Tokyo Weekender - December 2017 - January 2018
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FROM ABOVE, THE STREETS ARE<br />
GRIDDED CRACKS OF LIGHT. THE<br />
LIGHT IS LIFE. DARKNESS IS DEATH,<br />
CLOAKING THE SKY<br />
perspective to his other series, L’appel du<br />
vide, French for “the call of the void.”<br />
It’s a sequence of rooftop photos, and<br />
named after a phenomenon that urges the<br />
mind to naturally think about self-sabotage<br />
or suicide. When Lukasz wandered<br />
up to rooftops, he’d point his camera down<br />
toward the city and feel the call. “At first<br />
I was just exploring the alleys,” he says,<br />
which eventually led him to look up. From<br />
above, the streets are gridded cracks of<br />
light. The light is life. Darkness is death,<br />
cloaking the sky. Perhaps from a foreigner’s<br />
perspective, the roofs are actually a<br />
refuge from the illuminated eye of a homogenous<br />
world. He says the atmosphere<br />
up there is “serene.”<br />
Other classic <strong>Tokyo</strong>-inspired flicks<br />
like Akira, Ghost in the Shell, and The 5th<br />
Element also inform his work. They give<br />
him a “feedback loop of inspiration.” To<br />
study how images communicate story,<br />
watching film helps him develop content<br />
and context. “In photos, because it’s a still,<br />
the emphasis is so much on composition.<br />
The really impressive photos have really<br />
wild composition. There are so many layers<br />
to [them]. In movies, that’s sometimes<br />
26 | DEC <strong>2017</strong> - JAN <strong>2018</strong> | TOKYO WEEKENDER