Aziz Art January2018
History of art(west and middle east)- contemporary art
History of art(west and middle east)- contemporary art
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Hayv Kahraman<br />
She was born 1981 is an Iraqi<br />
artist. She primarily paints,<br />
but also sculpts and sketches. Her<br />
works reflect the controversial<br />
issues of gender, specifically<br />
concerning female identity in<br />
relation to her experiences as a<br />
refugee, and all issues that plague<br />
her home country of Iraq. Hayv<br />
currently lives and works in<br />
California, United States.<br />
Life and career<br />
Born in Baghdad, Iraq in 1981.<br />
During the Iran War, Hayv spent a<br />
lot of her time in the basement of<br />
her uncle's house. Her relatives<br />
would all huddle around candles<br />
and play card games.While living in<br />
Iraq, she attended the Music and<br />
Ballet School in central Baghdad.<br />
One night, her family packed their<br />
car and hired a smuggler to take<br />
them where it was safe. They had<br />
reached the Stockholm Arlanda,<br />
the airport in Sweden, and this is<br />
when she became a refugee. She<br />
then moved to Sweden at the age<br />
of 11. She enrolled in music and<br />
ballet classes, but decided to<br />
leave due to the teacher's racism.<br />
She began oil painting at the age of<br />
12 and later had several successful<br />
exhibitions in Sweden.She studied<br />
at the Academy of <strong>Art</strong> and Design<br />
in Florence, Italy. This is where she<br />
met her husband, Anthony<br />
Velasquez. Kahraman's artwork<br />
depict the effects of war, and how<br />
they affect women. Her wide<br />
stylistic references range from<br />
Japanese and Arabic calligraphy art<br />
nouveau, Persian miniatura and<br />
Greek iconography.<br />
Works<br />
War-aq, the Arabic word for playing<br />
cards, is a very personal group of<br />
her works. She combined the idea<br />
of a scattered deck of cards with<br />
the experiences of five million<br />
displaced Iraqis. Migrant 11 is a<br />
series of a contorted dancer that<br />
refers to the deformation of the self<br />
due to migration. This work relates<br />
to her personal experience of<br />
attending the music and ballet<br />
school in central Baghdad. Migrant<br />
3 is a self portrait of herself cutting<br />
off her tongue to represent the loss<br />
of language and communication<br />
through her life experiences.