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Aziz Art January2018

History of art(west and middle east)- contemporary art

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Hayv Kahraman<br />

She was born 1981 is an Iraqi<br />

artist. She primarily paints,<br />

but also sculpts and sketches. Her<br />

works reflect the controversial<br />

issues of gender, specifically<br />

concerning female identity in<br />

relation to her experiences as a<br />

refugee, and all issues that plague<br />

her home country of Iraq. Hayv<br />

currently lives and works in<br />

California, United States.<br />

Life and career<br />

Born in Baghdad, Iraq in 1981.<br />

During the Iran War, Hayv spent a<br />

lot of her time in the basement of<br />

her uncle's house. Her relatives<br />

would all huddle around candles<br />

and play card games.While living in<br />

Iraq, she attended the Music and<br />

Ballet School in central Baghdad.<br />

One night, her family packed their<br />

car and hired a smuggler to take<br />

them where it was safe. They had<br />

reached the Stockholm Arlanda,<br />

the airport in Sweden, and this is<br />

when she became a refugee. She<br />

then moved to Sweden at the age<br />

of 11. She enrolled in music and<br />

ballet classes, but decided to<br />

leave due to the teacher's racism.<br />

She began oil painting at the age of<br />

12 and later had several successful<br />

exhibitions in Sweden.She studied<br />

at the Academy of <strong>Art</strong> and Design<br />

in Florence, Italy. This is where she<br />

met her husband, Anthony<br />

Velasquez. Kahraman's artwork<br />

depict the effects of war, and how<br />

they affect women. Her wide<br />

stylistic references range from<br />

Japanese and Arabic calligraphy art<br />

nouveau, Persian miniatura and<br />

Greek iconography.<br />

Works<br />

War-aq, the Arabic word for playing<br />

cards, is a very personal group of<br />

her works. She combined the idea<br />

of a scattered deck of cards with<br />

the experiences of five million<br />

displaced Iraqis. Migrant 11 is a<br />

series of a contorted dancer that<br />

refers to the deformation of the self<br />

due to migration. This work relates<br />

to her personal experience of<br />

attending the music and ballet<br />

school in central Baghdad. Migrant<br />

3 is a self portrait of herself cutting<br />

off her tongue to represent the loss<br />

of language and communication<br />

through her life experiences.

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