />

conglomerate at a young age garnered her several distinguished awards, including The Economic Times (Businesswoman of<br />

the Year 2002), Ernst & Young (Entrepreneur of the Year 2001) and the American Biographical Institute (Woman of the Year<br />

2001), among others. In 2016, she was placed at the No. 1 position among ’50 Most Influential Women’ in the Indian marketing,<br />

advertising and media ecosystems by IMPACT magazine.<br />

Karan Johar<br />

Karan Johar made his directorial debut at age 25 with a path-breaking love story Kuch Kuch Hota Hai. The film remains a landmark<br />

in Indian cinema for the appreciation it received, both critically and commercially, in India as well as the world. Following this,<br />

over the last 15 years, he has directed and written critically and commercially acclaimed blockbusters like Kabhie Khushi Kabhi<br />

Gham, Kabhi Alvida Na Kehna and My Name is Khan. The multi-faceted Karan wears many caps with ease. Besides being an<br />

acclaimed director and one of the most influential men in the industry today, Karan is also a television personality, talk show host,<br />

costume designer and the latest feather in his cap is that of being an actor. His talk show Koffee with Karan has the distinction of<br />

being the most watched English talk show on Indian television. Karan Johar has also been a mentor to many successful directors<br />

in India. Karan Johar has also been a mentor to many successful directors in India; releasing both commercial blockbusters like<br />

Agneepath, Dostana and Yeh Jawaani Hai Deewani, as well as critical indie successes like Wake Up Sid and Ek Main Aur Ek Tu.<br />

Sudhanshu Vats<br />

Sudhanshu Vats is Group CEO, Viacom18 Media Pvt. Ltd., and responsible for all its lines of business. In the last four years,<br />

he has successfully steered the group into a profitable growth phase while expanding the channel network, driving content-led<br />

cinema, entering experiential entertainment through live events across genres, opening up the Consumer Products business line<br />

and making the company future ready with Viacom18 Digital Ventures’ OTT platform VOOT. Under Sudhanshu’s leadership the<br />

group has grown from six to over 36 channels and opened up three more lines of business. He is Chairman of the National Media<br />

and Entertainment Committee of CII (Confederation of Indian Industry), Vice President of IBF (Indian Broadcasting Foundation)<br />

and Chairman of BARC (Broadcast Audience Research Council).


Acknowledgements<br />

Steering Committee<br />

Jahnu Barua (Convener)<br />

Siddharth Roy Kapur<br />

Shoojit Sarcar<br />

Bharat Bala<br />

Anand Gandhi<br />

Prasoon Joshi<br />

Vani Tripathi<br />

Piyush Pandey<br />

Shaji N. Karun<br />

Meren lmchen<br />

Ashwiny lyer Tiwari<br />

Director NFDC<br />

Nagesh Kukunoor- Chairman, Technical Committee<br />

Technical Committee<br />

Nagesh Kukunoor - Chairman<br />

NFDC representative<br />

Sameer Arya<br />

Director DFF<br />

Commissioner, Panaji Municipality, Govt of Goa<br />

Chief Engineer (Elect.), Govt of Goa<br />

Health officer, Panaji<br />

Chief Fire Officer, Goa<br />

Traffic Commissioner, Panaji, Goa<br />

Incharge, INOX Theatre, Goa<br />

Chairman, Kala Academy, Goa<br />

CEO, ESG, GOA<br />

Ketan Mehta, Representative of Real Image/ Qube<br />

Anirvan Ghosh, Representative of Pulz Electronics<br />

Ujwal Nirgudkar, Representative of SMPTE<br />

K J Madhusudan, Representative of Barco<br />

Preview Committee<br />

Vivek Agnihotri (Convener)<br />

Khalid Mohamed<br />

Aarti Bajaj<br />

Ramesh Patange<br />

Naresh Chander Lal<br />

Narendra Kohli<br />

Saibal Chatterjee<br />

Abhimanyu Singh<br />

Bhawana Somaaya<br />

Jeevitha Rajasekhar<br />

Gautami Tadimalla<br />

Nitesh Tiwari<br />

G.S. Bhaskar<br />

Pallavi Joshi<br />

Aniruddha Roy Chowdhury<br />

Raja Krishna Menon<br />

Siddharth Kak<br />

Tarun Katial<br />

Abhishek Basu<br />

Hrishitaa Bhatt<br />

Abhishek Jain<br />

Dr. Santwana Bordoloi<br />

Bhaskar Hazarika<br />

Pradip Kurbah<br />

Dominic Megam Sangma<br />

Maipaksana Haorongbam<br />

Zuala Chhangte<br />

Dr. Sachidanand Joshi<br />

Dr. Bharat Gupt<br />

Nirmala Sharma<br />

Rathi Vinay Jha<br />

Rajesh Kumar Singh<br />

Anil Rastogi<br />

Punit Asthana<br />

Ajay Malkani<br />

Bhumenjoy Konsam<br />

Sangee Dorjee Thongdok<br />

Dr. Lavlin Thadani<br />

Filmmaker<br />

Filmmaker<br />

Film Editor<br />

CBFC Member<br />

Filmmaker<br />

Writer<br />

Film Critic<br />

Producer<br />

Film Critic<br />

Actress<br />

Actress<br />

Filmmaker<br />

<strong>Cinema</strong>tographer<br />

Actress<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Reliance, CEO<br />

<strong>Cinema</strong>tographer<br />

Actress<br />

Producer<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Secretary, IGNCA<br />

Former Professor, Delhi University<br />

Professor<br />

Retired Secretary, Ministry of Tourism<br />

Film Critic<br />

Actor<br />

Theatre Director<br />

Theatre Director<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker


Indian Panorama<br />

N. K. Vyas Head - Indian Panorama<br />

Tanu Rai<br />

Dy. Director - Indian Panorama<br />

Anshuman Shekhar<br />

Programmer<br />

Abhisek Das<br />

Assistant Programmer<br />

Jolyn Clare Langhu<br />

Assistant Programmer<br />

Harmeet Kaur Sahdev<br />

Festival Coordinator<br />

Rajat Aggarwal<br />

Festival Coordinator<br />

Surender Kumar<br />

Festival Assistant<br />

World <strong>Cinema</strong> Programming<br />

Deepika Suseelan<br />

Senior Programmer<br />

Bhuvan Lall<br />

Honourary Consultant<br />

Sanjay Ram<br />

Consultant Programmer & Festival Manager<br />

Anshuman Sekhar<br />

Programmer<br />

Prateek Rawat<br />

Programmer and Executive Assistant to the Festival Director<br />

Chandrima Chatterjee<br />

Assistant Programmer<br />

Jeevika Kalra<br />

Festival Coordinator<br />

Rajat Aggarwal<br />

Festival Coordinator<br />

<strong>International</strong> Curators<br />

Martine Armand<br />

Jay Bajaj<br />

Srinivasa Santhanam<br />

Film Scheduling<br />

Prasad Khatu<br />

Administration<br />

N K Vyas<br />

Head Administrator<br />

Sunita Rawat<br />

Co-ordinator<br />

Sonal Mathur<br />

Senior Consultant<br />

Masterclasses and Panel Discussions:<br />

Vani Tripathi Tikoo<br />

Curator<br />

Anupama Bose<br />

Consultant - NFDC<br />

Lancy Paul John<br />

Vertical Manager<br />

Almas Malik<br />

Co-ordinator<br />

Prashanth R<br />

Executive - NFDC<br />

Gargi Upadhyay<br />

Intern​- NFDC<br />

Mixed Reality Sidebar<br />

Anand Gandhi<br />

Artistic Director<br />

Tom Millen<br />

Curator<br />

Mark Atkin<br />

Curator<br />

Anupama Bose<br />

Consultant - NFDC<br />

Vinay Nagashetti<br />

Manager<br />

Zain Memon<br />

Coordinator from Memesys Culture Lab<br />

Rohan Raut<br />

Technical Coordinator from Memesys Culture Lab<br />

George Kuruvilla<br />

CMD, BECIL<br />

D. R. Gogoi Director (O&M), BECIL<br />

W. B. Prasad General Manager, BECIL<br />

Rajeev Sharma<br />

Asst. Manager, BECIL<br />

Avinash Khanna<br />

Asst. Manager, BECIL<br />

Prashanth R<br />

Executive - NFDC<br />

Print Unit Coordination<br />

Sushant Shrotriya<br />

Unit Manager (Films Division) as Print Co-ordinator for 48th <strong>IFFI</strong><br />

Deepu Chaudhary<br />

Film Shipper (Films Division) as Print Collector & Dispatcher for 48th <strong>IFFI</strong><br />

Ajay Prakash<br />

LDC (Films Division) as Print Room In-charge for 48th <strong>IFFI</strong><br />

<strong>International</strong> <strong>Catalogue</strong> Print Layout<br />

Sanjay Colaco<br />

Sachin Puthli<br />

Manish Chhatpar<br />

Print Sources<br />

Beta <strong>Cinema</strong>, Films Distribution, Wildbunch, Socavón Cine, Pluto Film, MandarinVision, Tokyo <strong>International</strong>, Sophie Goyette, MM Square Co., Ltd. , The Match Factory, Wide,<br />

Memento, Luxbox Films, Funny Balloo, Film Factory, Nikkatsu, Arthouse Traffic, Reel Suspects, Nikkatsu, New European Film Sales, Pyramide, Tuvan Media, Jour 2 fete,<br />

Festival Agency, Farabi <strong>Cinema</strong> Foundation , Westend Films, MK2, Mundial Sales, Films Boutique, Elle Driver, Chinese Shadows, Picture Tree, Be For Films, Fox Star India,<br />

Noori Pictures, , Stray Dogs, Cercamon, Soulfood Films, Westend Films, The Great Point Media, Alliance Media, Pyramide, Asfalt Films, FilmNation, Koz Film, Robbie Thorpe,<br />

Terry Pheto, Busi Sizani, Rodrigo Letier, Andrey Shalopa, Anton Yudintsev, Le Che, Caio Gullane, Fabiano Gullane, Debora Ivanov & A nna Muylaert, Dr. Mohan Agashe, Jia<br />

Zhangke, Dong Ping,, Francesca, Sanjay Bhutiani, Rodrigo Michelangeli, Sofia Brockenshire, Park Circus, Shochiku Co Ltd., Tamasa Distribution, , Friedrich-Wilhelm-Murnau-<br />

Stiftung, Svenska Filminstitutet, NFAI, Ego Film Arts, IM Global, Asian Shadows, Alma <strong>Cinema</strong>, Midnight Lamp Films, Seville <strong>International</strong>, Mongret Media, Films Distribution,<br />

WTFilms, Search Engine Films, The Film Sales Company. Mike Mac Millan.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!