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Tokyo Weekender - December 2017 - January 2018

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FROM ABOVE, THE STREETS ARE<br />

GRIDDED CRACKS OF LIGHT. THE<br />

LIGHT IS LIFE. DARKNESS IS DEATH,<br />

CLOAKING THE SKY<br />

perspective to his other series, L’appel du<br />

vide, French for “the call of the void.”<br />

It’s a sequence of rooftop photos, and<br />

named after a phenomenon that urges the<br />

mind to naturally think about self-sabotage<br />

or suicide. When Lukasz wandered<br />

up to rooftops, he’d point his camera down<br />

toward the city and feel the call. “At first<br />

I was just exploring the alleys,” he says,<br />

which eventually led him to look up. From<br />

above, the streets are gridded cracks of<br />

light. The light is life. Darkness is death,<br />

cloaking the sky. Perhaps from a foreigner’s<br />

perspective, the roofs are actually a<br />

refuge from the illuminated eye of a homogenous<br />

world. He says the atmosphere<br />

up there is “serene.”<br />

Other classic <strong>Tokyo</strong>-inspired flicks<br />

like Akira, Ghost in the Shell, and The 5th<br />

Element also inform his work. They give<br />

him a “feedback loop of inspiration.” To<br />

study how images communicate story,<br />

watching film helps him develop content<br />

and context. “In photos, because it’s a still,<br />

the emphasis is so much on composition.<br />

The really impressive photos have really<br />

wild composition. There are so many layers<br />

to [them]. In movies, that’s sometimes<br />

26 | DEC <strong>2017</strong> - JAN <strong>2018</strong> | TOKYO WEEKENDER

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